Crown Com-Tech CT-410 Reference Manual

COM-TECH®

Models:

Com-Tech 210, 410, 810 & 1610

Some models may be exported under the name Amcron.

®

© 2000 by Crown International, Inc., P.O. Box 1000, Elkhart, Indiana 46515-1000 U.S.A. Telephone:

219-294-8000. Com-Tech amplifiers are produced by Crown International, Inc. Trademark Notice: PIP ™ ,

SmartAmp ™ and Grounded Bridge ™ are trademarks and Amcron ® , Crown ® , Com-Tech ® , IOC ® , ODEP ® ,

IQ System ® and TEF ® are registered trademarks of Crown International, Inc. Other trademarks are the property of their respective owners.

Applies to

CT-410 and CT-810–

Crown and Amcron models

101969-4

4/00

This page intentionally left blank

Com-Tech Power Amplifiers

Page 2

Reference Manual


Important Safety Instructions

1) Read these instructions.

2) Keep these instructions.

3) Heed all warnings.

4) Follow all instructions.

5) Do not use this apparatus near water.

6) Clean only with a dry cloth.

7) Do not block any ventilation openings. Install in accordance with the manufacturer’s instructions.

8) Do not install near any heat sources such as radiators, heat registers, stoves, or other apparatus that produce heat.

9) Do not defeat the safety purpose of the polarized or grounding-type plug. A polarized plug has two blades with one wider than the other. A groundingtype plug has two blades and a third grounding prong. The wide blade or the third prong is provided for your safety. If the provided plug does not fit into your outlet, consult an electrician for replacement of the obsolete outlet.

10) Protect the power cord from being walked on or pinched, particularly at plugs, convenience receptacles, and the point where they exit from the apparatus.

11) Only use attachments/accessories specified by the manufacturer.

12) Use only with a cart, stand, bracket, or table specified by the manufacturer, or sold with the apparatus.

When a cart is used, use caution when moving the cart/apparatus combination to avoid injury from tipover.

13) Unplug this apparatus during lightning storms or when unused for long periods of time.

14) Refer all servicing to qualified service personnel.

Servicing is required when the apparatus has been damaged in any way, such as power-supply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not operate normally, or has been dropped.

15) To reduce the risk of fire or electric shock, do not expose this apparatus to rain or moisture.


Page 3

3

YEAR

THREE YEAR

FULL WARRANTY

3

YEAR

WORLDWIDE

SUMMARY OF WARRANTY

The Crown Audio Division of Crown International, Inc., 1718 West

Mishawaka Road, Elkhart, Indiana 46517-4095 U.S.A. warrants to you, the

ORIGINAL PURCHASER and ANY SUBSEQUENT OWNER of each

NEW Crown 1 product, for a period of three (3) years from the date of purchase by the original purchaser (the “warranty period”) that the new

Crown product is free of defects in materials and workmanship, and we further warrant the new Crown product regardless of the reason for failure, except as excluded in this Crown Warranty.

1 Note: If your unit bears the name “Amcron,” please substitute it for the name “Crown” in this warranty.

ITEMS EXCLUDED FROM THIS CROWN WARRANTY

This Crown Warranty is in effect only for failure of a new Crown product which occurred within the Warranty Period. It does not cover any product which has been damaged because of any intentional misuse, accident, negligence, or loss which is covered under any of your insurance contracts.

This Crown Warranty also does not extend to the new Crown product if the serial number has been defaced, altered, or removed.

WHAT THE WARRANTOR WILL DO

We will remedy any defect, regardless of the reason for failure (except as excluded), by repair, replacement, or refund. We may not elect refund unless you agree, or unless we are unable to provide replacement, and repair is not practical or cannot be timely made. If a refund is elected, then you must make the defective or malfunctioning product available to us free and clear of all liens or other encumbrances. The refund will be equal to the actual purchase price, not including interest, insurance, closing costs, and other finance charges less a reasonable depreciation on the product from the date of original purchase. Warranty work can only be performed at our authorized service centers. We will remedy the defect and ship the product from the service center within a reasonable time after receipt of the defective product at our authorized service center.

HOW TO OBTAIN WARRANTY SERVICE

You must notify us of your need for warranty service not later than ninety

(90) days after expiration of the warranty period. All components must be shipped in a factory pack. Corrective action will be taken within a reasonable time of the date of receipt of the defective product by our authorized service center. If the repairs made by our authorized service center are not satisfactory, notify our authorized service center immediately.

DISCLAIMER OF CONSEQUENTIAL AND INCIDENTAL DAMAGES

YOU ARE NOT ENTITLED TO RECOVER FROM US ANY INCIDENTAL

DAMAGES RESULTING FROM ANY DEFECT IN THE NEW CROWN

PRODUCT. THIS INCLUDES ANY DAMAGE TO ANOTHER PRODUCT

OR PRODUCTS RESULTING FROM SUCH A DEFECT.

WARRANTY ALTERATIONS

No person has the authority to enlarge, amend, or modify this Crown

Warranty. This Crown Warranty is not extended by the length of time which you are deprived of the use of the new Crown product. Repairs and replacement parts provided under the terms of this Crown Warranty shall carry only the unexpired portion of this Crown Warranty.

DESIGN CHANGES

We reserve the right to change the design of any product from time to time without notice and with no obligation to make corresponding changes in products previously manufactured.

LEGAL REMEDIES OF PURCHASER

No action to enforce this Crown Warranty shall be commenced later than ninety (90) days after expiration of the warranty period.

THIS STATEMENT OF WARRANTY SUPERSEDES ANY OTHERS

CONTAINED IN THIS MANUAL FOR CROWN PRODUCTS.

9/90

Telephone: 219-294-8200. Facsimile: 219-294-8301

NORTH AMERICA

SUMMARY OF WARRANTY

The Crown Audio Division of Crown International, Inc., 1718 West Mishawaka

Road, Elkhart, Indiana 46517-4095 U.S.A. warrants to you, the ORIGINAL

PURCHASER and ANY SUBSEQUENT OWNER of each NEW Crown product, for a period of three (3) years from the date of purchase by the original purchaser

(the “warranty period”) that the new Crown product is free of defects in materials and workmanship. We further warrant the new Crown product regardless of the reason for failure, except as excluded in this Warranty.

ITEMS EXCLUDED FROM THIS CROWN WARRANTY

This Crown Warranty is in effect only for failure of a new Crown product which occurred within the Warranty Period. It does not cover any product which has been damaged because of any intentional misuse, accident, negligence, or loss which is covered under any of your insurance contracts. This Crown Warranty also does not extend to the new Crown product if the serial number has been defaced, altered, or removed.

WHAT THE WARRANTOR WILL DO

We will remedy any defect, regardless of the reason for failure (except as excluded), by repair, replacement, or refund. We may not elect refund unless you agree, or unless we are unable to provide replacement, and repair is not practical or cannot be timely made. If a refund is elected, then you must make the defective or malfunctioning product available to us free and clear of all liens or other encumbrances. The refund will be equal to the actual purchase price, not including interest, insurance, closing costs, and other finance charges less a reasonable depreciation on the product from the date of original purchase.

Warranty work can only be performed at our authorized service centers or at the factory. We will remedy the defect and ship the product from the service center or our factory within a reasonable time after receipt of the defective product at our authorized service center or our factory. All expenses in remedying the defect, including surface shipping costs in the United States, will be borne by us. (You must bear the expense of shipping the product between any foreign country and the port of entry in the United States and all taxes, duties, and other customs fees for such foreign shipments.)

HOW TO OBTAIN WARRANTY SERVICE

You must notify us of your need for warranty service not later than ninety (90) days after expiration of the warranty period. All components must be shipped in a factory pack, which, if needed, may be obtained from us free of charge.

Corrective action will be taken within a reasonable time of the date of receipt of the defective product by us or our authorized service center. If the repairs made by us or our authorized service center are not satisfactory, notify us or our authorized service center immediately.

DISCLAIMER OF CONSEQUENTIAL AND INCIDENTAL DAMAGES

YOU ARE NOT ENTITLED TO RECOVER FROM US ANY INCIDENTAL

DAMAGES RESULTING FROM ANY DEFECT IN THE NEW CROWN

PRODUCT. THIS INCLUDES ANY DAMAGE TO ANOTHER PRODUCT OR

PRODUCTS RESULTING FROM SUCH A DEFECT. SOME STATES DO

NOT ALLOW THE EXCLUSION OR LIMITATIONS OF INCIDENTAL OR

CONSEQUENTIAL DAMAGES, SO THE ABOVE LIMITATION OR

EXCLUSION MAY NOT APPLY TO YOU.

WARRANTY ALTERATIONS

No person has the authority to enlarge, amend, or modify this Crown Warranty.

This Crown Warranty is not extended by the length of time which you are deprived of the use of the new Crown product. Repairs and replacement parts provided under the terms of this Crown Warranty shall carry only the unexpired portion of this Crown Warranty.

DESIGN CHANGES

We reserve the right to change the design of any product from time to time without notice and with no obligation to make corresponding changes in products previously manufactured.

LEGAL REMEDIES OF PURCHASER

THIS CROWN WARRANTY GIVES YOU SPECIFIC LEGAL RIGHTS, YOU

MAY ALSO HAVE OTHER RIGHTS WHICH VARY FROM STATE TO STATE.

No action to enforce this Crown Warranty shall be commenced later than ninety

(90) days after expiration of the warranty period.

THIS STATEMENT OF WARRANTY SUPERSEDES ANY OTHERS

CONTAINED IN THIS MANUAL FOR CROWN PRODUCTS.

Telephone: 219-294-8200. Facsimile: 219-294-8301

9/90

The information furnished in this manual does not include all of the details of design, production, or variations of the equipment. Nor does it cover every possible situation which may arise during installation, operation or maintenance. If your unit bears the name “Amcron,” please substitute it for the name “Crown” in this manual. If you need special assistance beyond the scope of this manual, please contact our Technical Support Group.

Crown Audio Technical Support Group

Plant 2 SW, 1718 W. Mishawaka Rd., Elkhart, Indiana 46517 U.S.A.

Phone: 800-342-6939 (North America, Puerto Rico and Virgin Islands) or 219-294-8200

Fax: 219-294-8301 Fax Back (North America only): 800-294-4094 or 219-293-9200

Fax Back (International): 219-294-8100 Internet: http://www.crownaudio.com

C A U T I O N

RISK OF ELECTRIC SHOCK

DO NOT OPEN

A V I S

RISQUE DE CHOC ÉLECTRIQUE

N’OUVREZ PAS

TO PREVENT ELECTRIC SHOCK DO

NOT REMOVE TOP OR BOTTOM

COVERS. NO USER SERVICEABLE

PARTS INSIDE. REFER SERVICING TO

QUALIFIED SERVICE PERSONNEL.

DISCONNECT POWER CORD BE-

FORE REMOVING REAR INPUT

MODULE TO ACCESS GAIN SWITCH.

À PRÉVENIR LE CHOC ÉLECTRIQUE

N’ENLEVEZ PAS LES COUVERCLES. IL

N’Y A PAS DES PARTIES

SERVICEABLE À L’INTÉRIEUR. TOUS

REPARATIONS DOIT ETRE FAIRE PAR

PERSONNEL QUALIFIÉ SEULMENT.

DÉBRANCHER LA BORNE AVANT

D’OUVRIR LA MODULE EN ARRIÈRE.

WARNING

TO REDUCE THE RISK OF ELECTRIC

SHOCK, DO NOT EXPOSE THIS

EQUIPMENT TO RAIN OR MOISTURE!

Magnetic Field

CAUTION! Do not locate sensitive high-gain equipment such as preamplifiers or tape decks

directly above or below the unit. Because this amplifier has a high power density, it has a strong magnetic field which can induce hum into unshielded devices that are located nearby. The field is strongest just above and below the unit.

If an equipment rack is used, we recommend locating the amplifier(s) in the bottom of the rack and the preamplifier or other sensitive equipment at the top.

WATCH FOR THESE SYMBOLS:

The lightning bolt triangle is used to alert the user to the risk of electric shock.

The exclamation point triangle is used to alert the user to important operating or maintenance instructions.

Printed on recycled paper.

Page 6

CONTENTS

1 Welcome ............................................................................ 9

1.1 Unpacking ................................................................... 9

1.2 Features ....................................................................... 9

2 Facilities .......................................................................... 10

3 Installation ....................................................................... 12

3.1 Mounting ................................................................... 12

3.2 Cooling ...................................................................... 12

3.2.1 Cooling for Units without Internal Fans ............. 13

3.2.2 Additional Cooling for Units with Internal Fans . 13

3.3 Wiring ........................................................................ 14

3.3.1 Mode of Operation .......................................... 14

3.3.2 Audio Input Connection ................................... 19

3.3.3 RSVP Input Connections .................................. 21

3.3.4 Output Connection .......................................... 21

3.3.5 Additional Load Protection ............................... 23

3.4 AC Power Requirements ............................................ 24

4 Operation ......................................................................... 25

4.1 Precautions ................................................................ 25

4.2 Indicators ................................................................... 25

4.3 Protection Systems .................................................... 26

4.3.1

ODEP .............................................................. 26

4.3.2 Standby Mode ................................................. 27

4.3.3 Transformer Thermal Protection ....................... 27

4.3.4 Circuit Breaker ................................................. 27

4.4 Controls ..................................................................... 28

4.5 Energy Savings Circuit Application ............................ 29

4.6 Filter Cleaning ............................................................ 29

5 Technical Information ...................................................... 29

5.1 Overview ................................................................... 29

5.2 Circuit Theory ............................................................ 30

5.2.1 Dual Operation ................................................ 30

5.2.2 Bridge-Mono Operation ................................... 31

5.2.3 Parallel-Mono Operation .................................. 31

6 Specifications .................................................................. 32

7 AC Power Draw and Thermal Dissipation ....................... 45

8 Accessories ..................................................................... 47

8.1

PIP and PIP2 Modules ................................................ 47

8.2 RSVP Module ............................................................ 49

8.3 Cooling Fan Option (120 VAC, 60 Hz only) ................. 49

8.4 Constant Voltage Computer ....................................... 49

9 Service ............................................................................. 50

9.1 Worldwide Service ..................................................... 50

9.2 North American Service ............................................. 50

9.2.1 Service at a North American Service Center .... 50

9.2.2 Factory Service ............................................... 50





ILLUSTRATIONS

1.1

Com-Tech Amplifiers (120 VAC, 60 Hz Units) ............................. 8

2.1

Front Facilities ......................................................................... 10

2.2

Rear Facilities ......................................................................... 11

3.1

Mounting Dimensions .............................................................. 12

3.2

Top View of a Rack-Mounted Unit ............................................ 13

3.3

Extra Cooling with a Rack-Mounted Blower ............................. 14

3.4

Wiring for Dual 8/4 Ohm Mode ................................................ 15

3.5

Wiring for Dual 70 Volt Mode ................................................... 16

3.6

Wiring for Bridge-Mono 70 Volt Mode (140 Volt Output) ........... 17

3.7

Wiring for Parallel-Mono 70 Volt, Bridge-Mono 8/4 Ohm and Parallel-Mono 8/4 Ohm Modes ......................................... 18

3.8

Balanced Input Wiring ............................................................. 19

3.9

Unbalanced Input Wiring ......................................................... 19

3.10 Infrasonic Filter Capacitor Values ............................................ 20

3.11 Unbalanced RFI Filters ............................................................ 20

3.12 Balanced RFI Filters ................................................................ 20

3.13 Connecting the RSVP Module ................................................. 21

3.14 Wire Size Nomograph ............................................................. 22

3.15 Inductive Load (Transformer) Network ..................................... 23

3.16 Loudspeaker Fuse Nomograph ............................................... 24

4.1

Indicators ................................................................................ 25

4.2

ODEP, IOC and Signal Presence Indicator States .................... 26

4.3

Input Sensitivity Switch ............................................................ 28

5.1

Circuit Block Diagram ............................................................. 30

6.1

Com-Tech 210 Minimum Power Matrix ..................................... 35

6.2


6.3


6.4

Com-Tech 1610 Minimum Power Matrix ................................... 38

6.5

Com-Tech 210 Maximum Power Matrix .................................... 39

6.6


6.7


6.8

Com-Tech 1610 Maximum Power Matrix .................................. 42

6.9

Typical Frequency Response .................................................. 43

6.10 Typical Damping Factor .......................................................... 43

6.11 Typical Output Impedance ...................................................... 43

6.12 Typical Phase Response ......................................................... 44

6.13 Typical Crosstalk ..................................................................... 44

7.1

Com-Tech 210 Power Draw, Current Draw and

Thermal Dissipation at Various Duty Cycles ............................. 45

7.2



7.3



7.4



8.1

PIP2 Adaptor Connection ........................................................ 47

8.2

Installing a PIP Module ............................................................ 47

8.3

Installing a PIP2 Module .......................................................... 47

Page 7


Page 8

Fig. 1.1 Com-Tech Amplifiers (120 VAC, 60 Hz Units)



1 Welcome

Congratulations on your purchase of a

Com-Tech ®

commercial power amplifier. The Com-Tech series is a complete family of amplifiers with a wide range of power output capabilities. Com-Tech amplifiers can directly drive “constant voltage” lines, so you can avoid the expense, distortion and insertion loss associated with step-up transformers for distributed loudspeaker systems. Com-Tech amplifiers also utilize Crown’s patented

ODEP ® protection circuitry which keeps the amplifier working under severe conditions that would shut down a lesser amplifier. All Com-Tech amplifiers feature

Crown’s exclusive

PIP™ (Programmable Input Processor) expansion system. The PIP expansion system makes it easy to tailor your amplifier to a specific application or to add future technology as it develops (see

Section 8 for a list of available PIPs).

This manual will help you successfully install and use your new Com-Tech amplifier. Please read all instructions, warnings and cautions. Be sure to read Section

3.3.1 if you plan to use the amplifier in one of its two mono modes, or if you plan to drive “constant voltage” lines. Also, for your protection, please send in your warranty registration card today, and save your bill of sale as it is your official proof of purchase.

1.1 Unpacking

Please unpack and inspect your new amplifier for any damage that may have occurred during transit. If damage is found, notify the transportation company immediately. Only you, the consignee, may initiate a claim for shipping damage. Crown will be happy to cooperate fully, as needed. Save the shipping carton as evidence of damage for the shipper’s inspection.

Even if the unit arrived in perfect condition, (as most do), save all packing materials, so you will have them if you ever need to transport the unit. NEVER SHIP THE

UNIT WITHOUT THE FACTORY PACK.

1.2 Features

Com-Tech amplifiers use cutting-edge technology and miniaturized design to provide the highest power and value for its size, weight and price. They offer numerous advantages over conventional designs and provide benefits you can’t get in amplifiers from any other manufacturer. For example, Crown’s patented ODEP protection circuitry and grounded bridge ™ output stages combine to provide performance and reliability that surpass the other, more traditional, designs. Here are some more of your amplifier’s impressive features: (

✹ de-


notes new feature for CT-10 Series models.)

“Soft-Star t” cuit breaker when several amps are turned on simultaneously.

✹ Remote

amplifiers to be turned on and off from a remote location. Placing the

Enable switch on the amplifier’s front panel to the Remote position allows the optional

R.S.V.P. (Remote Switching

Voltage Provider) module to control the amplifier.

Ener gy Saving amplifier to cut back its energy consumption based on the signal level offered to the inputs.

❏ Crown’s patented ODEP (Output Device Emulation Protection) circuitry detects and compensates for overheating and overload to keep the amplifier working when others would fail.

❏ Crown’s grounded bridge design delivers incredible voltage swings without using stressful output transistor configurations like conventional amplifiers. The results are lower distortion and superior reliability.

❏ IOC

® (Input/Output Comparator) circuitry immediately alerts you if distortion is present. You have real-time proof of distortion-free performance.

✹ Enhanced

PIP2 connector accepts new accessory modules that further tailor the amplifier to suit specific applications,

❏ Drives constant voltage lines without “lossy,” distortionproducing step-up transformers.

❏ Two mono modes (Bridge-Mono and Parallel-Mono) for driving a wide range of load impedances.

❏ Very low harmonic and intermodulation distortion give the best dynamic transfer function in the industry.

❏ Superior damping factor delivers maximum loudspeaker motion control for a clean, accurate low end.

❏ Superb crosstalk characteristics and a separate voltage supply for each channel make it possible to treat each channel like a separate amplifier.

✹ Full protection from shorted, open and mismatched loads, general overheating. DC, high-frequency overloads, and full internal fault protection are provided by fully pr opor tial speed fan sipate heat quickly and evenly for extra amplifier protection and extended component life. (The fan is an option for 120 VAC, 60 Hz Com-Tech 210s.)

✹ Barrier blocks are provided for both input and output

❏ Internal three-position input sensitivity switch provides settings of 0.775 volts for full standard 1-kHz 8/4-ohm power, 0.775 volts for full standard 1-kHz 70-volt power, and 26-dB voltage gain.

❏ Mounts in a standard 19-inch (48.3-cm) equipment rack.

❏ Three year “No-Fault” full warranty completely protects your investment and guarantees its specifications.

Page 9


Fig. 2.1 Front Facilities

2 Facilities

A. Filter Grille

A metal grille supports and protects the dust filter (B).

To clean the dust filter, detach the grille by removing the screws that fasten it in place.

F. Enable Indicator

This indicator lights when the amplifier has been enabled, or turned on, and AC power is available. The enable indicator will dim when the energy saving circuit is activated (see Section 4.2).

B. Dust Filter

The dust filter removes large particles from air drawn by the cooling fan. (The fan is an option for 120 VAC, 60 Hz

Com-Tech 210s.) Clean the filter regularly to prevent clogging (see Section 4.5).

C. ODEP Indicators

During normal operation of the Output Device Emulation Protection circuitry, these green indicators glow brightly to show the presence of reserve thermal dynamic energy. They dim proportionally as energy reserves decrease. In the rare event that energy reserves are depleted entirely, the indicators turn off and ODEP proportionally limits output drive so the amplifier can safely continue operating even under severe conditions.

These indicators can also help to identify more unusual operating problems (see Section 4.2).

D. IOC

Indicators

The yellow IOC (Input/Output Comparator) indicators serve as sensitive distortion indicators to provide proof of distortion-free performance. Under normal conditions, the indicators remain off. They light up if the output waveform differs from the input by 0.05% or more.

In addition, when the amplifier is running in parallel/ mono mode, CH2 IOC stays on under normal conditions (see Section 4.2).

G. Enable Switch

This rocker switch is used to turn the amplifier on, off, and enable the remote feature. When turned on by either the rocker switch or the remote R.S.V.P. module, the output is muted for about four seconds to protect your system from any turn-on transients. Delay times vary slightly from one unit to the next, so there is always a certain amount of “randomness”. Turn-on inrush is limited by Soft-Start circuitry, so Com-Tech amplifiers never need a power sequencer. (To change the turn-on delay time, contact Crown’s Technical Support Group.)

H. Power Cord

All 120 VAC, 60 Hz North American units have a

NEMA 5-15P plug with an integral voltage presence lamp. These units include a 16-gauge power cord with each Com-Tech 210 and 410, and a 14-gauge cord with each Com-Tech 810 and 1610. Other units have an appropriate power cord and plug. All Com-Tech “10” Series amps utilize a convenient 3-foot-long power cord.

To meet full regulatory compliance, these cords must be plugged into a local, cabinet mounted, commercial grade electrical outlet box. “Extension”

cords are not recommended or adequate. Refer to

Section 7 for more information on power usage.

E. Signal Presence Indicators (SPI)

The signal presence indicators flash synchronously with the amplifier’s audio output, when the output voltage is greater than 34 mV. (see Section 4.2).

I. Reset Switch

This reset switch is used to reset the circuit breaker that protects the power supplies from overload (see Sections 4.3.4 and 4.4).

Page 10



REG. U.S. PAT. OFF.

4,330,809

4,611,180

PUSH TO RESET

S

S

PR

T

R

E

REMOTE

COMPATIBLE

MODEL: COM-TECH 210

AC VOLTS: 120 AMPS: 3.5 60 Hz

RATED OUTPUT: 150 W/CH INTO 4 OHMS

AT 1 KHz WITH 0.1% OR LESS THD.

CAUTION:

BOTH CHANNELS MUST

BE CONFIGURED THE SAME (8/4 OHM

OR 70 VOLT) BEFORE USING EITHER

BRIDGE- OR PARALLEL-MONO MODE.

ELKHART, IN 46517

MADE IN U.S.A.

SERIAL NUMBER

000000

DUAL

PARALLEL

MONO

BRIDGE

MONO

CAUTION: TURN OFF AMPLIFIER

BEFORE CHANGING THIS SWITCH!

BB

Programmable

Input Processor (P.I.P.)

+

CH-2

CH2

– +

INPUT ATTENUATION

CH1

–

CH-1

CH-2 OUTPUT CH-1 OUTPUT

H I J K L N O

Fig. 2.2 Rear Facilities

(Domestic Model Shown)

N

J. Dual/Mono Switch

For 8- and 4-ohm operation, remove the cover plate, if so equipped, then slide this switch to the center for Dual

(two-channel) mode, to the left for Parallel-Mono mode or to the right for Bridge-Mono mode.

WARNING: Do not change this switch unless the amplifier is turned off. Do NOT use the Bridge-Mono or Parallel-Mono modes unless both output mode

switches (O) are set the same. Also, be sure to follow the installation requirements for each mode (see Section 3.3.1).

K. Remote Input

For remote operation, an RJ11 jack is used to connect the amplifier to the optional R.S.V.P. (Remote Switching

Voltage Provider) module. Do not connect to phone line.

L. PIP Module

The standard PIP2-BB is included with your amplifier. It provides barrier block input connectors equipped with test points for your DVM. Other PIP modules can be used in place of the PIP2-BB to provide additional features that customize the amplifier for different applications. First generation PIPs require the “PIP2 Adapter” for accessory connectivity (see Section 8 for available

PIP modules).

M. Input Sensitivity Switch (not shown)

The three-position Input Sensitivity Switch located inside the amplifier is accessed by removing the PIP module. It is set at the factory to 0.775 volts for maximum average power (1 kHz power into 8 ohms). It can

P Q P

also be set to 0.775 volts for 1 kHz output in 70-volt mode, or an overall voltage gain of 26 dB (see Section

4.4).

N. Input Attenuation Controls

Each channel’s output level can be adjusted accurately using these 21-position detented controls on the back panel. A Lexan cover is also included that can be used to discourage tampering (see Section 4.4).

O. Balanced Barrier Block Inputs

The PIP2-BB is included in the standard configuration.

It provides a balanced barrier block with three terminals for each input channel, as well as test points for a

DVM. (XLR connectors are also available—see Section

8.1.)

P. Output Mode Switches

The output mode switches are used to configure each channel independently for either 8/4-ohm loads or 70volt (“constant voltage”) lines.

WARNING: Do not change these switches unless the amplifier is off. Do NOT use the Bridge-Mono or Parallel-Mono modes unless these switches are set the

same. Also, be sure to follow the special installation requirements for each mode (see Section 3.3.1).

Q. Output Barrier Block

A barrier block with four terminals is provided for output connection. Output wiring will vary depending on the selected dual/mono mode and whether 70-volt output will be used (see Section 3.3.1).


Page 11


3 Installation

This section covers basic Com-Tech installation procedures. All Com-Tech

amplifiers are intended for rack mount installations using a commercial 19-inch

(48.3-cm) EIA rack standard metal cabinet wired with a commercial grade electrical outlet box and receptacles. All Com-Tech Amplifiers utilize a convenient

3-foot long (0.9-m) power cord for such installations.

3.1 Mounting

Com-Tech amplifiers are designed for standard 19-inch

(48.3-cm) rack mounting or stacking without a cabinet.

In a rack, it is best to mount units directly on top of each other. This provides the most efficient air flow and support. If the rack will be transported, we recommend that you fasten the amplifier’s back panel securely to the rack to help support the unit’s weight.

All Com-Tech amplifiers are 19 inches (48.3 cm) wide,

16 inches (40.6 cm) deep, and 0.25 inches (0.6 cm) in front of the mounting surface. As you can see in Figure 3.1, Com-Tech amplifiers vary in their vertical dimensions. Figure 3.1 labels the different heights as A, B and C. These letters correspond to the list that follows showing Com-Tech models and their vertical dimensions.

Height A: 3.5 inches (8.9 cm)

Models: Com-Tech 210 (All)

Com-Tech 410 (North American)

Height B: 5.25 inches (13.3 cm)

Models: Com-Tech 410 (100/120 VAC, 50/60 Hz)

Com-Tech 410 (220/240 VAC, 50/60 Hz)

Com-Tech 810 (All)

Height C: 7 inches (17.8 cm)

Model: Com-Tech 1610 (All)

3.2 Cooling

It is important to understand cooling considerations when installing a Com-Tech amplifier. First, never block the amplifier’s front or side air vents. This can cause poor air flow and may result in overheating. If the amplifier is rack-mounted, its sides should be at least

2 inches (5 cm) away from the cabinet (see Figure 3.2).

Also, open spaces in the front of the rack should be covered with blank panels to prevent improper air flow.

Otherwise, heated air from the side exhaust vents can be drawn into the front air intake which may greatly reduce the cooling system’s effectiveness.

Page 12

Fig. 3.1 Mounting Dimensions



16 in

40.6 cm

AIR

FLOW

2 in

(5 cm)

MIN.

17 in

43.2 cm

IMPORTANT: Be sure the back of the amplifier is supported.

AMPLIFIER

(TOP VIEW)

AIR

FLOW

RACK

CABINET

AIR FLOW

Fig. 3.2 Top View of a Rack-Mounted Unit

The air flow requirement for a Com-Tech amplifier depends on many things, but the most important factor is average output power. Air flow requirements increase as output power increases, so anything that affects output power also affects the required air flow.

Average output power is mainly affected by three things: (1) duty cycle of the input signal, (2) load impedance, and (3) rated output power. First, as the duty cycle of the input signal increases, the average output power level increases. For example, the amplifier will need more air flow with a rock ‘n’ roll input signal than with infrequent paging. Second, as the load impedance of a connected loudspeaker gets smaller, more current will flow through the load which effectively increases output power. This means you can expect the amplifier to require more air flow with a 4-ohm load than with an

8-ohm load. Finally, an amplifier that is rated for higher power output is usually used at higher average output levels. So a Com-Tech 1610 delivering full output will require more air flow than a Com-Tech 210. These relationships and the resulting thermal dissipation levels are defined mathematically in Section 7.

3.2.1 Cooling for Units without Internal Fans

All units have a continuously variable on-demand cooling fan except for the North American Com-Tech 210.

Forced-air cooling may not be needed for applications with a low duty cycle such as paging or background music. This is why the North American Com-Tech 210 is usually provided without a fan.

If you will be using a North American Com-Tech 210 in a high-temperature environment, or at full power for sustained periods, you can anticipate that additional cooling will be needed. It may also be helpful to use the


information in Section 7 to estimate the amplifier’s thermal dissipation for your application. In general, a North

American Com-Tech 210 that dissipates more than 410 btu (110 kcal) per hour per unit will need additional cooling. If you are not sure, observe the ODEP indicators while the amplifier is operating under worst-case conditions. If the indicators dim, additional cooling is recommended.

There are at least three ways to provide extra cooling for an amplifier that does not have an internal fan. The most effective method is to install an internal fan which is available from Crown as an accessory (refer to subsection 8.3). A cooling fan (part GCT200FAN) kit is available for North American Com-Tech 210s (all other units include a fan). Crown recommends the kit if you will be operating the amplifier at high levels or in high temperatures for long periods. Refer to paragraph 8.3

for more information on the cooling fan kit

A rack-mounted blower or an air conditioner can also be used to provide extra cooling. In some situations, you may find it practical to use these methods without installing a fan in each amplifier. However, we generally recommend that you use the internal fans because they provide the most efficient cooling, and are active only when needed. Amplifiers that already have internal fans can also take advantage of a rack-mounted blower or air conditioner, so these approaches will be discussed in the section that follows.

3.2.2 Additional Cooling for Units with Internal Fans

If multiple amplifiers will be operated under demanding conditions (such as driving loads less than 4 ohms), or if air flow through the rack will be restricted, you should verify that the total air flow through the rack will be sufficient. As described in Section 3.2.1, sufficient air flow can be tested in the real world by observing the ODEP indicators while operating under worst-case conditions.

If the indicators dim, cooling can be improved by reducing air restrictions, installing a rack-mounted blower, or using an air conditioner.

Many things can cause air flow restrictions, including improper mounting, bunched up power cords, closed rack doors, and clogged dust filters. A Com-Tech amplifier should be mounted in a way that allows sufficient air flow into the front intakes, out the side exhaust vents, and out the back of the rack. If your rack has a front door, it is usually best to leave it open and avoid blocking the air intakes. If this is impossible, supplement the air flow by mounting a grille in the door or with a rackmounted blower. If you install a grille in the door, we recommend wire grilles instead of perforated panels,

Page 13


AIR

FLOW

AIR

FLOW

BLOWER

(OPTION 2)

EQUIPMENT

RACK

(SIDE VIEW)

BLOWER

(OPTION 1)

FRONT

OF

RACK

DOOR

Fig. 3.3 Extra Cooling with a Rack-Mounted Blower because wire tends to cause less air restriction (perforated panels cause a minimum air restriction of 40%).

A better choice for increasing the air flow behind a rack cabinet door is to use a “squirrel cage” blower. Mount the blower at the bottom of the rack so it blows outside air into the space between the door and the front of the amplifiers, pressurizing the “chimney” behind the door

(Figure 3.3, Option 1). The blower should not blow air into or take air out of the space behind the amplifiers.

For racks without a front door, you can evacuate the rack by mounting the blower at the top of the rack so that air blows out the back (Figure 3.3, Option 2).

You can estimate the required air flow for a rack by adding together the maximum required air flow ratings of the individual units. The internal fan in a Com-Tech 210

(if installed), 410 and 810 can move up to 35 cubic feet

(1 cubic meter) of air per minute, while the internal fan in a Com-Tech 1610 can move up to 65 cubic feet (1.8

cubic meters) per minute. If you mounted one of each

Com-Tech model in a rack, worst-case conditions would require 170 cubic feet (4.7 cubic meters) of air flow through the rack every minute (3 x 35 cubic feet + 65 cubic feet = 170 cubic feet).

Air flow restrictions may also result if the air filter becomes clogged. If the air supply is unusually dusty, you can help prevent rapid loading of the unit’s air filter by pre-filtering the air using commercial furnace filters.

And, when needed, the unit's filter can be cleaned with mild dish detergent and water (see Section 4.6).

The final method for increased cooling is to use air conditioning. Air conditioning is rarely a necessity because internal fans and rack-mounted blowers almost always

Page 14 provide enough air flow for even the most extreme conditions. Still, air conditioning can help by reducing the temperature of the air circulated through the rack. If you intend to install air conditioning for your amplifiers, you may want to use Section 7 to determine the hourly thermal dissipation of your system.

3.3 Wiring

Figures 3.4 through 3.7 show common ways to install a

Com-Tech amplifier in a sound system. Input and output terminals are located on the back panel. Please use care when making connections, selecting signal sources and controlling the output level. The load you save may be your own! Crown assumes no liability for damaged loads resulting from careless amplifier use or deliberate overpowering.

CAUTION: Always disconnect the AC power and turn the level controls off when making or breaking

connections. This is very important when loudspeakers are connected because it reduces the chance of loud blasts that can cause loudspeaker damage.

3.3.1 Mode of Operation

Proper wiring depends on how you configure your amplifier. First, each output channel can be independently configured to drive step-down transformers in a distributed “constant voltage” loudspeaker system (70-volt mode) or loudspeakers that do not have step-down transformers (8/4-ohm mode). Second, the amplifier can be configured for Dual, Bridge-Mono or Parallel-

Mono modes. Various combinations of these modes are possible, so be sure to note any special wiring requirements for the mode you will be using.

8/4

OHM

70

VOLT

7 0 V O L T

The 70-volt output mode is used to drive constant voltage lines without expensive step-up transformers.

Avoiding the use of step-up transformers not only saves money, but it also eliminates the distortion and insertion loss caused by this type of transformer.

Setting up 70-volt mode is easy. Turn off the amplifier, then slide the recessed output mode switches to the 70

VOLT (right) position.

If required by your system design, Com-Tech amplifiers can be configured for either bridge-mono or parallelmono modes of operation. To switch your amplifier accordingly, start by removing power from the unit. Next,


Com-Tech Power Amplifiers remove the “Dual-Mono” mode switch cover and set the switch to the desired setting. Then replace the

switch cover plate before restoring power.

WARNING: If you have configured the amplifier to produce 100 volts output or greater, your output wiring must conform to the National Electrical Code

Class 1 wiring requirements.

If Bridge-Mono mode is used with 70-volt output, the amplifier will actually deliver 140 volts (more information on this is provided later in this section). To effectively use this mode, you may need to cross-reference power ratings for the step-down transformer taps using

Crown’s constant voltage computer (see Section 8.3).

WARNING: The output mode switches must be set the same (8/4-ohm or 70-volt mode) when operating in Bridge-Mono or Parallel-Mono mode.

When connecting a 70-volt step-down transformer, do not exceed its power rating. Too much power can saturate a transformer and cause it to appear as a short circuit to the amplifier. If this happens, no damage should occur, but the amplifier may run less efficiently, and the sound quality may be affected.

8/4

OHM

70

VOLT

8/4-ohm mode is commonly used to drive loudspeakers with impedances from 2 to 16 ohms. When using this output mode, appropriate load impedances will depend on the dual/mono mode that you select. The available dual/mono modes (Dual, Bridge-Mono and

Parallel-Mono) will be described in sections that follow.

Configuring your amplifier for 8/4-ohm mode is straightforward. Turn off the amplifier and slide the output mode switches to the 8/4 OHM (left) position.

When the amplifier is set up for two-channel (Dual mode) operation, it is possible to configure one output channel for 8/4-ohm operation and the other for 70-volt operation. If you plan to use different output modes like this, the input sensitivity should be set to 0.775-volts for

70-volt output. This will assure you of having enough amplifier gain to reach 70-volt output levels with a .775volt input signal. The 8/4-ohm channel will need to have it’s level control turned down so that a .775-volt input signal will not overdrive that channel (see Section 4.4).

ALWAYS configure both channels the same when using

Bridge-Mono or Parallel-Mono modes.

Because of the way Com-Tech amplifiers are designed, they can be used to directly drive constant voltage lines in 8/4-ohm mode. Being able to use lower constant voltage levels can be very convenient if building codes or other obstacles do not permit higher constant voltage levels. When 8/4-ohm mode is used to drive a distrib-

8 / 4 O H M

CHANNEL 1

CHANNEL 2

8/4

OHM

CH2

70

VOLT

8/4

OHM

CH1

70

VOLT

TURN OFF THE AMPLIFIER

BEFORE CHANGING THE

OUTPUT MODE SWITCHES.

MIXER

PUSH TO RESET

PR

ESS

R E S E

T

REMOTE

BB

CH2

Programmable

+


17

15

19

13

11 10

21

25

32

9 8 dB

7

6

5

4

0

.5

3

1

2

CH-2

–

CH1

+ –

17

19

15

13

11 10 9

21

25

32

CH-1 dB

8

7

6

0

.5

1

2

5

4

3

Com-Tech Amplifier

DUAL 8/4 OHM MODE

(BOTH CHANNELS)

PARALLEL

MONO

DUAL

BRIDGE

MONO


BEFORE CHANGING

THE DUAL/MONO SWITCH.

CHANNEL 1

CHANNEL 2

+

–

LOUDSPEAKERS

–

+

Fig. 3.4 Wiring for Dual 8/4-Ohm Mode


Page 15

Com-Tech Power Amplifiers uted loudspeaker system, the constant voltage output varies with the output power rating of the amplifier. With

8/4-ohm output in Dual or Parallel-Mono mode, the

Com-Tech 210 can drive a 25-volt line, the Com-Tech

410 can drive a 35-volt line, the Com-Tech 810 can drive a 50-volt line, and the Com-Tech 1610 can drive a 70volt line. Using Bridge-Mono mode, these voltage levels are doubled for a single channel. Again, to effectively use different constant voltage levels, you may need to cross reference the ratings for the step-down transformers’ taps using Crown’s constant voltage computer (see Section 8.3).

correct loudspeaker polarity (see Figure 3.4) and be careful not to short the two outputs.

CAUTION: Never tie an amplifier’s outputs together directly while in dual mode. Never parallel them with

the output of another amplifier. Such connections do not result in increased output power, but may cause overheating and premature activation of the protection circuitry.

Note: To parallel multiple amplifiers for fail-safe redundancy, contact Crown’s Technical Support Group.

D U A L

Dual mode allows each amplifier channel to operate independently like a “dual mono” or stereo amplifier. And if you select both Dual mode and 70-volt output, each output channel can drive a 70-volt line. Installation is intuitive: Input Channel 1 feeds output channel 1, and input Channel 2 feeds output Channel 2.

To put the amplifier into Dual mode, turn it off, slide the dual/mono switch to the DUAL (center) position, and properly connect the output wiring. Be sure to observe

B R I D G E - M O N O

Bridge-Mono mode is used to drive loads with a total impedance of at least 8 ohms (see Parallel-Mono if the load is less than 4 ohms). If Bridge-Mono mode and 70volt output are used together, twice the normal output voltage is produced from a single channel to drive 140volt distributed loudspeaker systems. If you will be using 140-volt output, you may need to cross-reference the ratings of the step-down transformer taps with

Crown’s constant voltage computer (see Section 8.3). If you need a single channel with higher power to drive a

70-volt line, use Parallel-Mono mode.

CHANNEL 1

CHANNEL 2

8/4

OHM

CH2

70

VOLT

8/4

OHM

CH1

70

VOLT


BEFORE CHANGING THE


MIXER

Com-Tech Amplifier

PUSH TO RESET

PR

ESS

R E S E

T

REMOTE

BB

CH2

Programmable

+


17

15

19

13

11 10

21

25

32

9 8 dB

7

6

5

4

3

2

0

.5

1

CH-2

–

CH1

+ –

17

19

15

13

11 10 9

21

25

32

CH-1 dB

8

7

6

0

.5

1

2

5

4

3

DUAL 70 VOLT MODE

(BOTH CHANNELS)

PARALLEL

MONO

DUAL

BRIDGE

MONO


BEFORE CHANGING


CHANNEL 1

70 VOLT LINE

CHANNEL 2

+

COM

16, 8, OR 4 OHM

+

–

COM

+

70 VOLT STEP-DOWN

TRANSFORMERS

LOUDSPEAKERS

16, 8, OR 4 OHM

–

+

Fig. 3.5 Wiring for Dual 70-Volt Mode

Page 16



WARNING: Both channels must be configured for the same output mode (8/4-ohm or 70-volt) before switching to Bridge-Mono mode.

Bridge-Mono wiring is very different from the other modes and requires special attention. First, turn the amplifier off. Then select Bridge-Mono mode by sliding the dual/mono switch to the BRIDGE MONO (right) position. Both outputs will receive the signal from Channel

1 with the output of Channel 2 inverted so it can be bridged with the Channel 1 output. DO NOT USE THE

CHANNEL 2 INPUT or the signal level and quality may be greatly degraded. Also, keep the Channel 2 Input

Attenuation control turned down completely (counterclockwise).

Note: The Channel 2 input jack and Input Attenuation control are not defeated in Bridge-Mono mode. A signal feeding Channel 2 will work against the Channel 1 signal, and usually results in distortion and inefficient operation.

Connect the load across the two positive (+) output terminals (see Figure 3.6 and the middle illustration in Figure 3.7). The positive lead from the load connects to the positive Channel 1 terminal, and the negative (or ground) lead from the load connects to the positive

Channel 2 terminal. Do not connect the output grounds ( ). Also, the load must be balanced (neither side shorted to ground).

CAUTION: Connect only balanced equipment

(meters, switches, etc.) to the Bridge-Mono output.

Both sides of the line must be isolated from the input grounds or oscillations may occur.

DUAL

PARALLEL

MONO

BRIDGE

MONO

P A R A L L E L - M O N O

Parallel-Mono mode is used to drive loads with a total impedance of less than 4 ohms when using 8/4-ohm output mode (see

Bridge-Mono if the load is greater than 4 ohms). This mode can also be used to drive a single high-powered 70-volt constant voltage line.

Parallel-Mono installation is very different from the other modes and requires special attention.

WARNING: Both channels must be configured for the same output mode (8/4-ohm or 70-volt) before switching to Parallel-Mono mode.

CHANNEL 1

DO NOT

USE

MIXER

PUSH TO RESET

PR

ESS

R E S E

T

REMOTE

BB

CH2

Programmable


+

17

19

13

15

11 10

21

25

32 dB

9 8

7

6

5

4

3

0

.5

1

2

CH-2

–

CH1

+ –

15

17

19

13

11 10

21

25

32

9 8

CH-1 dB

7

6

5

4

0

3

.5

1

2

BRIDGE-MONO

70 VOLT MODE

(140 VOLT OUTPUT)

Com-Tech Amplifier

TURN OFF CHANNEL 2 (CCW)

IN BRIDGE-MONO MODE.

PARALLEL

MONO

DUAL

BRIDGE

MONO


BEFORE CHANGING


8/4

OHM

CH2

70

VOLT

8/4

OHM

CH1

70

VOLT


BEFORE CHANGING THE


WARNING: BOTH CHAN-

NELS MUST BE SET TO

70 VOLT MODE.

DO NOT USE

THE GROUND

TERMINALS

140 VOLT LINE

+

COM

16, 8, OR 4 OHM

+

–

+

140 VOLT STEP-DOWN

TRANSFORMERS

COM

16, 8, OR 4 OHM

LOUDSPEAKERS

+

–

Fig. 3.6 Wiring for Bridge-Mono 70-Volt Mode (140-Volt Output)


Page 17


CHANNEL 1

8/4

OHM

CH2

70

VOLT

8/4

OHM

CH1

70

VOLT


BEFORE CHANGING THE


WARNING: BOTH CHAN-

NELS MUST BE SET

TO 70 VOLT MODE.

NOT

MIXER

PARALLEL-MONO

70 VOLT MODE

Com-Tech Amplifier

PUSH TO RESET

PR

ESS

R E S E T

REMOTE

BB

CH2 CH1

Programmable

+


15

13

17

19

21

25

32

11 10 9 dB

8

7

6

5

0

.5

1

2

4

3

CH-2

– + –

17

19

15

13

11 10 9

21

25

32

CH-1 dB

8

7

6

5

0

.5

1

2

4

3

CHANNEL 2 IS NOT USED

IN PARALLEL-MONO MODE.

PARALLEL

MONO

DUAL

BRIDGE

MONO


BEFORE CHANGING


70 VOLT LINE

ADD A 14 GAUGE OR

LARGER JUMPER

BETWEEN THE CHAN-

NEL 1 AND 2 POSI-

TIVE (+) TERMINALS.

+

COM

16, 8, OR 4 OHM

+

–

70 VOLT STEP-DOWN

TRANSFORMERS

+

COM

16, 8, OR 4 OHM

LOUDSPEAKERS

+

–

CHANNEL 1

8/4

OHM

CH2

70

VOLT

8/4

OHM

CH1

70

VOLT


BEFORE CHANGING THE


WARNING: BOTH CHAN-

NELS MUST BE SET TO

8/4 OHM MODE.

DO NOT

USE

MIXER

BRIDGE-MONO

8/4 OHM MODE

Com-Tech Amplifier

PUSH TO RESET

PR

ESS

R E S E T

REMOTE

BB

CH2 CH1

Programmable

+


19

21

25

32

15

13

17

11

10 9 dB

8

7

6

5

0

.5

1

2

4

3

CH-2

– + –

19

21

17

15

13

11

10

25

32

9

8 dB

7

6

0

.5

1

5

4

3

2

CH-1

TURN OFF CHANNEL 2 (CCW)

IN BRIDGE-MONO MODE.

PARALLEL

MONO

DUAL

BRIDGE

MONO


BEFORE CHANGING


DO NOT USE THE

OUTPUT GROUND

TERMINALS.

+

–

LOUDSPEAKER

CHANNEL 1

NOT USED

MIXER

PUSH TO RESET

PR

ESS

R E S E

T

REMOTE

BB

CH2

Programmable

+


17

19

15

13

11

10 9

21

25

32 dB

8

7

6

5

4

0

3

.5

1

2

CH-2

–

CH1

+ –

17

19

15

13

11

10

21

25

32

CH-1 dB

9

8

7

6

0

.5

1

2

5

4

3

PARALLEL-MONO

8/4 OHM MODE

Com-Tech Amplifier

CHANNEL 2 IS NOT USED

IN PARALLEL-MONO MODE.

PARALLEL

MONO

DUAL

BRIDGE

MONO


BEFORE CHANGING


8/4

OHM

CH2

70

VOLT

8/4

OHM

CH1

70

VOLT


BEFORE CHANGING THE


WARNING: BOTH CHAN-

NELS MUST BE SET

TO 8/4 OHM MODE.

ADD A 14 GAUGE OR

LARGER JUMPER

BETWEEN THE CHAN-

NEL 1 AND 2 POSI-

TIVE (+) TERMINALS.

+

–

LOUDSPEAKER

Page 18

Fig. 3.7 Wiring for Parallel-Mono 70-Volt, Bridge-Mono 8/4-Ohm and Parallel-Mono 8/4-Ohm Modes



To select Parallel-Mono mode, turn off the amplifier and slide the dual/mono switch to the PARALLEL MONO

(left) position. Connect the input signal to Channel 1 only. The Channel 2 input jack and Input Attenuation control are bypassed in this mode, so they should not be used.

Connect the load to the Channel 1 output as shown in

Figure 3.7 (top and bottom illustrations). The positive lead from the load connects to the positive (+) terminal of Channel 1, and the negative (or ground) lead from the load connects to the ground ( ) terminal of Channel

1. Finally, install a jumper wire of at least 14 gauge between the positive (+) terminals of both channels.*

CAUTION: When Parallel-Mono wiring is installed, do

NOT operate in Dual or Bridge-Mono mode until the wiring is removed (especially the jumper wire). Failure to do so will result in high distortion and excessive heating.

3.3.2 Audio Input Connection

The balanced inputs have a nominal impedance of 20 k ohms (10 k ohms unbalanced) and will accept the linelevel output of most devices. The factory-installed PIP2-

BB provides a balanced three-terminal input barrier block for each channel (see Figure 2.2). Optional PIP modules like the

PIP2-FXQ, etc., can provide female

XLR connectors, phone jacks and phono (RCA) connectors. Various PIPs are also available which provide a wide range of input signal processing features (see

Section 8).

+

–

Note: If two or more channels with the same input ground reference are driven from the same floating source, connect

Floating source

only one shield to the source chassis.

+

Output

–

2-wire line cord

(or battery power)

INPUT

+

–

INPUT

Grounded source

+

Output

–

Shield not connected at this end

3-wire grounded line cord

(or other ground connection)

Fig. 3.8 Balanced Input Wiring

Proper input wiring depends on two factors: (1) whether the input signals are balanced or unbalanced, and (2) whether the signal source floats or has a ground reference. The following illustrations provide examples of recommended connection techniques for each type of signal source. (See Figures 3.8 and 3.9.)

+

–

INPUT

Floating source

Output

+

Shield connected to ground terminal

Grounded source

Output

+

2-wire line cord

(or battery power)

Shield not connected at this end

INPUT

+ –



Floating source

Output

+

2-wire line cord

(or battery power)

Grounded source

Output

+



INPUT

+ –

Shield connected to both negative (–) and ground input terminals

+

–

INPUT

Input ground terminal not used

Fig. 3.9 Unbalanced Input Wiring

S O L V I N G I N P U T P R O B L E M S

Sometimes large subsonic (sub-audible) frequencies are present in the input signal. These can damage loudspeakers or step-down transformers by overloading or overheating them. To attenuate such frequencies, place a capacitor in series with the input signal line. The graph in Figure 3.11 shows some capacitor values and how they affect frequency response. Use only low-leakage capacitors.


Page 19


–5

–10 dB

0

–15

µ

.05 f

1 Hz 10 Hz 100 Hz

Frequency

1 kHz

Fig. 3.10 Infrasonic Filter Capacitor Values

10 kHz

Another problem to avoid is large levels of radio fre-

quencies or RF in the input signal. Although high RF levels may not pose a threat to the amplifier, they can burn out tweeters or other loads that are sensitive to high frequencies. Extremely high RF levels can also cause your amplifier to prematurely activate its protection circuitry, resulting in inefficient operation. RF can be introduced into a signal by local radio stations and from the bias signal of many tape recorders. To prevent high levels of input RF, install an appropriate low-pass filter in series with the input signal. Some examples of unbalanced wiring for low-pass filters are shown in Figure 3.11.

1.8 K

Ω

To

Amp

Source

.003

µ

f

GND

A

3.9 mH

.015

µ

f

To

Amp

R

Ω

Source

GND

B

5 mH

µ

f

To

Amp

R

Ω

Source

GND

C

4 kHz

Note: A low source impedance (R) can be increased to 600 by an appropriate resistor.

10 kHz

12 dB/octave

Frequency

6 dB/octave

C

B

40 kHz

A dB

0

–10

–20

100 kHz

Fig. 3.11 Unbalanced RFI Filters

For balanced input wiring, use an example from Figure

3.12. Filters A, B, and C correspond to the unbalanced filters shown in Figure 3.11. Filter D also incorporates the infrasonic filter in Figure 3.10.

Tip: The standard PIP2-BB has space on its circuit board for the addition of input filter circuitry.

A third problem to avoid is hum. The two most common sources of hum in an audio system are inductive cou-

pling and ground loops.

Inductive coupling can occur when input cables are subjected to a magnetic field from a power cord or power transformer. One way to prevent inductive coupling is to lace the input cables together along their length and route them as far away as possible from power transformers and power cords. The use of

Page 20

A

+

Balanced In

–

910

Ω

µ

f

+

Balanced Out

–

910

Ω

1.8 mH

B

+

Balanced In

–

.015

µ

f

+

Balanced Out

–

1.8 mH

2.5 mH

C

+

Balanced In

–

.018

µ

f

+

Balanced Out

–

2.5 mH

D

+

Balanced In

0.47 Film 1.8 mH

.015

µ

f

–

0.47 Film 1.8 mH

Fig. 3.12 Balanced RFI Filters

+

Balanced Out

–

shielded pair cable is another effective way to reduce or eliminate hum resulting from inductive coupling.

Ground loops often result when two or more devices are improperly grounded. This causes undesirable stray currents that may produce hum in the output. The best way to avoid ground loops is to ensure that all system devices are plugged into the same power strip. In addition, make sure that all cable shields are grounded at one end only.

Input Wiring Tips

1. Use only shielded cable. Cables with higher density shields are better. Spiral wrapped shield is not recommended.

2. When using unbalanced lines, keep the cables as short as possible. Avoid cable lengths greater than 10 feet (3 meters).

3. Do not run signal cables together with high-level wiring such as loudspeaker wires or AC cords. This reduces the chance of hum or noise being induced into the input cables.

4. Turn the entire system off before changing connections. Turn level controls down before powering the system back up. Crown is not liable for damage incurred when any transducer or component is overdriven.



Use Good Connectors

1. To prevent possible short circuits, do not expose the loudspeaker cable connectors.

2. Do not use connectors that might accidentally tie two channels together when making or breaking connections (for example, a standard three-wire stereo phone plug).

3. Connectors that can be plugged into AC power receptacles should never be used.

4. Connectors with low current-carrying capacity should not be used.

5. Connectors with any tendency to short should never be used.

Input and output grounds are sometimes tied together for testing or metering. This can cause feedback oscil-

lation from load current in the test loop. In some systems, even the AC power line may provide this feedback path. To avoid this problem, use proper grounding, isolate the inputs and other common AC devices.

3.3.3 R.S.V.P. Input Connections

The R.S.V.P. accessory module can control racks of amplifiers at remote locations, providing a system master power on/off switching function. A maximum of 21 amplifiers can be attached to each R.S.V.P. module; however, an unlimited number of R.S.V.P. modules can be slaved together to accommodate any system size.

The power on/off function is controlled from an

IQ-System ®

AUX or Control Port or from a simple remote contact-closure switch. When under IQ System control, all remote manual-control switches are automatically disabled. This provides priority access to the IQ user and prevents accidental turnoff. For manual switch configuration, two normally-open momentary switches are required: one switch provides the signal to turn the unit on, while the second switch provides the signal to turn the unit off (see Figure 3.13).

3.3.4 Output Connection

Consider the power handling capacity of your load before connecting it to the amplifier. Crown is not liable for damage incurred at any time due to overpowering. Fusing loudspeaker lines is highly recommended (see Section 3.3.5). Also, please pay close attention to Section

4.1, Precautions.


Fig. 3.13 Connecting the RSVP Module

Page 21


You should always install loudspeaker cables of sufficient gauge (wire thickness) for the length used. The resistance introduced by inadequate output cables will reduce the amplifier’s power to and motion control of the loudspeakers. The latter problem occurs because the damping factor decreases as the cable resistance increases. This is very important because the amplifier’s excellent damping factor can be easily negated by using insufficient cable.

Use the nomograph in Figure 3.14 and the following procedure to find the recommended wire gauge (AWG or American Wire Gauge) for your system.

1. Note the load resistance of the loudspeakers connected to each channel of the amplifier. If you are using

70-volt output, be sure to determine the load resistance of the step-down transformers (Crown’s constant voltage computer can help with this, see Section 8.3).

Mark this value on the Load Resistance line of the nomograph.

2. Select an acceptable damping factor and mark it on the Damping Factor line. Your amplifier can provide an excellent damping factor of 1,000 from 10 to 400 Hz in Stereo mode with an 8-ohm load. In contrast, typical damping factors are 50 or lower. Higher damping factors yield lower distortion and greater motion control over the loudspeakers. A common damping factor for commercial applications is between 50 and 100.

Higher damping factors may be desirable for live sound, but long cable lengths often limit the highest damping factor that can be achieved practically. (Under these circumstances, Crown’s IQ System is often used so amplifiers can be easily monitored and controlled when they are located very near the loudspeakers.) In recording studios and home hi-fi, a damping factor of 500 or more is desirable.

3. Draw a line through the two points with a pencil, and continue until it intersects the Source Resistance line.

4. On the 2-Cond. Cable line, mark the length of the cable run.

5. Draw a pencil line from the mark on the Source Resis-

tance line through the mark on the 2-Cond. Cable line, and on to intersect the Annealed Copper Wire line.

6. The required wire gauge for the selected wire length and damping factor is the value on the Annealed Cop-

per Wire line. Note: Wire size increases as the AWG gets smaller.

7. If the size of the cable exceeds what you want to use,

(1) find a way to use shorter cables, like using the IQ

System, (2) settle for a lower damping factor, or (3) use more than one cable for each line. Options 1 and 2 will require the substitution of new values for cable length

1

0.9

0.8

0.7

0.6

0.5

10

9

8

7

6

5

4

40

LOAD

RESISTANCE

(ohms)

30

20

15

DAMPING

FACTOR

20,000

10,000

5,000

2,000

1,000

500

200

100

50

20

10

5

2

1

3

Example Shown:

Cable Length = 10 ft.; answer: #8 wire

2

.4

.6

1

2

.04

.06

.1

.2

20

40

4

6

10

.004

.006

.01

.02

.0002

.0004

SOURCE

RESISTANCE

(ohms)

.0006

.001

.002

8000

5000

(ohms/1000 ft.)

10

20

50

100

200

500

1000

2000

2-COND.

CABLE

(feet)

1

2

5

5000

1000

500

100

50

10

5

1

.5

ANNEALED

COPPER

WIRE

(AWG)

.1

.05

#16

#14

#12

#10

#8

#6

#4

#28

#26

#24

#22

#20

#18

#2

#0

#00

#0000

.01

1.5

Fig. 3.14 Wire Size Nomograph

Page 22


Com-Tech Power Amplifiers or damping factor in the nomograph. For option 3, estimate the effective wire gauge by subtracting 3 from the apparent wire gauge every time the number of conductors of equal gauge is doubled. So, if #10 wire is too large, two #13 wires can be substituted, or four #16 wires can be used for the same effect.

SOLVING OUTPUT PROBLEMS

High-frequency oscillations can cause your amplifier to prematurely activate its protection circuitry. The effects of this problem are similar to the RF problems described in Section 3.3.2. To prevent high-frequency oscillations:

1. Bundle together each pair of loudspeaker conductors when using long cable runs or when different amplifiers use a common cable tray or jacket. (Do

NOT bundle wires from different amplifiers.) This reduces the chance of conductors acting like antennas to transmit or receive the high frequencies that can cause oscillation.

2. Avoid using shielded loudspeaker cable.

3. Never tie together input and output grounds.

4. Never tie together the output of different amplifiers.

5. Keep output cables separated from input cables.

6. Install a low-pass filter in series with each input

(see Section 3.3.2).

7. Install the input wiring according to the instructions in Section 3.3.2.

Another problem to avoid is the presence of large infra-

sonic currents when primarily inductive loads are used. Examples of inductive loads are 70-volt transformers and electrostatic loudspeakers.

Inductive loads can appear as a short circuit at low frequencies. This can cause the amplifier to produce large low-frequency currents and activate its protection circuitry. Always take the precaution of installing a highpass filter in series with the amplifier’s input when inductive loads are used. A three-pole, 18-dB-per-octave filter with a –3 dB frequency of 50 Hz is recommended (some applications may benefit from an even

4 ohm, 20 watt

Resistor

+

From

Amplifier

Output

–

590 to 708

µf Capacitor

120 VAC, N.P.

+

–

Inductive

Load

Fig. 3.15 Inductive Load (Transformer) Network


higher –3 dB frequency). Such a filter is described with infrasonic frequency problems in Section 3.3.2.

Another way to protect inductive loads from large lowfrequency currents and prevent the amplifier from prematurely activating its protective systems is to parallel a

590 to 708 µF nonpolarized motor start capacitor and a

4-ohm, 20-watt resistor in series with the amplifier output and the positive (+) transformer lead. This circuit is shown in Figure 3.15. It uses components that are available from most electrical supply stores.

3.3.5 Additional Load Protection

Com-Tech amplifiers can generate enormous power output. Using 8/4-ohm output, if your loudspeakers do not have built-in protection from excessive power, it’s a good idea to protect them. Loudspeakers are subject to thermal damage from sustained overpowering and mechanical damage from large transient voltages. In both cases, special fuses may be used to protect your loudspeakers, or you may opt for the convenience of a

PIP module that provides loudspeaker protection.

Two different types of fuses are required for thermal protection and voltage protection. Slow-blow fuses are usually selected to protect loudspeakers from thermal damage because they are similar to loudspeakers in the way they respond to thermal conditions over time.

In contrast, high-speed instrument fuses like the

Littelfuse 361100 series are used to protect loudspeakers from large transient voltages. The nomograph in Figure 3.16 can be used to select the properly rated fuse for either type of loudspeaker protection.

There are mainly two different approaches used when installing fuses for loudspeaker protection. A common practice is to put a single fuse in series with the output of each channel. This makes installation easy because there is only one fuse per channel to install, but it can also lead to problems. The biggest disadvantage becomes apparent if the fuse blows because power to all connected loads will be removed.

A better approach is to fuse each driver independently.

This allows you to apply the most appropriate protection for the type of driver being used. In general, lowfrequency drivers (woofers) are most susceptible to thermal damage and high-frequency drivers (tweeters) are usually damaged by large transient voltages. This means that your loudspeakers will tend to have better protection when the woofers are protected by slow-blow fuses and high-frequency drivers are protected by highspeed instrument fuses.

Depending on the application, you may want to use a

Page 23


20

25

30

7

8

9

10

12

14

16

4

5

6

2

2.5

3

1.0

1.2

1.4

1.6

40

20

2

Example: Z = 8 ohms.

Peak Power = 75 W

Answer: Fuse = 1.5 A

.6

.5

.4

.3

1.5

1

.8

6

5

4

3

15

10

8

.2

.15

.1

.08

Fig. 3.16 Loudspeaker Fuse Nomograph

PIP module to protect your loudspeakers. When properly configured, all PIP modules with signal-driven compression can provide loudspeaker protection. Some of the PIP modules with signal-driven compression include the

P.I.P.-AMCb, P.I.P.-EDCb and P.I.P.-PA. While the P.I.P.-EDCb is most commonly used for general loudspeaker protection, the P.I.P.-AMCb is very popular in systems that require a high-quality crossover, and the

P.I.P.-PA is the processor of choice for applications that

2

1.5

1

4

3

40

30

20

15

10

8

6

3000

2000

1500

1000

800

600

150

100

80

60

400

300

200

require a microphone and line level input for each channel. For more information on PIP modules, see Section

8.

3.4 AC Power Requirements

All 120 VAC, 60 Hz North American units have a NEMA

5-15 AC plug with an integral voltage presence lamp.

These units include a 16 gauge cord with Com-Tech

210s and 410s, and a 14 gauge cord with Com-Tech

810s and 1610s. Other Com-Tech amplifiers are furnished with an appropriate AC cord and plug. All Com-

Tech “10” Series amplifiers utilize a convenient, 3-footlong power cord. To meet full regulatory system com-

pliance, these cords must be plugged into a local, cabinet mounted, commercial grade electrical outlet box. “Extension” cords are not recommended or adequate.

Use an isolated wall outlet whenever possible with the correct voltage and adequate current. Voltages greater than 10% above the specified AC mains voltage for the amplifier may damage the ±15 volt regulator, filter capacitors and output transistors. See Section 7 for power requirements under various conditions.

All specifications in this manual were measured using

120 VAC, 60 Hz power unless otherwise noted. Specifications are derived using a mains voltage that is accurate to within 0.5% with THD less than 1.0% under all testing conditions. Performance variations can occur at other AC voltages and line frequencies. In addition, line regulation problems will directly affect the output power available from the amplifier.

“Soft-Start” inrush current limiting, protects the house circuit breaker when several amps are turned on simultaneously.

Page 24



4 Operation

4.1 Precautions

Com-Tech amplifiers are protected from internal and external faults, but you should still take the following precautions for optimum performance and safety:

1. Improper wiring for the Dual, Bridge-Mono and Parallel-

Mono modes, as well as the 8/4-ohm and 70-volt output modes can result in serious operating difficulties. Refer

Section 3.3.1 for details.

2. WARNING: Never operate the amplifier in Bridge-

Mono or Parallel-Mono mode unless both outputs are configured the same (8/4-ohm or 70-volt).

3. When driving an inductive load (like a 70-volt stepdown transformer) use a high-pass filter or protective network to prevent premature activation of the amplifier’s protection circuitry (see Section 3.3.3).

4. WARNING: Do not change the position of the dual/ mono switch or the output mode switches unless the amplifier is first turned off.

5. CAUTION: In Parallel-Mono mode, a jumper must be installed between the Channel 1 and 2 positive (+) output terminals. Be sure to remove this jumper for

Dual or Bridge-Mono modes, otherwise high distor-

tion and excessive heating will occur. Check the dual/mono switch on the back panel for proper position.

6. Turn off the amplifier and unplug it from the AC power before removing a PIP module or before removing the dust filter.

7. Use care when making connections, selecting signal sources and controlling the output level. The load you save may be your own!

8. Do not connect input and output ground leads together.

Ground loops and oscillations may result.

9. Operate the amplifier from AC mains of not more than

10% above or below the selected line voltage and only the specified line frequency.

10. Never connect the output to a power supply output,

battery or power main. Electrical shock may result.

11. Tampering with the circuitry by unqualified personnel, or making unauthorized circuit changes may be hazardous and invalidates all agency listings.

Remember: Crown is not liable for damage that results from overdriving other system components.

4.2 Indicators

The front panel of a Com-Tech amplifier has several helpful indicators. The amber Enable indicator shows that the amplifier has been turned on (or enabled). It will dim when the unit goes into energy-saving mode. When the Enable indicator is lit, the low-voltage power supply


Fig. 4.1 Indicators is working. It does not indicate the status of the highvoltage power supplies. For example, the Enable indicator will remain lit in the unlikely event that one of the amplifier’s protection systems (described in Section 4.3) puts the channel in “standby” mode. The Enable indicator will stay on for all conditions shown in

Figure 4.2 except for the first example, “There is no power to the amplifier.”

The green ODEP indicators confirm the normal operation of Crown’s patented Output Device Emulation Protection circuitry. During normal operation, they glow brightly to confirm the presence of reserve thermal-dynamic energy. They dim proportionally as the energy reserve decreases. In the rare event that there is no reserve, they will turn off and ODEP will proportionally limit the drive level of the output stages so the amplifier can continue safe operation even when conditions are severe. (See Section 4.3.1 also.)

An ODEP indicator also turns off if the channel goes into

“standby” mode or the amplifier’s circuit breaker is tripped.

The standby mode is activated if DC or heavy commonmode current is detected at the output, if the transformer thermal protection system is activated, or if a PIP such as the IQ-PIP-USP2 is used to put the channel into standby.

(See Section 4.3.3 and Figure 4.2.)

The yellow IOC indicators act as sensitive distortion meters to provide proof of distortion-free performance.

The IOC (Input/Output Comparator) circuitry compares the incoming signal’s waveform to that of the output.

Any difference between the two is distortion. The IOC indicators flash if there is a difference of 0.05% or more.

It is normal for them to light momentarily when the amplifier is first turned on.*

The green Signal Presence Indicators (SPI) flash synchronously with the output audio. The SPI detector circuit is connected in the signal path after the input gain stages and Input Attenuation controls, so a flashing indicator tells you that there is audio in and out of the amplifier. Note: The SPI’s may not report signal presence if the output signal level is below 34 mV.

_______________________

* Note: When the amplifier’s dual/mono switch is moved to the Parallel/

Mono position, the Channel 2 IOC indicator will illuminate. This is a normal condition in this configuration.

Page 25


Fig. 4.2 ODEP, IOC and Signal Presence Indicator States

4.3 Protection Systems

Com-Tech amplifiers provide extensive protection and diagnostic capabilities. Protection systems include

ODEP, “standby” and an AC circuit breaker. These features provide protection under any conditions.

4.3.1 ODEP

Crown invented ODEP to solve two long-standing problems in amplifier design: to prevent amplifier shutdown during demanding operation, and to increase the efficiency of the output circuitry.

Page 26

To do this, Crown established a rigorous program to measure the safe operating area (SOA) of each output device before installing it in an amplifier. Next, Crown designed intelligent circuitry to simulate the instantaneous operating conditions of the output devices. Its name describes what it does: Output Device Emulation

Protection or ODEP. In addition to simulating the operating conditions of the output devices, it also compares their operation to their known SOA. If ODEP sees that more power is about to be asked of the output devices than they are capable of delivering under the present


Com-Tech Power Amplifiers conditions, ODEP immediately limits the drive level until it falls within the SOA. Limiting is proportional and kept to an absolute minimum—only what is required to prevent output device damage.

This level of protection enables Crown to increase output efficiency to never-before-achieved levels while greatly increasing amplifier reliability.

The on-board intelligence is monitored in two ways.

First, the front panel ODEP indicators show whether the amplifier is functioning correctly or if ODEP is limiting the drive level. Second, ODEP data is fed to the connector inside the amplifier’s back panel PIP compartment so advanced PIP modules like the IQ-PIP-USP2 can use it to monitor and control the amplifier.

This is how ODEP keeps the show going with maximum power and maximum protection at all times.

4.3.2 Standby Mode

An important part of a Com-Tech amplifier’s protection systems is standby mode. Standby protects the amplifier during potentially catastrophic conditions. It temporarily removes bias in all four output stages, protecting the amplifier and its loads. This advanced protection implementation, called “Quad-Mute,” is new to the

Com-Tech series amplifiers. Standby mode can be identified using the indicator table in Figure 4.2.

When you turn on the Enable switch, standby mode is activated to provide turn-on protection. This power-up delay lets other system components settle before any signals are amplified, and it provides some “randomness” to the power-up sequence of multiple units reducing the system’s current demand during start-up.

For further protection, Com-Tech “10” series amplifiers are equipped with a “Soft-Start” line current limiter which also reduces turn on inrush.

If dangerous subsonic frequencies or direct current

(DC) is detected in the amplifier’s output, the unit will activate its DC/low-frequency protection circuitry and put the affected channels in standby. This protects the loads and prevents oscillations. The unit resumes normal operation as soon as the amplifier no longer detects dangerous low-frequency or DC output. Although it is extremely unlikely that you will ever activate the amplifier’s DC/low-frequency protection system, improper source materials such as subsonic square waves or input overloads that result in excessively clipped input signals can activate this system.

The amplifier’s fault protection system will put an amplifier channel into standby mode in rare situations where heavy common-mode current is detected in a channel’s output. The amplifier should never output heavy DC current unless its circuitry is damaged in some way, and putting the channel in standby mode helps to prevent further damage.

4.3.3 Transformer Thermal Protection

All Com-Tech amplifiers have transformer thermal protection which protects the power supplies from damage under rare conditions where the transformer temperature rises too high. A thermal switch embedded in the power transformer puts both channels into standby if it detects excessive heat. The switch automatically resets itself as soon as the transformer cools to a safe temperature.

The amplifier’s transformer thermal protection circuitry is activated in very unusual circumstances where the unit’s transformer temperature rises to unsafe levels. Under these abnormal conditions, the amplifier will put both channels into standby mode. In addition, the cooling fan will run at full speed. The amplifier will return to normal operation after the transformer cools to a safe temperature.

If your amplifier is operated within rated conditions, it is extremely unlikely that you will ever see it activate transformer thermal protection. One reason is that ODEP keeps the amplifier working under severe conditions.

Even so, higher than rated output levels, excessively low-impedance loads and unreasonably high input signals can generate more heat in the transformer than in the output devices. This can overheat the transformer and activate its protection system.

Com-Tech amplifiers are designed to keep working under conditions where other amplifiers fail. Yet, even when the limits of a Com-Tech are exceeded, it still protects itself—and your investment—from damage.

4.3.4 Circuit Breaker

A circuit breaker is provided to prevent the high-voltage power supplies from drawing excessive current. A reset switch for the circuit breaker is provided on the back panel. The rating of the circuit breaker for each amplifier model and each AC operating voltage is provided with the specifications in Section 6. When operating with rated loads and output levels, this breaker should trip only in the unlikely event of a catastrophic amplifier failure. Other protection systems such as ODEP keep the amplifier safe and operational under most other severe conditions. The breaker can also trip in situations where extremely low-impedance loads and high output levels result in current draw that exceeds the breaker’s rating.


Page 27


Again, this should only be possible when operating outside rated conditions, as when the amplifier is used to drive a 1-ohm load, or when an input signal is clipped severely.

4.4 Controls

The Enable switch is located on the front panel so you can easily turn the amplifier on and off. If you ever need to make any wiring or installation changes, don’t forget to disconnect the power cord. Please follow these steps when first turning on your amplifier:

1. Turn down the level of your audio source. For example, set your mixer’s volume to “

∞

.”

2. Turn down the level controls of the amplifier.

3. Turn on the Enable switch. The Enable indicator should glow. During the four second turn-on delay which immediately follows, the indicators will flash as described in Figure 4.1. After the delay, the

ODEP indicators should come on with full brilliance and the IOC and Signal Presence Indicators should function normally.

4. After the turn-on delay, turn up the level of your audio source to the desired level.

5. Turn up the Input Attenuation controls on the back panel of the amplifier until the desired loudness or power level is achieved.

6. Turn down the level of your audio source to its normal range.

A 21-position detented Input Attenuation control is provided for each channel. For security, the level controls are located on the back panel. To discourage tampering from the rear, a Lexan cover is provided that can be attached to the back panel with the included ½-inch

8-32 screws.

Com-Tech amplifiers have a reset switch for the AC circuit breaker. If the circuit breaker trips, the Enable indicator turns off. In this situation, turn off the Enable switch and reset the circuit breaker. Then, turn the Enable switch back on. If it trips again or the unit fails to operate properly, contact an authorized service center or Crown’s Technical Support Group.

SENSITIVITY SWITCH INSIDE ACCESS HOLE

0.77 V sensitivity

70 volt

26 dB gain

0.77 V sensitivity

8/4 ohm

FIRST GENERATION P.I.P. MODULES REQUIRE THE PIP2 ADAPTER FOR CONNECTION. PLEASE REFER TO REFERENCE MANUAL.

16

14

12

11 9 8

18

21

24

30

50

∞ dB

7

6

5

4

0

.5

3

1

2

CH-2 INPUT ATTENUATION

16

14

12

11 9 8

18

21

24

30

50

∞

CH-1 dB

7

6

5

4

0

.5

3

1

2

Fig. 4.3 Input Sensitivity Switch

A three-position input sensitivity switch is located inside the amplifier’s PIP compartment. It is set at the factory to a sensitivity of 0.775-volts (8/4-ohm mode).

Please notice that there is a separate 0.775-volt position for 70-volt mode. If desired, the sensitivity can be switched to a voltage gain of 26-dB. With 26-dB gain and 70-volt output, the input sensitivity for all models is

3.5 volts. With 26-dB gain and 8/4-ohm output, the input sensitivity varies among the different amplifier models. To generate rated 1-kHz power, the input voltage required is 1.48 volts for the Com-Tech 210, 2.12 volts for the Com-Tech 410, 2.47 volts for the Com-Tech 810, and 3.29 volts for the Com-Tech 1610.

It is also possible to configure the amplifier with one channel set to 8/4-ohm output and the other set to 70volt. With this configuration, the input sensitivity switch should be set to 0.775 volts (70 volt), and the Input Attenuation control for the 8/4 ohm channel can be adjusted to compensate for the additional gain.

To change the input sensitivity:

1. Turn off the amplifier and disconnect the power cord from the receptacle.

2. Remove the PIP module.

3. Locate the access hole for the Input Sensitivity switch inside the chassis opening (Figure 4.3).

Note: The input sensitivity switch is not visible because it is mounted below the hole. Use your little finger to reach it.

4. Set the switch to the desired position noted on the access hole label.

5. Replace the PIP module and restore power.

Page 28



4.5 Energy Saving Circuit Application

The new CT-10 Series amplifiers incorporate a new feature to significantly decrease the use of energy when the amplifier is idle. The Energy Saving circuit allows the amplifier to cut back its energy consumption based on the signal level offered to the inputs. Over time, this circuitry provides the end user better value by saving on air conditioning requirements and utility expenses.

This circuit is normally active at all times. Whenever both input signals drop below an absolute 5 mV at the output connector for 30 minutes, the Energy Saving circuit cuts back the amplifier power consumption. As either input signal returns and the output signal rises past the 5 mV threshold, the amplifier power consumption returns to its operating levels.

4.6 Filter Cleaning

A dust filter is provided on the amplifier’s air intake (Figure 2.1). If this filter becomes clogged, the unit will not cool as efficiently as it should and high heat sink temperatures may produce lower-than-normal output.

To clean the filter, use a phillips screwdriver to remove the screws that hold the front panel grille in place. Remove the filter and clean using mild dishwashing detergent and warm water for best cleaning results.

Replacement filters may be ordered from the factory.

Dust filters are not 100% efficient—depending on the local environment, the internal heat sinks of the amplifier will benefit from periodic cleaning by a qualified technician. Internal cleaning information is available from our Technical Support Group.

5 Technical Information

5.1 Overview

Com-Tech amplifiers incorporate several new technological advancements including real-time computer simulation, low-stress output stages, an advanced heat sink embodiment and the Programmable Input Processor (PIP) expansion system.

Custom circuitry is incorporated to limit temperature and current to safe levels, making it highly reliable and tolerant of faults. Unlike many lesser amplifiers, it can operate at its voltage and current limits without self-destructing.

Real-time computer simulation is used to create an analog of the junction temperature of the output transistors

(hereafter referred to as the output devices). The amplifier’s output is limited only when the device temperature becomes excessive (and by the minimum amount required). This patented approach called Output Device Emulation Protection (or ODEP) maximizes the available output power and protects against overheating—the major cause of device failure.

The amplifier is protected from all common hazards that plague high-power amplifiers, including shorted, open or mismatched loads; overloaded power supplies; excessive temperature and chain-destruction phenomenon; input overload; high-frequency blowups, internal faults; and input and output DC.

The four-quadrant topology used in a Com-Tech amplifier’s output stages is called the Grounded Bridge.

This patented topology makes full use of the power supply, providing peak-to-peak voltages to the load that are twice the voltage seen by the output devices (see Figure 5.1).

As its name suggests, the Grounded Bridge topology is referenced to ground. Composite devices are constructed to function as large NPN and PNP devices to handle currents which exceed the limits of available devices. Each output stage has two composite NPN devices and two composite PNP devices.

The devices connected to the load are referred to as

“high-side NPN and PNP” and the devices connected to ground are referred to as “low-side NPN and PNP.”

Positive current is delivered to the load by increasing conductance simultaneously in the high-side NPN and low-side PNP stage, while synchronously decreasing conductance of the high-side PNP and low-side NPN.

The two channels may be used together to double the voltage (Bridge-Mono) or current (Parallel-Mono) presented to the load. This feature gives you flexibility to maximize power available to the load.

A wide bandwidth, multiloop design is used for stateof-the-art compensation. This produces ideal behavior and results in ultra-low distortion values.

Aluminum extrusions have been widely used for heat sinks in power amplifiers due to their low cost and reasonable performance. However, measured on a wattsper-pound or watts-per-volume basis, the extrusion technology doesn’t perform nearly as well as the heat exchangers developed for Com-Tech amplifiers.


Page 29


Our heat exchangers are fabricated from custom convoluted fin stock that provides an extremely high ratio of area to volume, and area to weight. All power devices are mounted directly to massive heat spreaders that are electrically at the Vcc potential. Electrifying the heat spreaders improves thermal performance by eliminating an insulating interface underneath each power device. The chassis itself is used as part of the thermal circuit to maximize utilization of the available cooling resources.

5.2 Circuit Theory

Each channel is powered by its own power transformer winding. Both channels share a common low-voltage supply. The secondary output of the power transformer is full-wave rectified and is filtered by a large computer grade capacitor. A thermal switch embedded in the power transformer protects it from overheating.

The low-voltage winding in the power transformer is rectified to generate an unregulated 24 volts. Monolithic regulators provide a regulated ±15 volts.

5.2.1 Dual Operation

For simplicity, the discussion of Dual operation will refer to one channel only. Mono operation will be discussed in Sections 5.2.2 and 5.2.3. Please refer to the block diagram in Figure 5.1.

The signal at the PIP barrier block passes directly into the balanced input stage. The balanced input stage causes balanced to single-ended conversion using a difference amplifier. Next the variable gain stage amplifies or attenuates the signal. The gain of this stage is set by the position of the input sensitivity switch and the back panel Input Attenuation control. The error amp amplifies the difference between the output signal and the input signal from the gain pot, and drives the voltage translator stage.

From the error amp, the voltage translator stage channels the signal to the Last Voltage Amplifiers (LVAs), depending on the signal polarity. The +LVA and the –LVA, with their push-pull effect through the bias servo, and drive the fully complementary output stage.

The bias servo is thermally coupled to the heat sink, and sets the quiescent bias current in the output stage to lower the distortion in the crossover region of the output signal.

Page 30

Fig. 5.1 Circuit Block

Diagram



With the voltage swing provided by the LVAs, the signal then gains current amplification through the Darlington emitter-follower output stage.

The bridge-balanced circuit receives a signal from the output of the amplifier and detects the difference between it and the signal at the Vcc supply. The bridgebalanced circuit then develops a voltage to drive the bridge-balanced output stage. This results in the Vcc supply having exactly one half of the output voltage added to the quiescent voltage.

The protection mechanisms that affect the signal path are implemented to protect the amplifier under realworld conditions. These conditions are high instantaneous current, excessive temperature, and output device operation outside safe conditions.

Two transistors act as a conventional current limiter, sensing current in the output stage. If current exceeds safe levels, the limiters remove the drive from the LVAs, limiting current in the output stage to a safe level.

To further protect the output stages, the patented ODEP circuitry is used. It produces an analog output proportional to the always changing safe operating area of the output transistor. This output controls the translator stage previously mentioned, removing any further drive that may exceed the safe operating area of the output stage.

A thermal sensor supplies the ODEP circuits with information on the operating temperature of the heat sink on which the output devices are mounted.

Should the amplifier fail in a way that would cause DC across the output lead, the DC protection circuit senses this on the negative feedback loop and shuts down the output stages until the DC is removed.

5.2.2 Bridge-Mono Operation

By setting the dual/mono switch on the back panel to

Bridge-Mono, the user can convert the Com-Tech into a bridge-mono amplifier. With a signal applied to the

Channel 1 input jack, and the load between the positive

(+) output terminals on the back panel, twice the voltage can be output.

The Channel 1 output feeds the Channel 2 error amp.

Because there is a net inversion, the Channel 2 output is out of polarity with Channel 1. This produces twice as much voltage across the load. Each of the channel’s protection mechanisms work independently if a fault occurs.

5.2.3 Parallel-Mono Operation

With the dual/mono switch set to Parallel-Mono, the output of Channel 2 is paralleled with the output of Channel 1. A suitable high current-handling jumper must be connected across the positive (+) output terminals to gain the benefits of this operating mode.

The signal path for Channel 1 is the same as previously discussed, except that Channel 1 also drives the output stage of Channel 2. The Channel 2 balanced input, error amp, translators and LVAs are disconnected and no longer control the Channel 2 output stage. The Channel 2 output stage and protection mechanisms are also coupled through S1 and function as one.*

In Parallel-Mono mode, twice the current of a single channel is available. Because the Channel 2 ODEP circuit is coupled to Channel 1, you have added protection if a fault occurs in the Channel 2 output stage. The

Channel 2 ODEP circuit limits the output of both output stages by removing the drive from the Channel 1 translator stages.

_______________________

* Note: When the amplifier’s dual/mono switch is moved to the Parallel/

Mono position, the Channel 2 IOC indicator will illuminate. This is a normal condition in this configuration.


Page 31


6 Specifications

The following specifications apply to all models in Dual mode with 8-ohm loads and an input sensitivity of 26 dB unless otherwise specified.

MAP at 1 kHz: This term refers to maximum average power in watts at 1 kHz with 0.1% THD.

Full Bandwidth Power: This term refers to maximum average power in watts from 20 Hz to 20 kHz with 0.1% THD.

120 VAC, 60 Hz Units: These North American units have dedicated transformers for 120 VAC, 60 Hz power mains.

100/120 VAC Units: These units have two-tap transformers that accept a 50- or 60-Hz AC line, and can be configured for 100- or 120-VAC mains.

220/240 VAC Units: These units have two-tap transformers that accept a 50- or 60-Hz AC line, and can be configured for 220 or 240 VAC.

Performance

Frequency Response: ±0.1 dB from 20 Hz to 20 kHz at 1 watt (see Figure 6.9).

Phase Response: ±10 degrees from 10 Hz to 20 kHz at 1 watt (see Figure 6.12).

Hum and Noise: A-weighted, 105 dB below full bandwidth power; No weighting, 100 dB below full bandwidth power.

Total Harmonic Distortion (THD): Less than 0.05% at full power from 20 Hz to 1 kHz increasing linearly to less than 0.1% at 20 kHz.

Intermodulation Distortion (IMD): (60 Hz and 7 kHz

4:1) Less than 0.05% from -35 dB to full power bandwidth.

Damping Factor: Greater than 1000 from 10 Hz to

400 Hz (see Figure 6.10).

Crosstalk: See Figure 6.13.

Common Mode Rejection Ratio (CMRR): Better than

70 dB.

Slew Rate: Greater than 17 volts per microsecond.

Voltage Gain: (At the maximum level setting) 20:1 ±3% or 26 dB ±0.25 dB. 90:1 ±12% or 39 dB ±1 dB with the input sensitivity set to 0.775 volts for 70 volt output. The following voltage gain specifications are for units with the input sensitivity set to 0.775 volts for 8/4 ohm output:

Com-Tech 210: 38:1 ±12% or 32 dB ±1 dB.

Com-Tech 410: 55:1 ±12% or 35 dB ±1 dB.

Com-Tech 810: 64:1 ±12% or 36 dB ±1 dB.

Com-Tech 1610: 85:1 ±12% or 39 dB ±1 dB.

Power

Output Power: See the Minimum Guaranteed Power tables in Figures 6.1-4 for the output power specifications under a variety of conditions.

It is extremely important to supply the amplifier with adequate AC power. Power amplifiers cannot add power—they need the required voltage and current to deliver the undistorted rated wattages you expect.

Load Impedance: Safe with all types of loads. With 8/4 ohm output, all Com-Techs are rated for 4 to 8 ohms in

Dual mode, 8 to 16 ohms in Bridge-Mono mode, and 2 to 4 ohms in Parallel-Mono mode. With 70 volt output, rated loads vary among the different models for each dual/mono mode (see the power matrices that follow).

AC Power Requirements: All units require less than

90 watts at idle. See Section 7 for detailed information on AC power requirements and thermal dissipation.

Low-Voltage Power Supply: ±15 VDC regulated supplies are provided by a winding on the power transformer.

Power Cord: An appropriate AC line cord is provided with a nominal cable length of 3 feet (see Section 2).

Controls

Enable: A front panel rocker switch used to turn the amplifier on and off, and enable the remote feature.

Input Attenuation: A detented 21-position back panel

Input Attenuation control for each channel.

Output Mode: A back panel switch for each channel used to select 8/4-ohm or 70-volt output.

Dual/Mono: A 3-position back panel switch used to select Dual, Bridge-Mono or Parallel-Mono operation.

Reset: A back panel push button used to reset the amplifier’s AC mains breaker.

Input Sensitivity: A three-position switch inside the PIP compartment used to select an input sensitivity for both channels: 0.775 volts for MAP at 1 kHz in 8/4-ohm mode,

0.775 volts for MAP at 1 kHz in 70-volt mode, or a voltage gain of 26 dB (Section 4.4).

Page 32



Indicators

Enable: This amber indicator shows the on/off status of the unit’s low-voltage power supply and the activation of the energy-saving mode.

SPI (Signal Presence Indicator): Each channel has a green indicator that flashes to show audio output.

IOC (Input/Output Comparator): Each channel has a yellow indicator that flashes if the output waveform differs from the input waveform by 0.05% or more. The LEDs act as sensitive distortion indicators to provide proof of distortion-free performance.

ODEP (Output Device Emulation Protection): Each channel has a green multifunction indicator that shows the channel’s reserve energy status. Normally, the

LEDs are brightly lit to show that reserve energy is available. In the rare event that a channel has no reserve, its indicator will dim in proportion to ODEP limiting. An ODEP indicator may also turn off under other more unusual circumstances (see Section 4.2).

Input/Output

Input Connector: A barrier block on the standard

PIP2-BB with three-terminal balanced connections for input to each channel and test points for a DVM.

Input Impedance: Nominally 20 K ohms, balanced.

Nominally 10 K ohms, unbalanced.

Input Sensitivity: Settings include 0.775 volts for 8/4ohm output, 0.775 volts for 70-volt output, and a voltage gain of 26 dB.

Output Connector: A back panel barrier block with two-terminal connections for each output channel.

Output Impedance: Less than 10 milliohms in series with less than 2 microhenries (see Figure 6.11).

DC Output Offset: Less than ±10 millivolts.

RSVP: An RJ11 modular connector on the back panel interfaces with an RSVP to provide remote control of a large number of amplifier power on/off functions.

Output Signal

Dual: Unbalanced, two-channel.

Bridge-Mono: Balanced, single-channel. Channel 1 controls are active; Channel 2 should be turned down.

Parallel-Mono: Unbalanced, single-channel. Channel 1 controls are active; Channel 2 is bypassed.

Protection

Com-Tech amplifiers are protected against shorted, open or mismatched loads; overloaded power supplies; excessive temperature, chain destruction phenomena, input overload damage and high-frequency blowups. They also protect loudspeakers from input/ output DC and turn-on/turn-off transients.

If unreasonable operating conditions occur, the patented ODEP circuitry proportionally limits the drive level to protect the output devices, particularly in the case of elevated temperature. Transformer overheating results in a temporary shutdown of both channels.

The transformer automatically resets itself when it has cooled to a safe temperature. Controlled slew rate voltage amplifiers protect against RF burnouts, and input overload protection is provided by current-limiting resistance at the input.

Turn On: The four-second turn on delay prevents dangerous turn-on transients. “Soft-start” circuitry provides low inrush so power sequencers are rarely needed with multiple units.

Note: The turn-on delay time may be changed. Contact Crown’s Technical Support

Group for details.

Circuit Breaker: Circuit breaker current ratings vary based on the Com-Tech model and AC mains voltage.

All 100/120 VAC Units:

Com-Tech 210 : 8 amperes.




All 220/240 VAC Units:





Construction

Durable black powdercoat finish on the steel chassis, front panel Lexan overlay, and specially-designed flow-through ventilation from front to side panels.

Cooling: Internal heat exchangers with on-demand forced air cooling (fan is optional for the North American Com-Tech 210 ; see Sections 3.2.1 and 8.2).

Dimensions: 19 inch (48.3 cm) standard rack mount width (EIA RS-310-B), 16 inch (40.6 cm) depth behind mounting surface, and 0.25 inches (0.6 cm) in front of mounting surface. Amplifier height varies among the available models and with different AC power require-


Page 33

Com-Tech Power Amplifiers ments. Com-Tech 210 amplifiers are 3.5 inch (8.9 cm) high. North American models of Com-Tech 410 amplifiers are also 3.5 inch (8.9 cm) high. 50-Hz models of

Com-Tech 410 amplifiers are 5.25 inch (13.3 cm) high.

Com-Tech 810 amplifiers are 5.25 (13.3 cm) high.

Com-Tech 1610 amplifiers are 7 inch (17.8 cm) high.

(See Section 3.1 for more information).

Approximate Weight: Center of gravity is 6 inches

(15.2 cm) behind the front mounting surface.

120 VAC, 60 Hz North American Units:

Com-Tech 210 : 29 pounds, 7 ounces (13.4 kg) net;

33 pounds, 14 ounces (15.4 kg) shipping weight.





Com-Tech 1610 : 57 pounds, 14 ounces (26.3 kg) net; 66 pounds, 10 ounces (30.2 kg) shipping weight.

100/120 VAC, 50/60 Hz Units:







Com-Tech 1610 : 54 pounds, 11 ounces (24.8 kg) net; 64 pounds, 3 ounces (29.1 kg) shipping weight.

220/240 VAC, 50/60 Hz Units:









Page 34



Crown specifications are guaranteed for three years.

In an effort to provide you with as much information as possible about the high power-producing capabilities of your amplifier, we have created the following power matrices.

Minimum Guaranteed Power Specifications

Crown’s minimum power specifications represent the absolute smallest amount of output power you can expect from your amplifier when it is driven to full output under the given conditions. Some spaces in each matrix may be left blank because the same guarantee is not provided for those conditions—however, your amplifier will perform well under all conditions listed in each matrix.

When measuring power, 0.1% THD appears to be the industry standard for distortion. Two of the maximum average power specifications shown in each minimum power matrix are measured at 0.1% THD so you can easily compare Crown specifications to those of other manufacturers. But this high level of distortion actually allows for some clipping which is undesirable. Because of this, a maximum average power specification at 0.05% THD is included in each minimum power matrix which represents non-clipped conditions.

Although most manufacturers do not give you power specifications at 0.05% THD, we encourage them to provide these specifications so you will have a more realistic representation of the way amplifiers should be used in the real world—without a clipped output signal.

Many manufacturers publish power specs with a tolerance of ±1 dB or worse. This means their amplifier can deviate more than 20% in output! A 100 watt amplifier would meet their specification if it only produced 79.4 watts. Other manufacturers qualify their specs by

Com-Tech 210 –

Dual/Mono

Mode

Dual

(both channels driven)

Bridge-Mono

(balanced output)

4

8

50 (70V)

8

16

100 (140V)

Minimum Guaranteed Power (Watts)

At 0.1% THD

(See note 1)

1 kHz

150

110

110

300

220

205

Maximum Average

At 0.1% THD

(See note 2)

20Hz-20kHz

135

105

105

270

210

200

At 0.05% THD

(See note 3)

1 kHz

145

105

110

295

215

205

FTC Continuous Average

At 0.1% THD

(See note 4)

1 kHz

140

105

110

270

210

205

20Hz-20kHz

125

100

105

250

205

200 saying they are “typical,” “subject to manufacturing tolerances,” “single channel driven” or that they are specified with “fuses bypassed.”

Each of these statements effectively removes any performance guarantee. In fact, some manufacturers use these tactics to generate large power numbers, and they don’t even print a disclaimer. We take a different approach at

Crown—our amplifiers are guaranteed to meet or exceed their specifications for three years.

Further, because our published specs are set below our “in-house” measurements, you can expect every Crown amplifier to exceed its published minimum power specs. We believe you should get what you pay for.

Parallel-Mono

2

4

25 (70V)

4

Dual


8

50 (70V)

8

Bridge-Mono

(balanced output)

16

100 (140V)

2

Parallel-Mono

4

25 (70V)

Dual


4

8

50 (70V)

8

Bridge-Mono

(balanced output)

16

100 (140V)

2

Parallel-Mono

4

25 (70V)

300

230

215

300

225

215

210

150

115

105

220

205

290

215

295

215

210

145

110

105

290

135

105

95

265

210

195

140

110

100

275

220

200

280

225

210

275

220

210

205

140

110

105

215

205

270

210

295

225

210

300

225

215

205

150

115

105

220

205

285

210

290

210

205

145

110

105

285

275

215

205

135

110

100

275

Fig. 6.1 Com-Tech 210 Minimum Power Matrix

130

105

95

260

215

195

125

105

95

250

205

190

Minimum Power Notes:

All minimum power specifications are based on

0.5% regulated AC mains with THD of less than

1.0% and an ambient room temperature of 70° F

(21° C). Standard EIA power (RS-490) is not shown here because it is identical to FTC Continuous Average Power.

1. A 1 kHz sine wave is presented to the amplifier and the output monitored for nonlinear distortion. The level is increased until THD reaches

0.1%. At this point, average power per channel is reported.

2. A sine wave is presented to the amplifier over the range from 20 Hz to 20 kHz and the output monitored for nonlinear distortion. The level at each frequency is increased until THD reaches


3. A 1 kHz sine wave is presented to the amplifier and the output monitored for nonlinear distortion. The level is increased until THD reaches


4. Continuous power in the context of Federal

Trade Commission testing is understood to be a minimum of five minutes of operation. Harmonic distortion is measured as the RMS sum total and given as a percentage of the fundamental output voltage. This applies for all wattages greater than 0.25 watts.


Page 35


Page 36

Dual


4

8

25 (70V)

Bridge-Mono

(balanced output)

8

16

50 (140V)

2

Parallel-Mono

4

12.5 (70V)

4

Dual


8

25 (70V)

Bridge-Mono

(balanced output)

8

16

50 (140V)

2

Parallel-Mono

4

12.5 (70V)

Dual


4

8

25 (70V)

Bridge-Mono

(balanced output)

8

16

50 (140V)

2

Parallel-Mono

4

12.5 (70V)

Com-Tech 410 – Minimum Guaranteed Power (Watts)

Dual/Mono

Mode

At 0.1% THD

(See note 1)

Maximum Average

At 0.1% THD

(See note 2)

At 0.05% THD

(See note 3)


At 0.1% THD

(See note 4)

465

445

460

430

435

455

455

240

220

225

435

455

450

445

440

440

455

240

220

225

465

1 kHz

240

220

225

475

450

455

20Hz-20kHz

215

210

215

425

425

435

215

210

220

415

420

440

215

205

220

415

410

435

455

440

455

425

430

455

450

240

220

225

435

450

445

445

430

440

450

235

215

225

455

1 kHz

235

220

225

465

440

450

435

435

445

405

430

450

440

225

215

220

430

440

420

435

415

425

440

225

215

220

430

1 kHz

225

215

215

440

430

435

20Hz-20kHz

200

205

205

405

405

415

200

205

215

390

410

430

200

200

210

380

405

415





Dual


4

8

Bridge-Mono

(balanced output)

12.5 (70V)

8

16

25 (140V)

Parallel-Mono

2

4

6.25 (70V)

4

Dual


8

12.5 (70V)

Bridge-Mono

(balanced output)

8

16

25 (140V)

2

Parallel-Mono

4

6.25 (70V)

Dual


4

8

12.5 (70V)

Bridge-Mono

(balanced output)

8

16

25 (140V)

2

Parallel-Mono

4

6.25 (70V)


Dual/Mono

Mode

At 0.1% THD

(See note 1)

Maximum Average

At 0.1% THD

(See note 2)

At 0.05% THD

(See note 3)


At 0.1% THD

(See note 4)

1 kHz

490

305

460

975

610

920

300

425

925

600

965

610

915

460

485

310

440

965

620

855

925

600

855

885

940

615

875

20Hz-20kHz

460

295

455

935

600

905

440

290

415

885

580

825

470

305

430

920

605

855

1 kHz

480

300

455

965

605

905

295

420

915

595

950

600

905

460

485

310

435

955

615

850

920

595

845

875

930

610

870

1 kHz

470

300

450

950

605

905

295

410

890

595

950

605

910

445

465

310

425

930

615

830

895

595

830

865

920

600

855

20Hz-20kHz

455

290

445

905

600

880

425

290

400

840

575

800

450

300

420

875

600

840


Page 37


Page 38

Dual


4

8

6.25 (70V)

8

Bridge-Mono

(balanced output)

16

12.5 (140V)

Parallel-Mono

2

4

3.13 (70V)

4

Dual


8

6.25 (70V)

8

Bridge-Mono

(balanced output)

16

12.5 (140V)

2

Parallel-Mono

4

3.13 (70V)

Dual


4

8

6.25 (70V)

8

Bridge-Mono

(balanced output)

16

12.5 (140V)

2

Parallel-Mono

4

3.13 (70V)


Dual/Mono

Mode

At 0.1% THD

(See note 1)

Maximum Average

At 0.1% THD

(See note 2)

At 0.05% THD

(See note 3)


At 0.1% THD

(See note 4)

1 kHz

870

540

960

1745

1080

1805

1745

1080

1780

815

535

860

1625

1070

1700

1660

1080

1700

840

545

875

1675

1090

1755

1650

1075

1745

20Hz-20kHz

810

520

910

1595

1040

1725

775

515

830

1545

1035

1640

785

525

755

1550

910

1315

1 kHz

860

535

955

1725

1070

1795

1720

1070

1760

805

530

850

1615

1060

1695

1640

1070

1690

840

540

870

1665

1075

1745

1635

1065

1735

1 kHz

850

540

960

1700

1075

1770

1690

1075

1745

530

815

1055

1625

1060

1620

540

850

1070

1710

1065

1715

20Hz-20kHz

510

1040

510

1020

505

900




Maximum Power Specifications

Crown’s maximum power specifications represent the largest amount of output power you can expect from your amplifier when it is driven to full output under the given conditions. These specifications can be used to prevent loudspeaker and hearing damage.

The maximum power matrices include specifications for single cycle and 40-millisecond burst sine waves. Burst signals act like large transient peaks that are present in common source signals. Loudspeakers can respond to a single cycle burst, so the single cycle burst specifications should be used to help you protect your loudspeakers. In contrast, a 40 millisecond burst represents the typical response time of the human ear. Your ear will not respond to the entire dynamic change of a burst that lasts less than 40 milliseconds.

The burst power specifications are provided at 0.05% THD which is a practical low distortion condition. Operating the amplifier at levels higher than 0.05% THD can result in output power levels that are higher than those listed in the maximum power matrices.

Dual/Mono

Mode

Dual


4

8

50 (70V)

8

Bridge-Mono

(balanced output)

16

100 (140V)

Parallel-Mono

2

4

25 (70V)

4

8

Dual


Bridge-Mono

(balanced output)

50 (70V)

8

16

Parallel-Mono

100 (140V)

2

4

25 (70V)

Dual


4

8

50 (70V)

Bridge-Mono

(balanced output)

8

16

Parallel-Mono

100 (140V)

2

4

25 (70V)

Com-Tech 210 – Maximum Power (Watts)

Single Cycle Tone Burst

At less than 0.05% THD

(See note 1)

245

275

165

130

140

330

250

305

140

325

250

275

325

315

250

280

355

255

255

345

255

255

165

125

20 Hz

170

130

130

305

295

225

155

150

440

310

310

150

435

300

295

425

425

305

295

400

280

270

405

280

270

220

155

50 Hz

205

145

135

355

305

315

185

155

625

370

315

150

600

360

305

580

595

365

305

535

325

275

520

315

280

310

185

1 kHz

275

165

140

355

290

310

185

150

625

370

300

145

605

360

290

585

590

360

295

530

320

265

520

315

265

305

180

7 kHz

275

165

135

265

275

190

140

140

375

270

310

140

380

265

275

360

370

270

280

345

250

255

345

245

255

190

135

50 Hz

175

130

130

40 Millisecond Tone Burst

At 0.05% THD

(See note 2)

235

265

165

125

135

325

245

310

135

325

245

265

310

315

240

270

310

225

250

300

220

245

165

125

1 kHz

155

115

125

250

275

175

130

140

345

260

300

140

345

255

275

335

335

255

280

325

240

255

315

230

255

175

130

7 kHz

165

120

130

Maximum Power Notes:

All maximum power specifications are based on 0.5% regulated AC mains with THD of less than 1.0% and an ambient room temperature of 70°

F (21° C). Although it is an unusual condition, your amplifier can function well with AC mains voltages up to 10% over the specified line voltage. With overvoltage conditions, your amplifier may be capable of delivering instantaneous power levels up to

20% greater than the specifications in the matrix.

1. A single cycle sine wave is presented to the amplifier and monitored for nonlinear distortion. The average power during the burst is reported. Loudspeakers must be able to withstand this level if they are to be safely used with this amplifier.

2. A 40 millisecond sine wave burst (10 percent duty cycle) is presented to the amplifier and monitored for nonlinear distortion. Average power during the burst is reported. This power level is a measurement of the amplifier’s maximum transient power that can be perceived by the human ear.

Fig. 6.5 Com-Tech 210 Maximum Power Matrix


Page 39


Page 40

Dual/Mono

Mode

Dual


4

8

25 (70V)

8

Bridge-Mono

(balanced output)

16

50 (140V)

2

Parallel-Mono

4

12.5 (70V)

Dual


4

8

25 (70V)

8

Bridge-Mono

(balanced output)

16

50 (140V)

Parallel-Mono

2

4

12.5 (70V)

4

Dual


8

25 (70V)

Bridge-Mono

(balanced output)

8

16

50 (140V)

2

Parallel-Mono

4

12.5 (70V)




(See note 1)

475

665

605

465

550

315

240

280

625

280

620

475

555

610

470

550

505

595

315

240

620

520

590

615

20 Hz

320

265

305

575

675

745

565

610

405

285

315

820

310

820

570

615

790

560

615

595

650

415

285

820

600

655

805

50 Hz

415

300

330

665

680

745

645

645

435

335

325

860

325

1110

665

645

1080

655

645

715

680

555

330

875

720

675

825

1 kHz

460

360

340

655

650

745

640

620

435

325

315

865

315

1095

660

630

1070

640

620

700

655

550

325

855

705

655

810

7 kHz

450

355

330

500

675

700

490

565

360

250

290

725

285

725

500

565

710

495

565

515

600

360

255

695

510

600

685

50 Hz

345

260

305


At 0.05% THD

(See note 2)

455

675

600

445

535

310

230

275

625

270

620

455

540

605

450

535

470

575

315

230

620

475

575

615

1 kHz

315

235

290

480

650

625

465

555

330

240

285

650

280

655

480

565

635

470

560

490

695

330

240

645

490

595

645

7 kHz

330

250

305




Dual/Mono

Mode

Dual


4

8

12.5 (70V)

8

Bridge-Mono

(balanced output)

16

25 (140V)

Parallel-Mono

2

4

6.25 (70V)

Dual


4

8

12.5 (70V)

8

Bridge-Mono

(balanced output)

16

25 (140V)

Parallel-Mono

2

4

6.25 (70V)

4

Dual


8

12.5 (70V)

Bridge-Mono

(balanced output)

8

16

25 (140V)

2

Parallel-Mono

4

6.25 (70V)




(See note 1)

475

930

605

920

910

600

915

600

915

475

305

915

600

920

900

980

1060

645

975

460

230

475

20 Hz

515

320

480

1010

640

545

1190

705

1085

1185

710

1080

1195

705

1085

1195

700

1070

610

360

1045

1160

685

1045

605

295

545

50 Hz

575

340

530

1120

680

615

1530

815

1225

1475

790

1225

1500

810

1230

1485

805

1210

755

405

1185

1390

765

1170

750

375

610

1 kHz

695

385

590

1405

770

590

1470

785

1180

1415

770

1175

1480

790

1190

1450

780

1185

740

395

1145

1380

755

1135

730

370

595

7 kHz

690

375

575

1385

755

505

1095

675

980

1085

665

985

660

975

570

340

1110

665

990

1075

960

1100

650

985

555

275

510

50 Hz

545

320

480

1060

650


At 0.05% THD

(See note 2)

475

945

605

910

920

595

910

600

905

485

305

935

600

910

920

910

950

590

910

470

235

470

1 kHz

470

300

455

945

595

490

985

635

945

955

620

940

625

945

500

320

980

630

955

960

955

985

615

945

490

245

490

7 kHz

495

310

475

995

620



Page 41


Page 42

Dual/Mono

Mode

Dual


4

8

6.25 (70V)

8

Bridge-Mono

(balanced output)

16

12.5 (140V)

Parallel-Mono

2

4

3.13 (70V)

Dual


4

8

6.25 (70V)

8

Bridge-Mono

(balanced output)

16

12.5 (140V)

Parallel-Mono

2

4

3.13 (70V)

4

Dual


8

6.25 (70V)

8

Bridge-Mono

(balanced output)

16

12.5 (140V)

2

Parallel-Mono

4

3.13 (70V)




(See note 1)


At 0.05% THD

(See note 2)

885

1600

1055

1800

1615

1065

1855

1635

1090

1895

1640

1090

1845

800

535

1770

1590

1140

1895

820

555

955

20 Hz

780

525

950

1600

1050

1025

2060

1225

2115

2100

1230

2080

2095

1285

2165

2105

1300

2110

1060

630

1980

1985

1170

2015

1060

655

1100

50 Hz

1000

600

1035

1995

1185

1210

2580

1410

2475

2585

1415

2450

2700

1475

2550

2715

1470

2530

1295

700

2315

2465

1330

2375

1370

750

1295

1 kHz

1245

670

1205

2480

1330

1165

2520

1365

2395

2525

1380

2315

2680

1440

2490

2630

1425

2430

1245

685

2225

2390

1300

2280

1335

720

1255

7 kHz

1215

655

1170

2420

1285

960

1915

1155

1935

1920

1175

1940

1930

1200

1985

1955

1195

1965

955

590

1785

1830

1130

1880

1005

610

1025

50 Hz

915

555

925

1875

1145

845

1630

1050

1720

1635

1055

1720

1650

1080

1760

1655

1080

1745

820

530

1675

1665

1045

1715

835

550

895

1 kHz

840

525

875

1670

1050

875

1695

1095

1800

1700

1095

1785

1735

1130

1825

1725

1120

1810

850

550

1735

1715

1080

1780

870

570

930

7 kHz

870

545

905

1745

1090




504.0

126.8

MILLIOHMS

31.8

8.0

2.0

–2 dB

–3

–4

+2

+1

0

–1

–5

–6

–7

1 watt

8 ohm

4 ohm

10 100

FREQUENCY (Hz)

1 K 10 K

Fig. 6.9 Typical Frequency Response

100 K

1400

1200

1000

800

600

400

200

100

0

20

8 ohm

100 1 K

FREQUENCY (Hz)

Fig. 6.10 Typical Damping Factor

10 K 20 K

6 dB

10 100

FREQUENCY (Hz)

1 K

Fig. 6.11 Typical Output Impedance

10 K 100 K


Page 43


TEF

®

Measurement

+45˚

0˚

–45˚

Page 44

100

TECHRON TEF ®

1 K

FREQUENCY (Hz)

Fig. 6.12 Typical Phase Response

10 K 20 K

–66

–72

–78

dB

–84

–90

–96

–102

100

TECHRON TEF ®

1 K

FREQUENCY (Hz)

Fig. 6.13 Typical Crosstalk

10 K 20 K

TEF

®

Measurement



7 AC Power Draw and

Thermal Dissipation

“Soft-Star t” circuit breaker when several amps are turned on simultaneously.

• Duty cycle of rock ‘n’ roll is 30%.

• Duty cycle of background music is 20%.

• Duty cycle of continuous speech is 10%.

This section provides detailed information about the amount of power and current drawn from the AC mains by Com-Tech amplifiers and the amount of heat produced under various conditions. The calculations presented here are intended to provide a realistic and reliable depiction of the amplifiers. The following assumptions or approximations were made:

• Duty cycle of infrequent paging is 1%.

Here are the equations used to calculate the data presented in Figures 7.1 through 7.4:

AC Mains Power

Draw (watts)

=

Total output power with all channels driven (watts) x Duty

Cycle

Amplifier Efficiency (.65)

• The amplifier’s available channels are loaded, and full power is being delivered.

• Amplifier efficiency at standard 1 kHz power is estimated to be 65%.

The value used for quiescent power draw includes both the amplifier’s quiescent power draw for the selected output mode and the power drawn by the fan if one is installed (these values are listed in the previous column). The following equation converts power draw in watts to current draw in amperes: • In 8/4 ohm mode, typical quiescent power draw is 20 watts for the Com-Tech 210, 30 watts for the Com-Tech

410, 55 watts for the Com-Tech 810 and 70 watts for the

Com-Tech 1610.

Current Draw

(amperes)

=

AC Mains Power

Draw (watts)

AC Mains

Voltage x

Power

Factor (.83)

• In 70 volt mode, typical quiescent power draw is

30 watts for the Com-Tech 210, 35 watts for the

Com-Tech 410, and 90 watts for the Com-Tech 810 and

1610.

The power factor of 0.83 is needed to compensate for the difference in phase between the AC mains voltage and current. The following equation is used to calculate thermal dissipation:

• When running at full speed, typical power draw for the internal fan is 11 watts for the Com-Tech 210, 410 and

810, and 17 watts for the Com-Tech 1610 (the fan is an option for the Com-Tech 210).

Thermal

Dissipation

(btu/hr)

=

(

Total output power with all channels driven (watts) x

Amplifier Efficiency (.65)

Duty

Cycle x .35

+

Quiescent Power

Draw (watts)

) x 3.415

• Quiescent thermal dissipation is related .

• The estimated duty cycles take into account the typical crest factor for each type of source material.

• Duty cycle of pink noise is 50%.

The constant 0.35 is inefficiency (1.00–0.65) and the factor 3.415 converts watts to btu/hr. Thermal dissipation in btu is divided by the constant 3.968 to get kcal. If you plan to measure output power under real-world conditions, the following equation may also be helpful:

• Duty cycle of highly compressed rock ‘n’ roll midrange is 40%.

Thermal

Dissipation

(btu/hr)

Com-Tech 210

=

(

Total measured output power from all channels (watts)

Amplifier Efficiency (.65) x .35

+

Quiescent Power

Draw (watts)

) x 3.415

L O A D

8 Ohm Dual / 16 Ohm Bridge-Mono / 4 Ohm Parallel-Mono 4 Ohm Dual / 8 Ohm Bridge-Mono / 2 Ohm Parallel-Mono 70 V

Duty

Cycle

50%

40%

30%

20%

10%

AC Mains

Power

Draw

(Watts)

Current Draw (Amps)

100-120 V 220-240 V

Thermal Dissipation btu/hr kcal/hr

200

165

135

100

65

2.4

2.0

1.6

1.2

0.8

1.1

0.9

0.7

0.5

0.3

305

265

225

185

145

80

70

60

50

40

AC Mains

Power

Draw

(Watts)

Current Draw (Amps)

100-120 V 220-240 V


265

215

170

125

80

3.1

2.6

2.0

1.5

0.9

1.4

1.2

0.9

0.7

0.4

380

325

270

215

160

95

85

70

55

40

AC Mains

Power

Draw

(Watts)

Current Draw (Amps)

100-120 V 220-240 V


210

175

145

110

75

2.5

2.1

1.7

1.3

0.9

1.1

1.0

0.8

0.6

0.4

340

300

260

220

180

85

75

65

55

45

Fig. 7.1 Com-Tech 210 Power Draw, Current Draw and Thermal Dissipation at Various Duty Cycles


Page 45


Duty

Cycle

50%

40%

30%

20%

10%

Com-Tech 410

L O A D

8 Ohm Dual / 16 Ohm Bridge-Mono / 4 Ohm Parallel-Mono 4 Ohm Dual / 8 Ohm Bridge-Mono / 2 Ohm Parallel-Mono

AC Mains

Power

Draw

(Watts)

Current Draw (Amps)

100-120 V 220-240 V

390

320

250

180

110

4.7

3.8

3.0

2.2

1.3

2.1

1.7

1.4

1.0

0.6

Thermal Dissipation btu/hr

550

470

385

305

220 kcal/hr

140

120

100

80

55

AC Mains

Power

Draw

(Watts)

Current Draw (Amps)

100-120 V 220-240 V

410

335

265

190

115

4.9

4.0

3.2

2.3

1.4

2.2

1.8

1.4

1.0

0.6


580

490

400

315

225 kcal/hr

150

125

100

80

60

70 V

AC Mains

Power

Draw

(Watts)

Current Draw (Amps)

100-120 V 220-240 V

395

325

255

185

115

4.8

3.9

3.1

2.2

1.4

2.2

1.8

1.4

1.0

0.6


575

490

405

320

240 kcal/hr

145

125

105

80

60


Duty

Cycle

50%

40%

30%

20%

10%

8 Ohm Dual / 16 Ohm Bridge-Mono / 4 Ohm Parallel-Mono

Com-Tech 810

L O A D

4 Ohm Dual / 8 Ohm Bridge-Mono / 2 Ohm Parallel-Mono 70 V

AC Mains

Power

Draw

(Watts)

Current Draw (Amps)

100-120 V 220-240 V


535

440

350

255

160

6.4

5.3

4.2

3.0

1.9

2.9

2.4

1.9

1.4

0.9

785

670

560

450

335

200

170

140

115

85

AC Mains

Power

Draw

(Watts)

Current Draw (Amps)

100-120 V 220-240 V


820

670

520

370

220

9.9

8.0

6.2

4.4

2.6

4.5

3.7

2.8

2.0

1.2

1125

945

765

585

405

285

240

195

150

100

AC Mains

Power

Draw

(Watts)

Current Draw (Amps)

100-120 V 220-240 V


810

670

525

385

245

9.7

8.0

6.3

4.6

2.9

4.4

3.6

2.9

2.1

1.3

1190

1020

850

680

510

300

260

215

170

130


Duty

Cycle

50%

40%

30%

20%

10%


Com-Tech 1610

L O A D


AC Mains

Power

Draw

(Watts)

Current Draw (Amps)

100-120 V 220-240 V


920

755

590

425

260

11.1

9.1

7.1

5.1

3.1

5.0

4.1

3.2

2.3

1.4

1300

1100

905

705

510

330

280

230

180

130

AC Mains

Power

Draw

(Watts)

Current Draw (Amps)

100-120 V 220-240 V


1435

1165

895

630

360

17.3

14.0

10.8

7.6

4.3

7.8

6.4

4.9

3.4

2.0

1915

1590

1270

950

630

485

400

320

240

160

70 V

AC Mains

Power

Draw

(Watts)

Current Draw (Amps)

100-120 V 220-240 V


1590

1295

1000

700

405

19.1

15.6

12.0

8.4

4.9

8.7

7.1

5.5

3.8

2.2

2140

1790

1435

1085

730

540

450

365

275

185


Page 46



8 Accessories

8.1 PIP and PIP2

Modules

One advantage of Crown PIP2 compatible amplifiers is the ability to customize them using PIP (Programmable

Input Processor) and PIP2 modules. The PIPs shown here may be used in any Crown PIP2-compatible amplifier. PIPs carrying the PIP2 logo have been configured with an extended, PIP2-enhanced feature set.

FROM AM

PLIFIER

PIP2 AD

APTER

A

B

A

B

18 PIN (B)

20 PIN (A)

Fig. 8.1 PIP2 Adaptor

Connection

BACK PAN

EL

OF PIP2

AMPLIFIER

PIP2 ADAP

TER

P.I.P.

MODU

LE

For more information on these or other PIPs under development, contact your local dealer or Crown’s Technical Support Group.

IQ-P.I.P.-DSP is an IQ System Programmable Input

Processor with DSP (Digital Signal Processing) for PIPcompatible amplifiers. As a component of the IQ System, it connects the amplifier to the Crown Bus so the amplifier can be controlled and monitored. Its DSP capabilities enable it to be programmed with a variety of functions, such as filters and crossovers, signal delay, input compressor and output limiter, and a variety of other useful features similar to those included with the IQ-P.I.P-SMT.

Requires an IQ2 interface and a computer for initial setup.

Fig. 8.2 Installing a PIP

Module

The modules install easily:

For PIP units featuring an edge-connector, first install the PIP2 adapter, then carefully slide the PIP card edge into the adapter’s edge connector.

Finally, insert the combined units into the amplifier and screw securely into place (see Figures 8.1

and 8.2).

For PIP2s featuring

ribbon cable connectors, simply locate the two connectors on the underside of the

PIP circuit board, then connect the two input rib-

Fig. 8.3 Installing a PIP2

Module bon cables coming from the amplifier. Both ribbon cables should run smoothly from the amplifier to the PIP card. Insert the PIP and attached cables into the PIP opening in the back of the amplfier, then screw securely into place (see Figure

8.3).

WARNING: Disconnect power to the amplifier when installing or removing a PIP module.


IQ-P.I.P.-MEM Integrates Crown PIP-compatible amplifiers into Crown’s IQ System. Each channel of each amplifier can be monitored and individually controlled from an inexpensive PC. A total of 15 functions can be either monitored or controlled. Memory backup is also incorporated in case of power failure. Requires an IQ2 interface and a computer for initial setup.

IQ-P.I.P.-SMT “Smart Amp” offers impressive new features unavailable elsewhere. The processing speed is substantially enhanced over other designs. A programmable powersupply gate conserves energy by shutting off the amplifier’s high-power supplies until an audio signal is present. The user may define error-reporting conditions of the amplifier.

There is much greater flexibility and thermal operational protection available, as well as a built-in smooth output limiter to discretely control maximum amplifier output. Requires an IQ2 interface and a computer for initial setup.

Page 47

Com-Tech Power Amplifiers removable barrier block connectors for quick, solderless connections.

P.I.P.-BEQX Same as P.I.P.-BEQC but with XLR connectors.

O U T I N I N O U T

IQ-PIP-USP2

is an IQ2-series component. This means it supports Crown’s UCODE protocol and requires an IQ

System with an IQ2-compatible IQ interface. UCODE

(universal code) enables users and third parties to develop custom software objects to control and monitor

IQ2-compatible components like the IQ-PIP-USP2.

PUSH PUSH

Programmable

Input Processor (P.I.P.)

C H - 2 C H - 1

GND

3

1 2

P.I.P.-BP1C The P.I.P.-BP1C is a versatile, stereo band-pass processor that plugs into any PIP-capable Crown amplifier.

Each channel of the P.I.P.-BP1C is completely independent from the other and combines the functions of a low-pass filter, a high-pass filter, vented loudspeaker box equalization, horn equalization and compression. DIP switches and convenient jumper blocks make it easy to configure any of its powerful operating features. Uses removable barrier block, quick-disconnect connectors. P.I.P.-BP1X Same as the P.I.P.-BP1C but with XLR connectors.

P.I.P.-AMCb combines many of the features found in the

P.I.P.-XOV and P.I.P.-CLP to provide both a variable 4thorder Linkwitz-Riley crossover and an IOC-driven or variable-threshold signal-driven compressor. In addition, variable equalization networks provide for “constant-directivity” horn equalization and filter-assisted B6 vented bass box equalization. Bi-amping and tri-amping capabilities are provided via XLR connectors.

+ +

∞ ∞

P.I.P.-CLP is designed to detect and prevent overload. The same error detecting circuit that is used to signal the IOC indicator is used to activate this error-driven compressor. It is not a typical signal-driven compressor, but a circuit to prevent any overload. It can yield up to 13 dB or additional signal safety margin without noticeable program change.

P.I.P.-ATNJ includes the features of the P.I.P.-FXT (balanced

Jensen ® 1:1 isolation transformers) and adds to each channel a 12-dB/octave RFI filter, a variable 18-dB/octave highpass filter (to reduce bass/subsonic frequencies), and a 6dB/octave 3-kHz shelving network for “constant-directivity” horn equalization. Special quick-connect barrier blocks are provided for inputs to each channel. Also adds a

Jensen ® 32-step precision attenuator to each channel.

P.I.P.-EDCb State-of-the-art programmable error-driven and signal-driven compressor plus a variable high-pass filter for each channel. Fast or slow attach and release times can be set independently for each channel.

P.I.P.-BEQC adds many features of the Bose ® Controllers to the input of your amplifier. Each channel includes a custom equalization network for Bose loudspeakers. Also included is a bass-cut (high-pass) filter for each channel.

The equalization and bass-cut filters can be bypassed, if desired. Balanced inputs and “daisy-chain” outputs use

Page 48

P.I.P.-FXT uses balanced 1:1 transformers to isolate the source from the inputs. It comes with balanced female 3pin XLR connectors.



8.2 R.S.V.P. Module

P.I.P.-FMX facilitates “daisy-chaining” several amplifier balanced inputs together. Female to male 3-pin XLR connectors are used to passively bridge the amplifier inputs.

P.I.P.-PA permits the unique capability of adding one mic/ line input directly to each channel of an amplifier. With phantom power for microphones, this mic/line input may be remotely switched from mic to line priorities.

P.I.P.-RPA A phantom-power mixer that has four balanced mic or line inputs with voiceover capability and adjustable

“duck” level, 84 dB of attenuation. A 10-volt DC source for remote control capability is provided. The P.I.P.-EXT (Part

M44731-4), available from service, allows the P.I.P.-RPA and other PIP cards to be “extended” outside the amplifier for easy set up.

P.I.P.-RPAT has the same features as the P.I.P.-RPA but includes four input transformers.

R.S.V.P. The R.S.V.P. (Remote Switching Voltage Provider) can be used in applications requiring remote power turn on/ off of banks of amplifiers. Each R.S.V.P. can control up to 20

CT-10 Series amplifiers and/or daisy chain to other R.S.V.P.

modules, allowing larger systems to be controlled. The

R.S.V.P. can also be controlled by the IQ-PIP AUX output.

8.3 Com-Tech 210 Cooling Fan

A cooling fan (part GCT200FAN) is available for North

American Com-Tech 210s (all other units include a fan).

We recommend the kit if you will be operating a Com-

Tech 210 at high levels, in high temperatures for long periods, or with high duty cycle input signal, (see Section 3.2.1). Contact an authorized Crown servicer for installation of the optional fan kit.

8.4 Constant Voltage Computer

Crown’s constant voltage computer is a easy-to-use slide rule for audio applications. The first scale finds the impedance of a step-down transformer based on delivered power and the transformer’s rated voltage. This scale also identifies the proper transformer tap to use when a particular constant voltage rating is not provided with the transformer (such as 25, 35, 50, 70, 100 or 140 volts). Other scales include line loss, parallel resistance, dB-SPL vs. distance and dB-SPL vs. power. To obtain a constant voltage computer, call our Technical Support

Group and ask for literature.

P.I.P.-XOV is a versatile, economical mono 12- or 18-dB/ octave crossover/filter which offers bi-amping and tri-amping capability.


Page 49


9 Service

This unit has very sophisticated circuitry which should only be serviced by a fully trained technician. This is one reason why each unit bears the following label:

CAUTION: To prevent electric shock, do not remove covers. No user serviceable parts inside. Refer servicing to a qualified technician.

9.1 Worldwide Service

Service may be obtained from an authorized service center. (Contact your local Crown/Amcron representative or our office for a list of authorized service centers.)

To obtain service, simply present the bill of sale as proof of purchase along with the defective unit to an authorized service center. They will handle the necessary paperwork and repair.

Remember to transport your unit in the original factory pack.

9.2 North American Service

Service may be obtained in one of two ways: from an authorized service center or from the factory. You may choose either. It is important that you have your copy of the bill of sale as your proof of purchase.

9.2.1 Service at a North American Service Center

This method usually saves the most time and effort. Simply present your bill of sale along with the defective unit to an authorized service center to obtain service. They will handle the necessary paperwork and repair. Remember to transport the unit in the original factory pack.

A list of authorized service centers in your area can be obtained from our Technical Support Group.

9.2.2 Factory Service

To obtain factory service, fill out the service informa-

tion page found in the back of this manual and send it along with your proof of purchase and the defective unit to the Crown factory.

For warranty service, we will pay for ground shipping both ways in the United States. Contact Crown Factory

Service or Technical Support to obtain prepaid shipping labels prior to sending the unit. Or, if you prefer, you may prepay the cost of shipping, and Crown will reimburse you. Send copies of the shipping receipts to

Crown to receive reimbursement.

Your repaired unit will be returned via UPS ground.

Please contact us if other arrangements are required.

Always use the original factory pack to transport the unit.

Factory Service Shipping Instructions:

1. When sending a Crown product to the factory for service, be sure to fill out the service information form that follows and enclose it inside your unit’s shipping pack. Do not send the service information form separately.

2. To ensure the safe transportation of your unit to the factory, ship it in an original factory packing container. If you don’t have one, call or write

Crown’s Parts Department. With the exception of polyurethane or wooden crates, any other packing material will not be sufficient to withstand the stress of shipping. Do not use loose, small size

packing materials.

3. Do not ship the unit in any kind of cabinet (wood or metal). Ignoring this warning may result in extensive damage to the unit and the cabinet. Accessories are not needed—do not send the product documentation, cables and other hardware.

If you have any questions, please call or write the Crown

Technical Support Group.

Crown Audio Customer Service

Technical Support / Factory Service

Plant 2 SW, 1718 W. Mishawaka Rd., Elkhart,

Indiana 46517 U.S.A.

Telephone: 219-294-8200

800-342-6939

(North America,

Puerto Rico, and Virgin Islands only)

Facsimile: 219-294-8301

(Technical Support)

219-294-8124

(Factory Service)

Fax Back:

219-293-9200 ( North America only)

800-294-4094 (North America only)

219-294-8100 (International)

Internet: http://www.crownaudio.com


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Crown Factory Service Information

Shipping Address: Crown International, Inc., Factory Service, Plant 2 SW, 1718 W. Mishawaka Rd., Elkhart, IN 46517

Phone: 1-800-342-6939 or 1-219-294-8200 Fax: 1-219-294-8124

Owner’s Name: _________________________________________________________________________

Shipping Address: ______________________________________________________________________

Phone Number: _____________________________ Fax Number: _____________________________

Model: ________________________ Serial Number: ______________ Purchase Date: ___________

NATURE OF PROBLEM

(Be sure to describe the conditions that existed when the problem occurred and what attempts were made to correct it.)

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______________________________________________________________________________

______________________________________________________________________________

______________________________________________________________________________

______________________________________________________________________________

______________________________________________________________________________

______________________________________________________________________________

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Other equipment in your system: _________________________________________________________

______________________________________________________________________________

______________________________________________________________________________

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If warranty has expired, payment will be:

❏

Card Number:___________________________ Exp. Date:_______ Signature:____________________________

ENCLOSE THIS PORTION WITH THE UNIT. DO NOT MAIL SEPARATELY.

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