Owner`s Manual

PART NAMES
AND FUNCTIONS
PLAYING
THE PIANO
2
LESSON
FUNCTION
3
INTERNAL
RECORDER
4
USB
RECORDER
5
USB
OPERATIONS
6
RHYTHM
SECTION
7
MENU
FUNCTIONS
8
APPENDICES
Owner’s Manual
1
9
Thank you for purchasing a KAWAI CN43 digital piano!
The CN43 digital piano is a revolutionary new instrument that combines the latest digital technology with traditional
piano craftsmanship inherited from KAWAI’s many years of experience in building fine acoustic pianos. The
authentic tone has been created through the stereo sampling of concert grand pianos, and is reproduced using
KAWAI’s unique Harmonic Imaging™ sound technology, while the Responsive Hammer Action keyboard action
provides the touch response and full dynamic range required for a superb performance of piano, harpsichord,
organ, and other instruments.
The CN43 digital piano is also equipped with additional reverb and digital effects processors, delivering a deeper,
richer sound, while industry standard MIDI jacks and a USB interface are also provided, allowing the playback of
other electronic instruments and connection with personal computers / USB memory, while the Lesson function
helps performers to practice the piano with a collection of etudes from Czerny and Burgmuller, or songs from
Alfred’s Basic Piano Library and Alfred’s Premier Piano Course lesson books (USA, Canada, Australia and UK
only).
This owner’s manual contains useful information regarding the varied capabilities of the CN43 digital piano.
Please read all sections carefully and keep this manual handy for future reference.
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Table of Contents
¡ Important Safety Instructions ........................... 4
1. PART NAMES AND FUNCTIONS .................... 8
‘ FRONT PANEL ................................................................... 8
‘ PEDALS ............................................................................. 8
‘ HEADPHONES .................................................................. 9
‘ USB PORT ......................................................................... 9
2. PLAYING THE PIANO ................................... 10
1) BASIC OPERATIONS..................................................... 10
‘ SETTING UP THE PIANO ............................................... 10
‘ DEMO SONGS ................................................................ 11
‘ SELECTING A PRESET SOUND ................................... 12
2) DUAL .............................................................................. 13
3) SPLIT.............................................................................. 14
4) FOUR HANDS MODE .................................................... 16
‘ ENTERING FOUR HANDS MODE .................................. 16
‘ EXITING FOUR HANDS MODE....................................... 16
5) EFFECTS/REVERB ...................................................... 17
‘ ADDING REVERB ........................................................... 17
‘ ADDING OTHER EFFECTS ............................................ 18
6) TRANSPOSING THE PIANO ......................................... 19
7) PLAYING WITH CONCERT MAGIC ............................... 20
‘ SELECTING A SONG ..................................................... 20
‘ LISTENING TO THE SONG ............................................ 20
‘ PERFORMING A SONG ................................................. 21
‘ CONCERT MAGIC PART VOLUME BALANCE ............... 22
‘ CONCERT MAGIC SONG ARRANGEMENT TYPES ......... 22
‘ STEADY BEAT ............................................................... 23
‘ CONCERT MAGIC DEMO MODES ................................. 24
‘ CONCERT MAGIC PLAYBACK SPEED .......................... 24
8) METRONOME ................................................................ 25
‘ STARTING THE METRONOME ...................................... 25
‘ CHANGING THE TIME SIGNATURE ............................... 25
‘ ADJUSTING THE METRONOME VOLUME .................... 26
9) PANEL LOCK ................................................................. 27
3. LESSON FUNCTION...................................... 28
1) SELECTING A BOOK/SONG ........................................ 28
2) LISTENING TO AND PLAYING A SONG ....................... 29
‘ EXITING THE LESSON FUNCTION ................................ 29
‘ PRACTICING THE LEFT AND RIGHT-HAND PARTS .......... 29
‘ ADJUSTING THE TEMPO OF A SONG........................... 29
3) RECORDING A SONG PRACTICE ............................... 30
‘ PLAYING BACK THE RECORDING................................. 30
‘ ERASING THE RECORDING .......................................... 30
4. INTERNAL RECORDER ................................ 31
1) RECORDING (REC BUTTON) ...................................... 31
2) PLAYING BACK A SONG............................................... 33
3) TRANSPOSING A SONG............................................... 34
4) ERASING A SONG ........................................................ 35
5. USB RECORDER ........................................... 36
1) RECORDING AN AUDIO FILE ...................................... 36
2) PLAYING AN AUDIO FILE ............................................. 38
3) RECORDING AN SMF SONG ....................................... 40
4) PLAYING AN SMF SONG .............................................. 42
5) RECORDING TO AN EXISTING SMF SONG ................ 44
6) CONVERTING A SONG TO AN AUDIO FILE ................ 46
6. USB OPERATIONS ........................................ 48
1) INTERNAL SONG SAVE ................................................ 49
2) RENAME FILE................................................................ 49
3) DELETE FILE ................................................................. 50
4) MAKE DIR ...................................................................... 50
5) FORMAT USB ................................................................ 51
7. RHYTHM SECTION ....................................... 52
‘ RHYTHM SECTION OVERVIEW ..................................... 52
1) ACTIVATING THE RHYTHM SECTION ......................... 53
2) PLAYING WITH THE RHYTHM SECTION ..................... 54
3) RHYTHM SECTION STYLES ........................................ 55
‘ SELECTING THE RHYTHM SECTION STYLE ............... 55
‘ SELECTING THE RHYTHM SECTION GENRE .............. 56
4) RHYTHM SECTION PARTS ........................................... 57
5) ADJUSTING THE RHYTHM SECTION TEMPO ............ 58
6) ADJUSTING THE RHYTHM SECTION VOLUME .......... 59
7) ADJUSTING THE RHYTHM SECTION SPLIT POINT ... 60
8) PRESET CHORD PROGRESSION ............................... 61
‘ ACTIVATING PRESET CHORD PROGRESSION MODE ......... 61
‘ SELECTING THE PRESET CHORD PROGRESSION STYLE ......... 61
‘ DEACTIVATING PRESET CHORD PROGRESSION MODE ......... 61
9) RECORDING THE RHYTHM SECTION ........................ 62
10) RECORDING THE RHYTHM SECTION TO AN AUDIO FILE ....64
8. MENU FUNCTIONS ....................................... 65
1) BRILLIANCE................................................................... 65
2) LOWER OCTAVE SHIFT ................................................ 66
3) LOWER PEDAL ON / OFF ............................................. 66
4) LAYER OCTAVE SHIFT.................................................. 67
5) LAYER DYNAMICS ........................................................ 68
6) DAMPER HOLD ON / OFF ............................................. 69
7) DAMPER EFFECT ......................................................... 70
8) STRING RESONANCE .................................................. 71
9) FOUR HANDS ON/OFF ................................................. 72
10) TUNING ........................................................................ 73
11) TEMPERAMENT .......................................................... 74
12) KEY OF TEMPERAMENT ............................................ 76
13) TOUCH ......................................................................... 77
14) AUTO FILL-IN ............................................................... 78
15) ONE FINGER AD-LIB™ ON/OFF ................................ 79
‘ MIDI OVERVIEW .............................................................. 80
‘ CN43 MIDI FUNCTIONS .................................................. 80
16) MIDI CHANNEL ............................................................ 81
17) TRANSMIT PROGRAM CHANGE ON / OFF ............... 82
18) LOCAL CONTROL ON / OFF....................................... 83
19) MULTI-TIMBRAL MODE............................................... 84
20) CHANNEL MUTE ......................................................... 85
21) SENDING PROGRAM CHANGE NUMBERS .............. 86
22) MIDI CLOCK................................................................. 87
23) USER MEMORY........................................................... 87
24) FACTORY RESET ........................................................ 88
9. APPENDICES................................................. 89
‘ CONNECTING TO OTHER DEVICES ............................. 89
‘ USB MIDI.......................................................................... 90
‘ ASSEMBLY INSTRUCTIONS ........................................... 91
‘ PROGRAM CHANGE NUMBER MAPPING .................... 93
‘ DRUM SOUND MAPPING ............................................. 101
‘ RHYTHM SECTION STYLE LIST .................................. 104
‘ RHYTHM SECTION CHORD TYPES ............................ 105
‘ PRESET CHORD PROGRESSION STYLES ................ 109
‘ SPECIFICATIONS .......................................................... 111
‘ MIDI EXCLUSIVE DATA FORMAT ................................. 112
‘ MIDI IMPLEMENTATION CHART .................................. 113
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¡ Important Safety Instructions
Important Safety Instructions
SAVE THESE INSTRUCTIONS
INSTRUCTIONS PERTAINING TO A RISK OF FIRE, ELECTRIC SHOCK, OR INJURY TO PERSONS
WARNING
TO REDUCE THE RISK OF
FIRE
OR
ELECTRIC
SHOCK, DO NOT EXPOSE
THIS PRODUCT TO RAIN
OR MOISTURE.
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
AVIS : RISQUE DE CHOC ELECTRIQUE
- NE PAS OUVRIR.
TO REDUCE THE RISK OF ELECTRIC SHOCK, DO NOT REMOVE COVER (OR BACK).
NO USER-SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.
The lighting flash with arrowhead symbol, within
an equilateral triangle, is intended to alert the user
to the presence of uninsulated "dangerous voltage"
within the product's enclosure that may be of
sufficient magnitude to constitute a risk of electric
shock to persons.
The exclamation point within an equilateral triangle
is intended to alert the user to the presence of
important operating and maintenance (servicing)
instructions in the leterature accompanying the
product.
Examples of Picture Symbols
denotes that care should be taken.
The example instructs the user to take care not to allow fingers to be trapped.
denotes a prohibited operation.
The example instructs that disassembly of the product is prohibited.
denotes an operation that should be carried out.
The example instructs the user to remove the power cord plug from the AC outlet.
Read all the instructions before using the product.
1) Read these instructions.
10) Protect the power cord from being walked on
or pinched particularly at plugs, convenience
2) Keep these instructions.
receptacles, and the point where they exit from
3) Heed all warnings.
the apparatus.
4) Follow all instructions.
11) Only use attachments/accessories specified by
the manufacturer.
5) Do not use this apparatus near water.
6) Clean only with dry cloth.
7) Do not block any ventilation openings. Install in
accordance with the manufacturer's
instructions.
8) Do not install near any heat sources such as
radiators, heat registers, stoves, or other
apparatus (including amplifiers) that produce
heat.
9) Do not defeat the safety purpose of the
polarized or grounding-type plug. A polarized
plug has two blades with one wider than the
other. A grounding type plug has two blades
and a third grounding prong. The wide blade
or the third prongs are provided for your safety.
If the provided plug does not fit into your outlet,
consult an electrician for replacement of the
obsolete outlet.
12) Use only with the cart, stand, tripod, bracket, or
table specified by the manufacturer, or
sold with the apparatus. When a cart is used,
use caution when moving the cart/apparatus
combination to avoid injury from tip-over.
13) Unplug this apparatus during lightning storms
or when unused for long periods of time.
14) Refer all servicing to qualified service
personnel. Servicing is required when the
apparatus has been damaged in any way,
such as power-supply cord or plug is
damaged, liquid has been spilled or object
have fallen into the apparatus, the apparatus
has been exposed to rain or moisture, does not
operate normally, or has been dropped.
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5
WARNING - When using electric products, basic precautions should always be followed,
including the following.
a potential hazard that could result in death
WARNING Indicates
or serious injury if the product is handled incorrectly.
The product should be connected to
an AC outlet of the specified voltage.
120V
230V
240V
● If you are going to use an AC power cord,
make sure that its has the correct plug shape
and conforms to the specified power voltage.
● Failure to do so may result in fire.
Do not insert or disconnect the power
cord plug with wet hands.
Doing so may cause electric shock.
The chair must be used properly (it must be
used only when playing the product).
● Do not play with it or stand on it.
● Only one person is allowed to sit on it.
● Do not sit on it when opening the lid.
● Re-tighten the bolts occasionally.
Doing so may cause the chair to fall over or your
fingers to be trapped, resulting in injury.
When using the headphones, do not
listen for long periods of
time at high volume levels.
Doing so may result in hearing problems.
Do not lean against the keyboard.
Doing so may cause the product to fall over,
resulting in injury.
Do not disassemble, repair or modify
the product.
Doing so may result in product breakdown, electric
shock or short-circuit.
When disconnecting the AC power cord's
plug, always hold the plug
and pull it to remove it.
● Pulling the AC power cord itself may damage
the cord, causing a fire, electric shock or
short-circuit.
The product is not completely disconnected from the
power supply even when the power switch is turned
off. If the product will not be used for a long time,
unplug the AC power cord from the AC outlet.
● Failure to do so may cause fire in case of
lightning.
● Failure to do so may over-heat the product,
resulting in fire.
This product may be equipped with a polarized line plug (one blade
wider than the other). This is a safety feature.
If you are unable to insert the plug into the outlet, contact an
electrician to replace your obsolete outlet.
Do not defeat the safety purpose of the plug.
This product shall be near the AC outlet and the power cord plug in a position so that it can readily be
disconnected in an emergency because electricity is always charging while the plug is in the AC outlet
even in a power switch off condition.
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6
Indicates a potential hazard that could result in injury
damage to the product or other property if the
CAUTION orproduct
is handled incorrectly.
Do not use the product in the following areas.
● Areas, such as those near windows, where the product is
exposed to direct sunlight
● Extremely hot areas, such as near a heater
● Extremely cold areas, such as outside
● Extremely humid areas
● Areas where a large amount of sand or dust is present
● Areas where the product is exposed to excessive
vibrations
Using the product in such areas may result in
product breakdown.
Use the product only in moderate climates (not
in tropical climates).
When you close the keyboard cover,
close it gently.
Closing it roughly may trap your fingers,
resulting in injury.
Before connecting cords, make sure
that the power to this product
and other devices is turned
OFF.
OFF
Failure to do so may cause breakdown of this
product and other devices.
Take care not to allow any foreign
matter to enter the product.
Entry of water, needles or hair pins may result
in breakdown or short-circuit.
The product shall not be exposed to dripping or
splashing. No objects filled with liquids, such as
vases, shall be placed on the product.
Do not drag the product on the floor.
Take care not to drop the product.
Please lift up the product when moving it.
Please note that the product is heavy and must
be carried by more than two persons.
Dropping the product may result in breakdown.
Do not place the product near electrical
appliances such as TVs and
radios.
● Doing so may cause the product to generate
noise.
● If the product generates noise, move the
product sufficiently away from the electrical
appliance or connect it to another AC outlet.
When connecting the AC power cord
and other cords, take care
not to get them tangled.
Failure to do so may damage them, resulting in
fire, electric shock or short-circuit.
Do not wipe the product with benzene
or thinner.
● Doing so may result in discoloration or deformation
of the product.
● When cleaning the product, put a soft cloth in
lukewarm water, squeeze it well, then wipe the
product.
Do not stand on the product or exert
excessive force.
● Doing so may cause the product to become
deformed or fall over, resulting in breakdown
or injury.
Do not place naked flame, such as lighted
candles on the product.
Doing so may cause the illumination to fall over,
resulting in fire.
Ensure that the ventilation is not
impeded by covering the ventilation
openings with items, such as newspaper,
table-cloths, curtains, etc.
Failure to do so may over-heat the product,
resulting in fire.
The product should be located so that its location or position does not interfere with its proper ventilation. Ensure a
minimum distance of 5cm around the product for sufficient ventilation.
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7
The product should be serviced by qualified service personnel when:
● The power supply cord or the plug has been damaged.
● Objects have fallen, or liquid has been spilled into the product.
● The product has been exposed to rain.
● The product does not appear to operate normally or exhibits a marked change in performance.
●The product has been dropped, or the enclosure damaged.
Notes on Repair
Should an abnormality occur in the product, immediately turn the power OFF, disconnect the power cord
plug, and then contact the shop from which the product was purchased.
CAUTION:
To prevent electric shock, match wide blade of plug to wide slot, fully insert.
ATTENTION:
Pour éviter les chocs électriques, introduire la lame la plus large de la fiche dans la borne correspondante
de la prise et pousser jusqu'au fond.
Instruction for AC power cord (U.K.)
Do not plug either terminal of the power cord to the ground of the AC outlet on the wall.
Canadian Radio Interference Regulations
This instrument complies with the limits for a class B digital apparatus, pursuant to the Radio Interference
Regulations, C.R.C., c. 1374.
An information on Disposal for users
If your product is marked with this recycling symbol it means that, at the end of its life, you must
dispose of it separately by taking it to an appropriate collection point.
You should not mix it with general household waste. Disposing of this product correctly will prevent
potential negative effects on the environment and human health which could otherwise arise due to
inappropriate waste handling.
For further details, please contact your local authority.
(European Union only)
FCC Information
This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part
15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in
a residential installation. This equipment generates, uses and can radiate radio frequency energy and, if not
installed and used in accordance with the instructions, may cause harmful interference to radio communications.
If this equipment does cause harmful interference to radio or television reception, which can be determined by
turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the
following measures:
• Reorient or relocate the receiving antenna.
• Increase the separation between the equipment and receiver.
• Connect the equipment into an outlet on a different electrical circuit from the receiver.
• Consult the dealer or an experienced radio/TV technician for help.
FCC WARNING
Changes or modifications not expressly approved by the party responsible for compliance could void the user’s
authority to operate the equipment.
The nameplate label is located on
the underside of the instrument, as
indicated below.
nameplate
Declaration of Conformity
This device complies with Part 15 of the FCC Rules. Operation is subject to the
following two conditions: (1) this device may not cause harmful interference, and
(2) this device must accept any interferen ce received, including interference that
may cause undesired operation.
Model Name :
CN43
Responsible Party Name :
Kawai America Corporation
Address :
2055 East University Drive Rancho
Dominguez, CA 90220
Telephone :
310-631-1771
This applies only to products distributed by Kawai America Corporation.
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PART NAMES
AND FUNCTIONS
8
1. PART NAMES AND FUNCTIONS
This section explains the locations and functions of the panel buttons and sliders.
‘ FRONT PANEL
z CONCERT MAGIC
Press the CONCERT MAGIC button
to enjoy listening to or performing a
collection of pre-programmed piano
songs. Concert Magic will provide the
correct melody and accompaniment
notes, regardless of which keys are
pressed. Anybody, young or old, can
enjoy Concert Magic from the moment
they sit down at the CN43. (Page 20)
z LCD screen
z LESSON
Press the LESSON button to access
the etudes or Alfred lesson books
(USA, Canada, UK, AU only), for an
enjoyable piano lesson experience.
(Page 28)
The LCD screen provides useful
information such as the currently
selected sound type. It also shows
values or status when other functions
are active.
* Please remove the protective
plastic film from the display before
use.
z VALUE
These two buttons are used to
change the value for various
functions.
z MASTER VOLUME
z SOUND SELECT
z MENU
This slider controls the piano’s master volume level.
Move this slider to the right to increase the volume and
move it to the left to decrease the volume.
This slider also controls the headphone volume and the
LINE output level of the piano’s sound.
Press the SOUND SELECT button below the
name of the instrument to be played. When
the button is pressed, an LED indicator will
turn on, indicating that the sound has been
selected. (Page 12)
These buttons are used to access
menu functions that control the
CN43’s tuning, system and MIDI
functions.
‘ PEDALS
The CN43 piano has three pedals—just like a grand piano. They are Sustain, Sostenuto and Soft.
¡ Sustain pedal
Sustains the sound after hands are lifted from the keyboard. The sustain pedal is capable of
responding to half pedaling.
Soft pedal
Sustain pedal
Sostenuto pedal
¡ Sostenuto pedal
Depressing this pedal after playing the keyboard and before releasing the keys sustains the
sound of only the keys just played. Any keys that are pressed after the Sostenuto pedal is
depressed will not be sustained after the keys are released.
¡ Soft pedal
Depressing this pedal softens the sound and reduces its volume. When the rotary effect is active
the soft pedal is used to change the speed of the rotor between slow and fast.
Page
z RHYTHM SECTION
The RHYTHM SECTION function provides a selection of automatic accompaniment styles,
consisting of drums, bass, and guitar parts. (page 52)
z TRANSPOSE
z EFFECTS
Use the EFFECTS button to add chorus, delay,
tremolo and rotary speaker effects to the sound.
(Page 18)
The transpose function allows the piano’s keys to be raised or lowered in half steps. This is
particularly useful when accompanying instruments with different tones, or when a song learned
in one key must be played in another key. The transpose feature allows the song to be played in
the original key, but heard in another key. (Page 19)
z BALANCE
Use the balance slider to adjust
the volume balance between the
two sounds in Dual or Split mode.
The balance slider also controls the
volume of Left & Right-hand lesson/
recorded parts.
z METRONOME
Use these buttons to turn on/off the
metronome, and to set the tempo, beat,
and volume. (Page 25)
z POWER SWITCH
Press this button to turn
on/off the power. Be sure to
turn off the instrument after
playing.
z REVERB
z SPLIT
z REC
z PLAY/STOP
Use the REVERB button
to add reverberation to the
sound, simulating the acoustic
environment of a recital room,
stage, or concert hall. (Page 17)
The split function divides the
keyboard into two sections—
upper and lower—allowing either
part to be played with a different
sound. (Page 14)
The REC button is used for
recording performances and when
using the lesson function, to record
practices for comparison with the
built in songs and etudes.
The PLAY/STOP button is used to select
a song and part to play, and to start/stop
playback of the recorded songs. It is also
used to start/stop playback when using the
lesson function. (Page 31)
‘ HEADPHONES
¡ Headphone jack (x 2)
There are two headphone jacks located on the left underside of
the piano.
Up to two pairs of headphones can be connected simultaneously.
• See page 92 for information on attaching the headphone hooks.
‘ USB PORT
This USB (to Device) port allows USB memory devices to be
connected to the CN43 piano. This provides a convenient way
to record and play back MP3/WAV audio files and 16 track SMF
(Standard MIDI File) format songs.
PART NAMES
AND FUNCTIONS
9
1
Page
10
2. PLAYING THE PIANO
2
PLAYING
THE PIANO
1) BASIC OPERATIONS
This section provides the basic procedures for turning the power on and playing the CN43 piano.
‘ SETTING UP THE PIANO
The CN43 piano is equipped with stereo speakers and an amplifier—no additional equipment is required to begin
playing the instrument, provided AC power is available.
… Step 1
Connect one end of the AC power cable to the piano’s power jack and
the other end of the cable to a wall AC outlet.
Power
cable entry
point
Speaker
Side panel
… Step 2
Press the POWER SWITCH to turn on the power.
The POWER SWITCH is located at the right end of
the front panel.
Press the POWER SWITCH again to turn off the power.
When the POWER button is pressed, the LED
indicator for the PIANO1 button will turn on and
the Concert Grand sound will automatically be
selected.
ON
‘Concert Grand’ will also be shown in the LCD screen.
Concert Grand
… Step 3
Adjust the volume level using the MASTER VOLUME slider.
The MASTER VOLUME slider controls the volume level of the speakers and connected headphones.
Move this slider to the right to increase the volume and move it to the left to decrease the volume.
Use this slider to set the volume to a comfortable listening level—the middle is often a good starting point.
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11
‘ DEMO SONGS
„ PIANO 1
Concert Grand : KAWAI
Studio Grand
: KAWAI
Mellow Grand
: Sonata No.30 Op.109 / Beethoven
Modern Piano
: KAWAI
„ PIANO 2
Concert Grand 2 : Waltz No.6 Op.64-1 “Petit Chien” /Chopin
Studio Grand 2 : KAWAI
Mellow Grand 2 : La Fille aux Cheveux de lin / Debussy
Rock Piano
: KAWAI
„ ELECTRIC PIANO
Classic E.P.
: KAWAI
Modern E.P.
: KAWAI
Modern E.P. 2
: KAWAI
„ DRAWBER
Jazz Organ
: KAWAI
Drawbar Organ : KAWAI
Drawbar Organ 2 : KAWAI
„ CHURCH ORGAN
Church Organ
: Chorale Prelude “Wachet auf, ruft uns die
Simme.” / Bach
Diapason
: Wohl mir, daß ich Jesum habe / Bach
Full Ensemble : KAWAI
„ HARPSI & MALLETS
Harpsichord
: French Suite No.6 / Bach
Vibraphone
: KAWAI
Clavi
: KAWAI
„ STRINGS
Slow Strings
: KAWAI
String Pad
: KAWAI
String Ensemble : Le quattro stagioni La primavera / Vivaldi
„ CHOIR & PAD
Choir
: Londonderry Air / Irish folk song
Choir 2
: KAWAI
New Age
: KAWAI
Atmospher
: KAWAI
„ BASS
Wood Bass
: KAWAI
Fretless Bass
: KAWAI
W. Bass & Ride : KAWAI
„ OTHERS
Rhapsody Op.79 No.2 / Brahms
Piano Concerto a minor Op.16 / Grieg
„ RHYTYM SECTION
KAWAI
KAWAI
KAWAI regret that sheet music for KAWAI original demo songs is not available.
… Step 1
Press the CONCERT MAGIC and LESSON buttons simultaneously.
The LED indicators for the CONCERT MAGIC button and the LESSON button will turn on and
the SOUND SELECT buttons will start to flash.
The demo song for the PIANO 1 category will start. After the PIANO 1 demo songs have finished
playing, the demo songs for another sound category or the RHYTHM SECTION will be selected
at random.
„ There are 4 songs stored for the PIANO1 sound, which will be played in order. Pressing the PIANO1 button repeatedly
will select the next piano song.
… Step 2
Press the other SOUND SELECT buttons while the demo is playing to listen to demos from each
category.
„ When this button is pressed, demo songs for the newly selected category will be played. Demo songs from another
category will then be selected at random.
… Step 3
Press the CONCERT MAGIC button, the LESSON button or the
PLAY/STOP button to exit the demo mode.
PLAYING
THE PIANO
The CN43 includes 34 built-in sound demo songs. Each of the demo songs presents a musical piece to introduce
the different preset sounds.
2
Page
12
‘ SELECTING A PRESET SOUND
… Step 1
Press the SOUND SELECT button below the name of the instrument to be played.
2
PLAYING
THE PIANO
ON
When the button is pressed, the LED indicator will turn on, indicating that this sound has been selected.
The name of the selected preset sound is also shown in the LCD screen. Multiple sounds are assigned to each
button; pressing the same SOUND SELECT button again will select the next variation sound assigned to that
SOUND SELECT button.
To select a Church Organ sound, press the CHURCH ORGAN button as shown above. The LED indicator for the
CHURCH ORGAN button will turn on.
„ Preset sounds can also be selected by pressing the VALUE buttons.
„ The OTHERS button is assigned with 299 sounds, divided into 20 additional categories. While
holding down one of the VALUE buttons, pressing the other VALUE button will jump to the next
sound category within the OTHERS selection.
„ PRESET SOUNDS
„PIANO 1
„PIANO 2
„ELECTRIC PIANO
„DRAWBAR
„CHURCH ORGAN
Concert Grand
Studio Grand
Mellow Grand
Modern Piano
Concert Grand 2
Studio Grand 2
Mellow Grand 2
Rock Piano
Classic E.P.
Modern E.P.
60’s E.P.
Modern E.P. 2
Jazz Organ
Drawbar Organ
Drawbar Organ 2
Be 3
Church Organ
Diapason
Full Ensemble
Diapason Oct.
„HARPSI & MALLETS
„STRINGS
„CHOIR & PAD
„BASS
„OTHERS
Harpsichord
Harpsichord 2
Vibraphone
Clavi
Slow Strings
String Pad
Warm Strings
String Ensemble
Choir
Choir 2
New Age
Atmosphere
Wood Bass
Electric Bass
Fretless Bass
W. Bass & Ride
299 sounds
Please refer to ‘PROGRAM CHANGE NUMBER MAPPING’ on page 93 for a complete listing of the additional 299 sounds
assigned to the OTHERS button.
… Step 2
Play the keyboard.
The selected sound will be heard as the keys are pressed.
Use the MASTER VOLUME slider to adjust the volume if necessary.
„ The CN43 piano is capable of playing up to 192 notes simultaneously (192-note polyphony). However, when playing
in dual mode, or when playing a stereo piano sound, the polyphony will be reduced by half because the piano has to
produce two sounds for each note.
Page
13
2) DUAL
The DUAL function allows two preset sounds to be layered together, creating a more complex sound. For example,
a piano can be layered with strings, or a church organ with a choir sound.
Press and hold down a SOUND SELECT button to select the first desired sound. Then press another
SOUND SELECT button to select the second desired sound.
The LED indicators for each button will turn on, indicating that the two sounds have been selected, and the names
of both instruments will be shown in the LCD screen.
For example, to layer a piano sound and a string sound, press the PIANO 1 and STRINGS buttons simultaneously
as shown in the diagram.
ON
ON
Studio Grand
Slow Strings
Press two SOUND SELECT buttons at the same time.
Pressing either of the SOUND SELECT buttons again will select the other sound variations assigned to that
button.
For example, to change the Slow Strings sound to String Pad, press and hold the PIANO 1 button and press the
STRINGS button again.
If two sound variations assigned to the same SOUND SELECT button are to be layered, while pressing the desired
SOUND SELECT button, use the VALUE buttons to select the desired sound variation. For example, to layer
Concert Grand and Mellow Grand together, first press the PIANO 1 button to select Concert Grand, and then use
the VALUE buttons to select Mellow Grand while still holding down the PIANO 1 button.
… Step 2
Play the keyboard.
Two different sounds will be heard at the same time.
… Step 3
Use the BALANCE slider to adjust the volume balance between the two sounds.
Increases the volume of
the sound assigned to the
leftmost selected SOUND
button.
Increases the volume of
the sound assigned to
the rightmost selected
SOUND button.
… Step 4
Press any individual SOUND SELECT button to cancel DUAL mode.
PLAYING
THE PIANO
… Step 1
2
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14
3) SPLIT
The SPLIT function divides the keyboard into two sections—upper and lower—allowing each part to be played
with a different sound.
… Step 1
2
PLAYING
THE PIANO
Press the SPLIT button.
ON
The LED indicator for the SPLIT button will turn on.
The LED indicator for the upper SOUND SELECT button will also be turned on, while the LED indicator for the
lower SOUND SELECT button will start to flash.
The names of the selected upper and lower sounds will also be shown in the LCD screen.
The ‘/’ symbol will be displayed in the bottom left corner of the LCD screen,
indicating that split mode has been activated.
The default split point is set between F#2 and G2. This point can be moved to
any key on the keyboard.
Concert Grand
/Wood Bass
… Step 2
Press and hold the SPLIT button, then press a key on the keyboard.
The pressed key will become the lowermost note for the upper section.
Split point
Lower section
Upper section
Hold down the button.
… Step 3
Play the keyboard.
Different sounds will be produced in the upper and lower sections.
An ensemble performance can be enjoyed by playing the chords and the melody with the right hand, while playing
a bass line with the left hand.
… Step 4
To change the upper sound while SPLIT mode is enabled, press the desired SOUND SELECT button.
The LED indicator for the selected SOUND SELECT button will turn on.
Press the same button repeatedly to select another sound variation assigned to that button.
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15
… Step 5
Hold down the button.
The LED indicator for the selected SOUND SELECT button will start to flash.
Press the same button repeatedly to select another sound variation assigned to that button.
… Step 6
Use the BALANCE slider to adjust the volume balance between the upper and lower sections.
Lower section
Upper section
… Step 7
Press the SPLIT button to exit the split mode.
The LED indicator for the SPLIT button will turn off.
„ When SPLIT mode is enabled, ‘Lower Octave Shift’ can be used to adjust the octave range for the lower section. (Page 67)
„ The Sustain pedal can also be turned ON / OFF for the lower section. (Page 66)
PLAYING
THE PIANO
To change the lower sound while SPLIT mode is enabled, press and hold the SPLIT button, then press the
desired SOUND SELECT button.
2
Page
16
4) FOUR HANDS MODE
2
PLAYING
THE PIANO
In FOUR HANDS mode the CN43 piano keyboard is split into upper and lower sections, allowing two players to play
the piano together. The sounds in the upper section are transposed two octaves down from the original pitch, while
sounds from the lower section are transposed two octaves up from the original pitch, with both players playing in the
same key range. The left pedal can also be used as a damper pedal for the player sitting on the left.
‘ ENTERING FOUR HANDS MODE
… Step 1
Press and hold the SPLIT button, then press the sustain (right) pedal and the soft (left) pedal together.
Hold down the button.
Soft pedal
Sustain pedal
Depress the pedals
The LED indicator for the SPLIT button will start to flash, indicating that the piano is in FOUR HANDS mode.
¡ Selecting Sounds in FOUR HANDS Mode
When in FOUR HANDS mode, the method for selecting sounds is the same as in SPLIT mode. Press the desired
SOUND SELECT button to change the sound for the upper section, or press and hold the SPLIT button, then
press the desired SOUND SELECT button to change the sound for the lower section.
¡ Changing Split Point
When in FOUR HANDS mode, the method for changing the SPLIT point is the same as in SPLIT mode. Press
and hold the SPLIT button, then press a key on the keyboard. The pressed key becomes the lowermost note for
the upper section. The default SPLIT point is set between E3 and F3.
Finally, when in FOUR HANDS Mode, the OCTAVE SHIFT function can also be used to change the octave of the
lower section. (Page 66)
„
It is also possible to activate FOUR HANDS mode by using the FOUR HANDS ON/OFF function in the Function menu.
Please refer to the instructions on page 72 for more information.
‘ EXITING FOUR HANDS MODE
… Step 1
To exit FOUR HANDS Mode, press the SPLIT button again.
The LED indicator for the SPLIT button will turn off.
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17
5) EFFECTS/REVERB
‘ ADDING REVERB
¡ REVERB
Reverb adds reverberation to the sound, simulating the acoustic environment of a recital room, stage, or concert
hall. There are six types of reverb available: Room 1, Room 2, Stage, Hall 1, Hall 2 and Plate.
… Step 1
Press the REVERB button.
The LED indicator will turn on to indicate that reverb is in use. Press and hold the REVERB button to show the
currently selected reverb type in the display.
… Step 2
To change the reverb type, use the VALUE buttons while holding down the REVERB button.
Hold down the button.
Reverb Type
= Room 1
ÇÈ
Reverb Type
= Room 2
ÇÈ
Reverb Type
= Stage
ÇÈ
Reverb Type
= Hall 1
ÇÈ
Reverb Type
= Hall 2
ÇÈ
Reverb Type
= Plate
To turn off the reverb, press the REVERB button again.
Press the REVERB button once again to turn the reverb back on. The previously selected reverb type will be
used.
Any changes made to the reverb type or on / off status will remain until the power is turned off.
When the power is turned off the reverb settings will return to the default settings.
PLAYING
THE PIANO
When selecting some preset sounds, the LED indicator for the EFFECTS or REVERB buttons may turn on
automatically. This is because certain preset sounds are prepared with an effect enabled as their default setting.
Adding an effect to the sound enhances tonal quality and improves acoustic realism. This CN43 piano features
two separate groups of effects. The first is reverb and the second contains chorus, flanger, delay, tremolo and
rotary speaker effects.
2
Page
18
‘ ADDING OTHER EFFECTS
¡ CHORUS
Chorus is an effect that simulates the rich character of a vocal choir or string ensemble, enriching the original voice
by over-layering a slightly detuned version of the sound.
2
PLAYING
THE PIANO
¡ FLANGER
Flanger creates a shifting comb-filter, which adds motion and a ‘hollow’ tone to the sound.
¡ DELAY
Delay is an effect that adds echoes to the sound. There are three types of delay available (delay 1, delay 2 and
delay 3), each with a different length of delay between the echoes.
¡ TREMOLO
This is a vibrato type effect.
¡ ROTARY
This effect simulates the sound of the Rotary Speaker cabinet commonly used with electronic organs. Rotary
1 is normal rotary and Rotary 2 is with distortion effect. The soft pedal is used to change the speed of the rotor
between SLOW and FAST.
… Step 1
Press the EFFECTS button.
The LED indicator will turn on to indicate that the effect is in use. Press and hold the EFFECTS button to show the
currently selected effect in the display.
… Step 2
To change the effect type, press and hold the EFFECTS button and press the VALUE buttons.
Hold down the button.
Effect Type
= Chorus 1
Effect Type
= Rotary 2
ÇÈ
Effect Type
= Chorus 2
ÇÈ
Effect Type
= Rotary 1
ÇÈ
Effect Type
= Chorus 3
ÇÈ
Effect Type
= Tremolo
ÇÈ
ÇÈ
Effect Type
= Chorus 4
Effect Type
= Delay 3
ÇÈ
ÇÈ
Effect Type
= FB Chorus
Effect Type
= Delay 2
ÇÈ
Effect Type
= Flanger
ÇÈ
Å
Æ
Effect Type
= Delay 1
To turn off the effects, press the EFFECTS button again.
Press the EFFECTS button once again to turn the effects back on. The previously selected effect type will be
used.
Any changes made to the effect type or on / off status will remain until the power is turned off.
When the power is turned off the effect settings will return to the default settings.
Page
19
6) TRANSPOSING THE PIANO
The transpose function allows the piano’s keys to be raised or lowered in half steps. This is particularly useful when
accompanying instruments with different tones, or when a song learned in one key must be played in another key.
The transpose feature allows the song to be played in the original key, but heard in another key.
Press and hold the TRANSPOSE button. While holding the TRANSPOSE button, use the VALUE buttons
or the keyboard keys from C3 to C5 to specify the transposition amount.
Key Transpose
=
0 C
Hold down the button.
The display will show a number indicating how many half steps up or
down the piano has been transposed.
‘-5’, for example, represents a transposition that is 5 half steps lower.
‘0’ indicates no transposition.
Key Transpose
= -5 G
Each time the VALUE S button is pressed, the transpose value is increased by one half step, while each time the
VALUE T button is pressed, the transpose value is decreased by one half step.
The piano can be transposed by up to 12 half steps higher or 12 half steps lower.
The ‘C’ key at the middle of
the keyboard corresponds to
the value 0.
Hold down the button.
-12
0
C
+12
Pressing the TRANSPOSE button again turns the TRANSPOSE function off.
The TRANSPOSE function remembers the current setting as long as the power is on.
„ Transpose is active when the LED indicator is on, and the notes are transposed according to the set transpose value.
For example if the setting is ‘-3’ and the LED indicator for the TRANSPOSE button is on, the notes will be transposed 3 half
steps lower. When the LED indicator for the TRANSPOSE button is turned OFF, the transpose setting will automatically
return to ‘0’ (no transposition) with one touch.
„ When the value is set to ‘0’, the LED indicator will not turn on.
„ The CN43 piano’s transpose setting defaults to ‘0’ each time the power is turned on.
„ Please refer to page 34 for information regarding the SONG TRANSPOSE function.
PLAYING
THE PIANO
… Step 1
2
Page
20
7) PLAYING WITH CONCERT MAGIC
2
PLAYING
THE PIANO
The great German composer Johann Sebastian Bach once said “Playing the keyboard is simple. Just strike the
right keys at the right time”. Many pianists wish it were quite that straightforward. Fortunately, KAWAI have devised
a method of playing the keyboard that is very simple, without even needing to strike the right keys.
With CONCERT MAGIC, absolutely anyone can sit at the CN43 piano and make real music - even complete beginners
who have never taken a piano lesson in their life. To enjoy performing with Concert Magic, simply select a favorite
piece from the 88 pre-programmed songs and tap any key with a steady rhythm and tempo. Concert Magic will provide
the correct melody and accompaniment notes, regardless of which keys are pressed. With Concert Magic anybody,
young or old, can enjoy playing music from the moment they sit down at the CN43 piano.
‘ SELECTING A SONG
The 88 Concert Magic songs are assigned to each of the 88 keys, and classified by song category into eight groups,
such as Children’s Songs, American Classics, Christmas Songs etc. Please refer to the separate ‘Concert Magic
Song List/Lesson Song List’ booklet for a complete listing of available Concert Magic songs.
… Step 1
To select a song, press and hold the CONCERT MAGIC button and press the key to which the desired
song is assigned.
Song No.
Hold down the button.
The LCD screen shows you the song number and abbreviated song title.
1
Twinkle Twinkle
‘ LISTENING TO THE SONG
If the performer is already familiar with the selected Concert Magic song, he/she may wish to begin playing straight away.
However, those unfamiliar with the piece may alternatively wish to listen to the song first, before attempting to play it.
… Step 1
To listen, press the PLAY/STOP button.
Song No.
Button lights
Hold down the button.
The CN43 piano will start playing back the selected song.
Page
21
The speed or tempo of the song can be adjusted by pressing and holding the TEMPO button and pressing the
VALUE buttons.
While listening, different Concert Magic songs can be selected by pressing the VALUE buttons.
The circles will be replaced by small plus signs as the song is played.
Twinkle Twinkle
+
~
~
+
The key to performing using Concert Magic is to become familiar with the rhythm of each song. The approximate
outline provided by the Note Navigator, allows the performer to gradually learn the rhythm of each piece.
„ To listen to a different song, press and hold the CONCERT MAGIC button and press the key to which the desired song
is assigned. Then press the PLAY/STOP button.
… Step 2
Press the PLAY/STOP button again to finish listening to the song.
‘ PERFORMING A SONG
… Step 1
Tap out the rhythm of the selected song on any one of the piano’s 88 black or white keys.
Use the Note Navigator (the circles and plus signs) to learn the rhythm
of the Concert Magic song.
~
+
~
+
~
~
~
Concert Magic songs will respond to changes in playing style. As the keys are tapped harder, the music will grow
louder; if the keys are tapped more softly, the music will become quieter. Tapping faster will cause the music to speed
up, while tapping slower will make the music slow down accordingly. Using Concert Magic, even inexperienced
pianists can sound like they have been playing for years, simply by pressing one key with one finger.
Concert Magic is a perfect method for small children to learn music, especially when developing a sense of rhythm.
For older people who may believe it is too late to learn the piano, Concert Magic offers an enjoyable first step. With
Concert Magic, the CN43 piano can be enjoyed by everyone in the family, even those who have never touched a
musical instrument in their life.
PLAYING
THE PIANO
The small circles in the LCD screen will be replaced by plus (‘+’) signs as the song is played back. These small
symbols provide a visual playing guide, indicating when the next key should be pressed. The position and spacing
between each circle shown in the LCD screen represents an approximate timing between each key press.
2
Page
22
‘ CONCERT MAGIC PART VOLUME BALANCE
When used with Concert Magic, the BALANCE slider adjusts the volume balance of the melody part and the
accompaniment.
… Step 1
Move the balance slider to the right or left to adjust the volume balance.
2
PLAYING
THE PIANO
Accompaniment
Melody
As the slider is moved to the right, the sound of the melody becomes louder and the accompaniment becomes
softer. The balance changes in the opposite way when the slider is moved to the left.
‘ CONCERT MAGIC SONG ARRANGEMENT TYPES
After playing with Concert Magic for a while, performers may feel that such playing is too easy and that there is
very little to learn. While it is true that some of the songs are very easy to play, even for beginners, there are also
some songs which will prove challenging, and require practice to play proficiently.
Each of the 88 Concert Magic songs fall into one of three different arrangement types, depending on the skill level
required to perform them.
„ EASY BEAT
These are the easiest songs to play. To perform them, simply tap out a constant steady beat on any key on the keyboard.
Look at the following example, ‘Für Elise’. The Note Navigator will indicate that a constant, steady rhythm should
be maintained throughout the song. This is the distinguishing character of an Easy Beat song.
Fur Elise
~~~~~~<
Press the key with a steady sixteenth note rhythm.
Key on
X X
X X X X X X
X X X X
X
X
X
X
X
X
X
X
„ MELODY PLAY
These songs are also quite easy to play, especially if they are familiar to the player. To perform them, tap out the
rhythm of the melody on any key on the keyboard. Singing along as the rhythm is tapped can be helpful.
Play ‘Twinkle, Twinkle, Little Star’ for example. Follow the melody’s rhythm as shown.
Key on
X
X
X
X
X
X
X
X
X
X
X
X
X
X
When performing fast songs with Concert Magic, it is sometimes easier to tap two different keys with two alternating
fingers in order to play at greater speed.
Page
23
„ SKILLFUL
These songs range in difficulty from moderately difficult to difficult. To perform them, tap out the rhythm of both the
melody and the accompaniment notes on any key on the keyboard, such as ‘Waltz of the Flowers’ shown below.
The Note Navigator will be very helpful with the Skillful songs.
Waltz of Flowers
~
~ ~ <
~
X
X
X
X
X
X
X X
X
X
X
X
X
PLAYING
THE PIANO
Key on
It may take a little practice to perform the Concert Magic songs proficiently. A good way to learn is to listen to these
pieces first, and then try to tap out the rhythms that are heard.
„ The separate ‘Concert Song List/Lesson Song List’ booklet lists the arrangement type next to each song title as ‘EB’ for
Easy Beat, ‘MP’ for Melody Play and ‘SK’ for Skillful.
‘ STEADY BEAT
Steady Beat allows Concert Magic songs to be played by simply tapping any key with a constant steady beat,
regardless of the song arrangement type.
… Step 1
Press and hold the CONCERT MAGIC button.
The current Concert Magic mode will be shown on the second line of the LCD screen.
The default Concert Magic mode is NORMAL.
Twinkle Twinkle
NORMAL
… Step 2
While still holding the CONCERT MAGIC button, use the VALUE button to change the Concert Magic mode
to STEADY BEAT.
Hold down the button.
The Concert Magic mode will change to STEADY BEAT.
Twinkle Twinkle
STEADY BEAT
… Step 3
Start by tapping any key with a constant steady beat.
The tapping speed will set the tempo for the song. Both the accompaniment and melody parts will be played
automatically in time with the tapped tempo.
2
Page
24
‘ CONCERT MAGIC DEMO MODES
There are three ways to listen to the Concert Magic songs in the DEMO mode.
2
PLAYING
THE PIANO
¡ ALL PLAY
Press the CONCERT MAGIC button and then press the PLAY/STOP button without selecting a song. The CN43
piano will play back all of the Concert Magic songs in order.
¡ RANDOM PLAY
Press the CONCERT MAGIC button and then press the LESSON button. The CN43 piano will play back all of the
Concert Magic songs in random order.
¡ CATEGORY PLAY
Press and hold the CONCERT MAGIC and LESSON buttons and press the piano key to which the desired song
is assigned. The CN43 piano will play back the selected song and then continue to play the rest of the songs in
the same category.
To stop the demo, press the PLAY/STOP button.
‘ CONCERT MAGIC PLAYBACK SPEED
The TEMPO button is also used to adjust the playback speed of Concert Magic songs.
… Step 1
After selecting a Concert Magic song to play back, press and hold the TEMPO button.
The tempo value will be shown in the LCD screen.
… Step 2
While holding down the TEMPO button, use the VALUE buttons to change the tempo.
Increase the tempo
Hold down the button.
Decrease the tempo
The tempo of the selected Concert Magic song can be adjusted either before playback, or while the song is
playing.
Page
25
8) METRONOME
Rhythm is one of the most important elements when learning music. It is important to practice playing the piano
at the correct tempo and with a steady rhythm. The CN43 piano’s metronome tool helps learners to achieve this
by providing a steady beat to play along with.
PLAYING
THE PIANO
‘ STARTING THE METRONOME
… Step 1
Press the TEMPO button.
The LED indicator for the TEMPO button will turn on and the metronome will begin counting with
a steady beat. The tempo in beats per minute will be shown in the LCD screen.
Tempo
~|||
Œ= 120
… Step 2
Press the VALUE buttons to increase or decrease the tempo within the range of 10 - 400 beats per minute.
(20-800 BPM with eighth note rhythms).
… Step 3
Press the TEMPO button again to stop the metronome.
‘ CHANGING THE TIME SIGNATURE
The metronome produces two types of click, with the louder click heard on every fourth beat - this is a 4-beat or
4/4 time signature.
The metronome is capable of providing a down beat to indicate the beginning of the measure.
It is possible to select a different signature where appropriate. There are ten different times signatures available
on the CN43 piano: 1/4, 2/4, 3/4, 4/4, 5/4, 3/8, 6/8, 7/8, 9/8 and 12/8.
… Step 1
Press the BEAT button.
The LED indicator for the BEAT button will turn on and the metronome will begin counting.
The currently selected time signature and a visual indicator of each beat will be shown in the
LCD screen.
Beat
~|||
= 4/4
2
Page
26
… Step 2
Press the VALUE buttons to select the desired time signature.
The currently selected time signature or rhythm will be shown in the LCD screen.
… Step 3
2
PLAYING
THE PIANO
Press the BEAT button again to stop the metronome.
Both the TEMPO button and the BEAT button can be used to turn the metronome on and off, depending on whether
the tempo or time signature is being adjusted.
‘ ADJUSTING THE METRONOME VOLUME
The volume level of the metronome can also be adjusted.
… Step 1
Press the TEMPO and BEAT buttons simultaneously.
The volume level of the metronome will be shown in the LCD screen, represented by numbers
ranging from 1 (soft) to 10 (loud). The default metronome volume level is 5.
Volume =
~|||
… Step 2
Press the VALUE buttons to increase or decrease the volume level of the metronome.
… Step 3
Press the TEMPO and BEAT buttons simultaneously again to stop the metronome.
5
Page
27
9) PANEL LOCK
The Panel Lock function allows the state of all panel buttons to be temporarily locked, preventing sounds and other
settings from being changed accidentally while playing the piano.
… Step 1
PLAYING
THE PIANO
Press the CONCERT MAGIC and TRANSPOSE buttons simultaneously.
The CN43 control panel will stop responding to button pushes.
Panel Lock
On
‘Panel Lock On’ will be shown in the LCD screen.
… Step 2
Press the CONCERT MAGIC and TRANSPOSE buttons simultaneously again to deactivate the panel
lock.
The CN43 control panel will return to normal operation.
Panel Lock
Off
‘Panel Lock Off’ will be shown in the LCD screen.
„ When the power is turned off, the Panel Lock function will be released.
2
Page
28
3. LESSON FUNCTION
The CN43’s Lesson function helps performers to practice the piano with a collection of etudes from Czerny,
Burgmüller and Beyer, or songs from Alfred’s Basic Piano Library and Alfred’s Premier Piano Course lesson books
(USA, Canada, Australia and UK only). It is possible to listen to each etude or song at various tempos, practicing
the left and right hand parts separately, before eventually recording a practice session for self-evaluation.
3
LESSON
FUNCTION
Alfred’s Basic Piano Library and Alfred’s Premier Piano Course lesson books are sold separately. Please check
with local dealers or contact Alfred’s customer service by telephoning 818-892-2452 (USA & Canada), 0-95240033
(Australia), +44 (0)1279828960 (UK). Or alternatively, by e-mailing [email protected].
1) SELECTING A BOOK/SONG
… Step 1
Press the LESSON button.
The LED indicator for the LESSON button will turn on to indicate that lesson
mode is enabled.
The currently selected book name will be shown in the LCD screen.
AlfredChild1A-01
Bar= 0- 1 Œ=100
Lesson availability differs according to geographical location:
US, Canada,
UK, Australia
Rest of
the World
Lesson Book Name
Alfred’s Premier Piano Course Lesson 1A
Alfred’s Premier Piano Course Lesson 1B
Alfred’s Basic Piano Library Lesson Book Level 1A
Alfred’s Basic Piano Library Lesson Book Level 1B
Alfred’s Basic Piano Library Lesson Book Level Adult
Burgmüller 25 (25 Etudes Faciles, Opus 100)
Czerny 30 (Etudes de Mécanisme, Opus 849)
Czerny 100 (Hundert Übungsstücke, Opus 139)
Beyer (Vorschule im Klavierspiel, Opus 101)
… Step 2
Press the MENU buttons to change the selected lesson book type.
… Step 3
Press the VALUE buttons to change the selected lesson song.
It is also possible to select a song directly by holding down the LESSON button and pressing a key on the keyboard.
Please refer to the separate ‘Concert Magic Song List/Lesson Song List’ booklet for a complete listing of available
lesson songs.
AlfredChild1A-01
Bar= 0- 1 Œ=100
Page
29
2) LISTENING TO AND PLAYING A SONG
… Step 1
Press the PLAY/STOP button to play the selected song.
There will be a one bar count-in before the song starts to play.
¡ A-B LOOP
The A-B Loop function allows a specific part of a song to be played
back repeatedly. While playing back a song, press the LOOP button
at the desired loop start point (point A), then press the LOOP button
again at the desired loop end point (point B). The recorder will playback
the song between point A and point B repeatedly until the PLAY/STOP
button is pressed.
„ DUAL or SPLIT sounds cannot be selected in LESSON mode.
‘ EXITING THE LESSON FUNCTION
… Step 1
Press the LESSON button.
The LED indicator for the LESSON button will turn off, and the unit
returns to the normal operation mode.
‘ PRACTICING THE LEFT AND RIGHT-HAND PARTS
The volume balance of the left and right-hand parts can be adjusted using the BALANCE slider.
… Step 1
After selecting a song, move the BALANCE slider to the left or to the right.
Decreases the volume of
the right-hand part
Decreases the volume of
the left-hand part
Moving the balance slider partially to the left will gradually decrease the volume of the right-hand part, allowing
the right-hand part to be practiced while the pre-recorded part plays softly as a guide. When the balance slider is
moved fully to the left, the pre-recorded right-hand part will be muted completely.
‘ ADJUSTING THE TEMPO OF A SONG
… Step 1
Press and hold the TEMPO button and press the VALUE S or T buttons to increase or decrease the
tempo of the song.
LESSON
FUNCTION
Press the PLAY/STOP button to stop the song.
Press the REW button to rewind the song and the FF button to fast forward the song. The bar number and beat
number will be shown in the LCD screen. Press the RESET button to return to the beginning of the song.
3
Page
30
3) RECORDING A SONG PRACTICE
Listening to recorded lesson song practice provides an excellent tool for self-evaluation.
… Step 1
Press the REC button.
The LED indicator for the REC button will start to flash to indicate that
the CN43 piano is ready to record.
Recording information will be shown in the LCD screen, as below.
Record
Bar= 0- 2 1=100
3
LESSON
FUNCTION
… Step 2
Press the PLAY/STOP button.
There will be a one bar count-in before the recording starts.
Recording
Bar= 4- 2 Œ=100
It is a recommended to turn on the metronome when recording.
… Step 3
Press the PLAY/STOP button to stop recording the lesson practice.
‘ PLAYING BACK THE RECORDING
… Step 1
Press the PLAY/STOP button to listen to the recording.
The performance that has been recorded will be played. The
left and right-hand playing volume can be changed using
the BALANCE slider.
Accompaniment
Melody
‘ ERASING THE RECORDING
… Step 1
Press the PLAY/STOP and REC buttons simultaneously to erase the recording.
„ Recordings made while using the Lesson Function cannot be saved and are intended for temporary reference only.
When changing to another song, exiting the Lesson Function or turning off the CN43 power, Lesson recordings will be
erased.
„ Preset Lesson songs cannot be permanently overwritten or erased.
Page
31
4. INTERNAL RECORDER
The RECORDER function records performances in a similar way to that of a tape recorder. However, the CN43
piano records songs as digital data, instead of audio data - storing the music inside the instrument. Because each
song is stored digitally, it is possible to modify various aspects during playback, such as adjusting the tempo without
changing the pitch, or selecting different sound types and effects settings. Once fully understood, the recorder
function provides an easy to use tool for both practicing and playing the piano.
The CN43 allows up to three different songs to be recorded, stored in memory, and played back at the touch of
a button. Each song has two separate tracks called ‘Parts’ that can be recorded independently. This allows the
left-hand part to be recorded first on one track, then the right-hand part to be recorded later on the other track,
while listening to the first part.
When recording or playing back a song, each part (track) can be re-recorded or played back freely. Attempting to
re-record a part will automatically erase all previously recorded performance information for that part, therefore when
recording parts separately, it is most important to select the correct part carefully, in order to prevent accidentally
overwriting a previously recorded part.
… Step 1
Press the REC button.
Song, part number, bar and tempo information will be shown in the LCD screen.
Song1 Part=1
Œ=120
Record
To record a song without making any changes, proceed to step 4.
ƒ If a USB memory device is connected, a selection screen will be shown in the LCD display.
Press the VALUE c button to select the Internal Recorder function.
For more information about the USB Recorder function, please refer to page 36.
… Step 2
Press the MENU buttons to select the song (1,2 or 3)
to be recorded.
Song1 Part=1
Œ=120
Record
cd MENU buttons
Song2 Part=1
Œ=120
Record
cd
Song3 Part=1
Œ=120
Record
… Step 3
Press the VALUE buttons to select the part number
(1 or 2) to be recorded.
Song1 Part=1
Œ=120
Record
cd VALUE buttons
Song1 Part=2
Œ=120
Record
INTERNAL
RECORDER
1) RECORDING (REC BUTTON)
4
Page
32
… Step 4
Start to play the piano.
The recorder will automatically start recording with the first note played.
During this time, the LED indicators for the REC and PLAY/STOP buttons will be turned on.
Any changes made to the sound while recording will also be recorded.
The recording can be started by pressing the PLAY/STOP button instead of pressing a key, allowing a blank bar
to be inserted at the beginning of a song.
… Step 5
4
INTERNAL
RECORDER
Press the PLAY/STOP button to stop recording.
The LED indicators for the PLAY/STOP button and the REC button will turn off and the newly recorded part will
be saved to memory automatically.
Saving may take a few moments and during this time the piano will not perform any other operations.
To record the piece again, simply repeat the above procedure. The new recording will completely erase the previous
one.
„ The total recording capacity of the CN43 piano’s memory is approximately 15,000 notes, with button and pedal presses
also counted as one note.
When the maximum capacity is reached, recording will stop and all music recorded up until that point will be saved to
memory automatically.
„ Performance data stored inside the CN43 piano’s memory will be saved even after turning off the power.
„ Panel operations stored during recording:
x Changes made to the sound type.
x Shifts between DUAL and SPLIT modes.
„ Panel operations NOT stored during recording:
x Changes made to effect settings – the selected effect will be applied to the selected sound type.
x Changes made to tempo.
x Changes made using the BALANCE slider in DUAL or SPLIT modes – the volume balance set immediately before
recording will be stored, however.
x Turning the TOUCH CURVE or TRANSPOSE functions ON or OFF – regardless of the transpose settings the
performance will be replayed at the pitch originally used for the recording.
Page
33
2) PLAYING BACK A SONG
The PLAY/STOP button is used to start and stop playback of the recorded song, and to also select which
song and part is played.
… Step 1
Press the PLAY / STOP button.
The currently selected song and parts will be shown in the LCD screen,
and the CN43 piano is ready to playback the song.
Song1 Part=1&2*
Bar= 1- 1 Œ=120
… Step 2
Press the MENU buttons to select a song.
Song3 Part=2*
Bar= 1- 1 Œ=120
INTERNAL
RECORDER
An asterisk indicates that the part has been recorded.
… Step 3
Press the VALUE buttons to select a part.
Part 1 & 2 : Both parts will be played back.
Part 1
: Only Part 1 will be played back.
Part 2
: Only Part 2 will be played back.
… Step 4
Press the PLAY/STOP button again and the recorded song will start to play.
Playback information will be shown in the LCD screen.
Playing
Bar= 2- 1 Œ=120
… Step 5
Press the PLAY/STOP button again to stop playback and return to the song select display.
Press the REW button to rewind the song and the FF button to fast forward the song. The bar number and beat
number will be shown in the display. Press the RESET button to return to the beginning of the song.
„ While the song is being played, performance information is also sent to supported devices as MIDI data (See page 87).
PART1 is sent on 1ch and PART2 is sent on 2ch. When recording in DUAL mode, additional information for PART1 is
sent on 9ch and additional information for PART2 is sent on 10ch.
4
Page
34
3) TRANSPOSING A SONG
This function allows the currently selected song and songs loaded from a USB device to be transposed.
… Step 1
Press and hold the TRANSPOSE button, then press the MENU buttons to select the Song Transpose
function.
Song Transpose
=
0 C
Hold down the button.
‘Song Transpose’ and a value of ‘0 C’ will be shown in the LCD screen, indicating that the song is in its original key
and has not been transposed.
4
INTERNAL
RECORDER
… Step 2
Press and hold the TRANSPOSE button, then press the VALUE buttons to specify the transposition
amount.
Song Transpose
= -5 C
Hold down the button.
The LCD screen will show a number indicating how many half steps up or down the current song has been
transposed.
‘-5’, for example, represents a transposition that is 5 half steps lower.
„ The piano can be transposed by up to 12 half steps higher or 12 half steps lower.
„ When a different song is selected, the song transposition value will reset to ‘0 C’.
Page
35
4) ERASING A SONG
This function allows any songs that are no longer listened to, to be cleared.
… Step 1
Press the PLAY/STOP and REC buttons simultaneously.
Button flashes
Button flashes
Press them at the same time.
The LED indicators for the PLAY/STOP and REC buttons will start to flash, and song erase information will be
shown in the LCD screen.
To Del Press REC
Song 1 Part=1&2*
… Step 2
INTERNAL
RECORDER
Use the MENU buttons to select a song, then use the VALUE buttons to select a part.
To Del Press REC
Song 1 Part=1&2*
2
1
Select a song.
Select a part.
… Step 3
Press the REC button to erase the selected song and part. A confirmation message will be shown in the
LCD screen.
Sure? Press REC
Song 1 Part=1&2*
… Step 4
Press the REC button again to confirm erasing the selected song and part.
Deleting
Song 1 Part=1&2*
* To cancel the erase operation in Step 3, press the PLAY/STOP button.
„ Repeat the steps above in order to erase a number of songs and parts.
„ To erase all songs from memory at once, first turn off the power and then turn it on again, holding down both the REC
button and the PLAY/STOP button.
4
Page
36
5. USB RECORDER
The CN43’s USB Recorder allows the recording and playback of MP3 and WAV audio files and 16 track Standard
MIDI File (SMF) format songs directly to/from USB memory devices.
Do not attempt to disconnect USB devices while they are being accessed.
Doing so may result in data loss or permanent damage
1) RECORDING AN AUDIO FILE
This useful function allows professional quality MP3 and WAV audio recordings to be produced directly on the
instrument without the need for additional sound equipment. Once saved, the audio files can be emailed to friends
and family, played back through an iPod, or edited and remixed further using an audio workstation.
„ Audio Recorder format specifications
Audio Format
MP3
WAV
Specifications
44.1 kHz, 16 bit, Stereo
44.1 kHz, 16 bit, Stereo
Bitrate
192 kbit/s (fixed)
1,411 kbit/s (uncompressed)
MPEG Layer-3 audio coding technology licensed from Fraunhofer IIS and Thomson.
MP3 codec is Copyright (c) 1995-2007, SPIRIT
5
USB
RECORDER
‘ SELECTING THE USB RECORDER AND AUDIO FORMAT
… Step 1
Connect a USB memory device, then press the REC button.
The Internal Recorder / USB Recorder selection screen
will be shown in the LCD display.
Int.Recorder
USB Recorder
ƒ The USB Recorder can also be accessed via the USB Menu (page 48).
… Step 2
Press the VALUE d button to select the USB Recorder function.
The LED indicator for the USB button will turn on, and the
USB Recorder format selection screen will be shown in
the LCD display.
USB Record
Format = MP3
Press the VALUE buttons to select either WAV or MP3
audio file formats.
ƒ MP3 audio files require less storage space than WAV audio files.
ƒ A 1GB USB memory device can store over 12 hours of MP3 audio data.
… Step 3
Press the REC button.
The LED indicator for the REC button will start to flash to
indicate that the recorder is in standby mode.
A recording timer will be shown in the LCD display
USB Record
MP3
-Standby- 00:00
Page
37
‘ STARTING THE RECORDER
… Step 4
Press a key on the keyboard.
The LED indicators for the REC and PLAY/STOP buttons
will turn on, and recording will start.
USB Record
MP3
Recording 00:24
ƒ Recording can also be started by pressing the PLAY/STOP button, allowing
a rest period to be inserted at the beginning of the audio file.
… Step 5
Press the PLAY/STOP button.
The LED indicators for the PLAY/STOP and REC buttons
will turn off, and recording will stop.
Save to USB?
Yes≥REC No≥STOP
A confirmation message will be shown in the LCD screen,
prompting to save the recorded audio file.
‘ SAVING THE RECORDED AUDIO FILE
… Step 6
Press the REC button to save the recorded audio file to the USB memory device.
The filename entry screen will be shown in the LCD display.
Song name:
MP3 Song 01 ≥REC
USB
RECORDER
ƒ To cancel saving the recorded audio file and exit the USB Recorder,
press the PLAY/STOP button.
… Step 7
Press the MENU and VALUE buttons to enter a name for the recorded audio file.
Press the VALUE buttons to select the character.
Press the MENU buttons to move the cursor.
Song name:
FunkIdea2
≥REC
ƒ New files are limited to a maximum name length of 12 characters.
ƒ ‘MP3 Song 01’ or ‘WAV Song 01’ will be used as the default name
for the recorded audio files. The number will increase automatically
with each recording.
… Step 8
Press the REC button again to save the recorded audio file to the USB memory device.
A confirmation message will be shown in the LCD display to
indicate that the recorded audio file has been saved.
Saving...
After saving, the audio file will automatically be selected for
playback (page 39).
Complete!
ƒ The saved audio file will be stored in the root folder of the USB
device. It is not possible to store the file in a different folder.
ƒ The audio recorder records sounds produced by the instrument only.
Devices connected to the LINE IN jacks will not be recorded.
ƒ If the specified name already exists, an overwrite confirmation
message will be shown in the LCD screen prompting to confirm or
cancel the save operation.
FunkIdea2
Vol.040
00:00
5
Page
38
2) PLAYING AN AUDIO FILE
The CN43 is also capable of playing MP3 and WAV audio files stored on a USB memory device directly through
the instrument’s speaker system. This function is particularly useful when attempting to learn the chords or melody
to a new piece, or to simply play along with one’s favorite song.
„ Audio Player supported format specifications
Audio Format
MP3
WAV
Specifications
32 kHz/44.1 kHz/48 kHz, Mono/Stereo
32 kHz/44.1 kHz/48 kHz, Mono/Stereo, 8 bit/16 bit
Bitrate
8-320 kbit/s (fixed & variable)
-
MPEG Layer-3 audio coding technology licensed from Fraunhofer IIS and Thomson.
MP3 codec is Copyright (c) 1995-2007, SPIRIT
„ Preparing the USB memory device
First, prepare a selection of MP3 or WAV audio files, copying
the data to a USB memory device.
ƒ USB devices should be formatted to use the ‘FAT’ or ‘FAT32’ filesystems.
‘ SELECTING THE USB RECORDER AND AUDIO FILE
… Step 1
Connect a USB device, then press the PLAY/STOP button.
USB
RECORDER
5
The Internal Recorder / USB Recorder selection screen
will be shown in the LCD display.
Int.Recorder
USB Recorder
ƒ The USB Recorder can also be accessed via the USB Menu (page 48).
… Step 2
Press the VALUE d button to select the USB Recorder function.
The LED indicator for the USB button will turn on, and a
list of the media files stored in the root folder of the USB
memory device will be shown in the LCD display.
‚<MIDI Files>
Night Train.MP3
The < > symbols are used to indicate a folder.
The selection cursor is represented by a ` symbol.
… Step 3
Press the MENU and VALUE buttons to select the desired audio file.
Press the MENU buttons to scroll through the files/folders.
Press the VALUE buttons to select the file/folders.
‚Night Train.MP3
SoulfulStrt.MP3
ƒ Select the <DIR UP> entry to return to the previous folder.
After a short delay, the play screen will be shown in the
LCD display.
Night Train.MP3
Vol.040
00:00
Page
39
‘ PLAYING THE SELECTED AUDIO FILE
… Step 4
Press the PLAY/STOP button.
The LED indicator for the PLAY/STOP button will turn on,
and the selected audio file will begin to play.
Playing
Vol.040
00:24
Playing
Vol.057
00:45
During playback, press the FF or REW buttons to fastforward or rewind the audio file.
‘ ADJUSTING THE PLAYBACK VOLUME
… Step 5
During playback, press the VALUE buttons.
The playback volume will increase or decrease.
ƒ The volume level of USB Recorder songs can be adjusted within
the range 0 to 100.
The A-B Loop function allows a specific part of a song to be played back repeatedly.
… Step 6
During playback, press the A-B Loop button to set the start and end points of the loop.
Press the A-B button once to set the desired start point (A),
then once again to set the end point (B) of the loop.
The song will play between points A and B continuously
until the song is stopped or the A-B button is pressed to
cancel the loop.
‘ STOPPING AUDIO FILE PLAYBACK
… Step 7
Press the PLAY/STOP button.
The LED indicator for the PLAY/STOP button will turn off,
and the selected audio file will stop playing temporarily.
Press the PLAY/STOP button once again to continue
playback, or the RESET button to reset the playback
position to the beginning.
When audio playback has been stopped, press the MENU
buttons to return to the file selection screen, or the USB button
to exit the recorder.
USB
RECORDER
‘ REPEATING A PHRASE (A-B LOOP)
5
Page
40
3) RECORDING AN SMF SONG
This useful function allows 16 track SMF (Standard MIDI File) format songs to be recorded directly on the instrument,
or for existing song files to be edited/modified without the need for additional sound equipment.
‘ SELECTING THE USB RECORDER
… Step 1
Connect a USB memory device, then press the REC button.
The Internal Recorder / USB Recorder selection screen
will be shown in the LCD display.
Int.Recorder
USB Recorder
ƒ The USB Recorder can also be accessed via the USB Menu (page 48).
… Step 2
Press the VALUE d button to select the USB Recorder function.
The LED indicator for the USB button will turn on, and the
USB Recorder format selection screen will be shown in
the LCD display.
USB Record
Format = MID
5
USB
RECORDER
Press the VALUE buttons to select the MID format.
… Step 3
Press the REC button.
The LED indicator for the REC button will start to flash to
indicate that the recorder is in standby mode.
Rec Part= 1
Bar= 1- 1 Œ=120
The Recorder screen will be shown in the LCD display.
‘ SELECTING THE PART (TRACK) TO RECORD
… Step 4
Press the VALUE buttons to select the Part (track) to be recorded.
ƒ Part 10 is reserved as a drum track. When selecting Part 10, only drum sounds
can be played. Similarly, drum sounds can only be played on Part 10.
ƒ When the Rec Part is set to MIDI, all data received from the MIDI IN jack will
be recorded on Parts 1-16, according to the MIDI channel.
‘ STARTING THE RECORDER
… Step 5
Press a key on the keyboard.
The LED indicators for the REC and PLAY/STOP buttons
will turn on, and recording will start on the selected track.
Rec Part= 1
Bar= 1- 1 Œ=120
ƒ Recording can also be started by pressing the PLAY/STOP button, allowing
a rest period to be inserted at the beginning of the SMF file.
Page
41
… Step 6
Press the PLAY/STOP button.
The LED indicators for the PLAY/STOP and REC buttons
will turn off, and recording will stop.
Rec Part= 1*
Bar= 1- 1 Œ=120
An asterisk (*) symbol will be shown beside the part
number to indicate that the part has been recording and
contains song data.
To record another part (track), first press the REC button,
then repeat steps 4 and 5.
‘ SAVING THE RECORDED SMF FILE
When pressing the MENU buttons to select another song, or pressing the USB button to exit the USB Recorder,
a save prompt will be shown in the LCD screen.
… Step 7
Press the MENU buttons or USB button.
A confirmation message will be shown in the LCD screen,
prompting to save the recorded SMF file.
Save to USB?
Yes≥REC No≥STOP
Press the REC button to save the recorded SMF file to the USB memory device.
The filename entry screen will be shown in the LCD display.
Song name:
SMF Song 01 ≥REC
ƒ To cancel saving the recorded SMF file and return to the recorder,
press the PLAY/STOP button.
… Step 7
Press the MENU and VALUE buttons to enter a name for the recorded SMF file.
Press the VALUE buttons to select the character.
Press the MENU buttons to move the cursor.
Song name:
BigSwing02
ƒ Saved files are limited to a maximum name length of 12 characters.
ƒ ‘SMF Song 01’ will be used as the default name for the recorded SMF
file. The number will increase automatically with each recording.
… Step 8
Press the REC button again to save the recorded SMF file to the USB memory device.
A confirmation message will be shown in the LCD display to
indicate that the SMF file has been saved.
Saving...
ƒ The saved SMF file will be stored in the root folder of the USB device.
It is not possible to store the file in a different folder.
Complete!
ƒ If the specified name already exists, an overwrite confirmation
message will be shown in the LCD screen prompting to confirm or
cancel the save operation.
≥REC
USB
RECORDER
… Step 7
5
Page
42
4) PLAYING AN SMF SONG
This function allows 16 track SMF (Standard MIDI File) format songs stored on USB memory devices to be played
directly on the instrument.
„ Preparing the USB memory device
First, prepare a selection of SMF (MID) song files, copying
the data to a USB memory device.
ƒ USB devices should be formatted to use the ‘FAT’ or ‘FAT32’ filesystems.
‘ SELECTING THE USB RECORDER
… Step 1
Connect a USB device, then press the PLAY/STOP button.
The Internal Recorder / USB Recorder selection screen
will be shown in the LCD display.
Int.Recorder
USB Recorder
ƒ The USB Recorder can also be accessed via the USB Menu (page 48).
… Step 2
Press the VALUE d button to select the USB Recorder function.
USB
RECORDER
5
The LED indicator for the USB button will turn on, and a
list of the media files stored in the root folder of the USB
memory device will be shown in the LCD display.
‚<MIDI Files>
Highway61 .MID
The < > symbols are used to indicate a folder.
The selection cursor is represented by a ` symbol.
… Step 3
Press the MENU and VALUE buttons to select the desired SMF file.
Press the MENU buttons to scroll through the files/folders.
Press the VALUE buttons to select the file/folders.
‚Superstitio.MID
TurnMeLoose.MID
ƒ Select the <DIR UP> entry to return to the previous folder.
After a short delay, the play screen will be shown in the
LCD display.
Superstitio.MID
Bar= 1- 1 Œ=120
‘ PLAYING THE SELECTED SMF FILE
… Step 4
Press the PLAY/STOP button.
The LED indicator for the PLAY/STOP button wil turn on,
and the selected SMF file will begin to play.
During playback, press the FF and REW buttons to fastforward and rewind the audio file,
Superstitio.MID
Bar= 8- 3 Œ=120
Page
43
‘ ADJUSTING THE PLAYBACK VOLUME & TEMPO
… Step 5
Press and hold the USB button, then press the VALUE buttons.
or
+
The current playback volume will be shown in the LCD
display and the volume level will increase or decrease.
USB Recorder
Total Volume=100
ƒ The volume level of USB Recorder songs can be adjusted within
the range 0 to 100.
To adjust the tempo of the song playback, press and hold
the TEMPO button, then press the VALUE buttons.
Superstitio.MID
Bar= 8- 3 Œ=105
ƒ The tempo of SMF songs can be adjusted within the range of
10 - 400 beats per minute.
‘ REPEATING A PHRASE (A-B LOOP)
The A-B Loop function allows a specific part of a song to be played back repeatedly.
… Step 6
Press the A-B Loop button to set the start and end points of the loop.
USB
RECORDER
Press the A-B button once to set the desired start point (A),
then once again to set the end point (B) of the loop.
The song will play between points A and B continuously
until the song is stopped or the A-B button is pressed to
cancel the loop.
‘ MUTING A PART (TRACK)
This function allows each of the 16 parts (tracks) of the SMF song to be individually muted or played.
… Step 7
Press one of the VALUE buttons.
The 16 parts (tracks) of the SMF song will be shown in
the LCD display.
123456789
‚‚‚X---‚X‚------
… Step 8
Press the MENU and VALUE buttons to select and mute/play each part (track).
Press the VALUE buttons to mute/play the part (track).
Press the MENU buttons to move the selection cursor.
A ` symbol is used to indicate a playing part.
An X smbol is used to indicate a muted part.
An − symbol is used to indicate an empty part.
123456789
--‚--X--‚‚------
5
Page
44
‘ STOPPING SMF SONG PLAYBACK
… Step 7
Press the PLAY/STOP button.
The LED indicator for the PLAY/STOP button will turn off,
and the selected SMF file will stop playing temporarily.
Press the PLAY/STOP button once again to continue
playback, or the RESET button to reset the playback
position to the beginning.
Once song playback has stopped, press the MENU buttons to
return to the file selection screen, or the USB button to exit the
recorder.
5) RECORDING TO AN EXISTING SMF SONG
This function allows any of the 16 parts (tracks) of the SMF song to be re-recorded.
First follow ‘Playing an SMF Song’ steps 1-3 to select the desired SMF song, then proceed from step 4 below.
… Step 4
5
USB
RECORDER
Press the REC button.
The LED indicator for the REC button will start to flash to
indicate that the recorder is in standby mode.
Rec Part= 1
Bar= 1- 1 Œ=100
The SMF Recorder screen will be shown in the LCD
display.
‘ SELECTING THE PART (TRACK) TO RECORD
… Step 5
Press the VALUE buttons to select the Part (track) to be recorded.
ƒ Part 10 is reserved as a drum track. When selecting Part 10, only drum sounds
can be played. Similarly, drum sounds can only be played on Part 10.
ƒ When the Rec Part is set to MIDI, all data received from the MIDI IN jack will
be recorded on Parts 1-16, according to the MIDI channel.
‘ STARTING THE RECORDER
… Step 6
Press a key on the keyboard.
The LED indicators for the REC and PLAY/STOP buttons
will turn on, and recording will start on the selected track.
Rec Part= 1
Bar= 1- 1 Œ=100
ƒ Recording can also be started by pressing the PLAY/STOP button, allowing
a rest period to be inserted at the beginning of the SMF file.
Page
45
… Step 7
Press the PLAY/STOP button.
The LED indicators for the PLAY/STOP and REC buttons
will turn off, and recording will stop.
Rec Part= 1*
Bar= 1- 1 Œ=100
An asterisk (*) symbol will be shown beside the part
number to indicate that the part has been recording and
contains song data.
To record another part (track), first press the REC button,
then repeat steps 4 and 5.
‘ SAVING THE RECORDED SMF FILE
When pressing the MENU buttons to select another song, or pressing the USB button to exit the USB Recorder,
a save prompt will be shown in the LCD screen.
… Step 8
Press the MENU buttons or USB button.
A confirmation message will be shown in the LCD screen,
prompting to save the recorded SMF file.
Save to USB?
Yes≥REC No≥STOP
Press the REC button to save the recorded SMF file to the USB memory device.
The filename entry screen will be shown in the LCD display.
Song name:
SMF Song 01 ≥REC
ƒ To cancel saving the recorded SMF file and return to the recorder,
press the PLAY/STOP button.
… Step 10
Press the MENU and VALUE buttons to enter a name for the recorded SMF file.
Press the VALUE buttons to select the character.
Press the MENU buttons to move the cursor.
Song name:
BigSwing02
ƒ Saved files are limited to a maximum name length of 12 characters.
ƒ ‘SMF Song 01’ will be used as the default name for the recorded SMF
file. The number will increase automatically with each recording.
… Step 11
Press the REC button again to save the recorded SMF file to the USB memory device.
A confirmation message will be shown in the LCD display to
indicate that the SMF file has been saved.
Saving...
ƒ The saved SMF file will be stored in the root folder of the USB device.
It is not possible to store the file in a different folder.
Complete!
ƒ If the specified name already exists, an overwrite confirmation
message will be shown in the LCD screen prompting to confirm or
cancel the save operation.
≥REC
USB
RECORDER
… Step 9
5
Page
46
6) CONVERTING A SONG TO AN AUDIO FILE
This function allows recorder songs stored in internal memory to be played back and saved (converted) as an
audio file to a USB device in either MP3 or WAV format.
In order to perform this function, first follow the explanation on page 31 to record a song to internal memory.
‘ SELECTING THE INTERNAL RECORDER SONG
… Step 1
Connect a USB device, then press the PLAY/STOP button.
The Internal Recorder / USB Recorder selection screen
will be shown in the LCD display.
Int.Recorder
USB Recorder
… Step 2
Press the VALUE c button to select the Internal Recorder function.
The Internal Recorder screen will be shown in the LCD
display, with Song 1 selected automatically.
Rec Part= 1
Bar= 1- 1 Œ=100
5
USB
RECORDER
Press the MENU buttons to select the desired song memory,
and the VALUE buttons to select the desired part.
… Step 3
Press the USB button.
The LED indicator for the USB button will turn on, and the
Convert to Audio format selection screen will be shown
in the LCD display.
Convert to Audio
Format = MP3
Press the VALUE buttons to select either WAV or MP3
audio file formats.
ƒ MP3 audio files require less storage space than WAV audio files.
ƒ A 1GB USB memory device can store over 12 hours of MP3 audio data.
… Step 4
Press the REC button.
The LED indicator for the REC button will start to flash to
indicate that the recorder is in standby mode.
A recording timer will be shown in the LCD display
Song1 Part=1&2*
Convert
Œ=100
Page
47
‘ STARTING THE CONVERSION
… Step 5
Press the PLAY/STOP button.
The LED indicators for the REC and PLAY/STOP buttons
will turn on, and the conversion will start.
Converting
00:24
ƒ Notes played on the keyboard will also be recorded to the audio file.
… Step 6
Press the PLAY/STOP button.
The LED indicators for the PLAY/STOP and REC buttons
will turn off, and recording will stop.
Save to USB?
Yes≥REC No≥STOP
A confirmation message will be shown in the LCD screen,
prompting to save the converted audio file.
‘ SAVING THE CONVERTED AUDIO FILE
… Step 7
Press the REC button to save the converted audio file to the USB memory device.
The filename entry screen will be shown in the LCD display.
Song name:
MP3 Song 01 ≥REC
USB
RECORDER
ƒ To cancel saving the converted audio file and exit the USB Recorder,
press the PLAY/STOP button.
… Step 8
Press the MENU and VALUE buttons to enter a name for the converted audio file.
Press the VALUE buttons to select the character.
Press the MENU buttons to move the cursor.
Song name:
Soul Peas
≥REC
ƒ New files are limited to a maximum name length of 12 characters.
ƒ ‘MP3 Song 01’ or ‘WAV Song 01’ will be used as the default name for
the converted audio files. The number will increase automatically
with each recording.
… Step 9
Press the REC button again to save the recorded audio file to the USB memory device.
A confirmation message will be shown in the LCD display to
indicate that the converted audio file has been saved.
Saving...
After saving, the audio file will automatically be selected for
playback (page 39).
Complete!
ƒ The saved audio file will be stored in the root folder of the USB
device. It is not possible to store the file in a different folder.
ƒ The audio recorder records sounds produced by the instrument only.
Devices connected to the LINE IN jacks will not be recorded.
ƒ If the specified name already exists, an overwrite confirmation
message will be shown in the LCD screen prompting to confirm or
cancel the save operation.
SoulPeas
Vol.040
00:00
5
Page
48
6. USB OPERATIONS
The USB button can be used as an alternative method to access the USB Recorder functions, and also to perform
a selection of additional USB operations to save, delete, rename, makedir, and format.
Do not attempt to disconnect USB devices while they are being accessed.
Doing so may result in data loss or permanent damage
‘ ACCESSING THE USB RECORDER
… Step 1
Connect a USB device, then press the USB button.
The main USB menu will be shown in the LCD display.
USB Recorder
USB Menu
… Step 2
Press the VALUE c button to select the USB Recorder.
A message will be shown in the LCD display, prompting
to select the REC or PLAY/STOP buttons.
Please press
REC or PLAY/STOP
6
USB
OPERATIONS
Press the REC button to access the USB Recorder’s record
functions, or the PLAY/STOP button to access the USB
Recorder’s play functions.
ƒ For more information about the USB Recorder function, please
refer to page 36.
‘ ACCESSING THE USB MENU FUNCTIONS
… Step 1
Connect a USB device, then press the USB button.
The main USB Menu will be shown in the LCD display.
USB Recorder
USB Menu
… Step 2
Press the VALUE d button to select the USB Menu.
There are five USB operations available: save, rename,
delete, makedir, and format.
Press the MENU buttons to cycle through the different
USB operations, then the VALUE buttons to select the
function.
To return to the previous menu, press the STOP button.
USB Menu
1 Int Song Save
Page
49
1) INTERNAL SONG SAVE
This function can be used to save songs recorded using the CN43 piano’s internal recorder to a USB device.
… Step 1
Press the VALUE buttons to select the song to be saved, then press the REC button.
Int Song Save
≥REC
Song1
… Step 2
Press the MENU buttons to move the cursor, and the VALUE buttons to choose a character to name the
recorded song, then press the REC button.
Int Song Rename
≥REC
_ewSong
N
… Step 3
Press the MENU buttons to scroll through the list of files and directories, then press the VALUE button to
select the destination directory in which to save the internal song.
… Step 4
Press the REC button again to save the recorded song to the USB device.
‘Executing...’ and then ‘Complete!’ will be shown in the LCD screen.
This function can be used to rename songs and directories stored on a USB device.
… Step 1
Press the MENU and VALUE buttons to scroll through the list of files and directories, then press the REC
button to select the song or directory to be renamed.
Rename
Song1
_
≥REC
… Step 2
Press the MENU buttons to move the cursor, and the VALUE buttons to choose a character to rename the
recorded song.
Rename
Song2
_
≥REC
… Step 3
Press the REC button again to rename the recorded song stored on the USB device.
‘Executing...’ and then ‘Complete!’ will be shown in the LCD screen.
USB
OPERATIONS
2) RENAME FILE
6
Page
50
3) DELETE FILE
This function can be used to delete songs and empty directories stored on a USB device.
… Step 1
Press the MENU and VALUE buttons to scroll through the list of files and directories, then press the REC
button to select the song or directory to be deleted.
A delete confirmation request will be shown in the LCD screen.
Sure?
Yes≥REC
No≥STOP
Press the PLAY/STOP button to cancel.
… Step 2
Press the REC button again to delete the recorded song from the USB device.
‘Executing...’ and then ‘Complete!’ will be shown in the LCD screen.
4) MAKEDIR
This function can be used to make new directories on a USB device.
… Step 1
Press the MENU and VALUE buttons to scroll through the list of files and directories, then press the REC
button to select the destination for the directory to be made.
6
USB
OPERATIONS
Dir Name
_serdir
u
… Step 2
Press the MENU buttons to move the cursor, and the VALUE buttons to choose a character to rename the
new directory.
Dir Name
mydir
_
… Step 3
Press the REC button again to make a new directory on the USB device.
‘Executing...’ and then ‘Complete!’ will be shown in the LCD screen.
Page
51
5) FORMAT USB
This function can be used to format a USB device for use in the CN43 piano.
… Step 1
Press the REC button.
A format confirmation request will be shown in the LCD screen.
Press the PLAY/STOP button to cancel.
Format
Yes≥REC
No≥STOP
… Step 2
Press the REC button again to format the selected USB device.
USB
OPERATIONS
‘Executing...’ and then ‘Complete!’ will be shown in the LCD screen.
6
Page
52
6. RHYTHM SECTION
‘ RHYTHM SECTION OVERVIEW
The CN43 digital piano’s Rhythm Section function provides automatic backing tracks that are suitable for
accompanying various musical styles. There are 100 different types of backing available, consisting of drums, bass,
guitar, organ, etc., allowing musicians to enliven their performances with multi-instrumental accompaniments.
„ Rhythm Section chord progression methods
There are three different methods to control the Rhythm Section chord progression:
Method
Chord Progression
Lower Section
Upper Section
Method 1
Manual
Chord control
Melody play
Method 2
Preset (automatic)
Melody play
Method 3
Custom (automatic)
Melody play
„ Rhythm Section patterns
Each Rhythm Section style consists of four pattern types: Count-in, Basic/Variation, Fill-in and Ending.
Pattern type
Explanation
Count-in (drums only)
A short pattern used to count-in the Basic/Variation pattern.
No. of bars
1/2
Basic/Variation
The Basic pattern provides a simple, unobtrusive backing accompaniment, while
the Variation pattern builds on the Basic pattern, often adding more complicated,
musically expressive phrases.
4/8
Fill-in
A short pattern that can be used when repeating phrases or as a bridge between
Basic and Variation patterns.
1
Ending
A short pattern used to end all parts of the Rhythm Section appropriately.
1
„ One Finger Ad-lib™
The One Finger Ad-lib™ feature of the Rhythm Section provides an enjoyable way of creating music by simply
pressing one key at a time.
When enabled in the Function menu, One Finger Ad-lib™ allows various musical phrases to be performed at any
time, by pressing one of the topmost 17 keys on the keyboard. Each phrase will play for one bar, and will match
the key/chord currently used by the Rhythm Section.
7
RHYTHM
SECTION
„ Please refer to page 79 for more information.
Page
53
1) ACTIVATING THE RHYTHM SECTION
… Step 1
Press the RHYTHM SECTION button.
The LED indicator for the RHYTHM SECTION button will turn on, indicating that the Rhythm
Section function has been activated.
FnkShuffle1 All
œ=108
C
The currently selected Rhythm Section style will be shown in the LCD
screen.
The LED indicator for the SPLIT button will also turn on, indicating that the Lower section of the keyboard (from F#2
and below) will be used to control the Rhythm Section chord progression, and the Upper section of the keyboard
will be used to play the melody.
The Rhythm Section Split Point can be freely adjusted, please refer to the instructions on page 60 for more
information.
Split Point (G2)
Lower section: used to control the Rhythm Section
chord progression
Upper section: used to play the melody
Used by One Finger Ad-lib™ mode, if enabled
When playing a chord in the Lower section, the name of the chord will be shown in the LCD
screen. Please refer to page 105 for a complete listing of recognised chord types.
„ Any changes made to the Rhythm Section Split Point will remain until the power is turned off.
„ When the power is turned off, the Rhythm Section Split Point will return to the default setting of ‘G2’, however it is possible
to use the USER MEMORY function to store the preferred Rhythm Section Split Point. Please refer to the instructions
on page 87 for more information.
RHYTHM
SECTION
C7
7
Page
54
2) PLAYING WITH THE RHYTHM SECTION
… Step 1
Press the PLAY/STOP button.
The LED indicator for the PLAY/STOP button will turn on, the Countin drum pattern will start, and a countdown will be shown in the LCD
screen.
After the Count-in, the Rhythm Section will change to the Basic pattern. During this time, the Lower section of
the keyboard (from F#2 and below) will be used to control the Rhythm Section chord progression, and the Upper
section of the keyboard will be used to play the melody.
After 8 bars of the Basic pattern have been played, the Rhythm Section will automatically play the Fill-in pattern.
To turn off the Auto Fill-in function, or to adjust the number of bars between each Auto Fill-in, please refer to the
instructions on page 78.
… Step 2
Play chords in the Lower section of the keyboard.
The name of the chord will be shown in the LCD screen.
The Rhythm Section accompaniment will change, matching the chord that is played.
… Step 3
Press the PLAY/STOP button again.
7
RHYTHM
SECTION
The Rhythm Section will automatically play the Ending pattern, the
accompaniment will stop, and the LED indicator for the PLAY/STOP
button will turn off.
„ When Manual Chord Progression is selected, only the Upper section of the keyboard can be used to play the melody.
When Preset Chord Progression is selected however, all 88 keys of the keyboard can be played freely. Please refer to
page 61 for more information.
„ The Split mode function cannot be used while the Rhythm Section function is activated. The Dual mode function, however,
can still be used.
Page
55
3) RHYTHM SECTION STYLES
The CN43 digital piano Rhythm Section function features a wide selection of accompaniment styles, ranging
from Pop, Rock, Ballads, and Jazz, to Funk, Dance, Latin, and World Music styles. Please refer to page 104 for a
complete listing of available Rhythm Section styles.
‘ SELECTING THE RHYTHM SECTION STYLE
… Step 1
Press the T or S MENU buttons to select the desired Rhythm Section style.
FnkShuffle1
ÇÈ
FnkShuffle1.
ÇÈ
FnkShuffle2
ÇÈ
FnkShuffle2.
The currently selected style NAME will be shown in the LCD screen.
Indicates that the Variation pattern is selected.
… Step 2
Press the PLAY/STOP button to start the Rhythm Section accompaniment.
The LED indicator for the PLAY/STOP button will turn on, and the Rhythm Section accompaniment
will start to play.
… Step 3
Press the T or S MENU buttons to select a different Rhythm Section style or variation.
… Step 4
Press the PLAY/STOP button again to stop the Rhythm Section accompaniment.
The Rhythm Section will automatically play the Ending pattern, the accompaniment will stop, and the LED indicator
for the PLAY/STOP button will turn off.
„ The Rhythm Section style can be changed either before the accompaniment starts, or while the accompaniment is
playing.
RHYTHM
SECTION
The Fill-in pattern will be played, and the Rhythm Section style will change.
7
Page
56
‘ SELECTING THE RHYTHM SECTION GENRE
Selecting a specific accompaniment genre allows Rhythm Section styles to be selected more efficiently.
… Step 1
Press and hold the RHYTHM SECTION button, then press the T or S MENU buttons to select the desired
Rhythm Section genre.
FnkShuffle1
ÇÈ
2
FunkyBeat1
1
Press and hold the button
ÇÈ
JazzFunk
ÇÈ
SurdoSamba
The currently selected style NAME will be shown in the LCD screen.
… Step 2
Press the PLAY/STOP button to start the Rhythm Section accompaniment.
The LED indicator for the PLAY/STOP button will turn on, and the Rhythm Section accompaniment
will start to play.
… Step 3
Press and hold the RHYTHM SECTION button, then press the T or S VALUE buttons to select a different
Rhythm Section genre.
The Fill-in pattern will be played, and the Rhythm Section genre will
change.
2
1
7
RHYTHM
SECTION
Press and hold the button
… Step 4
Press the PLAY/STOP button again to stop the Rhythm Section accompaniment.
The Rhythm Section will automatically play the Ending pattern, the accompaniment will stop, and the LED indicator
for the PLAY/STOP button will turn off.
„ The Rhythm Section genre can be changed either before the accompaniment starts, or while the accompaniment is
playing.
„ Please refer to page 104 for a complete listing of available Rhythm Section genres and styles.
Page
57
4) RHYTHM SECTION PARTS
Each Rhythm Section style consists of 4 parts:
1. Drums
2. Bass
3. Guitar
4. Others (Strings, Organ, Electric Piano, etc.)
By default, all four parts of a Rhythm Section style will be turned on, however, the Part function allows different
parts to be turned on or off, tailoring the accompaniment for specific needs.
LCD screen
Enabled Rhythm Section part(s)
B+Dr
Drums, Bass
Drum
Drums
All
All parts
… Step 1
Press the VALUE button.
The LED indicator for the PART button will turn on, indicating that only the Drums and Bass parts
of the Rhythm Section will be played.
RHYTHM
SECTION
„ The Rhythm Section Part setting can be changed either before the accompaniment starts, or while the accompaniment
is playing.
„ Any changes made to the Rhythm Section Part setting will remain until the power is turned off.
„ When the power is turned off, the Rhythm Section Part setting will return to the default setting, however it is possible to
use the USER MEMORY function to store the preferred Rhythm Section Part setting. Please refer to the instructions on
page 87 for more information.
7
Page
58
5) ADJUSTING THE RHYTHM SECTION TEMPO
… Step 1
Press and hold the TEMPO button.
… Step 2
Press the T or S VALUE buttons to adjust the Rhythm Section tempo to the desired
value.
The Rhythm Section tempo can be adjusted within the range of 10-400 beats per minute.
… Step 3
Release the TEMPO button.
7
RHYTHM
SECTION
„ The Rhythm Section tempo can be adjusted either before the accompaniment starts, or while the accompaniment is
playing.
„ Any changes made to the Rhythm Section tempo will remain until the power is turned off.
Page
59
6) ADJUSTING THE RHYTHM SECTION VOLUME
… Step 1
Press and hold the TEMPO and BEAT buttons simultaneously.
… Step 2
Press the T or S VALUE buttons to adjust the Rhythm
Section volume to the desired level.
The Rhythm Section volume can be adjusted within the
range of 1 (soft) to 10 (loud).
VOLUME =
1
VOLUME = 10
… Step 3
Release the TEMPO and BEAT buttons simultaneously.
RHYTHM
SECTION
„ The Rhythm Section volume can be adjusted either before the accompaniment starts, or while the accompaniment is
playing.
„ Any changes made to the Rhythm Section volume will remain until the power is turned off.
„ When the power is turned off, the Rhythm Section volume will return to the default setting of ‘5’, however it is possible
to use the Memory Backup function to store the preferred Rhythm Section volume. Please refer to the instructions on
page 70 for more information.
7
Page
60
7) ADJUSTING THE RHYTHM SECTION SPLIT POINT
The Split Point specifies the Lower section of the keyboard used to control the Rhythm Section chord progression,
and the Upper section of the keyboard used to play the melody. This point can be adjusted, allowing the Lower
and Upper sections to be increased or decreased.
… Step 1
Press and hold the SPLIT button, then press a key on the keyboard.
new Split Point
Press and hold the button
1
Lower section: used to control the Rhythm Section chord progression
Upper section: used to play the melody
Used by One Finger Ad-lib™ mode, if enabled
2
Press a key
The pressed key will become the lowermost note for the Upper section of the keyboard, used to control the Rhythm
Section chord progression.
7
RHYTHM
SECTION
„ The specified Rhythm Section Split Point will also be used for the Split mode function.
„ Any changes made to the Rhythm Section Split Point will remain until the power is turned off.
„ When the power is turned off, the Rhythm Section Split Point will return to the default setting of ‘G2’, however it is possible
to use the USER MEMORY function to store the preferred Split point. Please refer to the instructions on page 87 for
more information.
Page
61
8) PRESET CHORD PROGRESSION
Preset Chord Progression mode allows all 88 keys of the keyboard to be played freely, while the Rhythm Section
plays an automatic accompaniment.
‘ ACTIVATING PRESET CHORD PROGRESSION MODE
Press and hold the RHYTHM SECTION button to activate Preset Chord Progression mode.
‘CHORD PATTERN On’ will be shown in the LCD screen, indicating that Preset Chord Progression
mode has been activated.
CHORD PATTERN
On
The LED indicator for the SPLIT button will turn off, indicating that all 88 keys of the keyboard can be played
freely.
‘ SELECTING THE PRESET CHORD PROGRESSION STYLE
The CN43 digital piano features 100 different Preset Chord Progression styles, suitable for accompanying various
types of music.
Press and hold the RHYTHM SECTION button, then press the T or S VALUE buttons to select the desired
Preset Chord Progression style.
The Preset Chord Progression style number will be shown in the
LCD screen.
2
FnkShuffle1 All
œ=108
Chord1
1
Press and hold the button
‘ DEACTIVATING PRESET CHORD PROGRESSION MODE
Press the RHYTHM SECTION button to deactivate Preset Chord Progression mode.
‘CHORD PATTERN Off’ will be shown in the LCD screen, indicating that Preset Chord Progression
mode has been deactivated.
CHORD PATTERN
Off
The LED indicator for the SPLIT button will turn on, indicating that the Lower section of the keyboard (from F#2
and below) will be used to control the Rhythm Section chord progression, and the Upper section of the keyboard
will be used to play the melody.
RHYTHM
SECTION
„ Each Rhythm Section style utilises its own Preset Chord Progression. Please refer to page 109 for a complete listing of
available Preset Chord Progression styles.
„ When the Preset Chord Progression mode has been activated, the Auto Fill-in function will be disabled. However, the
Rhythm Section will automatically play the fill-in pattern at the end of the final bar of the Preset Chord Progression style
phrase.
7
Page
62
9) RECORDING THE RHYTHM SECTION
It is also possible to record a Custom Chord Progression to PART1 of a song memory using the Recorder
function. This allows all 88 keys of the keyboard to be played freely, while the Rhythm Section plays an automatic
accompaniment.
The following Rhythm Section settings will also be captured prior to recording:
• Rhythm Section style *
• Rhythm Section part settings
• Rhythm Section tempo
• Rhythm Section volume
• Lower section chord progression *
• Preset Chord Progression On/Off
• Preset Chord Progression style
* Changes made during recording will also be captured.
In the following example, the Recorder function will be used to capture a Custom Chord Progression to the SONG2
memory, and then played back.
… Step 1
Press the RHYTHM SECTION button.
The LED indicator for the RHYTHM SECTION button will turn on, indicating that the Rhythm
Section function has been activated.
The currently selected Rhythm Section style will be shown in the LCD screen.
… Step 2
Press the T or S MENU buttons to select the ‘Funky Beat 1’ style.
‘
FunkyBeat1
All
œ=108
C
‘FunkyBeat1’ will be shown in the LCD screen.
… Step 3
7
RHYTHM
SECTION
Press the REC button, then press the MENU button to select SONG2, and the VALUE button to select
PART1.
2
3
1
Press and hold the button
Song2
Part=1
Bar = 1- 1 œ=108
… Step 4
Press the PLAY/STOP button to start recording.
The LED indicators for the PLAY/STOP and REC buttons will turn on, the Count-in drum pattern
will start, and a countdown will be shown in the LCD screen.
Page
63
… Step 5
Play chords in the Lower section of the keyboard.
The name of the chord will be shown in the LCD screen.
… Step 6
Press the PLAY/STOP button again to stop recording.
The Rhythm Section will automatically play the Ending pattern, the accompaniment will stop,
and the LED indicators for the PLAY/STOP button and the REC button will turn off and the newly
recorded part will be saved to memory automatically.
Saving may take a few moments and during this time the piano will not perform any other
operations.
The RHYTHM SECTION button will automatically be turned off.
… Step 7
Press the PLAY/STOP button.
The Rhythm Section will start to play, following the recorded Custom Chord Progression.
RHYTHM
SECTION
„ The Rhythm Section / Custom Chord Progression can only be recorded to PART1 of a recorder song.
„ Keys played in the Upper section will also be captured while the Rhythm Section is recording, allowing both a Custom
Chord Progression and melody to be recorded to PART1.
7
Page
64
10) RECORDING THE RHYTHM SECTION
TO AN AUDIO FILE
It is also possible to record the Rhythm Section using the USB Recorder. This function allows high quality MP3/
WAV audio recordings to be made of an entire performance, directly on the instrument.
… Step 1
Connect a USB memory device, then press the REC button.
The Internal Recorder / USB Recorder selection screen
will be shown in the LCD display.
Int.Recorder
USB Recorder
ƒ The USB Recorder can also be accessed via the USB Menu (page 48).
… Step 2
Press the VALUE d button to select the USB Recorder function.
The LED indicator for the USB button will turn on, and the
USB Recorder format selection screen will be shown in
the LCD display.
USB Record
Format = MP3
Press the VALUE buttons to select either WAV or MP3
audio file formats.
… Step 3
Press the REC button.
The LED indicator for the REC button will start to flash to
indicate that the recorder is in standby mode.
USB Record
MP3
-Standby- 00:00
A recording timer will be shown in the LCD display.
… Step 4
Press the RHYTHM SECTION button.
RHYTHM
SECTION
7
The LED indicator for the RHYTHM SECTION button will turn
on to indicate that the Rhythm Section has been enabled.
FnkShuffle1 All
œ=108
C
Follow the instructions on pages pp.55-58 to set the Rhythm
Section style, parts, tempo, etc.
… Step 5
Press the PLAY/STOP button.
The LED indicator for the REC and PLAY/STOP buttons will
turn on, the Rhythm Section accompaniment will play, and
recording will start.
… Step 6
Following the instructions from Step 5 on page 37 to save the recorded audio file.
USB Record
MP3
Recording 00:24
Page
65
7. MENU FUNCTIONS
The Menu Functions allow various parameters for controlling the CN43 piano’s tuning, system and MIDI functions
to be adjusted.
1)
2)
3)
4)
5)
6)
7)
8)
9)
10)
11)
12)
Brilliance
Lower Octave Shift
Lower Pedal On/Off
Layer Octave Shift
Layer Dynamics
Damper Hold
Damper Effect
String Resonance
Four Hands On/Off
Tuning
Temperament
Key of Temperament
13)
14)
15)
16)
17)
18)
19)
20)
21)
22)
23)
24)
Touch
Auto Fill-In
O.F.A.
MIDI Channel
Transmit Program Change On/Off
Local Control On/Off
Multi-Timbral Mode On/Off
Channel Mute (MIDI Ch. On/Off)
Sending Program Change Numbers
MIDI Clock
User Memory
Factory Reset
When the MENU S button is pressed, the first menu item is displayed. When the MENU T is pressed, the
last menu item is displayed. Press the MENU buttons to scroll through the various menu items in ascending /
descending order.
1) BRILLIANCE
This function allows the brightness of the sound to be adjusted.
1
2
… Step 1
Press the MENU buttons to select the Brilliance function.
1 Brilliance
=
0
The value will be shown on the second line of the LCD screen.
… Step 2
The Brilliance value can be set within the range of -10 to +10.
Plus settings produce a brighter tone, minus settings produce a mellower tone.
… Step 3
Press any one of the SOUND SELECT buttons to exit the menu.
„ The Brilliance function will return to the default setting of ‘0’ each time the power is turned off.
„ Use the USER MEMORY function (page 87), to save the desired brilliance setting, allowing the current brilliance setting
to remain even after the power is turned off.
MENU
FUNCTIONS
Press the VALUE buttons to select the desired Brilliance value.
8
Page
66
2) LOWER OCTAVE SHIFT
This function allows the lower part to be raised by one, two, or three octaves when using SPLIT mode.
1
2
… Step 1
Press the MENU buttons to select the Lower Octave Shift function.
2 LowerOctShift
=
0
The Lower Octave Shift value will be shown on the second line of the LCD screen.
… Step 2
Press the VALUE buttons to set the desired Lower Octave Shift value.
The value can be set within the range of 0 to +3.
… Step 3
Press any one of the SOUND SELECT buttons to exit the menu.
„ The Lower Octave Shift function will return to the default setting of ‘0’ each time the power is turned off.
„ Use the USER MEMORY function (page 87), to save the desired Lower Octave Shift setting, allowing the current Lower
Octave Shift setting to remain even after the power is turned off.
3) LOWER PEDAL ON / OFF
This function determines whether the sustain pedal will be active for lower part sound when in SPLIT mode. The
default setting is OFF, which means the sustain pedal is not active for lower part sound.
8
MENU
FUNCTIONS
1
2
… Step 1
Press the MENU buttons to select the Lower Pedal ON/OFF function.
ON or OFF will be shown on the second line of the LCD screen.
3 Lower Pedal
= Off
… Step 2
Press the VALUE buttons to turn the Lower Pedal Function ON or OFF.
When set to ON, the sustain pedal is active for the lower sound when the pedal is depressed.
When set to OFF, the sustain pedal will not be active for the lower sound when the pedal is depressed, however
the sustain pedal will still be active for the upper sound.
Page
67
… Step 3
Press any one of the SOUND SELECT buttons to exit the menu.
„ The Lower Pedal ON/OFF function will return to the default setting of ‘OFF’ each time the power is turned off.
„ Use the USER MEMORY function (page 87), to save the desired Lower Pedal ON/OFF setting, allowing the current
Lower Pedal ON/OFF setting to remain even after the power is turned off.
4) LAYER OCTAVE SHIFT
This function allows the octave of a layered sound (the sound displayed in the second line of the LCD screen) to
be raised or lowered by one octave when using DUAL mode.
For example, when playing in dual mode using Concert Grand Piano and String Ensemble sounds, the octave
range for the String Ensemble sound can be raised or lowered.
1
2
… Step 1
Press the MENU buttons to select the Layer Octave Shift function.
4 LayerOctShift
=
0
The Layer Octave Shift value will be shown on the second line of the LCD screen.
… Step 2
Press the VALUE buttons to set the desired Layer Octave Shift value.
The value can be set within the range of -2 to +2.
Minus values select an octave range one or two octaves lower. Positive values select an octave range one or two
octaves higher.
The octave for the sound displayed in the second line of the LCD screen when using DUAL mode will be
changed.
„ For some sounds it may not be possible to select a higher octave range.
… Step 3
„ The Layer Octave Shift function will return to the default setting of ‘OFF’ each time the power is turned off.
„ Use the USER MEMORY function (page 87), to save the desired Layer Octave Shift setting, allowing the current Layer
Octave Shfit setting to remain even after the power is turned off.
MENU
FUNCTIONS
Press any one of the SOUND SELECT buttons to exit the menu.
8
Page
68
5) LAYER DYNAMICS
When using DUAL mode, sometimes simply adjusting the volume balance between the two layered sounds is not
enough to create the desired sound character, especially if both sounds are very dynamic. Two equally dynamic
sounds can be difficult to control and play comfortably.
The Layer Dynamics Function allows the overall dynamic sensitivity of the layered sound to be limited, in order to
create a perfect blend between both sounds in the layer. In addition to reducing the volume of the layered sound,
limiting the dynamic sensitivity of the layered sound also allows the layered sound to be controlled more easily in
relation to the main sound.
For example, when playing Concert Grand Piano and String Ensemble sounds simultaneously using DUAL mode,
the Layer Dynamics function can be used to adjust the String Ensemble dynamics.
1
2
… Step 1
Press the MENU buttons to select the Layer Dynamics function.
5 LayerDynamics
= 10
The Layer Dynamics value will be shown on the second line of the LCD screen.
… Step 2
Press the VALUE buttons to set the desired Layer Dynamics value.
The value can be set within the range of 1 to 10.
A value of 1 produces the greatest reduction in dynamics and a value of 10 produces no change in the dynamics.
The default value is 10.
… Step 3
Press any one of the SOUND SELECT buttons to exit the menu.
8
MENU
FUNCTIONS
„ The Layer Dynamics function will return to the default setting of ‘10’ each time the power is turned off.
„ Use the USER MEMORY function (page 87), to save the desired Layer Dynamics setting, allowing the current Layer
Dynamics setting to remain even after the power is turned off.
Page
69
6) DAMPER HOLD ON / OFF
This function determines whether sounds such as organ or strings should be held (ON) or gradually decay (OFF)
when the damper pedal is depressed.
1
2
… Step 1
Press the MENU buttons to select the Damper Hold ON/OFF function.
6 Damper Hold
= Off
ON or OFF will be shown on the second line of the LCD screen.
… Step 2
Press the VALUE buttons to turn the Damper Hold function ON or OFF.
When set to ON and the sustain pedal is depressed, sustained sounds will be sustained even after the keys are
released.
When set to OFF and the sustain pedal is depressed, sustained sounds will begin to decay (fade out) after the
keys are released.
… Step 3
Press any one of the SOUND SELECT buttons to exit the menu.
MENU
FUNCTIONS
„ The Damper Hold ON/OFF function will return to the default setting of ‘OFF’ each time the power is turned off.
„ Use the USER MEMORY function (page 87), to save the desired Damper Hold ON/OFF setting, allowing the current
Damper Hold ON/OFF setting to remain even after the power is turned off.
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Page
70
7) DAMPER EFFECT
When the sustain pedal is depressed on an acoustic piano, all the dampers are lifted up allowing the strings to
vibrate freely. When you play note or chord on the piano with the sustain pedal depressed not only will the strings
for the notes you played vibrate but other strings will vibrate in sympathetic resonance. The Damper Effect function
simulates the phenomenon.
1
2
… Step 1
Press the MENU buttons to select the Damper Effect function.
7 Damper Effect
= 5
The Damper Effect value will be shown on the second line of the LCD screen
… Step 2
Press the VALUE buttons to set the desived Damper Effect value.
You can select the level of effect from off, 1 to 10. The default setting is 5.
… Step 3
Press any one of the SOUND SELECT buttons to exit the menu.
8
MENU
FUNCTIONS
„ The Damper Effect function will return to the default setting of ‘5’ each time the power is turned off.
„ Use the USER MEMORY function (page 87), to save the desired Damper Effect setting, allowing the current Damper
Effect setting to remain even after the power is turned off.
Page
71
8) STRING RESONANCE
The string resonance function simulates the phenomenon of string resonance on an acoustic piano.
You can adjust the volume of the string resonance.
2
1
… Step 1
Press the MENU buttons to select the String Resonance function.
8 String Reso.
= 5
The String Resonance value will be shown on the second line of the LCD screen.
… Step 2
Press the VALUE buttons to set the desired String Resonance value.
5 is the default setting.
String resonance will not be active when ‘Off’ is selected.
… Step 3
Press any one of the SOUND SELECT buttons to exit the menu.
„ About string resonance
Even when the sustain pedal is not depressed on an acoustic piano, the strings for any notes you are holding will be
un-damped and will resonate freely in sympathy with the strings of other notes that you play if they are part of the
same harmonic series. In addition, adjacent notes will also be resonated. The string resonance function simulates this
phenomenon. This is called “string resonance.”
For example, when you play the keys shown below while holding down the C key, the string of the C key resonates and
produces a sound.
(Quietly press and hold down the C key, and then quickly tap each of the keys shown below. You can hear the string
resonate.)
D
B
B
C
FG
B
FG
C
G
C
E
G
CDE
G
C
„ When you play a key while holding down an adjacent key, an acoustic piano produces a sound as a result of string
resonance. The CN43 simulates this phenomenon.
„ The String Resonance function will return to the default setting of ‘5’ each time the power is turned off.
„ Use the USER MEMORY function (page 87), to save the desired String Resonance setting, allowing the current String
Resonance setting to remain even after the power is turned off.
„ String resonance is not active when the sustain pedal is depressed.
„ The string resonance function is effective only for the acoustic piano sounds.
MENU
FUNCTIONS
Play and hold a ‘C’ note.
8
Page
72
9) FOUR HANDS ON/OFF
This function allows FOUR HANDS mode to be activated or deactivated using an alternative method to that
described on page 16.
1
2
… Step 1
Press the MENU buttons to select the FOUR HANDS ON/OFF function.
9 FOUR Hands
= Off
ON or OFF will be shown on the second line of the LCD screen.
… Step 2
Press the VALUE buttons to turn the FOUR HANDS function ON or OFF.
… Step 3
Press any one of the SOUND SELECT buttons to exit the menu.
8
MENU
FUNCTIONS
„ The FOUR HANDS ON/OFF function will return to the default setting of ‘OFF’ each time the power is turned off.
„ Use the USER MEMORY function (page 87), to save the desired FOUR HANDS ON/OFF setting, allowing the current
FOUR HANDS ON/OFF setting to remain even after the power is turned off.
Page
73
10) TUNING
This function allows the piano’s pitch to be finely adjusted, and may prove useful when playing with other
instruments.
1
2
… Step 1
Press the MENU buttons to select the Tuning function.
10 Tuning
= 440.0
The Tuning value will be shown on the second line of the LCD screen
… Step 2
Press the VALUE buttons to set the desired Tuning value.
The value can be set within the range of 427.0 to 453.0 (Hz).
The pitch will be changed by 0.5 Hz each time one of the VALUE buttons is pressed.
… Step 3
Press any one of the SOUND SELECT buttons to exit the menu.
MENU
FUNCTIONS
„ The Tuning function will return to the default setting of ‘440.0 Hz’ each time the power is turned off.
„ Use the USER MEMORY function (page 87), to save the desired Tuning setting, allowing the current Tuning setting to
remain even after the power is turned off.
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Page
74
11) TEMPERAMENT
The CN43 piano offers immediate access to a variety of musical temperaments popular during the Renaissance
and Baroque periods. It may prove interesting and educational to experiment with different temperaments, other
than the modern ‘equal temperament’ standard this is dominant in music today.
8
MENU
FUNCTIONS
The following temperaments are available:
¡Equal temperament (piano)
(Equal P. only)
This is the default temperament. If a piano sound is selected the tuning is stretched like
an acoustic piano (EQUAL TEMPERAMENT). If any other type of sound is selected
the tuning will be EQUAL (FLAT). An explanation of EQUAL TEMPERAMENT and
EQUAL TEMPERAMENT (FLAT) is provided later in this section.
If a piano sound is used in a layer with any other sound, then both sounds will use
the EQUAL TEMPERAMENT (stretched) tuning.
¡Pure temperament <major>
(Pure major)
¡Pure temperament <minor>
(Pure minor)
This temperament, which eliminates dissonances for thirds and fifths, is still popular
for choral music because of its perfect harmony.
Performers must be aware which key they are playing in when using this
temperament.
Any key modulation will result in dissonances. When playing music in a particular key,
the key of the temperament must also be correctly matched.
When playing in a major key select Pure (Major) and when playing in a minor key
select Pure (minor).
¡Pythagorean temperament
(Pythagorean)
This temperament, which uses mathematical ratios to eliminate dissonance for fifths,
is very limited for use with chords, but it produces very characteristic melodic lines.
¡Meantone temperament
(Meantone)
This temperament, which uses a mean between a major and minor whole tone to
eliminate dissonance for thirds, was devised to eliminate the lack of consonances
experienced with certain fifths for the Mersenne pure temperament. It produces
chords that are more beautiful than those with the equal temperament.
¡Werckmeister III temperament
(Werckmeister)
¡Kirnberger III temperament
(Kirnberger)
These two temperaments are placed in between Meantone and Pythagorean.
For music with few accidentals, this temperament produces the beautiful chords
of the mean tone, but as accidentals increase, the temperament produces the
characteristic melodies of the Pythagorean temperament. It is used primarily for
classical music written in the Baroque era to revive the original characteristics.
¡Equal temperament (flat)
(Equal Flat)
This is an ‘unstretched’ equal temperament that divides the scale into twelve equal
semitones. This produces the same chordal intervals in all twelve keys, and has
the advantage of limitless modulation of the key. However the tonality of each key
becomes less characteristic and no chord is in pure consonance.
¡Equal temperament
This is the most popular piano temperament. The hearing ability of a human is
uneven and is not as accurate with high frequency and low frequency as it is with
the middle range. This temperament’s tuning is stretched to compensate for this so
the sound will be heard naturally to the ears. This ‘stretched’ equal temperament is
a practical variation of the ‘unstretched’ equal temperament which was invented on
a mathematical basis.
Page
75
2
1
… Step 1
Press the MENU buttons to select the Temperament function.
11 Temperament
= Equal(P.only)
The Temperament type will be shown on the second line of the LCD screen.
… Step 2
Press the VALUE buttons to set the desired Temperament type.
„Equal temperament
11 Temperament
= Equal(P.only)
ÇÈ VALUE buttons
„Pure temperament <major>
„Pure temperament <minor>
11 Temperament
= Pure(Major)
Æ
Å
„Equal temperament
11 Temperament
= Equal
11 Temperament
= Pure(minor)
„Pythagorean temperament
Æ
Å
„Equal temperament (flat)
Æ
Å
11 Temperament
= Equal(Flat)
11 Temperament
= Pythagorean
„Meantone temperament
Æ
Å
ÇÈ
„Werckmeister III temperament
„Kirnberger III temperament
Æ
Å
11 Temperament
= Kirnberger
11 Temperament
= Meantone
Æ
Å
11 Temperament
= Werckmeister
„
After selecting the desired temperament type, please read ‘12) KEY OF TEMPERAMENT’ (page 76) for information
regarding the key signature for the temperament, before continuing.
… Step 3
Press any one of the SOUND SELECT buttons to exit the menu.
MENU
FUNCTIONS
„ The Temperament type will return to the default setting of ‘Equal Temperament (Piano)’ each time the power is turned
off.
„ Use the USER MEMORY function (page 87), to save the desired Temperament setting, allowing the current Temperament
setting to remain even after the power is turned off.
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Page
76
12) KEY OF TEMPERAMENT
Limitless modulation of the key became available only after the invention of equal temperament. When using a
temperament other than equal temperament, care must be taken to choose the key signature to play in. For example,
if the song to be played is written in D major, ‘D’ would be chosen as the temperament key.
1
2
… Step 1
Press the MENU buttons to select the Key of Temperament function.
12 Key of Temper
= C
The Temperament Key will be shown on the second line of the LCD screen.
… Step 2
Press the VALUE buttons to set the desired Key of Temperament.
The key can be set within the range of C to B.
Please note that changing the key of the temperament will only change the ‘balance’ of the tuning, the pitch of the
keyboard will remain unchanged.
The key of temperament function will have no effect when equal temperament is selected.
… Step 3
Press any one of the SOUND SELECT buttons to exit the menu.
8
MENU
FUNCTIONS
„ The Key of Temperament will return to the default setting of ‘C’ each time the power is turned off.
„ Use the USER MEMORY function (page 87), to save the desired Key of Temperament setting, allowing the current Key
of Temperament setting to remain even after the power is turned off.
Page
77
13) TOUCH
The TOUCH function allows different touch sensitivities for the keyboard to be selected, other than the standard
touch of an acoustic piano. The sensitivity can be changed to one of five different settings: Light, Light +, Heavy,
Heavy + or Off.
cLight +
dLight
eNormal
fHeavy
gHeavy +
hOff
: For players with a delicate touch. Requires less striking
force to achieve a forte note.
: For those still developing finger strength. A louder
volume is produced even when playing with a soft
touch.
: Reproduces the standard touch sensitivity of an acoustic
piano.
: Perfect for those with strong fingers. Requires a heavier
touch to produce a loud volume.
: Requires more striking force to achieve a loud volume.
: A constant volume is produced regardless of how hard
the keys are struck. This setting is suitable for sounds
that have a fixed dynamic range such as Organ and
Harpsichord.
1
Loud
Sound
volume
Soft
Gentle
Force
applied to
the keys
Strong
2
… Step 1
Press the MENU buttons to select the Touch function.
13 Touch
= Normal
The Touch value will be shown on the second line of the LCD screen.
… Step 2
To change the touch type, press the VALUE buttons.
13 Touch
= Light
The touch setting is global for all of the preset sounds. It is not possible to have individual touch settings for each
preset sound.
When the power is turned off the touch settings will return to the default settings.
… Step 3
Press any one of the SOUND SELECT buttons to exit the menu.
„ The Touch function will return to the default setting of ‘Normal’ each time the power is turned off.
„ Use the USER MEMORY function (page 87), to save the desired Touch setting, allowing the current Touch setting to
remain even after the power is turned off.
MENU
FUNCTIONS
„ LIGHT and HEAVY do not represent the physical weight of the keys. These are settings that affect the sensitivity of the
keys, which determines the volume level in response to the key movement.
8
Page
78
14) AUTO FILL-IN
When using the Rhythm Section, this function controls how frequently the Auto Fill-in will be played.
2
1
… Step 1
Press the MENU buttons to select the Auto Fill-In function.
14 Auto Fill-In
= 8
The Auto Fill-In value will be shown on the second line of the LCD screen.
… Step 2
Press the T or S VALUE buttons to select the desired Auto Fill-in setting.
The Auto Fill-in setting can be set to play every 4, 8, 12, or 16 bars.
Setting the Auto Fill-in to ‘Off’ will disable the Auto Fill-in.
… Step 3
Press any one of the SOUND SELECT buttons to exit the menu.
„ The Auto Fill-in function will return to the default setting of ‘8’ each time the power is turned off.
8
MENU
FUNCTIONS
„ Use the USER MEMORY function (page 87), to save the desired Auto Fill-in setting, allowing the current Auto Fill-in
setting to remain even after the power is turned off.
Page
79
15) ONE FINGER AD-LIB™ ON/OFF
The One Finger Ad-lib™ feature provides an enjoyable way of creating music by simply pressing one key at a time.
When enabled, One Finger Ad-lib™ allows various musical phrases to be performed at any time, by pressing one
of the topmost 17 keys on the keyboard. Each phrase will play for one bar, and will match the key/chord currently
used by the Rhythm Section.
1
2
… Step 1
Press the MENU buttons to select the One Finger Ad-Lib function.
15 O.F.A.
= Off
ON or OFF will be shown on the second line of the LCD display.
… Step 2
Press the T or S VALUE buttons to select the desired One Finger Ad-Lib™ setting.
15 O.F.A.
= On
When set to ‘On’, pressing one of the topmost 17 keys on the keyboard while using the Rhythm Section, will play
a musical phrase.
When set to ‘Off’, pressing one of the topmost 17 keys on the keyboard while using the Rhythm Section, will not
play a musical phrase.
… Step 3
Press any one of the SOUND SELECT buttons to exit the menu.
MENU
FUNCTIONS
„ The One Finger Ad-Lib ON/OFF function will return to the default setting of ‘OFF’ each time the power is turned off.
„ Use the USER MEMORY function (page 87), to save the desired One Finger Ad-Lib™ setting, allowing the current One
Finger Ad-Lib™ setting to remain even after the power is turned off.
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Page
80
‘ MIDI OVERVIEW
The term MIDI is an acronym for Musical Instrument Digital Interface, an international standard for connecting
synthesizers, sequencers (MIDI recorders) and other electronic instruments so that they can exchange
performance data.
The CN43 is equipped with two MIDI jacks for exchanging data: MIDI IN and MIDI OUT. Each uses a special
cable with a DIN connector.
„ MIDI IN
: For receiving note, program change and other data.
„ MIDI OUT : For sending note, program change and other data.
„ MIDI THRU : For passing along MIDI data received to another MIDI instrument without processing.
MIDI uses channels to exchange data back and forth between MIDI devices. There are receive (MIDI IN) and
transmit (MIDI OUT) channels. Most musical instruments or devices with MIDI functions are equipped with
both MIDI IN and OUT jacks and are capable of transmitting and receiving data via MIDI.
The receive channels are used to receive data from another MIDI device and the transmit channels are used
to transmit data to another MIDI device.
„ CONNECTION TO AN EXTERNAL SEQUENCER
When connected as shown in the illustration below, songs played on the CN43 can be recorded using a MIDI
recorder, with preset sounds (such as piano, harpsichord and vibraphone, etc.) controlled by the CN43’s
MULTITIMBRAL MODE function to create a multi-layer MIDI recording.
MIDI OUT
MIDI IN
MIDI OUT
MIDI IN
‘ CN43 MIDI FUNCTIONS
8
MENU
FUNCTIONS
Transmit / receive keyboard note
information
By transmitting MIDI data from the CN43 piano (MIDI out) a MIDI-connected
keyboard can be played from the CN43 piano. Or alternatively, by receiving data
(MIDI IN), the CN43 piano can be played from another MIDI-connected keyboard
or device.
Transmit / receive channel setting
Specify transmit/receive channels within the range of 1 to 16.
Transmit / receive Program
change (sound type) number
Transmit/receive program change data to/from a MIDI-connected musical
instrument or device.
Transmit / receive pedal data
Transmit/receive sustain pedal and sustain pedal data from a MIDI-connected
musical instrument or device. Sostenuto pedal data can also be transmitted.
Receive volume data
The CN43 piano will respond to MIDI volume data sent from a MIDI-connected
musical instrument or device.
Multi-timbral setting
The CN43 piano is able to receive multiple channel MIDI data from a MIDIconnected musical instrument or device, when multi-timbral mode is turned on.
Transmit / receive exclusive data
Transmit/receive front panel or menu function settings as exclusive data.
Transmit recorder playback data
Songs recorded using the recorder can be played back from a MIDI-connected
musical instrument or recorded by an external sequencer via the MIDI OUT
jack.
Please refer to the ‘MIDI IMPLEMENTATION CHART’ (page 113) for further information regarding the CN43’s MIDI functions.
Page
81
16) MIDI CHANNEL
This function is used to determine on which MIDI channel the CN43 piano will exchange MIDI information with
external MIDI devices and instruments or a personal computer.
The selected channel will function as both the transmit and receive channel.
2
1
… Step 1
Press the MENU buttons to select the MIDI channel function.
16 MIDI Channel
= 1 (TRS/RCV)
The current MIDI channel will be shown on the second line of the LCD screen.
… Step 2
Press the VALUE buttons to select the desired MIDI channel.
The MIDI channel can be set within the range of 1 to +16.
… Step 3
Press any one of the SOUND SELECT buttons to exit the menu.
„ The CN43 piano’s MIDI channel setting defaults to receiving MIDI channel information from all channels, 1 to 16. each
time the power is turned on. This is called ‘omni mode on’. The CN43 piano will switch to ‘omni mode off’ when a specific
channel is selected using the MIDI channel function, and data will only be received on that specified channel. In order
to specify channel 1 in the ‘omni mode off’ state, first select channel 2, then select channel 1.
„ When multi-timbral mode is on (page 84):
When playing in split mode with Multi-timbral mode ON
: Notes played in the lower section of the keyboard will be transmitted on the channel that
is one channel higher than the selected channel. For example, with the MIDI channel
is set to 3 notes played in the lower section of the keyboard will be transmitted on
channel 4.
:
The notes played will be transmitted on two channels, the selected channel and the
channel that is one channel higher. When channel the selected MIDI channel is 16,
channel 1 will be used to transmit notes for the layered part.
MENU
FUNCTIONS
When playing in dual mode
8
Page
82
17) TRANSMIT PROGRAM CHANGE ON / OFF
This function determines whether the CN43 piano will transmit program change information when pressing the
SOUND SELECT buttons.
When set to ON and with Multi-Timbral mode set to OFF or ON1, pressing the SOUND SELECT buttons will send
the program change numbers listed in the left half of the chart on page 86 to 93 via MIDI.
When Multi-Timbral mode is set to ON2, pressing the SOUND SELECT buttons will send the program change
numbers listed in the right half of the chart on pages 93-100 via MIDI.
In addition to SOUND SELECT buttons, other button operations such as Touch Curve, DUAL, Digital Effect, and
Reverb settings can also be transmitted as MIDI exclusive data when the corresponding buttons are pushed.
When set to OFF no program change or other panel information will be transmitted via MIDI.
1
2
„ Please refer to page 84 for information regarding Multi-Timbral mode.
… Step 1
Press the MENU buttons to select the Transmit Program Change ON/OFF function.
17 Transmit PGM
= On
ON or OFF will be shown on the second line of the LCD screen.
… Step 2
Press the VALUE buttons to turn the Transmit Program Change function ON or OFF.
… Step 3
Press any one of the SOUND SELECT buttons to exit the menu.
8
MENU
FUNCTIONS
„ The Transmit Program Change ON/OFF function will return to the default setting of ‘ON’ each time the power is turned
off.
„ Use the USER MEMORY function (page 87), to save the desired Transmit Program Change ON/OFF setting, allowing
the current Transmit Program Change ON/OFF setting to remain even after the power is turned off.
„ When using DUAL or SPLIT mode, ON, OFF information and sound type settings for each mode are transmitted as
exclusive data, but program numbers will not be transmitted.
Program numbers will also be transmitted when Multi-Timbral mode is on.
Page
83
18) LOCAL CONTROL ON / OFF
This function determines whether the CN43 piano’s sound will be played from the piano’s keyboard (ON) or only
from an external MIDI device (OFF). Even with local control set to OFF the CN43 piano’s keyboard will still transmit
on the selected MIDI channel to an external MIDI device or personal computer.
1
2
… Step 1
Press the MENU buttons to select the Local Control ON/OFF function.
18 Local Control
= On
ON or OFF will be shown on the second line of the LCD screen.
… Step 2
Press the VALUE buttons to turn the Local Control function ON or OFF.
… Step 3
Press any one of the SOUND SELECT buttons to exit the menu.
MENU
FUNCTIONS
„ The Local Control ON/OFF function will return to the default setting of ‘ON’ each time the power is turned off.
„ Use the USER MEMORY function (page 87), to save the desired Local Control ON/OFF setting, allowing the current
Local Control ON/OFF setting to remain even after the power is turned off.
8
Page
84
19) MULTI-TIMBRAL MODE
This function allows the CN43 piano to receive data on more than one MIDI channel simultaneously. In this mode,
the CN43 piano can play different musical parts with different sounds for each part.
This turns on the flexible 16 part Multi-Timbral capability. Individual MIDI channels can be turned ON and OFF, and
assigned to any preset sound. The preset sound for each MIDI channel can be changed when the program change
number for the desired sound is received from external MIDI device and instruments, or a personal computer. The
CN43 piano’s normal program change numbers are assigned in ON1 (corresponding to the program numbers
listed in the left half of the chart on pages 93-100), while General MIDI program change numbers are assigned in
ON2 (corresponding to the program number and bank numbers listed in the right half of the chart in pages 93100). Please refer to page 85 for information regarding the Channel Mute function.
Multi-Timbral OFF
This turns off the Multi-Timbral capability. Only one MIDI channel will be active and only the sound currently
selected will be heard when a MIDI signal is received.
1
2
… Step 1
Press the MENU buttons to select the Multi-Timbral Mode function.
19 Multi Timbre
= Off
OFF, ON1, or ON2 will be shown on the second line of the LCD screen.
… Step 2
Press the VALUE buttons to turn the set Multi-Timbral Mode to OFF, ON1, or ON2.
… Step 3
Press any one of the SOUND SELECT buttons to exit the menu.
8
MENU
FUNCTIONS
„ The Multi-Timbral Mode function will return to the default setting of ‘OFF’ each time the power is turned off.
„ Use the USER MEMORY function (page 87), to save the desired Multi-Timbral Mode setting, allowing the current MultiTimbral Mode setting to remain even after the power is turned off.
„ When Multi-Timbral Mode is set to ON, sounds received via MIDI on the receive channels will all be played, even when
split mode is active.
Page
85
20) CHANNEL MUTE
This function determines which MIDI channels are activated to receive MIDI information when Multi-Timbral Mode
is set to ON. Each of the 16 channels can be activated or deactivated individually.
2
1
… Step 1
Press the MENU buttons to select the Channel Mute function.
The channel number and its Play/Mute status will be shown on the
second line of the LCD screen.
20 Channel Mute
Channel 1= Play
ÇÈ MENU button
20 Channel Mute
Channel 2= Play
Press the VALUE buttons to set the Play/Mute status.
20 Channel Mute
Channel 1= Play
ÇÈ VALUE button
…
ÇÈ
… Step 2
ÇÈ
20 Channel Mute
Channel16= Play
ÇÈ
20 Channel Mute
Channel 1= Mute
… Step 3
Press any one of the SOUND SELECT buttons to exit the menu.
MENU
FUNCTIONS
„ The Channel Mute function will return to the default settings of ‘ON’ each time the power is turned off.
„ Use the USER MEMORY function (page 87), to save the desired Channel Mute settings, allowing the current Channel
Mute settings to remain even after the power is turned off.
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Page
86
21) SENDING PROGRAM CHANGE NUMBERS
This function allows the CN43 piano to send program change numbers within the range of 1 to 128.
Press them simultaneously
2
1
… Step 1
Press the MENU buttons to select the Send Program Change Number function.
21 Send PGM #
1 (UP+DOWN)
=
The Program Change Number will be shown on the second line of the LCD screen.
… Step 2
Press the VALUE buttons to set the desired Program Change Number.
The value can be set within the range of 1 to 128.
… Step 3
Press both VALUE buttons (ST) simultaneously to send the Program Change Number.
… Step 4
8
MENU
FUNCTIONS
Press any one of the SOUND SELECT buttons to exit the menu.
Page
87
22) MIDI CLOCK
The MIDI Clock is the data code that MIDI instruments use as the reference for the tempo setting. When set to
Internal, the CN43 piano uses its own built-in clock to control tempo settings. When set to External, the CN43
piano reads the clock data it receives via MIDI and uses this data to control the tempo.
1
2
… Step 1
Press the MENU buttons to select the MIDI Clock function.
The selected MIDI Clock source will be shown on the second line of the LCD screen.
… Step 2
Press the VALUE buttons to set the desired MIDI Clock setting.
22 MIDI Clock
= Int.
ÇÈ VALUE button
… Step 3
22 MIDI Clock
= Ext.
Press any one of the SOUND SELECT buttons to exit the menu.
23) USER MEMORY
This function allows the CN43 piano to save user-definable settings which will be recalled every time the CN43
power is turned on.
The USER MEMORY function can be used to store Effect settings, Metronome settings (tempo, time signature and
volume), starting sound, primary sound for each sound category and the menu functions 1 through 16 described
in the previous pages.
… Step 1
Press the MENU buttons to select the USER MEMORY function.
23 User Memory
Save ≥Press REC
2
MENU
FUNCTIONS
1
8
Page
88
… Step 2
Press the REC button to execute the save operation.
23 User Memory
Save Completed
‘Save Completed’ be shown on the second line of the LCD screen.
… Step 3
Press any one of the SOUND SELECT buttons to exit the menu.
24) FACTORY RESET
This function will reset the CN43 piano to the default factory settings and is displayed only when the USER MEMORY
function has been used. All parameters saved in the User Memory will be reset to the factory preset values.
1
… Step 1
Press the MENU buttons to select the Factory Reset function.
24 Factory Reset
Reset≥Press REC
… Step 2
8
MENU
FUNCTIONS
Press the REC button to restore factory settings, and exit the menu.
2
Page
89
8. APPENDICES
‘ CONNECTING TO OTHER DEVICES
Caution
y Do not directly connect the LINE IN and LINE OUT jacks of the CN43 together with a cable.
An audio loop (oscillation sound) will occur, resulting in damage to the unit.
1
2
3
Computer and exchange
MIDI data.
4
Amplifiers, Speakers, or similar
equipment
External MIDI devices
Audio equipment or
electronic instruments
1 MIDI JACKS
These jacks are used to connect external MIDI devices with the CN43 piano. There are three terminals: MIDI IN,
MIDI OUT and MIDI THRU.
2 USB to Host
This jack is used to connect with a personal computer and exchange MIDI data.
These jacks provide stereo output of the CN43 piano’s sound to amplifiers, tape recorders or similar equipment.
The audio signal coming through the LINE IN jacks is also routed to these jacks. The CN43 piano’s sound is mixed
with the LINE IN signals.
The CN43 piano’s VOLUME slider controls the output level of its own sound without affecting the level of the LINE
IN signal.
4 LINE IN JACKS
These jacks are used to connect a pair of stereo outputs from other audio equipment or electronic instruments
to the CN43 piano’s speakers. The audio signal coming through these jacks bypasses the CN43 piano’s volume
control. To adjust the volume level, use the output control of the external device.
APPENDICES
3 LINE OUT JACKS
9
Page
90
‘ USB MIDI
The CN43 digital piano features a ‘USB to Host’ type connector, allowing the instrument to be connected to a
computer and utilised as a MIDI device. Depending on the type of computer and operating system installed,
additional driver software may be required for USB MIDI communication to function correctly.
Operating System
Windows ME
Windows XP (no SP, SP1, SP2, SP3)
Windows XP 64-bit
Windows Vista (SP1, SP2)
Windows Vista 64-bit (SP1, SP2)
Windows 7
Windows 7 64-bit
Windows 98 SE
Windows 2000
Windows Vista (no SP)
USB MIDI Driver Support
No additional USB MIDI driver software required.
The standard (built-in) Windows USB MIDI driver will be installed
automatically when the instrument is connected to the computer.
After driver installation, ensure that the ‘USB Audio Device’ (Windows ME/Windows
XP) or ‘USB-MIDI’ (Windows Vista/Windows 7) device is correctly selected in the
application software.
Additional USB MIDI driver software required.
Please download the USB MIDI driver from the KAWAI website:
X http://www.kawai.co.jp/english
After driver installation, ensure that the ‘KAWAI USB MIDI’ device is correctly selected
in the application software.
Windows Vista 64-bit (no SP)
USB MIDI is not supported.
Please upgrade to service pack 1 or service pack 2.
Mac OS X
No additional USB MIDI driver software required.
The standard (built-in) Mac OS X USB MIDI driver will be installed
automatically when the instrument is connected to the computer.
Mac OS 9
USB MIDI is not supported.
Please use the standard MIDI IN/OUT connectors.
USB MIDI INFORMATION
„
If the instrument’s MIDI IN/OUT jacks and USB MIDI
port are both connected simultaneously, the USB MIDI
port will be given priority.
„
E nsure that the instrument is turned off before
attempting to connect the USB MIDI cable.
„
When connecting the instrument to a computer using
the USB MIDI port, there may be a short delay before
communications begin.
9
APPENDICES
„
If the instrument is connected to a computer via a USB
hub and USB MIDI communication becomes unreliable/
unstable, please connect the USB MIDI cable directly
to the one of the computer’s USB ports.
„
Disconnecting the USB MIDI cable suddenly, or turning
the instrument on/off while using USB MIDI may cause
computer instability in the following situations:
- while installing the USB MIDI driver
- while starting up the computer
- while MIDI applications are performing tasks
- while the computer is in energy saver mode
„
If there are any further problems experienced with USB
MIDI communication while the instrument is connected,
please double-check all connections and relevant MIDI
settings in the computer’s operating system.
* ‘MIDI’ is a registered trademark of the Association of Manufacturers of Electronic Instruments (AMEI).
* ‘Windows’ is a registered trademark of Microsoft Corporation.
* ‘Mac’ and ‘Mac OS’ are registered trademarks of Apple Inc.
* Other company names and product names mentioned referenced herein may be registered trademarks or trademarks of respective owners.
Page
91
‘ ASSEMBLY INSTRUCTIONS
Caution
y Ensure that this instruction manual is read thoroughly before attempting to assemble the CN43
piano, and that two or more people work on assembly.
y It may be necessary to tilt the unit by 90 degrees while assembling the CN43 piano. During
this time, ensure that hands are not caught in the piano, keyboard lid, or score stand, and that
the piano is not dropped on an individual’s feet.
„ PARTS PROVIDED
Before attempting to assemble the CN43 piano unit, ensure that all parts are included. A Phillips-head screwdriver
will also be required to assemble the unit (not included).
(A) Piano (x 1)
(G)
(H)
(I)
(E)
(F)
(J)
(K)
Adjuster bolt I4 x 16 I4 x20 I4 x30 M6 x 25 Cord clamp Headphone hook and screws
(B) Pedal board (x 1)
(C) End panel (x 1 each for left and right)
(D) Back panel (x 1)
(E) Adjuster bolt (x 1)
(F) Screw: I4 x 16 (x 4) (Silver)
Screw
(G) Screw: I4 x 20 (x 4)
(x 2)
(H)
(I)
(J)
(K)
(L)
Screw: I4 x 30 (x 4)
Screw: M6 x 25 (x 4)
Cord clamp (x 2)
Headphone hook and screws (x 1 set)
Power cord (x 1)
„ ASSEMBLY SEQUENCE
Caution
y Be careful not to scratch or damage the floor,
piano, or stand at the time of assembly.
1
1. Screw the adjuster bolt (E) into the threaded screw hole
provided on the pedal.
(E)
2. From the side of the screw that is already on the backside of
the pedal board (B), slide and insert the bracket of the end
panel (C).
(F)
2y3
Already-provided screw
3. While pressing the end panel (C) against the pedal board (B),
tighten the already-provided screws, one each on the left and
right sides, and then tighten two screws (F) on each side.
(F)
(C)
(B)
5. Set the back panel (D) and tighten the screws (G) (H) into
the prepared holes. Loosely tighten the screws with the *
symbol.
4y5
(H)*
(H)*
(H)*
(D)
(G)
(G)
(G)
(H)*
(G)
APPENDICES
4. Untie and pull out the pedal cable.
(Untie this twist tie from the cable)
9
Page
92
6. Place the stand so that the backside of the stand assembly
rests against a wall, and then slowly and carefully insert the
piano. Ensure that more than two people work on the assembly.
If attempting to insert the piano without resting the stand against
a wall, support the back of the stand using your foot or leg to
prevent the stand from sliding backwards.
Caution
y Ensure that the piano is not dropped on an
individual’s feet, and that fingers, hands and
feet are not caught in the piano.
6y7y8
(A)
(K)
(I)
(I)
7. Press the end panel (C) of the stand to the piano (A), and then
fasten the piano (A) to the stand with four screws (I).
Caution
y Ensure that the piano and the stand are
securely fastened together with the screws,
preventing the possibility of the piano falling.
9 y 10
(J)
(J)
(H)*
8. Fix the headphone hook and screws (K).
*If the headphone hook will not be required, it can be kept with
the instruction manual.
9. Tightly fasten the loosely fastened screws (H) with the * symbol.
Protrusion
11
10. Insert the connector of the pedal cord into the receptacle,
and fix the cord with the cord clamp (J) (make sure that the
protrusion of the connector is facing the correct direction, and
insert the connector straight).
11. Turn the adjustor bolt (E) at the bottom of the pedal stand until
the bolt firmly touches the floor and supports the pedal board.
Caution
y Ensure that the adjuster bolt (E) firmly
touches the floor, supporting the pedal
board and preventing damage.
When moving the piano, remove the
adjustor bold (E) and readjust after moving
has been completed.
(E)
12
(L)
12. Insert the power cord (L) into the piano.
13. Remove the protective film from the display.
9
APPENDICES
Assembly is now complete.
13
Page
93
‘ PROGRAM CHANGE NUMBER MAPPING
Multi-Timbral mode
PIANO1
PIANO2
ELECTRIC PIANO
DRAWBAR
CHURCH ORGAN
HARPSI&MALLETS
STRINGS
CHOIR&PAD
BASS
OTHERS:PIANO
Sound
Off, On 1
Bank
Prog#
LSB
Bank
MSB
On 2
Bank
LSB
Prog#
Concert Grand
0
1
121
0
1
Studio Grand
0
2
121
1
1
Mellow Grand
0
3
121
2
1
Modern Piano
0
4
121
0
2
Concert Grand 2
0
5
95
16
1
Studio Grand 2
0
6
95
17
1
Mellow Grand 2
0
7
95
18
1
Rock Piano
0
8
121
1
2
Classic E.P.
0
9
121
0
5
Modern E.P.
0
10
121
0
6
60's E.P.
0
11
121
3
5
Modern E.P. 2
0
12
121
1
6
Jazz Organ
0
13
121
0
18
Drawbar Organ
0
14
121
0
17
Drawbar Organ 2
0
15
121
1
17
Be 3
0
16
95
2
17
Church Organ
0
17
121
0
20
Diapason
0
18
95
7
20
Full Ensemble
0
19
95
1
21
Diapason Oct.
0
20
95
6
20
Harpsichord
0
21
121
0
7
Harpsichord 2
0
22
121
3
7
Vibraphone
0
23
121
0
12
Clavi
0
24
121
0
8
Slow Strings
0
25
95
1
45
String Pad
0
26
95
8
49
Warm Strings
0
27
95
1
49
String Ensemble
0
28
121
0
49
Choir
0
29
121
0
53
Choir 2
0
30
95
53
54
New Age
0
31
121
0
89
Atmosphere
0
32
121
0
100
Wood Bass
0
33
121
0
33
Electric Bass
0
34
121
0
34
Fretless Bass
0
35
121
0
36
W. Bass & Ride
0
36
95
1
33
Jazz Grand
0
37
95
8
1
New Age Piano
0
38
95
9
1
New Age Piano 2
0
39
95
10
1
New Age Piano 3
0
40
95
11
1
Piano Octaves
0
41
95
1
1
Electric Grand
0
42
121
0
3
Electric Grand2
0
43
121
1
3
Honky Tonk
0
44
121
0
4
Wide Honky Tonk
0
45
121
1
4
APPENDICES
Category
9
Page
94
Multi-Timbral mode
Category
OTHERS:E.PIANO
OTHERS:
HARPSI&MALLET
OTHERS:DRAWBAR
9
APPENDICES
OTHERS:
CHURCH ORGAN
Sound
Off, On 1
Bank
Prog#
LSB
Bank
MSB
On 2
Bank
LSB
Prog#
Dolce E.P.
0
46
95
2
5
Crystal E.P.
0
47
95
1
6
Tremolo E.P.
0
48
95
1
5
Classic E.P. 2
0
49
121
1
5
Classic E.P. 3
0
50
121
2
5
New Age E.P.
0
51
95
2
6
Modern E.P. 3
0
52
121
2
6
Legend E.P.
0
53
121
3
6
Phase E.P.
0
54
121
4
6
Harpsichord Oct
0
55
121
1
7
WideHarpsichord
0
56
121
2
7
Synth Clavi
0
57
121
1
8
Celesta
0
58
121
0
9
Glockenspiel
0
59
121
0
10
Music Box
0
60
121
0
11
Wide Vibraphone
0
61
121
1
12
Marimba
0
62
121
0
13
Wide Marimba
0
63
121
1
13
Xylophone
0
64
121
0
14
Handbells
0
65
95
1
15
Tubular Bells
0
66
121
0
15
Church Bells
0
67
121
1
15
Carillon
0
68
121
2
15
Dulcimer
0
69
121
0
16
Soft Solo
0
70
95
8
17
Drawbar Organ 3
0
71
95
1
17
Jazzer
0
72
95
1
18
Hi-Lo
0
73
95
3
17
Drawbar Organ 4
0
74
121
3
17
ElectronicOrgan
0
75
95
9
17
60's Organ
0
76
121
2
17
Perc. Organ
0
77
121
1
18
Perc. Organ 2
0
78
121
2
18
Tibia Bass
0
79
95
14
18
Rock Organ
0
80
121
0
19
Principal Oct.
0
81
95
24
20
Theater Organ
0
82
95
1
20
8' Celeste
0
83
95
5
20
Small Ensemble
0
84
95
8
20
Reeds
0
85
95
10
20
Chiffy Tibia
0
86
95
17
20
Principal Pipe
0
87
95
22
20
Church Organ 2
0
88
121
1
20
Church Organ 3
0
89
121
2
20
Reed Organ
0
90
121
0
21
Puff Organ
0
91
121
1
21
Page
95
Multi-Timbral mode
OTHERS:ACCORDION
OTHERS:GUITAR
OTHERS:BASS
Sound
Off, On 1
Bank
Prog#
LSB
Bank
MSB
On 2
Bank
LSB
Prog#
FrenchAccordion
0
92
121
0
22
Fr. Accordion 2
0
93
95
1
22
Accordion
0
94
121
1
22
Accordion 2
0
95
95
2
22
Blues Harmonica
0
96
95
2
23
Harmonica
0
97
121
0
23
Tango Accordion
0
98
121
0
24
FingerNylon Gtr
0
99
95
4
25
Nylon Acoustic
0
100
121
0
25
Nylon Acoustic2
0
101
121
2
25
Nylon Acoustic3
0
102
121
3
25
Ukulele
0
103
121
1
25
Steel Guitar
0
104
121
0
26
Steel Guitar 2
0
105
121
3
26
12 String
0
106
121
1
26
Mandolin
0
107
121
2
26
Ballad Guitar
0
108
95
6
26
Jazz Guitar
0
109
121
0
27
Modern Jazz Gtr
0
110
95
10
27
Pedal Steel
0
111
121
1
27
Rhythm Guitar
0
112
121
2
28
Electric Guitar
0
113
121
0
28
E. Guitar 2
0
114
121
1
28
E. Guitar 3
0
115
121
2
29
Cutting Guitar
0
116
95
3
28
Cutting Guitar2
0
117
121
1
29
Cutting Guitar3
0
118
95
5
28
Muted Electric
0
119
121
0
29
Country Lead
0
120
121
3
29
OverdriveGuitar
0
121
121
0
30
Dynmic Ov.drive
0
122
121
1
30
Distortion
0
123
121
0
31
Dist Feedback
0
124
121
1
31
Dist Rhythm
0
125
121
2
31
E.Gtr Harmonics
0
126
121
0
32
Guitar Feedback
0
127
121
1
32
Wood Bass 2
0
128
95
2
33
Wood Bass 3
1
1
95
4
33
Wood Bass 4
1
2
95
5
33
Electric Bass 2
1
3
95
5
34
Electric Bass 3
1
4
95
6
34
FingerSlap Bass
1
5
121
1
34
Pick Bass
1
6
121
0
35
Slap Bass
1
7
121
0
37
Slap Bass 2
1
8
121
0
38
APPENDICES
Category
9
Page
96
Multi-Timbral mode
Category
OTHERS:BASS
OTHERS:
STRINGS&ORCHINST
OTHERS:CHOIR&HIT
9
APPENDICES
OTHERS:BRASS
Sound
Off, On 1
Bank
Prog#
LSB
Bank
MSB
On 2
Bank
LSB
Prog#
Synth Bass
1
9
121
0
39
Synth Bass 2
1
10
121
0
40
Synth Bass 3
1
11
121
2
39
Synth Bass 4
1
12
121
1
40
Warm Synth Bass
1
13
121
1
39
Clavi Bass
1
14
121
3
39
Hammer Bass
1
15
121
4
39
Rubber Bass
1
16
121
2
40
Attack Bass
1
17
121
3
40
Violin
1
18
121
0
41
Slow Violin
1
19
121
1
41
Viola
1
20
121
0
42
Cello
1
21
121
0
43
Contrabass
1
22
121
0
44
Tremolo Strings
1
23
121
0
45
Strings & Brass
1
24
121
1
49
60's Strings
1
25
121
2
49
Strings sf.
1
26
95
9
49
StringEnsemble2
1
27
121
0
50
Synth Strings
1
28
121
0
51
Synth Strings 2
1
29
121
0
52
Synth Strings 3
1
30
121
1
51
Pizzicato
1
31
121
0
46
Harp
1
32
121
0
47
Celtic Harp
1
33
121
1
47
Timpani
1
34
121
0
48
Choir 3
1
35
121
1
53
Voice Oohs
1
36
121
0
54
Humming
1
37
121
1
54
Synth Vocal
1
38
121
0
55
Analog Voice
1
39
121
1
55
Orchestra Hit
1
40
121
0
56
Bass Hit Plus
1
41
121
1
56
6th Hit
1
42
121
2
56
Euro Hit
1
43
121
3
56
Trumpet
1
44
121
0
57
Solo Trumpet
1
45
121
1
57
Flugel Horn
1
46
95
1
57
SentimentalBone
1
47
95
7
58
Trombone
1
48
121
0
58
Trombone 2
1
49
121
1
58
Bright Trombone
1
50
121
2
58
Tuba
1
51
121
0
59
CupMute Trumpet
1
52
95
1
60
CupMuteTrombone
1
53
95
2
60
Muted Trumpet
1
54
121
0
60
Muted Trumpet 2
1
55
121
1
60
Page
97
Multi-Timbral mode
OTHERS:BRASS
OTHERS:REED
OTHERS:PIPE
OTHERS:SYNTH LEAD
Sound
Off, On 1
Bank
Prog#
LSB
Bank
MSB
On 2
Bank
LSB
Prog#
French Horns
1
56
121
0
61
Warm FrenchHorn
1
57
121
1
61
Brass Section
1
58
121
0
62
Brass Section 2
1
59
121
1
62
Synth Brass
1
60
121
0
63
Synth Brass 2
1
61
121
0
64
Synth Brass 3
1
62
121
1
63
Synth Brass 4
1
63
121
1
64
Jump Brass
1
64
121
3
63
Analog Brass
1
65
121
2
63
Analog Brass 2
1
66
121
2
64
Oboe & Strings
1
67
95
5
69
Soprano Sax
1
68
121
0
65
Alto Sax
1
69
121
0
66
Soft Tenor Sax
1
70
95
2
67
Tenor Sax
1
71
121
0
67
Baritone Sax
1
72
121
0
68
Oboe
1
73
121
0
69
English Horn
1
74
121
0
70
Bassoon
1
75
121
0
71
Clarinet
1
76
121
0
72
Flute & Strings
1
77
95
8
74
Piccolo
1
78
121
0
73
Jazz Flute
1
79
95
1
74
Big Band Winds
1
80
95
2
74
OrchestralWinds
1
81
95
3
74
Flute
1
82
121
0
74
Ballad Flute
1
83
95
13
74
Recorder
1
84
121
0
75
Pan Flute
1
85
121
0
76
Blown Bottle
1
86
121
0
77
Shakuhachi
1
87
121
0
78
Whistle
1
88
121
0
79
Ocarina
1
89
121
0
80
Square
1
90
121
0
81
Square 2
1
91
121
1
81
Sine
1
92
121
2
81
Classic Synth
1
93
121
0
82
Classic Synth 2
1
94
121
1
82
Lead
1
95
121
2
82
Classic Synth 3
1
96
121
3
82
SequencedAnalog
1
97
121
4
82
Caliope
1
98
121
0
83
Chiff
1
99
121
0
84
Charang
1
100
121
0
85
Wire Lead
1
101
121
1
85
Voice
1
102
121
0
86
APPENDICES
Category
9
Page
98
Multi-Timbral mode
Category
OTHERS:SYNTH LEAD
OTHERS:SYNTH PAD
OTHERS:SYNTH SFX
9
APPENDICES
OTHERS:ETHNIC
OTHERS:PERCUSSION
Sound
Off, On 1
Bank
Prog#
LSB
Bank
MSB
On 2
Bank
LSB
Prog#
Fifth
1
103
121
0
87
Bass & Lead
1
104
121
0
88
Soft Wire Lead
1
105
121
1
88
Itopia
1
106
121
1
92
New Age 2
1
107
95
1
89
New Age 3
1
108
95
2
89
New Age 4
1
109
95
3
89
Warm Pad
1
110
121
0
90
Sine Pad
1
111
121
1
90
Bright Warm Pad
1
112
95
1
90
Polysynth
1
113
121
0
91
Choir
1
114
121
0
92
Bowed
1
115
121
0
93
Metallic
1
116
121
0
94
Halo
1
117
121
0
95
Sweep
1
118
121
0
96
Multi Sweep
1
119
95
1
96
Rain Pad
1
120
121
0
97
Soundtrack
1
121
121
0
98
Crystal
1
122
121
0
99
Synth Mallet
1
123
121
1
99
Brightness
1
124
121
0
101
Brightness 2
1
125
95
1
101
Goblin
1
126
121
0
102
Echoes
1
127
121
0
103
Echo Bell
1
128
121
1
103
Echo Pan
2
1
121
2
103
Sci-Fi
2
2
121
0
104
Sitar
2
3
121
0
105
Sitar 2
2
4
121
1
105
Banjo
2
5
121
0
106
Shamisen
2
6
121
0
107
Koto
2
7
121
0
108
Taisho Koto
2
8
121
1
108
Kalimba
2
9
121
0
109
Bag Pipe
2
10
121
0
110
Fiddle
2
11
121
0
111
Shanai
2
12
121
0
112
Tinkle Bell
2
13
121
0
113
Agogo
2
14
121
0
114
Steel Drums
2
15
121
0
115
Woodblock
2
16
121
0
116
Castanet
2
17
121
1
116
Taiko Drums
2
18
121
0
117
Concert BD
2
19
121
1
117
Melodic Toms
2
20
121
0
118
Melodic Toms 2
2
21
121
1
118
Page
99
Multi-Timbral mode
OTHERS:PERCUSSION
OTHERS:SFX
Sound
Off, On 1
Bank
Prog#
LSB
Bank
MSB
On 2
Bank
LSB
Prog#
Synth Drum
2
22
121
0
119
Rhythm Box Tom
2
23
121
1
119
Electric Drum
2
24
121
2
119
Reverse Cymbal
2
25
121
0
120
Gtr Fret Noise
2
26
121
0
121
GtrCuttingNoise
2
27
121
1
121
CuttingNoise 2
2
28
95
1
121
Ac Bass Slap
2
29
121
2
121
Breath Noise
2
30
121
0
122
Flute Key Click
2
31
121
1
122
Seashore
2
32
121
0
123
Rain
2
33
121
1
123
Thunder
2
34
121
2
123
Wind
2
35
121
3
123
Stream
2
36
121
4
123
Bubble
2
37
121
5
123
Bird Tweet
2
38
121
0
124
Dog Barking
2
39
121
1
124
Horse Gallop
2
40
121
2
124
Bird Tweet 2
2
41
121
3
124
Telephone
2
42
121
0
125
Telephone 2
2
43
121
1
125
Door Creak
2
44
121
2
125
Door Slam
2
45
121
3
125
Scratch
2
46
121
4
125
Wind Chime
2
47
121
5
125
Helicopter
2
48
121
0
126
Car Engine
2
49
121
1
126
Car Stopping
2
50
121
2
126
Car Passing
2
51
121
3
126
Car Crash
2
52
121
4
126
Siren
2
53
121
5
126
Train
2
54
121
6
126
Jet Plane
2
55
121
7
126
Starship
2
56
121
8
126
Burst Noise
2
57
121
9
126
Applause
2
58
121
0
127
Laughing
2
59
121
1
127
Screaming
2
60
121
2
127
Punch
2
61
121
3
127
Heartbeat
2
62
121
4
127
Foot Step
2
63
121
5
127
Gunshot
2
64
121
0
128
Machine Gun
2
65
121
1
128
Laser Gun
2
66
121
2
128
Explosion
2
67
121
3
128
APPENDICES
Category
9
Page
100
Multi-Timbral mode
Category
9
APPENDICES
OTHERS:DRUMKIT
Sound
Off, On 1
Bank
Prog#
LSB
Bank
MSB
On 2
Bank
LSB
Prog#
Standard Set
2
68
120
0
1
Room Set
2
69
120
0
9
Power Set
2
70
120
0
17
Electronic Set
2
71
120
0
25
Analog Set
2
72
120
0
26
Jazz Set
2
73
120
0
33
Brush Set
2
74
120
0
41
Orchestra Set
2
75
120
0
49
SFX Set
2
76
120
0
57
Ambience Set
2
77
120
0
1
*1
Platinum Set
2
78
120
0
1
*2
Ballad Set
2
79
120
0
1
*3
*1 Exclusive message (F0, 40, 7F, 33, 04, 08, 10, ch, 7F, 02, F7) is required after the Program Change message.
*2 Exclusive message (F0, 40, 7F, 33, 04, 08, 10, ch, 7F, 04, F7) is required after the Program Change message.
*3 Exclusive message (F0, 40, 7F, 33, 04, 08, 10, ch, 7F, 05, F7) is required after the Program Change message.
‘ch’ is the MIDI channel number (00~0F)
Page
101
C1
C2
C3
C4
C5
C#
D
D#
E
F
F#
G
G#
A
A#
B
C
C#
D
D#
E
F
F#
G
G#
A
A#
B
C
C#
D
D#
E
F
F#
G
G#
A
A#
B
C
C#
D
D#
E
F
F#
G
G#
A
A#
B
C
C#
D
D#
E
F
F#
G
G#
A
A#
B
C
C#
D
D#
E
Standard Set
Room Set
Power Set
Electronic Set
High Q
Slap
Scratch Push
Scratch Pull
Sticks
Square Click
Metronome Click
Metronome Bell
Acoustic Bass Drum
Bass Drum 1
Side Stick
Acoustic Snare
Hand Clap
Electric Snare
Low Floor Tom
Closed Hi-hat
High Floor Tom
Pedal Hi-hat
Low Tom
Open Hi-hat
Low-Mid Tom
High-Mid Tom
Crash Cymbal 1
Hi Tom
Ride Cymbal 1
Chinese Cymbal
Ride Bell
Tambourine
Splash Cymbal
Cowbell
Crash Cymbal 2
Vibra-slap
Ride Cymbal 2
High Bongo
Low Bongo
Mute Hi Conga
Open Hi Conga
Low Conga
High Timbale
Low Timbale
High Agogo
Low Agogo
Cabasa
Maracas
Short Whistle
Long Whistle
Short Guiro
Long Guiro
Claves
Hi Wood Block
Low Wood Block
Mute Cuica
Open Cuica
Mute Triangle
Open Triangle
Shaker
Jingle Bell
Bell Tree
Castanets
Mute Surdo
Open Surdo
High Q
Slap
Scratch Push
Scratch Pull
Sticks
Square Click
Metronome Click
Metronome Bell
Acoustic Bass Drum
Bass Drum 1
Side Stick
Acoustic Snare
Hand Clap
Electric Snare
Room Low Tom 2
Closed Hi-hat
Room Low Tom 1
Pedal Hi-hat
Room Mid Tom 2
Open Hi-hat
Room Mid Tom 1
Room Hi Tom 2
Crash Cymbal 1
Room Hi Tom 1
Ride Cymbal 1
Chinese Cymbal
Ride Bell
Tambourine
Splash Cymbal
Cowbell
Crash Cymbal 2
Vibra-slap
Ride Cymbal 2
High Bongo
Low Bongo
Mute Hi Conga
Open Hi Conga
Low Conga
High Timbale
Low Timbale
High Agogo
Low Agogo
Cabasa
Maracas
Short Whistle
Long Whistle
Short Guiro
Long Guiro
Claves
Hi Wood Block
Low Wood Block
Mute Cuica
Open Cuica
Mute Triangle
Open Triangle
Shaker
Jingle Bell
Bar Chimes
Castanets
Mute Surdo
Open Surdo
High Q
Slap
Scratch Push
Scratch Pull
Sticks
Square Click
Metronome Click
Metronome Bell
Acoustic Bass Drum
Power Kick Drum
Side Stick
Power Snare Drum
Hand Clap
Electric Snare
Power Low Tom 2
Closed Hi-hat
Power Low Tom 1
Pedal Hi-hat
Power Mid Tom 2
Open Hi-hat
Power Mid Tom 1
Power Hi Tom 2
Crash Cymbal 1
Power Hi Tom 1
Ride Cymbal 1
Chinese Cymbal
Ride Bell
Tambourine
Splash Cymbal
Cowbell
Crash Cymbal 2
Vibra-slap
Ride Cymbal 2
High Bongo
Low Bongo
Mute Hi Conga
Open Hi Conga
Low Conga
High Timbale
Low Timbale
High Agogo
Low Agogo
Cabasa
Maracas
Short Whistle
Long Whistle
Short Guiro
Long Guiro
Claves
Hi Wood Block
Low Wood Block
Mute Cuica
Open Cuica
Mute Triangle
Open Triangle
Shaker
Jingle Bell
Bar Chimes
Castanets
Mute Surdo
Open Surdo
High Q
Slap
Scratch Push
Scratch Pull
Sticks
Square Click
Metronome Click
Metronome Bell
Acoustic Bass Drum
Electric Bass Drum
Side Stick
Electric Snare 1
Hand Clap
Electric Snare 2
Electric Low Tom 2
Closed Hi-hat
Electric Low Tom 1
Pedal Hi-hat
Electric Mid Tom 2
Open Hi-hat
Electric Mid Tom 1
Electric Hi Tom 2
Crash Cymbal 1
Electric Hi Tom 1
Ride Cymbal 1
Reverse Cymbal
Ride Bell
Tambourine
Splash Cymbal
Cowbell
Crash Cymbal 2
Vibra-slap
Ride Cymbal 2
High Bongo
Low Bongo
Mute Hi Conga
Analog Mid Conga
Analog Low Conga
High Timbale
Low Timbale
High Agogo
Low Agogo
Cabasa
Maracas
Short Whistle
Long Whistle
Short Guiro
Long Guiro
Claves
Hi Wood Block
Low Wood Block
Mute Cuica
Open Cuica
Mute Triangle
Open Triangle
Shaker
Jingle Bell
Bar Chimes
Castanets
Mute Surdo
Open Surdo
APPENDICES
‘ DRUM SOUND MAPPING
9
Page
102
C1
C2
C3
9
APPENDICES
C4
C5
C#
D
D#
E
F
F#
G
G#
A
A#
B
C
C#
D
D#
E
F
F#
G
G#
A
A#
B
C
C#
D
D#
E
F
F#
G
G#
A
A#
B
C
C#
D
D#
E
F
F#
G
G#
A
A#
B
C
C#
D
D#
E
F
F#
G
G#
A
A#
B
C
C#
D
D#
E
Analog Set
Jazz Set
Brush Set
Orchestra Set
High Q
Slap
Scratch Push
Scratch Pull
Sticks
Square Click
Metronome Click
Metronome Bell
Acoustic Bass Drum
Analog Bass Drum
Analog Rim Shot
Analog Snare 1
Hand Clap
Electric Snare
Analog Low Tom 2
Analog CHH 1
Analog Low Tom 1
Analog CHH 2
Analog Mid Tom 2
Analog OHH
Analog Mid Tom 1
Analog Hi Tom 2
Analog Cymbal
Analog Hi Tom 1
Ride Cymbal 1
Chinese Cymbal
Ride Bell
Tambourine
Splash Cymbal
Analog Cowbell
Crash Cymbal 2
Vibra-slap
Ride Cymbal 2
High Bongo
Low Bongo
Analog Hi Conga
Analog Mid Conga
Analog Low Conga
High Timbale
Low Timbale
High Agogo
Low Agogo
Cabasa
Analog Maracas
Short Whistle
Long Whistle
Short Guiro
Long Guiro
Analog Claves
Hi Wood Block
Low Wood Block
Mute Cuica
Open Cuica
Mute Triangle
Open Triangle
Shaker
Jingle Bell
Bar Chimes
Castanets
Mute Surdo
Open Surdo
High Q
Slap
Scratch Push
Scratch Pull
Sticks
Square Click
Metronome Click
Metronome Bell
Jazz Kick 2
Jazz Kick 1
Side Stick
Acoustic Snare
Hand Clap
Electric Snare
Low Floor Tom
Closed Hi-hat
High Floor Tom
Pedal Hi-hat
Low Tom
Open Hi-hat
Low-Mid Tom
High-Mid Tom
Crash Cymbal 1
Hi Tom
Ride Cymbal 1
Chinese Cymbal
Ride Bell
Tambourine
Splash Cymbal
Cowbell
Crash Cymbal 2
Vibra-slap
Ride Cymbal 2
High Bongo
Low Bongo
Mute Hi Conga
Open Hi Conga
Low Conga
High Timbale
Low Timbale
High Agogo
Low Agogo
Cabasa
Maracas
Short Whistle
Long Whistle
Short Guiro
Long Guiro
Claves
Hi Wood Block
Low Wood Block
Mute Cuica
Open Cuica
Mute Triangle
Open Triangle
Shaker
Jingle Bell
Bell Tree
Castanets
Mute Surdo
Open Surdo
High Q
Slap
Scratch Push
Scratch Pull
Sticks
Square Click
Metronome Click
Metronome Bell
Jazz Kick 2
Jazz Kick 1
Side Stick
Brush Tap
Brush Slap
Brush Swirl
Low Floor Tom
Closed Hi-hat
High Floor Tom
Pedal Hi-hat
Low Tom
Open Hi-hat
Low-Mid Tom
High-Mid Tom
Crash Cymbal 1
Hi Tom
Ride Cymbal 1
Chinese Cymbal
Ride Bell
Tambourine
Splash Cymbal
Cowbell
Crash Cymbal 2
Vibra-slap
Ride Cymbal 2
High Bongo
Low Bongo
Mute Hi Conga
Open Hi Conga
Low Conga
High Timbale
Low Timbale
High Agogo
Low Agogo
Cabasa
Maracas
Short Whistle
Long Whistle
Short Guiro
Long Guiro
Claves
Hi Wood Block
Low Wood Block
Mute Cuica
Open Cuica
Mute Triangle
Open Triangle
Shaker
Jingle Bell
Bar Chimes
Castanets
Mute Surdo
Open Surdo
Closed Hi-hat 2
Pedal Hi-hat
Open Hi-hat 2
Ride Cymbal 1
Sticks
Square Click
Metronome Click
Metronome Bell
Concert BD 2
Concert BD 1
Side Stick
Concert SD
Castanets
Concert SD
Timpani F
Timpani F#
Timpani G
Timpani G#
Timpani A
Timpani A#
Timpani B
Timani c
Timpani c#
Timpani d
Timpani d#
Timpani e
Timpani f
Tambourine
Splash Cymbal
Cowbell
Concert Cymbal 2
Vibra-slap
Concert Cymbal 1
High Bongo
Low Bongo
Mute Hi Conga
Open Hi Conga
Low Conga
High Timbale
Low Timbale
High Agogo
Low Agogo
Cabasa
Maracas
Short Whistle
Long Whistle
Short Guiro
Long Guiro
Claves
Hi Wood Block
Low Wood Block
Mute Cuica
Open Cuica
Mute Triangle
Open Triangle
Shaker
Jingle Bell
Bar Chimes
Castanets
Mute Surdo
Open Surdo
Applause
Page
SFX Set
C1
C2
C3
C4
C5
C#
D
D#
E
F
F#
G
G#
A
A#
B
C
C#
D
D#
E
F
F#
G
G#
A
A#
B
C
C#
D
D#
E
F
F#
G
G#
A
A#
B
C
C#
D
D#
E
F
F#
G
G#
A
A#
B
C
C#
D
D#
E
F
F#
G
G#
A
A#
B
C
C#
D
D#
E
High Q
Slap
Scratch Push
Scratch Pull
Sticks
Square Click
Metronome Click
Metronome Bell
Guitar Fret Noise
Guitar Cutting Noise Up
Guitar Cutting Noise Down
String Slap of Double Bass
Fl. Key Click
Laughing
Scream
Punch
Heart Beat
Footsteps 1
Footsteps 2
Applause
Door Creaking
Door
Scratch
Wind Chimes
Car-Engine
Car-Stop
Car-Pass
Car-Crash
Siren
Train
Jetplane
Helicoopter
Startship
Gun Shot
Machine Gun
Lasergun
Explosion
Dog
Horse-Gallop
Birds
Rain
Thunder
Wind
Seashore
Stream
Bubble
Ambience Set
Platinum Set
Ballad Set
Snare Roll
Finger Snap
High Q
Slap
Scratch Push
Scratch Pull
Sticks
Square Click
Metronome Click
Metronome Bell
Ambi BD2
Ambi BD1
Ambi Rim
Ambi SD1
Ambi Clap
Ambi SD2
AmbiLowTom2
Ambi HHC
AmbiLowTom1
Ambi HHP
AmbiMidTom2
Ambi HHO
AmbiMidTom1
AmbiHiTom2
Ambi Crash1
AmbiHiTom1
Ambi Ride1
Chinese Cymbal
Ambi Cup
TambourIne
Funk Splash
Cowbell
Funk Crash2
Vibra slap
Ambi Ride2
Hi Bongo
Low Bongo
Mute Hi Conga
Hi Conga
Low Conga
Hi Timbale
Low Timbale
Hi Agogo
Low Agogo
Cabasa
Maracas
Short Whistle
Long Whistle
Short Guiro
Long Guiro
Claves
Hi Wood Blk
Low Wood Blk
Mute Cuica
Open Cuica
Mute Triangle
Open Triangle
Shaker
Jingle Bell
Bar Chimes
Castanets
Mute Surdo
Open Surdo
Snare Roll
Finger Snap
High Q
Slap
Scratch Push
Scratch Pull
Sticks
Square Click
Metronome Click
Metronome Bell
Plat BD2
Plat BD1
Plat Rim
Plat SD1
Ambi Clap
Plat SD2
FunkLowTom2
Funk HHC
FunkLowTom1
Funk HHP
FunkMidTom2
Funk HHO
FunkMidTom1
FunkHiTom2
Funk Crash1
FunkHiTom1
Ambi Ride1
Chinese Cymbal
Ambi Cup
TambourIne
Funk Splash
Cowbell
Funk Crash2
Vibra slap
Ambi Ride2
Hi Bongo
Low Bongo
Mute Hi Conga
Hi Conga
Low Conga
Hi Timbale
Low Timbale
Hi Agogo
Low Agogo
Cabasa
Maracas
Short Whistle
Long Whistle
Short Guiro
Long Guiro
Claves
Hi Wood Blk
Low Wood Blk
Mute Cuica
Open Cuica
Mute Triangle
Open Triangle
Shaker
Jingle Bell
Bar Chimes
Castanets
Mute Surdo
Open Surdo
Snare Roll
Finger Snap
High Q
Slap
Scratch Push
Scratch Pull
Sticks
Square Click
Metronome Click
Metronome Bell
Bala BD2
Bala BD1
Plat Rim
Bala SD1
Ambi Clap
Bala SD2
FunkLowTom2
Funk HHC
FunkLowTom1
Funk HHP
FunkMidTom2
Funk HHO
FunkMidTom1
FunkHiTom2
Ambi Crash1
FunkHiTom1
Ambi Ride1
Chinese Cymbal
Ambi Cup
TambourIne
Funk Splash
Cowbell
Funk Crash2
Vibra slap
Ambi Ride2
Hi Bongo
Low Bongo
Mute Hi Conga
Hi Conga
Low Conga
Hi Timbale
Low Timbale
Hi Agogo
Low Agogo
Cabasa
Maracas
Short Whistle
Long Whistle
Short Guiro
Long Guiro
Claves
Hi Wood Blk
Low Wood Blk
Mute Cuica
Open Cuica
Mute Triangle
Open Triangle
Shaker
Jingle Bell
Bar Chimes
Castanets
Mute Surdo
Open Surdo
APPENDICES
103
9
Page
104
‘ RHYTHM SECTION STYLE LIST
Genre
16th Swing
16th Funk
16th Straight
16th Latin
16th Dance/Techno
9
APPENDICES
16th Ballad
8th Ballad
Display
Style Name
FnkShuffle1
Funk Shuffle 1
FnkShuffle2
HipHop1
Genre
8th Straight
Display
Style Name
8Beat1
8 Beat 1
Funk Shuffle 2
8Beat2
8 Beat 2
Hip Hop 1
SmoothBeat
Smooth Beat
HipHop2
Hip Hop 2
Pop1
Pop 1
HipHop3
Hip Hop 3
Pop2
Pop 2
HipHop4
Hip Hop 4
RideBeat
Ride Beat
16Shuffle1
16 Shuffle 1
SlipBeat
Slip Beat
16Shuffle2
16 Shuffle 2
JazzRock
Jazz Rock
16Shuffle3
16 Shuffle 3
8Beat3
8 Beat 3
FunkyBeat1
Funky Beat 1
RockBeat1
Rock Beat 1
FunkyBeat2
Funky Beat 2
RockBeat2
Rock Beat 2
FunkyBeat3
Funky Beat 3
RockBeat3
Rock Beat 3
Funk1
Funk 1
RockBeat4
Rock Beat 4
Funk2
Funk 2
Blues/Rock
Blues/Rock
Funk3
Funk 3
HeavyBeat
Heavy Beat
JazzFunk
Jazz Funk
HardRock
Hard Rock
16Beat1
16 Beat 1
SurfRock
Surf Rock
16Beat2
16 Beat 2
16Beat3
16 Beat 3
16Beat4
8th Rock
R&B
R&B
Motown1
Motown 1
16 Beat 4
FastShuffle
8th Fast Shuffle
RimBeat
Rim Beat
Motown2
Motown 2
RollBeat
Roll Beat
GsplShuffle
Gospel Shuffle
LightRide1
Light Ride 1
Ragtime
Ragtime
DixieRock
Dixie Rock
SurdoSamba
Surdo Samba
LatinGroove
8th Swing
Cntry2Beat
Country 2 Beat
TrpltRock1
Triplet Rock 1
Latin Groove
TrpltRock2
Triplet Rock 2
LightSamba
Light Samba
Bembe
Bembe
Songo
Songo
RockShuffle
Rock Shuffle
Samba
Samba
Boogie
Boogie
Merenge
Merenge
Triplet1
Triplet 1
FunkyBeat4
Funky Beat 4
Triplet2
Triplet 2
16Beat5
16 Beat 5
Reggae
Reggae
Disco1
Disco 1
GsplBallad
Gospel Ballad
Disco2
Disco 2
Waltz
Waltz
Techno1
Techno 1
H.H.Swing
H.H. Swing
Techno2
Techno 2
RideSwing
Ride Swing
Techno3
Techno 3
Fast4Beat
Fast 4 Beat
HeavyDance
Heavy Dance
AfroCuban
Afro Cuban
Ballad1
Ballad 1
JazzWaltz1
Jazz Waltz 1
Ballad2
Ballad 2
JazzWaltz2
Jazz Waltz 2
Ballad3
Ballad 3
5/4Swing
5/4 Swing
Ballad4
Ballad 4
H.H.Bossa
H.H. Bossa Nova
Ballad5
Ballad 5
RideBossa
Ride Bossa Nova
LightRide2
Light Ride 2
Beguine
Beguine
ElectroPop1
Electro Pop 1
Mambo
Mambo
ElectroPop2
Electro Pop 2
ChaCha
Cha Cha
16Shuffle4
16 Shuffl e 4
Tango
Tango
SlowJam
Slow Jam
Habanera
Habanera
SlowRock
Slow Rock
R&B Ballad
R&B Ballad
50'sTriplet
Triplet 50’s Ballad
R&BTriplet
Triplet R&B Ballad
Triplet/Waltz
Latin
Page
105
‘ RHYTHM SECTION CHORD TYPES
The following is a list of chord types recognised by the CN43 digital piano Rhythm Section. Each chord can be
played by pressing the notes marked with a z symbol in the diagrams below. In addition, the common Major,
Minor, M7, and 7, chord types can also be played by pressing just the notes marked with a Ì symbol.
Notes
Chord Name
Notes
Chord Name
C Maj
D A Maj
(C )
D Maj
C sus4
D A sus4
(C )
D sus4
C aug
D A aug
(C )
D aug
C min
D A min
(C )
D min
C M7
D A M7
(C )
D M7
C6
DA 6
(C )
D6
C m7
D A m7
(C )
D m7
C mM7
D A mM7
(C )
D mM7
C m6
D A m6
(C )
D m6
C7
DA 7
(C )
D7
C 7(A5)
D A 7(A5)
(C )
D 7(A5)
C 7( 5)
D A 7( 5)
(C )
D 7( 5)
C 7sus4
D A 7sus4
(C )
D 7sus4
C m7(A5)
D A m7(A5)
(C )
D m7(A5)
C dim
D A dim
(C )
D dim
D A others
(C )
D others
C others
Notes
APPENDICES
Chord Name
9
Page
106
Chord Name
APPENDICES
Chord Name
Notes
Chord Name
E A Maj
(D )
E Maj
F Maj
E A sus4
(D )
E sus4
F sus4
E A aug
(D )
E aug
F aug
E A min
(D )
E min
F min
E A M7
(D )
E M7
F M7
EA 6
(D )
E6
F6
E A m7
(D )
E m7
F m7
E A mM7
(D )
E mM7
F mM7
E A m6
(D )
E m6
F m6
EA 7
(D )
E7
F7
E A 7(A5)
(D )
E 7(A5)
F 7(A5)
E A 7( 5)
(D )
E 7( 5)
F 7( 5)
E A 7sus4
(D )
E 7sus4
F 7sus4
E A m7(A5)
(D )
E m7(A5)
F m7(A5)
E A dim
(D )
E dim
F dim
E A others
(D )
E others
F others
9
Notes
Notes
Page
107
Notes
Chord Name
Notes
Chord Name
G A Maj
(F )
G Maj
A A Maj
(G )
G A sus4
(F)
G sus4
A A sus4
(G )
G A aug
(F )
G aug
A A aug
(G )
G A min
(F )
G min
A A min
(G )
G A M7
(F )
G M7
A A M7
(G )
GA 6
(F )
G6
AA 6
(G )
G A m7
(F )
G m7
A A m7
(G )
G A mM7
(F )
G mM7
A A mM7
(G )
G A m6
(F )
G m6
A A m6
(G )
GA 7
(F )
G7
AA 7
(G )
G A 7(A5)
(F )
G 7(A5)
A A 7(A5)
(G )
G A 7( 5)
(F )
G 7( 5)
A A 7( 5)
(G )
G A 7sus4
(F )
G 7sus4
A A 7sus4
(G )
G A m7(A5)
(F )
G m7(A5)
A A m7(A5)
(G )
G A dim
(F )
G dim
A A dim
(G )
G A others
(F )
G others
Notes
A A others
(G )
APPENDICES
Chord Name
9
Page
108
Chord Name
APPENDICES
Chord Name
Notes
Chord Name
A Maj
B A Maj
(A )
B Maj
A sus4
B A sus4
(A )
B sus4
A aug
B A aug
(A )
B aug
A min
B A min
(A )
B min
A M7
B A M7
(A )
B M7
A6
BA 6
(A )
B6
A m7
B A m7
(A )
B m7
A mM7
B A mM7
(A )
B mM7
A m6
B A m6
(A )
B m6
A7
BA 7
(A )
B7
A 7(A5)
B A 7(A5)
(A )
B 7(A5)
A 7( 5)
B A 7( 5)
(A )
B 7( 5)
A 7sus4
B A 7sus4
(A )
B 7sus4
A m7(A5)
B A m7(A5)
(A )
B m7(A5)
A dim
B A dim
(A )
B dim
A others
B A others
(A )
B others
9
Notes
Notes
Page
109
‘ PRESET CHORD PROGRESSION STYLES
The following is a list of Preset Chord Progression styles utilised by the Rhythm Section of the CN43 digital
piano.
The Preset Chord Progression styles can last for 8, 12, or 16 bars, with the bar number and chord name written
in the spaces below. If a chord name is not written, the previous chord will continued to be played.
The more complicated chord names, such as ‘F#m7(b5)’, may appear in a simplified form when shown in the LCD
screen. If two chords are listed (e.g. ‘D/C’), the first letter indicates the key of the chord, while the second letter
indicates the key of the bass part.
No. of
bars
Chord1
8
Chord2
12
Chord3
Chord4
Chord5
8
8
8
Chord6
16
Chord7
12
Chord8
Chord9
8
8
Chord10
16
Chord11
Chord12
Chord13
Chord14
Chord15
8
8
8
8
8
Chord16
16
Chord17
Chord18
8
8
Chord19
16
Chord20
Chord21
Chord22
Chord23
Chord24
Chord25
Chord26
Chord27
8
8
8
8
8
8
8
8
Chord28
16
Chord29
8
Chord30
16
Chord31
Chord32
Chord33
8
8
8
Chord34
16
Chord35
Chord36
8
8
Chord37
16
Chord38
Chord39
Chord40
Chord41
Chord42
Chord43
8
8
8
8
8
8
Chord44
12
Chord45
Chord46
Chord47
Chord48
Chord49
Chord50
Chord51
Chord52
Chord53
Chord54
Chord55
Chord56
Chord57
Chord58
8
8
8
8
8
8
8
8
8
8
8
8
8
8
Chord pattern
1 (9)
CM7
Fm7(A5)
Dm7
C
C7
C7
Cm7
EAM7
CM7
Em7
CM7
C7
C7
C7
C7
Cm7
AAM7
AA7
C7
AAM7
AAM7
C
Cm7
AAM7
AAM7
C
C
CM7
AA/BA
C7
F7
CM7
C7sus4
CM7
Fm7(A5)
Cm
Fm7
Fm7
C
C
C
C7
G7
C
AAM7
C
Am7
Em7
C7
C7
C7
C7
C7
FM7
Dm7
C
Em7
FM7
FM7
CM7
AAM7
C
F
CM7
Fm7(A5)
FM7
CM7
C
CM7
2 (10)
Bm7(A5)
BA7
B7
3 (11)
Am7
Em7
G7sus4
Gm7
A7
AA7
Am7
Am7
D7(5)
Dm7
Em7
Dm7
G7sus4
Am7
DAM7
G7(5)
CM7
BA7
BA7
G
B7(5)
CM7
B7
CmM7
Am7(A5)
F7
AAM7
Em7
Em7
BA/C
Am7
C7
Em7
AAM7
EAM7
EAM7
G
Am
F
F7
G7
BA
EAM7
FM7
Gaug
A7
C7
F
A7
EAM7
G7
C7
F
G/B
F7
Gm7
BAm7
AA/BA
BA7
BA
Gm7/C
D7
C6
F
Dm7
FM7
FM7
CM7
BAm7
Gm/BA
C/G
A7
G7(5)
AAM7
AAM7
C
Am7/G
C
G7
F
Dm7
C
G7
Am7
Em7
FM7
AAM7
F/A
E7/G
E7
E7
C/E
BAM7
A7
Am7
Am7
D7/F
G7sus4
5 (13)
FM7
Fm7(A5)
F
BA7
C7
Cm7
Cm7
CM7
Gm7
C7
F7
F7
C7
Cm7
AAM7
AA7
EA7
AAM7
AAM7
FmM7
Cm7
AAM7
AAM7
BA/C
AA
AAM7
BM7
F7
Fm7
BA7sus4
CM7
Fm7(A5)
Cm
Dm7(A5)
Dm7(A5)
A7
F
D7
C7
C7
C
AAM7
FM7
Fm7
Am7
Dm7
C/G
CM7
Em7
Em7
Bm7(A5)
G7
C7
F7
Cm7
EA7
Bm7(A5)
G7
Am
Am7
Em7
Em7
FM7
Gm7
G/B
Fdim
BAM7
F7
FmM7
FM7
F/A
FM7
G7sus4
C7
Gm7
Gm7
C7
Dm7
EAM7
Gm7
D/C
BA
BA6
AA/BA
C7
Gm7
G7(5)
B7
Cm7
BA7
BA7
Dm
G7
G7
G7sus4
CM7
Dm7
CM7
BA7
EA7
EA7
F7
F7
Gm7
Cm7
F7
BA7
G7sus4
G7
Dm7
G7sus4
Dm7
4 (12)
C7
C7sus4
AA7
A7(5)
C7
G7
G7
C
Em7
Fm7
FM7
Bm7
DAM7
AA6
Am7
Am7
Dm7
Dm7
FM7
C
FM7
6 (14)
A7
G7
Am7
F7
Dm7
C7
FM7
G7sus4
CM7
Gaug
G7(5)
EA
Dm7
BA7
BA7
CmM7
G7
Am7(A5)
AAM7
Em7
Em7
BA/C
AA/C
E7
BA7
E7
G/B
G7
Am
A7
EAM7
Em7
AM7
Cm7
C/G
D7
D7
G7
G7sus4
Em7
F/A
Em7
BAM7
CM7
Fm7
G7
C7
G7
F7
F7
Fdim
F7
C7
Gm7
G7sus4
Fm7(A5)
Dm7
Cm7
F7
F/C
Dm7
CM7
F/A
G7
Am7
CM7
B7
Cm7
G7(5)
G7(5)
Dm
D7
G7
7 (15)
Dm7
Em7
G7sus4
A7
C7
AA7
Gm7
G7(5)
F7
Am7
Em7
BA7sus4
C7
C7
F/C
F7
Em7
G
Em7
B7
AAM7
G7(5)
Am7
C/G
Am7
C7
Em7
AAM7
Gm7(A5)
Cm7
G
G7
Am
F7
Am7
BA7
G7
G7(5)
G7(5)
Dm7
8 (16)
G7
G7sus4
CM7
F7
G7
G7(5)
C7sus4
G7
G7sus4
Gaug
F7
G7
Am7
Dm7
A
A
Dm7( 5)/A G7
C7
D7
C7
G7
G7
G7(5)
G7
G7(5)
C7
F
C
BA
EAM7
Fm7
G7sus4
Dm7
Gm7
D7
C
G7
BAm7
AA/BA
Gsus4/C
A7
EAM7
DA7
BA
F
Dm7
Dm7
FM7
GM7
Dm7(A5)
Fm7(A5)
Dm7
Dm7
CM7
CM7
Dm7
D7/F
G7
G7
G7sus4
Dm7
FM7
G7
G7
G7sus4
G7
Gm7
G7
G7(5)
C7
G7sus4
G7sus4
G7sus4
G7
G7
G7
Dm7
E7
D7
DAM7
G7sus4
G7sus4
APPENDICES
Display
9
Page
9
APPENDICES
110
Display
No. of
bars
Chord59
Chord60
Chord61
Chord62
Chord63
Chord64
8
8
8
8
8
8
Chord65
16
Chord66
8
Chord67
16
Chord68
16
Chord69
Chord70
Chord71
Chord72
8
8
8
8
Chord73
12
Chord74
8
Chord75
16
Chord76
Chord77
8
8
Chord78
16
Chord79
8
Chord80
16
Chord81
16
Chord82
Chord83
Chord84
Chord85
8
8
8
8
Chord86
12
Chord87
8
Chord88
16
Chord89
16
Chord90
8
Chord91
16
Chord92
12
Chord93
16
Chord94
16
Chord95
16
Chord96
Chord97
8
8
Chord98
16
Chord99
16
Chord100
16
Chord pattern
1 (9)
FM7
C
C
C
Cm7
C
Cm7
Fm7
C
Am7
Fm7
C7
C7
Cm7
Dm7
C7
C7
C
C
Cm
C
G7
C7
C
C
Dm7
C7
C
F
C
C
C7
C
C7sus4
C
C6
G7
C
C
C
F
F
C
C
F
C9
Dm9
C
C
Fm7
Cm7
Cm7
Fm7
Cm7
AAm7
Cm7
EAM7
C
C
Cm
Fm
Am
Gm7
2 (10)
CM7
F
F
Dm
Cm7
CM7
G
Gm7
BA7
D7
E7
3 (11)
FM7
C
C
C
Cm7
C7
F7
Cm7
Am
G7sus4
Am7
Am
Gm7
CM7
F
F
Dm
Cm7
F
Em7(A5)
G
Gm7
C7
C
D7
BA
G7
F7
G7
C
C7
C7
F7
C7
G7
F
F
C7
EA
BA7sus4
C7sus4
F7
Am7
F7
C
C
C
C
BA7
C7
D
BA7sus4
C7
G
Am7
C7
C7
F13
G13
CM7
CM7
BA7
F7
Fm7
BA7
DA7
Cdim
Dm7
CM7
GAM7
BAM7
DAM7
D7
C7
G7
Cm
CAM7
Cm7
C6
Dm7
F
F
Em7
Em7
C
G
C
C9
C9
C7
Em7(A5)
EAM7
Bm7
BA7
Gm7
AAm7
Cm7
EAM7
Dm7
F
G7
G7
Am7
Fdim
G
D7
7 (15)
Fm7
G
F
Em
G7
D7
F7
G7(5)
C
G7sus4
C
G7sus4
G
Am
AA7
C
Dm
G7
G7
F7
C
EA7sus4
C7
C
G
EAsus4
F7
G7
F
AA7
C
G7
C7
C
C7
Dm7
D7
Cm
BA
C7
BA7
C
F
C
D7
DA7
C
G7
F
8 (16)
G7
G7
C
G7
D7
G7
Fm6
Fm6
Am7
A7
G7
F
C
Em7
Em7
Dm7
D7sus4
C
BA
G7
G7
G7
G7
C
F
F7
F
AA7sus4
F
F7
G
F7
Em7
CM7
CM7
G7
Fm6
F
6 (14)
Dm7
Dm
Am
Dm
F
F7
C7
BA7
C7
CM7
Em7
C7
G7
Em
Fm7
Dm7
Cm7
Fm7
Dm
Am7
G7sus4
F7
5 (13)
A7
Am
G
Am
BA7sus4
Dm7
BA7
BA
EA7sus4
F7
EA7
F
C
F
4 (12)
AA7sus4
BA
G
A7
Em7
A7
Dm7
G7
D7
F
A7
G7
D7
F13
A7(A13)
DA7
Cdim
Dm7
G7
Fm
Dm9
FM7
A7
EA6
E7
EAM7
C7
GAM7
BAM7
DAM7
C
C
Cm
Cm
F7
C
G7
G7
C
G7
D7
G7
C
G7
AA
G7
Dm7
AA7
F
G7sus4
C
C6
G7
Dm7
Dm7
C
C
G7sus4
C
Am
G7
C9
G7
Fm6
CM7
G7
F7
G
G7sus4
G
C
G7
C
C7
G7
C
A7(A13)
G13
A7
C7(5)
Cm7
C7
Dm
Dm7
EAm7
Am7
AAM7
Fm7
Fm7
Gm7
G7
C
C
Fm
DmM7
Fm7
AA7
D7
Dm7(A5)
BA7
BA7
A7
EAM7
C7
G7(5)
D7
D7
G7
Cm
Dm7
Em7
DAM7
Dm7
G7
EA6
AAM7
C7(5)
Fm7
Fm7
Cm6
Dm7
Dm7
D7
A7
G7(5)
BA7
G7
G7
G7
Dm7
DA6
G7
Cm7
G7
G7
Fm7(A5)
Cm7
C
C
Cm
G7
G7
C7
G7(5)
G7(5)
Page
111
„ Keyboard
88 keys, Responsive Hammer Action with Ivory Touch and Let-Off
„ Polyphony
Maximum 192
„ Number of Sound
323 + 12 Drum Set
„ Sound Categories
Piano 1, Piano 2, Electric Piano, Drawbar, Church Organ, Harpsi&Mallets, Strings, Choir&Pad, Bass,
Others
„ Effects
Reverb (Room1/2, Stage, Hall1/2, Plate), Chorus (1/2/3/4/FB), Flanger, Tremolo, Delay (1/2/3),
Rotary (1/2)
„ Temperaments
Equal (Piano Only), Mersenne pure (Major), Mersenne pure (minor), Pythagorea, Meantone,
Werckmeister III, Kirnberger III, Equal (flat), Equal
„ Auto Accompaniment
100 rhythms x 2 variations, One Finger Ad-Lib™
„ Other Features
Demo (34 Preset Songs), Concert Magic (88 Preset Songs), Volume, Dual, Split, Four Hands,
Balance Slider, Transpose, Tune, Lower Octave Shift, Lower Pedal On/Off,
Touch Curve (Light, Light +, Normal, Heavy, Heavy +, Off), MIDI (16 part multi-timbral capability),
Damper Hold, Damper Effect, String Resonance, User Memory, Factory Reset
„ Lesson Function
Right/left part balance adjustable, Tempo adjustable. Please refer to the separate ‘Concert Magic Song
List/Lesson Song List’ booklet for a complete listing of available lesson songs.
„ Internal Recorder
2 Tracks, 3 Songs. The total memory capacity of the recorder is approximately 90,000 notes.
„ USB Recorder
SMF format : 16 Tracks, Realtime recording
MP3 play : 32 kHz/44.1 kHz/48 kHz, Mono/Stereo, Bitrate: 8-320 kbit/s (fixed & variable)
MP3 record : 44.1 kHz, 16 bit, Stereo, 192 kbit/s (fixed)
WAV play : 32 kHz/44.1 kHz/48 kHz, Mono/Stereo
WAV record : 44.1 kHz, 16 bit, Stereo, 1,411 kbit/s (uncompressed)
„ Metronome
Beat: 1/4, 2/4, 3/4, 4/4, 5/4, 3/8, 6/8, 7/8, 9/8, 12/8
„ Pedals
Sustain, Sostenuto, Soft
„ Jacks
Headphones (2), LINE IN (L/MONO, R), LINE OUT (L/MONO, R), MIDI (IN, OUT),
USB (TO HOST, TO DEVICE)
„ Output
Power 50 W x 2
„ Speakers
16 cm x 2, 5 cm x 2
„ Key Cover
Slide type
„ Power Consumption
85 W
„ Dimensions WxDxH
(with music rack flattened)
138 cm x 47 cm x 88 cm
„ Weight
(without bench)
57.5 kg
APPENDICES
‘ SPECIFICATIONS
9
Page
112
‘ MIDI EXCLUSIVE DATA FORMAT
1st byte
2nd byte
3rd byte
4th byte
5th byte
6th byte
7th byte
9th byte
9th byte
10th byte
1
2
3
4
5
6
7
8
9
10
9
APPENDICES
1
2
3
4
5
6
7
8
9
10
F0 ..........................Start code
40...........................KAWAI’s ID number
00 - 0F ...................MIDI channel
10, 30.....................Function code (30 when setting MULTI TIMBRE ON/OFF)
04...........................Indicates that the instrument is Electronic Piano
08...........................Indicates that the piano is “CN4X”
data 1
data 2.....................(See the table below.)
data 3
F7 ..........................End code
data 1
data 2
data 3
Function
00
00
----------
Multi Timbre Off
00
01
----------
Multi Timbre On 1
00
02
----------
Multi Timbre On 2
0D
00-0C
----------
00: Effect Off, 01: Chorus 3, 02: Delay 1, 03: Delay 2, 04: Delay 3,
05: Tremolo, 06: Rotary 1, 07: Rotary 2, 08: Chorus 1, 09: Chorus 2
0a: Chorus 4, 0b: EB Chorus, 0c: Flanger
0E
00-03, 06-08
----------
00: Reverb Off, 01: Room 2, 02: Stage, 03: Hall 1, 06: Room 1,
07: Hall 2, 08: Plate
14
00-7F
----------
Dual/Split balance
16
1F-60
----------
Tune, 40: 440 Hz
17
00, 7F
----------
00: Program Change Off, 7F: Program Change On
18
00-07
----------
00: Light, 01: Normal, 02: Heavy, 03: Off, 04: Light+, 05: Heavy+,
06: User 1, 07: User 2
19
00-03
----------
Lower Octave Shift
20
00-7F
00-7F
Dual Program Change, data 2: Right sound, data 3: Left sound
21
00-7F
00-7F
Split Program Change, data 2: Upper sound, data 3: Lower sound
22
00-7F
00-7F
Four Hands, data 2:Right sound, data 3:Left sound
25
00-08
00-0B
data 2: Temperament, data 3: Key
26
00, 7F
00-0F
Multi Timbre, data 2: 00 (On), 7F (Off), data 3: channel
27
00-02
00-02
Dual/Split, Right (Upper)/Left (Lower), sound Bank LSB
Page
113
‘ MIDI IMPLEMENTATION CHART
Date : September 2010
Version : 1. 0
KAWAI DIGITATL PIANO
MODEL : CN43
Transmit
Receive
Basic channel
Default
Changes
1
1 - 16
1 - 16
1 - 16
Mode
Default
Messages
Altered
3
°
ÄÄÄÄÄÄÄÄÄ
3
3, 4
True voice
21 - 108*
ÄÄÄÄÄÄÄÄÄ
0 - 127
0 - 127
Note number
Velocity
Note ON
Note OFF
After touch
Key’s
Channel’s
{ 9nH v=1-127
° 9nH v=0
Pitch bend
0, 32
1
5
6, 38
7
10
11
64
65
66
67
69
70
71
72
73
74
75
76
77
78
84
91
93
98, 99
100, 101
Control change
Program change
True #
System exclusive
Common
Song Position
Song Select
Tune
System
Real time
Clock
Commands
Aux
All sound Off
Reset all controller
Local On / Off
All notes Off
Active Sense
Reset
* 9 - 120 w/Transpose
{
°
°
°
°
{
°
{
{
°
°
°
{
°
°
{ (Right pedal)
°
{ (Center pedal)
{ (Left pedal)
{
°
°
°
°
°
°
°
°
°
°
{
{
°
°
Remarks
{
{
{
{
{
{
{
{
{
{
{
{
{
{
{
{
{
{
{
{
{
{
{
{
{
{
{ 0 - 127
ÄÄÄÄÄÄÄÄÄ
{
{
{
°
°
°
°
°
°
{
{ FA, FB, FC
{
{
°
°
°
°
{
°
{ (120)
{ (121)
°
{ (123 - 127)
{
°
Bank Select
Modulation
Portament Time
Data Entry
Volume
Panpot
Expression Pedal
Sustain Pedal
Portament
Sostenuto Pedal
Soft Pedal
Hold 2
Sustain Level
Resonance
Release Time
Attack Time
Cuttoff
Decay Time
Vibrato Speed
Vibrato Depth
Vibrato Delay
Portament Control
Reverb Send Level
Chorus Send Level
NRPN LSB, MSB
RPN LSB, MSB
Notes
Mode 1: omni mode On, Poly, Mode 2: omni mode On, Mono
Mode 3: omni mode Off, Poly, Mode 4: omni mode Off, Mono
{: Yes
°: No
APPENDICES
Function
9
CN43 Owner’s Manual
KPSZ-0437 : 816960
OW1049E-S1010
Version.3
Printed in Indonesia
Copyright © 2010 KAWAI Musical Instruments Mfg. Co.,Ltd. All Rights Reserved.