Yamaha FVX-1 Owner's manual

YAMAHA
FM VOICE EXPANDER /AWM VOICE EXPANDER
FVX-1 / AVX-1
USER'S GUIDE
RISK OF ELECTRIC SHOCK
DO NOT OPEN
CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK.
DO NOT REMOVE COVER {OR BACK).
NO USER-SERVICEABLE PARTS INSIDE.
REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.
The exclamation point within an equilateral tri-
angle is intended to alert the user to the presence
of important operating and maintenance (servic-
ing) instructions in the literature accompanying
the product.
Explanation of Graphical Symbols
The lightning flash with arrowhead symbol,
within an equilateral triangle, is intended to alert
the user to the presence of uninsulated “danger-
ous voltage” within the product's enclosure that
may be of sufficient magnitude to constitute a
risk of electric shock to persons.
IMPORTANT SAFETY AND INSTALLATION INSTRUCTIONS
INFORMATION RELATING TO POSSIBLE PERSONAL INJURY, ELECTRIC SHOCK, AND FIRE HAZARD
POSSIBILITIES HAS BEEN INCLUDED IN THIS LIST.
WARNING en using electronic products, basic pre-
cautions should always be followed, including
the following:
Read all Safety and Installation Instructions, Supplemental
1. Marking and Special Message Section data, and assembly
instructions (where applicable) BEFORE using your Yamaha elec-
tronic product. Check unit weight specifications before you attempt
to move this instrument!
Main Power Supply Verification: Your Yamaha electronic prod-
2. uct has been manufactured specifically for the main supply
voltage used in your area. If you should move, or if any doubt exists,
please contact your dealer for instructions. The main supply voltage
required by your electronic product is printed on the name plate. For
name plate location, see graphic in Special Message Section.
This product may be equipped with a polarized line plug (one
3. blade wider than the other). If you are unable to insert the
plug into the outlet, contact an electrician to have your obsolete
outlet replaced. Do NOT defeat the safety purpose of the plug.
Yamaha products not having polarized plugs incorporate construc-
tion methods and designs that do not require line plug polarization.
WARNING—Do NOT place objects on your electronic product's
4, power cord or place the unit in a position where anyone could
trip over, walk over, or roll anything over cords of any kind. Do NOT
allow your electronic product or its bench to rest on or be installed
over cords of any type. Improper installations of this type create the
possibility of a fire hazard and/or personal injury.
Environment: Your electronic product should be installed away
5. from heat sources such as a radiator, heat registers and/or
other products that produce heat. Additionally, the unit should not
be located in a position that exposes the cabinet to direct sunlight, or
air currents having high humidity or heat levels.
Your Yamaha electronic product should be placed so that its
6. location or position does not interfere with its proper ventilation.
Some Yamaha electronic products may have benches that are
7 e either a part of the product or supplied as an optional accessory.
Some of these benches are designed to be dealer assembled. Please
make sure that the bench is stable before using it. The bench
supplied by Yamaha was designed for seating only. No other uses are
recommended.
Some Yamaha electronic products can be made to operate with
8. or without the side panels or other components that constitute
a stand. These products should be used only with the components
supplied or a cart or stand that is recommended by the manufacturer.
Do not operate for a long period of time at a high volume level
9, or at a level that is uncomfortable. lí you experience any
hearing loss or ringing in the ears, you should consult an audiologist.
Do not use your Yamaha electronic product near water or in
10. wet environments. For example, near a swimming pool, spa,
or in a wet basement.
Care should be taken so that objects do not fall, and liquids
1 1 e are not spilled, into the enclosure through openings.
qualified service person when:
. The power-supply cord or plug has been damaged: or
. Objects have fallen, or liquid has been spilled into the product: or
. The product has been exposed to rain: or
. The product does not operate, exhibits a marked change in
performance: or
e. The product has been dropped, or the enclosure of the product
has been damaged.
12 Your Yamaha electronic product should be serviced by a
a
ano
When not in use, always turn your Yamaha electronic product
1 3. “OFF”. The power-supply cord of the product should be
unplugged from the outlet when it is to be left unused for a long period
of time. Notes: In this case, some units may lose some user pro-
grammed data. Factory programmed memories will not be affected.
Do not attempt to service the product beyond that described
14. in the user-maintenance instructions. All other servicing
should be referred to qualified service personnel.
Electromagnetic Interference (RFI). This series of Yamaha
15. electronic products utilizes digital (high frequency pulse)
technology that may adversely affect Radio/TV reception or the
operation of other devices that utilize digital technology. Please read
FCC Information (Page 61) for additional information.
PLEASE KEEP THIS MANUAL
FOR FUTURE REFERENCE!
Thank you for purchasing a Yamaha Voice Expander FVX-1/AVX-1.
Developed as one of the components that comprise the expanded system of the HX Series Electone, the FVX-1/AVX-1 is a
MIDI-compatible Voice Expander equipped with a large number of outstanding features.
To be sure you get maximum satisfaction and use the FVX-1/AVX-1 under optimum conditions, please read through this User's
Guide carefully.
* Before reading this Guide, be sure to read the “HX-SERIES eThe contents of this Guide is subject to change without
EXPANDED SYSTEM USER'S GUIDE.” advance notice.
e To avoid unexpected accidents, be sure to read “Handling e While every precaution has been taken to ensure the
Precautions” and “Connection Procedures.” accuracy of this Guide, please contact the Yamaha Music
Dealer where you purchased this unit in the case you have
any questions or detect any error or omission.
Contents
I. INTRODUCTION Page
1. Handling Precautions ...................e= es... nece, Nacen EeaEErenTadODo. 2
2. Connection Procedures ..................e...eeerrerrauceeenzeearee eee aa. 3
3. Description of the Parts (Front Panel) .......................eencccocosrrzecanoo e. 5
4. An Overview of the Functions..................ee=er=í=eccoourano eee areeaoar aa 6
5. Installing the AWM Voice Pack [AVX-I] uses esosas sense n ace seen ace nana nee 8
6. The Power-On Status and Reset.................ee=...ee...eeeeorrsaaiciaoeadereozeeco 9
7. Volume Level Control.............e=..emrr...errn.ocoeosnaaoaa naa RENE medareerec a 10
8. Now, Let's Produce Some Sounds ...................ee..r.eeeeínearrrrrenaecorae. 11
Il. MIDI-RELATED SETTINGS
‚1. MIDI ENABLE {Choosing the Tone Groups to be Sounded)................... 12
2. MIDI (Setting the Receiving Channels) ..................ee.r....r...eecucecerezcen.. 13
1. SETTING A REGISTRATION
1. VOICE (Choosing the Voices).................e..e.eeernesraoreracee DD aeancenaenes 14
2. LEVEL (Setting the Volume Level) ..….............…........rcrcrsecsenns ces n anse na nee 15
3. SUSTAIN (Setting the Sustain Length)...…........................sercrsereane rennes 16
4-a. EFF. SEL. (Selecting the Effector)....….......…........…........srrneneenca sac non senranna nn 17
4-b. EFF. DEP. (Setting the Effector Parameters)..................…..…..........1erveree 18
5. VIBRATO (Setting the Vibrato Parameters) [FVX-1]........................eeo... 19
6. OCT. SHIFT (Setting the Octave Shift) [AVX-1] ....................eccconveveavono 20
7. FUNCTION (Setting the Functions) .................e...e.-rrsirecornor eZ 21
MEMORY (The Registration Memory)...................ec=eoonrincrarremrnceoo e 38
IV. REGISTRATION MEMORY
1.
2. REGIST. (Recalling or Editing a Registration).......................eerm.eí2e........ 40
V. THE PACK FUNCTIONS
1. Reading and Writing the Registration Data.......................ereesrnoruerevco.. 42
2. Reading and Writing User Voice Data [FVX-1]......................eerveseremeveo. 43
VI. OTHER INFORMATION
eThe Preset Voices [FVX-1]..............e_..eee..ecucccrrconiceare neon aaa. 44
eThe Algorithm Patterns [FVX-1] ..............r.er..resceonrareooo ae AA. 48
eThe Default Settings ..................—.e._ce=1esocruriiziaoooonrr rene nene rnee aaa 49
eThe Effector Parameters ..............e...eenecesooraiccenicccnerenceoece naar eee. 50
e The Functions ...........e=—ee.._....ecr.ereerouececose ena nene eee ea 51
eThe MIDI Codes .....................e.cereíierraricen aaa eee eee anar. 52
eMIDI Implementation Charts ...............ec.eec...erevercorocaree ene RER EEERLG 53
eThe Status Codes ..............ew..re..esrivcerenenaceaec enero naaa nee. 55
eSpecifications..............e—.—e=—.—.e.eerr rearme acces EOrUeveCCAUeNTeaeED 55
e Blank Copy of Registration Chart [FVX-1] ..................e...esecrecencooouaien.. 56
e Blank Copy of Registration Chart [AVX-1]..................eíeeesevrrneneree 58
eBlank Copy of Voice Editing Chart [FVX-1]......................e_....e.receveconna 60
eFCC INFORMATION (USA)..........e.....ee_eernceraceaveaereoooreneaceo omar. 61
FH
*Be sure to also read the section on “Handling Precautions” in the separate “HX-SERIES EXPANDED SYSTEM USER'S GUIDE.”
Power Supply
e Make sure to use the supply voltage that is listed on the
nameplate at the bottom of this unit.
e In case of electrical storm probability, unplug the power
cord from the electrical socket in advance.
e [f you will not use the product for a long period of time,
unplug its power cord from the socket.
® Please note that the sound quality may be adversely
affected when the product is used on the same circuit with
another device or appliance of large power consumption,
or with numerous devices on an adapter plug.
Power Cord
e Be careful not to touch the power plug with wet hands;
you may receive an electric shock.
e To prevent damage and short-circuiting of the cord wires,
always hold the power plug when unplugging the cord
and never pull on the cord.
e Do not place objects or step on the power cord.
elt is dangerous to extend the power cord yourself.
Connection
e Before connecting this unit, make sure that the POWER
switch of all devices to be connected is turned OFF.
e Properly connect this unit while referring to “Connection
Procedures” in this Guide as well as “Connection Procedures”
in the separate “HX-SERIES EXPANDED SYSTEM USER'S
GUIDE.” |
® Avoid binding the MIDI cables together with the power
cords.
Remodeling and Parts Replacement
® Do not remodel any of the components nor replace their
parts yourself. Such actions can cause serious damage to
the entire system.
e Any repair work, such as the replacement of parts or the
backup battery, must be done by qualified service
personnel.
Handling and Transport
® Never subject the buttons, knobs, and switches to un-
necessary force.
® To prevent damage and short-circuiting of the cord wires,
always hold the plug when unplugging the cord and never
pull on the cord.
e To prevent damage and short-circuiting of the cord wires
during transport of this unit, make sure to disconnect the
power cord and all other cords before transport.
e Do not place objects on top of this unit nor block the
ventilation openings.
e Be careful to avoid dropping metals object, paper, or other
foreign matter into the openings.
e If water accidentally enters the unit's interior, immediately
turn OFF the POWER switch, unplug the power cord, and
contact the Yamaha Music Dealer where you purchased
this unit.
Handling Precautions
|
Choosing an Installation Site
® Avoid places exposed to direct sunlight.
® Never place the unit near sources of heat, such as a heater.
® Avoid places exposed to excessive moisture, dust, and
excessively low temperatures.
e Install the unit on a flat surface that is not subject to
. Vibration.
e |f possible, it is best to install the unit using the dedicated
rack RAX-1/RAX-1 (5).
® Avoid places where chemicals are used or where the unit
is likely be to exposed to chemicals.
Cleaning the Outer Case
e Clean the outer case by wiping it with a soft, dry cloth.
e Never use thinner, benzine, or chemically harsh solvents
nor chemically-treated cloths.
e If the case is particularly dirty, moisten a soft, clean cloth
in a mild detergent diluted with water, wring the cloth out
well, then wipe off the soiled areas. Next, wipe the unit
again with a dry cloth.
Electromagnetic Interference
e This unit utilizes digital (high-frequency pulse) technology
that may adversely affect the reception of radio, TV, or
other electrical equipment used at the same time. Be sure
to provide adequate distance between this unit and the
device that is being affected by the interference.
elf a high-power broadcasting station or amateur wireless
station is nearby, its radio waves may affect this unit.
If the Unit Operates Abnormally
elf this unit produces smoke or an abnormal odor, im-
mediately unplug the power cord and contact the Yamaha
Music Dealer where you purchased this unit.
e Even if you think that the unit has simply blown a fuse,
contact your the Yamaha Music Dealer where you pur-
chased this unit.
| 12
Connection Procedures
*Also read “Connection Procedures” in the “HX-SERIES EXPANDED SYSTEM USER'S GUIDE.”
HIN/OUT Jacks
@ Audio Signal Output Jacks
(3) Audio Signal Input Jacks @ PACK PORT Jack (DMIDI Jacks
© O e
AUX, OUT L
O
© © PACK PORT MIDI IN ©
AUX. IN
O
©
О
MAIN OUT
AUX. OUT L
©
©
© ©
AY L
ей
() MIDI Jacks
PACK PORT Jack
(3 Audio Signal Input Jacks
@ Audio Signal Output Jacks
MIDI IN
MIDI OUT
MIDI THRU
PACK PORT
MAIN IN (L/R)
AUX. IN (L/R)
MAIN OUT (L/R)
AUX. OUT (L/R)
HEADPHONES
(Front panel)
This jack is used to receive MIDI signals, and is connected to the
MIDI OUT jack of another device, such as MDX-1 or HX. (The
front panel's MIDI OUT jack is reserved for connecting a remote
keyboard, etc.)
This jack is used to send MIDI signals (Bulk data only) to a device
that is connected via its MIDI IN jack. This jack is connected to the
MIDI OUT jack of MDX-1, etc. (The front panel's MIDI OUT jack
sends Bulk data exclusively to the device connected to the front
panel's MIDI IN jack.)
This jack directly transfers the signal received at the MIDI IN jack.
It is used in a system that does not include MDX-1 when you wish
to simultaneously send MIDI signals from one instrument to
multiple Voice Expanders.
This jack is used to send and receive Bulk data, and is connected
to Memory Bank MBS-10. (For details, refer to the “MBS-10
USER'S GUIDE.)
These input jacks are used, for example, in the case multiple Voice
Expanders form a cascade connection. The input Audio signals
are output at their input level from the MAIN OUT jacks (see the
next page).
Similar to the MAIN IN jacks, these input jacks are used for a
cascade connection, and output the input Audio signals from the
AUX. OUT jacks.
These jacks output all the Audio signals. When multiple Voice
Expanders form a cascade connection, the Audio signals of the
unit are mixed with the Audio signals input from the MAIN IN
jack, and then output (see the next page).
Note that the pin jacks and phone jacks differ only in shape but
output identical signals.
Similar to the MAIN OUT jacks, these jacks output all the Audio
signals. In case of a cascade connection, the Audio signals of the
unit are mixed with the Audio signals input from the AUX. IN
jack, and then output.
Note that the pin jacks and phone jacks differ only is shape but
output identical signals.
*The output level from AUX. OUT can be separately set for each
Tone Group. Use these jacks when you wish to simultaneously
output from MAIN OUT and to an external effector, such as
Reverb, then control the way the effect is applied according to
the Tone Group.
This jack performs stereo output of Audio signals to a headphone
set. Only the signals of the unit connected to the headphones are
output, and the input signals of neither MAIN IN nor AUX. IN
are output.
E Sample Connections
[For a full system using MDX-1] (For details, refer to the “HX-SERIES EXPANDED SYSTEM USER'S GUIDE.)
[LR J
МОХ - 1 IN
OUT
DI OUT
INPUT INPUT
Mixer
*When using an external effector, such as Reverb,
the system connection above is employed in addi-
tion to the cascade connection of the AUX. OUT
and AUX. IN jacks.
"If you wish to use a mixer to control the output
level at each Voice Expander, connect the MAIN
OUT jacks of each unit to the mixer in parallel.
... HX MI
—|# {|
IN
D 4 3 2 1
MIDI TERMINAL OUT
+
| L—--- HX MIDI IN
cabs hide!
MIDI IN
sen C5
MIDI OUT $
MIDI IN
... à
[For a system in which Performance data is sent directly from HX to two FVX-1 units]
HX
OUTPUT MIDI OUT
— 44
INPUT
Mixer Cor Keyboard Amplifiers)
o]
MIDI IN
PACK PORT
! I
P Pl MBS-10
*И а pin-to-phone adapter plug is used, the OUTPUT
jacks of HX can be connected to the MAIN IN jacks
of a Voice Expander.
*If MBS-10 is connected as shown above, the Bulk
data of the Voice Expanders (Registration data or
User Voice data) can be transferred to and from a
RAM Pack.
FVX-1
AVX-1
(1) Tone Group Section
(2 Common Section
Description of the Parts (Front Panel
(4) Miscellaneous
|
(Tone Group Sect
Tone Group 1 Tone Group 2 Tone G
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Tone Group Display These displays (red) show the data setting for each Tone Group
DATA ENTRY
MIDI ENABLE
MIDI RECEIVE
Common Display
Selector switches
SHIFT (CONFIRM)
MEMORY
based on the functions selected by the selector switches at the
Common Section.
These are click-type rotary switches for changing the data
displayed at the Tone Group displays.
These switches enable or disable the reception of MIDI channel
messages.
These lamps light up to indicate when MIDI signals have been
received.
This display (green) usually shows the currently set Registration
No. When setting the effector, Vibrato, and functions, the display
changes according to the values being set.
These switches are used when selecting the functions to be set for
each Tone Group. At each Tone Group display, the currently set
data of the function of the switch (seven switches excluding the
REGIST switch) that has been pressed ON is displayed. The REGIST
switch is used to recall and/or edit a memorized Registration.
This switch is used to shift to the function (purple) shown at the
lower row of each selector switch.
Press this switch to memorize a Registration that is set at the
panel. With FVX-1, it is also used during Voice Copy and Voice
Edit operations.
5
- ON OFF COARSE DATA ENTRY | DATA ENTRY 2 DATA E
QUT Mi D | | N
> EE O £=3 O
MIDI MIDI MIDI MIDI MIDI
RECEIVE] ENABLE RECE t VEN ENABLE RECEIVE
—7
(9) Miscellaneous (DT
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AWM VOICE AWM ROM DRAWER BE
EXPANDER o
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ction Common Section (Main Control Section
Group 3 Tone Group 4 Selector switches
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)Tone Group Section (2)Common Section (3) Main Control Section
Group 1 Tone Group 2 Selector switches
88) | (884) | :
, ENTRY 1 DATA ENTRY 2
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REGIST + MS 888 с С с С) С СЭ с +
REGIST - oT
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MIDI MON MIDI 4 QSUSTAINMEFUNCT, + | Y
ENABLE RÉCEIVEN ENABLE 5 > U
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(3 Main Control Section MASTER volume This controls the overall volume of the unit.
Level meter The lamps of this display indicate the overall volume level of the
unit that is being output from MAIN OUT.
REMOTE This lamp lights up when the Master Volume MIDI signal is
received from an external device.
Master AUX. This controls the overall volume level of the unit that is being
volume output from AUX. OUT.
Headphones This controls the volume level that is being output from the
VOLUME HEADPHONES jack.
HEADPHONES jack This jack connects a headphone set.
(4) Miscellaneous COARSE This switch is used to change the data values (only data with a
variable range of 100 steps or more) displayed at a Tone Group
Display in 10-step units.
AWM ROM This drawer-type box is used for inserting your AWM Voice Packs
DRAWER (eight maximum) and installing them in the unit. ("see page 8)
(AVX-1 only)
POWER switch This turns the power of the unit ON or OFF. lt is also used to reset
the unit.
MIDI jacks This jack is used to connect a MIDI-compatible external device.
1-4 An Overview of the Functions
E Main Specifications
®Tone Generators FVX-1: FM Tone Generator (8 operators)
AVX-1: AWM Tone Generator
eSoundable Range FVX-1: 88 keys (A_¡ to C-)
AVX-1: 88 keys (A_ 1 to C7)
®No. of Tone Groups FVX-1: 4 Tone Groups/8-note polyphonic
/The Key Modes AVX-1: 2 Tone Groups/8-note polyphonic (or 1 Tone Group/16-note polyphonic)
®No. of Voices FVX-1: Max. 504 voices (248 preset voices +248 user voices +8 common user voices)
AVX-1: Max. 8 voices (according to the AWM Voice Packs installed)
H The Signal Flow [For a full system using MDX-1]
HX Audio signals
i | IN
[MID! signals for Performance datal [MIDI signals for Bulk data]
|
MDX-1
I I 4—
[MIDI signals for Performance datal [MIDI signals for Bulk data]
Mixer —N KA
г
[For a system in which Performance data is sent directly from HX]
HX
I I
[MIDI signals for Performance data] Audio signals
(2)
[Bulk data signals]
_1
MBS-10
RAM Pack : RAM Pack
(Registration data, etc.) | (Data for 124 user voices)
E Relationship Between the Functions
*The broken line indicates
the AVX-1 functions.
*The functions ranging from MIDI ENABLE to REGIST.
CHANGE ENABLE can be separately set for each Tone
Group.
MIDI signals (Performance data)
MIDI ENABLE (selects the Tone Group to receive data)
SUSTAIN (sets the Sustain length)
EFF. SEL. (selects an effector)
EFF. DEP. (sets the effector’s parameters
VIBRATO (sets the Vibrato parameters) [FVX-1]
FUNCTION
| OCT. SHIFT (sets the octave shift function) [AVX-1]
(DBRILLIANCE (sets the Brilliance)
(2 TOUCH TONE RANGE (sets the range of touch control)
(3) PAN MODE SELECT
(4) PAN PARAMETER SET
(® AUX. OUT LEVEL (sets the output level from the AUX. OUT jacks)
(© NOTE DOUBLER (sets the automatic Note Doubler function)
(DDETUNE (sets detuning)
(®KEY SHIFT (sets the Key Shift function in half-step units)
(GLIDE ENABLE (enables or disable Gliding)
(9 PITCH BEND RANGE (sets the variable range of Pitch Bend control)
{® VIBRATO CONTROL SELECT (selects the Vibrato controller) [FVX-1]
of notes that can be sounded)
(sets the mode and parameters for panning)
KEY LIMIT [LOW]
(DREGIST. CHANGE ENABLE (enables or disables a Regis
tration change)
(TUNING (performs fine tuning of the pitch)
(3BULK DATA SELECT (selects the Bulk data to be sent)
(D VOICE COPY (copies a voice to the user area) [F VX-1]
(9 VOICE EDIT (edits a voice in the user area) [FVX-1]
(9) VOICE BANK SELECT (selects a Voice Bank) [FVX-1]
C)USER VOICE AREA SELECT
(selects the area to be transferred to a RAM Pack) [FVX-1]
—_————— —————— ee |
(The encircled numerals above indicate the Function Nos.)
7
Registration
|-5 | Installing the AWM Voice Pack [AVX-1]
Overview
e Installing AWM Voice Packs (VOICE ROM Packs that
contain AWM Tone Generator data) into the AVX-1
enables the unit to produce sound.
e One of two types of AWM Voice Packs can be used: Type
1 (common to Electone HS-8) or Type 2 (one voice is
produced by multiple Packs).
Installation Procedure
e To install the AWM Voice Packs into the unit, pull out the
AWM ROM DRAWER at the front panel and insert them in
the DRAWER.
e When using Voice Pack Type 2 (one voice is produced by
multiple Packs), pay attention to the order in which the
Packs are inserted in the DRAWER.
© Switch OFF the power of the unit.
CAUTION: Always make sure the power is turned OFF
before opening the DRAWER.
(2) Pull the DRAWER out of the unit.
First, press the right side of the handle attached to the
front of the DRAWER to project the handle. After using the
projected handle to pull the DRAWER halfway out, support
the DRAWER with your other hand to slowly pull out
the DRAWER.
(3) Install the Voice Packs into the slots in the
DRAWER.
For insertion of the Voice Packs, the DRAWER is provided
with eight slots that are numbered from 1 to 8. Follow the
instructions below to securely insert the Voice Packs.
» Multiple Packs comprising one voice: Starting from
the lowest slot number, insert the Voice Packs in the se-
quence of the numbers provided on the Voice Packs. (For
example, if one voice consists of three Packs, sequentially
insert Packs 1/3, 2/3, and 3/3 in slots 1, 2, and 3.)
CAUTION: If the Voice Packs are inserted out of sequence or
not inserted in consecutive slots, sound will not be produced.
» Each Pack produces one voice: The Voice Packs can
be inserted into any slot.
(4) Put the DRAWER back into the unit, then turn ON
the power.
Hold the DRAWER with both hands, as in Step (2), then
slowly push it back into the unit. After the DRAWER is
securely installed, turn ON the power. When the power is
turned ON, the MONITOR lamps corresponding to the slots
containing Voice Packs will light up, indicating that AVX-1 is
capable of producing sound.
NOTE: If the MONITOR lamps of the slots that contain Voice
Packs do not light, turn OFF the power, open the DRAWER,
and check that the Voice Packs are correctly inserted.
If the DRAWER is improperly installed or if compatible
Voice Packs are not installed, { C 36 |] is displayed on the
Common Display. (see page 55)
AWM ROM DRAWER
MONITOR
OO O O GC OOO
1 2 3 4 5 6 7 8
Handle
AWM ROM DRAWER
MONITOR
e 6 O CS OOO
1 2 3 4 5 6 7 8
| 16 | The Power-On Status and Resetting
The Power-On Status
® When the unit's power is turned OFF, the currently set
data is backed up by a built-in battery.
e When the power is turned ON again, the panel status that
was valid when the power was last turned OFF is recalled
to the panel so that you can preserve the contents of
various types of data.
[The Data That Can Be Backed Up]
® The data that can be backed up consists of all parameters
and data of the functions that can be set at the unit (except
at the Main Control Section). (See the table below.)
The data that is set at the unit
User voices (248)
The data that is set for each Tone Group
Common User voices (8)
VIBRATO (for individual
The data memorized in Registration Memory 1-16
(=*for details, see page 39) |
e VOICE Nos. e BRILLIANCE e DETUNE
e LEVEL e TOUCH TONE RANGE eKEY SHIFT
e SUSTAIN LENGTH ® PAN MODE SELECT
¢ EFFECTOR SELECT
¢ EFFECTOR PARAMETERS ® AUX. OUT LEVEL
e OCTAVE SHIFT (AVX-1) NOTE DOUBLER
e GLIDE ENABLE
e PAN PARAMETER SET ePITCH BEND RANGE
e VIBRATO CONTROL
SELECT (FVX-1)
voices)
Panel settings
Other settings
e VOICE BANK SELECT (FVX-1)
e KEY MODE SELECT (AVX-1)
e TUNING, etc.
e MIDI ENABLE
e MIDI channels
o KEY LIMIT [HIGH] [LOW]
® REGIST. CHANGE ENABLE
Resetting
e When the operation shown in the box below is performed,
the data for all functions is reset to their default settings
(the initial factory-preset status).
e These default settings are very convenient when you first
use your Voice Expander or when you wish to set
Registrations or perform voice editing from scratch.
® The range of data which is reset corresponds to the range
of data that can be backed up (see the table above).
NOTE: “The Default Settings” in Chapter VI, “OTHER
INFORMATION,” list the status and data settings that
become valid when the unit is reset. Be sure to refer to this
list when setting Registrations. (™»see page 49)
CAUTION: Resetting the unit erases all of the data that has
been backed up in the unit up to that time. Any data you
wish to save should be transferred before the reset opera-
tion as follows:
» MDX-1: Execute a BULK FROM MODULE job to transfer
the data to MDX-1 and write the data on a disk together
with the Performance data. (™Refer to the “MDX-1
USER'S GUIDE.”)
» RAM Pack: Connect MBS-10 then perform a To Pack
operation to write the data to a RAM Pack. («see pages
42 and 43)
» MDR-2P: Perform recording in NORMAL mode to write
the data to a disk. (™Refer to the “MDR-2P USER'S
GUIDE.)
[The Reset Operation]
First, turn OFF the POWER switch. Next, while pressing
[MIDI ENABLE] (D of the rightmost Tone Group (FVX-1:
Tone Group 4; AVX-1: Tone Group 2), turn the POWER
switch (2) back ON.
After turning ON the POWER switch, keep the MIDI ENABLE
switch depressed for about five seconds more.
(Rightmost Tone Group)
| 1-7
Volume Level Control
Level Control of Each Tone Group
© Expression Pedal
The volume level of each Tone Group is initially controlled
by the Expression Pedal of the connected device, such as
HX. The data of the Expression Pedal is sent as a MIDI
channel message (with HX, this message is one of the con-
trol changes that are sent/received using Channel 16), and
that signal is received by the Voice Expander. ("see page 13)
(2) LEVEL
The LEVEL function at the panel lets you set a 25-step
volume level ranging from 0 to 24 for each Tone Group.
(=¥see page 15)
(3) AUX. OUT LEVEL
In case Reverb or another effect is output from AUX. OUT,
it is possible to set the AUX. OUT level for each Tone Group.
(=»see page 24)
Overall Level Control of the Unit
(4) MASTER AUX. VOLUME
The overall volume of the unit which is output from AUX.
OUT can be set separately from the output level from MAIN
OUT. (See the table below.)
(5) HEADPHONES VOLUME
The output level to a headphone set can be independently
controlled. (See the table below.)
(6) MASTER VOLUME
This lets you control the overall volume level of the unit
which is output from MAIN OUT and AUX. OUT. The level
meter indicates the volume level based on the MASTER
VOLUME setting. Note that the input levels from MAIN IN
and AUX. IN cannot be controlled. (See the table below.)
Tone Group 1
" n CH 16 JO N
MIDI CH n PHONES HEADPHONES
| e VOLUME >
, MID! ALE | [— lati IN
D ©] + °F
Tone EXP. 2 —~— MASTER (PC) L
Generator PEDAL (0-24) | 1 | VOLUME 4 MAIN OUT
LIN IT =p R
1 |
LEVEL
4 METER
OL
AUX. IN
OR
© ete >
AUX. CE MASTER ФО |
| OUT 1 АХ. + AUX. OUT
LEVEL oH VOLUME — DO R
(0-24) 1
Tone Group 2 Pas
(Identical to Tone Group 1) ® N
®
Tone Group 3 (FVX-1 only) BD]
(Identical to Tone Group 1) ТФ
b
Tone Group 4 (FVX-1 only)
(Identical to Tone Group 1)
10
| 18
Now, Let's Produce Some Sounds
Play the HX upper keyboard to produce the sounds of Voice No. 1 in Tone Group 1.
| For a full system using MDX-1 |
(1) Prepare to send MIDI signals.
№ Маке sure the MIDI cables are properly connected.
(“refer to page 4 and to the “MDX-1 USER'S GUIDE")
P Set MDX-1 to MAIN mode, then set the parameters of
Track [01] and (02] as shown below. (For details on this
setting, refer to the “MDX-1 USER'S GUIDE.”)
For sending Performance data from HX |
(1) Prepare to send MIDI signals.
» Make sure the MIDI cables are properly connected.
(=»see page 4)
[ N e T INPUT FILTER
TRACK MODE
TRM CH TRM CH PB AF PC CC
01 | Test — — — —
02 — — — —
03 || жеююооюющк — — — —
04 | *oiciototototoiolok — — — —
*Perform the operation below for the Voice Expander that
is connected to MIDI OUT of Terminal 2 of MDX-1.
Panel Operation of the Voice Expander
(Tone Group 1)
(3) | MIDI
DATA ENTRY 1
O O O o |
e, (5) | LEVEL
O MIDI O O O
ENABLE
(2) Set [MIDI ENABLE] of Tone Group 1 to ON.
Setting this switch to ON enables Tone Group 1 to receive
MIDI signals. (see page 12)
(3) Set [MIDI] to ON, then set the Tone Group 1 Display
to [ 35) 4].
Setting the MIDI switch to ON lets you set the MIDI
receiving channel for the Tone Groups, so rotate the DATA
ENTRY (a rotary switch) and set Channel 1. Note that
Channel 16 is always set to receive. (see page 13)
(4) Set [VOICE] to ON, then set the Tone Group 1
Display to [ 58 {].
Setting the VOICE switch to ON lets you choose a voice for
the Tone Groups, so rotate DATA ENTRY of Tone Group 1 to
choose Voice No. 1. (“see page 14)
(5) Set [LEVEL] to ON, then set the Tone Group 1
Display to [92 ].
Setting the LEVEL switch to ON lets you set the volume
level for the Tone Groups, so rotate DATA ENTRY of Tone
Group 1 to set a volume level of 24. (=»see page 15)
| Performing on the HX |
(6) Press the keys of the upper keyboard.
The Performance data from the upper keyboard is received
by Tone Group 1, and Voice No. 1 is sounded at volume level
24 (maximum). And if the Expression Pedal of HX is used,
you can control the level of Tone Group 1.
11
[Check Points In Case No Sound is Produced]
D Is [MASTER VOLUME] of the Voice Expander set to
Level 0?
» Is the mixer or amplifier properly connected?
» Is MDX-1 or HX properly connected?
D Are the MDX-1 parameters correctly set?
D Are you pressing the Expression Pedal? (If no sound is
produced even when the Expression Pedal is pressed, try
moving the Expression Pedal.)
*The operating procedures described on the following pages
are focused on FVX-1.
CH
MIDI ENABLE (Choosing the Tone Groups to be Sounded)
Overview
e The MIDI ENABLE switch enables or disables the reception
of MIDI signals (Channel Messages) at each Tone Group.
e Setting a MIDI ENABLE switch to ON enables reception
for that Tone Group; setting it OFF disables the reception
for that Tone Group. Since each Tone Group can be
separately enabled or disabled, the MIDI ENABLE switch
operates selectively like the ENSEMBLE switch function of
the Electone.
Procedure
e The ON/OFF status of this switch is not memorized to
Registration Memory. When you wish to keep a specific
Tone Group from being sounded by changing to another
registration, memorize the latter registration with its
volume level set to “0”. (“see page 15)
e This switch can also be used in order to memorize the
registrations of each Tone Group. (see page 41)
DATA ENTRY | DATA ENTRY 2
(1) set [MIDI ENABLE] to ON at each Tone Group that
is to receive data (that is to be used).
When the lamp of a MIDI ENABLE switch lights up, recep-
tion is enabled for that Tone Group, permitting reception of
the signals of the MIDI channel set using the [MIDI] function
and of Channel 16. (™»see page 13)
NOTE: When the MIDI ENABLE switch is set from OFF to
ON, the signal which turns OFF Sustain and the signal that
returns Pitch Bend to its center value are generated.
[The MIDI RECEIVE Lamps]
The MIDI RECEIVE lamp to the left of each MIDI ENABLE
switch lights up to indicate that its Tone Group has received
MIDI signals.
When MIDI ENABLE has been set to ON and the signals sent
over the channel set by the MIDI function and over Channel
16 have been received, this lamp lights up for a fixed
interval only. (™»see page 13)
12
DATA ENTRY 3 DATA ENTRY 4
O [| O C3
MIDI MIDI MIDI MIDI
RECEIVE | ENABLE RECEIVE | ENABLE
@
(2) Set [MIDI ENABLE] to OFF at each Tone Group that
is not to receive data (that is to be disabled).
When the lamp of a MIDI ENABLE switch is turned off,
reception is disabled for that Tone Group. Regardless of the
setting of the MIDI channel, volume LEVEL, etc, therefore,
that Tone Group is not sounded.
HF
MIDI (Setting the Receiving Channels)
Overview
e The MIDI function sets the MIDI channel to be used for
receiving data at each Tone Group, allowing any channel
from 1 to 16 to be set.
® The MIDI signals of Channel 16 will always be received
regardless of this setting. If reception is performed using
Channel 16, therefore, overall control of all Tone Groups
can be achieved (when all MIDI ENABLE switches are ON).
® Though the receiving channel can be set for each Tone
Group, the settings are not memorized to Registration
Memory. Consequently, it is not possible to switch the
receiving channel of a single Tone Group by changing the
registration.
e The MIDI switch is also used during the From Pack
operation.
Procedure
mana a mo 4 xx >“
at ht À hat bf xD
DATA ENTRY 1 DATA ENTRY 2 DATA ENTRY 3
O O © — |
LEVEL VIBRATO
O E O EE O [|] C3 |
MIDI MIDI MIDI MIDI MIDI MIDI SUSTAIN | FUNCT. +
RECEIVE | ENABLE RECEIVE | ENABLE RECEIVE | ENABLE TO PACK | FUNCT. -
(1) Set [MIDI] to ON.
Setting the MIDI switch within the selector switches to ON
lets you set the receiving channel for each Tone Group. At
this time, the currently set receiving channel is displayed at
each Tone Group Display.
(2) Use DATA ENTRY at each Tone Group to set the
receiving channel.
Rotating DATA ENTRY in the clockwise direction increases
the Channel No.; rotating it in the counter-clockwise direc-
tion decreases the Channel No.
P Variable range: [ GO {]10 [23 {5 ]
(CH1) (CH 16)
NOTE: If the same channel is set for all Tone Groups, you
can sound all Tone Groups using the Performance data of
one channel.
NOTE: If different channels are set for multiple Tone
Groups, the Performance data of the respective channels
can be sounded at multiple Tone Groups so that different
performances can be simultaneously be sounded from a
single unit. If CH 1 is set for Tone Group 1 and CH 2 is set for
Tone Group 2, then the signals of CH 1 and CH 2 are sent
simultaneously, for example, Tone Group 1 is sounded
according to the Performance data of CH 1 while Tone
Group 2 is sounded according the Performance data of CH 2.
[Relationship Between the receiving MIDI Channels and MIDI ENABLE] (When sending the signals of CH 1, CH 2, and CH 16)
MIDI Channel Messages
CH 1 CH 2 CH 16
| | |
LE | 1 | 11 | LOL |
MIDI ENABLE Status ON ON ON OFF
1 1 | | | | I 1 |
MIDI CH No. oo | HHH, HIE +
I | Г T
CHI CHI6 CH 2 CH 16 CH 16
Tone Group 1
Tone Group 2
Tone Group 3 Tone Group 4
13
| ill-1 | VOICE (Choosing the Voices)
Outline
*Certain functions described below cannot be
memorized to Registration Memory.
® The VOICE function lets you choose the voice to be
sounded from each Tone Group.
e Voice selection is based on the Voice No. displayed at each
Tone Group Display.
e The quantity of voices that can be chosen are different for
FVX-1 and AVX-1.
e Voices not only can be chosen for individual Tone Groups
but also can be memorized to Registration Memory. By
memorizing registrations with different voice selections,
therefore, voices can be switched within the same Tone
Group by changing the registration.
e Besides choosing a different voice for each Tone Group,
you can also choose the same voice for multiple Tone
Groups to produce a rich, layered sound.
Operation
rare | rere a mena à
Dal Dl“ nd À had bt À
DATA ENTRY 1 DATA ENTRY 2 DATA ENTRY 3
MIDI MIDI MIDI MIDI MIDI | MIDI SUSTAIN | FUNCT. +
RECEIVE | ENABLE RECEIVE | ENABLE RECEIVE | ENABLE TO PACK | FUNCT. -
(1) Set [VOICE] to ON.
Setting the VOICE switch within the selector switches to ON
lets you choose the voice for each Tone Group. At this time,
the currently set Voice No. is displayed at each Tone Group
Display.
(2) Use DATA ENTRY at each Tone Group to choose
a voice.
Rotating DATA ENTRY in the clockwise direction increases
the Voice No. one at a time; rotating it in the counter-
clockwise direction decreases the Voice No. one at a time.
» FVX-1: One out of 256 voices can be selected, within a
range of [29 t]to [ 248] and [US t]to [UCB].
(See “Choosing Voices for FVX-1" on the right.)
NOTE: With FVX-1, if you rotate DATA ENTRY while
pressing the COARSE switch, the Voice No. can be increased
(or decreased) by 10 Voice Nos. at a time.
» AVX-1: One voice out of the voices installed in the AWM
ROM DRAWER can be chosen. For example, if three
voices are installed, you can select the Voice Nos. of
[00 {to [30 3) (see page 8)
1A
[Choosing Voices for FVX-1]
With FVX-1, a voice can be chosen from the range of
[05 1] to [248] and from [UE 4] to [UCB] The
Voice Nos. [ 283 {]to [ 248 ], however, correspond to the
248 voices that are respectively memorized in Voice Banks
À and B.
> Voice Bank A ог В is chosen using the VOICE BANK
SELECT function (Function 19). (=®see page 37)
» For information on the 248 Preset voices, see “The Preset
Voices” in Chapter VI, “OTHER INFORMATION.”
» The 248 User voices consists of the voices you define
yourself using Voice Copy or Voice Edit and then register
as arbitrary Voice Nos. (see pages 31 and 32)
» The 8 Common User voices are the User voices that
can be selected from either Voice Bank A or B. These
voices are registered according to the frequency of use.
(see pages 31 and 37)
» In default status (after a reset is performed), the Preset
voices 1 to 248 are copied to User voices 1 to 248, and the
Preset voices 1 to 8 are copied to Common User voices 1
to 8.
11-2
LEVEL (Setting the Volume Level)
Outline
e This feature sets the volume level of the voice to be
sounded for each Tone Group.
e The volume is set while observing the numeric value (25
steps from Step 0 to Step 24) displayed at each Tone Group
Display.
® This function is not the only way to control the volume.
("see page 10)
e The volume not only can be set for individual Tone Groups
but also can be memorized to Registration Memory. By
memorizing registrations with different volume settings,
therefore, the volume can be changed within the same
Tone Group by changing the registration.
Procedure
5. == ‚от re
hal E 4 ‚4 4 ais = MIDI | REGIST +
FRM. PACK | REGIST -
DATA ENTRY 1 DATA ENTRY 2 DATA ENTRY 3
O O пни e mu cs Et
MIDI MIDI MIDI MIDI MIDI MIDI SUSTAIN | FUNCT. +
RECEIVE {| ENABLE RECEIVE | ENABLE RECEIVE | ENABLE TO PACK | FUNCT. -
NOTE: When set to [ 58353 ], the volume level becomes “0”
(1) Set [LEVEL] to ON.
Setting the LEVEL switch within the selector switches to ON
lets you set the volume for each Tone Group. At this time, the
currently set level is displayed at each Tone Group Display.
(2) Use DATA ENTRY at each Tone Group to set the
volume level.
Rotating DATA ENTRY in the clockwise direction increases
the numeric value and the volume; and rotating it in the
counter-clockwise direction decreases the numeric value
and the volume.
P Variable range: 25 steps from [ Y 3] to [ 24]
(OFF) (Maximum)
15
and that voice is no longer sounded. When you wish to keep
a specific Tone Group from being sounded by changing to
another registration, memorize the latter registration with
its volume level set to “0”. (With the Electone, you can also
memorize the ON/ OFF status of ENSEMBLE at the Electone;
with FVX-1, however, the ON/OFF status of MIDI ENABLE
cannot be memorized to Registration Memory.)
1-3
SUSTAIN (Setting the Sustain Length)
Outline
® This function sets the Sustain Length (duration for which
each note is sustained) to be applied to the sounded voices
of each Tone Group.
® The Sustain Length is set while observing the numeric
value displayed at each Tone Group Display.
® The Sustain ON/OFF status is switched by receiving a
MIDI signal (Control Change) from the connected device.
® The Sustain Length not only can be set for individual Tone
Groups but also can only memorized to Registration
Memory. By memorizing registrations with different
Sustain Length settings, therefore, the Sustain effect can
be changed within the same Tone Group by changing the
registration.
® The SUSTAIN switch is also used in To Pack operations, etc.
Procedure
== —
и У J, \ NA "VF, NN ЧН”, “и
ooo | Don | ooo or Je °
me Tam Tam) am Tan? Tan] - an am) FiM. PACK | REGIST -
DATA ENTRY 1 DATA ENTRY 2 DATA ENTRY 3 3 LC
O MEE O ME O SE
MIDI MIDI MIDI MIDI MIDI MIDI
RECETVE | ENABLE RECEIVE | ENABLE RECEIVE | ENABLE
(1) Set [SUSTAIN] to ON.
Setting the SUSTAIN switch within the selector switches to
ON lets you set the Sustain Length for each Tone Group. At
this time, the currently set Length is displayed at each Tone
Group Display.
(2) Use DATA ENTRY at each Tone Group to set
the Length.
Rotating DATA ENTRY in the clockwise direction increases
the numeric value and the Length; rotating it in the counter-
clockwise direction decreases the numeric value and the
Length.
P Variable range: 25 steps from [2239] to[ 924]
(Shortest) (Longest)
NOTE: With AVX-1, certain voices (such as Piano, etc.) have
a fixed Sustain Length. If [SUSTAIN] is set to ON while one
of these voices is selected, [ - — — Jis displayed at that Tone
Group Display to indicate that the Sustain Length cannot
be set.
16
[The Sustain ON/ OFF Status]
The Sustain ON/OFF status is controlled by the Sustain
Length setting as well as by the reception of a MIDI signal
sent from an external device. The Sustain ON/OFF data is
transferred as a Channel Message of Control Change type. In
case of HX, the SUSTAIN switch ON/OFF data of the panel
(each keyboard) and the ON/OFF data of the Knee Lever
(upper and lower keyboards) are sent over the channels of
the respective keyboards. When a Voice Expander receives
a Sustain ON signal, the Sustain effect is applied for the set
Length; when it receives a Sustain OFF signal, the Sustain
effect is disabled regardless of the set Length.
CAUTION: If a Sustain OFF signal is not received after a
Sustain ON signal is received (in cases where the performance
ends with the Sustain effect left ON, etc.), the Sustain effect
remains valid until the Sustain OFF signal is received. If the
Sustain ON signal is not received after a Sustain OFF signal
is received, the Sustain effect remains disabled even if the
Length is set to its maximum value.
| l-4-a
EFF. SEL. (selecting the Effector)
Outline
® This function selects the Effector to be applied to each of
the voices to be sounded.
® An Effector is selected while observing the three letters
shown at each Tone Group Display.
e [t is possible to select one of eight Effectors, four Reverbs
(preset as the Program Effector area), or the OFF status.
® The parameters of the selected Effector can be changed as
required. ("see page 18)
® The Effectors (or “OFF” status) not only can be selected for
individual Tone Groups but also can be memorized to
Registration Memory. By memorizing registrations with
different Effector settings, therefore, the Effector can be
changed within the same Tone Group by changing the
registration.
Procedure
mam = == = =)
Lt) » 4} } FRM. PACK | REGIST - a ть.
DATA ENTRY | DATA ENTRY 2 | а
© © =
SHIFT
(CONF ERM)
O O пни EU I 9
MIDI MIDI MIDI MIDI SUSTAIN | FUNCT. + MEMORY
RECEIVE | ENABLE RECEIVE | ENABLE TO PACK { FUNCT. -
(1) Set [EFF. SEL] to ON.
Setting the EFF. SEL. switch within the selector switches to
ON lets you select the Effector for each Tone Group. At this Display Effector Name
time, [SEL ] is displayed at the Common Display to я
prompt you to select an Effector. UFF OFF
Also, the currently selected Effector (or “OFF” status) is -
displayed using letters of the alphabet at each Tone Group in SYMPHONIC
Display. CEL CELESTE
(2) Use DATA ENTRY at each Tone Group to select an aya PHASER
Effector.
The Effector statuses that can be selected are shown in the FLA FLANGER
table to the right. Rotating DATA ENTRY in the clockwise
direction moves Effector selection down through the table; del DELAY
rotating it in the counter-clockwise direction returns Effector
selection toward the top of the table. UAH WAH
CAUTION: If either SYMPHONIC, CELESTE, TREMOLO, re TREMOLO
CHORUS, or Reverb 1-4 is selected for a voice, the Pan E CHORUS
function will not operate for that voice. ("”see page 23)
PE | Program Effector 1 (REVERB 1)
NOTE: With FVX-1, because the Effector status (including
the OFF status) is preset for each voice, setting [VOICE] to PEC Program Effector 2 (REVERB 2)
ON and changing the Voice No. will also change the Effector
setting. РЕЗ Program Effector 3 (REVERB 3)
NOTE: [ PE {]to[ PEM] represent a memory area that РЕЧ Program Effector 4 (REVERB 4)
allows you to set Effectors that are not provided in the unit.
In default status (after a reset), four types of Reverbs are
programmed to this area.
17
l1l-4-b
EFF. DEP. (Setting the Effector Parameters) |
Outline
® This function sets the Effector parameters (or PRESET
mode) for each Tone Group.
® The parameters are set for the Effector selected by EFF.
SEL (Effector Select). The quantity of parameters that can
be set vary with the Effector. (™»see page 50).
e The parameters not only can be set for individual Tone
Groups but also can be memorized to Registration Memory.
By memorizing registrations with different parameters,
therefore, the application of the Effector can be changed
within the same Tone Group by changing the registration.
Procedure
E, E, ur. E | ПОЛНА | — ‘
He : SER MIDI | REGIST + (
EE - a FRM. PACK | REGIST -
DATA ENTRY 1 DATA ENIRY 2
O E O E
MIDI MIDI MIDI MIDI SUSTAIN | FUNCT. +
RECEIVE | ENABLE RECEIVE | ENABLE TO PACK | FUNCT. -
(1) While pressing [SHIFT], set [EFF. DEP.] to ON.
Setting the EFF. SEL/EFF. DEP. switch to ON while pressing
the SHIFT switch lets you set the Effector parameters for
each Tone Group. The meanings of the numeric values
displayed at each Display at this time are as follows:
> Common Display: The Parameter Nos. common to all
Effectors are displayed using [ ‹ ] 10 [ 1] (See
the table below.)
» Tone Group Display: The currently set Effector para-
meter values are displayed according to the Parameter
No. displayed at the Common Display.
(2) While pressing [SHIFT], press [EFF. DEP.] the
required number of times to select the desired
Parameter No.
The [SHIFT] +[EFF. SEL./EFF. DEP] operation will advance
the Parameter No. displayed at the Common Display one at
a time. While referring to the table below, repeat this opera-
tion until the number of the parameter you wish to change
is displayed at the Common Display.
CAUTION: As shown in the table below, the contents indi-
cated by the Parameter Nos. vary with the Effector. If no
parameter exists for the selected Parameter No. (indicated by
“—” in the table), [ = =~] is displayed at the Common
Display.
[Correspondence Between the Parameter Nos. (Common Display) and the Effector Parameters] ("see page 50)
{ е 3 + 9 6 1
SYMPHONIC PRESET MODE — — — — — —
CELESTE PRESET MODE — — — — — —
PHASER STAGE FREQUENCY DEPTH FEEDBACK — — —
FLANGER DELAY TIME DEPTH FREQUENCY FEEDBACK DIRECT LEVEL DELAY EEVEL —
DELAY DELAY TIME DEPTH FREQUENCY FEEDBACK DIRECT LEVEL DELAY LEVEL |¡MODULATION WAVE
WAH AUTO SPEED ¡CENTER FREQUENCY DEPTH — — — —
TREMOLO SPEED — — — — — —
CHORUS — — — — — — —
REVERB 1-4 DEPTH — — — — — —
(3) Use DATA ENTRY at each Tone Group to change
the parameter value.
Rotating DATA ENTRY in the clockwise direction increases
the parameter value shown at the Tone Group Display;
rotating it in the counter-clockwise direction decreases the
parameter value. ("see “The Effector Parameters” in
Chapter VI, “OTHER INFORMATION,” for the variable
range of the parameters)
18
(4) Repeat Steps ©) and ©) if necessary.
NOTE: For any parameter that has a variable range of 100
steps, you can rotate DATA ENTRY while pressing the
COARSE switch to increase or decrease its value 10 steps at
a time.
1-5
VIBRATO (Setting the Vibrato Parameters) [FVX-1] |
Outline
® This function sets the Vibrato parameters for each Tone
Group.
® The Vibrato parameters are set at each Tone Group for the
voice chosen by the VOICE function.
® The parameter settings can be memorized for individual
Tone Groups, individual Registrations, as well as individual
voices. When you wish to memorize the same voice to
multiple registrations, therefore, you do not need to set
the parameters for each Registration.
Procedure
v aw =. чи CJ |
030 | SE orf | fF)
- oe we bu a Dd FRM. PACK | REGIST - mn“ na
DATA ENTRY 1 DATA ENTRY 2 г с
VOICE | FFF. SAL
© © © EFF. DEP.
E 7
SHIFT
(CONF LRM)
O EE О [| 1
MIDI MIDI MIDI MIDI MEMORY
RECEIVE | ENABLE RECELVE { ENABLE
(1) Set [VIBRATO] to ON.
Setting the VIBRATO switch ON lets you set the Vibrato
parameters for the currently selected voice of each Tone
Group. The meanings of the numeric values displayed at
each Display at this time are as follows:
» Common Display: See the “Parameter” row in the table
below.
> Tone Group Display: The currently set Vibrato para-
meters for the selected voice are displayed according to
the parameter displayed at the Common Display.
(2) Press [VIBRATO] the required number of times to
select the parameter to be set.
Each time the VIBRATO switch is pressed, the parameter
displayed at the Common Display is changed.
[Vibrato Parameters and Their Variable Range]
Display dEL | SPE | dEP |
Parameter DELAY SPEED DEPTH
| Variable range [BCCltol (BO)
19
(3) Use DATA ENTRY at each Tone Group to change
the parameter value,
Rotating DATA ENTRY in the clockwise direction increases
the parameter value shown at the Tone Group Display;
rotating it in the counter-clockwise direction decreases the
parameter value. Since the variable range for each para-
meter is 0-100, you can rotate DATA ENTRY while pressing
the COARSE switch to increase or decrease its value 10
steps at a time.
(4) Repeat Steps (2) and (3) if necessary.
CAUTION: Because the Vibrato parameters are set for
individual voices, different parameters cannot be con-
currently set for the same Voice No. Even if you memorize
different registrations with different voice parameter values,
therefore, voices having the same Voice No. will always be
sounded with the same Vibrato parameters.
NOTE: In default status (after a reset), the preset Vibrato
parameters are set for each of the 248 Preset voices.
When the Voice Copy function is used to copy Preset voices
to the User area, the default Vibrato parameters will also be
copied. (The parameters set by the VIBRATO function will
not be copied.)
1-6 | OCT. SHIFT (setting the Octave shit) [AVX-1] |
Outline
® This function enables you to shift the sounded pitch in
octave units.
® The sounded pitch is set according to the numeric value
displayed at each Tone Group display.
Procedure
e The Octave Shift not only can be selected for individual
Tone Groups but can also be memorized to Registration
Memory. By memorizing registrations with different
pitches, therefore, the pitch can be changed within the
same Tone Group by changing the registration.
a Pi
a De Dt
DATA
ENTRY 1
20
MIDI
RECEIVE
MIDI
ENABLE
(1) Set [OCT. SHIFT] to ON.
Setting the OCT. SHIFT switch to ON lets you set the pitch to
be shifted for each Tone Group. At this time, the currently
set pitch is displayed at each Tone Group Display.
pe 91
Dl Van Dt
DATA ENTRY 2
MIDI
RECEIVE
Tone Group Display Values Description
oof) Shift one octave higher
[CCE] Standard pitch
[- 4) Shift one octave lower
[-Gel Shift two octaves lower
(2) Use DATA ENTRY at each Tone Group to set the
pitch to be shifted.
Rotating DATA ENTRY in the clockwise direction changes
the value in the “+” direction; rotating it in the counter-
clockwise direction changes it in the “—” direction.
CAUTION: If shifting the pitch causes any shifted notes to
exceed the soundable range of AVX-1 (A_; to (;), those
notes will not be sounded.
NOTE: The Octave Shift function can also be used together
with the Key Shift function (Function 8). (“see page 26)
1-7
FUNCTION (Setting the Functions)
Outline
® By using the various functions, you can perform effect or
control settings, mode selection, Voice Copy, Voice Edit,
and other operations.
® The function to be used is selected while observing the
Function No. displayed at the Common Display.
® The quantity of functions that can be selected as well as
the contents of Function 15 vary with FVX-1 and AVX-1.
® Please take careful note that some functions can be
memorized to Registration Memory, some can be set for
individual Tone Groups, and some can be set for the entire
unit. (™®see pages 7 and 51)
Procedure
4 РУ "а сч — | — ~ ‘
Da Da DA bd Dt bo MIDI | REGIST + p” |
m“ an — — a FRM. PACK | REGIST -
DATA ENTRY 1 DATA ENTRY 2 с DL]
VOICE | EFF. SEL.
© | © 2
bc С £.
LEVEL | VIBRATO SHIFT
(CONFIRM)
O = О ms с с
MIDI | MIDI MIDI | MIDI SUSTAIN MEMORY
RECEIVE | ENABLE RECEIVE | ENABLE TO PACK
(1) Set [FUNCT] to ON.
When the FUNCT. switch is set to ON, a Function No. is
displayed at the Common Display so that you can perform
the operation of the function corresponding to that number.
See the table on the right for the correspondence between
the Function Nos. and the functions.
(2) Press [FUNCT] the required number of times to
select the function you wish to use.
Each the FUNCT. switch is pressed, the Function No. is
increased by one. While referring to the table on the right,
display the number corresponding to the desired function at
the Common Display.
NOTE: To move back through the Function Nos., press the
FUNCT. switch while press the SHIFT switch.
(3) Use DATA ENTRY at each Tone Group according to
the selected function.
Rotate the DATA ENTRY according to the description under
each of the functions discussed on pages 22 through 37.
[Correspondence Between the Function Nos.
and the Functions]
No FVX-1 AVX-1
F 4 BRILLIANCE
Fe TOUCH TONE RANGE
F 3 PAN MODE SELECT
F4 PAN PARAMETER SET
F 9 AUX. OUT LEVEL
FE NOTE DOUBLER
F 7 DETUNE
Fr 8 KEY SHIFT
r 9 KEY LIMIT (HIGH)
r 10 KEY LIMIT (LOW)
F 11 REGIST. CHANGE ENABLE
- (2 TUNING
F 13 BULK DATA SELECT
Fo GLIDE ENABLE
F 15 |PITCH BEND RANGE KEY MODE SELECT
- 15 |VIBRATO CONTROL SELECT —
F 11 VOICE COPY —
r 18 VOICE EDIT —
Fr {9 VOICE BANK SELECT —
FO [USER VOICE AREA SELECT —
P The functions [ F
FVX-1 and AVX-1.
P The [ F (15 ] function varies for FVX-1 and AVX-1.
» The functions [ F 415] to [ F 2] are only used by
FVX-1.
f]to [ E $4] are common to both
21
F1 BRILLIANCE (Voice Control)
Outline
® This function is used to set the brilliance of a voice.
® The permissible setting range varies for FVX-1 and AVX-1.
Procedure
e Brilliance not only can be set for individual Tone Groups
but can also be memorized to Registration Memory.
(1) Press [FUNCT] the number of times required to
display [ F {] at the Common Display.
When [£ {] is displayed at the Common Display, the
currently set Brilliance value is displayed at each Tone
Group Display.
2 Use DATA ENTRY at each Tone Group to set the
Brilliance value.
Rotating DATA ENTRY in the counter-clockwise direction
changes the value in the “—” direction; for FVX-1 only,
rotating it in the clockwise direction changes the value in
the “+” direction. [ 380] is the normal voice, a higher
value indicates an increased brilliance and a lower value
indicates an increased mellowness. The variable range that
can be set for FVX-1 and AVX-1 is as follows:
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Lt
Fi
4
] to |
J to |
gd
to [E td]
|]
E d
р (
9 9“ P a Pe 91
Das Das Dt Das Da Def
DATA ENTRY 1 DATA ENTRY 2
F2
TOUCH TONE RANGE (Setting the Touch Tone Control Range)
Outline
e This function lets you set the range in which Initial Touch
and After Touch can be controlled.
® Certain voices are preset so that Touch Tone Control
cannot be performed regardless of this setting (for example,
the After Touch of attenuated voices, etc.)
Procedure
e Touch Tone Range not only can be set for individual Tone
Groups but can also be memorized to Registration Memory.
(1) Press [FUNCT] the number of times required to
display [ F 2] at the Common Display.
When [F 2] is displayed at the Common Display, the
currently set Touch Tone Range value is displayed at each
Tone Group Display.
(2) Use DATA ENTRY at each Tone Group to set the
Range value.
Rotating DATA ENTRY in the clockwise direction changes
the value in the “+” direction; rotating it in the counter-
clockwise direction changes the value in the “—" direction.
When this value is set to [ 300 ], touch control is disabled.
The higher this value is set, the more touch control you have.
» Variable range: [ - {5 to [BOD to [TO 45]
)
NOTE: Setting the Range value to a negative value reverses
the touch effect. Consequently, the more force you apply to
the keys, the smaller the volume; and the less force you
apply to the keys, the greater the volume.
=
1
7
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ma «am ma «479%
Di Cd at “D.1
DATA ENTRY 1 DATA ENTRY 2
F3
PAN MODE SELECT (selects the Pan Function Mode}
Fa
PAN PARAMETER SET (Parameter Setting in the Selected Mode}
Outline
® Function No. 3 selects the mode of the Pan function (the
function that controls the panning of the sound coming
from the speakers).
® Function No. 4 sets the parameters for the selected Pan
mode.
Procedure
“© The Pan mode and its parameters not only can be set for
individual Tone
Groups but can also be memorized to
Registration Memory.
(1) Press [FUNCT.] the number of times required to
display [ F =] at the Common Display.
When [F 3] is displayed at the Common Display, the
currently set Pan Mode No. value is displayed at each Tone
Group Display.
(2) Use DATA ENTRY at each Tone Group to select the
Pan mode.
Rotating DATA ENTRY in the clockwise direction changes
the value in the “+” direction; rotating it in the counter-
clockwise direction changes the value in the “—" direction.
The correspondence between the displayed numerals and
the Pan Modes, see the table below.
> Variable range of FVX-1: [ 55 {] to [
P Variable range of AVX-1: [ 55 {]to [7
DOC 62
Ca.
Lt AS
|
(3) Press [FUNCT.] once more to display [ F
Common Display.
When [F *4] is displayed at the Common Display, the
contents of the currently set parameter of the Pan mode
selected by [ F 3 Jaredisplayed (excluding PRESET mode).
Ȣ{ | at the
(4) Use DATA ENTRY at each Tone Group to set the
parameters.
The contents and display of the parameters as well as the
variable range vary with the Pan mode. Set the parameters
with reference to the table below.
CAUTION: If the EFF. SEL. function was used to select
either SYMPHONIC, CELESTE, TREMOLO, CHORUS, or
Reverb 1-4, the Pan function will not operate and the
parameter display will become [ = — - |.
[Pan Modes and Pan Parameters]
Fr =
р =
merma | rare |
dt | Dal Dl A
DATA ENTRY 1 DATA ENTRY 2
Du bd
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à Nal
L р
DATA ENTRY 1 DATA ENTRY 2
NOTE: In default status (after a reset), the FIXED mode is set
and the sound is output monaurally to the center position.
To perform output using the stereo panning that is preset for
each voice of FVX-1, select Pan Mode No. 4 (PRESET mode).
(mPsee page 44 to 47)
Pan Modes (Selected by [ F 31) Pan Parameters (Selected by [ F 4 D
1 1 FIXED Mode The sound is fixed to a specific Orientation for output | [I 1: Center
orientation for output (Monaural). (7 position) EN 144 ]{ 44 4 ] : Toward the
right
[LLL] CLIM |: Toward
the left
VUC AUTO Mode |The orientation of the output sound Panning speed [00 ]to[ 1598 ] (The panning range
automatically pans from side to side. is fixed to maximum for the left and right)
003 MANUAL The orientation of the output sound is Operating element [e.. {]: Modulation Wheel
Mode controlled manually. (The panning range |under control [ € - © ] : Second Expression Pedal
that can be controlled is fixed to (MIDI signal) [ € - 3}: Pitch Wheel
maximum for the left and right) [ е _ 4] : Pan (MIDI Control Change)
0 UY [PRESET Each voice is output at its preset None [===]
Mode (FVX-1 [orientation (Stereo).
only)
23
F5 AUX. OUT LEVEL (sets the Output Level from AUX. OUT}
Outline
e This function allows you to set the output level for each
Tone Group from the AUX. OUT jacks.
e The AUX. OUT level not only can be set for individual
Tone Groups but can also be memorized to Registration
Memory.
Procedure
e For details on its relationship with other level control and
when this function should be set, see I-7, “Volume Level
Control,” on page 10.
(1) Press [FUNCT.] the number of times required to
display [ F = ] at the Common Display.
When [ £ 5] is displayed at the Common Display, the
currently set Level value is displayed at each Tone Group
Display.
2 Use DATA ENTRY at each Tone Group to set the
Level value.
Rotating DATA ENTRY in the clockwise direction increases
the displayed value and the volume level; rotating it in the
counter-clockwise direction decreases the displayed value
and the volume level.
» Variable range: 25 steps from | 3350 [to [ GEH]
(OFF) (Maximum)
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am "e
ht but DS el Pt
DATA ENTRY 1 DATA ENTRY 2
F6 NOTE DOUBLER (Sets the Note Doubler Function)
Outline
e This function automatically adds one note of an arbitrary
pitch to the notes received by MIDI.
e The pitch of the doubled notes can be set in half-steps
within a maximum three-octave range above and below
the original note.
Procedure
e The Note Doubler function not only can be set for individual
Tone Groups but can also be memorized to Registration
Memory.
(1) Press [FUNCT.] the number of times required to
display [ F 5] at the Common Display.
When [£ 5] is displayed at the Common Display, the
currently set Note Doubler pitch is displayed at each Tone
Group Display as a numeric value.
(2) Use DATA ENTRY at each Tone Group to set the
Note Doubler pitch.
Rotating DATA ENTRY in the clockwise direction changes
the value in the “+” direction and raises the pitch in half-
steps; rotating it in the counter-clockwise direction changes
the value in the “—” direction and lowers the pitch in
half-steps.
P Variable range: [ - 35] to [ 3 ]to [ 538]
(3 octaves (OFF) (3 octaves
below) above)
NOTE: If the sounded range of any doubled notes exceeds
the permissible range of the unit (A _; to C5), those doubled
notes will not be sounded.
в pu
y” Da
Pe Ia ma Pe
Dl Da dat RY BS DN
DATA ENTRY 1 DATA ENTRY 2
F/ DETUNE (Pitch Adjustment for Each Tone Group)
Outline
® This function changes the pitch of the Tone Groups to
produce a detuning effect.
e The permissible setting range and the change in pitch per
step vary with FVX-1 and AVX-1.
Procedure
® Detuning (pitch) not only can be set for individual Tone
Groups but can also be memorized to Registration Memory.
(1) Press [FUNCT] the number of times required to
display [ F 71] at the Common Display.
When [F 7] is displayed at the Common Display, the
currently set pitch is displayed at each Tone Group Display
as a numeric value.
(2) Use DATA ENTRY at each Tone Group to set
the pitch.
Rotating DATA ENTRY in the clockwise direction changes
the value one step at a time in the “+” direction; rotating it
in the counter-clockwise direction changes the value one
step at a time in the “—” direction.
Variable Range 1 Step
FVX-1; [ - 5] to [DA ]to [5 45] 1.2 cents
AVX-1: [-58]to [355]to [055] 3.0 cents
(100 cents=1 half-step)
7 emm
a Dl df
DATA ENTRY |
20
EEE
Ut De et
DATA ENTRY 2
O
F8 KEY SHIFT (Transposes the Key of Each Tone Group)
Outline
® This function permits the key of each Tone Group to be
shifted in half-steps.
® The key can be shifted within a maximum one-octave
range above and below the original key.
Procedure
® The Key Shift function not only can be set for individual
Tone Groups but can also be memorized to Registration
Memory.
(M Press [FUNCT.] the number of times required to
display [+ 8 ] at the Common Display.
When [F 8] is displayed at the Common Display, the
number of steps that the key is currently shifted is displayed
at each Tone Group Display.
(2) Use DATA ENTRY at each Tone Group to set
the pitch.
Rotating DATA ENTRY in the clockwise direction changes
the value in the “+” direction and raises the pitch in half-
steps; rotating it in the counter-clockwise direction changes
the value in the “—” direction and lowers the pitch in
half-steps.
> Variable range: [ - (2 ] to [ AAN] to [3 15]
(1 octave (OFF) (1 octave
below) above)
CAUTION: If shifting the key causes any shifted notes to
exceed the soundable range of the unit (A_; to C5), those
notes will not be sounded.
Pare
Us Van Ds
DATA ENTRY 1
20
5 x
» 4
Pam
Dt Del De
DATA ENTRY 2
O
F9
KEY LIMIT [HIGH] (Sets the Upper Limit of the Receivable Range)
F10
KEY LIMIT [LOW] (Sets the Lower Limit of the Receivable Range)
Outline
® These functions let you set the range of the notes that can
be received by the unit in half-step units. Function No. 9 sets
its upper limit, and Function No. 10 sets the lower limit.
- The Key Limit setting can be performed for individual
Tone Groups but cannot be memorized to Registration
Memory.
Procedure
e Because the Key Limit functions set the range (the Note
No. range) that will be received by MIDI, its setting usually
equals the setting of the range that will be sounded. (If Key
Shift or Octave Shift (AVX-1 only) has been used to shift
the pitch, the range set by Key Limit will be shifted
accordingly, such that the range set by Key Limit does not
equal the actual range that is sounded.)
© Press [FUNCT.] the number of times required to
display [ > 9S] at the Common Display.
When [F 9] is displayed at the Common Display, the
currently set upper limit of the receivable range is displayed
at each Tone Group Display as a note name. The highest-
limit note name is [| £ 71].
(2) Use DATA ENTRY at each Tone Group to set the
upper-limit note name.
Rotating DATA ENTRY in the counterclockwise direction
lowers the note name in half-steps, so display the note name
you wish to set as the upper limit of the receivable range.
» Variable range: [3 _ ¿]Jto[£ 71] (Maximum)
NOTE: This value cannot be lower than the lower-limit note
name set using the Key Limit [Low] function.
(3) Press [FUNCT.] once more to display [ F 5;
Common Display.
When [ F 15] is displayed at the Common Display, the
currently set lower limit of the receivable range is displayed
at each Tone Group Display as a note name. The lowest-limit
note name is [ A_ 41
] at the
(4) Use DATA ENTRY at each Tone Group to set the
lower-limit note name.
Rotating DATA ENTRY in the clockwise direction raises the
note name in half-steps, so display the note name you wish
to set as the lower limit of the receivable range.
> Variable range: [RR _ 1] (Minimum) to [£ 71]
NOTE: This value cannot be higher than the upper-limit
note name set using the Key Limit [High] function.
[Correspondence Between the Display (1st Two
Columns) and the Note Names]
> For whole notes (white keys), the first column shows the
note name and the second column is blank.
» For half-notes (black keys), the first column shows the
note name and the second column shows [ © ] (#).
rr a
> =
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р q р (
DATA ENTRY 1 DATA ENTRY 2
E 4
р q DS
hd ( ur ‘
re I rd |
DATA ENTRY 1 DATA ENTRY 2
[C9] [49] [F9] [59] [AO]
CH Dit FH GH AH
C D E F G A B
[E ] Le JIE TIF J CG I (RIM
[A Sample Receivable Range] (When the upper limit is set C; and the lower limit is set to Cy)
The unit's maximum soundable range (The maximum range that can be set by Key Limit)
rhe range set by Rey L Limit A,
Ca
L (The range that can be sent from HX) !
26
Im
F11
REGIST. CHANGE ENABLE (Enables/Disables a Registration Change)
Outline
® This function lets you enable or disable the changing of
registrations.
® The Regist. Change Enable/Disable (ON/OFF) status is
controlled by receiving a Program Change that is sent
from an external device.
Procedure
e When a Regist. Change signal is received, the registration
is changed at each enabled (ON) Tone Group but does not
change at the disabled (OFF) Tone Groups.
e Regist. Change Enable can be set for individual Tone
Groups but cannot be memorized to Registration Memory.
(1) Press [FUNCT] the number of times required to
display [ F 1 {] at the Common Display.
When [ F { ¢] is displayed at the Common Display, the
currently selected Regist. Change status is displayed at each
Tone Group Display.
(2) Use DATA ENTRY at each Tone Group to select the
Regist. Change status.
Rotating DATA ENTRY in the counter-clockwise direction
changes the display to [ 3 F F ] (Disable); rotating it in the
clockwise direction returns it to [Zn ] (Enable).
> Variable range: [ OA ]or [DEF]
(Enable) (Disable)
NOTE: When Regist. Change is disabled for a specific Tone
Group then a Regist. Change signal is received, the Common
Display shows [ «&Œus ] (individual) to indicate that the
Registration Nos. of all Tone Groups do not match.
7 q
y 14
rd rd
A ‚4
DATA ENTRY 1 DATA ENTRY 2
F12
TUNING (adjusts the Overall Pitch of the Unit
Outline
® This function allows fine adjustment of the overall pitch of
the unit.
® The permissible setting range and the change in pitch per
step varies for FVX-1 and AVX-1. (Both are set based on a
frequency of A3).
Procedure
® Because the Tuning function sets the overall pitch of the
unit, the Tuning value cannot be memorized for only a
single Tone Group or Registration. The overall pitch
setting 1s backed up by the unit and is transferred as a part
of Bulk data, but is not transferred to a RAM Pack.
(1) Press [FUNCT.] the number of times required to
display [ F {& ] at the Common Display. = >
When [£ {2] is displayed at the Common Display, the ме =
currently set pitch value is displayed as a numerical value (a -
frequency of Aj) at the Displays of Tone Groups 3 and 4 (or
of Tone Groups 1 and 2 for AVX-1).
(2) Use DATA ENTRY at the rightmost Tone Group to DDT =
set the pitch. = Y . Da
Rotating DATA ENTRY of Tone Group 4 (or of Tone Group - -
2 for AVX-1) in the clockwise direction increases the value
and raises the pitch; rotating it in the counter-clockwise DATA ENTRY 3 DATA ENTRY 4
direction decreases the value and lowers the pitch. Note that
the variable range that can be set for FVX-1 and AVX-1 (2) ©
conforms to the the table below.
Variable Range © 1 Step
FVX-1 [43 3. 8] (—21 steps) to [44 3. 3] (Standard) to [4 чб. Ч] (+21 steps) 0.3/0.4 Hz
AVX-1 [433. 6) (— 9 steps) to 145. 5] (Standard) to (446. 4] (+ 9 steps) 0.6/0.9/0.4 Hz
F13
BULK DATA SELECT (Selects the Bulk Data to be Sent)
Outline
e This function allows you to select the Bulk data to be sent
to an external device (MDX-1, MDR-2P, etc.).
e The Bulk data is sent when a “Request-to-Send All RAM
Data” code is received from an external device.
Procedure
e Under normal use, this function may be left set to [ALL]
(the default).
e The setting by this function applies to the entire unit.
(1) Press [FUNCT] the number of times required to
display [ F {3 ] at the Common Display.
When [ F $3] is displayed at the Common Display, the
contents of the currently selected Send data are displayed at
the Tone Group 4 Display (or the Tone Group 2 Display for
AVX-1). (See the table below.)
(2) Use DATA ENTRY at the rightmost Tone Group to
select the data.
Each time DATA ENTRY of Tone Group 4 (or Tone Group 2
for AVX-1) is rotated in the clockwise direction, the display
is changed. The contents of the Display and the Bulk data
are as follows:
ALL (ALL)
The three data types below plus all the
data memorized at the unit
(excluding User Voice data)
НЕС (Regist) [Data of Registration Memory 1 to 16
ual (Voice) Data of the Common User voices (FVX-1)
EFF (Effector) | Data of the Program Effectors 1 to 4
к (=
DU
— — — mm» »
Р Ча
\ DATA ENTRY 3 DATA ENTRY 4
\ О | 2©
F14
GLIDE ENABLE (enabies/Disables the Glide Function)
Outline
e This function enables or disables the Glide effect for each
Tone Group.
e The Glide Enable/ Disable (ON/ OFF) status is controlled
by receiving a Foot Switch Left signal (Exclusive Message)
from an external device. This signal is always received
regardless of the MID! receiving channel specification.
Procedure
e When a Foot Switch Left signal is received, the Glide effect
is applied at the enabled (ON) Tone Groups but does not
operate at disabled (OFF) Tone Groups.
e The Glide status not only can be set for individual Tone
Groups but can also be memorized to Registration Memory.
(1) Press [FUNCT] the number of times required to
display [ > {“{] at the Common Display.
When [ F 1] is displayed at the Common Display, the
currently set Glide status is displayed at each Tone Group
Display.
(2) Use DATA ENTRY at each Tone Group to set the
Glide status.
Rotating DATA ENTRY in the counter-clockwise direction
changes the display to [ a ] (Enable); rotating it in the
counter-clockwise direction returns it to [ DF F ] (Disable).
> Variable range: [ OFF Jor[ Sa]
(Disable) (Enable)
= dh
x” UN
оо mEL
TI DA)”
DATA ENTRY 1 DATA ENTRY 2
F15
KEY MODE SELECT (Selects the Sounded Key Mode) [AVX-1]
Outline
® This function sets the Sounded Key mode of AVX-1 to
either 8-note polyphonic/2 Tone Group mode or to
16-note polyphonic/1 Tone Group mode.
® If the 16-note polyphonic/1 Tone Group mode is selected,
the voice of only Tone Group 1 is sounded.
Procedure
® The Sounded Key mode is set for the entire unit and
cannot be memorized to Registration Memory.
(1) Press [FUNCT.] the number of times required to
display [ F (5 ]at the Common Display.
When [ F (5, ] is displayed at the Common Display, the
currently set Sounded Key mode is displayed at the Displays
of Tone Groups 1 and 2.
(2) Use DATA ENTRY at Tone Group 2 to select the
Sounded Key mode.
Rotating DATA ENTRY in the clockwise direction selects the
16-note/1 Tone Group mode; rotating it in the counter-
clockwise direction selects the 8-note/2 Tone Group mode.
Key Mode Tone Group Display 1 | Tone Group Display 2
8-note/2 Tone Group [ 8] [ &]
16-note/1 Tone Group [ 16] [o ©]
NOTE: When the 16-note/1 Tone Group mode is selected,
the various other settings will only be valid for Tone Group
1. It will be impossible to control Tone Group 2 and if you
attempt to set the voice or level, its Tone Group Display will
show [ = =~].
E E
PM UN
ht at
Di ht
DATA ENTRY 1 DATA ENTRY 2
+ 1
ci m
q A bd
DATA ENTRY 1 DATA ENIRY 2
F15
PITCH BEND RANGE (Sets the Range of Pitch Bend Control) [FV X-1]
Outline
® This function lets you set the range of pitch bend control
(the maximum range in which the pitch can slide up and
down) for each Tone Group.
® Pitch Bend is controlled by receiving a Pitch Bender signal
that is sent from an external device.
Procedure
® When the Pitch Bender signal is received, the pitch is
“bent” within the range set by this function.
e The Pitch Bend Range not only can be set for individual
Tone Groups but can also be memorized to Registration
Memory.
(1) Press [FUNCT] the number of times required to
display [ + 15 ] at the Common Display.
When [ F 15] is displayed at the Common Display, the
currently set range is displayed at each Tone Group Display
as a numeric value.
(2) Use DATA ENTRY at each Tone Group to set the
Range value.
Rotating DATA ENTRY in the clockwise direction increases
the value and expands the range in half-steps; rotating it in
the counter-clockwise direction decreases the value and
narrows the range in half-steps.
P Variable range: [ 2939 ] to [ 2 (2 ]
(OFF) (1 octave)
LS
pa Pe Ч a 9 9“
J Del ad Lt bat
DATA ENTRY 1 DATA ENTRY 2
F16
VIBRATO CO NTROL SELECT selects the Vibrato Controller) [FV X-1]
Outline
® When you wish to manually control the Vibrato Depth,
this function selects the controller used for each Tone
Group.
e If this function is set to OFF for any Tone Group, Vibrato
will be applied to that Tone Group according to the
[VIBRATO] setting. (see page 19)
Procedure
® Vibrato Control not only can be selected for individual
Tone Groups but can also be memorized to Registration
Memory.
(1) Press [FUNCT] the number of times required to
display [ £ (5 ]at the Common Display.
When [ F 16] is displayed at the Common Display, the
currently set Controller No. (or “OFF” status) is displayed at
each Tone Group Display.
(2) Use DATA ENTRY at each Tone Group to set the
Controller No. value.
Each time DATA ENTRY is rotated, the Display is changed.
The displayed Controller Nos. and their corresponding
controllers are as follows:
UFF | Vibrato is applied according to the (VIBRATO) setting
Controlled by the Modulation Wheel
- |
c - @ | Controlled by After Touch on the keys
- 3 | Controlled by Breath Controller signals
NOTE: If you wish to control Vibrato using a Breath Con-
troller that is connected to HX, set this function to [ € - 1].
ко
) (2
E E
DATA ENTRY 1 DATA ENTRY 2
20 ©
NOTE: These controllers can only control the Vibrato
Depth. The maximum controllable value is the Depth value
that is set by [VIBRATO]. Note that Vibrato will not operate
if the Depth setting is “0”.
F17
VOICE COPY (Copies Voices to the User Area) [FV X-1]
Outline
® This function copies any of the 248 Preset voices and 248
User voices to any Voice Nos. in the User Area (248 User
Voice Nos. 1-248 and Common User Voice Nos. 1-8).
® To edit any of the 248 Preset voices, this function must
first be used to copy the Preset voice to be edited into the
User Area. (™»see page 32)
Procedure
® The area of Common User Voice Nos. 1-8, which is shared
by Voice Banks A and B, is provided to let you register
voices In the order of their frequency of use. If you wish to
register up to eight of the 248 Preset voices or 248 User
voices in this area, use Voice Copy.
® The Voice Copy function applies to the entire unit, regard-
less of the individual settings performed for each Tone
Group.
© Press [FUNCT.] the number of times required to
display [ F {1 ] at the Common Display.
When [F 11] is displayed at the Common Display, the
Displays of Tone Groups 1, 2, and 4 change as shown below
so that Voice Copy can be performed.
[Source Voice Bank] [Source Voice No.]
4 red
a Dt Del U
DATA ENTRY 1 DATA ENTRY 2
20 | O
(2) Use DATA ENTRY at Tone Group 1 to select the
source Voice Bank.
Rotating DATA ENTRY in the clockwise or counter-clockwise
direction changes the Display as follows:
>[ A
>[ tb
J: Selects Voice Bank A (Preset Area)
]: Selects Voice Bank B (User Area)
(3) Use DATA ENTRY at Tone Group 2 to select the
source Voice No.
Rotating DATA ENTRY in the clockwise direction increases
the Voice No.; rotating it in the counter-clockwise direction
decreases the Voice No.
P>[ 55 {1to[ 248 ): Selects one of the 248 Preset voices
or one of the 248 User voices, depending on the Voice
Bank selected at Tone Group 1.
> [ US {1to[ UDG ]: Selects one of the 8 Common User
voices.
NOTE: In default status (after a reset), the 248 Preset voices
are copied to the area of the 248 User voices, so the voices
in Voice Banks A and B are exactly the same.
31
[Destination Voice No.]
Dal Dl À
DATA ENTRY 4
O |0
(4) Use DATA ENTRY at Tone Group 4 to select the
destination Voice No.
Rotating DATA ENTRY in the clockwise direction increases
the Voice No.; rotating it in the counter-clockwise direction
decreases the Voice No.
POS 1 ]to[ 248]: Selects copying to the area of User
Voices 1-248 in Voice Bank B.
D [153 1] to [1451]: Selects copying to the area of
Common User voices 1-8.
CAUTION: When Voice Copy is performed, the Voice data
of the destination Voice No. selected at Tone Group 4 is
replaced by the data of the source Voice No. Before
executing Voice Copy, make sure you are selecting the
correct destination Voice. No.
NOTE: If you also press the COARSE switch while using
DATA ENTRY to select a Voice No. at Tone Group 2 or 4, the
Voice No. can be increased (or decreased) 10 steps at a time.
(5) Press [MEMORY] to copy the voice.
FUNCT. +
FUNCT. -
The MEMORY lamp lights up when the voice selected at
Tone Groups 1 and 2 has been copied to the User Area Voice
No. selected at Tone Group 4. Repeat Steps 2) to (6) to copy
more voices If necessary.
NOTE: When a Preset voice is copied, its default Vibrato
parameters also will be copied.
F18
VOICE EDIT (Edits Voices in the User Area) [FV X-1]
Outline
® This function edits the data of Voice parameters then
registers the edited voice as a User voice.
e Voice Edit is performed by calling a voice from the User
Area, To edit a Preset voice, therefore, the voice must be
copied to the User Area first, then called for editing.
(see page 31)
Procedure
® 11 voice parameters can be edited with respect to eight
operators.
e The Voice Edit operation involves the use of the DATA
ENTRY switches of all Tone Groups, but applies to the
entire unit regardless of the individual settings at each
Tone Group.
(1) Set Tone Group 1 to the status in which where
notes can be sounded.
Voice Edit is performed by calling a voice to Tone Group 1.
You can check the voice being edited by sounding its note.
Set Tone Group 1 so that notes can be sounded by setting
[MIDI ENABLE] to ON, setting the MIDI receiving channel,
the volume level, etc. (“see pages 12, 13, and 15)
NOTE: Because the voice to be edited is specified after
entering EDIT mode, the voice selected by [VOICE] can be
any voice. Also, either Voice Bank A or B can be selected.
(3) Press [FUNCT.] the number of times required to
display [ Е {В ] at the Common Display.
When [FF 49] is displayed at the Common Display,
[Ed ] (Edit) is shown at the Tone Group 1 Display.
(4) Use DATA ENTRY at Tone Group 1 to select the
voice to be edited.
Rotating DATA ENTRY in the clockwise direction increases
the Voice No.; rotating it in the counter-clockwise direction
decreases the Voice No.
P> [ 35 (]to[ 245]: Selects one of the 248 Preset voices
(Voice Bank B).
Dis i]to [ YDB: Selects one of the 8 Common User
voices.
Mm” 4 -—_—
Da Pel N
DATA ENTRY 1 DATA ENTRY 2
ue ©
(5) Check the algorithm of the voice to be edited at the
Display of Tone Group 3.
When the voice to be edited is selected, its Algorithm No. is
shown at the Tone Group 3 Display. Before editing, make
sure to check the algorithm of the voice to be edited by
comparing the displayed No. with the Nos. listed in “The
Algorithm Patterns” in Chapter VI, “OTHER INFORMATION.”
DP [ARA] to [ VEGA]: An Algorithm No. is displayed
based on the selected voice.
Ex
Lens =x - —
DATA ENTRY 3 DATA ENTRY 4
(2) Copy the voice as is to the destination Voice No. of
registration.
Voice Edit is performed by calling a voice from the User
Area (Voice Bank B), then registering the edited voice to the
same No. used for calling the voice. When editing a Preset
voice, first copy the Preset voice to the destination Voice.
No. in the User Area. (“see page 31)
NOTE: In default status (after a reset), the 248 Preset voices
are copied to the 248 User Voices in the User Area. After an
edited voice has been registered to a temporary Voice No.,
therefore, that voice may be copied to any No.
= (5х
” (E
Ed --- --- ---
NOTE: If you also press the COARSE switch while using
DATA ENTRY to select a Voice No., the Voice No. can be
increased (or decreased) 10 steps at a time.
O O
NOTE: An algorithm is the pattern of the operators (which
are the units used by the FM Tone Generator to create
voices). The Preset Voices of FVX-1 are created by com-
bining eight operators, and their algorithms allow you to
check the function of each operator.
NOTE: The Algorithm Nos. range up No. 63, but the Preset
Voices do not use all of these algorithms. Note that the
display of No. 0 indicates an algorithm other than Nos. 1 to
63 and will not be displayed when editing the Preset Voices.
(6) Use DATA ENTRY at Tone Group 3 to select the
parameter.
After checking the algorithm, use DATA ENTRY of Tone
Group 3 to select the Voice parameters to be edited. The
Voice parameters which can be edited are listed in the table
below. Rotating DATA ENTRY in the clockwise direction
moves the parameter display down through the table;
rotating it in the counter-clockwise direction moves the
parameter display up through the table.
[Voice No.] [Operator]
mr. 6 E |
Ml Dl À Dal Dl À
DATA ENTRY 1 DATA ENTRY 2
© ©
[Parameters That Can be Edited and Their Display]
E
NOTE: When a parameter is selected at Tone Group 3, the
Operator No. (or Operator Group) is shown at the Tone
Group 2 Display, and the parameter value is shown at the
Tone Group 4 Display.
[Parameter] [Data Value]
"mé a 3 4
> MERE =
DATA ENTRY 3 DATA ENTRY 4
O
Display Parameter Name
Description
[ F ]| FEET
Highest pitch (frequency) of the output sound. Can be set to 4 steps in octave units for
the operator groups (8-5 and 4-1).
[ UF] | WAVE FORM
The basic waveform that is read by the operator. One of eight waveform types, such
as sine waves, etc., can be set for each operator.
[ EL] | OUTPUT LEVEL
The maximum output level of the operator.
[ Ak] ATTACK RATE The speed at which the output level rises from Level 0 to Attack Level.
[ AL] ATTACK LEVEL | The output level after the attack at which decay begins.
ce
[d {+} Е DECAY 1 RATE | The speed at which the output level drops from Attack Level to Decay 1 Level.
La] z DECAY 1 LEVEL | An Intermediate level which can be set between the Attack Level and Decay 2 Level.
[dcr] : DECAY 2 RATE | The speed at which the output level drops from Decay 1 Level to Decay 2 Level.
[del] : DECAY 2 LEVEL | The level at which sustaining of the note is begun.
[ ++] = RELEASE RATE | The speed at which the output level reaches Release Level after the key is release.
[ +L] RELEASE LEVEL | The final level after the key is released. (Usually set to “0”)
NOTE: The Feet parameter is usually set to 8” which is
standard pitch, but can be changed to 32’, 16’ or 4’ if
necessary. This parameter can only be changed, however, in
group units for Operators 8-5 and Operators 4-1.
NOTE: The Waveform parameter is usually set to sine
waves, but the waveform can be changed if necessary. See
the figure on page 36 for the waveforms that can be set.
NOTE: The Output Level parameter sets the maximum
level that the operator can output. The four levels of the
Envelope Generator are the levels which can be set when
this Output Level has been set to 100.
NOTE: The Envelope Generator parameters set the fluctua-
tions in the output level over time. It is generally set as
shown in the figure on the right.
RR
| ©
} RL
Key OFF
À
Key ON
(1) When the key is pressed, the output level reaches the
Attack Level at the speed set by the Attack Rate; (2) it next
reaches Decay 1 Level at the speed set by the Decay 1 Rate;
(3 then reaches Decay 2 Level at the speed set by the
Decay 2 Rate. (4) While the key is being pressed, the output
level is held at the Decay 2 Level; (5) when the key is
released, the output level reaches the Release Level (0) at
the speed set by the Release Rate.
(7) Use DATA ENTRY of Tone Group 2 to select the
operator.
After selecting the parameter, use DATA ENTRY of Tone
Group 2 to select the operator to be edited. Be sure to select
the operator while checking the function of each operator
according to the algorithm. Rotating DATA ENTRY in the
clockwise direction increase the Operator No.; rotating it in
the counter-clockwise direction decreases the Operator No.
The Operator Nos. that can be selected are listed below;
note that the Display and variable range differ only when
the Feet parameter is selected.
» When Feet is selected: [ 35} {] (Operators 8-5)
[ 382] (Operators 4-1)
> When Feet is not selected: [GP (]to [ FE]
Voice No. Operator
mera 6 em €
Dal À DD {
DATA ENTRY 1 DATA ENTRY 2
© | 0
Use DATA ENTRY at Tone Group 4 to change the
data value.
When the parameter and operator(s) to be edited are .
selected, the currently set parameters of that operator are
shown at the Tone Group 4 Display. While producing notes
to check the sound, use DATA ENTRY to increase or
decrease the data value. Rotating it in the clockwise direc-
tion increases the value one at a time; rotating it in the
counter-clockwise decreases it one at a time (except when
Feet is selected). The variable range of the parameter data
is as follows:
» Еее: [ 35] [ 5 16] [79] [ AA]
> Waveform: [ Fi 5] to [ A 1]
» Output Level: [ 30D ]J to [254]
» Envelope Generator: [ 115157] to [ 102]
Parameter Data Value
ma» > y
Dl Da = A KA
DATA ENTRY 3 DATA ENTRY 4
© | O
(This figure illustrates the selection of Output Level)
[Reference: Modulators and Carriers]
Based on the function of an operator, that operator can be
broadly grouped as a modulator or carrier.
» Modulator: An operator that outputs Modulation signals
to other operators. (A of Fig. 1)
» Carrier: An operator that outputs Audio signals (the
signals of the actual voice). (B of Fig. 1)
Also, certain operators are subjected to feedback (C of Fig. 2).
The pattern in which the operators is arranged determines
whether each operator is a modulator or a carrier. This
pattern is called an “algorithm.” Using Algorithm No. 4
(Fig. 3) as an example, Operator 6 is modulated by Operator
8 (which is subjected to feedback) and Operator 7, both of
which are modulators. The modulated Operator 6 (which is
also a modulator) modulates Operator 5 which is a carrier,
and Operator 5 outputs the actual sound. This same operator
is being carried out by Operators 4-1, and the sound output
from Operators 5 and 1 is mixed to form one voice.
P Even within the same parameter, the element to be
changed will vary according to whether the selected
operator is a modulator or a carrier. (®see the next page)
» The data (level, frequency, feedback, etc.) to be set for
each operator also varies. Even if the data values are
changed in the same way, therefore, the change in the
voice will vary according to the operator.
(Fig. 1)
Modulator
(Modulation signal)
To | Carre
(Audio signal)
(Fig. 2)
Feedback
(Fig. 3: Algorithm No. 4)
(9) If necessary, repeat Steps (6), (7), and (8).
If you wish to change only specific parameters for each
operator, repeat the steps in the sequence of: 6)7 6)»
DE. If you wish to change the parameters of a
specific operator, repeat the steps in the sequence of:
CAUTION: If any of the selector switches in the Common
section are pressed during editing, the EDIT mode will be
cancelled and the data being edited will be erased. Unless
you have registered the edited voice and wish to proceed to
another function, be careful not to press the selector switches.
DO 00).
[Changes Resulting from Changing the Data Values]
Parameter Modulator | Carrier
Feet When the Feet value is changed, the change in the voice will vary with the voice's
algorithm and the settings of the various parameters. Perform editing while actually
listening to its sound.
Waveform When the Waveform is changed, the change in the voice will vary with voice's algorithm
to Its sound.
and the settings of the various parameters. Perform editing while actually listening
Output Level
as the value decreases
The timbre generally changes, becoming | The volume generally changes, increasing
brighter as the value increases or mellower | as the value increases or decreasing as the
value decreases.
Envelope Generator | Rate
decreases.
The speed at which the timbre fluctuates | The speed at which the volume fluctuates
generally changes, becoming faster as | generally changes, becoming faster as
the value increases or slower as the value | the value increases or slower as the value
decreases.
decreased.
Level | The timbre generally fluctuates at each | The volume generally fluctuates at each
level, becoming brighter as the value | level, increasing as the value increases or
is increased or mellow as the value is | decreasing as the value decreases.
NOTE: Regarding the Output Level settings, the following
generalizations may be stated:
P When the output level of a modulator is raised, the voice
becomes brighter and more showy; but if raised too
much, the voice becomes noisy.
№» For modulators that are subjected to feedback, fluctua-
tions in the timbre are further amplified.
» If the output level of a carrier is too low, its sound may
become practically inaudible.
CAUTION: For some Preset Voices (125 to 214), the output
level of specific carriers is set to “0”. For these voices, note
that its timbre cannot be changed by editing the carriers of
“0” output level or the modulators that modulate those
carriers. (Raising the output level will change the timbre.)
It is best to check the output level of all carriers before you
begin editing.
Press [MEMORY] to register the edited voice.
The MEMORY lamp lights up to indicate that the edited
voice is registered. The voice is registered at the Voice No.
of User Area selected at Tone Group 1.
If you wish to continue editing of another voice, use DATA
ENTRY of Tone Group 1 to select the voice, then repeat
Steps 6) through (9.
NOTE: The Voice data registered in User Area can be saved
by transferring it to a RAM Pack. (=®see pages 37 and 43)
NOTE: Regarding the Envelope Generator settings, the
following generalizations may be stated:
DP “Rate” refers to the transition speed from one level to
another level and its value is in inverse proportion to the
time required for the transition. So increasing the
numeric value of the rate will shorten the time, and
decreasing it will lengthen the time.
> Even if a rate is not changed, the time required for
transition can be changed by changing the beginning and
ending levels for that rate.
» If the carrier envelope and modulator envelope differ to
an extreme degree, the fluctuations in timbre and volume
will deviate over time. Unless you wish to produce a
special voice effect, be sure to set both envelopes so that
they are the same.
» Except in special applications, the Attack Rate and Decay
1 Rate values of carriers should not be raised or lowered
excessively.
» Except in special applications, the Attack Level value of
carriers should not be lowered excessively.
D Except in special applications, the Release Rate value of
carriers should not be lowered excessively.
D Except in special applications, the Release Level value of
carriers should be left set to “0”.
FUNCT. +
FUNCT, -
[Tone Group Displays During Voice Edit]
Tone Group 1 Tone Group 2 Tone Group 3 Tone Group 4
When [ F 18 ] is [Ed] [---] [(---] [===]
selected
When the voice to | [3 {1 — [248] [---] uno] - (06 3] [---]
be edited is [UT 1) — CUDE] Algorithm No.
specified Specified Voice No.
During editing Selection of the Parameter selection Data setting
after parameter operator or operator (variable range)
selection group
O 1]:OP8—OP5 [ F J [3 3e) 16]
[082]: 0P4—-0P 1 Feet [B08] [COM]
[5° 0 — [BRB] [ UF] 700] — (GC |]
Waveform *See the table below
[SP 90 — [CPS] Г ВЫ] [B00] — [255]
Output Level
[ОР 0 - [BPH] [ 8+] [СВО] - [1903
_ Attack Rate
[ОР О — [Q3P8] { AL] [B08] — (1881
Attack Level
[ОР 4] — [OPE] Le +] [0] — [1060]
Decay 1 Rate
(OP 1] — [PB] La (L] [00] — [00]
Decay 1 Level
[GF J — [PB] [det] [OO] — [180]
Decay 2 Rate
[ОР 4] - [PB] [der] [888] — ({80]
Decay 2 Level
[GP 1 — [BPR] [ ++] [B88] — [88]
Release Rate
[ОР (1) — [BPA] [ FL] (8881 —- Ci]
Release Level
[Waveforms] [Envelope Generator]
HH UD e 3 A
L
A, A a— om /N
Vv о
A}
GN НЫ + es | в
er
f | | N AN “Te
FL TT
A A
(Waveforms 4 to 7 are the respective squares Key ON Key OFF
of Waveforms 0 to 3) |
36
F19
VOICE BANK SELECT (Selects Voice Bank A or B) [FVX-1]
Outline
e With this function, you can select the voices chosen by
[VOICE] from either the Preset Area (Voice Bank A) or the
User Area (Voice Bank B).
® Voice Banks À and B each have a memory containing 248
voices as well as 8 Common User voices which can be
accessed from either Voice Bank.
Procedure
® The User Area is for copying or editing voices during a
Voice Copy or Voice Edit operation. (see pages 31
and 32)
e Voice Bank Select is a function that is set for the entire
unit, so its setting cannot be memorized for individual
Tone Groups or Registrations.
(1) Press [FUNCT.] the number of times required to
display [ F 153] at the Common Display.
When [ F 13] is displayed at the Common Display, the
currently set Voice Bank is displayed at the Tone Group 4
Display.
(2) Use DATA ENTRY at Tone Group 4 to select the
Voice Bank.
Rotating DATA ENTRY in the clockwise or counter-clockwise
direction changes the display as follows:
(Voice Bank B)
= (20
) €
A TE AE Le
pe
DATA ENTRY 3 DATA ENTRY 4
NOTE: In default status (after a reset), Preset voices 1 to 248
are copied to User voices 1 to 248, and Preset voices 1 to 8
are copied to Common User voices 1 to 8.
F20
USER VOICE AREA SELECT ect the Voice Ara [EX]
Outline
® When transferring the data of the 248 User voices to or
from a RAM Pack, this function is used to select the first
half or last half of that data.
Procedure
® Data is transferred to and from the RAM Pack using
Memory Bank MBS-10. For details on the operating
procedure, see section V-2, “Reading and Writing User
Voice Data.” (see page 43)
(1) Press [FUNCT.] the number of times required to
display [ 2 5] at the Common Display.
When [ F 203] is displayed at the Common Display, the
currently selected User Voice Area is displayed as a numeric
value at the Displays of Tone Groups 2, 3, and 4.
(2) Use DATA ENTRY at Tone Group
4 to select the first or last half of
the User Voice Area.
Rotating DATA ENTRY in the clockwise or
Me
counter-clockwise direction changes the \
Display of Tone Groups 2 and4 as follows:
> (I[...][ {2M ]: Selects the first half of the
User voices.
PI 125][ ___] 243]: Selects the last half of the
User voices.
DATA ENTRY 2
O
DATA ENTRY 3 DATA ENTRY 4
O
1-1 | MEMORY (The Registration Memory) |
Outline
® This function lets you memorize up to 16 types of
Registrations which are specified for each Tone Group.
e Although most of the functions described in Chapter III
can be memorized, certain functions cannot be
memorized to Registrations 1 through 16. (™®see page 39)
Procedure
® The memorized Registrations can be changed according
to the Regist. Change (Program Change) signals sent in
from an external device.
® By operating the panel, a memorized Registration can be
recalled or its contents can be changed. (™»see page 40)
(1) Set the Registrations to be memorized for each
Tone Group.
Referring to the description in Chapter III, set the Registra-
tions required for your performance for each Tone Group.
(For details on the memorization range of the Registrations,
see the next page.)
(2) While pressing [MEMORY], press one of the
selector switches.
During the memorization of a Registration, the eight selector
switches function to specify the Registration No. Two rows
of numeric values are provided at the side of each switch,
and the numeric values are used to specify Registration Nos.
(hereafter referred to as a “Regist. No.”) during memorization.
The procedure for memorizing registrations to Regist. Nos. 1
to 16 is as follows:
D Regist. Nos. 1-8 (top row): While pressing [MEMORY],
press a selector switch. (The figure on the right is an
example of memorizing to Regist. No. 1.)
D Regist. Nos. 9-16 (bottom row): While pressing
[MEMORY], simultaneously press [SHIFT] and a selector
switch. (Press [MEMORY] and [SHIFT] with your right
hand, and a selector switch with your left hand.)
When the above operation is performed, the lamp of the
pressed selector switch flashes to indicate that a Registration
has been memorized to the specified Regist. No.
NOTE: The currently set Regist. No. is usually displayed at
the Common Display (except when using the EFF ., VIBRATO,
FUNCT. switches, etc.). A Registration can be memorized,
however, to any Regist. No. regardless of this display.
(=»see page 40)
© If necessary, set another Registration and memo-
rize it to another Regist. No.
Because the Regist. Nos. are changed by the Regist. Change
signals sent in from an external device, be sure to select
Regist. Nos. that are compatible with those of a transmitting
instrument, such as HX, or those of another Voice Expander.
(Be sure to use the Registration Charts provided in Chapter
VI, “OTHER INFORMATION, as well as Data Recording
Charts provided at the back of the MDX-1 USER'S GUIDE.)
5 | à
| Ps DS
6
14
1 С
J| LEVEL [VIBRATO |7
il 15
a co
4 | SUSTAIN | FUNCT. +18
12 1 TO PACK | FUNCT. - ¡16
не
(4) When a Regist. Change signal is received from an
external device, the registrations are changed.
The signal which changes the registrations is sent and
received as a MIDI Channel Message of Program Change
type; it is sent from HX using Channel 16. When this signal
is sent in, the Voice Expander will receive that signal
regardless of the MIDI Channel settings, and the registra-
tions will be changed (at each Tone Group where [MIDI
ENABLE] is ON).
CAUTION: For Tone Groups at which Regist. Change
Enable is set to OFF, the registration is not changed even if
the Regist. Change signal is received. (™see page 27)
NOTE: The signals for Regist. Nos. 1-16 of HX correspond
directly to Regist. Nos. 1-16 of the Voice Expander. When a
Regist. No. is changed at HX, therefore, the Registration
having that same Regist. No. is set. Certain non-Electone
instruments are designed so that the Program Change
signals are received by pressing the VOICE switch. (Be sure
to check the MIDI Implementation Chart and other specifica-
tions for that instrument.)
NOTE: The data of the memorized Registration can be sent
as Bulk data to MDX-1 to be saved. (**Refer to the “MDX-1
USER'S GUIDE”)
The data can also be saved in a RAM Pack using MBS-10.
(=»see page 42)
[The Data That Can Be Memorized to Registration Memory] (see page 7)
Function Data Default
[VOICE] Voice No. selection data vu 1]
[LEVEL] Volume level data ex)
[SUSTAIN] Sustain Length data ooo
[EFF. SEL.) Effector selection data [OFF]
[EFF. DEP.] Parameters of selected Effector [---]
[OCT. SHIFT] (AVX-1) Setting data for Octave Shift 300
[FUNCT.1 (1)BRILLIANCE Setting data for Brilliance [ECO
(2) TOUCH TONE RANGE Range data for Touch Tone HE
(3)PAN MODE SELECT Pan mode selection data (88 4
(4) PAN PARAMETER SET Parameters of the selected Pan Mode [ EJ
(5) AUX. QUT LEVEL Output level data for AUX. OUT (360
(6)NOTE DOUBLER Setting data for Note Doubler (CCC
(7) DETUNE Setting data for Detune [MOS
(8)KEY SHIFT Setting data for Key Shift ooo
(14) GLIDE ENABLE Glide enable/disable data or Fl
(E)PITCH BEND RANGE (FVX-1) Range data for Pitch Bend HHH
(16) VIBRATO CONTROL SEL (FVX-1) Vibrato controller selection data OF FJ
CAUTION: The following settings can be performed for
individual Tone Groups but cannot be memorized to Registra-
tions 1 to 16: MIDI ENABLE ON/OFF, MIDI receiving
channel, Function Nos. (9) KEY LIMIT [HIGH], KEY
LIMIT [LOW], and (i) REGIST. CHANGE ENABLE.
With the other functions under [FUNCT], the data be set for
the entire unit.
NOTE: The [VIBRATO] function of FVX-1 lets you set
Vibrato data for individual voices. If you memorize Registra-
tions having different voices under different Regist. Nos., the
Vibrato data can also be changed easily. Please note,
however, that different Vibrato data cannot be memorized
for the same voice.
[The Registration Memory for Individual Tone Groups]
When you perform the procedure described on the previous
page, the Registrations currently set by the panel for all
Tone Groups are memorized in one operation. In addition,
you can also memorize the Registration of a single Tone
Group as follows: While pressing the MEMORY switch, press
the MIDI ENABLE switch. (™>for details, see page 41)
39
IV-2
REGIST. Recalling or Editing a Registration)
Outline
® А memorized Registration can be recalled to the panel for
editing.
® A Registration is recalled by using the REGIST switch to
change the Regist. No. one at time. Depending on the status
at that time, however, the Regist. No. may not change.
Procedure
® Be sure to memorize the edited Registration before
recalling another Registration. (If another Registration is
recalled without memorizing the edited one, the edited
data will be erased.)
e It is also possible to recall and edit a different Regist. No.
at each Tone Group.
(1) Check the Common Display.
The Common Display usually displays the currently set
Regist. No. as a two-digit value (while the REGIST lamp is
lit). The firstcolumn display changes as shown in the table
below if a Registration is being edited (whether the contents
of the memorized Registration matches the panel status).
CAUTION: When the Common Display shows that a
Registration is being edited, use the procedure described on
the previous page to memorize the edited Registration.
When memorization is completed, the contents of the
Registration memory is changed and Common Display
changes from Edit mode to Pre-Edit status mode (from
_ dto [ 15 {]in the sample table below).
[Sample Display of the Common Display] (For Regist. No. 1)
CAUTION: When setting an EFFECTOR, VIBRATO, or
FUNCTION, the REGIST lamp goes out and the Common
Display conforms to the feature being set. When the REGIST
switch is pressed while the Common Display is in this status,
the currently set Regist. No. is displayed so memorize the
edited data then return the Common Display to its Pre-Edit
status ([ 3 1] in the table below).
CAUTION: When the REGIST switch is pressed during
editing, the Regist. No. display begins flashing to prompt you
to memorize the data. At this time, if you press the REGIST
switch once more without memorizing the data, please note
that the Common Display returns to its Pre-Edit status, the
contents of the memorized Registration is restored, and the
edited data is erased.
Display Meaning of Display When the REGIST Switch is Pressed
uo The Registration memorized at No. 1 is set | The Regist. No. is changed each time [REGIST] is pressed, and the
for all Tone Groups. (Pre-Edit status) Registration of the selected No. is recalled to the panel.
es 1 | The Registration memorized at No. 1 is | The display of the current Regist. No. flashes to prompt you to
being edited. (Edit status) memorize its data. (If you press [REGIST] once more, the display
changes to [ 53 {] and the edited data is erased.)
Other | The EFFECTOR, VIBRATO, or FUNCTION | The currently set Regist. No. | _ 3 {] is displayed. (If you press
is being set. (Edit status) [REGIST] once more, the display flashes to prompt you to
memorize the data.)
(2) Press [REGIST] the number of times required to
select the Regist. No. you wish to edit.
When the REGIST switch is pressed while the Common
Display is in Pre-Edit status, the Regist. No. is changed.
P Pressing only [REGIST]: The Regist. No. is increased by
one each time [REGIST] is pressed.
D Pressing [SHIFT]+[REGIST]: The Regist. No. is de-
creased by one each time [SHIFT] + [REGIST] are pressed.
© Edit the Registration at the panel.
When the Regist. No. is changed in Step (2), the Registration
memorized at that No. is set for all Tone Groups. Press the
selector switch of the function you wish to edit, then change
the data that is set at each Tone Group.
CAUTION: While only the REGIST lamp is lit among the
selector switches (when [REGIST] is pressed during the
setting of the EFFECTOR, VIBRATO, or FUNCTION), if you
press the the REGIST switch and change the Regist. No., the
lamps of the selector switches flash (and [ — — — ] flashes at
each Tone Group Display) to prompt you to select one
of them.
mo =
во рай ра.
E) I
2 | VOICE FFF. SEL. 16
10 FFF, DEP, | 14
— CJ 1
3 | LEVEL VIBRATO |7 SHIFT
11 15 (CONF LRM)
| co JJ
À | SUSTAIN | FUNCT. +18 MEMORY
12: TO PACK | FUNCT. - | 16
(4) Memorize the edited Registration.
When a Registration is edited, the Regist. No. at the
Common Display is in Edit status. When editing is com-
pleted, memorize the Registration to the same Regist. No.
The Common Display changes to the Pre-Edit status.
[Editing a Single Tone Group in REGIST. CHANGE Mode]
(1) While pressing [COARSE], press [REGIST] to enter
the REGIST. CHANGE mode.
If the REGIST switch is pressed while pressing the COARSE
switch, [+ L A ] (RCM: REGIST. CHANGE Mode) is shown at
the Common Display so that different Registrations can be
set at different Tone Groups.
At this time, the currently set Regist. No. is shown at each
Tone Group Display.
NOTE: If REGIST. CHANGE ENABLE is set to OFF for any
Tone Group and a Regist. Change signal is received from an
external device, a different Regist. No. will be set at those
Tone Groups. (For example, if Tone Group 1 is set to OFF
and the Regist. No. is changed from 1 to 2 to 3, Tone Group
1 will remain set to Regist. No. 1.) The REGIST. CHANGE
mode thus actually recalls a different Regist. No. for
individual Tone Groups, which is useful when editing a
specific Tone Group.
O
Para xa 1 yu
at ud Da. La e Vs
COARSE DATA ENTRY 1 DATA ENTRY 2
O sm O PRG
MIDI | MIDI MIDI | MIDI
RECEIVE | ENABLE RECEIVE | ENABLE
we rr =
© oh DH
£3 С 7
LEVEL. | VIBRATO SHIFT
(CONF TRM)
Г) 1 Г
SUSTAIN | FUNCT. + MEMORY
TO PACK | FUNCT. -
(2) Use DATA ENTRY at each Tone Group to change
the Regist. No.
Rotating DATA ENTRY in the clockwise direction increases
the Regist. No.; rotating it in the counter-clockwise direction
decreases it. Change the Regist. No. at any Tone Group.
When you change the Regist. No. at a Tone Group, the
Registration corresponding to the set Regist. No. is set at the
panel.
NOTE: When the Regist. No. of any Tone Group is changed,
the Common Display changes to [ «dw ] (Individual) to
indicate that the Regist. No. varies with the Tone Group.
mm à mo =
aS Lt A bat LA Den
DATA ENTRY | DATA ENTRY 2
O NE. O a
MIDI MIDI MIDI MIDI
RECEIVE | ENABLE RECEIVE | ENABLE
L
(4) While pressing [MEMORY], press [MIDI ENABLE]
at the Tone Group you have edited.
The lamp of the pressed MIDI ENABLE switch begins
flashing to indicate that only the Registration of that Tone
Group has been memorized to the Regist. No. set at that
Tone Group. (see page 39)
41
(3) Edit the Registration at the panel.
While checking the sound by producing notes as during a
performance, edit the Registration. Editing can be per-
formed on any Tone Group, whether its Regist. No. has been
changed or not.
[| E
MIDI | REGIST + ond
FRM. PACK | REGIST - Cres
—1 cc
VOICE | EFF. SEL.
EFF, DEP.
С С 1
LEVEL | VIBRATO SHIFT
(CONF [RM)
С С) 1
SUSTAIN | FUNCT. + MEMORY
TO PACK | FUNCT. -
(4) J
CAUTION: Perform Step (4) to memorize the data for each
Tone Group which was edited in REGIST. CHANGE mode. If
the procedure described on page 38 is performed, the data
of all Tone Groups will be memorized to the same Regist.
No. Moreover, if the REGIST switch is pressed while the
[ «tw | display is flashing, the edited data will be erased.
V-1 | Reading and Writing the Registration Data |
Outline
® [f Memory Bank MBS-10 is connected, you can write the
various data set by the Voice Expander onto a RAM Pack
(To Pack) or read the data written onto a RAM Pack
(From Pack).
® Besides Registration data, Common User voice data and
other data can also be written and saved to a RAM Pack
(FVX-1 only).
Procedure (To Pack)
e With a system using MDX-1, the Registration data that can
be transferred to and from a RAM Pack can also be trans-
ferred to and from MDX-1. (™Refer to the “MDX-1 USER'S
GUIDE” for details.)
(1) Set the data to be written to the RAM Pack.
The data that can be written to a RAM Pack by a To Pack
operation is as follows: (see pages 39 and 49)
Registration data P Registration Memory 1-16
» Functions set for each Tone Group
» Vibrato (Preset/Common User voices)
[FVX-1]
» The current panel status
» Common User voices 1-8 [FVX-1]
P Program Effectors 1-4
D Key Mode Select [AVX-1]
P Voice Bank Select [FVX-1]
D Others (except Tuning and User Voice
data)
Voice data
Unit data
(2) Insert the RAM Pack into MBS-10.
After checking the connection to MBS-10, securely insert the
RAM Pack. (“*Refer to the “MBS-10 USER'S GUIDE”)
» Compatible RAM Packs: RP-3 (8K bytes)
RP-5 (32K bytes)
Procedure (From Pack)
(3) While pressing [CONFIRM], press [TO PACK].
The SUSTAIN/TO PACK lamp begins flashing to indicate
that the data has been written to the RAM Pack.
С [ -—.
MIDI | REGIST + ; : ; p :
FRM. PACK | REGIST - al
co |
VOICE | HFF.SH.
EFF. DEP.
Г} С
(1) Insert the RAM Pack into MBS-10.
After checking the connection to MBS-10 and checking the
RAM Pack from which data will be read, securely insert the
RAM Pack.
2 While pressing [CONFIRM], press [FROM PACK].
The MIDI/FROM PACK lamp begins flashing to indicate that
the data has been read from the RAM Pack to the Voice
Expander.
NOTE: In case MBS-10 is improperly connected or an error
occurs during data transfer, the Common Display will show
a Status Code (such as [ [3 3], etc.) to attract your
attention. (see page 55)
NOTE: A To Pack or From Pack operation for Registration
data can also be performed at the MBS-10 panel.
CC —
SUSTAIN | FUNCT. +
TO PACK | FUNCT. -
V-2
Reading and Writing User Voice Data [FVX-1] |
Outline
e With FVX-1, only User Voice data for Voice Nos. 1 to 248
can be transferred to and from a RAM Pack.
e The reading and writing of User Voice data is only possible
while USER VOICE AREA SELECT is displayed at the
panel, and cannot be performed from the MBS-10 panel.
Procedure (To Pack)
e Before transferring the User Voice data to or from a RAM
Pack (RP-5), the first or last half of the User Voice Area
must be selected.
e The User Voice data can only be transferred to and from
a RAM Pack, but cannot be transferred to and from
MDX-1.
(1) Press [FUNCT.] the number of times required to
display [ + CG ] at the Common Display.
CAUTION: User Voice data can be written or read only
while Function No. 20 is displayed at the panel.
(2) Use DATA ENTRY of Tone Group 4 to select the
User Voice Area to be written to the RAM Pack.
(=»see page 37)
» | (1 ~~] (24) First half of area
11 ES]: L
|
24
> [| (25 ][ - - - ast half of area
ie 5
PCM ( ‹ ло
DATA ENTRY 2 DATA ENTRY 3 DATA ENTRY 4
г co = ww. сек
(3) Insert the RAM Pack (RP-5) into MBS-10. MIDI | REGIST + в = {
After checking the connection to MBS-10, securely insert the
RAM Pack. (Refer to the “MBS-10 USER'S GUIDE”)
» Compatible RAM Packs: RP-5 (32K bytes)
(4) While pressing [CONFIRM], press [TO PACK].
The SUSTAIN/TO PACK lamp begins flashing to indicate
that the data of the selected User Voice Area has been
written to the RAM Pack.
Procedure (From Pack)
FRM. PACK | REGIST -
VOICE — 1 EFF. SEL.
(1) Display Function No. 20 [ F 25%], then select the
User Voice Area of the data you wish to read.
Similar to the To Pack operation, use DATA ENTRY of Tone
Group 4 to select the first or last half of the User Voice Area.
(2) Insert the RAM Pack (RP-5) into MBS-10.
(3) While pressing [CONFIRM], press [FROM PACK].
The MIDI/FROM PACK lamp begins flashing to indicate that
the RAM Pack Voice data has been read (memorized) to the
selected User Voice Area of the Voice Expander.
NOTE: In case MBS-10 is improperly connected or an error
occurs during data transfer, the Common Display will show
a Status Code (such as [£ 32] etc) to attract your
attention. (>see page 55)
с пин
SUSTAIN | FUNCT. +
TO PACK { FUNCT. -
The Preset Voices [FVX-1]
[1]
PRESET VIBRATO PRESET PAN | PRESET
VOICE No. VOICE NAME om SET y О со) PEE
46 SIERO) | ———
vu | HX * STRINGS 1 17 24 48 я vu
SHH HX * STRINGS 2 „9 30 45 ; SYM
S03 HX * STRINGS 3 22 12 16 TERED ——-
us HX = STRINGS 5 17 24 46 SIERD | CEL
ous НХ * STRINGS 5 | 7 a 6 я CEL
vu HX * PIZZICATO STRINGS „9 „0 2° г SYM
A997 HX * VIOLIN 1 26 30 16 L -_-
НЫ В HX * VIOLIN 2 26 30 47 2 (fr
09 HX * CELLO 6 32 42 R jm
5 10 HX * BRASS 1 7 30 18 й =
o HX * BRASS 2 8 30 42 ; ST
oie HX * BRASS 3 7 30 18 L CEL
a {3 HX * BRASS 4 |! 36 42 ! ——-
0 HX = BRASS 5 Ll 30 18 TERED ——-
5 HX * TRUMPET 1 11 15 39 с ——-
06 HX »* TRUMPET 2 1 30 39 ; ———
0 HX = TRUMPET 3 8 28 39 TERED ---
u (8 HX * TROMBONE 1 15 30 38 к |-—-
139 HX * TROMBONE 2 15 30 38 | 77
ue HX * TROMBONE 3 > 30 38 STD ——-
ae HX * HORN 2 30 36 I
ued HX * WOOD 1 9 32 0 ; ———
ue 3 HX * WOOD 2 0 24 2° ! -——
oe HX * WOOD 3 7 14 43 TERED -——
es HX * PICCOLO „3 24 46 I
eb HX * FLUTE 1 20 28 45 Rem
ei HX * FLUTE 2 0 8 45 й ——-
“ce HX * OBOE 1 2 6 48 с ——-
3209 HX * OBOE 2 2 „6 48 a =
30 HX * ENGLISH HORN 2 28 40 | ——-
33 HX = BASSOON 2 28 36 г ---
330 HX * CLARINET 1 ! 28 46 L ——-
333 HX * CLARINET 2 Kr 1 28 46 DIT
IM HX * BASS CLARINE 1 28 16 с ——-
035 HX * ALTO SAX 13 32 38 2 jo
338 HX * TENOR SAX 7 32 37 ——-
TE HX = ACCORDION ; 14 51 4 ——-
30 HX * BANDONEON 1 14 51 I
339 HX * HARMONICA 4 8 36 SE
Оч HX * МОСАТ, 1 18 8 16 SYM
vo HX * VOCAL 2 18 8 51 а | ЗУМ
He HX * VOCAL 3 18 8 51 ; SYM
Hak HX * VOCAL 4 8 38 51 ! SYM
YY IX * COSMIC 1 7 30 50 TERED DEL
E HX * COSMIC 2 1 A 6 т
“4D HX * COSMIC 3 , © 9 2° € CEL
3: HX * COSMIC 4 25 18 38 ; DEL
048 HX * COSMIC 5 12 12 42 ! ee
оч HX * COSMIC 6 2 0 6 TERED SYM
390 HX * ELECTRIC PIANO 1 0 0 0 с CEL
0% 4 HX * ELECTRIC PIANO 2 0 0 ; ---
3 * ELECTRIC PIANO 3 0 STEREO Cr
ae HX о я o 0 29
493 HX * ELECTRIC PIAN 3 0 6 г CEL
394 HX * PIANO 1 0 0 0 L ---
295 HX * PIANO 2 0 0 0 г ———
0556 HX * PIANO 3 0 2 ао I
057 HX * GUITAR 1 3 19 89 , ---
4 IX * GUITAR 2 89 - ==
398 || | 2 19
os HX * JAZZ GUITAR 1 3 36 36 С —=-
05D HX * JAZZ GUITAR 2 3 36 37 N Бил
0g | HX * ELECTRIC GUITAR 1 1 32 35 RR | PHA
052 HX * ELECTRIC GUITAR 2
VOICE No. VOICE NAME PRESET VIBRATO PRESET PAN
DEPTH DELAY SPEED
H HX *= ELECTRIC GUITAR 3 3 32 35
Jo HX * VIBRAPHONE О О 0
05 HX * MARIMBA О 0 O |LI
ne HX * XYLOPHONE 0 О 0 LL
06 | HX * GLOCKEN SPIEL 0 О 0
108 HX * CELESTA 0 О 0 LL
109 HX * HARPSICHORD 0 О 0
310 HX * HARP 1 0 О 0 L
1 HX * HARP 2 0 0 0 L
alc HX * BANJO О 0 0
13 HX * MANDOLIN 0 0 0 L
DAY HX * SHAMISEN 3 0 40
015 HX * KOTO 3 14 23 L
516 HX * TAISHOGOTO О 0 О
Aa HX * CHIME 1 2 30 45 LL
DUB HX * CHIME 2 1 4 26
219 HX * CARILLON 1 30 45
3890 HX * STEEL DRUM | 0 О О
al HX * STEEL DRUM 2 О 0 0
Sac HX * TIMPANI 1 О 0 О L
os HX +* TIMPANI 2 0 О О L
Dav HX * ELECTRIC BASS 1 0 0 О
395 HX * ELECTRIC BASS 2 0 О О
086 HX * ELECTRIC BASS 3 0 О 0
06 1 HX * ELECTRIC BASS 4 0 О 0
ОВ HX * COSMIC 17 О 0 О L
ОЗ HX * COSMIC 8 3 30 38
390 HX * COSMIC 9 0 О О
9 1 FVX * STRINGS I 31 20 46 STFRED
392 FVX * STRINGS 2 12 4 50
293 FVX * STRINGS 3 3 24 47
oa FVX * VIOLIN 1 28 13 49 L
nos FVX * CELLO 1 24 25 49
4556 FVX * CONTRA BASS 1 15 24 4 1
097 FVX * PIZZ. VIOLIN 1 0 О 38 L
"00 FVX * PIZZ. CELLO 1 0 0 38
099 FVX * PIZZ. CONTRA BASS | 0 20 48 C
ina FVX * BRASS 1 5 24 41 С
{0 | FVX * BRASS 2 9 24 41 C
e FVX * TRUMPET | 12 16 38 C
{C3 FVX * TROMBONE 1 19 20 38 C
{Ч FVX * TROMBONE 2 14 20 38 C
{0S РУХ * IORN | 3 28 40 C
(106 FVX * HORN 2 2 24 41 L
15 FVX * TUBA 1 10 16 36 C
(158 FVX * FLUTE 1 13 16 44 С
{09 FVX * CLARINET 1 2 24 46 C
(10 FVX * SAXOPHONE | 19 26 34 C
(41 FVX * ELECTRIC PIANO 1 0 0 О L
ie FVX * HARP | О 0 38 LL
{ {3 FVX *= HARP 2 О 0 38 LL
1 FVX * ACOUSTIC GUITAR 1 0 20 38 L
{ {5 FVX * DISTOR. GUITAR I 6 96 31 С
{15 FVX * CHOP. BASS 1 0 0 О C
{ {I FVX * XYLOPHONE 1 0 0 О LL
(18 РУХ * KALIMBA 1 О 0 О LL
{ {9 FVX * TRIANGLE 1 О 0 О LL
(20 FVX * VOCAL 1 11 8 50 C
ic | РУХ * ORGAN 1 О 0 40 C
‘ее РУХ = SYNTH STRING 1 9 8 50 C
(23 FVX * SYNTH BRASS 1 5 24 41 e
124 FVX * SYNTH LEAD 1 16 О 50 C
VOICE No. VOICE NAME PRESET VIBRATO PRESET PAN | PRESET
DEPTH DELAY SPEED FFFEC.
125 HS * COMBI. 1 О О 41 С ———
(26 HS * COMBI. 2 0 0 41 C ———
27 HS * COMBI. 3 О О 41 C ———
(ce HS * COMBI. 4 O О 41 С ———
(29 HS * COMBI. 5 О О 41 C ——
{30 HS * COMBI. 6 О 0 41 C _
{3 { HS * COMBI. 7 0 0 41 C ———
(32 HS * COMBI. 8 О 0 41 C _—
{33 HS * COMBI. 9 О 0 41 С _
134 HS * PIPE ORGAN 1 О О 40 C ———
{3S HS * PIPE ORGAN 2 О О 40 STERED | ———
{35 HS * PIPE ORGAN 3 О 0 40 SIFRED | ———
137 HS * STRINGS 1 3 12 43 C SYM
138 HS * STRINGS 2 3 12 42 C SYM
(39 HS * STRINGS 3 7 12 45 C ———
E HS * PIZZ. STRINGS 8 О 44 C ———
{Ч Y HS * BRASS | 4 12 42 STIER. |———
(че HS * BRASS 2 2 12 38 C ——
(43 HS * BRASS 3 2 12 38 STIER | ———
$Y HS * MUTE BRASS 1 2 12 41 SIERD | ———
145 HS * MUTE BRASS 2 2 12 38 STERB) |———
{ЧБ HS * WOOD 1 3 12 42 C ———
(43 HS * WOOD 2 3 12 4 2 SIER | ———
{48 HS * ACCORDION 1 12 36 SIERB) |———
(49 HS * SYNTH STRING 1 12 46 C ———
150 HS * SYNTH BRASS 6 12 A 2 C ———
15 1 HS * COSMIC 1 6 12 42 STEREO | ———
(Se HS * COSMIC 2 1 0 100 C ———
53 HS * COSMIC 3 1 12 38 SFR) |———
154 HS * COSMIC 4 g 12 48 SIERE) | SYM
155 HS * COSMIC 5 8 12 44 STEREO | SYM
1556 HS * VOCAL 1 8 12 45 SIERO | SYM
157 HS * VOCAL 2 8 12 45 SIERO | SYM
{58 HS * VOCAL 3 8 12 42 SIFRFD | SYM
{59 HS * VOCAL 4 8 12 4 2 SIER) | SYM
(БО HS * IMAGE | 100 О 34 C ———
(E | HS * PIANO 1 1 О 38 SIERO |——-——
(БС HS * PIANO 2 1 0 38 STERO | ———
153 HS * ELEC. PIANO 1 1 0 36 sm | — ~~
{514 HS * ELEC. PIANO 2 1 0 36 SIERD |———
155 HS * TOY PIANO 1 0 38 SIFRED | ———
156 HS * MUSIC BOX 1 0 41 SIERD | ———
{57 HS * GLASS HARP 1 0 38 SIERED | ———
{68 HS * HARPSICHORD 1 0 38 C ———
(53 HS * HARP 1 0 38 ЗТЕВРО | ———
(10 HS * ACOUST. GUITAR 1 1 18 38 SIERED |-——
17 Y HS * ACOUST. GUITAR 2 1 18 38 SIERB) |—-——
e HS * JAZZ GUITAR 2 18 38 STEREO | ———
{13 HS * ELEC. GUITAR 1 2 24 40 sim | ———
{TY HS * ELEC. GUITAR 2 2 18 38 SIFRED | ———
{15 HS * BACKING GUITAR 3 18 40 SIERD | ———
115 HS * DISTOR. GUITAR 10 30 40 C ———
{17 HS * STEEL GUITAR 4 18 40 C ———
118 HS * VIBRAPHONE 0 0 0 STIER |———
{19 HS * MARIMBA 1 О 38 SIERED | ———
(80 HS * CELESTA 1 0 38 С ———
(8 | HS * BANJO 2 12 38 STFRED | ———
¡BC HS * KOTO 3 12 36 SIFRED | ———
(83 HS * STEEL DRUM 3 О 32 C ———
(54 HS * TIMPANI 1 12 34 C ———
(85 HS * CLAVI 3 12 38 STEREO | ———
{85 HS #* CHIME 1 О 38 STERED | ———
VOICE No. VOICE NAME PRESET VIBRATO PRESET PAN
DEPTH DELAY SPEED
19 à HS * WAVE О 0 0 C
{68 HS * VIOLIN 15 18 46 SIERED
(89 HS * CELLO 14 24 4 2 STERED
(30 HS * TRUMPET 5 24 4 2 C
{9 { HS * FLUGEL HORN 4 18 41 C
(122 HS * TROMBONE 16 28 38 С
(193 HS =* HORN 3 30 38 STERED
(SU HS * PICCOLO 8 28 4 3 С
(135 HS * FLUTE 13 18 42 С
{96 HS * OBOE 4 18 4 2 C
137 HS * BASSOON 8 30 38 STEREO
{38 HS * CLARINET 3 30 41 STEREO
{99 HS * SAXOPHONE 5 28 39 C
cul HS * PAN FLUTE 12 30 43 C
25 1 HS * RECORDER 4 26 42 C
25e HS * HARMONICA 4 24 38 C
203 HS * WHISTLE 14 24 49 C
ca HS * SYNTH LEAD 26 30 42 C
cus HS * COMBI. BASS | 1 8 38 C
205 HS * COMBI. BASS 2 1 8 38 C
201 HS * CONTRA BASS 1 3 8 40 С
cos HS * CONTRA BASS 2 3 12 38 C
209 HS * ELEC. BASS 1 1 12 40 C
c 10 HS * ELEC. BASS 2 1 12 38 e
21! HS * ELEC. BASS 3 1 18 38 С
2 (2 HS * TUBA 2 12 40 C
c 13 HS * SYNTH BASS 1 4 12 38 C
214 HS * SYNTH BASS 2 4 26 40 С
е 15 FVX * VIOLIN 2 20 17 38 C
2 415 FVX * CELLO 2 12 20 40 C
2 11 FVX * NEO STRING 1 0 6 38 C
218 FVX * NEO STRING 2 О 6 38 C
2 {9 FVX * NEO STRING 3 9 10 43 STEREO
cec FVX * TRUMPET 2 5 9 41 С
cet FVX * TROMBONE FX 11 19 44 STEREO
Zee FVX # FRENCH HORN 0 6 38 STERED
ces FVX * NEO BRASS 1 0 6 40 STERED
224 FVX * NEO BRASS 2 0 6 40 STERED
ees FVX * NEO BRASS 3 10 11 42 C
ces FVX * OBOE 1 7 27 36 C
cet FVX * ENGLISH HORN 1 6 10 41 C
ces FVX *# CLARINET 2 О 6 38 C
22% FVX * FUE FUE 17 17 4 2 C
2320 FVX * NEO PERC. 1 0 0 40 С
031 РУХ # NEO PERC. 2 О 0 40 C
23c РУХ * NEO PERC. 38 О О 40 С
233 FVX +* NEO PERC. 4 40 8 2 2 STERED
234 FVX * NEO PERC. 5 100 4 100 STEREO
235 FVX * NEO PERC. 6 0 4 26 STEREO
235 FVX # NEO PERC. 7 21 2 12 STEREO
231 FVX + —ZINC— 0 0 40 C
2368 FVX * ORIENT HARP 9 8 25 C
239 РУХ * —-HAL9000-— О 0 40 STEREO
248 FVX * PEDAL-—SFX- 10 12 36 STEREO
24 { FVX * —GENEVA— 0 0 40 C
ede РУХ * GLASS BELL | 0 О 40 STERED
243 РУХ * GLASS BELL 2 0 О 40 STERED
ечч РУХ * —ZOMBI-— 100 20 3 STEREO
245 FVX * —BYOOON- 0 0 40 STERED
246 FVX * —NOIZE— 0 1 100 STERED
247 FVX * BROKEN CHIME 0 О 40 С
248 FVX * 8BIT VOICE 14 15 9 STERED
47
The Algorithm Patterns [FVX-1]
=
— На 29 Са 29 da
55]
1
1:
e
18
tn
©
В
pees 99) [Е
38
ith
The Default Settings (The Status After the Unit is Reset)
Data item Tone Group 1 Tone Group 2 Tor one 3 Tons ep 4
3 Common Display (Regst. No.) (GG {]
№ Selector switch В | [MIDI] ON
= | MIDI ENABLE ON ON ON ON
Е Tone Group Displays (MIDI Receiving Channel) [SG {1 [ue] [C33] LE
VOICE НН [ос 0 (GG 9 [GO U
LEVEL [024] [Be] [324] [Ca¥]
SUSTAIN (SOU) [GCG] HHH [GOO]
© | EFFECTOR SELECT [OFF] (OFF) [OFF] [OFF]
® EFFECTOR DEPTH (see NOTE 1) [- --] [---] [---1 [---]
8 OCTAVE SHIFT (AVX-1) [Me] [U HH | — —
5 | FUNCTION COBRILLIANCE [590] [REE] LE] [EEE]
5 (2)TOUCH TONE RANGE [O 18] [O (33 [O 19) [O 10]
(3) PAN MODE SELECT [88 à (88 {] (88 8 (30 1]
= (@)PAN PARAMETER SET (see NOTE 2) | Г Eo] ГЕ ] [ £ 1] [Е ]
a (© AUX. OUT LEVEL [038] [C00] [308] [508]
© (© NOTE DOUBLER [000] [105] [Зоб] [GOO]
5 DOETUNE —— (000) | [8081 | [ooo [000]
8 @KEY SHIFT 00) [000] [000] (208)
(19) GLIDE ENABLE (OF FI [OFF] [FF] [OFF]
(15) PITCH BEND RANGE (FVX-1) RH [SEO] [DD] [90]
(15 VIBRATO CONTROL SELECT (FVX-1) [OFF] [OFF] OFF] [OFF]
3 (KEY LIMIT (HIGH) LE Y CC Y [Е Y (Е Y
es (D KEY LIMIT (LOW) [R_ {] [R_ 0 (A. { [A 0
Ca (DREGIST. CHANGE ENABLE Е В] [ On] [ Onl [ Onl
(12 TUNING [4451 C.8 ]
(3 BULK DATA SELECT [ALL]
(1DKEY MODE SELECT (AVX-1) L 81 [ 8]
g (9 VOICE BANK SELECT (FVX-1) ] I [DA]
= @ USER VOICE AREA SELECT (FVX-1) [0 [.__1 [124]
5 User voices [31) 1—2 48] The Preset voices [ 30 (— 2485 ] are copied
Common User voices [YD (1—1/7 9] The Preset voices [30 {— D308] are copied
VIBRATO {see NOTE 3) The Parameters characteristic to each Preset voice are set
Program Effectors [PE 1—PE 4] ‘ Reverbs 1—4 are set
NOTES:
1. For information on the default settings of the Effector Parameters, see “The Effector Parameters” on page 50.
2. [906 ] is set as the AUTO mode speed, and [ ¢ _ {] (Modulation Wheel) is set as the MANUAL mode controller.
3. Because the Preset voices are copied to the User Voices, the Vibrato data for all voices are returned to their default settings.
(For details on the Vibrato defaults for each voice, see “The Preset Voices” on page 44.)
49
The Effector Parameters
Parameter No. 2 3 4 5 5 7
Effectors
SYMPHONIC | Parameter PRESET MODE — — — — — —
Variable Range 101-060 -- -—-- - -- - --- - -—
Default oo --- --- --- --- --- ---
CELESTE Parameter PRESET MODE — — — — — —
Variable Range 501-500 --- --- -. -—- -—— -—-
Default Cu -.- -—- --- --- --- ---
PHASER Parameters STAGE FREQUENCY DEPTH FEEDBACK — — —
Variable Range 00 1-05 555-100 | 820-120 000 (CC gp --- ---
Default +1 cos E 6 vec -.. --- ---
FLANGER Parameters DELAY TIME DEPTH FREQUENCY FEEDBACK | DIRECT LEVEL | DELAY LEVEL —
Variable Range coCc- 100 850-100 | 000-100 500-100 | 250-100 COC {CC --
Default БеЗ «E tas E us! UB De“ ---
DELAY Parameters DELAY TIME DEPTH FREQUENCY FEEDBACK | DIRECT LEVEL | DELAY LEVEL | MODULATION WAVE
Variable Range О09- 100 | 000-100 000-100 8203-100 | 550-100 500-100 | OC 1-00
Default dis oie JS JU € cou 34 ue
WAH Parameters AUTO SPEED |CENTER FREQUENCY DEPTH — — — —
Variable Range 921-1800 | oDoo- 180 800-100 - -- -- - -- -——
Default ois a“ oun - -- _— = = ---
TREMOLO Parameter SPEED — — — — — —
Variable Range 00-100 - -- --- - -- --- --- -—-
Default HA -- -- --- --- _— -.
CHORUS Parameter — — — — — — —
REVERB 1—4 | Parameter DEPTH — — — — — —
Variable Range НН 100 --- -- --- = -- = — -—-
Default 16060 -- -— -- -.. --- ---
The Functions
No. Function Setting Unit Variable Range
{| BRILLIANCE Regist. FVX-1: [- {2] - [2929] — (2 (2)
AVX-1: [- a] — (500)
F 2 | TOUCH TONE RANGE Regist. [- 15] — [508] — CG (51
F 3! PAN MODE SELECT Regist. [20 4] (FIXED), [ 332] (AUTO), [ $3 3 ] (MANUAL),
[ 084] (PRESET; FVX-1 only)
F 4 | PAN PARAMETER SET Regist. FIXED Mode: [ELL] —[ E ]-— [443]
AUTO Mode : [O00] — [O50
MANUAL Mode: {ec _ 1] — [e _ 4]
F 5 | AUX. OUT LEVEL Regist. 555] — [024]
F 5! NOTE DOUBLER Regist. |{-35]-([2002]- [035] n half-steps)
F 7 | DETUNE Regist. FVX-1: [- 15] — [28031 — (0 (51
AVX-1: [- 55] — [B80] —- [88%]
Fr E | KEY SHIFT Regist. [- (21-—[9921]-— [SG {2 ] (in half-steps)
F 9 | KEY LIMIT (HIGH) Tone Group |[R_ {1 — [f Y
F (J | KEY LIMIT (LOW) Tone Group | [3_ 1 - [E T1]
F { {| REGIST. CHANGE Tone Group | [ Эл] 7 [OFF]
ENABLE I
E 12 TUNING Unit l433. 5) — 4468. 21 — [445. 4]
£ {3 | BULK DATA SELECT Unit [ALL], [EC], Го 20), [EFF]
F {4 | GLIDE ENABLE Regist. |[DFF]/[ On]
£ 15 | KEY MODE SELECT Unit L EJE BY [ 181 C 5
[AVX-1]
PITCH BEND RANGE Regist. (55851) -— [SE {2 ] (in half-steps)
[FVX-1]
F (5 VIBRATO CONTROL Regist. OFF], Le. d, [e_21, Ге _ 3]
SELECT [FVX-1]
~ {1 | VOICE COPY Unit Tone Group 1: [ 7 1 /[ & ]
[FVX-1] Tone Group 2: [35 {] — [248] + [YD 4] — [428]
Tone Group 3: [---]
Tone Group 4: [E 4] — [248] + [UGS 1 — [HEH]
F {8 | VOICE EDIT Unit Tone Group 1: (99 4] — [2489] + [UD 1] — [KDB]
[FVX-1] Tone Group 2: [20 {1 / [802] + [BP {1 — [8P8]
Tone Group 3: [ F J, [ MF], [ 31], [ A+],
[ RL], [4 1, Coi], [a+],
[der], [ ++] [ FE]
Tone Group 4: [332], [5 16] El, [e],
[50] —- [8807]
[350] — [255]
[909] — [ 1098] (see page 36)
F {9 | VOICE BANK SELECT Unit Tone Group 4: I ~~ 1/[ % ]
[FVX-1]
Feo | USER VOICE AREA Unit [ A ___1 0291/7025] [___1 [248]
SELECT [FVX-1]
51
The MIDI Codes
H Channel Messages
Code Function Transmitted | Recognized
8nH, nnH (Note No.), 00H-7FH Note OFF x CHs 1—16
9nH, nnH (Note No.), 01H-7FH (ON) Note ON/OFF x CHs 1—16
00H (OFF)
BnH, 01H, 00H-7FH Modulation Wheel X [CHs 1-16
BnH, 02H, 00H-7FH Breath Control (FVX-1 only) X ICHs 1—16
BnH, 04H, 00H-7FH 2nd Expression Pedal X CHs 1—16
BnH, 07H, 00H-7FH Volume (Tone Group Level Control) X CHs 1—16
BnH, OAH, 00H-7FH Pan Control x CHs 1—16
BnH, OBH, 00H-7FH Expression Pedal X CHs 1—16
BnH, 40H, 7FH (ON)/00H (OFF) Sustain X CHs 1—16
BnH, 7BH, 00H All Notes OFF X {CHs 1—16
CnH, 00H-OFH (Regist. No.) Program Change X CHs 1—16
DnH, 00H-7FH After Touch X CHs 1—16
EnH, 00H-7FH, 00H-7FH Pitch Bender . x CHs 1—16
nH=0H-FH (1—16 ch)
@ System Realtime Messages
Code Function Transmitted | Recognized
FEH Active Sensing O O
FFH Reset x O
H System Exclusive Messages
Code Function Transmitted | Recognized
FOH, 43H, 70H, 70H, O1H, ....................... , F7H | Request-to-Send FM Voice Data X O
FOH, 43H, 70H, 70H, 02H, ..................... , F7H | Request-to-Receive FM Voice Data X O
FOH, 43H, 70H, 70H, 10H, F7H Request-to-Send All RAM Data X O
FOH, 43H, 70H, 70H, 11H, F7H Request-to-Send Regist. Data X O
FOH, 43H, 70H, 70H, 15H, F7H Request-to-Send Effector Data X O
FOH, 43H, 70H, 70H, 16H, F7H Request-to-Send FM User Voice Data X O
FOH, 43H, 70H, 70H, 20H, F7H Request-to-Receive All RAM Data X O
FOH, 43H, 70H, 70H, 21H, F7H Request-to-Receive Regist. Data X O
FOH, 43H, 70H, 70H, 25H, F7H Request-to-Receive Effector Data X O
FOH, 43H, 70H, 70H, 26H, F7H Request-to-Receive FM User Voice Data X O
FOH, 43H, 70H, 70H, 30H, F7H Request-to-Send Model ID Data X O
FOH, 43H, 70H, 70H, 38H, 7FH, F7H Bulk Dump Acknowledge X X
00H Bulk Dump Unacknowledge O X
FOH, 43H, 70H, 70H, 40H, 45H, 7FH, F7H Foot Switch Left ON X O
00H OFF
FOH, 43H, 70H, 70H, 40H, 4FH, 00H-7FH, F7H | Master Volume x O
FOH, 43H, 70H, 70H, 70H, 10H(+), nnH *, F7H | Master Volume X O
11H(—) (*Only O1H is sent from MDR-2P)
FOH, 43H, 70H, nnH»**, 00H, .................. , F7H | Bulk Damp Data O
FOH, 43H, 70H, nnH * *, 00H, F7H Model ID Data O X
* xFVX-1=0FH; AVX-1= 10H
52
FM VOICE EXPANDER FVX-1
MIDI implementation Chart
Date: 9/1, 1987
Version: 1.0
Transmi Lted Recognized Remarks
Function
Basic Channel Default X I —16 * * Memory
Changes X 1 — 16 *
Mode Default X Mode 3
Messages X X
Altered KICKER X
Note Number X .0—127
True Voice ERICA 21-108
Velocity Note UN X O ll, v = 1-127
Note OFF X O 9nH, v = 0, 8nH
After Touch Key's X X
Ch’s X O
Pitch Bender X O 0-12 semi 7 bit resolution
Control Change 1| X O Modulation wheel
21 X O Breath control
A| X O 2nd Expression pedal
7| X O Volume
10 X O Pan control
111 X O Expression pedal
64 | X O Sustain
Program Change X O 0-127
True # FIX INIA 0-15 ** ** Registration Memory
System Exclusive O O
System Common Song los X X
Song Sel X X
Tune X X
System Real Time Clock X X
Commands X X
Aux Messages Local ON/OFF X X
All Notes OFF | X O
Active Sense O O
Reset X O
NoLes
Mode 1: OMNI ON, POLY
Mode 3: OMNI OFF, POLY
Mode 2: OMNI ON, MONO
Mode 4: OMNI OFF,MONO
53
AWM VOICE EXPANDER AVX-1
MIDI Implementation Chart
Date: 9/1, 1987
Version: 1.0
Transmitted Recognized Remarks
Function
Basic Channel Default X 1 —16 * * Memory
Changes X 1—16 *
Mode Default X Mode 3
Messages X X
Altered KEANE x
Note Number x 0—127
True Voice EEEEE ELE RRERE 21— 108
Velocity Note ON X O InH, v = 1-127
Note OFF X O 9nH, v = 0, 8nH
After Touch Key's X X
Ch’s X O
Pitch Bender X O 0-12 semi 7 bit resolution
Control Change 1} X O Modulation wheel
A| X | O 2nd Expression pedal
71 X O Volume
10] Xx O Pan control
11] X O Expression pedal
64 | X O Sustain
Program Change X O 0-127
True # ee 0-15 +* ** Registration Memory
System Exclusive O O
System Common Song Pos X X
Song Sel X X
Tune X X
System Real Time Clock X X
Commands x X
Aux Messages Local ON/0FF x x
All Notes OFF | X O
Active Sense O O
Reset x O
Notes
Mode 1: OMNI ON, POLY Mode 2: OMNI ON, MONO O:
Mode 3: OMNI OFF, POLY Mode 4: OMNI OFF, MONO x:
The Status Codes
® During any type of operation (mainly during data transfer), one of the Status Codes listed below may be shown at the
Common Display. If so, refer to the table below to remedy the problem.
e To clear the Status Code display, either press the SHIFT /CONFIRM switch or one of the eight selector switches, or rotate one
of the Tone Group DATA ENTRY switches.
Display Code Description and Remedy
1 The internal processing could not keep up with the speed of reception because an abnormally large
number of MIDI Channel Messages were simultaneously received. (The sound will be stopped momentarily,
then normal reception will be resumed.)
rog The Bulk data sent from MDX-1 or other external device could not be received. Or, during Bulk data
reception, Bulk data was sent in through another MIDI jack. Transmit the Bulk data again.
Cay Your unit is not properly connected to MBS-10 or MBS-10 is not being supplied with power. Check the
connection and power supply, then repeat the. To Pack or From Pack operation.
CUY The inserted RAM Pack does not contain the Voice Expander data, is of incompatible type, or is otherwise
defective. Check the RAM pack, then repeat the From Pack operation.
ros An error occurred during data transfer with MBS-10. Check the RAM Pack, the connection, your
procedure, etc., then repeat the To Pack or From Pack operation.
rng The AWM ROM DRAWER is not properly installed in the unit or the DRAWER is mounted with
incompatible AWM Voice Packs. Turn OFF the unit's POWER switch, then check the status of the DRAWER
and the Voice Packs.
EC Voice data from an external device was sent in during a Voice Edit operation. (The Voice data from the
external device is disregarded and not received.)
Specifications
FVX-1 AVX-1
Tone Generator FM Tone Generator (8 operators) AWM Tone Generator
Soundable Range A_, to C; (88 keys) À_, to C- (88 keys)
Tone Group/ Key Modes 4 Tone Groups/8-note polyphonic 2 Tone Groups/8-note polyphonic
(or 1 Tone Group/16-note polyphonic)
No. of Voices Max. 504 voices Max. 8 voices
Tone Group Switches | DATA ENTRY x 4, MIDI ENABLE x 4 DATA ENTRY x 2, MIDI ENABLE x 2
Section Displays | Tone Group Display x 4, MIDI RECEIVE x 4 | Tone Group Display x 2, MIDI RECEIVE x 2
Common Section Switches | MIDI/FROM PACK, VOICE, LEVEL, MIDI/FROM PACK, VOICE, LEVEL,
SUSTAIN/TO PACK, REGIST +/ —, SUSTAIN/TO PACK, REGIST +/—,
EFF. SEL./EFF. DEP., VIBRATO, EFF. SEL./EFF. DEP., OCT. SHIFT,
FUNCTION +/ —, SHIFT/CONFIRM, FUNCTION + / —, SHIFT /CONFIRM,
MEMORY, COARSE MEMORY, COARSE
Displays | Common Display Common Display
Main Controls/ Others POWER, Level Meter, MASTER VOLUME, POWER, Level Meter, MASTER VOLUME,
REMOTE, Master AUX. VOLUME, REMOTE, Master AUX. VOLUME,
HEADPHONES VOLUME HEADPHONES VOLUME, AWM ROM
DRAWER
I/O Jacks HEADPHONES (phone), MIDI IN/OUT HEADPHONES (phone), MIDI IN/OUT
(front), MIDI IN/OUT/THRU (rear), PACK | (front), MIDI IN/OUT /THRU (rear), PACK
PORT, MAIN IN L/R (pin), AUX. IN L/R PORT, MAIN IN L/R (pin), AUX. IN L/R
(pin), MAIN OUT L/R (pin), MAIN OUT (pin), MAIN OUT L/R (pin), MAIN OUT
L/R (phone), AUX. OUT L/R (pin), AUX. | L/R (phone), AUX. OUT L/R (pin), AUX.
OUT L/R (phone) OUT L/R (phone)
Size (W x D x H) 480 x 383.5 x 88 mm 480 x 383.5 x 88 mm
Weight 7.2 kg a 9 kg
55
Blank Copy of Registration Chart [FVX-1] (1)
*Make additional copies of this chart for your own use.
SONG NAME TERMINAL, No. DATE
MEMO
1 2 3 4
MIDI ENABLE oN / OF ON / OFF ON OFF ON / OFF
CH
KEY LIMIT HIGH F 9) CN (CD (CN (CN
LOW (F10) | CA-1) (A-1) (A-1) (A-1)
REGIST. CHANGE ENABLE Fi) ON / OFF ON / OFF ON / OFF ON / OFF
VOICE BANK SELECT E19) A Preset) // В User)
REGIST | VOICE NUMBER
NUMBER
NAME
No.
VIB. DELAY
VIB. SPEED
VIB. DEPTH
VIB. CONTROL SELECT (F16)
LEVEL MAIN
AUX. OUT 5)
PAN MODE SEL. (F 3)
PRM. SEN (4)
SUSTAIN
EFFECTOR | SELECT
PRM. |
2
3
4
5
6
7
BRILLIANCE FD
TOUCH TONE RANGE € 2)
NOTE DOUBLER & 6)
DETUNE FD
KEY SHIFT E 8)
GLIDE ENABLE 14 OF / ON OFF / ON OFF / ON OFF / ON
PITCH BEND RANGE ŒIS)
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(Z) [1-XA4] Hey uonensifiay jo Adog yuelg
57
Blank Copy of Registration Chart [AVX-1] (1) *Make additional copies of this chart for your own use.
SONG NAME | TERMINAL. No. | DATE
MEMO
1 2
MIDI ENABLE ON / OF ON / OFF
CH
KEY LIMIT HIGH ® 9) (CN (CN
LOW E10) § CA-1) (A-1)
REGIST. CHANGE ENABLE 11) ON OFF ON / OFF
KEY MODE SELECT F15) 8 X2 / 16 X 2
REGIST | VOICE NUMBER
NUMBER
NAME
No.
LEVEL MAIN
AUX. OUT (5)
PAN MODE SEL. Е 3)
PRM. SET 4)
SUSTAIN
EFFECTOR | SELECT
PRM. |
2
3
4
0
7
BRILLIANCE Π1)
TOUCH TONE RANGE Π2)
NOTE DOUBLER EF 6)
DETUNE ED
KEY SHIFT (F 8)
OCTAVE SHIFT
GLIDE ENABLE (214) OFF / ON OFF / ON
AWM ROM DRAWER
SLOT NUMBER l 2 3 4 D 6 7 8
VOICE
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59
Blank Copy of Voice Editing Chart [FVX-1]
*Make additional copies of this chart for your own use.
VOICE NAME
ALGORITHM No.
VOICE No.
OPLURATOR
FEET
WAVE FORM
OUTPUT LEVEL
ENVELOPE GENERATOR
DIR
DIL
D2R
DZL RR
OP 1
OP 2
OP 3
OP 4
OP 5
OP 6
OP 7
ОР 8
VOICE NAME
ALGORITHM No.
VOICE No.
OPERATOR
FEET
WAVE FORM
QUIPUT LEVEL
ENVELOPE СЕМЕНА ТОВ
DIR
DIL
D2R
D2L RR
OP 1
OP 2
OP 3
OP 4
OP 5
OP 6
OP 7
ОР 8
VOICE NAME
ALGORITHM No.
YOICE No.
OPERATOR
WAVE FORM
OUTPUT LEVEL
ENVELOPE GENERATOR
DIR
DIL
DZR
D2L RR
OP l
OP 2
OP 3
OP 4
OP 5
OP 6
OP 7
OP 8
FCC INFORMATION (USA)
While the following statements are provided to comply with FCC Regulations
in the United States, the corrective measures listed are applicable worldwide.
This equipment use frequencies that appear in the radio frequency range,
and if installed in the immediate proximity of some types of audio or
video devices within three meters (approximately ten feet), interference
may occur.
This equipment has been type-tested and found to comply with the specifications
set for a class B computer in accordance with those specifications listed in sub-
part J, part 15 of the FCC rules. These rules are designed to provide a
reasonable measure of protection against such interference. However, this does
not guarantee that interference will not occur.
lf this equipment should be suspected of causing interference with other
electronic devices, verification can be made by turning this equipment off and
on. If the interference continues when this equipment is off, this equipment is
not the source of the interference. If this equipment does appear to be the
source of the interference, you should try to correct the situation by using one
or more of the following measures:
e Relocate either this equipment or the electronic device that is being affected
by the interference.
e Utilize power outlets for this equipment and the device being affected that are
on different branch (circuit breaker or fuse) circuits, or install AC line filters.
eln the case of radio-TV interference, relocate the antenna or if the antenna
lead-in is 300 ohm ribbon lead, change the lead-in to coaxial type cable.
If these corrective measures do not produce satisfactory results, please contact an
authorized Yamaha Electone™ dealer for suggestions and/or corrective
measures. If you can not locate an authorized Yamaha Electone™ dealer in your
general area, please contact the Electone™ Service Department, YAMAHA
MUSIC CORP, US.A. 6600 Orangethorpe Ave., Buena Park, CA 90620.
If for any reason, you should need additional information relating to radio or TV
interference, you may find a booklet prepared by the Federal Communications
Commission Helpful: "How to Identify and Resolve Radio-TV Interference
Problems.” This booklet, Stock # 004-000-00345-4, is available from the US.
Government Printing Office, Washington DC. 20402.
61
YAMAHA
YAMAHA CORPORATION
PO.Box 1, Hamamatsu, Japan
Printed in Japan