Korg C-5000 Owner's Manual


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Korg C-5000 Owner's Manual | Manualzz
ASSEMBLING THE STAND
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NIT:
E
A 777/70 4 oi
с head (1 Mount joint connectors C onto panels @ and secure using screws E.
crew nea When doing this, make sure that the arrow on the surface of the connectors
B LL SE 4 is pointing in the direction shown in Fig. 1.
Attach panel to panels using screws B.
C soss0aa0---- 8 @ P © to p © using
@) Insert the joint connectors into the holes on the back of panels (b), sliding
D 4 À à à ------ 4 them in the direction of the surface arrow, as shown in Fig. 3, then secure
with screws A.
E 1777 O 4 (4) Slide main body (a) from the rear toward the front, lining it up with the
metal catches attached to the top of panels @, then adjust the holes on
Screw head the metal catches and secure using the knob bolts. (See Fig. 4.)
F 600600000600 8 (5) Turn the adjustor on the bottom of the pedal box pedal until it touches
the floor, as shown in Fig. 5. If not adjusted properly, vibrations may
result.
Secure cables using the pedal’s cable halder, then insert Setting Up the Music Stand
the grey plug in the DAMPER (SUSTAIN) connector
and the black plug in the SOFT/SOSTENUTO con-
nector on the rear of the main body.
CONTENTS
Assembling the Stand
Important Safety Precautions
Names of Parts and Their Functions. ......
Trying Out the Concert Series. ....... Cee
Play Using the Pedals. ..................
Transpose and Pitch Control.............
Using the MIDI Feature... .
Selecting the MIDI Mode. ............ ;
MIDI Implementation Chart.......... ;
Specifications/Options .............. :
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IMPORTANT SAFETY PRECAUTIONS
LOCATION
Do not use this unit for extended periods of time where it
is exposed to:
e direct sunlight
e extreme of temperature or humidity
e sand or dust
HPOWER SUPPLY
* Use only with rated AC voltage. If you will be using this
unit in an area having a different voltage, be sure to use
a proper voltage converter.
e To help prevent noise and degraded sound quality, avoid
using the same outlet as other equipment or branching
off extension cords shared by other equipment.
HINTERFERENCE
This unit uses microcomputer circuitry. Like all such devices,
it is subject to interference from nearby electrical devices
like fluorescent lamps, appliances with motors, and so on.
If operation becomes erratic or unpredictable, or if there is
no response when you press a button on the unit, then
interference may be the cause. If this occurs, try turning
off the power, then turning it back on again. This resets
{initializes} the microcomputer.
MHANDLE GENTLY!
Don’t drop this unit or use more force than necessary to
operate switches and keys.
HCLEANING EXTERIOR SURFACES
Wipe the exterior lightly with a clean, dry soft cloth to
remove dust and dirt. Never use strong solvents like benzine,
paint thinner, rubbing compound flammable polishing agents.
MKEEP THIS MANUAL
Keep this manual in a safe place for future reference.
NAMES OF PARTS AND THEIR FUNCTIONS
Front Panel Controls
123 4 6
2 3 4 5
Г | 1 f | | |
C-2500 1 1 ; EOI tt A Y
1] | — |= || = | = | [=]
VOLUME MIDI TRANSPOSE PIANO | PIANO ll HARPS! CHORUS
Г | |
C-3500 . 1 IL #4 11 ? (E À 1
| LL] [Г] [= |] = jj - | - | =]
VOLUME MIDI/ TRANSPOSE PIANO | PIANO Il E.PIAND HARPS VIBES CHORUS
1. POWER ............. The Piano 1 light will appear when the power switch is turned on.
2. VOLUME ............ This is a sliding switch that adjusts the sound level,
3. MIDI/TRANSPOSE ..... This control is used when transposing. Moving it vertically allows you to transpose
up to half an octave either way in halftone steps. It is also used for selecting the
MIDI mode and switching between the Soft effect and Sostenuto effect on the
Soft pedal.
4. VOICE SELECTOR ..... This switch selects the desired voice effect.
5. CHORUS ............ This switch turns on the chorus effect. Chorus provides a more full-bodied, and
expanded sound. (Available on models C-2500, C-3500)
6. SURROUND .......... This switch turns on the surround effect. Control is automatically set to “ROOM
when the power switch is turned on. The effect may be turned off by pressing
whichever switch is lit up, lighted switch. The Surround effect lets you enjoy a
reverberating, live performance type sound. (Model C-5000)
7. HEADPHONE ......... This jack is used for connecting the optional headphones. Plugging in the head-
phones cuts off the sound from the main speakers, allowing you to enjoy sound
at full volume at night. Both stereo and monaural headphones can be used with
this jack. Plugging in the headphones automatically cuts off sound from the main
speakers.
Rear Panel Controls
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1. SOFT/SOSTENUTO ..... This is for connecting a cable from a pedal on the stand, which is used like the
Soft pedal in acoustic pianos. The pedal can be switched to produce the Sostenuto
effect. Refer to page 5 for instructions on how this is done.
2. DAMPER (SUSTAIN) .... This is for connecting a cable from a pedal on the stand that is used like the Damper
(Sustain) pedal in acoustic pianos,
3. MIDI (In, Out) ......... Used for connecting instruments and devices that conform to MIDI standards,
such as synthesizers and sequencers. Its function is to sending and receive music
signals (data). Equipment is connected using the optional MIDI cables.
4. AUX IN (L, R) ........ Connects audio output equipment, such as synthesizers and rhythm machines, for
the purpose of reproducing their sound through the main speakers of the Concert
Series. Adjusts sound levels from the controls on the individual music devices
connected.
5. AUX OUT(L.R)....... This connector can be used for channeling sound through your home audio systems
to achieve that “live” performance effect, and is connected to the AUX IN con-
nector on your audio system. It is a feature useful for recording your own musical
performances. Sound is adjusted using the master sound control knob on the main
unit.
TRYING OUT THE CONCERT SERIES
1. Plugging power supply cable into power socket
Connect one end of the accessory AC power supply
cable into the receptacle on the main body's rear
pane! and the other into the power socket.
P=
Tn E
2. Turning on power supply switch
This automatically selects the Piano 1 voice. The
Concert Series will be ready to produce sound three
seconds after being turned on.
\\ //
POWER ==
PIANO |
3. Adjusting sound levels
Adjust the sound level by sliding the volume knob.
When moved left to O, there is no sound. Sound level
rises as it is moved to the right.
Low -«<4+————- VOLUME —————— High
4. Playing in a Different Voice
Whenever you wish to change the voice, simply press
the switch for the voice desired to on.
Voice Characteristics
PIANO I A strong, lively acoustic piano sound.
PIANO II A bright and soft acoustic piano sound.
E. PIANO A light, translucent electric Piano sound.
HARPSICHORD | A genuine harpsichord sound with a
classical air.
VIBES A vibraphone sound characterized by
mellowness and fullness.
(Note that the C-2500 does not have the VIBES and
E. PIANO voices.)
® The C-2500, C-3500 and C-5000 are sixteen tone
polyphonic systems which are capable of simulta-
neously outputting sixteen notes.
5. Applying CHORUS effect (C-2500 and C-3500)
Start by setting the CHORUS switch to on. This
effect provides and rich expanding type of sound.
Select as desired to suit the type of music being
played, a Гу
[ = |
CHORUS
6. Applying SURROUND effect (C-5000)
The SURRQUND effect provides a pleasant sound
with reverberation. Enjoy a beautiful sound with a
feeling of dramatic presence.
Features of the Various Effects
ROOM | Provides the effect of performing within a “live”
space.
STAGE | Provides the effect of performing is a small hall or
gymnasium.
HALL Provides the effect of dramatic presence found in
a concert hall performances.
Turning the power on automatically selects the
ROOM setting of the SURROUND effect. To turn off
a SURROUND effect, simply press the effect. switch
that is currentiy on.
SURROUND
\\ //
| = | == | = |
ROOM STAGE HALL
TRANSPOSE AND PITCH CONTROL
C-5000, C-3500
[mm
bit
e control key board == —
ОГ
EL
Transpose Function
The transpose function transposes the keyboard. A
very convenient feature when you wish to transpose
the keyboard to suit the voice range of the singer for
accompaniment performances. The keyboard can be
transposed either up or down scale up to half an
octave.
Operation: Transposing the Keyboard
The keyboard in transposed by pressing keys on the trans-
pose keyboard while the MIDI/TRANSPOSE switch is
depressed. The key within the Fs# — Fg range becomes
the Cg key.
nm
Pressing the D6 key while the MIDI/TRANSPOSE switch
is depressed transposes the keyboard, as shown in the
figure below.
== | Timm
MIDI/TRANSPOSE
Keyboard position Actual sound
C major D major
e Turning off the power switch returns the keyboard to
its normal scale. (A3 = 440Hz)
ENT NT
Transboss mines
(A
Fri!
ПАТТИ]
Pitch control
Pitch Control serves to fine tune pitch. It is useful
when adjusting pitch to match that of other instru-
ments when playing in ensemble,
(Variable range +40 cent)
Operation: Raising Pitch
Press any one of the keys on the pitch control keyboard
(C3 — B3) located at the center of the unit, while the two
white keys (A- t and B-1 for C-3500 and C-5000, Eo and
Fo for C-2500) at the left end of the keyboard are de-
pressed. Pressing a key once raises the pitch 1.2 cent on
the C-5000 and C-3500 and 1.6 cent on the C-2500.
(C-5000, C-3500)
Operation: Lowering Pitch
Press any one of the keys on the pitch control keyboard
(C3—B3) located at the center of the unit, while the
white and black keys (A-1 and B-1for C-3500 and C- 5000,
Eo and Fo for C-2500) at the left end of the keyboard
are depressed. Pressing a key once falls the pitch 1.2
cent on the C-5000 and C-3500 and 1.6 cent on the
C-2500.
ДЕ!
``” Ш
+ (C-5000, C-3500)
e Turning off the power switch once returns the key-
board to its normal scale. (A3 = 440Hz)
PLAY USING THE PEDALS
Try Using the pedals
The pedals are used by connecting the separately sold
pedal stand with the DAMPER (SUSTAIN) and
SOFT/SUSTENUTO connectors. For connection
methods, refer to the figure on the lower left side of
page one,
Soft Pedal
{Can also be switched
and used in the
Sostenuto mode.)
Damper (Sustain) pedal
Damper (Sustain) Effect:
While the Damper (Sustain) pedal is depressed, sound
Is extended, generating reverberations and providing
a full, rich sound. Its function is similar to that of the
Damper (Sustain) pedal on an acoustic piano.
Soft Effect:
Sound is softened while the Soft pedal is depressed.
Its function is similar to that of the Soft pedal on an
acoustic piano.
Sostenuto Effect:
Making the setting described below changes the Soft
pedal over to the Sostenuto effect. The Sostenuto
effect allows you to apply the damper (sustain) pedal
effect to only the notes of the key board played while
the Soft pedal is pressed.
Switching Between the Soft and Sostenuto Effects
The Soft and Sostenuto effects are switched
back and forth each time the Soft pedal is de-
pressed while the MIDI/TRANSPOSE switch
is pressed. The current status of the Soft pedal
is shown by the LED indicator,
C-2500, C-3500 ... CHORUS effect indicator
C-5000 ...... MIDI/TRANSPOSE indicator
Soft Effect > Indicator goes off.
Sostenuto Effect Indicator comes on.
Note: Turning the power on automatically selects
the Soft effect.
USING THE MIDI FEATURE
What is the MIDI FEATURE?
MIDI is an abbreviation of Musical Instrument Digital
Interface, a specification that is standardized world-
wide. It allows all types of electronic musical instru-
ments to be connected on the digital signal level.
This allows multiple keyboard instruments that
conform to MIDI specifications to be connected for
Performing Using the MIDI Feature
® Ensemble Including Concert Series and
Other Keyboards
Example:
The Concert Series can be connected with the
Symphony Module for ensemble performances. The
two are linked by connecting one end of the MIDI
cable to the MIDI Out connector on the Concert
Series and the other to the MIDI in connector of the
Symphony.
simultaneous performance or for automatic perform-
ance through use of a sequencer. Only a very basic
description of the MIDI feature is provided here, so
those who are interested in more information are
recommended to read the instruction manual for the
sequencer.
Selecting the strings voice on the Symphony and
playing a note from the Concert Series Piano 1 pro-
duces sound simultaneously from both instruments.
The effect is that of a single person being able to play
a piano concerto alone.
MIDI OUT
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Concert Series
® Concert Series Automatic Performance Using
Sequencer
Example:
The Concert Series can be connected with the
Concerto Digital Recorder for automatic perform-
ances. In this case, the two are linked by connecting
two MIDI cables to the MIDI Out and In connectors
on the Concert Series and the MIDI Out and in con-
nectors of the Concerto respectively. Setting the
Concerto to the Record mode and playing the
Concert Series records the ensuing performance on
the Concerto. Then, setting the Concerto to the Play
MIDI IN MIDI OUT
Ls Emma FG
Concert Series
MIDI IN
IR FEE зулу
Ü 00000000
Symphony
mode will automatically play back the recorded
performance through the Concert Series. This conve-
nient feature has various uses. For example, difficult
pieces can be played slowly when recording and later
played back at faster speed. Or the left hand part of
pieces not yet mastered can be recorded and played
back to allow you to practice the right hand part.
(For further details, see the instruction manual for
the Concerto.)
MIDHIN | | MIDI OUT
CBD Се СЕВ (а) СЕН в ВСН
0009095060
CITE)
Concerto
SELECTING THE MIDI MODE
[| [=] =) =) = [= |] C-5000, C-3500
MIDI/TRANSPOSE PIANO | PIANO |! E PIANC HARPS VIBES
1 | I
LL [= J = J =] C-2500
MIDI/TRANSPOSE PIANO | PIANO || HARPSI
| | I
OMNI LOCAL PROGRAM CONTROL
on/off on/off CHANGE CHANGE
CANCEL CANCEL
Light Indicator OMNI LOCAL PROGRAM CONTROL * The C-2500 does not allow control
comes on when: is off is off CHANGE CHANGE changes to be cancelled.
CANCEL CANCEL
is on is on
C-5000, C-3500
C-2500
|
Pressing the MIDI/TRANSPOSE switch changes the
functions of the voice selector switches and keyboard
to the ones shown in the figure above. This allows MIDI
related modes to be selected.
7 911 1416
|
С, Ру
|
Sending Channel
1. Selecting MIDI Channel
The MIDI feature is designed so that the sending side
always specifies the channel for performance data.
This is so that the receiving side switches to the
proper channel to receive only the desired perform-
ance data, and output the desired music. Up to
sixteen channels can be selected.
Selecting Sending Channels
Channel 1 is automatically selected for the sending
channel when power is turned on. Other channels
can be selected by pressing the key number on the
sending channel keyboard shown in the figure
above, that corresponds to the desired channel
number, while the MIDI/TRANSPOSE switch is
pressed.
Selecting Receiving Channels
Channel 1 is automatically selected as the sending
channel when power is turned on, Other channels
can be selected by pressing the key number on the
receiving channel keyboard, shown in the figure
above, that corresponds to the desired channel
number, while the MIDI/TRANSPOSE switch is
pressed. However, when Omni is on, all data is
received regardless of which channels are selected,
so be sure to switch the OMNI mode before
selecting channels.
2
1
Cs
4
7
Ц
911 14 16
|
mm
19
Ds
J
Receiving Channel
2.
Switching OMNI Mode
The OMNI mode automatically comes on when
power is turned on, and all data is received regardless
of which channel is selected. To enable receiving of
only the desired data, the OMNI mode must first be
switched off. Pressing the Piano 1 switch while the
MIDI/TRANSPOSE switch is pressed alternates
control between OMNI ON and OMNI OFF,
. Selecting LOCAL Mode
Turning the power on automatically selects the
LOCAL ON mode. If the LOCAL mode is switched
off, pressing the keys on the Concert Series will not
produce any sound from the main speakers. Only
the sound of the other keyboards which are still
receiving the MIDI data will be produced. Pressing
the Piano 2 switch while the MIDI/TRANSPOSE
switch is pressed turns the LOCAL mode on and off
alternately.
\ \ | /
MIDI/TRANSPOSE PIANO 1
у
SELECTING THE MIDI MODE
4. Sending a Program Change
The program change function is used for sending and
receiving data used in switching voices. Whenever the
voice switch is pressed, the corresponding MIDI send
number shown below is sent.
C-2500 C-5000, C-3500
PIANO | ...... 0 PIANO | ...... 0
PIANO Il ..... 1 PIANO II ..... 1
HARPSI ...... 2 E.PIANO ..... 2
HARPSI ...... 3
VIBES ....... 4
5. Cancelling a Program Change
If send or receive of voice switching data is not
desired it can be cancelled. Pressing the Program
Cancel switch (E. Piano on the C-3500 and C-5000,
Harpsichord on the C-2500), while the MIDI/TRANS-
POSE switch is depressed cancels voice switching
data, and pressing it again reactivates the data.
6. Cancelling Control Change
If send or receive of Damper (Sustain), Soft and
Sostenuto pedal control data in the C-3500 and
C-5000 is not desired, it can be cancelled. Pressing
the Harpsichord, while the MIDI/TRANSPOSE
switch is depressed, cancels voice switching data, and
pressing it again reactivates the data.
7. Things You Can Do With the Concert Series
MIDI Feature
* Sending and receiving of pressed (played) key
data
* Sending and receiving of voice number
* Sending and receiving of control data for the
Soft pedal, Sostenuto pedal and Damper pedal
CONCERT 2500 MIDI Implementation Chart
Transmitted Recognized Remarks
Function... .......
Basic Default 1Channel 1Channel
Channel Changed O O
Default Mode 3 Mode 1
Mode Messages X OMNI MONO/POLY
Altered sk ok sk okokokokok kk RRE X
Note 28-103 28~103
Number : True voice sk sk 3k 3k sk 5k 3k sk 5k sk sk ok kk 28 —103
Velocity Note ON O S0H,V=1—127 O V=1—127
Note OFF x 90H.V=0 X
After Key's X X
Touch Ch's X X
Pitch Bender X X
641 O O Dumper (Sustain) Pedal
661 O O Sustenuto Pedal
Control 7] © O Soft Pedal
Change
Change True # sk 3K 3k 5k sk ok ok sk ok ok ok sk sk 0-2
System Exclusive x X
System : Song Pos x X
- Song Sel X X
Common - Tune X X
System ; Clock X x
Real Time : Commands X X
Aux : Local ON OFF X O
: All Notes OFF X O
Mes- : Active Sense O O
sages 1: Reset X O
Notes
Mode 1 : OMNI ON. POLY Mode 2 : OMNI ON, MONO 5 Yes
Mode 3 : OMNI OFF, POLY Mode 4 X : No
11
OMNI OFF, MONO
CONCERT 3500
MIDI Implementation Chart
Transmitted Recognized Remarks
Function -..........
Basic Default 1 Channel 1 Channel
Channel Changed O O
Default Mode 3 Mode 1
Mode Messages X OMNI MONO/POLY
Altered RR | X
Note 21~108 21~108
Number : True voice sk 3 ok ok ske ok 3k ok ok ok ok sk ok ok 21 —108
Velocity Note ON O POH. V=1~127 O v=1-127
After Key's x x
Touch Ch's X X
Pitch Bender X X
641 O O Dumper (Sustain) Pedal
66| © O Sustenuto Pedal
Control 071 O O Soft Pedal
Change
Prog 0—4 0-127
Change True # 5k ok 3k ok ok kok 5k ok ok ok kkk 0—4
System Exclusive X X
System : Song Pos X X
. Song Sel x X
Common ; Tune X X
System Clock X X
Real Time :Commands X X
Aux : Local ON OFF X O
All Notes OFF X O
Mes- : Active Sense O O
sages 1: Reset X O
Notes
Mode 1 OMNI ON, POLY Mode 2 OMNI ON, MONO () : Yes
Mode 3 : OMNI OFF. POLY Mode 4 | OMNI OFF. MONO X No
12
CONCERT 5000
MIDI Implementation Chart
Transmitted Recognized Remarks
Function-««........
Basic Default 1Channel 1Channel
Channel Changed O O
Default Mode 3 Mode 1
Mode Messages X OMNI MONO/POLY
Altered sf 3k sk 5k kk ok ok ok ok ok ok ok ok X
Note 21-108 21—108
Number : True voice sk sk sk sk sk ok sk sk sk ok ok ok ok k 21—108
Velocity Note ON O 90H. V=1~127 O V=1-127
After Key's x x
Touch Ch's x x
Pitch Bender X x
641 O O Dumper (Sustain) Pedal
66| O O Sustenuto Pedal
Control 671 O O Soft Pedal
Change
Prog 0 —4 0~127
Change True # sk 3k 3k 3k ok > Ik ok FOR RR 0—4
System Exclusive X X
System : Song Pos X x
- Song Sel X X
Common : Tune X X
System : Clock X X
Real Time Commands X X
Aux : Local ON OFF X О
: All Notes OFF X O
Mes- - Active Sense O O
sages : Reset X O
Notes
Mode 1 OMNI ON POLY Mode 2 OMNI ON MONO () : Yes
Mode 3 OMNI OFF POLY Mode 4 OMNI! OFF MONO x ! No
13
SPECIFICATIONS
C-3500 and C-5000
Keyboard:
Voice:
Effects:
Controls:
Connectors:
Main Amplifier:
Speakers:
Power Consumption:
Exterior Dimensions:
Weight:
Accessories:
88 keys (A-1 — C7), with initial
touch function
Piano 1, Piano 2, Electric Piano,
Harpsichord and Vibes
Surround (Room/Stage/Hali) on the
C-5000 and Chorus on the C-3500
Also Damper (Sustain) pedal, Soft
pedal and Sostenuto pedal
POWER, VOLUME, MIDI/
TRANSPOSE and PITCH
CONTROL
HEADPHONES, AUX OUT
(L, R), AUX IN (L, RI,
DAMPER (SUSTAIN), SOFT/
SOSTENUTO, MIDI (IN, OUT)
20W x 2
16ст х 2, 5 ст х 2
88W (C-5000), 731 (C-3500)
1,384 x 473 x 176 (mm)
Height when Attached to stand
801.5 (mm)
C-5000; 35.0 kg
C-3500; 34.0 kg
Music stand, AC power supply
cable (L,R)
C-2500
Keyboard:
Voice:
Effects:
Controls:
Connectors:
Main Amplifier:
Speakers:
Power Consumption:
Exterior Dimensions:
Weight:
Accessories:
76 keys (E, — G,}, with initial
touch function
Piano 1, Piano 2 and
Harpsichord
Chorus, Damper (Sustain) pedal,
Soft pedal and Sostenuto pedal
POWER, VOLUME, MIDI/TRANS-
POSE and PITCH CONTROL
HEADPHONES, AUX OUT
(L, R), AUX IN (L, R},
DAMPER (SUSTAIN), SOFT/
SOSTENUTO, MID! tiN, OUT)
sw x 2
16cm x 2, bem x 2
38W
1,218 x 473 x 176 (mm)
Height when Attached to stand
801.5 (mm)
28.0 kg
Music stand, AC power supply
cable, Music clip (L,R)
* Design and specifications are subject to change
without notice.
OPTIONS (Separately sold accessories)
Headphones: Model KH-1000
Stand for C-3500/C-5000: Model ST-500
Stand for C-2500: ST-250
Specially Designed Chairs
Dust covers for C-3500/C-5000
Dust Covers for C-2500
MIDI Cables
14
NOTICE:
Korg products are manufactured under strict specifications and voltages
required by each country. These products are warranted by the Korg
distributor only in each country. Any Korg product not sold with a
warranty card or carrying a serial number disqualifies the product sold
from the manufacture's/distributor's warranty and liability, This
requirement is for your own protection and safety.
KORG INC.
uw fi a
15-12, Shimotakaido 1-chome, Suginami-ku, Tokyo, Japan
©
L KORG INC. 1990 0202DTH. Printed in Japan |

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