Arcam AVR600 Operating instructions

English
AVR500 / AVR600 / AV888
Handbook
AVR surround amplifier / AV processor
POWER/STANDBY
MENU
Ð
INPUT
+
OK
INFO
MODE
DIRECT
AVR600
DISPLAY
ZONE
MUTE
Ð VOLUME +
AUX
PHONES
POWER
safety
guidelines
CAUTION: To reduce the risk of electric shock, do not remove cover (or back). No user serviceable parts inside. Refer servicing to qualified
service personnel.
WARNING: To reduce the risk of fire or electric shock, do not expose this apparatus to rain or moisture.
Class II product
This equipment is a Class II or double
insulated electrical appliance. It has been
designed in such a way that it does not
require a safety connection to electrical
earth (‘ground’ in the U.S.).
The lightning flash with an arrowhead symbol within an equilateral triangle, is intended to alert the user to the presence of
uninsulated ‘dangerous voltage’ within the product’s enclosure that may be of sufficient magnitude to constitute a risk of electric
shock to persons.
The exclamation point within an equilateral triangle is intended to alert the user to the presence of important operating and
maintenance (servicing) instructions in the literature accompanying the product.
CAUTION: In Canada and the USA, to prevent electric shock, match the wide blade of the plug to the wide slot in the socket
and insert the plug fully into the socket.
Many of these items are common sense precautions but, for your own safety and to ensure that you do not damage the unit, we recommend that you read them.
Important safety instructions
6. Heat
11. Power lines
This product is designed and manufactured to meet
strict quality and safety standards. However, you should
be aware of the following installation and operation
precautions.
Locate the equipment away from naked flames or heatproducing appliances such as radiators, stoves or other
appliances that produce heat.
Locate any outdoor antenna/aerial away from power
lines.
7. Climate
Any speakers must be connected to the unit using high
quality class II wire (i.e. no connection to Earth should
be made). Failure to observe this precaution may cause
the unit to become damaged.
Safety compliance
13. Non-use periods
This device complies with Part 15 of the FCC Rules.
Operation is subject to the following two conditions:
(1) This device may not cause harmful interference, and
(2) this device must accept any interference received,
including interference that may cause undesired
operation.
1. Take heed of warnings and instructions
You should read all the safety and operating instructions
before operating this equipment. Retain this handbook
for future reference and adhere to all warnings in the
handbook or on the equipment.
The equipment has been designed for use in moderate
climates and in domestic situations. Unplug this
equipment during lightning storms to prevent possible
damage from a strike or mains surge.
8. Cleaning
2. Water and moisture
Unplug the unit from the mains supply before cleaning.
The presence of electricity near water can be dangerous.
Do not use the equipment near water – for example next
to a bathtub, washbowl, kitchen sink, in a wet basement
or near a swimming pool, etc.
The case should normally only require a wipe with a soft,
lint-free cloth. Do not use chemical solvents for cleaning.
3. Object or liquid entry
9. Power sources
Take care that objects do not fall and liquids are not
spilled into the enclosure through any openings. Liquidfilled objects such as vases should not be placed on the
equipment.
Only connect the equipment to a power supply of
the type described in the operating instructions or as
marked on the equipment.
4. Placing the equipment
Only use a rack or shelf that is stable and strong enough
to support the weight of this equipment.
12. Speaker connections
If the equipment is not being used for an extended
period, we recommend that you unplug the power cord
of the equipment from the outlet, to save power.
14. Abnormal smell
If an abnormal smell or smoke is detected from the
equipment, turn the power off immediately and unplug
the equipment from the wall outlet. Contact your dealer
and do not reconnect the equipment.
We do not advise the use of furniture cleaning sprays or
polishes as they can cause permanent white marks.
15. Servicing
You should not attempt to service the equipment.
Contact your dealer to arrange servicing.
The primary method of isolating the equipment from
the mains supply is to remove the mains plug. The
equipment must be installed in a manner that makes
disconnection possible.
5. Ventilation
10. Power-cord protection
Do not place the equipment on a bed, sofa, rug or
similar soft surface, or in an enclosed bookcase or
cabinet, since ventilation may be impeded.
Power supply cords should be routed so that they are not
likely to be walked on or pinched by items placed upon
or against them. Pay particular attention to the point
where they exit from the equipment.
16. Damage requiring service
The equipment should be serviced by qualified service
personnel when:
A.the power-supply cord or the plug has been
damaged, or
B. objects have fallen into, or liquid has spilled into the
equipment, or
C.the equipment has been exposed to rain, or
E-2
D.the equipment does not appear to operate normally
or exhibits a marked change in performance, or
E. the equipment has been dropped or the enclosure
damaged.
This equipment has been designed to meet the IEC/EN
60065 international electrical safety standard.
consignes
de sécurité
ATTENTION : afin de réduire les risques de choc électrique, n’ouvrez pas le boîtier de l’appareil. Les pièces internes ne sont pas réparables
par l’utilisateur. Pour tout problème matériel, contactez des techniciens qualifiés.
ATTENTION : afin de réduire les risques de choc électrique et d’incendie, veillez à ne pas exposer cet appareil à la pluie ou à
l’humidité.
Class II produit
Ce produit est un appareil électrique à
isolation double (appareil de classe II).
Il a été conçu pour ne pas nécessiter de
connexion de sécurité à la terre (ou à la
masse).
Le triangle dans lequel figure le symbole d’un éclair alerte l’utilisateur de la présence, dans le boîtier de l’appareil, d’une tension
dangereuse, non isolée et suffisamment importante pour représenter un risque de choc électrique.
ATTENTION : au Canada et aux États-Unis, afin de prévenir tout choc électrique, aligner la plus grosse broche de la prise à la fente la plus
large de la fiche et insérez entièrement la prise dans la fiche.
Bon nombre des consignes ci-dessous sont de simples précautions de bon sens. Nous vous recommandons toutefois de les lire pour votre propre sécurité et pour celle de l’appareil.
Instructions de sécurité
importantes
Cet appareil a été conçu et fabriqué conformément aux
normes de qualité et de sécurité les plus strictes. Vous
devez cependant observer les précautions qui suivent
lors de son installation et de son utilisation.
1. Avertissements et consignes
Il est impératif de lire les consignes de sécurité et
d’utilisation avant de mettre cet appareil en marche.
Conservez ce manuel pour vous y référer par la suite et
respectez scrupuleusement les avertissements figurant
dans ce manuel ou sur l’appareil lui-même.
2. Eau et humidité
L’installation d’un appareil électrique à proximité d’une
source d’eau présente de sérieux risques. Il ne faut donc
pas installer l’appareil près d’une baignoire, d’un lavabo,
d’un évier, dans un sous-sol humide, près d’une piscine,
etc.
5. Ventilation
Évitez de placer l’appareil sur un lit, un canapé, un
tapis ou une surface similaire instable ou dans une
bibliothèque ou un meuble fermé. Ceci risquerait de
nuire à la ventilation du système.
6. Exposition à la chaleur
Ne placez pas l’appareil à proximité d’une flamme nue
ou de tout dispositif produisant de la chaleur : radiateur,
poêle ou autre.
7. Conditions climatiques
L’appareil est conçu pour fonctionner dans des climats
modérés. Déconnectez cet équipement pendant un
orage pour éviter tous dommages possibles d’un impacte
de la foudre ou de surtension.
8. Nettoyage
Mettez l’appareil hors-tension avant de le nettoyer.
3. Chute d’objets ou infiltration de liquides
Pour l’entretien du boîtier, utilisez uniquement un
chiffon doux, humide et non pelucheux. N’utilisez pas
de solvant chimique.
Veillez à ne pas laisser tomber d’objets ni couler de
liquides à travers les ouvertures de l’appareil et ne placez
pas sur l’appareil d’objet contenant du liquide, tel qu’un
vase par exemple.
L’emploi d’aérosols ou de produits de nettoyage pour
meubles est déconseillé, car le passage d’un chiffon
humide risquerait de laisser des traces blanches et
indélébiles.
4. Placement de l’équipement
9. Alimentation secteur
Utilisez uniquement une étagère assez stable et solide pour
supporter le poids de cet équipement.
Branchez l’appareil uniquement sur une alimentation
secteur du type mentionné dans le manuel d’utilisation
ou indiqué sur l’appareil lui-même.
Le principal moyen d’isoler l’appareil du secteur est
d’utiliser l’interrupteur situé à l’arrière de l’appareil.
Cet appareil doit être installé de façon à pouvoir être
débranché si nécessaire.
15. Service
10. Protection des câbles d’alimentation secteur
16. Entretien par des techniciens qualifiés
Veillez à ce que les câbles d’alimentation ne se trouvent
pas dans un lieu de passage ou bloqués par d’autres
objets. Cette règle s’applique plus particulièrement aux
prises et câbles d’alimentation et à leurs points de sortie
de l’appareil.
11. Câbles haute tension
Évitez de monter l’antenne extérieure de l’appareil à
proximité de câbles haute tension.
12. Branchement des haut-parleurs
Tous les haut-parleurs doivent être connectés à
l’AVR600 avec du câble de classe II (aucune mise à la
terre nécessaire). Le non-respect de cette précaution est
susceptible d’endommager l’appareil.
13. Périodes de non-utilisation
Si l’appareil possède une fonction de mise en veille, un
courant faible continuera de circuler lorsqu’il sera réglé
sur ce mode. Débrancher le cordon secteur de la prise
murale si l’appareil doit rester inutilisé pendant une
période prolongée.
14. Odeur suspecte
Arrêtez et débranchez immédiatement l’appareil en cas
d’émission de fumée ou d’odeur anormale. Contactez
immédiatement votre revendeur.
F-1
F-2
N’essayez jamais d’effectuer d’autres opérations que celles
mentionnées dans ce manuel. Toute autre intervention
doit être effectuée par un personnel qualifié.
L’appareil doit être entretenu par du personnel qualifié
lorsque :
A.la prise ou le câble d’alimentation a été endommagé,
B. des objets sont tombés ou du liquide a coulé dans
l’appareil,
C.l’appareil a été exposé à la pluie,
D.l’appareil présente des dysfonctionnements,
E. l’appareil est tombé ou le boîtier a été endommagé.
Respect des consignes de
sécurité
Cet appareil a été conçu pour répondre à la norme
internationale de sécurité électrique EN60065.
Cet appareil est conforme à la Section 15 des règles
de la FCC. Son fonctionnement est soumis aux deux
conditions suivantes :
(1) ce produit ne risque pas de causer d’interférences
nuisibles et (2) ce produit doit accepter toutes les
interférences reçues, y compris celles qui risquent
d’entraîner un fonctionnement indésirable.
Français
Le triangle dans lequel figure un point d’exclamation alerte l’utilisateur de la présence d’instructions de fonctionnement et de
maintenance (réparation) importantes dans la documentation accompagnant le produit.
F-2
safety guidelines........................................E-2
welcome.......................................................E-3
before you begin…...................................E-4
audio/video connections.........................E-7
AVR600/AV888 rear panel connectors..E-8
Connection guide - AVR600/AV888............... E-12
AVR500 rear panel connectors............. E-14
Connection guide – AVR500............................. E-18
radio connectors..................................... E-20
other connectors..................................... E-22
speakers.................................................... E-23
operation.................................................. E-25
front panel operation............................. E-27
remote control......................................... E-28
essential setup......................................... E-36
auto speaker setup................................. E-37
setup menus............................................ E-38
video & audio connection settings..... E-39
decoding modes..................................... E-46
Thank you and congratulations for purchasing your Arcam FMJ AVR500/AVR600 surround
amplifier or AV888 AV processor.
Arcam has been producing specialist audio products of remarkable quality for over three
decades and the new FMJ products are the latest in a long line of award winning Hi-Fi. The
design of the FMJ range draws upon all of Arcam’s experience as one of the UK’s most respected
audio companies, to produce Arcam’s best performing range of products yet – designed and built
to give you years of watching and listening enjoyment.
This handbook is intended to give you a detailed guide to using the AVR500/AVR600 surround
amplifier and the closely related AV888 AV processor. It starts by giving advice on installation,
moves on to describe how to use the product and finishes with additional information on the
more advanced features. Use the contents list shown on this page to guide you to the section of
interest.
We hope that your FMJ product will give you years of trouble-free operation. In the unlikely
event of any fault, or if you simply require further information about Arcam products, our
network of dealers will be happy to help you. Further information can also be found on the
Arcam website at www.arcam.co.uk.
The FMJ development team
Dolby volume......................................................... E-48
tuner operation....................................... E-50
network/usb operation......................... E-52
external amplifiers.................................. E-53
multi-room set up................................... E-54
Multi-room connection guide......................... E-55
customising the CR102.......................... E-56
Command summary............................................ E-59
Device codes........................................................... E-59
trouble­shooting...................................... E-60
specifications........................................... E-62
product guarantee................................. E-63
device code tables......................................64
Professional Installation?
It may be that the unit has been installed and set up as part of your Hi-Fi installation by a qualified Arcam dealer.
In this case, you may wish to skip the sections of this handbook dealing with installation and setting up, and
move directly to the sections dealing with using the unit. Use the Contents list to guide you to these sections.
DIY setup?
The AVR500, AVR600 and AV888 are powerful and sophisticated items of AV equipment. If you are setting a unit
up yourself, it is recommended that you read this handbook thoroughly before beginning. For instance, correct
speaker configuration and placement is a key to getting the most out of your FMJ product and making sure that
all the elements of your system work in harmony.
E-3
welcome
English
Contents
before you
begin…
The AVR500/AVR600 is a high-quality and highperformance home-cinema processor and amplifier built
to Arcam’s quality design and manufacturing standards.
The closely related AV888 is a home-cinema processor
which provides multichannel input to an external
amplifier (such as Arcam’s P777). They both combine
digital processing with high-performance audio and
video components to form the locus of an unrivalled
home-entertainment centre.
Since many of these source components are also
capable of generating video signals, the AVR500/
AVR600 receiver and the AV888 processor units include
broadcast-quality switching for HDMI, Composite,
S-Video, RGB and Component video signals. There are
audio and video outputs for PVR and VCR recording,
as well as two digital outputs for digital recording of
digitised audio sources (AVR600/AV888 only). DVDAudio and SACD can be connected via the multichannel
input. Control of the AVR500, AVR600 or the AV888 is
either by front panel control buttons, IR remote control
or RS232 port.
The AVR500/AVR600/AV888 allow switching and
control of eight analogue and seven digital sources. The
AVR500 and AVR600 have internal AM, FM and DAB*
radio and the AVR600 can accept a SiriusConnect™
Home Tuner input. The AVR600, AV888 and optionally
the AVR500* can accept networked and USB audio
sources – making it an ideal hub for both home-cinema
and two-channel stereo systems.
The installation of the AVR500, AVR600 or AV888 in a
listening room is an important process which requires
care at every stage. For this reason, the installation
information is very comprehensive and should be
followed carefully to achieve an unrivalled level of
performance.
The AVR500/AVR600 surround amplifier and AV888
AV processor are designed to produce a level of
performance that will truly bring music and movies
to life.
The CR102 remote control supplied with either unit
is an eight-device ‘universal’ learning remote control
which is simple to use, and once set up is able to control
a complete system. It can be programmed using its vast
internal code library to control CD and DVD players,
PVRs, TVs and other devices.
*DAB and network/USB connectivity are optional for
the AVR500, please contact your dealer for information.
POWER/STANDBY
MENU
Ð
INPUT
+
OK
INFO
MODE
DIRECT
AVR600
DISPLAY
ZONE
MUTE
Ð VOLUME +
AUX
E-4
PHONES
POWER
< Place the unit on a level, firm surface, avoiding
direct sunlight and sources of heat or damp.
< Do not place the unit on top of a power amplifier or
other source of heat.
< Do not place the unit in an enclosed space such as
a bookcase or closed cabinet unless there is good
provision for ventilation. The unit will run warm
during normal operation.
< Do not place any other component or item on top of
the amplifier as this may obstruct airflow around the
heat-sink, causing the amplifier to run hot. (The unit
placed on top of the amplifier would become hot,
too.)
< Make sure the remote-control receiver on the front
panel display is unobstructed, otherwise this will
impair the use of the remote-control. If line-of-sight
is impractical, a remote-control repeater can be used
with the rear panel connector (see page 17).
< Do not place your record deck on top of this
unit. Record decks are very sensitive to the noise
generated by mains power supplies which will be
heard as a background ‘hum’ if the record deck is too
close.
Power
Interconnect cables
Radio interference
The amplifier is supplied with a moulded mains plug
already fitted to the lead. Check that the plug supplied
fits your supply – should you require a new mains lead,
please contact your Arcam dealer.
We recommend the use of high-quality screened cables
that are designed for the particular application. Other
cables will have different impedance characteristics
that will degrade the performance of your system (for
example, do not use cabling intended for video use to
carry audio signals). All cables should be kept as short
as is practically possible.
The AVR500, AVR600 and AV888 are audio devices
containing microprocessors and other digital
electronics. They have been designed to very high
standards of electromagnetic compatibility.
It is good practice when connecting your equipment to
make sure that the mains power-supply cabling is kept
as far away as possible from your audio cables. Failure to
do so may result in unwanted noise in the audio signals.
If the unit causes interference to radio or television
reception (which can be determined by switching the
unit off and on), the following measures should be
taken:
< Re-orient the receiving antenna or route the antenna
cable of the affected receiver as far as possible from
the unit and its cabling.
< Relocate the receiver with respect to the unit.
< Connect the affected device and the unit to different
mains outlets.
If your mains supply voltage or mains plug is different,
please contact your Arcam dealer immediately.
The amplifier can be switched for operation between
195–265V (switch position 230V) and 85–132V (switch
position 115V).
NOTE
Ensure that the unit is switched off and the power
lead removed before changing the position of the
voltage range switch.
For information on speaker cabling, please refer to the
‘Speakers’ section, beginning on page 23.
Push the IEC plug end of the power cable into the
socket on the back of the amplifier, making sure that it
is pushed in firmly. Plug the other end of the cable into
your mains socket and, if necessary, switch the socket
on.
This is a Class A product. In a domestic environment
this product may cause radio interference, in which case
the user may be required to take adequate measures.
If the problem persists, please contact your Arcam
dealer.
The amplifier can be turned on using the power switch
on the front panel. While switched on, the front panel
LED will glow green.
Standby power
The unit can be switched into standby mode using
the 2 button on the CR102 remote control. While in
standby mode the front panel LED will glow red and
power consumption is around 3 watts.
While in Standby mode, it may be possible to hear a
slight residual hum coming from the mains transformer
inside the amplifier. This is perfectly normal. However,
if the unit is to be left unused for an extended period,
we recommend that you disconnect it from the mains
supply to save power.
E-5
English
Placing the unit
Trademark acknowledgements
Arcam is a registered trademark of A & R Cambridge Ltd.
Dolby Volume
Manufactured under license from Dolby
Laboratories. Dolby and the double-D symbol
are trademarks of Dolby Laboratories.
Dolby True HD, Digital, Digital Plus,
PL IIx
Manufactured under license from Dolby
Laboratories. Dolby, Pro Logic, and the
double-D symbol are trademarks of Dolby
Laboratories.
DTS-HD Master Audio
Manufactured under license under U.S. Patent
#’s: 5,451,942; 5,956,674; 5,974,380; 5,978,762;
6,226,616; 6,487,535; 7,212,872; 7,333,929;
7,392,195; 7,272,567 & other U.S. and worldwide
patents issued & pending. DTS is a registered
trademark and the DTS logos, Symbol, DTS-HD
and DTS-HD Master Audio are trademarks of
DTS, Inc. © 1996-2008 DTS, Inc. All Rights
Reserved.
DTS-HD High Resolution Audio
Manufactured under license under U.S. Patent
#’s: 5,451,942; 5,956,674; 5,974,380; 5,978,762;
6,226,616; 6,487,535; 7,212,872; 7,333,929 &
other U.S. and worldwide patents issued &
pending. DTS is a registered trademark and the
DTS logos, Symbol, DTS-HD, DTS-HD High
Resolution Audio and DTS-HD High Res Audio
are trademarks of DTS, Inc. © 1996-2008 DTS,
Inc. All Rights Reserved.
DTS Digital Surround
ES|Neo:6|96/24
Manufactured under license under U.S. Patent
#’s: 5,451,942; 5,956,674; 5,974,380; 5,978,762;
6,226,616; 6,487,535; 7,003,467; 7,212,872 &
other U.S. and worldwide patents issued &
pending. DTS, DTS Digital Surround, ES, and
Neo:6 are registered trademarks and the DTS
logos, Symbol and DTS 96/24 are trademarks
of DTS, Inc. © 1996-2008 DTS, Inc. All Rights
Reserved.
FLAC
Ogg/Vorbis
FLAC Decoder Copyright © 2000, 2001, 2002,
2003, 2004, 2005, 2006, 2007, 2008 Josh Coalson
Ogg/Vorbis Decoder Copyright © 2002,
Xiph.org Foundation
Redistribution and use in source and binary
forms, with or without modification, are
permitted provided that the following conditions
are met:
Redistribution and use in source and binary
forms, with or without modification, are
permitted provided that the following conditions
are met:
- Redistributions of source code must retain the
above copyright notice, this list of conditions
and the following disclaimer.
- Redistributions of source code must retain the
above copyright notice, this list of conditions
and the following disclaimer.
- Redistributions in binary form must
reproduce the above copyright notice, this list of
conditions and the following disclaimer in the
documentation and/or other materials provided
with the distribution.
- Redistributions in binary form must
reproduce the above copyright notice, this list of
conditions and the following disclaimer in the
documentation and/or other materials provided
with the distribution.
- Neither the name of the Xiph.org Foundation
nor the names of its contributors may be used
to endorse or promote products derived from
this software without specific prior written
permission.
- Neither the name of the Xiph.org Foundation
nor the names of its contributors may be used
to endorse or promote products derived from
this software without specific prior written
permission.
THIS SOFTWARE IS PROVIDED BY
THE COPYRIGHT HOLDERS AND
CONTRIBUTORS “AS IS” AND ANY EXPRESS
OR IMPLIED WARRANTIES, INCLUDING,
BUT NOT LIMITED TO, THE IMPLIED
WARRANTIES OF MERCHANTABILITY AND
FITNESS FOR A PARTICULAR PURPOSE
ARE DISCLAIMED. IN NO EVENT SHALL
THE FOUNDATION OR CONTRIBUTORS
BE LIABLE FOR ANY DIRECT, INDIRECT,
INCIDENTAL, SPECIAL, EXEMPLARY, OR
CONSEQUENTIAL DAMAGES (INCLUDING,
BUT NOT LIMITED TO, PROCUREMENT OF
SUBSTITUTE GOODS OR SERVICES; LOSS
OF USE, DATA, OR PROFITS; OR BUSINESS
INTERRUPTION) HOWEVER CAUSED AND
ON ANY THEORY OF LIABILITY, WHETHER
IN CONTRACT, STRICT LIABILITY, OR
TORT (INCLUDING NEGLIGENCE OR
OTHERWISE) ARISING IN ANY WAY OUT
OF THE USE OF THIS SOFTWARE, EVEN IF
ADVISED OF THE POSSIBILITY OF SUCH
DAMAGE.
THIS SOFTWARE IS PROVIDED BY
THE COPYRIGHT HOLDERS AND
CONTRIBUTORS “AS IS” AND ANY EXPRESS
OR IMPLIED WARRANTIES, INCLUDING,
BUT NOT LIMITED TO, THE IMPLIED
WARRANTIES OF MERCHANTABILITY AND
FITNESS FOR A PARTICULAR PURPOSE
ARE DISCLAIMED. IN NO EVENT SHALL
THE FOUNDATION OR CONTRIBUTORS
BE LIABLE FOR ANY DIRECT, INDIRECT,
INCIDENTAL, SPECIAL, EXEMPLARY, OR
CONSEQUENTIAL DAMAGES (INCLUDING,
BUT NOT LIMITED TO, PROCUREMENT OF
SUBSTITUTE GOODS OR SERVICES; LOSS
OF USE, DATA, OR PROFITS; OR BUSINESS
INTERRUPTION) HOWEVER CAUSED AND
ON ANY THEORY OF LIABILITY, WHETHER
IN CONTRACT, STRICT LIABILITY, OR
TORT (INCLUDING NEGLIGENCE OR
OTHERWISE) ARISING IN ANY WAY OUT
OF THE USE OF THIS SOFTWARE, EVEN IF
ADVISED OF THE POSSIBILITY OF SUCH
DAMAGE.
AAC/AAC Plus
aacPlus is a trademark of Coding Technologies.
See www.codingtechnologies.com for more
information.
E-6
WMA &
Microsoft
DRM10
This product is protected by certain intellectual
property rights of Microsoft Corporation. Use
or distribution of such technology outside of
this product is prohibited without a license from
Microsoft or an authorized Microsoft subsidiary
Content providers are using the digital rights
management technology for Windows Media
contained in this device (“WM-DRM”) to
protect the integrity of their content (“Secure
Content”) so that their intellectual property,
including copyright, in such content is not
misappropriated. This device uses WM-DRM
software to play Secure Content (“WM-DRM
Software”). If the security of the WM-DRM
Software in this device has been compromised,
owners of Secure Content (“Secure Content
Owners”) may request that Microsoft revoke
the WM-DRM Software’s right to acquire
new licenses to copy, display and/or play
Secure Content. Revocation does not alter the
WM-DRM Software’s ability to play unprotected
content. A list of revoked WM-DRM Software
is sent to your device whenever you download a
license for Secure Content from the Internet or
from a PC. Microsoft may, in conjunction with
such license, also download revocation lists onto
your device on behalf of Secure Content Owners.
vTuner
This product is protected by certain intellectual
property rights of NEMS and BridgeCo. Use
or distribution of such technology outside of
this product is prohibited without a license
from NEMS and BridgeCo or an authorized
subsidiary.
MP3
MPEG Layer-3 audio decoding technology
licensed from Fraunhofer IIS and Thomson
multimedia
iPod
iPod is a trademark of Apple Inc., registered in
the US and other countries.
Sirius
SIRIUS, XM and all related marks and logos
are trademarks of Sirius XM Radio Inc. and its
subsidiaries. All rights reserved. Service not
available in Alaska and Hawaii.
Product operation is broadly similar for the AVR500,
AVR600 and AV888, however, the AVR600 & AV888
have a greater variety of input connectors and a different
rear panel layout. For this reason, two sections of
connection diagrams are presented. Please see Page 8
for the AVR600 & AV888. For the AVR500 please skip
ahead to Page 14.
General
The inputs are named to make it easier to reference
connected devices (e.g. ‘DVD’ or ‘VCR’). They all have the
same input circuit (with the exception of the ‘phono’
input), so there is no reason why you should not connect
a different device to any of the inputs. For example, if
you had two DVD players and the AV input was not
being used, then the second DVD player could be
connected to the AV input.
When connecting a video source, its audio must be
connected to the corresponding sockets. For example,
if you a had a satellite decoder plugged into a SAT video
input, the audio must be connected to the SAT audio
inputs!
The hierarchy for video connections for best quality is
as follows;
< HDMI
< Component/RGB
< S-Video
< Composite.
You should connect as many of these as possible. The
unit will automatically select the best quality connection
for the source available. For any video source to be
available in Zone 2 you must have an S-Video or
Composite connection between the unit and the source.
Making connections
Important notes about Component/RGB
video inputs and outputs
< When you connect your devices to these
connectors, take care to follow the letter/colour
coding for each input. No damage will occur
due to incorrect connection but incorrectly
coloured or unstable pictures will result.
< The Component video inputs have sufficient
bandwidth for NTSC (525/60) or PAL (625/50)
video and HDTV video signals.
< Wherever possible, connect both the analogue
and digital outputs of digital sources. This enables
use of a digital input for the main zone and the
corresponding analogue input for recording onto an
analogue tape deck, VCR or PVR, or for the Zone 2
or 3 output.
< Take care to place cables as far from any power
supply cabling as is practicable, to reduce hum and
other noise problems.
E-7
English
audio/video
connections
Product differences and options
Before connecting your AVR500/AVR600 or AV888
and power amplifier (e.g. the Arcam P777) to your
source components and speakers, please read through
the next few pages which will explain all the input and
output connectivity that is available. The ‘Speakers’
section explains how to connect up your speakers to
avoid damage to the amplifier and how to arrange your
speakers for best performance.
Digital connectors
Aerials, control and communication
Component, S-Video and
Composite connectors, see
page 9.
Optical and electrical digital
audio connectors, see page 10.
Sirius satellite radio, FM/AM/DAB radio, rLead/
rDock, RS232, Network/USB, IR and trigger
connectors, see page 20.
‚


‚
‚
‚



For information, see page 23.
Speaker connectors
€
Power inlet
€
~ 50 Ð 60 Hz
1.5KVA MAX
Connect the correct mains
cable here

 ­
€
€

‚
‚
€

SWITCH POSITIONS
115 = 110Ð115V
230 = 220Ð240V
Ensure the voltage selected
matches your local power supply
€
Two-channel and
multichannel, see page 10.
Voltage select
Audio connectors
Zone 2 and 3 connectors, see
page 9.
AVR600
AV888
rear panel
connectors
Video connectors
HDMI
888
For information, see page 9.
E-8
NOTE
Please read the ‘Placing the unit’, ‘Power’ and
‘Interconnect cables’ sections on page 5 before
connecting up your AVR600 or AV888!

XLR audio output
Balanced XLR connectors for
each of seven channels, to an
XLR-equipped amplifier.
For information, see page 53.
If you are connecting up to an RGB source you will
also need to connect the source’s Composite output to
the unit’s Composite input to act as a video sync. The
Composite signal should be on the same named input as
the RGB signals.
These inputs are suitable for connection to source
devices which output Component (YUV or YPbPr) or
RGB high quality analogue video signals. These signals
are usually available from DVD players, set-top boxes or
games consoles.
RGB video outputs on source equipment are often on
SCART connectors. You will need to use a SCART to
‘RGB+Sync on phono’ breakout cable, available from
your Arcam dealer.
OUT 2
Connect this output to the HDMI video input of your second display
device or to another HDMI display device in a second living space. As
the unit has only one processed video path, this signal will be a copy of
the signal on Out 1.
OUT 1
Connect this output to the HDMI video input of your main zone display
device.
AV, SAT, DVD, VCR, PVR
Connect the HDMI video outputs of your source equipment to these
corresponding HDMI inputs.
HDMI connectors
Z3 OUT
Connect these
analogue audio
outputs to
your Zone 3
equipment. See
‘Multi-room
Setup’ on page 54
for information.
NOTE
When setting up the menus (later in this
manual), you will need to select whether
the three-wire high quality video input is
Component or RGB for each input. This is
done on the ‘HQ Video In’ line in the Input
Config menu. Failure to do this can result in
a green looking picture or a picture that is
unstable.
NOTE
All Zone 1 analogue video outputs will be disabled if
an HDMI digital video source is selected.
AV, DVD, SAT, VCR, PVR
Connect the Component video outputs of your source
equipment to these inputs.
OUT
Connect this output to the Component video input of
your display device.
NOTE
Analogue RGB video output is not available from
the AVR500, AVR600 or AV888. The analogue
three-wire high quality video output is always
configured as Component video.
E-9
Z2 AUDIO OUT, Z2 VIDEO OUT
Connect these analogue audio
and video outputs to your
Zone 2 equipment. See ‘Multiroom Setup’ on page 54 for
information.
S-Video and
Composite
connectors
Zone 2 connectors
AV, DVD, SAT, VCR, PVR
Connect these inputs to the
S-Video and Composite
outputs of your available source
equipment.
VCR OUT, PVR OUT,
These are recording outputs. Connect these to the
‘S-Video in’ or ‘Composite in’ sockets (usually labelled
‘RECORD’) on your recording device.
MAIN OUT
Connect this output to the S-Video or Composite
sockets on your primary Zone 1 display.
English
Component/RGB video
connectors
Zone 3 connectors
MENU
OPTICAL, COAX
Connect the optical or coaxial output
to your digital recording device such as
CD-R, digital VCR or Minidisc player.
When a digital source is selected,
the digital output will send an exact
copy of the incoming digital signal. For example, for a
5.1 digital source, the digital output will also be in 5.1
format.
When an analogue-only source is selected, this is
digitized by the unit and routed to the digital outputs.
These outputs are muted if a source is selected where the
HDMI connection is used and is transmitting HD audio.
The digital audio from the HDMI link will not be routed
to these outputs.
This input can be connected
directly to a record deck
which has a direct output
from a moving magnet (MM)
cartridge.
AVR600
MCH input
This multichannel analogue
audio input can be connected to
a source device which outputs
surround sound on its analogue
outputs. Such devices typically
include DVD-Audio and SACD
players. This input does not
pass through any of the audio
processing in the unit, therefore
functions such as speaker size
and distance from the listening
position should be copied from the Setup menus into the
Setup menus of your multichannel source. Note however
that speaker level trims are applied to the MCH input
on the unit. Therefore speaker level trim settings on
multichannel source equipment should be left unset at
zero.
+
OK
TAPE, CD, AV, DVD, SAT, VCR,
PVR
Connect the left and right
inputs to the left and right
outputs of your source
equipment.
INFO
MODE
DIRECT
DISPLAY
ZONE
MUTE
Ð VOLUME +
Front panel AUX input
The front panel AUX input can be
used as an analogue or optical
digital input.
AUX
PHONES
For analogue sources, use a stereo
3.5mm lead; for digital sources
use a 3.5mm optical lead. The
front input is also used for the
auto-setup microphone input.
TAPE, CD, AV, DVD, SAT, VCR, PVR
Connect these inputs to the digital
outputs of your available source
equipment.
INPUT
Analogue audio
inputs
Phono
Digital audio
connectors
Ð
Analogue record
outputs
VCR OUT, PVR OUT, TAPE OUT
Connect the left and right
outputs to the left and right
input sockets of your cassette
deck, PVR or VCR (usually labelled ‘RECORD’). The PVR
and VCR connectors may be used for a second and third
cassette deck. These outputs are fixed at full line level.
Analogue pre-amplifier outputs
All pre-amplifier analogue outputs are buffered, have a
low output impedance, are at line level and follow the
Zone 1 volume control setting. They are able to drive
long cables or several inputs in parallel if required.
For more information on connecting speakers or
additional power amplifiers, see page 23 and 53.
E-10
Front panel PHONES socket
This socket accepts headphones with an impedance
rating between 32Ω and 600Ω, fitted with a 3.5mm
stereo jack plug. The headphone socket is always active,
except when AVR600/AV888 is muted.
When the headphone jack is inserted, the speaker
outputs and analogue pre-amplifier outputs are
automatically muted.
rLead/rDock
AM
RS232
The trigger connectors (Trig Z1, Trig Z2 and Trig Z3)
provide an electrical signal whenever the amplifier is
switched on and the relevant zone enabled.
DAB
ETHERNET
Z1 IR
Z2 IR
TRIG Z1
Z3 IR
TRIG Z2
USB
The trigger signal can be used
to switch on and off compatible
pieces of home entertainment
equipment, for example, you
could set up a trigger to turn on
your television and DVD player
whenever the unit was switched
on.
TRIG Z3
Use for remotely turning on and off power amps or
source equipment for Zone 3. On = 12V, Off = 0V.
Infra-red (IR) connectors
NOTE
DAB
ETHERNET
Sockets with the prefix ‘Z2’ or ‘Z3’ refer to
connections used in multi-room installation. For
more information on these connectors, see page 54.
Z1 IR
Z2 IR
TRIG Z1
USB
There are three trigger output
sockets on the unit, each capable
of outputting a 12V, 70mA
switching signal. The socket
is designed for mono 3.5mm jacks: tip is the trigger
output, sleeve is ground.
IR OUT
AM
Z3 IR
TRIG Z2
IR OUT
TRIG Z3
The infra-red inputs (Z1 IR, Z2 IR
and Z3 IR) allow the connection of
external IR receivers, either when
the unit’s front panel IR receiver is
fully or partially obstructed or to
allow the use of a remote control
in Zone 2 or Zone 3.
There are three IR inputs on the
unit, each designed for stereo or
mono 3.5mm jacks. Tip is the
modulated signal, sleeve is ground.
TRIG Z3
tip: Modulated signal
sleeve: Ground
tip: Trigger output
sleeve: Ground
Z1 IR
This input is intended for use with a local IR receiver
when the front panel of the unit is blocked.
TRIG Z1
Use for remotely turning on and off power amps or
source equipment for Zone 1. On = 12V, Off = 0V.
TRIG Z2
Use for remotely turning on and off power amps or
source equipment for Zone 2. On = 12V, Off = 0V.
Connecting an IR receiver to Z1 IR will disable to front
panel IR receiver to prevent problems with multiple
commands if the front panel IR receiver is only partially
obstructed.
Z2 IR
This input is intended for use with an IR receiver in
Zone 2 to allow remote control of the unit from a second
room.
E-11
Z3 IR
This input is intended for use with an IR receiver in
Zone 3 to allow remote control of the unit from a third
room.
IR OUT
This output is an electrical combination of the Z1 (or
front panel) + Z2 + Z3 infra-red signals above. It can be
used to drive external IR emitters or can be connected
directly to other Arcam equipment which have an IR
input. This function can be useful as an IR ‘repeater’
so that someone in any of the zones can control the
functions of a CD player in the main zone, for example.
Tip is the modulated electrical IR signal, sleeve is
ground.
A supplier of infra-red receivers and emitter accessories
and systems is Xantech. See www.xantech.com for
more information, or ask your Arcam dealer.
NOTE
The IR inputs on the unit are designed for
modulated signals. If the external IR receiver
demodulates the IR signal, it will not work. Also the
unit does not provide power for external receivers
on the IR jack, therefore an external power source
will be required.
English
Trigger connectors
rLead/rDock
FM
FM
RS232
SIRIUS
SIRIUS
Connection guide AVR600/AV888


SWITCH POSITIONS
115 = 85Ð132V
230 = 195Ð265V
In each case, connect the video inputs labelled DVD on
the unit.


The preferred audio hook-up is using the coaxial digital
connector (usually marked Digital audio out), in
addition to the coaxial analogue outputs for left and
right channels.
115/230/240V



The preferred video hook-up, in order of preference is:
<use the HDMI connector (if HDMI output is
provided by the player), otherwise connect the three
Component or four RGB+Sync video connectors.
<use the S-Video connection if HDMI or Component
/RGB+Sync outputs are not provided by your player.
<use the Composite connection if HDMI,
Component/RGB+Sync or S-Video are not provided
by your player.
The diagram shows how to make audio and video
connections from a typical DVD player.
DVD player
CLASS II WIRING
In each case, use the audio inputs labelled DVD on the
unit.
Satellite receiver
A satellite receiver is connected in the same way as
a DVD player, with the same order of preference
according to the outputs provided by the satellite
receiver.
In each case, use the inputs labelled SAT on the unit.
Note that digital audio input from a satellite receiver
sometimes requires a coaxial/TOSLINK (digital
connector) interconnect cable, as some satellite receivers
do not implement audio over HDMI properly or at all.
CD player

Connect the digital audio output (if provided by the CD
player) to the digital CD input of the unit, using a high
quality coaxial interconnect cable.
Connect the right and left analogue audio outputs of the
CD player to the analogue CD inputs of the unit, using a
pair of high quality coaxial interconnect cables.
E-12

Connecting an iPod using the Arcam rDock
Navigating through music and podcasts on your iPod is
simple using the CR102 remote, with text appearing on
the front panel display.

More information is given in the rDock quick start
guide (or rLead quick start guide) supplied with these
accessory units.
E-13
English



Connect the rDock as shown, power on the rDock,
slot in your iPod and select iPod as the source. Set the
Audio In iPod item in the ‘General Setup’ menu to the
audio input that you have used to connect the rDock.
For video connections, select the video source you have
used for the iPod input in the ‘Video Inputs’ menu.
The combination of the AVR600/AV888 and Arcam’s
optional rDock or rLead accessory provides a great
platform for your iPod.
AVR500
rear panel
connectors
Video connectors
Digital connectors
Aerials, control and communication
Component, S-Video and
Composite connectors, see
page 15.
Optical and electrical digital
audio connectors, see page 16.
FM/AM radio, DAB radio (optional), rLead/
rDock, RS232, Network/USB (optional), IR and
trigger connectors, see page 20.
Audio connectors
Zone 2 connectors,
see page 15.
Two-channel and
multichannel, see page 16.
VCR
PVR
SAT
AV
Voltage select
Ensure the voltage selected
matches your local power supply
Speaker connectors
SUBWOOFER OUTPUT
Power inlet
Connect the correct mains
cable here
DVD
1
HDMI
For information, see page 15.
NOTE
Please read the ‘Placing the unit’, ‘Power’ and
‘Interconnect cables’ sections on page 5 before
connecting up your AVR500!
E-14
For information, see page 23.
Zone 2 connectors
VCR
HDMI connectors
AV
AV, SAT, DVD, VCR, PVR
Connect the HDMI video outputs of your source equipment to these
corresponding HDMI inputs.
DVD
OUT 1
Connect this output to the HDMI video input of your main zone display
device.
S-Video and
Composite
connectors
VCR, PVR
Connect these inputs to the
S-Video and Composite
outputs of your available source
equipment.
OUT 2
Connect this output to the HDMI video input of your second display
device or to another HDMI display device in a second living space. As
the unit has only one processed video path, this signal will be a copy of
the signal on Out 1.
NOTE
All Zone 1 analogue video outputs will be disabled if
an HDMI digital video source is selected.
SAT
PVR
Z2 AUDIO OUT, Z2 VIDEO OUT
Connect these analogue audio
and video outputs to your
Zone 2 equipment. See ‘Multiroom Setup’ on page 50 for
information.
English
Component/RGB video
connectors
These inputs are suitable for connection to source
devices which output Component (YUV or YPbPr) or
RGB high quality analogue video signals. These signals
are usually available from DVD players, set-top boxes or
games consoles.
If you are connecting up to an RGB source you will
also need to connect the source’s Composite output to
the unit’s Composite input to act as a video sync. The
Composite signal should be on the same named input as
the RGB signals.
RGB video outputs on source equipment are often on
SCART connectors. You will need to use a SCART to
‘RGB+Sync on phono’ breakout cable, available from
your Arcam dealer.
NOTE
When setting up the menus (later in this manual),
you will need to select whether the three-wire high
quality video input is Component or RGB for each
input. This is done on the ‘HQ Video In’ line in the
Input Config menu. Failure to do this can result in a
green looking picture or a picture that is unstable.
E-15
AV, SAT, DVD
Connect the Component video outputs of your source
equipment to these inputs.
OUT
Connect this output to the Component video input of
your display device.
NOTE
Analogue RGB video output is not available from
the AVR500. The analogue three-wire high quality
video output is always configured as Component
video.
MENU
Digital audio
connectors
Analogue audio
inputs
TAPE, CD, AV, DVD, SAT, VCR, PVR
Connect these inputs to the digital
outputs of your available source
equipment.
TAPE, CD, AV, DVD, SAT, VCR,
PVR
Connect the left and right
inputs to the left and right
outputs of your source
equipment.
Ð
INPUT
+
OK
MCH input
This multichannel analogue
audio input can be connected
AVR600
to a source device which
outputs surround sound on its
analogue outputs. Such devices
typically include DVD-Audio
and SACD players. This input
does not pass through any of
the audio processing in the
SUBWOOFER OUTPUT
unit, therefore functions such
as speaker size and distance
from the listening position
should be copied from the
Setup menus into the Setup
menus of your multichannel source. Note however that
speaker level trims are applied to the MCH input on the
unit. Therefore speaker level trim settings on multichannel
source equipment should be left unset at zero.
Subwoofer outputs
Connect each of these outputs to the LFE input(s) on
your subwoofer(s).The Subwoofer outputs are buffered,
have a low output impedance, are at line level and follow
the Zone 1 volume control setting. They are able to drive
long cables or several inputs in parallel if required.
For more information on connecting speakers, see page
23.
E-16
INFO
MODE
DIRECT
DISPLAY
ZONE
MUTE
Ð VOLUME +
Front panel AUX input
The front panel AUX input can be
used as an analogue or optical
digital input.
AUX
PHONES
For analogue sources, use a
stereo 3.5mm lead; for digital
sources use a 3.5mm optical
lead. The front input is also used
for the auto-setup microphone
input.
Front panel PHONES socket
This socket accepts headphones with an impedance
rating between 32Ω and 600Ω, fitted with a 3.5mm
stereo jack plug. The headphone socket is always active,
except when AVR500 is muted.
When the headphone jack is inserted, the speaker
outputs and analogue pre-amplifier outputs are
automatically muted.
Infra-red (IR) connectors
The trigger connectors (Trig Z1 & Trig Z2) provide an
electrical signal whenever the amplifier is switched on
and the relevant zone enabled.
The infra-red inputs (Z1 IR and Z2 IR) allow the
connection of external IR receivers, either when
the unit’s front panel IR receiver is fully or partially
obstructed or to allow the use of a remote control in
Zone 2.
The trigger signal can be used
to switch on and off compatible
pieces of home entertainment
equipment, for example, you
could set up a trigger to turn on
your television and DVD player
whenever the unit was switched
on.
There are two trigger output
sockets on the unit, each capable
of outputting a 12V, 70mA
switching signal. The socket
is designed for mono 3.5mm jacks: tip is the trigger
output, sleeve is ground.
There are two IR inputs on the unit, each designed for
stereo or mono 3.5mm jacks. Tip is the modulated signal,
sleeve is ground.
tip: Modulated signal
sleeve: Ground
IR OUT
This output is an electrical
combination of the Z1 (or front
panel) + Z2 infra-red signals
above. It can be used to drive
external IR emitters or can be
connected directly to other
Arcam equipment which have
an IR input. This function can
be useful as an IR ‘repeater’ so
that someone in any of the zones
can control the functions of a
CD player in the main zone, for
example. Tip is the modulated
electrical IR signal, sleeve is ground.
A supplier of infra-red receivers and emitter accessories
and systems is Xantech. See www.xantech.com for
more information, or ask your Arcam dealer.
tip: Trigger output
sleeve: Ground
Z1 IR
This input is intended for use with a local IR receiver
when the front panel of the unit is blocked.
Connecting an IR receiver to Z1 IR will disable to front
panel IR receiver to prevent problems with multiple
commands if the front panel IR receiver is only partially
obstructed.
TRIG Z1
Use for remotely turning on and off power amps or
source equipment for Zone 1. On = 12V, Off = 0V.
TRIG Z2
Use for remotely turning on and off power amps or
source equipment for Zone 2. On = 12V, Off = 0V.
Z2 IR
This input is intended for use with an IR receiver in
Zone 2 to allow remote control of the unit from a second
room.
NOTE
Sockets with the prefix ‘Z2’ refer to connections
used in multi-room installation. For more
information on these connectors, see page 54.
E-17
NOTE
The IR inputs on the unit are designed for
modulated signals. If the external IR receiver
demodulates the IR signal, it will not work. Also the
unit does not provide power for external receivers
on the IR jack, therefore an external power source
will be required.
English
Trigger connectors
Connection guide –
AVR500
DVD player
The diagram shows how to make audio and video
connections from a typical DVD player.
The preferred video hook-up, in order of preference is:
<use the HDMI connector (if HDMI output is
provided by the player), otherwise connect the three
Component or four RGB+Sync video connectors.
AV
The preferred audio hook-up is using the coaxial digital
connector (usually marked Digital audio out), in
addition to the coaxial analogue outputs for left and
right channels.
SAT
In each case, connect the video inputs labelled DVD on
the unit.
DVD
In each case, use the audio inputs labelled DVD on the
unit.
Satellite receiver
A satellite receiver is connected in the same way as
a DVD player, with the same order of preference
according to the outputs provided by the satellite
receiver.
In each case, use the inputs labelled SAT on the unit.
Note that digital audio input from a satellite receiver
sometimes requires a coaxial/TOSLINK (digital
connector) interconnect cable, as some satellite receivers
do not implement audio over HDMI properly or at all.
CD player
Connect the digital audio output (if provided by the CD
player) to the digital CD input of the unit, using a high
quality coaxial interconnect cable.
Connect the right and left analogue audio outputs of the
CD player to the analogue CD inputs of the unit, using a
pair of high quality coaxial interconnect cables.
VCR, Camcorder, Games Console etc.
Connect other video equipment with S-Video
or Composite Video outputs to the S-Video or
CompositeVideo inputs VCR or PVR. S-Video provides
the best picture quality. Connect the right and left
analogue audio outputs of the device to the equivalent
analogue audio inputs.
VCR
VIDEO OUT
E-18
Connecting an iPod using the Arcam rDock
English
The combination of the AVR500 and Arcam’s optional
rDock or rLead accessory provides a great platform for
your iPod.
Connect the rDock as shown, power on the rDock,
slot in your iPod and select iPod as the source. Set the
Audio In iPod item in the ‘General Setup’ menu to the
audio input that you have used to connect the rDock.
For video connections, select the video source you have
used for the iPod input in the ‘Video Inputs’ menu.
Navigating through music and podcasts on your iPod is
simple using the CR102 remote, with text appearing on
the front panel display.
More information is given in the rDock quick start
guide (or rLead quick start guide) supplied with these
accessory units.
E-19
L-band, then ask your dealer for advice for the best
aerial to use.
Contact your local Arcam dealer or aerial
installation experts for advice about local
reception conditions.
The AVR500/AVR600 is fitted with an AM/FM receiver
module and Sirius connector or a DAB/FM receiver,
depending on the region where it was sold. The type of
aerial you need depends on your listening preferences
and the local conditions.
Try each usable wall of the room to see which
gives best reception and use tacks or adhesive
tape to secure the aerial in a ‘T’
shape, but note that no tacks
should come into contact
with the internal wire of the
aerial.
Your AVR500/AVR600 is capable of superb radio
reception, but only if it is receiving a good quality
transmission signal.
SIRIUS
Try the aerials supplied with your unit. If you are in a
medium to strong signal area, these should be adequate
for good reception. In areas with poor signal strength,
you may require a roof or loft mounted aerial.
FM
In weak signal areas, a highgain, externally-mounted
or roof-mounted aerial is
desirable in order to receive the
highest number of services.
AM
rLead/rDock
RS232
When installed and receiving
DAB, check the signal
strength by pressing the front
panel or remote control’s INFO
button until the signal quality
indicator is displayed.
In Band III transmission areas
(such as the UK), use a multielement Yagi aerial with the
elements mounted vertically, as
the transmissions are vertically
polarised. If you are close to
more than one transmitter, use
an omnidirectional or folded
dipole aerial.
DAB
ETHERNET
Z1 IR
Z3 IR
TRIG Z2
IR OUT
TRIG Z3
USB
TRIG Z1
DAB
In the UK the
ETHERNET
‘T’‑elements need to be
Z1 IR
positioned vertically for
IR
TRIG Z1
DAB reception since broadcastsZ2are
vertically
USB
polarised. In other localities, check with your
Z3 IR
TRIG Z2
Arcam dealer or try both horizontal and vertical
positions for best reception. IR OUT TRIG Z3
Aerial connectors –
AVR500/AVR600 only
Z2 IR
If the DAB services in your
area are transmitted on
E-20
Listening to Satellite Radio
SIRIUS
FM
rLead/rDock
AM
(where fitted)
The AVR600 is designed for use
with the ‘SiriusConnect™ Home
Tuner’ package which should be
connected via the cable supplied in
that package to the Sirius socket.
AM
RS232
(where fitted)
In strong signal areas,
the DAB ‘T’ ribbon aerial
supplied can be used with
reasonable results. Mount
the aerial as high up as
possible on a wall.
FM
rLead/rDock
radio
connectors
Sirius
SIRIUS
RS232
DAB option
DAB
To listen to Satellite Radio, you’ll need to connect either
a SIRIUS or XM Satellite Radio tuner (sold separately)
ETHERNET
IR
to your satellite-ready receiver. SatelliteZ1Radio
is
available to residents of the US (except Alaska and
Z2 IR
TRIG Z1
Hawaii) and Canada.
USB
Z3 IR
TRIG Z2
Satellite Radio delivers a variety of commercial-free
music
from categories ranging from Pop, Rock, Country, R&B,
IR OUT
TRIG Z3
Dance, Jazz, Classical and many more plus coverage of
all the top professional and college sports including play
by play games from select leagues and teams. Additional
programming includes expert sports talk, uncensored
entertainment, comedy, family programming, local traffic
and weather and news from your most trusted sources.
Whether you purchase a SIRIUS or XM tuner, you’ll
need to activate and subscribe to begin enjoying the
service. Easy to follow installation and setup instructions
are provided with the satellite tuners. Whichever service
you choose, there are a variety of programming packages
available, including the option of adding “The Best of
SIRIUS” programming to your XM tuner or “The Best
of XM” programming to your SIRIUS tuner, enabling
you to enjoy the most popular programming among
both services. The “Best of ” packages are not available to
SIRIUS or XM Canada subscribers at this time.
Family friendly packages are also available to restrict
channels featuring content that may be inappropriate for
children.
To subscribe to XM, U.S. customers should visit
www.xmradio.com or call 1-800-XMRADIO
(1-800-967-2346); Canadian customers should
visit www.xmradio.ca or call XM Listener Care at
1-877-GETXMSR (1-877-438-9677).
To subscribe to SIRIUS, U.S. and Canadian customers
can call 1-888-539-SIRI (1-888-539-7474) or visit
www.sirius.com (US) or www.siriuscanada.ca (Canada).
FM
English
NOTE
The AVR600 provides power for the Sirius receiver,
so an external power supply is not needed.
AM
FM
RS232
rLead/rDock
In strong signal areas, the FM
ribbon aerial supplied can be
used with reasonable results.
Mount this as high up as possible
on a wall with the top of the
DAB
‘T’‑elements positioned vertically or horizontally,
depending on the reception in your area. Try each
ETHERNET
usable
Z1 IR wall of the room to see which gives best reception
and use tacks or adhesive tape to secure the aerial, but
Z2 IR
TRIG Z1
note that no tacks should come into contact with the
internal
wire ofUSBthe aerial.
Z3 IR
TRIG Z2
AM
When installed and receiving FM radio, check the signal
IR OUT
TRIG Z3
strength by pressing the front panel or remote control’s
INFO button until the signal indicator is displayed.
SIRIUS
FM
AM
An AM aerial is required to
receive AM/medium wave radio
signals, so a simple loop aerial
is supplied with the AVR500/
AVR600. Follow the assembly
instructions in the diagram below.
Make sure that the aerial is
positioned well away from the
AVR500/AVR600 itself, TVs,
DAB
computers and other sources of RF ‘interference’. Rotate
the aerial to discover which position gives the best
ETHERNET
reception.
Z1 IR
RS232
SIRIUS
Connecting an aerial
A suitable FM aerial must be
connected to the AVR500/
AVR600 before FM radio can be
received.
rLead/rDock
Connecting an aerial
Z2 IR
TRIG Z1
Z3 IR
TRIG Z2
IR OUT
TRIG Z3
USB
In weak signal areas, or for optimal FM radio reception,
a roof- or loft-mounted aerial is advised as this will give
superior reception.
In some areas, cable radio may be available or, in an
apartment building, a distributed aerial system may
be installed. In either of these cases you should have
sockets in your home marked FM or VHF (do not use
those marked TV); these should be connected to the FM
coaxial connector on the rear of the AVR500/AVR600.
1. Release the tie-wrap and unwind the
twisted lead. Fold the plastic stand
forward through the loop frame.
2. Push the tab into the open slot in the
base of the stand. Press until the tab
clicks home.
E-21
3. Connect the lead wires to the AM socket
at the rear of the AVR600 (the wires are
not polarised). Rotate the aerial’s stand
until you obtain the best reception.
rLead/rDoc
AM
rLead/rDock
other
connectors
SIRIUS
FM
rLead/rDock
AM
For use with an Arcam rLead or
rDock accessory. See page 13 and
the accessory documentation for
details.
RS232
RS232 serial connector
DAB
ETHERNET
Z1 IR
Z2 IR
TRIG Z1
Z3 IR
TRIG Z2
IR OUT
TRIG Z3
Networking is a large subject and only the briefest
guidelines are presented in this handbook. Please
contact your Arcam dealer or specialist installer for
more information about introducing the AVR500,
AVR600 or AV888 into your computer network.
Ethernet
SIRIUS
FM
AM
If an Ethernet cable is connected, the unit will
automatically attempt to connect to your network.
You should use CAT5 cable plugged into the RJ45 socket
labelled ETHERNET on the rear panel.
RS232
USB
Use with control devices having
an RS232 serial port (for example,
Crestron and AMX touch screen
controllers). This connection
is also used for upgrading the
AVR500, AVR600 or AV888’s
internal software.
This section deals with installation of the unit into an
existing home network. For information on how to use
the units network features, the USB socket, and for a list
of supported file types, refer to page 52.
DAB
ETHERNET
Z1 IR
Z2 IR
TRIG Z1
Z3 IR
TRIG Z2
IR OUT
TRIG Z3
USB
SIRIUS
888
FM
RS232
rLead/rDock
AM
DAB
ETHERNET
Z1 IR
TRIG Z1
Z3 IR
TRIG Z2
IR OUT
TRIG Z3
USB
Z2 IR
E-22
If your network uses static IP
addressing rather than DHCP,
you will need to provide any
gateway, DNS and proxy
information. See page 44 for
information on setting up the
network.
USB connector
RS232
Network connectors
rLead/rDock
Data connectors
DAB
ETHERNET
Z1 IR
Z2 IR
TRIG Z1
Z3 IR
TRIG Z2
IR OUT
TRIG Z3
USB
The AVR600 and AV888 (and the
AVR500 with the network option
fitted) can play files stored on a
USB mass storage device, typically
a pen drive, but any USB device
that complies with the ‘mass
storage device‘ class is compatible.
The unit only supports the direct
connection of USB devices
and will not support devices
connected through a hub. If regular access to the USB
socket is required, you may find it convenient to use a
USB extension lead.
See page 46 for details of supported file types.
Connecting speakers
– AVR500 & AVR600
The AVR500/AVR600 allows you to connect up to
seven speakers and three active subwoofers in the main
system. The output channels correspond to speakers
installed in the front left, centre, front right, surround
left, surround right, surround back left, surround back
right and an active subwoofer.
The configuration and placement of your speakers
is very important. All speakers, with the exception of
the subwoofer, should be arranged around your normal
viewing/listening position. The subwoofer should be
placed in a position which gives an even frequency
response in all listening positions. Incorrect placement
leads to bass boom in some areas. Often the only
way to find a good position for your subwoofer is by
experimentation. A good place to start experimenting
is close to a wall but at least 1m away from any corners.
You can also consult your subwoofer handbook for
placement suggestions.
Speaker cables
To connect each of the
speakers, unscrew the
corresponding terminals
on the back of the AVR500/
AVR600, insert the speaker
wires through the hole in each
post and screw the terminals
back up. Make sure that the
red (positive/+) terminal of
the speaker is connected to the
red (positive/+) terminal on
the back panel, and the black
(negative/–) terminal of the
speaker is connected to the
black (negative/–) terminal on
the back panel.
The speakers should be connected to the amplifier using
good-quality, high-purity, low impedance copper cables.
Cheap speaker cables should be avoided – they are a
false economy and can significantly degrade the sound
quality.
The cable runs to the speakers should be as short as
practicable. Connections to the speaker terminals
should always be finger tight, whether using bare wires
or spade connectors.
It is important that no stray
strands of wire from these
connections are allowed to
touch another cable or the product casing. Failure to
ensure this can cause a short circuit and damage your
AVR500/AVR600.
Do not over-tighten the loudspeaker terminals, or use a
wrench, pliers, etc., as this could damage the terminals
and this would not be covered under the product’s
warranty.
888
SUBWOOFER OUTPUT
1
E-23
Connecting subwoofers
The AVR600 and the AV888 allow up to three active
subwoofers to be connected to the SW1, SW2 or SW3
outputs. The AVR500 has two subwoofer connections.
See your subwoofer handbook for the correct setting up
and connection for your particular subwoofer.
English
speakers
Centre
Subwoofer
The centre speaker allows for a more realistic
reproduction of dialogue. The centre speaker
should have a similar tonal balance to the front
left and right speakers and be positioned at a
similar height.
A subwoofer will greatly improve the bass performance of
your system. This is useful for reproducing special cinema
effects, especially where a dedicated LFE (Low Frequency
Effects) channel is available, as with many discs encoded
with Dolby or DTS technologies.
More than one subwoofer unit may be required for larger
installations, particularly in rooms of a timber frame
construction. Multiple subwoofers need care in placement
because there may be cancellation effects between the
units and you may require expert advice.
Front left and right
Position your front left and right speakers to
achieve a good stereo image for normal musical
reproduction as well as for the multichannel
modes. If they are placed too close together there
will be a lack of spaciousness; if they are placed
too far apart a stereo image will appear to have a
large ‘hole’ in the middle and will be presented in
two halves. If there is no practical alternative to
placing the speakers widely apart, this effect can
be overcome in music reproduction by using the
centre sound extraction from the left and right
speakers (see Dolby Pro Logic II Music mode).
Surround left and right
Surround back left and right
The surround back left and right speakers
are used to add extra depth and better
sound localisation and should be installed
approximately one metre higher than the
listener’s ears. Place the two surround
back speakers such that there is an arc of
approximately 150 degrees between each
surround back speaker and the centre speaker.
The surround back speakers should face the front
of the room as shown in the diagram to provide
the largest ‘sweet spot’.
E-24
The surround left and right speakers reproduce
the ambient sound and effects present in a
multichannel home cinema system and should be
installed slightly higher than the listener’s ears.
Single surround back centre speaker
It is also possible to use a single surround back
speaker positioned centrally behind the listening
position instead of two. In this case connect it to
the SBL speaker output. Follow the instructions in
the ‘Spkr Types’ section of the Setup Menus for how
to configure the AVR500/AVR600/AV888 for this
setup.
operation
Selecting a source
To select a particular source, press the –input or
input + buttons until that source is shown on the front
panel display, or (if available) press the corresponding
source button on the remote. The following sources are
available:
For information display we recommend you use the
OSD (On-Screen Display) on your display device
whenever possible.
Switching on
Press the front panel power button in. The power LED
will glow orange, the front display shows the word
‘ARCAM’, followed by the volume setting and the name of
the selected input. After initialization is complete, the
power LED changes colour to green.
Please wait until the unit has finished initialising before
operating the unit. It is recommended that if the unit is
switched off, you should wait at least 10 seconds before
switching the unit back on.
Standby
The unit has a standby mode which can be entered
by pressing Standby on the remote control. When in
standby mode, the display is blank and the power LED
glows red.
While in Standby mode, it may be possible to hear a
slight residual hum coming from the mains transformer
inside the amplifier. This is perfectly normal. However,
if the unit is to be left unused for an extended period,
we recommend that you disconnect it from the mains
supply to save power.
CD
Compact Disc player input
AV
Audio-Visual input
Tape operation (AVR600/AV888 only)
DVD
DVD player input
SAT
Satellite receiver input
VCR
Video Cassette Recorder input
Three analogue audio outputs are provided for
recording, VCR, PVR and Tape out. The selected analogue
input are routed to each of these outputs.
PVR
Personal Video Recorder input
Phono1
Phono (MM cartridge) input
MCH
Selects MCH (multichannel)
analogue input
TAPE
Audio only tape deck input
AUX
Auxiliary (front panel) input
Net2
Internal (Ethernet) and external USB
solid-state device (e.g. pen drive) input.
iPod
Requires an iPod® and Arcam rDock
or rLead.
The following sources are only available on the AVR500/
AVR600:
To switch on from standby
Press the standby button on the remote control or any
key on the front panel (other than the power button).
AM/FM
Internal tuner input
DAB3
Internal tuner input
Sirius3
Front panel display
Requires an external receiver – see
www.sirius.com for more information
1This source is not available on the AVR500.
The unit is ready for use after about four seconds.
2This source is optional on the AVR500. Contact your
dealer for upgrade information.
The active zones (Z1, Z2 or Z3) are highlighted – the
example screen above shows that only Z1 (i.e. Zone1) is
active. The current volume setting (70.0dB in the above
example) is also displayed.
If the VCR input is selected, the VCR Out output
is muted to prevent feedback loops in recording
equipment. Similarly the PVR Out and Tape Out outputs
are muted when their respective inputs are selected to
prevent feedback.
VCR operation (AVR600/AV888 only)
Two outputs are provided for recording (Composite
and S-Video only), VCR and PVR Out. The selected video
input is routed to each of these outputs.
Stereo Direct
To listen to a pure analogue stereo input, press the
Direct button. The Stereo Direct mode automatically
bypasses all processing and any surround functions. In
direct mode, digital processing is shut down to improve
the sound quality and reduces digital noise with the unit
to an absolute minimum.
Note: when Stereo Direct mode is selected, no
digital output is available and no bass management
is performed, meaning that bass signals will not be
redirected to a subwoofer.
Volume control
It is important to realise that the level of the volume
indicator is not an accurate indication of the power
available on your unit.
delivered to your loudspeakers. The amplifier often
delivers its full output power long before the volume
Upon selecting a source, the unit will normally select an
control reaches its maximum position, particularly when
active digital input in preference to an analogue input.
listening to heavily recorded music. In comparison,
If you want to override the digital input and select the
some movie sound tracks can appear very quiet, as
analogue input, set the Audio Source to Analogue in the
AM
/FM, inputs (many directors like to keep maximum levels in reserve
Input Config. menu (see page ). Some inputs (
). Some
for special effect sequences.
Phono, MCH, Sirius, iPod) do not have a digital input.
3These sources are market dependent and may not be
The display window shows the currently selected source
and the last selected information view setting (this
information line can be changed using the INFO button).
The MCH input is intended for direct analogue passthrough of DVD Audio or SACD sources. Apart from
volume control and level trim, no processing modes
are possible on this input, including bass management
and delays. Please set bass management, speaker size
and speaker delays in the source player. You can copy
the distances and relative speaker levels from the Setup
menus in the AVR500, AVR600 or AV888.
The processing mode and Stereo Direct functions are
remembered and recalled for each individual input.
E-25
English
Operating your
AVR500 /AVR600 / AV888
Headphones
To use headphones with the unit, plug the headphones
into the Phones socket in the centre of the front panel.
When headphones are plugged into the front panel
phones socket, the outputs for Zone 1 are muted and
the audio will be down-mixed to two channels (2.0). The
two-channel down-mix is required so that the centre
channel and surround information can be heard via the
headphones.
Using Zone 2 and 3
Zone 2 provides the option for the occupants of the
master bedroom, conservatory, kitchen, etc. to view or
listen to a different source at a different volume level
from the main zone (Zone 1).
Zone 3 (AVR600/AV888 only) provides for a third living
space to have a copy of the audio signal in Zone 2 at a
different volume level.
Extended front panel menu
Updating firmware using a PC
Pressing the menu key and holding it for longer than
four seconds will bring up the Extended Menu, allowing
you to perform the following:
Using a PC application (available on request from
Arcam), you can update the firmware in your AVR500/
AVR600/AV888 using the back panel RS232 port
connected to your PC.
Restore to factory defaults
This option allows you to restore all settings on your
AVR500/AVR600/AV888 to the defaults that it left
the factory with. Note that this also erases any secure
backups stored on the unit.
Restore secure backup
Store secure backup
This option allows you to restore from and store to a
PIN-protected copy of your settings. The default PIN is
1234.
Change remote code
The default RC5 system code the unit responds to is
16. If required, for example due to another device in
your system also using this RC5 system code, it can be
changed to 19.
Software versions
Information on the software version of the unit can be
found here.
E-26
Direct
front panel
operation
Selects between Stereo and the available
surround modes for the current source.
English
Stereo Direct on/off. Provides a direct analogue path from
the analogue inputs to the left and right front outputs.
Switches off any surround processing modes and shuts
down the DSP circuits for best stereo sound quality.
Mode
Display
Info
This switches the display brightness
between off/dim/bright.
Selects the information displayed on the
lower left portion of the front panel.
Zone
OK
Power / Standby LED
Selects between Zone 1, Zone 2 and
Zone 3 control.
Used to enter selections made in the
Setup menu. Also forces the analogue
and digital video outputs to the default
resolution: 480i (525-line NTSC) when
pressed for more than 2 seconds.
This indicates the status of the AVR500/AVR600/
AV888. When first turned on, the LED is orange,
to indicate that the unit is ‘initialising’; this
changes to green when fully powered and ready.
Red indicates that the unit is in Standby mode.
Mute
Mutes all analogue audio outputs in the
currently selected zone.
POWER/STANDBY
Input
Volume
These buttons select the source
connected to the corresponding
input (or internal input)
MENU
Ð
INPUT
+
OK
INFO
MODE
DIRECT
DISPLAY
ZONE
MUTE
Adjusts the analogue output
volume in the selected zone
(line out, speakers and
headphones).
Ð VOLUME +
Unused sources can be prevented
from being selected in the setup
menu.
Power
AVR600
AUX
PHONES
POWER
Switches the main power to the
AVR500/AVR600/AV888 on
and off.
Once the unit is switched off,
it should be left for at least ten
seconds before switching on
again.
Aux
Menu
Selects the Setup menus on the
on-screen display (OSD).
Phones
Multi purpose auxiliary
line level input,
calibration microphone
input and 3.5mm optical
digital (SPDIF) input.
This socket accepts headphones
with an impedance rating between
32Ω and 600Ω, fitted with a 3.5mm
stereo jack plug.
E-27
Remote control receiver. This is positioned behind
the display window, above the MENU button on the
front panel. Ensure the receiver is in a clear line of
sight from the remote control for operation. If this is
not possible, use a separate sensor connected to the
Z1 IR input on the rear panel.
The CR102 universal remote
controller
remote
control
Inserting batteries into the
remote control
The CR102 is a sophisticated ‘universal’ backlit remote
control that can control up to eight devices. It is preprogrammed for use with the AVR500, AVR600, AV888
and many other Arcam products (FM/DAB tuners, CD
players and DVD players).
With its extensive built-in library of codes, it can also
be used with thousands of third party audio-visual
components – TVs, satellite and set-top boxes, PVRs,
CD players, etc. See the list of codes at the back of this
handbook, beginning on page 64.
The CR102 is a ‘learning’ remote, so you can teach it
almost any function from an old single-device remote.
You can also program the CR102 to issue a sequence of
commands (‘macros’) from a single button press.
1. Open the battery compartment by pressing the
button on the back of the handset.
2. Insert four ‘AAA’ batteries into the battery
compartment – two facing the top of the unit,
and two facing the end, as in the diagram.
3. Lower the end cap onto the plastic locating plate
in the handset. This acts as a hinge, and you
can now push the end cap firmly into its locked
position with a click.
Notes on batteries:
<Incorrect use of batteries can result in hazards such
Using the remote control
Please keep in mind the following when using the
remote control:
< Ensure there are no obstacles between the
remote control and the remote sensor on the
front panel. The remote has a range of about 7
metres. (If the remote sensor is obscured, the Z1
IR remote control input jack on the rear panel is
available. Please consult your dealer for further
information.)
< Remote operation may become unreliable if
strong sunlight or fluorescent light is shining on
the remote sensor of the unit.
< Replace the batteries when you notice a
reduction in the operating range of the remote
control.





E-28
as leakage and bursting.
<Do not mix old and new batteries together.
<Do not use non-identical batteries together –
although they may look similar, different batteries
may have different voltages.
<Ensure the plus (+) and minus (-) ends of each
battery match the indications in the battery
compartment.
<Remove batteries from equipment that is not going
to be used for a month or more.
<When disposing of used batteries, please comply
with governmental or local regulations that apply in
your country or area.
Backlight
A blue backlight comes on for five seconds whenever
a key is pressed. This helps you use the handset in
subdued lighting conditions. It may be possible to hear a
quiet tone being emitted from the remote control when
the backlight is on. This is perfectly normal.
Power LED blinks
Short blinks indicate a valid key press.
Multiple short blinks convey information (such as a
device code) or signal the beginning and successful
completion of a programming sequence.
Device Mode / Source keys
In AV mode 0 issues the TV ‘channel down’ command.
As the CR102 can control your AVR500, AVR600 or
AV888 as well as a range of other equipment, many of
the buttons have more than one function depending on
the ‘device mode’ selected on the remote control.
The CR102 remains in the last selected Device Mode
so it is not necessary to press a Device Mode key before
every command key if all you are doing is playing or
skipping tracks on a CD, for example.
The Device Mode keys (shown below) select the source
on the AVR500/AVR600/AV888. If one of these keys is
pressed briefly, a command is transmitted to change the
source on the unit. Also the functionality of the remote
control changes to operate the selected source device. It’s
like having eight different remotes in your hand!
Long blinks indicate an invalid key press or entry.
The symbol ‘*’ is used in the manual to indicate a
power LED blink.
Timeouts and unassigned keys
Time out – After 10 seconds the CR102 exits the
programming state and returns to normal operation.
Stuck key timeout – After any key is pressed
continuously for 30 seconds, the CR102 stops sending
IR transmission to conserve battery life. The CR102
remains off until all keys are released.
Unassigned keys – the CR102 ignores any unassigned
key presses for a particular Device Mode and does not
transmit IR.
Low voltage indicator
When the batteries are running down, the IR transmit
indicator on the CD102 (the LED under the Power
button) flashes five times whenever you press a button:
*****
If this happens, please fit four new AAA alkaline
batteries as soon as possible.
Navigation keys
The Navigation keys steer the cursor in Setup
menus or on-screen menus. They also replicate
the navigation functions of original remotes
supplied with other home entertainment
devices in your system.
O confirms a setting.
DVD
DVD player
SAT
Satellite set-top box
AV
Audio-visual sound input (use with TV)
Tun
DAB, Sirius, FM or AM tuner
AMP
Controls the amplifier and setup features
of the AVR500/AVR600 and AV888
AUX
Auxiliary input, or an iPod® via an
Arcam rDock or rLead
PVR
Personal Video Recorder (or Digital
Video Recorder)
CD
Compact Disc player
Volume control
By default, the CR102 is set up so that the volume
control buttons always control the volume of the
AVR500/AVR600/AV888, regardless of which Device
Mode the remote is currently set for. This is known as
volume ‘punch through’.
For example, if you are listening to a CD, you will
probably have the CR102 in CD Device Mode to control
the CD player. You can use the volume controls on the
remote directly to adjust the volume of the AVR500/
AVR600/AV888 without first having to press A to put
the remote into AMP Device Mode. The volume buttons
‘punch through’ the CD Device Mode on the remote to
the AMP Device Mode. Volume ‘punch through’ can be
disabled individually for any Device Mode if desired.
If you press and hold a Device Mode key for about four
seconds, you change the Device Mode of the CR102
without changing the signal source on the AVR500/
AVR600/AV888. This can also be done by pressing S
followed by a Device Mode key (within two seconds).
These two methods allow you to change which device
the CR102 controls without also changing the AVR500/
AVR600/AV888 source, allowing uninterrupted
listening.
Each Device Mode changes the behaviour of many
of the CR102 keys to control the source device
appropriately. For example:
In CD mode 0 plays the previous CD track.
E-29
The CR102 complies with Part 15 of the
FCC rules
This equipment has been tested and found to
comply with the limits for a class B digital device,
pursuant to part 15 of the FCC Rules. These limits
are designed to provide a reasonable protection
against harmful interference in a residential
installation. This equipment generates, uses, and can
radiated radio frequency energy and if not installed
and used in accordance with the instructions,
may cause harmful interference to radio
communications. However, there is no guarantee
that interference will not occur in a particular
installation. If this equipment does cause harmful
interference to radio or television reception, which
can be determined by turning the equipment off
and on, the user is encouraged to try to correct
the interference by one or more of the following
measures:
Reorient or relocate the receiving antenna.
Increase the separation between the equipment and
receiver.
Connect the equipment into an outlet or a circuit
different from that to which the receiver is
connected.
Consult the dealer or an experienced radio/TV
technician for help.
English
Useful information
Controlling other devices
Method 1 (Direct code setup)
This section describes the simplest (preferred) way to
program the CR102’s Device Mode keys to control the
non-Arcam devices in your system.
<Some of the modes are locked to Arcam operation but
can be unlocked if required (see page 52).
< A mode only controls Arcam equipment.
DVD mode
Locked
SAT mode
Unlocked
AV mode
Unlocked
TUN mode
Locked
AUX mode
Locked
VCR mode
Unlocked
CD mode
Locked
Here is a specific example of how to program the a
key to control an Addison television. The principles for
controlling other devices are exactly the same.
1. Make sure your device is switched on (not just on
standby).
2. Find the correct Device Code table (e.g. TV) for the
type of device you want to control from the CR102.
3. Find the row containing the codes for the
manufacturer of your device (e.g. Addison) (page
58). The most popular code is listed first.
4. Press the appropriate Device Mode key (e.g. a) on
the CR102.
5. Press and hold S until the red Power LED blinks
twice: * * (It actually blinks once when you press
the key, then twice after about three seconds).
6. Enter the first four-digit device code using the
number keys. The power key blinks twice: * *.
7. Aim the CR102 at the device and press P. If the
device switches off, the setup is complete.
8. Turn your device back on and test all the CR102’s
functions to ensure they are working properly.
9. Important! Write your device code down on the
right hand side of the page so you can remember it if
you ever reset the CR102.
Code blink-back
What if I still can’t control my device?
<If your device doesn’t respond, repeat the above
Method 2 (Library search)
This section describes another way to program the
CR102 to control third-party equipment.
steps until one of the device codes listed for your
brand works.
<If none of the codes listed for your brand operates
your device, or if your brand is not listed at all, try
the Library Search Method described in the next
section.
Notes:
<Some codes are quite similar. If your device does not
respond or is not functioning properly with one of
the codes, try another code listed under your brand.
<If your device’s original remote control does not have
a P (POWER) key, press $ instead of P when
setting up your device.
<Remember to press the corresponding device key
before operating your device.
<Many TVs do not switch on pressing P. Please try
pressing a number key (‘channel select’) to switch
your TV back on.
<To search for the code for another device follow the
instructions above, but press the appropriate device
key instead of a during step 2.
Library Search allows you to scan through all the
codes contained in the CR102’s memory. It can take a
lot longer than the previous method, so only use this
method if:
<Your device does not respond to the CR102 after you
have tried all the codes listed for your brand.
<Your brand is not listed at all in the Device Code
tables.
Example: To search for a TV code
1. Switch your TV on (not standby) and aim the
CR102 at it.
2. Press a on your CR102.
3. Press and hold S until the power LED blinks twice.
4. Press 9 9 1. The power LED key blinks twice:
* *.
5. Press P.
6. Aim the CR102 at your Television and press [
repeatedly until your Television turns off.
Every time you press [ the CR102 sends out a
POWER signal from the next code contained in its
memory. In the worst case, you may have to press this
key up to 150 times, so patience is required! If you
skip past a code, step back by pressing ]. Remember
to keep pointing the CR102 at your Television while
pressing this key.
7. As soon as your television turns off, press S to
store the code.
Notes:
<Many TVs do not switch on by pressing P. Try
pressing a number key (‘channel select’) to switch
your TV back on.
<If you cannot control your Television properly,
please continue the Search Method: you may be
using the wrong code.
<To search for the code for another device follow the
instructions above, but press the appropriate Device
Mode key instead of a during step 2.
<If your device’s original remote control does not have
a P (STANDBY) key, press $ instead during step 5.
E-30
Once you have set up your CR102, you can blink back
your device set-up codes for future reference.
Example: To blink back your Television code
1. Press the appropriate Device Mode key (e.g. a)
once.
2. Press and hold S until the red Power LED blinks
twice * * (It actually blinks once when you press
the key, then twice after about three seconds).
3. Press 9 9 0. The P key blinks twice.
4. For the first digit of your four-digit code, press 1 and
count all the red blinks. If there are no blinks, the
digit is ‘0’.
5. For the second, third and fourth digits, repeat the
previous step, pressing 2, 3, or 4 in order.
Now you have the four-digit code.
Make a note of the codes
Write down the codes for your devices in the boxes
below for future reference.
Device
1
2
3
4
5
6
7
8
Code
AMP Device Mode
The A Device Mode button configures the CR102
to control the AVR500/AVR600/AV888. Pressing this
button does not affect the currently selected input on the
AVR500/AVR600/AV888.
IMPORTANT: The CR102 must also be in AMP Device
Mode to control the following sources: PHONO, MCH
(multichannel analogue), AUX, NET (optional network
audio), USB, IPOD (for use with the optional Arcam
rLead or rDock).
S
Modifies many keys (see individual key
descriptions below).
AUX
Selects MCH (multichannel) input on the
AVR500/AVR600/AV888
SHIFT + H selects AUX input on the
AVR500/AVR600/AV888
H
However to control the internal Tuner in the AVR500/
AVR600 (AM/FM/DAB or Sirius if fitted), the CR102
must first be in Tun Device Mode (see later).
The functionality of the CR102 is context sensitive for
the internal sources and is described in the following
table.
P
Single press – Toggles AVR500/AVR600/
AV888 power between standby and on
in the current zone (zone in which the
command is received).
Press and hold – Forces all AVR500/
AVR600/AV888 zones into standby,
regardless of which zone the command was
received in.
0…9 The number keys can be used for source
selection (without changing the CR102
Device Mode). Alternatively the Device
Mode buttons can also be used with the
SHIFT key.
0 SAT (satellite) input
1 PHONO input
2 AV input
3 TUNER input
4 DVD input
5 TAPE input
6 VCR input
7 CD input
8 AUX (front panel) input
9 MCH (multichannel) input
PHONO
E
RPT
r
Selects Tape input on the AVR500/AVR600/
AV888
SHIFT + E selects Phono input on the
AVR600/AV888
(for iPod and NET sources)
NET
e
EQ
$
EFFECT
&
BASS
(
Navigate menus
OK confirms a setting (equivalent to ‘Enter’
or ‘Select’ on some remote controls)
Press and hold OK to force the analogue
and digital video outputs to the default
resolution: 480i (525-line NTSC).
Shift + < decreases the picture resolution.
Shift + > increases the picture resolution.
Shift + ' turns current zone (in which
command is received) on
Shift + , turns current zone (in which
command is received) off.
Trim
!
Selects iPOD input on the AVR500/AVR500/
AVR600/AV888
SHIFT + e selects network (net) internal
input on the AVR500/AVR600/AV888
(where fitted).
sync
#
Cycles through the available surround and
downmix modes.
U
Displays the AVR500/AVR600/AV888 setup
menu on the On Screen Display (see page
34).
D
Cycles through the front panel display’s
brightness options
%
@
Toggles the mute function of the AVR500/
AVR600/AV888
TREBLE
)
Calls up a pop-up (and front screen) to
adjust the bass setting for a particular input.
SUB
Use the B, C, D and E navigation
buttons. Press TRIM again to exit the speaker
trim menu.
Delays may be introduced into the video
signal by video processing which causes
a mismatch between the audio and video
timing. You will notice this by speech sound
being out of synchronization with the lip
movements in the video.
Calls up a pop-up (and front screen) to
adjust the treble setting for a particular
input.
FAV+
(for iPod and NET sources)
FAV-
t
Decrease (–) and increase (+) AVR500/
AVR500/AVR600/AV888 volume
HOME
o
Stereo direct on/off. Provides a direct
analogue path from the analogue inputs to
the left and right front outputs. Switches off
any surround processing modes and shuts
down the DSP circuits for the best stereo
sound quality.
INFO
b
E-31
Brings up the subwoofer trim menu. Use
the D and E navigation buttons. Press Sub
again to exit the sub trim menu
h
u
iPod commands
The iPod interface is selected by pressing e in AMP
Device Mode on the CR102. When connected to an
iPod via an optional rLead/rDock, the keys below are
used to navigate music files in AMP Device Mode.
Navigate the files on screen.
Brings up the speaker trim menu.
To compensate for this, you can adjust the
lip sync delay. Press the sync button and
use the D and E navigation buttons. Press
again to exit the lip sync trim menu.
] [ (track control for iPod and NET sources)
SHIFT + [ Follow Zone1 source.
When the command is received in Zone2
or Zone3, the source for that zone follows
whatever input source is selected in Zone1
DIRECT
(for iPod and NET sources)
As this is a temporary adjustment, these
additional trim levels are reset to zero when
the unit is turned off or put into standby,
but are retained if the selected input is
changed. These temporary trim levels are
independent of the speaker levels found in
the setup menu.
M
-+
Displays the room EQ settings menu
(for iPod and NET sources)
(for iPod and NET sources)
Cycles through the information displayed
on the lower left portion of the front panel
display.
RPT
r
][
OK selects/play the highlighted file.
Toggles random (shuffle) play of the playlist
on and off.
SHIFT + r cycles through the repeat options
Selects the previous/next track in the
current playlist
$
Begins or resumes playback at the currently
highlighted track
&
Toggles pause and playback of the current
track
#
Stops playback
English
Network commands
The AVR500 (optional)/AVR600/AV888 Network client
is selected by pressing S + e in AMP Device Mode on
the CR102.
When using the network client, the keys below are used
to navigate music files in AMP Device Mode.
Navigate the files and menus on the screen.
OK selects the highlighted file or enters the
highlighted menu on the screen
RPT
r
][
EQ
$
EFFECT
&
SYNC
#
FAV+
u
FAV-
t
HOME
o
INFO
b
Toggles random (‘shuffle’) play of the playlist
on and off
SHIFT + r cycles through the repeat options
Selects the previous/next track in the
current playlist
Begins or resumes playback at the currently
highlighted track
Toggles pause and playback of current
track
Stops playback
Adds the currently displayed file or radio
station to favourites list when using the
network client
Removes the currently displayed file or
radio station from favourites list when
using the network client
Returns navigation to the top level of the
music files structure (‘Home’)
TUN Device Mode
The T Device Mode button configures the CR102 to
control the tuner functions of the AVR500/AVR600 (the
AV888 is not equipped with tuner modules). Pressing
this button also selects TUNER as the source.
When switching to TUNER from a different source, the
AVR500/AVR600 enters the last used tuner band, be
it AM / FM / DAB (if fitted) / Sirius (if fitted). Further
presses of the TUN Device Mode button cycle through
the available tuner bands.
The d Device Mode button configures the CR102 to
control the DVD functions of Arcam DVD players,
although this can be changed (see page 30). Pressing this
button also selects DVD as the AVR500/AVR600/AV888
source.
P
Toggles power between standby and on
0…9 Searches for and plays the track
corresponding to the key pressed
PHONO
Further information on the tuner can be found in the
‘Tuner Operation’ section on page 50.
P
DVD Device Mode
E
Selects Tape input on the AVR500/AVR600/
AV888.
SHIFT + E selects PHONO input on the
AVR600/AV888.
(not used)
0…9 Number keypad used to store and recall
presets
' , Allows selection of previously stored Tuner
presets.
< > AM/FM Tuner: allows frequency tuning.
DAB/Sirius Tuner (where fitted): scrolls
through the channel list.
Selects (tunes to) the currently displayed
O
preset, or selects the currently displayed
DAB or Sirius channel (or category) when
strolling through the channel (or genre) list.
Page up to the previous 10 presets on
u
screen
Page down to the next 10 tuner presets on
t
screen
Delete the currently highlighted preset.
o
RPT
r
AUX
H
SHIFT + r cycles through the repeat
Modifies many keys (see individual key
descriptions, below)
Selects multichannel (MCH) input on the
AVR500/AVR600/AV888.
SHIFT + H selects AUX input on the
NET
e
Press and release to skip back to the
beginning of the current/previous track.
[
Press and release to skip forwards to the
beginning of the next track.
- + Decrease (–) and increase (+) AVR500/
AVR600/AV888 volume
)
Fast rewind.
Shift + 7 cycles through slow play
backwards speeds
$
Starts the playback of a DVD.
Shift + 4 cycles through the Angle options
on an Arcam DVD player.
&
Pauses DVD play-back. Press 4 to restart
playback.
(
Fast forward.
Toggles random (‘shuffle’) play on and off.
options (track, disc, etc)
S
]
Shift + ; cycles through Zoom options.
Shift + 8 cycles through slow forward
speeds
TRIM
!
#
Stop playback of a DVD
Selects iPod input on the AVR500/AVR600/
AV888.
%
Start recording (on products that have this
feature).
SHIFT + e selects network (NET) internal
input on the AVR500/AVR600/AV888.
h
Displays Search menu with Title, Track and
Time options.
FAV+
Displays Setup menu.
Navigate setup and DVD programme
selection menus.
some remotes).
Shift + B to switch on from standby
Shift + C to switch to standby from on.
M
Cycles through available surround sound
modes.
Shift + Mode changes the HDMI setting.
U
Activates DVD player menu, if available.
D
Cycles through the front panel display’s
brightness options.
SHIFT + D enables RPT A-B functionality
@
E-32
SHIFT + ! displays speaker Trim menu on
Arcam DVD players.
AVR500/AVR600/AV888.
u
OK confirms a setting (‘Enter’ or ‘Select’ on
Cycles through the information displayed
on the lower left portion of the front panel
display
Ejects disc.
Toggles the mute function.
By default this key operates the AVR500/
AVR600/AV888 Mute
FAV-
t
HOME
o
Shift + SETUP displays programming screen
on Arcam DVD players
Displays Title menu.
Shift + title clears bookmark, search and
program display entries on Arcam DVD
players
Changes Audio decode format (Dolby
Digital, DTS, etc.).
Shift + o displays the ‘Memory’ function
(Bookmarks)
INFO
b
Cycles through DVD subtitle language
options, if available.
Shift + b displays STATUS INFO on
Arcam DVD players
SAT Device Mode
The z Device Mode button configures the CR102
to control the functions of a satellite receiver. You will
need to configure this Device Mode to work with your
equipment. Pressing this button also selects SAT as the
AVR500/AVR600/AV888 source.
P
Toggles power between standby and on
0…9 Functions as original remote number key.
Selects Tape input on the AVR500/AVR600/
PHONO
AV888.
E
SHIFT + E selects PHONO input on the
AVR500/AVR600/AV888.
TV/AV
r
Toggles between the available inputs on
your satellite receiver
S
Modifies many keys (see individual key
descriptions, below)
AUX
Selects multichannel (MCH) input on the
AVR500/AVR600/AV888.
H
SHIFT + H selects AUX input on the
AVR500/AVR600/AV888.
NET
e
Selects iPOD input on the AVR500/AVR600/
AV888
SHIFT + e selects network (net) internal
input on the AVR500/AVR600/AV888
The a Device Mode button configures the CR102 to
control the functions of a television or other display
device. You will need to configure this Device Mode to
work with your equipment. Pressing this button also
selects AV as the AVR500/AVR600/AV888 source.
$
Starts the playback
&
Toggles pause of playback
(
Fast forward
!
(not used)
#
Stop playback
%
Start recording
h
(not used)
u
Duplicates function of RED key for some
Satellite and Cable set-top boxes
t
Duplicates function of GREEN key for some
Satellite and Cable set-top boxes
o
Duplicates function of YELLOW key for some
Satellite and Cable set-top boxes
b
Duplicates function of BLUE key for some
Satellite and Cable set-top boxes
(RED)
(Green)
(Yellow)
(Blue)
P
Phono
E
AVR600/AV888.
TV/AV
r
U
Performs same function as on original
remote, if available.
D
On some Satellite and Cable set top boxes
this key functions as the Guide key to open
the EPG (Electronic Program Guide).
Toggles between the available inputs on
your display device (e.g. TV/AV)
!
Activates PIP swap, if available
#
Activates PIP freeze, if available
%
Activates PIP channel up, if available
h
Activates PIP channel down, if available
u
Duplicates function of RED key for Text TV
t
Duplicates function of GREEN key for Text
TV
o
Duplicates function of YELLOW key for Text
TV
b
Duplicates function of BLUE key for Text
TV
(RED)
Selects multichannel (MCH) input on the
AVR500/AVR600/AV888.
(Yellow)
Navigate setup and programme selection
menus.
OK confirms a selection (equivalent to
‘Enter’ or ‘Select’ on some remotes).
M
EXIT function on some models.
U
Functions as original remote key, if
available.
D
Display INFO or OSD (On Screen Display)
function, if available.
@
Toggles the mute function.
By default this key operates the AVR500/
AVR600/AV888 Mute
Toggles the mute function.
By default this key operates the AVR500/
AVR600/AV888 Mute
]
Channel down
]
Channel down
[
Channel up
[
Channel up
Decrease (–) and increase (+) AVR500/
- + AVR600/AV888 volume.
E-33
Activates PIP move, if available
AUX
AVR500/AVR600/AV888.
Fast rewind
(
(Green)
@
)
Turns Programme-In-Programme (PIP)
on, if available
Modifies many keys (see individual key
descriptions, below)
SHIFT + H selects AUX input on the
- + Decrease (–) and increase (+) AVR500/
AVR600/AV888 volume
&
S
H
or ‘Select’ on some remotes).
Controls Backup function, if available.
Selects Tape input on the AVR500/
AVR600/AV888.
SHIFT + E selects PHONO input on the
OK confirms a setting (equivalent to ‘Enter’
M
Toggles power between standby and on.
(Some TVs require you to use a number
key to turn them on.)
0…9 Functions as original remote number key –
usually for channel selection.
Navigate menus.
AV Device Mode
English
)
Toggles TEXT page on/off
$
TEXT page off
(Blue)
PVR Device Mode
The v Device Mode button configures the CR102
to control the functions of a video recorder or similar
device. You will need to configure this Device Mode to
work with your equipment. Pressing this button also
selects PVR as the AVR500/AVR600/AV888 source.
The w Device Mode button configures the CR102
to control the functions of a video recorder or similar
device. You will need to configure this Device Mode to
work with your equipment. Pressing this button also
selects VCR as the AVR500/AVR600/AV888 source.
Toggles power between standby and on.
$
Play
Functions as original remote number key.
&
Toggles pause of playback
Selects Tape input on AVR500/AVR600/
AV888.
(
Fast forward
PHONO
E
SHIFT + E selects PHONO input on the
!
Operates the Favourites function if the PVR
uses this feature.
#
Stop playback
%
Starts recording
h
(not used)
u
Duplicates function of Red key (if used)
t
Duplicates function of Green key (if used)
P
0…9
AVR600/AV888.
TV/AV
r
S
AUX
H
Toggles between available inputs (e.g. AV1,
AV2)
Modifies many keys (see individual key
descriptions, below)
Selects multichannel (MCH) input on
AVR500/AVR600/AV888.
SHIFT + H selects AUX input on the
AVR500/AVR600/AV888.
NET
e
Selects iPOD input on AVR500/AVR600/
AV888.
SHIFT + e selects network (Net) internal
VCR Device Mode
P
Toggles power between standby and on.
$
Play
Functions as original remote number key.
&
Toggles pause of playback
Selects Tape input on AVR500/AVR600/
AV888.
(
Fast forward
PHONO
E
SHIFT + E selects PHONO input on the
!
Ejects tape
#
Stop playback
%
Starts recording
h
(not used)
u
Duplicates function of Red key (if used)
t
Duplicates function of Green key (if used)
o
Duplicates function of Yellow key (if used)
b
Duplicates function of Blue key (if used).
0…9
AVR600/AV888.
TV/AV
r
S
(RED)
AUX
(Green)
o
Duplicates function of Yellow key (if used)
b
Duplicates function of Blue key (if used).
H
(Yellow)
NET
(Blue)
e
input on the AVR500/AVR600/AV888.
Navigate setup and programme selection
menus.
OK is equivalent to ‘Enter’ or ‘Select’ on
some remotes.
Toggles between available inputs (e.g. AV1,
AV2)
Modifies many keys (see individual key
descriptions, below)
Selects multichannel (MCH) input on
AVR500/AVR600/AV888.
SHIFT + H selects AUX input on the
AVR500/AVR600/AV888.
Selects iPOD input on AVR500/AVR600/
AV888.
SHIFT + e selects network (Net) internal
input on the AVR500/AVR600/AV888.
Navigate setup and programme selection
menus.
OK is equivalent to ‘Enter’ or ‘Select’ on
some remotes.
M
Operates the Exit function if the PVR uses
this feature
M
Operates the Exit function if the VCR uses
this feature
U
Turns on the Menu function if the PVR
uses this feature
U
Turns on the Menu function if the VCR
uses this feature
D
Toggles display between TV and PVR
D
Toggles display between TV and VCR
@
Toggles the mute function. By default this
key operates the AMP Mute
@
Toggles the mute function, if available.
By default this key operates the AMP Mute
]
Channel down
]
Channel down
[
Channel up
[
Channel up
Decrease (–) and increase (+) AVR500/
- + AVR600/AV888 volume
Decrease (–) and increase (+) AVR500/
- + AVR600/AV888 volume
)
)
Fast rewind
E-34
Fast rewind
(RED)
(Green)
(Yellow)
(Blue)
CD Device Mode
P
0…9
PHONO
E
Toggles power between standby and on.
Functions as original remote number key.
Selects Tape input on the AVR500/AVR600/
AV888.
SHIFT + E selects phono input on the
AVR600/AV888.
English
The c Device Mode button configures the CR102
to control the CD functions of Arcam CD players,
although this can be changed (see page 25). Pressing this
button also selects CD as the AVR500/AVR600/AV888
source.
]
Press and release to skip back to the
beginning of the current/previous track.
[
Press and release to skip forwards to the
beginning of the next track.
Decrease (–) and increase (+) AVR500/
- + AVR600/AV888 volume.
)
Fast rewind
Toggles random (‘shuffle’) play on and off.
$
Play
r
SHIFT + r cycles through the repeat
options (track, disc, etc.).
&
Toggles pause of playback
(
Fast forward
S
Modifies many keys (see individual key
descriptions, below)
!
Open/close disc tray
#
Stop playback
%
Start recording (on products that have this
feature)
h
Scans first 10 seconds of each track on CD,
if supported by the player (Audio search)
FAV+
Starts Program mode
RPT
AUX
Selects multichannel (MCH) input on
AVR500/AVR600/AV888.
H
SHIFT + H selects AUX input on the
AVR500/AVR600/AV888.
NET
e
Selects iPOD input on AVR500/AVR600/
AV888.
SHIFT + e selects network (Net) internal
input on the AVR500/AVR600/AV888.
Navigates track listings if supported by the
player.
OK selects the currently highlighted track if
supported by the player
M
Changes the time display modes on Arcam
CD player
U
(not used)
D
Cycles through the front panel display’s
brightness options.
SHIFT + D enables RPT A-B functionality if
supported by the player.
@
Toggles the mute function. By default this
key operates the AVR500/AVR600/AV888
Mute.
u
FAV-
Clears programmed item
t
Home
(not used)
o
Info
(not used)
b
E-35
Speaker types
Before you use your AVR500, AVR600 or AV888 it is
essential that you enter some information about your
system configuration into the Setup menus.
essential
setup
Many of the inputs have several different connection
types available, for example, HDMI or component
video; HDMI, digital or analogue audio. It is necessary
to set the connection type used for each input by setting
the Video Source and Audio Source options in the Input
Config. menu (see page 41). These options must be set
for each input.
The default for both audio and video sources is HDMI.
If another connection type is used, there will be no
sound or picture from the source until the Video Source
and Audio Source menu items are correctly set.
It is essential that you enter some information into the
Setup menus about your speaker configuration. This
allows the unit to process any surround sound digital
source to exactly match your system and give you the
ultimate surround sound experience.
You need to set the type of speakers that you have
connected to your AVR500/AVR600 (or connected
indirectly to your AV888):
Large
capable of full frequency range reproduction
Small
not capable of full frequency range
reproduction at the low frequency end
None
speaker not present in your configuration
The terms ‘Large’ and ‘Small’ do not necessarily relate to
the physical size of your speakers. As a rule of thumb,
if a speaker cannot reproduce a flat frequency response
down to about 40Hz (and very few can!) it is often better
to consider them as ‘Small’ for setup purposes of home
cinema.
When a speaker is set to ‘Small’, very low frequency
sounds are redirected away from that speaker to a ‘Large’
speaker or a subwoofer, which are far better suited to
reproducing these low frequency sounds.
There are three pieces of vital information which are
outlined in the sections: ‘Speaker Types’, ‘Speaker
Distances’ and ‘Speaker Levels’.
The way you enter this information manually into the
unit is given later in the ‘Setup Menus’ section on page
38. The settings can also be established automatically
using the Arcam Auto Speaker Setup function. However
it is important to understand why these speaker settings
must be entered, which is why this section is presented
first.
Note that it is not possible to set all speakers to
‘Small’ unless there is a subwoofer in your speaker
configuration. If you do not have a subwoofer, you will
be forced to set your front speakers to ‘Large’.
(Advanced users may wish to automatically override the
‘Small’ speaker setting for purely stereo music listening
when not watching movies. This can be achieved in the
‘Input Config.’ menu – see page 40.)
Single Surround Back speaker
If you have just one Surround Back speaker in your
configuration instead of two, ensure it is connected to
the SBL speaker connector and set Surr. Back L/R in
the Spkr Types menu to either ‘1 Small’ or ‘1 Large’ as
appropriate.
Crossover frequency
If you have set any speakers as being Small, then you will
be required to set a value for the crossover frequency.
This is the frequency below which signals are filtered
away from these Small speakers and redirected to Large
speakers or the subwoofer (if present). A frequency of
80Hz is often a good starting point, however you will
probably have to experiment with different values to find
the best value for your system or consult your speaker
handbook.
E-36
MCH sub level
If a subwoofer is present, this setting allows for a 10dB
compensation on the subwoofer output when using the
MCH input as required by many DVD-A players with
audio outputs.
Use Surround Back channels
If not used in the main zone, it is possible to assign the
Surround Back channels to bi-amp the Front Left/Right
channels or to provide an amplified output to Zone 2.
Speaker Distances
It is essential for the distance from each speaker to the
listening position to be accurately measured and entered
into the ‘Setup’ menu. This ensures that the sounds from
the various speakers arrive at the listening position at
the correct time to recreate a realistic surround effect.
The distance can be entered in centimetres or inches.
Speaker Levels
Finally the levels of all the speakers in the system need
to be adjusted to match each other at the listening
position, again to create a proper surround effect. To
help with this the AVR500, AVR600 or AV888 can
generate a test noise for each speaker which should be
measured with a sound pressure level (SPL) meter. The
meter should be set to ‘C’ weighting and slow response.
The level of noise measured at the listening position
from each speaker should be adjusted on the Speaker
Trims page of the Setup menu so that the meter reads
75dB SPL. It does not matter what the system volume
setting of the AVR500, AVR600 or AV888 is before
turning the test noise on as the volume setting is overridden for the duration of the speaker noise test.
There are several basic SPL meters on the market at
reasonable prices aimed at home cinema enthusiasts.
Check your local technology store, search online or ask
your dealer.
If you do not have an SPL meter, you can try to adjust
the noise level of each speaker by ear. In this case it is
not possible to adjust the speakers to the absolute 75dB
SPL volume level, but you should aim for all speakers
sounding equally loud. Setting speaker test noise levels
by ear is not recommended as it is very difficult to do
accurately, but is often better than doing nothing at all!
auto speaker
setup
There is a proprietary automatic loudspeaker setup
function built into your AVR500, AVR600 or AV888.
The Arcam Auto Speaker Setup function attempts to set
all the essential speaker settings for all the speakers in
your system. It also calculates room equalisation (Room
EQ) filter values to remove some of the worst effects of
resonant frequencies in the listening room.
Your AVR500/AVR600/AV888 package is supplied with
a calibration microphone, which should be inserted into
the AUX jack socket on the front panel and positioned at
the main listening position. This microphone picks up
the special calibration tones generated by the speakers
when Auto Speaker Setup is run. The AVR500/AVR600/
AV888 then analyses the signal and computes:
<which speakers are present,
<speaker type,
<speaker distance,
<speaker level,
<crossover frequency to the subwoofer (or large front
speakers if no subwoofer is present),
<problem resonant frequencies in the room which
need control by filtering.
It also warns if any of the speakers are too close to the
microphone or if the measured tone is clipped.
To help the system be as accurate as possible when
performing Auto Speaker Setup, there are a few
guidance rules that should be followed:
<Minimise any background sounds in the listening
room and other nearby rooms.
<Close all windows and doors in the listening room.
<Turn off all fans including air-conditioning systems.
<If holding the microphone in the hand rather than
mounting on a tripod or similar, keep your hand and
fingers still to avoid generating ‘handling noise’.
<Position the set up microphone pointing upwards at
roughly head height in the normal listening position.
It is not necessary to point the microphone directly
at the speaker generating the test tone. (It helps if
you are able to position the microphone exactly
where your head would normally be for listening,
with the microphone in direct unobstructed view of
all speakers.)
<If your system includes an active subwoofer, start
by setting its output level / gain control to a value
halfway between maximum and minimum.
When activated, a calibration tone is played through
each channel in turn, including the subwoofer channel.
The calibration tone cycles round each of the speakers
twice. If you do not have a full 7.1 speaker configuration
there will be periods of silence between some speaker
channels. Follow the ‘progress’ information on-screen.
Using a subwoofer
After all the channels have been measured, a summary
of the speaker configuration will be displayed on-screen.
You can then choose to accept the settings, re-measure
your system again or cancel Auto Speaker Setup without
storing the settings.
Auto Speaker Setup will attempt to choose a crossover
frequency that allows the smoothest low frequency
transition from the main speakers to the subwoofer.
However if this does not produce pleasing results we
recommend manually trying other crossover frequencies
to find something more to your preference.
The Auto Speaker Setup function is found within the
Setup menus, see page 37. By default, Room EQ is not
applied to any of the source inputs. You should enable
Room EQ on inputs you think benefit from this feature,
as required, by listening when playing typical source
material through each input. This is enabled from within
the Input Config menu.
While room equalisation can help to reduce problems
with listening room acoustics, it is usually far better
to try to solve these problems with the room directly.
Proper loudspeaker positioning, acoustic wall
treatments and moving the listening position away from
walls should produce far better results overall. However
it may be difficult to do this in a home environment, so
Room EQ is your next best choice.
Problems
We advise you to look over the reported measurements
on the screen following Auto Speaker Setup for any
obviously incorrect results, in particular to ensure the
reported speakers match your configuration and that the
speaker distances to the listening position appear look
roughly correct. If the results are not what you expected
re-run Auto Speaker Setup.
The Auto Speaker Setup function is normally quite
accurate but occasionally false results can be generated.
Problems may be as a result of:
<external sounds or rumbling / handling noises
picked up by the microphone
<sound reflections off hard surfaces (e.g. windows or
walls) close to the listening position,
<very strong acoustic resonances within the room.
If you are still experiencing difficulties or you wish to
have the most accurate results for ultimate surround
performance, we recommend using the manual method
of establishing speaker distances and levels.
E-37
If your system includes an active subwoofer you may
need to re-run Auto Speaker Setup with the subwoofer
output level / gain control set to a higher or lower value,
if the summary screen reports problems setting the
subwoofer up.
See the next sections for information of how to enter or
change speaker settings manually.
English
Auto speaker setup
setup menus
The Setup menus allow you to configure all aspects
of your AVR500, AVR600 or AV888. The next few
pages will go through the menu items and explain their
function. The Setup menus will probably look quite
daunting if you are new to setting up home cinema, but
the majority of them need only be configured once when
you first install the system (or if your system changes or
you move house!)
Menu panel
Adjustment panel
The left-hand panel lists the setup
screens available for adjustment. The
selected menu is highlighted with a grey
band.
The upper right-hand panel lists the
parameters you can change as a user.
The selected line is highlighted with
a black band. Lines that cannot be
selected are greyed-out.
The only way to view the Setup menus is on your display
device (TV or projector) using the on-screen display
(OSD) capability of the unit. To view the OSD for the
initial setting up, connect any of the video outputs to
your display device. You do not need to have a video
source connected to the video inputs.
Entering Setup mode
To enter the setup menu, press the menu button on the
remote control or font panel. The front panel display
shows ‘MENU’ and the setup menu (pictured right) is
displayed.
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Scroll bars
These indicate the
position of the
displayed screen
within longer menus.

Unstable OSD menu or picture display?
The default AVR500/AVR600/AV888 output video
resolution when first powered up out of the box is
525-line/60Hz NTSC for analogue video and 480i/60
for digital video. This has been chosen as most display
devices can synchronise to this automatically. This can
be changed in the Video Outputs section of the Setup
Menus.
Œ  ˆ Ž
Help screen
The lower right-hand panel gives a short
help text for the feature being adjusted.
If the output resolution and frame rate is forced to a
setting your display device does not support, the picture
may become unstable or may not display at all. To reset
the output video resolution and frame rate to the default
values to restore the display, press and hold the OK
button for three seconds.
Navigating the setup menu
… using the remote control
The setup menu can be navigated by using the cursor
(arrow) keys on the remote control. This is by far the
easiest method.
1. To enter the setup menu, press the menu button
(which is located immediately under the navigation
buttons).
2. Use the B and C keys to navigate up and down
the main section headings in the left-hand panel.
3. Once you have the main section that you require
highlighted, use the E key to enter the section.
4. Use the B and C keys to navigate up and
down the section settings in the left-hand panel.
Some settings may be greyed out. These are either
for information only (e.g. incoming sampling
E-38
frequency) or are not currently selectable (e.g.
network IP address when DHCP is used). Scroll bars
on the sides of the right hand panel indicate your
position in the settings list where there are more
items than can be displayed at once.
5. Pressing OK selects a setting to change it, pressing OK
again de-selects the setting.
6. At any time, press the menu button to exit the menu.
Any changes to settings are saved.
… using the keys on the front panel
The front panel controls can be used to configure the
unit. Follow the instructions for using the remote
control, in this case using input– for down, input+ for
up, info for left and mode for right.
video
& audio connection
settings
Before entering the menu, select the input that you wish
to change (e.g. dvd). To enter the setup menu, press the
amp button followed by the menu button on the remote
control. The front panel display shows ‘MENU’ and the
setup menu (pictured right) is displayed. Press the
remote control E key to enter the Input Config menu
then use the Ckey to navigate down to the Video
Source option.
Selecting the video source
Each input on the AVR500/AVR600/AV888 has multiple
connection possibilities for both audio and video,
including HDMI, Component Video, digital audio and
analogue audio. When an input is selected, by default
the AVR500/AVR600/AV888 will select HDMI for both
video and audio connections.
Set the Audio Source and Video Source to the
connection type you are using: HDMI, Component,
S-Video or Composite for video and HDMI, Digital or
Analogue for audio.
Once the Video Source option is highlighted as shown,
press the ok key to select it for modification. Use the
B and C keys to select from the list the video type
you are using on this source.
< HDMI: the unit is forced to use the HDMI video
input for this source.
< Component: the unit is forced to use the
Component/RGB video input for this source.
< S-Video: the unit is forced to use the S-Video input
for this source.
< Composite: the unit is forced to use the Composite
video input for this source.
Input Config
Colour
General Setup
Picture Mode
Auto Setup
Edge Enhancement
Spkr Types
Mosquito NR
Spkr Distance
Noise Reduction
Spkr Levels
Block NR
Video Inputs
Component Mode
Video Outputs
Video Source
Mode
Audio Source
English
Entering Setup mode
HDMI
> Component
S-Video
Composite
Zone Settings
Network
Select the type of video: HDMI, Component, S-Video
or Composite
Input Config
Colour
General Setup
Picture Mode
Auto Setup
Edge Enhancement
Spkr Types
Mosquito NR
Spkr Distance
Noise Reduction
Spkr Levels
Block NR
Video Inputs
Component Mode
Video Outputs
Video Source
Mode
Audio Source
Selecting the audio source
Highlight the Audio Source as shown and press the ok
key to select it for modification. Use the B and C
keys to select from the list the audio type you are using
on this source. NOTE: you may experience some audio
transients when changing this setting. As a precaution,
we recommend that you reduce the volume level first.
< HDMI: the unit is forced to use the HDMI audio
input for this source.
< Digital: the unit is forced to use the optical (TOSLINK)
or coaxial (S/PDIF) digital audio input for this source
< Analogue: the unit is forced to use the analogue
audio input for this source.
Zone Settings
Network
E-39
HDMI
> Digital
Analogue
Select the type of audio: HDMI, Digital or Analogue
Input Config.
The audio and video settings on this page of the Setup
menu can be tailored specifically and independently to
the currently selected input.
When a different input is selected on the Input line, all
the input-specific settings for that input are displayed
below it. These settings are applied to the named Input
only and are stored in memory and recalled each time
the unit is powered up and whenever that input is
selected.
Input – The currently selected input connectors to
which the settings below relate.
Name – The display name of the input. You can change
the name of any input to more closely match your setup.
For example, if you had two satellite receivers, you could
connect the main receiver to the Sat audio and video
input connectors and change the Name to ‘SAT 1’. You
could then connect the second satellite receiver to the
VCR audio and video input connectors, but change the
VCR Name to ‘SAT 2’. It is then clearer to users of your
AVR500/AVR600/AV888 which inputs they wish to
select when scrolling though.
Lip Sync – Each input can have its own setting
to add a time delay between the audio and video
signals to compensate for the sound and picture not
being synchronised. This is normally required when
video processing is used in the system for scaling or
de-interlacing video. The range of lip sync delay is –5 to
+220 milliseconds.
The lip sync adjustment can only correct for delayed
video. If the audio is late set lip sync to its minimum.
Mode – Sets the initial audio decode mode for stereo
sources on this input.
<Last Mode recalls the last used setting for this
input when a stereo source was applied. See section
‘Multichannel source modes’ on page 41 for more
information.
Ext. Mode – Sets the initial audio decode mode for
multichannel digital sources on this input.
<Last Mode recalls the last used setting for this
input when a stereo source was applied. See section
‘Multichannel source modes’ on page 41 for more
information.
Treble –
Bass –
These allow you to alter the bass and treble tone controls
for all currently active speakers for each individual
input. For example, if your PVR source sounds a little
bass light, you can always correct for this by selecting
PVR on the Input line at the top of this menu and add
2 or 3dB to the Bass control. Then, whenever the PVR
input is selected, the bass is automatically boosted for as
long as that input is selected.
Room EQ – When the Auto Speaker Setup function is
run it also calculates Room Equalisation coefficients to
remove some of the worst effects of resonant frequencies
of the room at the listening position. By default Room
EQ is not applied to any of the source inputs, however
you can enable them on a per-input basis as you wish.
<Not Calculated: (Information only) Auto Speaker
Setup has not been run or has errors so cannot be
selected.
<On: Room EQ is applied to the current source.
<Off: Room EQ is not applied to the current source.
Input Trim – Sets the maximum analogue input
signal level (sensitivity) on this input before the ADC
(Analogue-to-Digital converter) signal path clips.
Options are 0.5, 1, 2 and 4 volts RMS maximum input.
The default is 2Vrms maximum.
For example, analogue sources with low output levels
may benefit by choosing the 1V maximum setting,
or the 0.5V maximum setting if the source has a
very low output. This helps maximise signal-to-noise
performance of the unit and also helps keep the various
analogue sources sounding about the same level for any
given volume control setting.
Dolby Volume –Dolby Volume is an intelligent system
that improves the perceived audio frequency response
at lower listening levels and corrects for volume
inconsistencies between sources (e.g. a rock radio
station and a DVD) and between programming (e.g. a
TV show and advertisement breaks).
<Off: (default) Dolby Volume is not applied to this
input.
<Cinema: enables Dolby Volume for this source and
configures the input for audio which comes mostly
from movie soundtracks.
<Music: enables Dolby Volume for this source and
configures the input for audio which comes from
other sources (CD, TV, Satellite, Tuner, etc.).
Dolby Leveller – This setting of Dolby Volume controls
how closely quiet and loud sources and programme
content are matched to each other, based on the
ear’s perception of loudness. The range of values is
0 (minimal levelling) to 10 (maximum levelling).
The default setting is 9, however we recommend
experimenting with lower values if all your source
material is more closely matched in level. If the Volume
Leveller function is set off, no level matching between
sources and programme material is performed. Note
however that turning the Dolby Leveller setting of Dolby
Volume to ‘Off ’ is not the same as turning the entire
function of Dolby Volume to ‘Off ’, as volume related
frequency response processing is still active. See Dolby
Volume on page 48 for more information.
DV Calib. Offset – The Calibration Offset parameter of
Dolby Volume allows you to compensate for speaker
efficiencies and listening position. The default value
is 0 and this should normally produce a good result
when the speaker levels of the AVR600 (or AV888 and
amplifier combination) are set using a sound pressure
level meter.
See the Dolby Volume section on page 48 for further
information on Calibration Offset.
Surround EX – Sets how the unit should configure
its decode mode when a Dolby Digital EX bitstream
is received. Note that this setting only applies if you
have Surround Back loudspeakers. You may wish to
experiment with these two decode modes to see which
you prefer with Dolby Digital EX encoded material.
Options are Auto DD EX, Auto PLIIx and Manual.
< Auto DD EX: When a Dolby Digital EX-flagged
bitstream is detected, the decode mode
automatically changes to Dolby Digital EX. This can
be temporarily overridden by pressing the MODE
button on the remote or front panel.
< Auto PLIIx: When a Dolby Digital EX-flagged
bitstream is detected, the decode mode
automatically changes to Pro Logic IIx Movie. This
can be temporarily overridden by pressing the MODE
button on the remote or front panel.
< Manual: The received Dolby Digital EX is treated
as if it is an ordinary Dolby Digital stream in that it
does not automatically select the EX or PLIIx decode
modes. Instead, the previously used decode mode
for a multichannel digital source on this input is
applied. However, either of the EX or PLIIx decode
modes can be applied manually by pressing the
MODE button.
Stereo Mode – If you have configured your system to
have a subwoofer, then you have the flexibility to
choose how bass information is distributed between
the front left/right speakers and the subwoofer when
listening to stereo (two channel only) analogue and
digital sources. Choose the option which gives you
the most solid, even sounding bass. If you are using
E-40
a subwoofer for stereo, please also see Sub Stereo
below to set the level of the subwoofer. For best
results test with a set-up disc or live programme
material. This setting can be used to override your
normal speaker settings in the Spkr Types menu
whenever the unit plays stereo material. It is quite
common to find that two channel stereo music
listening is best done with a slightly different sub/
speaker setting than for surround movies.
< As Spkr Types: When an analogue or digital stereo
source is played, your normal speaker configuration
(as in Spkr Types menu) is used to reproduce the
signal.
< Left/Right: Full frequency stereo information. All
audio is sent to the front left and right speakers only
without any bass redirection. You can use this setting
if you consider your front left/right speakers to be
able to handle the full frequency range of music.
If you have set your front left/right speaker size as
Small in the Spkr Types setup page, you may wish
to use this option to override the setting to Large
for stereo music listening, if you have full frequency
range left/right speakers.
It can often be beneficial to set full frequency range
speakers to Small in the Spkr Types setup page for
use with movies, if you have a subwoofer in your
system. Doing so may deliver more impact on
movie soundtracks as subwoofers are designed to
handle reproduction of high bass content. However
you may find that for stereo music a better overall
result is obtained by not using the subwoofer and
effectively treating the front left/right speakers as
Large.
< Left/Right+Sub: Full frequency range stereo is fed to
the front left and right speakers and extracted bass is
sent to the subwoofer. In this case the low frequency
information is effectively duplicated.
< Sat+Sub: Use this setting if you really do have Small
satellite front left and right speakers, or if you prefer
the overall sound of bass being handled by the
subwoofer. Full bass management is used so that
analogue and digital stereo sources are fed to the
DSP where the bass is filtered off front left and right
and redirected to the subwoofer.
NOTE
The Stereo Mode function is not available when
using an analogue source in Stereo Direct mode.
You should typically select RGB+Sync if you are using
a standard SCART to 4-wire phono breakout cable to
connect an RGB SCART source.
Dialnorm – (Information only) If a Dolby Digital audio
stream is connected to this input, this is the Dialogue
Normalisation setting requested by the stream.
Brightness – Sets the video brightness for this input.
This setting can be used to compensate for an overly
dark or bright source picture on this input when
compared with other video sources.
Note that if RGB+Sync is selected, the S-Video and
Composite inputs cannot be selected as video inputs for
the current source.
Video Input – The currently selected video input. For
inputs that have video connections (e.g. SAT, PVR etc),
audio and video inputs normally switch over together.
However, here you can temporarily select a different
video source for the current audio source. This feature
may be useful, for example, if you are watching a sports
game on satellite but on this occasion wish to listen to
the commentary on the radio instead. This temporary
override is reset when the input source is changed so
that the Video Input follows the Audio Input setting (or
the setting in the Video Inputs menu, if applicable).
Contrast – Sets the video contrast for this input. This
setting can be used to compensate for too much or too
little contrast in the source picture on this input when
compared with other video sources.
Colour – Sets the video colour saturation for this input.
This setting can be used to compensate for too much or
too little colour in the source picture on this input when
compared with other video sources.
Picture Mode – Sets how the video processor in the
AVR500/AVR600/AV888 interprets the video on this
input. Normally the video processor automatically
detects the original source type and correctly sets either
Video mode or Film mode processing. In the unlikely
event that the video processor misinterprets the video
type, resulting in subtle picture artefacts, the video
processor can be manually forced into Video mode or
Film mode. This function should normally be set to
Auto.
Edge Enhancement – Sharpens the picture from a
source on this input.
Mosquito N.R. – Removes haziness that sometimes appears
around objects in a picture from a source on this input.
Noise Reduction – Removes random noise within the
picture from a source on this input.
Block N.R. – Removes block artefacts in overly
compressed digital video from a source on this input.
Component Mode – Configures the current three-wire
high quality analogue video input for component (YUV)
video signals or RGB video signals. It is important
to match the setting to the incoming video format
otherwise the colours will be incorrect and the picture
may be unstable.
Options are Normal, RGsB and RGB+Sync.
< Normal: (default) the three-wire input is configured
for normal Component (YUV / YPbPr) analogue
video.
< RGsB: the three-wire input is configured for RGB
analogue video with video ‘sync-on-green’.
< RGB+Sync: the three wire input is configured for
RGB analogue video, with the video sync signal on
the composite input for the current named source.
Audio Source – Selects the particular connection type
for each input. The default is HDMI; this setting must be
changed if another connection is used.
Select from the list the audio type you are using on this
source.
NOTE: you may experience some audio transients when
changing this setting. As a precaution, we recommend
that you reduce the volume level first.
< HDMI: the unit is forced to use the HDMI audio
input for this source.
< Digital: the unit is forced to use the optical (TOSLINK)
or coaxial (S/PDIF) digital audio input for this source
< Analogue: the unit is forced to use the analogue
audio input for this source.
Video Source – Selects the video signal connection for
this source. The default is HDMI; this setting must be
changed if another connection is used.
< HDMI: the unit is forced to use the HDMI video
input for this source.
< Component: the unit is forced to use the
Component/RGB video input for this source.
< S-Video: the unit is forced to use the S-Video input
for this source.
< Composite: the unit is forced to use the Composite
video input for this source.
General Setup
General information and system controls.
Source Input – (Information only) The currently
selected input to which the settings below relate.
Incoming Format – (Information only) The format
of the digital audio stream connected to this input, if
present.
Incoming Sample Rate – (Information only) The
sample rate of the digital audio stream connected to this
input, if present.
Incoming Bit Rate – (Information only) The bit rate
of the digital audio stream connected to this input, if
present.
Audio Compression – Allows selection of compression
which is ideal for late night listening. The compression
effect increases the volume of the quiet passages
and decreases the volume of the louder passages.
Compression only applies to some Dolby Digital and
DTS soundtracks that support this function.
< Off: (default) no audio compression is applied.
< On: Audio compression is applied whenever a
soundtrack supporting compression is received.
< On / Auto: As for On above, except for Dolby
TrueHD soundtracks which support an additional
Auto on/off setting
< Centre Width: Controls the centre image width.
With Pro Logic decoding, dominant centre signals
come only from the centre speaker. If no centre
speaker is present, the decoder splits the centre
signal equally to the left and right speakers to create
a ‘phantom’ centre image. The Centre Width control
allows variable adjustment of the centre image so
it may be heard only from the centre speaker; only
from the left/right speakers as a phantom image; or
from all three front speakers to varying degrees. We
recommend Centre Width is set to 3 for normal use.
< Panorama: Extends the front centre image to
include the surround speakers for an exciting ‘wraparound’ effect with side-wall imaging.
Digital Output Freq. – Sets the sampling frequency of
the audio Analogue-to-Digital converter. This setting
applies to all inputs when analogue audio is being
processed (i.e. not Stereo Direct mode). It is stored in
memory and recalled each time the unit is powered up.
Volume Adjustment – Sets the step size of the volume
control.
< Normal: (default) volume control is in 1dB steps
< Fine: volume control is in 0.5dB steps
This setting applies to all inputs when a relevant digital
audio stream is detected. It is stored in memory and
recalled each time the unit is powered up.
Maximum Volume – Limits the maximum volume
setting the system can be turned up to in the main zone.
This is a useful feature to prevent accidental overdriving
of low power-handling speakers (for example). It is
stored in memory and recalled each time the unit is
powered up.
Balance – To alter the sound balance temporarily
between front left and right speakers. You can alter
the sound stage to either the left or the right by up to
6dB. Note that it is not possible to shift the audio signal
completely over to one channel. This function resets to
equal left/right balance when the input is changed.
Max On Volume – Limits the maximum volume the
system operates in the main zone when it is switched
on or comes out of Standby. The system comes on at
this stored volume setting if the last used (possibly very
loud) volume exceeds this value. It is stored in memory
and recalled each time the unit is powered up.
PLII Dimension –
PLII Centre Width –
PLII Panorama –
Audio In iPod – If you have an iPod connected to the
AVR500/AVR600/AV888 using an Arcam rDock or
rLead, this control allows you to set which audio input
is used.
These allow the adjustment of the sound field for Dolby
Pro Logic II Music mode decoding of two-channel
sources. These setting apply to all inputs when PLII or
PLIIx Music decoding is selected. The settings are stored
in memory and recalled each time PLII or PLIIx Music
mode is selected.
< Dimension: Allows the user gradually to adjust the
sound field either towards the front or towards the
rear. Settings range from -3 to +3. We recommend
Dimension is set to 0 for normal use.
E-41
English
Sub Stereo – If Left/Right+Sub or Sat+Sub is selected in
Stereo Mode above, this setting adjusts the level of the
subwoofer when the source is two channel stereo.
Auto Setup
Auto Speaker Setup of your loudspeakers and subwoofer
(if present) is controlled by this menu. A full description
of how Auto Speaker Setup works is given on page 37.
Remember to insert the calibration microphone into the
AUX input on the front panel and position the microphone
at the listening position before running Auto Setup.
Run Auto Setup – Press OK (or O on the remote) to
start Auto Speaker Setup. The process will generate test
tones from the speakers and will typically take less than
two minutes. The test tone generator will cycle round
each speaker twice.
Accept Setup – When Auto Speaker Setup has
completed without errors you can choose to accept or
reject the settings
< No: The settings are not stored in memory.
< Yes: All the speaker settings (speakers present, type,
distance, level and crossover frequency) are stored
in the relevant sections of the Setup Menu and
overwrite any previous settings.
Auto Setup Progress – Gives a summary of what Auto
Speaker Setup is doing as it progresses, starting with
which speaker is being tested.
< Calculating EQ: Data gathered from each of the
speakers is being processed.
< Completed Error: A problem was detected with the
speaker setup. See the descriptions for each of the
individual speakers, below. Alternatively an invalid
speaker configuration was detected.
Front Left –
Centre –
Front Right –
Surr. Right –
Surr. Back Right –
Surr. Back Left –
Surr. Left –
Subwoofer –
If the above speakers are correctly detected as present in
your speaker configuration, their size (Small or Large),
distance from the listening position and trim level (dB)
will be displayed. Note that size does not apply to the
subwoofer. Otherwise one of the following messages will
be displayed:
< Not Present: A speaker was not detected on this
channel.
speakers redirect bass to the subwoofer, if present. The
exception is the Centre speaker which, if Small, redirects
its bass to front left/right provided that they themselves
are Large. This is done to help keep Centre bass directly
in front of the listening position.
< Clipped: The test tone detected by the microphone
was distorted or clipped. This could be because
you have very sensitive speakers and they are
very close to the listening position. However it is
more likely that the detected signal was corrupted
by microphone handling noise or other external
sounds. Try running Auto Speaker Setup again.
< Mic too close: The speaker is too close to the listening
position to be able to calculate its distance. If possible,
try moving the speaker slightly further away from the
listening position and run Auto Speaker Setup again.
Crossover Freq. – The frequency at which Auto Speaker
Setup determined is the best point to filter low frequency
sounds away from Small speakers and into the subwoofer
(or Large speakers if a subwoofer is not present).
Spkr Types
Settings for the types of loudspeaker you have connected
to your AVR500, AVR600 or AV888 and power
amplifier (e.g. the Arcam P777). These settings are
applied to all audio inputs and are stored in memory
and recalled each time the unit is powered up.
Front Left / Right –
Centre –
Surr. Left / Right –
Surr. Back L / R –
Here you set the type of speakers that you have
connected to your AVR500/AVR600/AV888:
< Large: capable of full frequency range reproduction
< Small: not capable of full frequency range
reproduction at the low frequency end
< None: speaker not present in your configuration
< Subwoofer: Set whether a subwoofer is present or not.
For Surr. Back L/R, the number before Large and Small
in the dropdown options list is the number of Surround
Back speakers in your configuration. If you only have
one Surround Back speaker connect it to the SBL output.
NOTE
It is not possible to set all speakers to Small unless
there is a subwoofer in your speaker configuration.
If you do not have a subwoofer, you will be forced to
set your front speakers to Large.
MCH Sub Levels – This setting controls the subwoofer
level from an externally decoded multichannel source
(DVD-A, SACD, etc). Most DVD players require a
+10dB compensation on the subwoofer channel to
maintain the correct balance with the main channels.
< +10dB comp.: for normal DVD players which output
the analogue subwoofer channel at the low 0dBr
level. Gain compensation of +10dB is added to the
subwoofer channel of the MCH input in the AVR500,
AVR600 or AV888.
< No comp.: for DVD players which output the
analogue subwoofer channel at the correct +10dBr
level. No subwoofer gain compensation is needed
on the subwoofer channel of the MCH input in the
AVR500, AVR600 or AV888.
Use Channels 6+7 for – If your main zone speaker
set up does not include Surround Back Left and Right
speakers, you can choose to use the Surround Back
amplifier channels to bi-amp the Front Left and Right
pair, or as a stereo power amplifier for Zone 2 (but note
that powered Zone 2 is not available on the AV888).
Spkr Distance
Calibration settings for the distances between the
loudspeakers and the listening position.
NOTE
Speakers that are not present in your configuration
will be greyed out.
These settings are applied to all audio inputs and are
stored in memory and recalled each time the unit is
powered up.
Units – Select whether you wish to measure distances in
centimetres or inches.
Crossover Freq – This is the frequency at which
loudspeakers set as Small start to redirect bass signals to
the Subwoofer or Large speakers in your system. Small
Front Left –
Centre –
Front Right –
Surr. Right –
Surr. Back Right –
Surr. Back Left –
Surr. Left –
Subwoofer –
E-42
As described in ‘essential setup’ on page 36, measure the
distance from each loudspeaker in your system to your
ear in the main listening position and enter the values.
This allows the AVR500/AVR600/AV888 to calculate the
correct relative delay for each loudspeaker.
Spkr Levels
Calibration settings for the test noise signal level
through the loudspeakers and measured at the listening
position.
NOTE
Speakers that are not present in your configuration
will be greyed out.
These settings are applied to all audio inputs and are
stored in memory and recalled each time the unit is
powered up.
Use the B and C navigation buttons on the remote
control to select the relevant speaker. Press O to
enable/disable the calibration noise and the D and E
navigation buttons to adjust the noise level from each
speaker.
Front Left –
Centre –
Front Right –
Surr. Right –
Surr. Back Right –
Surr. Back Left –
Surr. Left –
Subwoofer –
As described in ‘essential setup’ on page 36, adjust the
level of the test noise from each speaker so that an SPL
meter at the listening position measures 75dB SPL.
Settings to optionally assign a video source to each of
the normally audio-only inputs.
These settings are stored in memory and recalled each
time the unit is powered up.
Video Input Tape –
Video Input CD –
Video Input Aux –
Video Input AM / FM –
Video Input Phono –
Video Input MCH –
Video Input iPod –
Video Input Net –
Video In Digital Radio –
The default for each of the audio inputs is ‘None’,
however for example you could associate the satellite
‘Sat’ video with AM, FM and Digital Radio audio if you
wished. This way you could listen to the FM or AM or
Digital Radio commentary of a sports game but have the
pictures from the satellite coverage.
Video Outputs
The settings in this menu control the output resolution
from the video processor in the unit as well as the
operation of the two HDMI outputs.
These settings are applied to all video inputs and are
stored in memory and recalled each time the unit is
powered up.
Progressive scan playback
The AVR500, AVR600 and AV888
can support 1080p, 24 frames per
second source materials. To enjoy
24p playback both the source device (e.g., a Blu-ray
disc player) and the display device (e.g. a TV or
projector) must be capable of supporting 24p.
To enjoy 24p playback, set the Video Source to
HDMI in the Input Config. menu, and set the
Output resolution to 1080p (i.e. not to Preferred)
in the Video Outputs menu. Also, ensure that the
Frame Rate is set to Auto.
The dropdown list shows all the resolutions that the
unit’s video processor can output.
NOTE
Analogue Frame Rate – This setting controls the output
frame rate of the analogue video outputs of Zone 1.
This applies to all Zone 1 analogue video outputs:
Component, S-Video and Composite. This setting is
only valid if neither of the HDMI outputs Out 1 or Out 2
are being used at the time. See the Note ‘Important
points to remember’ regarding analogue frame rates.
Important points to remember:
For analogue outputs
The analogue output resolution should be chosen
carefully; Composite and S-Video connections can
only carry 480i (525-line NTSC) or 576i (625-line
PAL) signals. If an output resolution higher than this
is chosen in Out 1 Resolution, the Composite and
S-Video main zone outputs will be disabled.
You should also set the frame rate (50Hz Interlaced
for PAL, 60Hz Interlaced for NTSC) and the
aspect ratio (4:3 standard or 16:9 widescreen) to
match your display device. Note that S-Video and
Composite can only carry Interlaced video. If you
select Progressive analogue video, Zone 1 S-Video
and Composite outputs will be disabled.
Display Type – Set the aspect ratio of your display
device; 4:3 standard or 16:9 widescreen.
For HDMI outputs
The output resolution, frame rate and display
aspect ratio can be automatically determined by the
unit. Alternatively these settings can be manually
selected. If you have two HDMI display devices
connected, you can also configure which of the two
HDMI outputs takes priority.
Zone 1 OSD – Selects whether the main zone pop-up
OSD messages are On or Off. It is stored in memory and
recalled each time the unit is powered up.
< When On, all user adjustments that are made during
the general use of the unit are displayed on screen
as well as the front panel display. This includes the
adjustment of volume, subwoofer level, lip sync, tone
controls, etc. It is stored in memory and recalled
each time the unit is powered up.
< When Off, the above user adjustments will not
appear on screen, only on the front panel display.
This leaves the picture on your display device clear
of pop-up text. However, regardless of this setting
the Setup menus are always displayed on screen.
Analogue Output – This setting controls the output
resolution of the analogue video outputs of Zone 1.
This applies to all Zone 1 analogue video outputs:
Component, S-Video and Composite. This setting is
only valid if neither of the HDMI outputs Out 1 or Out 2
are being used at the time. See ‘Important points to
remember’ above regarding analogue resolutions.
Output Switching – This setting controls the operation
of the two HDMI outputs.
< Auto-Priority Out 1/Out 2 senses which display
device is turned on and gives priority to the named
output (Out 1 or Out 2) if both display devices are on
at the same time. When both display devices are on
at the same time, the output with the highest priority
is used to configure the settings of the unit’s video
processor.
< Output 1 or Output 2: forces only the named HDMI
output to be enabled.
< Output 1 & 2: enables both HDMI outputs
simultaneously. In order to do this however, the
settings of the unit’s video processor are reduced
down to the highest common set that can be
supported by both display devices.
Out 1 Resolution – This setting controls the output
resolution of HDMI output Out 1. This setting is only
valid if HDMI output Out 1 is the only active HDMI
output at the time.
<The dropdown list shows all the resolutions that the
video processor can output. Resolutions that are
not supported by the connected display device are
greyed out and cannot be selected.
< Preferred: sets the Out 1 resolution to be the
preferred resolution that is requested by the display
device. This is often the highest resolution the
display device can receive.
Out 1 Frame Rate – This setting controls the output
frame rate of HDMI output Out 1. This setting is only
valid if HDMI output Out 1 is the only active HDMI
output at the time.
<The dropdown list shows all the frame rates that the
video processor can output. Frame rates that are
not supported by the connected display device at
E-43
the above resolution are greyed out and cannot be
selected.
<Auto sets the Out 1 frame rate to be the preferred
frame rate that is requested by the display device for
the currently used resolution.
< Follow Input forces the out 1 frame rate to the same
as the input frame rate, regardless of the reported
capabilities of the display device.
Lipsync 1 – (Information only) Displays how much lip
sync is automatically applied to HDMI output Out 1 to
compensate for video processing delays in the attached
display device. Not all display devices support this
function.
Out 2 Resolution – This setting controls the output
resolution of HDMI output Out 2. This setting is only
valid if HDMI output Out 2 is the only active HDMI
output at the time.
< The dropdown list shows all the resolutions that the
AVR500, AVR600 or AV888 video processor can
output. Resolutions that are not supported by the
connected display device are greyed out and cannot
be selected.
< Preferred: sets the Out 2 resolution to be the
preferred resolution that is requested by the display
device. This is often the highest resolution the
display device can receive.
Out 2 Frame Rate – This setting controls the output
frame rate of HDMI output Out 2. This setting is only
valid if HDMI output Out 2 is the only active HDMI
output at the time.
< The dropdown list shows all the frame rates that the
video processor can output. Frame rates that are
not supported by the connected display device at
the above resolution are greyed out and cannot be
selected.
< Auto: sets the Out 2 frame rate to be the preferred
frame rate that is requested by the display device for
the currently used resolution.
< Follow Input forces the out 2 frame rate to the same
as the input frame rate, regardless of the reported
capabilities of the display device.
Lipsync 2 – (Information only) Displays how much lip
sync is automatically applied to HDMI output Out 2 to
compensate for video processing delays in the attached
display device. Not all display devices support this
function.
English
Video Inputs
Out 1 & 2 Resolution – This setting controls the
output resolution when both HDMI outputs are used
simultaneously. This setting is only valid if Output
Switching is set to Output 1 & 2.
< The dropdown list shows all the resolutions that the
video processor can output. Resolutions that are
not supported by the connected display devices are
greyed out and cannot be selected.
< Best: sets the HDMI output to be the highest
common resolution that is supported by both
display devices.
Out 1 & 2 Frame Rate – This setting controls the
output frame rate when both HDMI outputs are used
simultaneously. This setting is only valid if Output
Switching is set to Output 1 & 2.
< The dropdown list shows all the frame rates that the
video processor can output. Frame rates that are
not supported by the connected display devices at
the above resolution are greyed out and cannot be
selected.
< Auto: sets the HDMI output to be the highest
preferred common frame rate that is supported by
both display devices for the above resolution.
< Follow Input forces the out 1 & 2 frame rate to
the same as the input frame rate, regardless of the
reported capabilities of the display device.
Lipsync 1 & 2 – (Information only) Displays how much
lip sync is automatically applied to HDMI outputs Out 1
and Out 2 simultaneously to compensate for video
processing delays in the attached display devices. Not all
display devices support this function.
Mode
Zone Settings
Network
Lists the decode and downmix options you wish to
include when cycling through the options on the MODE
button. Settings are Yes or No. The list is divided into
two sections depending on the source audio type. See
section ‘Multichannel source modes’ on page 47 for
more information on each processing a decoding mode.
Lists the volume and control settings for Zone 2 and
Zone 3 (Zone 3 available with AVR600/AV888 only).
These settings are applied to all audio inputs and are
stored in memory and recalled each time the unit is
powered up.
The AVR600 and AV888 are fitted with a network audio
client (optional for the AVR500) which is capable of
playing internet radio stations as well as stored music
on a network storage device such as a PC, or on a USB
flash drive.
Z2 Audio Input – Selects the analogue audio to be
routed to Zone 2.
Use DHCP – Select if your network uses DHCP
<No: To assign a fixed IP address manually.
<Yes: To use network parameters given by the DHCP
server.
These settings are applied to all audio inputs and are
stored in memory and recalled each time the unit is
powered up.
For Stereo sources:
Dolby ProLogic –
Dolby PLIIx Movie –
Dolby PLIIx Music –
Dolby PLIIx Matrix –
Dolby PLIIx Game –
Neo:6 Cinema –
Neo:6 Music –
The first section, ‘Stereo sources’ is the list of processing
modes you wish to make available for stereo signals
(analogue stereo, digital PCM stereo, Dolby 2.0, DTS
2.0, etc). When a stereo signal is applied, each press of
the MODE button cycles through the processing modes
you have enabled in the ‘Stereo sources’ section. The
unprocessed Stereo option is always available for stereo
signals therefore it is not shown in the list.
For Multichannel sources:
Stereo Downmix –
Dolby Digital EX –
Dolby PLIIx Movie –
Dolby PLIIx Music –
The second section, ‘Multichannel sources’ is the list
of processing modes you wish to make available for
multichannel digital signals (any Dolby or DTS digital
stream that has more channels than stereo 2.0). When a
multichannel digital signal is applied, each press of the
MODE button cycles through the processing modes you
have enabled in the ‘Multichannel sources’ section.
Z2 Video Output – Selects the analogue video to be
routed to Zone 2 for the current audio input.
Zone 2 Volume – The current volume in Zone 2.
Zone 2 Max. Vol – Limits the maximum volume setting
the system can be turned up to in the Zone 2. This is a
useful feature to prevent accidental overdriving of low
power-handling speakers, for example.
Zone 2 Fixed Vol – The Zone 2 volume control can be
locked at the current value for use with an external
amplifier with its own volume control in Zone 2.
Zone 2 Max On Vol – Limits the maximum volume the
system operates in the Zone 2 when it is switched on
or comes out of Standby. The system comes on at this
volume if the last used (possibly very loud) volume
exceeds this value.
Zone 3 Volume – The current volume in Zone 3.
Zone 3 Max. Vol – Limits the maximum volume setting
the system can be turned up to in the Zone 3. This is a
useful feature to prevent accidental overdriving of low
power-handling speakers (for example).
Zone 3 Fixed Vol – The Zone 3 volume control can be
locked at the current value for use with an external
amplifier with its own volume control in Zone 3.
Zone 3 Max On Vol – Limits the maximum volume the
system operates in the Zone 3 when it is switched on
or comes out of Standby. The system comes on at this
volume if the last used (possibly very loud) volume
exceeds this value.
Standby – When a Standby command is received by an
infra-red eye in Zone 2, this setting controls which parts
of the AVR500, AVR600 or AV888 to turn on and off:
When Local Only, the Standby IR command only affects
the zone it was received in (Zone2 or Zone3).
When All Off, the Standby IR command affects the
entire system in all zones.
E-44
MAC address – (Information only) The unique address
of the network card in your AVR500/AVR600/AV888.
IP Address – If not using DHCP, enter the IP address
you have assigned to the AVR500/AVR600/AV888 for
your network.
Subnet Mask – If not using DHCP, enter the subnet
mask for the AVR500/AVR600/AV888 on your network.
Gateway – If not using DHCP, enter the IP address of
the router the AVR500/AVR600/AV888 is connected to.
Primary DNS – If not using DHCP, enter the Primary
DNS IP address of your internet service provider.
Alternate DNS – If not using DHCP, enter the Secondary
DNS IP address of your internet service provider.
Use Proxy – Select if you connect to the network via a
Proxy Server.
<No: If you connect directly onto the network.
<Yes: If you connect to the network via a Proxy
Server.
Proxy Address – If connecting via a Proxy Server, enter
its IP address.
Proxy Port – If connecting via a Proxy Server, enter the
port number to which the Proxy responds.
E-45
English
decoding
modes
Introduction
Two-channel source modes
Your AVR500/AVR600 receiver or AV888 pre-amp
provides all the key decoding and processing modes for
analogue and digital signals, including the latest high
definition audio formats over HDMI.
The following decoding and surround modes are
available for standard and high definition Dolby Digital
2.0, DTS 2.0, PCM or analogue sources:
Stereo
Pro Logic II Movie
Pro Logic II Music
Pro Logic II Game
Pro Logic IIx Movie
Pro Logic IIx Music
Pro Logic IIx Game
Pro Logic
Neo:6 Cinema
Neo:6 Music
Modes for digital sources
Digital recordings are usually encoded to include
information about their format type. The unit detects
automatically the relevant format in a digital signal –
such as Dolby TrueHD, Dolby Digital Plus, DTS-HD
Master Audio, Dolby Digital, or DTS – and switches in
the appropriate decoding.
Modes for analogue sources
Analogue recordings do not contain information about
their encoding formats, so the desired mode – such as
Dolby Pro Logic – needs to be selected manually.
NOTE
Pro Logic IIx modes are only selectable when
Surround Back speakers are present.
Mode memory
Dolby Digital or DTS audio (including the high
definition formats) can be output in two mix modes,
selected using the mode button:
< Surround (e.g., five main channels plus a subwoofer
for a 5.1 source)
< Stereo downmix.
to the recording, Music mode allows the user
adjustment of the processing characteristics.
< Game mode: Video games today are extremely
sophisticated, with dramatic 5.1 surround
audio tracks. Game mode gives augmented bass
management to capture the full effect of game
sounds panned to the surrounds, ensuring the
bass impact from purer surround effects are fully
delivered to the subwoofer.
Dolby Pro Logic IIx
Dolby Pro Logic IIx is an extension of the Dolby Pro
Logic matrix-decoding method. The decoder allows
the processor to derive seven outputs from a two or
multichannel (up to 5.1 with EX) source to take better
advantage of all amplifiers and speakers in a 7.1 setup.
As with Pro Logic, there are three different modes
available: Movie, Music and Game. Due to different
recording methods used for movies and music, you
should select the correct mode for your source material.
Dolby Pro Logic
In this mode the unit works as a conventional high
quality audio amplifier. Note that if the subwoofer is
enabled in stereo mode, then some processing of the
signal will be carried out. To achieve ultimate sound
quality with analogue sources, select the Stereo Direct
function if an analogue connection is present.
Dolby Pro Logic is a legacy mode that is designed
to produce a five-channel output from two-channel
source material. It should be used only when the source
material is encoded as Dolby Pro Logic; otherwise,
we recommend the use of Dolby Pro Logic II. This is
because Pro Logic processing on straight stereo sources
can sound muffled and compressed.
Dolby Pro Logic II
DTS Neo:6
Stereo
Two-channel audio, regardless of whether it is analogue
or digital can also be output in two mix modes, selected
using the mode button:
< Surround (e.g., Dolby Pro Logic II Movie, Neo:6
Music, etc.)
< Stereo.
Dolby Pro Logic II decoding is designed to produce fivechannel output from two-channel source material.
TheAVR500/AVR600/AV888 stores the settings for each
source (except MCH). Thus the decoding mode for
the following groups of source material can be stored
independently:
< Dolby Digital (multichannel) and DTS source
material
< Two channel Dolby, PCM or Analogue source
material
There are three different modes available in Pro Logic II:
‘Movie’, ‘Music’ and ‘Game’ modes, which are intended
for use as their names suggest. Due to the different
recording methods used for movies, music and video
games, it is recommended that the correct decoding
mode for your source material is used to obtain best
results.
< Movie mode: This is intended for use with
‘cinematic’ material, which is mixed and monitored
in a calibrated multichannel environment. Movie
mode is a ‘fixed’ mode that is designed to give a
similar sound when listening using a home cinema
system to that obtained in a cinema.
< Music mode : Stereo music is not designed for
surround processing, although good surround
effects can be obtained through careful production.
As the optimum decoding method varies according
E-46
DTS Neo:6 provides up to six full-band channels of
decoding from stereo material. The AVR500, AVR600
or AV888 will derive separate channels corresponding to
the standard home theatre layout.
< Cinema : A movie mode designed to reproduce a
movie theatre environment. Neo:6 technology allows
various sound elements within a channel or channels
to be steered separately, and in a way which follows
the original presentation naturally.
< Music : A music mode designed to produce a lively,
high-integrity surround-effect from most twochannel music sources from all available speakers.
Neo:6 music mode expands stereo recordings into
the five or six-channel layout without diminishing
the subtlety and integrity of the original stereo
recording.
Digital multichannel source material is normally
provided as ‘5.1 audio’. The ‘5.1 channels’ comprise
of: left, centre and right front speakers, two surround
speakers and a low frequency effects (LFE) channel.
Since the LFE channel is not a full range channel, it is
referred to as ‘.1’.
Surround systems decode and reproduce the 5.1
channels directly. Dolby Digital EX and DTS-ES matrix
enhanced decoding systems create one extra rear
channel from information buried in the two surround
signals of the 5.1 source. These EX and ES enhanced
systems are sometimes referred to as ‘6.1’ systems. This
extra surround back channel is normally reproduced
through two separate loudspeakers, creating a ‘7.1’
system.
DTS-ES discrete is a true ‘6.1’ source, with six discretely
encoded channels, plus the ‘.1’ LFE channel.
Dolby Digital Plus, Dolby True-HD and DTS-HD are
high-resolution surround formats found on Blu-ray and
HD-DVD discs
Decoding modes
High resolution audio sources
Dolby True-HD
Provides up to 7.1 full channel at 96kHz, 24bit resolution, with potentially no
losses in the compression process. Data rates can be up to 18Mbps.
Dolby Digital Plus
Provides up to 7.1 discrete channels of audio with less compression than
traditional Dolby Digital encoding. Data rates can be up to 6Mbps.
DTS-HD Master Audio
Provides up to 7.1 full channel at 96kHz, 24bit resolution, with potentially no
losses in the compression process. Data rates can be up to 24.5Mbps.
For Dolby Digital sources
Dolby Digital 5.1
The most commonly used sound format for DVD video, and is also the
standard for US television. Dolby Digital 5.1 sources deliver sound with five
discrete full-range channels; left, centre, right, surround left, surround right,
plus a low frequency effects (LFE) channel.
Dolby Digital 5.1 Stereo
Downmix
Provides a stereo downmix of the source material for use with headphones.
For DTS sources
DTS 5.1
Less common than the Dolby Digital format, but generally recognised within
the audio industry as being of superior sound quality. DTS 5.1 delivers
surround sound with five full range channels plus an LFE channel.
DTS 5.1 Stereo Downmix
Provides a stereo downmix of the source material for use with headphones.
DTS-ES 6.1 Matrix
This is a 6.1 channel format based on DTS 5.1. It has the sixth channel matrix
encoded into the surround left and surround right channels. The sixth channel
is a surround centre channel and is directed to the surround back left and
surround back right speakers.
DTS-ES 6.1 Discrete
This is a true discrete 6.1 channel sound format (unlike DTS-ES Matrix).
DTS-ES discrete mode operates only on sources with DTS-ES 6.1 discrete
audio encoding.
DTS96/24
Provides up to 5.1 channels of audio at 96kHz, 24bit resolution for superior
sound quality compared to standard DTS 5.1
The modes given in the following table are available for
multichannel digital sources.
Special modes such as DTS-ES 6.1 discrete, Dolby
Digital Plus, Dolby Tru-HD and DTS-HD are only
available from the correct source material.
Post-processing
Dolby Digital EX decoding can be applied to any source if one or two surround speakers are present. Pro Logic IIx
decoding can be applied to any source if two surround back speakers are present.
Dolby Digital EX
This is an extension to Dolby Digital decoding that provides a 6-channel output
from a 5-channel input. The extra channel is the centre-surround channel (for
which the two surround back speakers are used), and is derived from the left
and right surround channel information. This decode mode should be used
only when the source material is ‘Surround EX’ encoded (which is normally
indicated on the disc packaging and should be detected automatically by the
AVR500/AVR600/AV888), but may be used at other times if desired.
Pro Logic IIx Movie
This mode is used to derive information for the individual surround back
channels from the surround channels, using the Pro Logic IIx Movie decoder.
Pro Logic IIx Music
This mode is used to derive information for the individual surround back
channels from the surround channels, using the Pro Logic IIx Music decoder.
The controls for adjusting Pro Logic IIx Music in ‘General Setup’ can be used in
this mode.
E-47
English
Multichannel source modes
Dolby volume
Dolby Volume is a sophisticated new
technology that resolves the problem of
different volume levels between programme content
(e.g. a TV show and advert breaks) and between sources
(e.g. a rock radio station and DVD, or between two
TV stations). It lets the listener enjoy everything at the
same preferred listening level without having to reach
for the volume control to compensate for the different
recording/output levels. This is the Volume Leveller
function of Dolby Volume.
Dolby Volume also works in conjunction with the
AVR500, AVR600 or AV888 volume control setting to
compensate for the ear’s changing sensitivity at different
frequencies depending on how loud the audio is. It
is based on a model of how human hearing works. It
properly balances low, mid and high frequencies to
maintain all the nuances and impact of the original
audio regardless of the actual selected playback volume
level. This is the Volume Modeller function of Dolby
Volume.
Dolby Volume measures, analyses and maintains volume
levels based on how people perceive sound. A variety of
audio parameters are monitored including spectral- and
time-based loudness to ensure that perceived dynamics,
timbre and bass performance remain consistent at all
volume levels.
Dolby Volume also lets the listener control a
programme’s dynamic range – the range between loud
and quiet sounds. For example, with the volume turned
down for late-night viewing, dynamic range can be
adjusted so that speech remains clear and loud effects or
music passages retain their impact without waking up
the family.
Settings
Dolby Volume can be applied to any analogue or digital
stereo source or any digital multichannel source. It
is not available in Stereo Direct or on the analogue
multichannel input. Dolby Volume can even be applied
to processing of stereo signals (e.g. PLII Music) or when
down-mixing a digital multichannel source (e.g. Dolby
Digital 5.1 down to stereo).
Dolby Volume on some or all inputs to maintain the
same perceived overall listening level between sources
and frequency response regardless of the volume setting.
There are two modes for Dolby Volume: ‘Cinema’ and
‘Music’, which calibrate the system to match the type of
audio material generally played on each input. Movie
should be selected for sources which typically play
movie soundtracks. Music should be selected for all
other sources (CD, TV, Satellite, Tuner, etc.). Most of the
controlling parameters of Dolby Volume are automatic
as they are dependent on analysis of the audio signal and
the volume setting of the AVR500, AVR600 or AV888.
However, the Volume Leveller and Calibration Offset
controls (see below) can be adjusted to your preference.
Volume Leveller
The Volume Leveller function of Dolby Volume controls
how closely quiet and loud sources and programme
content are matched to each other, based on the
ear’s perception of loudness. The range of values is 0
(minimal levelling) to 10 (maximum levelling). The
default setting is 9. If the Volume Leveller function
is turned off, no level matching between sources and
programme material is performed. This is not the
same as turning Dolby Volume off as volume related
frequency response processing is still active.
When Dolby Volume is being applied to the current
input, a Dolby Volume processing mode indicator is
shown on the OSD and the front panel display.
Calibration Offset
The Calibration Offset parameter of Dolby Volume
allows you to compensate for speaker efficiencies and
listening position – effectively moving the reference
listening level up or down the volume scale. The default
value is 0 and this should normally produce a good
result when the speaker levels are set using a sound
pressure level meter at the listening position (75dB SPL,
‘C’ weighting, slow response).
Dolby Volume can be enabled and configured separately
for each audio input in the Input Config menu. The
default is Off for ‘audiophile’ listening to analogue or
digital stereo sources, however you may wish to enable
E-48
E-49
English
tuner
operation
Tuner – AVR500/AVR600 only
Tuning/Channel Selection
Saving and selecting Presets
The AVR500/AVR600 is fitted with an internal AM/FM
tuner. Depending on your location and installed options,
it may also be fitted with a DAB tuner (Europe) or Sirius
satellite radio connection (Americas; AVR600 only).
Sirius requires the purchase of the ‘SiriusConnect™
Home Tuner’ kit and Sirius subscription – please visit
www.sirius.com for details.
When switching to the internal TUNER source, the
AVR500/AVR600 enters the last used tuner band, be it
AM / FM / DAB (if fitted) / Sirius (if fitted). Repeatedly
pressing T cycles through the available tuner bands on
your AVR600.
Preset selection uses the B and C keys on the
remote to browse and O to select the preset when the
CR102 is in TUN device mode.
This section deals with tuner operation, for information
on setting up the tuner and installing aerials, see page
14.
When a tuner input is selected, the OSD shows a list
of radio presets plus an information panel giving all
available information about the current frequency (for
AM and FM) or channel (for DAB or Sirius).
The front panel will also give the same information,
pressing the INFO key will cycle through the various
items of information:
AM
• Processing mode (default)
• Frequency
• Signal strength
FM
• Processing mode (default)
• Radiotext (if available; shows ‘No radiotext’ if none
present)
• Programme type (if available)
• Signal strength
DAB
• Processing mode (default)
• Radiotext (if available; shows ‘No radiotext’ if none
present)
• Programme type
• Signal quality
• Bit-rate of transmission
Sirius
• Processing mode (default)
• Artist Name: Song Title
• Composer (if available)
• Category Name
• Signal quality
FM/AM analogue radio
Frequency tuning on FM and AM radio is done using
the < and > buttons on the CR102 remote control in
TUN device mode. Individual presses move the frequency
down and up one step. If you press and hold either of
the tuning buttons for two seconds, the tuner scans to
the next strong signal. You can stop a scan at any time by
pressing one of the tuning buttons again.
In Europe, the internal FM radio is capable of receiving
RDS (Radio Data System) radiotext signals that are
transmitted on some stations. The RDS information
typically includes the radio station name, the music or
speech genre as well as additional information related to
the current programme. On music stations this is often
information on the currently playing track.
DAB digital radio
If your AVR500/AVR600 is fitted with the optional DAB
tuner you will need to scan for available stations before
being able to listen to them.
To scan for DAB stations, first select the DAB tuner then
press and hold O until the display indicates scanning
has started. The AVR500/AVR600 will then scan all the
DAB radio frequencies and compile a list of the stations
that are available.
When the scan is complete, you can scroll through the
station list using the < and > buttons on the CR102
remote control. To listen to the currently displayed
station press the O. If you do not press O within
two seconds, the display will revert to displaying the
currently playing station.
Internet radio
Please see the Network/USB Operation section on page
52 for details of internet radio operation.
E-50
Up to 99 presets can be stored and these can be from any
band, for example Preset 1 could be an AM station, preset
two a DAB station, etc. Pressing the OK key causes the next
available preset number to be displayed, then pressing
the OK key again stores the current frequency/channel in
that preset. If a different preset number is required, press
the B or C keys until the desired number is displayed
before pressing the OK key for a second time.
Deleting Presets
When in tuner browse mode (using B and , to
scroll through the presets), the yellow button on the
CR102 remote is used to delete the currently highlighted
(but not playing) station or frequency.
In this section it is assumed that you already have
a ‘SiriusConnect™ Home Tuner’ kit and a Sirius
subscription, and that the antenna is already correctly
placed to receive Sirius broadcasts. Please visit
www.sirius.com for more information.
Add to your subscription
Before being able to receive satellite radio broadcasts
you will need to update your Sirius subscription to add
the ID number of the Sirius receiver module in your
AVR600. The Sirius ID can be found by switching to
the Sirius source and selecting channel 0. The AVR600
displays the 12-digit number on the OSD and on the
front panel display. You should make a note of this ID
number, then select Sirius channel 184 while you apply
this ID number to your account at www.sirius.com or
by calling 1.888.539.SIRIUS (7474).
Once your subscription is updated, a code is sent
over Sirius channel 184. When this code is received
the AVR600 displays ‘SUBSCRIPTION UPDATED’. This
display remains until cleared by pressing any button. The
Sirius radio module is now fully operational.
Please note that, depending on your subscription,
some channels may not be available. If a channel is not
part of your subscription package, you are invited to
subscribe to the channel - ‘CALL 888-539-SIRIUS To
Subscribe’ is displayed and audio is muted. If you have
any queries about your subscription, please contact
Sirius.
Operation
In addition to the channel and preset selection,
previously mentioned, you can also cycle through the
channel categories (Rock, Pop, Country, etc.) using the
] and [ keys. The first channel in each category is
displayed. You can then scroll through other channels
in that particular category using the D or E buttons on
the CR102 remote. On the OSD a star (‘ * ”) is shown
before the category name to show you are scrolling
through channels only in the current category. Press
O to select the currently displayed channel to listen
to it otherwise the display times out and returns to the
currently playing channel information.
Locking Channels
The Sirius module in the AVR600 has a parental lockout
feature which allows you to assign a 4-digit code to any
channels you do not wish to be generally available to
users.
Channels can be locked out individually by pressing and
holding the MODE key. ‘Lock?’ also appears on the lower
line of the On Screen Display. Pressing O confirms and
applies the parental lock to the channel and the display
returns to the channel name.
If a locked channel is selected, the audio will be muted
and the user prompted on the display to enter the
unlocking code. ‘Unlock code :____’ is displayed.
The default unlock code is 0000.
If the code is entered correctly the audio for this channel
unmutes. If the code is not entered correctly, the
previously played channel is re-selected.
To remove the parental lock from one of the locked
channels (so that the unlocking code is no longer
required to listen to them), navigate to the channel,
select it and enter the unlocking code to unmute the
channel. Press and hold the M key until the display
shows ‘Unlock ?’. Press O to remove the lock from the
channel.
To change your locking code, in TUN device mode on the
remote, press and hold the b key.
NOTE
The locking code is reset to 0000 if a factory reset of
the AVR600 is performed.
Sirius errors
If an invalid channel is selected, the AVR600 displays
‘INVALID CHANNEL’ and the channel reverts to the
previous valid channel.
If there is a loss of signal, the AVR600 displays
‘ACQUIRING SIGNAL’.
If the antenna is disconnected, the AVR600 displays
‘ANTENNA ERROR’.
During the channel map update, the message ‘Updating
channels - xx%’ is displayed. Note that audio is
muted until the update is complete. When complete, the
AVR600 retunes to the original channel and restores the
audio.
E-51
English
Sirius satellite radio
(AVR600, US & Canada only)
Z2 IR
TRIG Z1
USB
network/usb
operation
Z3 IR
TRIG Z2
IR OUT
TRIG Z3
The AVR600 and AV888 are fitted
with a network audio client which
is capable of playing internet
radio stations as well as stored
music on a network storage
device such as a PC, or from a
USB flash drive. The network
audio client is an optional
extra for the AVR500, please
contact your dealer for upgrade
information.
For information on installing the AVR500, AVR600 or
AV888 on your network, see page 22.
Selecting the playback source
USB playback
Selecting the network client will allow playback of
internet radio stations and stored music on a networked
storage device or USB memory device.
Insert a USB device into the socket on the rear panel and
select select the network client input. The USB device
appears in the list of folders that can be navigated.
Navigate to the music file and press the OK key.
To select the network source the CR102 remote must
first be in AMP device mode (press A). Then press S
+ e on the remote to select the Network source. You
can also cycle to it using the –INPUT / INPUT+ keys on the
front panel.
The ‘home’ page will display all available storage devices,
as well as your ‘favourites’ folder. Navigate through these
devices using the B, C, D and E keys. Folders that
may contain playable files have a
symbol, playable
files have a symbol. Once you reach the track you wish
to play, press OK.
Once playing, pressing OK again or ; will pause the
track.
The unit supports the following file formats:
< MP3
< WMA (Windows Media Audio)
< WAV
< FLAC (Free Lossless Audio CODEC)
< MPEG-4 AAC (iTunes) with DRM10 support
< Ogg Vorbis
Pressing the / key skips forward one track. If the last
track is reached the key is ignored.
Pressing the 0 key skips back one track. If the first track
is reached, the key is ignored.
Pressing and holding the OK or < key for two seconds
stops playback.
Favourites
You can store tracks or radio stations in your ‘favourites’
folder for easy access later. Once playing, pressing
the FAV+ key adds the track to the ‘favourites’ folder.
Pressing FAV- removes the track from the ‘favourites’
folder (this key only has an effect if the track is in the
favourites folder).
The 4 key exits any navigation pages and shows the
“Now Playing” screen.
Pressing the r key on the remote plays the tracks in
the current folder in a random order.
Pressing the R key on the remote repeats the current
track, pressing it again repeats all the files in the current
folder, pressing it again cancels the repeat function.
NOTE
For playback from a network device, the network
device needs to running a universal plug and
play (uPnP) service, such as Windows Media
Player 11. This can be downloaded free of charge
from www.microsoft.com or installed via the
Windows update installer. Windows Vista™ has this
functionality built in.
Other free and paid-for uPnP services are available
for other computer operating systems. Some
network attached storage (NAS) systems include a
built-in version of a uPnP service.
Internet radio stations
Although you can manually enter the URL of an internet
radio station, the unit uses the vTuner service to allow
easy browsing of internet radio stations and podcasts. To
set up this service for your AVR500, AVR600 or AV888,
please visit www.arcamradio.co.uk
There, you will be asked to enter the Media Access
Controller (MAC) address which is the unique ID of
your AVR500/AVR600/AV888. This MAC address can
be found in the network section of the setup menu.
Once you have entered the MAC address, you can then
browse stations and podcasts and set up groups of
favourite stations. When you next connect your unit to
the internet, these groups will appear in the selection
list.
Pressing the INFO key will cycle what is shown on the
lower right portion of the front panel display between:
< Elapsed Time (default)
< Processing mode
< Album (if available)
< Artist (if available)
< File information (bitrate, type).
iPod
It is possible to connect an iPod to
your AVR500, AVR600 or AV888
using either the Arcam rLead or
rDock accessories (please contact
your dealer).
Connect the 9-way plug into the
socket marked ‘rLead/rDock’ and
the audio leads to the AV input. If
your iPod has video output and you
are using the rDock, connect the
composite and S-Video leads to the
AV video inputs.
FM
AM
DAB
ETHERNET
Z1 IR
To select the iPod input, press the e key
onTRIGthe
remote
Z2 IR
Z1
while in AMP Device Mode, or cycle to it using the
USB
– input / input + keys on the front panel.
Z3 IR
TRIG Z2
IR OUT
E-52
SIRIUS
rLead/rDock
ETHERNET
Z1 IR
RS232
RS232
DAB
TRIG Z3
English
external
amplifiers
Analogue pre-amplifier outputs
(AVR600/AV888 only)
XLR balanced line outputs –
AV888 only
All pre-amplifier analogue outputs are buffered, have
a low output impedance and are at line level. They are
able to drive long cables or several inputs in parallel if
required.
The AV888 processor provides XLR connectors for each
of seven channels, to an XLR-equipped amplifier (e.g.
the Arcam P777). Three XLR subwoofer outputs are
provided in addition.
888
SW1
Main subwoofer output. Connect
this to the input of your active
subwoofer, if present.
R, L, C
Connect these to the equivalent
(Right, Left and Centre) front
channels of your power amplifier.
SW2, SW3
Subwoofer 2 and Subwoofer
3 auxiliary outputs. These are
equivalent to SW1 but they allow
the use of multiple subwoofers.
RIGHT, LEFT, CENTRE
Connect these to the equivalent (Right, Left and Centre)
front channels of your power amplifier.
SW1
Main subwoofer output. Connect this to the input of
your active subwoofer, if present.
SW2, SW3
Subwoofer 2 and Subwoofer 3 auxiliary outputs. These
are equivalent to SW1 but they allow the use of multiple
subwoofers.
SR, SL
Surround Right and Surround Left outputs. Connect
these to the Surround Right and Left power amplifier
inputs.
SR, SL
Surround Right and Surround Left outputs. Connect
these to the Surround Right and Left power amplifier
inputs.
SBR, SBL
Surround Back Right and Surround Back Left outputs
(only used in 6.1 and 7.1 channel systems). Connect
these to the Surround Back Right and Surround Back
Left power amplifier inputs.
SBR, SBL
Surround Back Right and Surround Back Left outputs
(only used in 6.1 and 7.1 channel systems). Connect
these to the Surround Back Right and Surround Back
Left power amplifier inputs.
For 6.1 channel speaker configurations, connect the
single Surround Back power amplifier to the SBL output.
For 6.1 channel speaker configurations, connect the
single Surround Back power amplifier to the SBL output.
E-53
The Z2 Out, R and L phono sockets should be connected
to the analogue audio inputs (Usually labelled
Analogue Audio in) of the Zone 2 display device, or
to the inputs of an additional stereo power amplifier in
Zone 2 (for example, the Arcam P38).
The connection guide on the facing page shows how the
AVR600 or AV888 is normally connected in a multiroom installation.
Zone 2
Zone 2 receives only signals obtained by the AVR500,
AVR600 or AV888 from the analogue audio, Composite
and S-Video inputs. The analogue inputs are required
because there is no analogue-to-digital, digital-toanalogue or DSP processing available for Zone 2 signals
– the unit only converts video formats for Zone 1.
Zone 3 (AVR600/AV888 only)
A line-level signal from the stereo analogue audio is
available for Zone 3. This is a copy of the Zone 2 audio
signal, but has its own independent volume control.
Audio outputs
The Z3 Out, R and L phono sockets should be connected
to the inputs of an additional stereo power amplifier in
Zone 3 (for example, the Arcam P38).
For this reason, we recommend that in addition to any
digital connections, the Composite and/or S-Video
outputs from your source devices are connected to the
AVR500, AVR600 or AV888.
Zone 2 and 3 control outputs
The AVR500, AVR600 and AV888 also allow remote
control from remote zones.
Z2 IR and Z3 IR
This allows the AVR500/AVR600/AV888 to be
controlled remotely from Zone 2 (or Zone 3) via Infrared remote control. Connect a remote IR receiver in
Zone 2 (or Zone 3) to allow control of the AVR500/
AVR600/AV888 from these listening/viewing areas.
For more information on remote IR receivers, see ‘Z1 IR’
on page 17.
TRIG Z2 and TRIG Z3
This allows the AVR500/AVR600/AV888 to remotely
switch on devices in Zone 2 (or 3) when the appropriate
Zone is selected. For example you could set your
television in Zone 2 to switch on when ‘Zone 2’ is
selected on AVR500/AVR600/AV888.
For more information on triggers, see ‘Trigger
connectors’ on page 17. Please note that not all AV
devices have this feature, nor are triggers essential for
listening and viewing in a separate zone.
Video outputs
The Z2 S-Video and/or Composite output connectors of
the AVR500/AVR600/AV888 should be connected to
the analogue video inputs (usually labelled S-Video In or
Composite Video in) of the display device in Zone 2.
If you wish to make an HDMI connection to Zone 2,
you must accept the limitations of the AVR500/AVR600/
AV888 video processing system.
HDMI OUT 1 and OUT 2 both carry the same signals (as
there is only one video processing engine) and are
primarily intended for use in Zone 1. Full HDMI video
functionality in Zone 2 can only be achieved if Zone 1 is
not being used at the same time.
If Zone 1 is being used at the same time as Zone 2,
Zone 2 must follow the Zone 1 source selection if you
wish to receive HDMI signals in Zone 2. Zone 2 must
also be the same video resolution as Zone 1. If you wish
to watch a different source in Zone 2 than is currently
showing over HDMI in Zone 1, Zone 2 will be forced to
use the analogue video connections into and out of the
AVR500/AVR600/AV888.
SIRIUS
FM
rLead/rDock
888
AM
RS232
multi-room
set up
Audio outputs
The AVR500, AVR600 and AV888 allow independent
routing and control of analogue audio, Composite and
S-Video to a separate set of equipment, typically used
for a second living space, e.g., bedroom or lounge. The
AVR600 and AV888 also allow a copy of the Zone 2
analogue audio to be routed to and controlled in a third
living space, Zone 3.
DAB
ETHERNET
Z1 IR
Z2 IR
TRIG Z1
Z3 IR
TRIG Z2
IR OUT
TRIG Z3
USB
Due to the complications of using HDMI in Zone 2
we recommend the use of analogue video connections
instead, particularly as it is not possible to apply audio
lip sync to Zone 2 audio to compensate for video
processing delays.
E-54
Zone 1
Zone 3
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W
English
Multi-room connection guide
CLASS II WIRING
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Code Learning
customising
the CR102
The CR102 comes with a complete library of
preprogrammed codes. After you have set up the CR102
for your device, you may find that there are one or more
functions on your original remote which do not have a
place on the CR102 keypad. For convenience, the CR102
offers a Code Learning feature that allows you to copy
up to 16 functions from an original remote control onto
the CR102 keypad.
Before you start, make sure that:
<The original remote control is working correctly.
<The remotes are not pointing at your device.
<The remotes have new batteries.
<The remotes are not in direct sunlight or under
strong fluorescent lights.
Learned functions are mode-dependent: You could
theoretically assign up to eight different functions
to a single key (the CR102 can handle a total of 16
learned functions).
9. To use the learned function on the CR102, press the
Device Mode key, followed by the function key.
In this example, you’d press
a followed by (
Shifted Learning
To delete a Shifted Learned function, press S before
you press the key to be deassigned (during step 4 above).
To delete ALL learned functions within a
given Device Mode
You can assign a learned function to a CR102 key
without sacrificing its original function.
1. Press and hold S until the power LED blinks twice:
* *.
You can assign Shifted Learning functions to any key
except for: Device Mode keys (e.g. a), S, or number
keys (0 to 9).
1. To assign a Shifted Learning function, simply follow
Code Learning steps in the previous section. During
step 5, press S once before you press the key to
which you want to assign the learned function.
2. To access the shifted function, press S and then the
target key.
2. Press 9 7 6 – the power LED blinks twice: *
*.
3. Press the appropriate Device Mode key twice.
Important notes
<Once you start a Code Learning session, you have
approximately 10 seconds to conduct each step. Any
longer, and a timeout means that you’ll have to start
the process again.
<The Learning feature is mode-specific – you can
copy one feature per mode onto a key.
<The CR102 can learn approximately 16 functions in
total.
<To replace a learned function, simply assign a new
one to the same key.
<Learned functions are retained when you change
batteries.
<If Code Learning fails, try altering the distance
between the two remotes; make sure that the light in
the area is not too bright.
Example: To copy the ‘text hold’ function
from a TV remote onto the ( key of your
CR102
1. Place both remotes on a flat surface, 2 to 5cm apart,
with the IR ports facing each other.
2. On the CR102, press and hold S until the power
LED blinks twice: * *.
3. Press 9 7 5. The power LED blinks twice: *
*.
4. On the CR102, press the device key that matches the
‘source’ device (e.g. if you’re learning a TV function,
press a).
5. On the CR102, press the key to which you want to
assign the learned function (e.g. (). The device key
blinks rapidly.
6. On the original remote, press and hold the function
key that you want to learn (e.g. Text Hold) until the
CR102 device key blinks twice: * *.
7. If you want to learn other functions from the same
source device, simply repeat steps 5 and 6 pressing
the next key you want to learn.
8. To exit Code Learning mode, press and hold S
until the device key blinks twice: * *.
To delete a Shifted Learned function:
To delete a learned function
1. Press and hold S until the power LED blinks twice:
* *.
2. Press 9 7 6. The power LED blinks twice: .
3. Press a Device Mode key once. For example, if you
want to delete one of your learned TV functions,
press a.
4. Press twice on the key you want to deassign. The
handset blinks twice: * * to confirm.
The original function of the CR102 is restored.
E-56
You can program your CR102 to issue a sequence of
commands when you press a single key. Any sequence of
commands you regularly use can be reduced to a single
key press for your convenience.
For example, you might want to turn off your TV, VCR
and Satellite at the same time.
<A key programmed with a Macro is available in all
modes; it will replace that key’s different functions
for all modes.
<A Macro can consist of up to eight key presses.
Example: To deassign the Macro associated
with the h key
1. Press and hold S until the power LED blinks twice:
* *.
2. Press 9 9 5.
3. Press h.
4. Press and hold S until the power LED blinks twice:
* *.
Volume punch-through
Key Mover
Volume punch-through means that, no matter which
Device Mode is selected, the CR102 controls the
AVR500, AVR600 or AV888 volume. You don’t need to
press A on your CR102; this feature is switched on by
default.
Sometimes you might find that a key you use a lot for
your system is in the ‘wrong’ place on the CR102 keypad
for your comfort. It’s quite easy to reassign a favourite
function to a more accessible key. It is even possible
to move a function from one Device Mode to another
Device Mode.
There are times, however, when you might want to
control a device’s volume directly when in a specific
Device Mode.
Example: To cancel volume punch-through
for a TV (AV mode)
1. Press a once.
Example: To assign a Macro to the h key
1.Press and hold S until the power LED blinks twice:
* *.
2. Press 9 9 5.
3. Press h (the Macro will be assigned to this key).
4. Press a, P, w, P, z, P. (These are the Macro
steps you wish to record.)
5. To store the Macro, press and hold S until the
power LED blinks twice: * *.
Now, whenever you press h, the CR102 will toggle the
power to your TV, VCR and Satellite.
<The important word here is ‘toggle’. For example, if
the TV and Satellite devices are currently on, but
the VCR is off, pressing h will switch off the TV
and Satellite and switch on the VCR (rather than
switching all three devices on or off).
<When using Macros, remember that you may need
to change mode or use S, and that each key press
(including changing modes and pressing S) counts
as one of the Macro steps. You cannot use a Macro
key within another Macro.
<If the amount of memory storage for a particular
Macro is exceeded, the power LED comes on for five
seconds. You can, however, save the macro steps up
to that point by pressing S, or you can cancel the
Macro recording by pressing any other key.
<The delay between key presses is recorded as part of
the Macro. A delay of up to 30 seconds is permitted.
2. Press and hold S until the power LED blinks twice:
* *.
3. Press 9 9 3.
4. Press -. The power LED blinks four times.
Now, while in TV (AV) mode, you will be able to control
the volume or mute functions of your TV directly.
To completely cancel all volume punchthrough settings
1. Press z.
2. Press and hold S until the power LED blinks twice:
* *.
3. Press 9 9 4.
4. Press the key you want to move (e.g. D)
5. Press the key you want to move the key to (e.g. U).
Now, pressing either D or U while in SAT Device
Mode makes the CR102 transmit the D function.
To completely swap over the functionality of the two
keys to put the U functionality on the D key, repeat
the above process again, but swap over the D and U
key presses in the example.
1. Press and hold S until the power LED blinks twice:
* *.
2. Press 9 9 3.
Note that the function that is copied over to the new key
is always the original function of the old key.
3. Press +. The power LED blinks four times * *
* *.
To restore a key to its previous function, repeat the
example above, pressing the key to be restored twice
(copy it back to itself).
Now, whichever mode you’re in, you will have direct
access to that device’s volume or mute functions,
assuming they are available. You would need to switch to
AMP mode to alter the AVR500/AVR600/AV888 volume.
Example: To restore default volume punchthrough settings to all Device Modes
1. Press and hold S until the power LED blinks twice:
* *.
2. Press 9 9 3.
3. Press A. The power key LED blinks twice: * *.
E-57
Example: To assign the D function to the U
key in SAT mode
Restore a moved key
Restore all moved keys for a Device Mode
To restore all keys in a Device Mode to their original
functional positions, repeat the example above, but press
the relevant Device Mode key (e.g. A) at points 1,4 and
5 in the example.
English
Creating Macros
Copy a key between Device Modes
It is possible to copy functions between Device Modes.
However, remember that button functions are Device
Mode specific and therefore effectively ‘punch-through’
to the original Device Mode when copied over.
The following example copies the AVR500/AVR600/
AV888 Direct function from the CR102 AMP device
mode to the shifted function of the # button on AV
Device Mode.
1. Press and hold S until the power LED blinks twice:
* *.
2. Press 9 9 4.
3. Press the Device Mode key of the function you want
to move (e.g. A).
4. Press the function key you want to move (e.g.)/
DIRECT)
5. Press the key of the Device Mode you want to copy
the function to (e.g. a)
6. Press the S button graphic
7. Press the key you want to copy the function to (e.g.
#)
If you prefer to copy the key to the main function of the
# button instead of the ‘shifted’ function, omit point 6
in the above example.
Mode Mover
Locking/Unlocking a specific
Device Mode
If your home entertainment setup contains devices of
the same type (e.g. two TVs, perhaps from different
manufacturers) you can still control both those devices
with the CR102. You simply need to reassign an unused
Device Mode key.
When you first unpack your CR102 and insert the
batteries, for your convenience it is able to control
certain Arcam components automatically (e.g. DVD
players, Amplifiers, Tuners and CD Players). We achieve
this by preprogramming specific Arcam device codes
onto the relevant Device Mode keys, then locking
the Device Modes so you don’t reprogram them
inadvertently.
NOTE
Before using Mode Mover, make sure both the
source and destination Device Mode keys are
unlocked (see next section).
Example: To use the z key to control a
second TV
1. Press and hold S until the power LED blinks twice:
* *.
3. Press 9 9 2.
3. Press the Device Mode key for the type of device you
want to control (e.g. for a TV, press a).
4. Press the Device Mode key you want to use (e.g. z).
5. Don’t forget to set up the CR102 to control the
second device, using one of the methods on page 25.
If you want to override these locked default settings – to
control a third-party DVD player, for example – you will
first need to unlock DVD Mode before setting up the
CR102 using one of the methods described at the start
of this guide.
Here are the factory default settings:
Device Mode
Note that volume punch-through is not applied to a
Device Mode that has been copied using Mode Mover.
However, volume punch-through functionality can be
restored when you have used Mode Mover, by copying
-, + and @ from the AMP Device Mode to the
same physical buttons on the new moved Device Mode
using the last example shown in Key Mover.
To restore a moved Device Mode key to its
original state
1. Press and hold S until the power LED blinks twice:
* *.
2. Press 9 9 2.
3. Press the Device Mode key you want to restore
twice.
Default status
Default Arcam
codes
DVD
Locked
0762
SAT
Unlocked
1205
AV
Unlocked
0586
TUN
Locked
2009
AMP
Locked
1242
PVR
Unlocked
1930
VCR
Unlocked
0111
CD
Locked
2010
Alternative codes are available for multi-room solutions,
or in the case of code clashes with other manufacturer’s
products.
For example:
DVD (system code 12)
AMP (system code 19)
1655
1954
You will need to change the system code on the product
you wish to control, as well as the CR102.
NOTE
The AMP Device Mode can only be used to control
Arcam amplifiers like the AVR500, AVR600 and
AV888, either on its default or alternative IR system
codes.
E-58
To toggle a Device Mode lock setting:
1. Press the Device Mode key you want to unlock (e.g.
d)
2. Press and hold S until the power LED blinks twice:
* *.
3. Press 9 8 2.
<The power LED blinks twice when being locked, and
blinks four times when being unlocked.
<If you enter an invalid key sequence, the power
LED gives one long blink and returns to normal
operation.
While the Device Mode key is locked, the Direct Code
Setup and Move Mode functions are not available.
The Mode key IR punch-through default is ‘on’.
Example: To set the Mode key IR punchthrough to AMP
Device codes
Command summary
Direct code setup
Key mover
(e.g. AV mode, NNNN=code number)
(e.g. SAT mode, DISP key to MENU key)
a S * * NNNN * * P
zS**994DU
Library search
Mode mover
(e.g. AV mode)
(e.g. change SAT to TV(AV))
a S 9 9 1 * * P [ until unit turns off
S to save
S**992az
Code blink back
(e.g. restore SAT)
a S 9 9 0 **
1 count blinks for first N
S**992zz
1. Press and hold S until the power LED blinks twice:
* *.
2 count blinks for second N
3 count blinks for third N
(e.g. DVD mode)
2. Press 9 7 1. The power LED blinks twice: *
*.
4 count blinks for fourth N
1. Press and hold S until the power LED blinks twice:
* *.
2. Press 9 7 1. The power LED blinks twice: *
*.
3. Press A to punch through IR from it.
Now, whenever you press and release a Mode key, the
IR data assigned to AMP is transmitted, no matter what
the current mode is (i.e. it ‘punches through’ any other
device).
To cancel Mode key IR punch-through
3. Press S until the power LED blinks twice: * *.
Resetting the CR102
Resetting the CR102 will erase all learned functions
across all modes, as well as some other programmed
functions like Macros. It will not reset the Device Mode
keys; these will remain programmed to your choice of
component.
Restore device mode
Locking/unlocking a mode
dS**982**
(i.e. two blinks for lock)
Code learning
dS**982****
(e.g. AV mode fast forward key)
(i.e. four blinks for unlock)
S * * 9 7 5 * * a ( * (many
rapid blinks)
Cancel all volume punch-through
(Press key on original remote that you wish to copy)
**S**
Delete a learned function
S**993+****
Restore volume punch-through
S**993A**
(e.g. AV mode fast forward key)
Mode key IR punch-through
S**975**a((**
S**971**A
2. Press 9 8 0. The power LED blinks four times:
* * * *.
Delete all learned functions with a device
Cancel mode key IR punch-through
3. Press and hold S until the power LED blinks twice:
* *.
4. Press 9 9 3.
S**975aa
1. Press and hold S until the power LED blinks twice:
* *.
5. Press A. The power key LED blinks twice: * *.
6. Press and hold S until the power LED blinks twice:
* *.
7. Press 9 7 1. The power LED blinks twice: *
*.
(e.g. AV mode)
S**971**S**
Creating macros
(e.g. SRCH key)
S**995haPwPzPS
**
NOTE
As elsewhere in this Handbook, a single ‘blink’ of
the red LED behind the power button is indicated
by the symbol *.
Deassign macro
S**995hS**
8. Press A. The power key LED blinks twice: * *.
E-59
The tables that begin on page 64 (in the final section of
this Handbook) list the four-figure codes for different
manufacturers’ devices.
Use these when setting your CR102 up to control your
devices, as described in Method 1 (see page 30).
If more than one code number is listed, try the first
number. If the results are unsatisfactory, continue trying
the numbers for that manufacturer to get the best ‘fit’
with the functionality required.
If the manufacturer of your equipment is not listed, you
can try Method 2, the Library Search (see page 30). This
allows you to scan through every set of codes contained
in the CR102’s memory.
English
Mode key IR punch-through
Problem
There are no lights on the unit
Check that...
<the power cord is plugged into the unit and the mains socket it is plugged
into is switched on.
trouble­
shooting
<the power button is pressed in.
If a red LED is present, the unit is in standby mode. Press any button on the
front panel or remote control.
The unit responds erratically
or not at all to the remote
control
<there are fresh batteries in the remote control.
<the front panel window is visible and you are pointing the remote control
The front panel display is
blank
<the display hasn’t been turned off. Press the DISPLAY button on the front
No picture is being produced
<your viewing device is turned on and switched to display your AVR500/
towards it.
panel or remote control.
AVR600/AV888. Test by pressing the MENU button on the AVR500/AVR600/
AV888 or on the remote and look for the main menu screen on your display
device.
<the correct video input is selected on the AVR500/AVR600/AV888.
<the video source is on, is operating normally, and is in ‘play’ mode if
appropriate.
<you have the AVR500/AVR600/AV888 in a video resolution that is
compatible with the connection you are using and with your display device.
For example, composite video is only capable of carrying 480i and 576i
resolutions. Test this by pressing and holding the OK key for more than two
seconds to force 480i / 576i output resolutions.
There are bright edges or
‘ghosts’ on the picture
<the cables used for analogue video connections are designed to carry video
(i.e., they are 75Ω coaxial cables).
<ensure the ‘sharpness’ control on your display device is switched off or set to
near minimum.
<for HDMI connections, try using a shorter cable or alternatively a different
brand.
No sound is produced
<the correct input has been selected.
<the source equipment is on, is operating normally and is in ‘play’ mode if
appropriate.
<the volume is turned up to a reasonable level and the unit is not in mute
mode.
The sound is poor or distorted
<you have not excessively increased the input sensitivity (i.e. reduced the
maximum input signal voltage) in the Input Config. menu if an analogue
input is being used.
<you have selected the correct size of speakers to suit your system in the setup
menu.
E-60
Sound only comes from some
of the speakers
Check that...
Problem
<you have an appropriate surround source selected and playing.
<the DVD disc is encoded in the appropriate format, and the correct format
has been selected in the disc start menu of the DVD player (if applicable).
<the DVD player has been set to output ‘bitstream’ audio on the digital
output.
<the display window indicates that the disc you are playing is a multichannel
recording (you may need to press the INFO key several times until you get to
the ‘incoming format’ display).
<all the speakers are correctly connected to the speaker terminals and are
secure.
<you have not selected ‘Stereo’ as the decoding mode.
<your speaker balance is correct.
<you have configured the unit to include all the speakers in your system.
Unable to select Dolby Digital
or DTS decoding modes
The AVR500/AVR600/AV888 can only apply Dolby Digital and DTS decoding
to sources which have been encoded in the same format.
Check that:
< digital source is selected and connected.
<the source is playing appropriately encoded material.
<the DVD disc is encoded in the appropriate format and that the correct
format has been selected in the disc start menu of the DVD player (if
applicable).
<the DVD player has been set to output ‘bitstream’ audio on the digital output
(not PCM).
When playing a Dolby Digital
DVD, the AVR600 selects
Dolby Pro Logic
Hum on the analogue input
<there are no static or impulse interference problems caused by nearby power
Volume is always too loud
when I turn on
<the ‘max on volume’ setting is not set too high.
When Zone 2 or 3 is put into
standby, the main zone is also
switched off
<the ‘zone standby‘ setting in the setup menu is set to LOCAL.
When a USB memory device is
connected, ‘USB’ is not shown
in the network client’s list of
folders
<a USB memory device is connected that conforms to the mass storage class.
<a USB hub is not being used.
If files on a USB memory
device cannot be played:
<the USB device is formatted in FAT16 or FAT32.
<the USB device does not have multiple partitions.
<the files are in a compatible format.
If files on a computer cannot
be played
<the files are in a compatible format.
<the computer is connected via a network and not USB – the AVR500/
equipment switching, e.g., heating or air conditioning control. Switch the
unit off, wait ten seconds, then switch it on again to clear an operating
problem. Contact your installer if the problem returns or persists.
<there is no direct sunlight shining on the infra-red detector behind the front
panel display.
AVR600/AV888 USB port cannot be used for a direct connection to a
computer
If you cannot connect to a
wired network
<you have a digital connection from your DVD player.
<sometimes Dolby Digital DVD discs contain material at either the beginning
<the Ethernet cable you are using is correctly connected between the
AVR500/AVR600/AV888 and the network hardware.
<the network is set up for fixed IP addressing and you have the AVR500/
or the end of the main movie that is not in full 5.1 format, but in twochannel or Pro Logic decoding.
AVR600/AV888 set to use DHCP.
<the network is set up for DHCP and you have the AVR500/AVR600/AV888
<all cables are making a good connection. If necessary withdraw the cable
set to use fixed IP addressing.
from the connector and plug it fully in again (turn the power off before
doing this).
<the connections inside the source cable connector are not broken or badly
soldered.
<if the hum originates only when one particular source component is
connected, that an aerial cable, or dish connection to this source is ground
isolated. Contact your installation contractor.
There is radio or television
reception interference
Check that...
The source switching changes
randomly or freezes on one
source
<where the interference is coming from. Switch off each source component in
turn, then any other equipment. Most electronic equipment does generate
low levels of interference.
<try re-arranging cabling from the nuisance source away from other cabling.
<ensure that the cabling used is high quality, specified for its purpose, and is
properly screened.
<if the problem persists, contact your dealer.
E-61
If you cannot connect to a
favourite internet radio station
<the station is still broadcasting or is not congested – try again later.
If the internet radio station
sound quality is poor or
broken
<the radio station does not have a low bit rate (use the INFO key to find this or
look on the OSD).
<the network is not slow or congested.
English
Problem
specifications
Continuous power output (20Hz—20kHz at 0.05% THD), per channel
(AVR600)
2 channels driven
150W
All channels driven
120W
THD at full rated power
<0.2%
Residual noise & hum
<0.25mV unweighted 20Hz – 22kHz
Continuous power output (20Hz—20kHz at 0.05% THD), per channel
(AVR500)
2 channels driven
120w
All channels driven
100w
THD at full rated power
<0.2%
Residual noise & hum
Inputs
Phono input:
Input sensitivity at 1kHz
Input impedance
Signal/noise ratio (CCIR, 65W)
Overload margin
Line inputs:
Nominal sensitivity
Input impedance
Signal/noise ratio (CCIR, 65W)
Preamplifier outputs
Max output level
Output impedance
THD+N (20Hz—20kHz)
5mV
47kΩ
88dB
31dB
500mV–4V (user adjustable)
47kΩ
100dB
6V RMS
<50Ω
-100dB
Video inputs
Component video signal/noise
Composite video signal/noise
Headphone output
Maximum output level into 600Ω
Output impedance
85dB
70dB
4V p-p
<5Ω
Continual improvement policy
Arcam has a policy of continual improvement for its
products. This means that designs and specifications
are subject to change without notice.
E-62
General
Mains voltage
Power consumption (maximum)
AVR500/AVR600
AV888
Power consumption (idle, typical)
Power consumption (standby)
Dimensions W x D x H (including feet)
Weight (net)
AVR500
AVR600
AV888
Weight (packed)
AVR500
AVR600
AV888
Supplied accessories
110–120V or 220–240V
1.5kVA (Thermal dissipation approx.
2300 BTU/hour)
120VA (Thermal dissipation approx.
410BTU/hour)
120VA (Thermal dissipation approx.
410 BTU/hour)
3VA
432 x 450 x 180mm
23.0kg
25.0kg
12.0kg
28.0kg
30.0kg
17.0kg
Mains lead
CR102 remote control
4 x AAA batteries
Manual
HDMI lead support bar
DAB aerial (if DAB module fitted)
FM aerial (if AM/FM fitted)
AM loop aerial (if AM/FM fitted)
Calibration microphone
E&OE
NOTE: All specification values are typical unless otherwise stated.
Worldwide Guarantee
English
product
guarantee
This entitles you to have the unit repaired free of charge, during the first three years
after purchase, at any authorised Arcam distributor provided that it was originally
purchased from an authorised Arcam dealer or distributor. The manufacturer can take
no responsibility for defects arising from accident, misuse, abuse, wear and tear, neglect
or through unauthorized adjustment and/or repair, neither can they accept responsibility
for damage or loss occurring during transit to or from the person claiming under the
guarantee.
The warranty covers:
Parts and labour costs for three years from the purchase date. After three years you must
pay for both parts and labour costs. The warranty does not cover transportation costs at
any time.
Claims under guarantee
This equipment should be packed in the original packing and returned to the dealer from
whom it was purchased, or failing this, directly to the Arcam distributor in the country of
residence.
It should be sent carriage prepaid by a reputable carrier – not by post. No responsibility
can be accepted for the unit whilst in transit to the dealer or distributor and customers are
therefore advised to insure the unit against loss or damage whilst in transit.
For further details contact Arcam at:
Arcam Customer Support Department,
Pembroke Avenue, Waterbeach, CAMBRIDGE, CB25 9QR, England
or via www.arcam.co.uk.
Problems?
If your Arcam dealer is unable to answer any query regarding this or any other Arcam
product please contact Arcam Customer Support at the above address and we will do our
best to help you.
On-line registration
You can register your product on-line at www.arcam.co.uk.
Correct disposal of this product
This marking indicates that this
product should not be disposed
with other household waste
throughout the EU.
To prevent possible harm to the
environment or human health from
uncontrolled waste disposal and to
conserve material resources, this product should be
recycled responsibly.
To dispose of your product, please use your local
return and collection systems or contact the retailer
where the product was purchased.
E-63
Bang & Olufsen
BaoHuaShi
Baosheng
Barco
Basic Line
device code
tables
Bastide
Bauer
Baur
Bazin
Beaumark
Beijing
Beko
TV
888
A.R. Systems
0294 
0067  0382  0586 
0404  0485 
Accent
0039  0067  0586 
Acoustic Research 1299 
Acura
0039 
Adcom
0655 
Addison
0683  0138 
ADL
1247 
Admiral
0123  0193  0448 
0294 
Advent
0906 
Adyson
0247  0246 
AEA
0067  0586 
AEG
0636  1193 
Agashi
0246  0294  0247 
Aiko
0039  0067  0586 
0246  0065  0463 
0294  0247 
Aim
0067  0586  0783 
0238  0736 
Aiwa
1535 
Akai
0039  0632  0238 
0586  0067  0463 
0065  0783  0193 
0759  0744  0745 
0578  0510  0247 
0661  0246  0294 
0208  0407  0636 
1067  0503  1289 
1278 
Akashi
0890  0039 
Akiba
0485  0067  0586 
Akira
0448 
Akito
0067  0586 
Akura
0067  0294  0586 
0698  0039  0744 
Alaron
0246 
Alba
0039  0067  1067 
0586  0744  0448 
0400  0698  0246 
0193  0517  0473 
Alkos
0065 
All-Tel
0895 
Allorgan
0247 
Allstar
0067  0586 
Amplivision
0247  0400 
Amstrad
0039  0067  0294 
0463  0586  1067 
Anam
Anam National
Andersson
Anglo
Anitech
Ansonic
AOC
Aolingpike
Apex Digital
Apollo
Arc en Ciel
Arcam
Ardem
Aristona
Arthur Martin
ASA
Asberg
Asora
Astra
Asuka
ATD
Atlantic
Atori
Auchan
Audiosonic
Audioton
Audioworld
Aumark
Autovox
AWA
Axxent
Axxon
B&D
Baier
Baihe
Baile
Baird
0067  0586  0039 
0680 
0067  0586  0680 
1193  1179 
0039  0294 
0039  0294  0067 
0586 
0400  0067  0586 
0039  0698  0404 
0193 
0039  0090  0123 
0138  0208 
0294 
1247 
0503 
0139 
0246  0247 
0516  0744  0067 
0663  0586 
0586  0067 
0193 
0135  0376  0100 
0067  0586 
0039 
0067  0586 
0247  0246  0294 
0728 
0067  0586  0246 
0039 
0193 
0039  0067  0404 
0850  0139  0586 
0744  0745  0247 
0400  0294  0516 
0247  0516  0400 
0294 
0728 
0090 
0247 
0039  0404  0067 
0586  0246  0636 
0247  0138  0294 
1406 
0039 
0744 
1247 
0906 
0039  0294 
0039  0404  0691 
0139  0373  0247 
0238  1226 
Belson
Bennett
Beon
Berthen
Best
Bestar
Bestar-Daewoo
Binatone
Black Diamond
Black Strip
Blaupunkt
Blue Sky
Boots
Bosch
BPL
Brandt
Brandt
Electronique
Brinkmann
Brionvega
Britannia
Brother
Bruns
BSR
Bush
C-Tech
Caihong
Caishi
Capsonic
Carad
Carena
Carrefour
Carver
Cascade
Casio
Cathay
CCE
Celestial
Centrex
Centrum
0595 
0294 
0039 
0193 
0039  0404  0067 
0193  0698  0586 
0247  0485  1067 
0247 
0039 
0039  0067  0542 
0225  0586  1535 
0247 
0208 
0039  0238  0256 
0294  0404  0512 
0691 
0400  0744  0065 
0516  0745  0067 
0448  1067  0586 
0636  0838 
1221 
0586  0067 
0067  0586  0448 
0698 
0400 
0067  0586  0400 
0404 
0404 
0247 
0850  1067  0586 
0783  1193 
0065 
0225  0230  0357 
0485  0200 
0067  0586  0698 
0744  1067  0517 
0745  1939  0485 
1221  0838  1393 
0247  0039 
0357 
0067  0586  0926 
0139  0655  0365 
0373  0590 
0365 
0067  0586  0698 
0448  0516 
0067  0586 
0246  0247 
0294 
0516 
0193 
0039  1067  0067 
0744  0698  0193 
0404  0728  0294 
0517  0238  0247 
0586  0808  1289 
1278 
0926  0921 
0039 
0921 
0294 
0640  0067  0586 
0698  1067 
0485  0067  0586 
0100  0067  0586 
0200 
0039  0067  0586 
0067  0586  0193 
0067  0586 
0067  0247  0586 
0850 
0810  0921 
1067 
Centurion
CGE
Changcheng
Changfei
Changfeng
Changhai
Changhong
Chengdu
Ching Tai
Chun Yun
Chunfeng
Chung Hsin
Chunsun
Cimline
Citizen
City
Clarivox
Clatronic
Clayton
CMS
CMS hightec
Cobolt
Concorde
Condor
Conia
Conrac
Conrad
Conrowa
Contec
Continental
Edison
Cosmel
Crosley
Crown
CS Electronics
Curtis Mathes
Cytronix
D-Vision
Daewoo
Dainichi
Dansai
Dantax
Datsura
Dawa
Daytek
Dayton
Daytron
Dayu
de Graaf
DEC
0067  0586 
0104  0448  0400 
0193 
0039  0294  0404 
0691 
0039  0404 
0294  0783 
0039 
0850  0039  0294 
0538 
0039 
0039 
0039 
0039  0294 
0138 
0039 
0039 
0090 
0039 
0067  0448  0586 
0100 
0067  0400  0744 
0294  0586  0247 
0039  0636  1193 
1067 
0246 
0247 
0921 
0039 
0067  0400  0586 
0246  0039  0448 
0193  0294 
0784  0850 
0838 
0067  0586 
0039  0294  0728 
0783  1200 
0039  0246  0294 
0067  0586 
0139  0517 
0039  0067  0586 
0104  0193 
0039  0742  0067 
0400  0516  0586 
0448  0517  0744 
0636  0745  0238 
0683  1067 
0246 
0090  0123 
1328 
0067  0586 
0664  0691  0404 
1939  0529  0067 
0586  0039  0246 
0247  1167  0208 
0200  0910  0138 
0906  0895 
0246 
0067  0586  0294 
0065  0246  0039 
0247  0238 
0400  0516  0744 
0636  0745 
0238 
0039  0067  0586 
0728  0736  1406 
0039 
0039  0404  0067 
0586 
0404  0691 
0238  0578  0193 
0890  0921 
64
Decca
0067  0586  0247 
1167 
0067  0586  0404 
0294 
0067  0586  0636 
1219  0617 
Desmet
0067  0586  0039 
Diamant
0067  0586 
Diamond
0294  0728  0039 
0855  0246  0890 
0850 
Digatron
0067  0586 
Digihome
1179 
Digiline
0067  0586  0135 
0698 
DigiLogic
0067  0586 
Digitex
0850 
Digitor
0067  0586 
DigiX
0910 
DiK
0067  0586 
Dixi
0039  0067  0586 
0247 
DL
0921  0810  0067 
0617  0895 
Domeos
0698 
Domland
0424 
Dongda
0039 
Donghai
0039 
Dream Vision
1734 
Drean
0067 
DSE
0850 
DTS
0039 
Dual
0247  0373  0067 
0586  0382  0424 
0193  1167  0661 
1179  1067 
Dual Tec
0247 
Dumont
0100  0247 
Dunai
0193 
Durabrand
0067  0586  0208 
Dux
0067  0586 
DVX
0921 
Dynatech
0247 
Dynatron
0067  0586 
e:max
0636 
Easy Living
1278  1289 
Ecco
0803  0736 
ECE
0067  0586 
Edison-Minerva 0517 
Elbe
0400  0193  0067 
0586  0640  0247 
Elcit
0193 
Electrograph
1785 
Elekta
0039  0067  0586 
0294 
Elfunk
1238  1067 
ELG
0067  0586 
Elin
0067  0246  0578 
0586  0135  0193 
0039 
Elite
0067  0586 
Elta
0039  0294  0246 
Emerson
0208  0744  0067 
0586  0100  1939 
0516  0400  0193 
0698 
Enzer
0783 
Erae
1401 
Erres
0067  0586 
ESC
0067  0586  0247 
Estèle
0193 
Ether
0039 
Deitron
Denko
Denver
Etron
0039  0067  0586 
0193  0850 
0294  0247 
0067 
0246  0294  0067 
0586  0247  0400 
Europa
0067  0586 
Europhon
0067  0193  0247 
0586  0246 
Evesham
1278  1289 
Excel
0067  0586 
Expert
0193 
Exquisit
0067  0586 
Fagor
0067  0586 
FairTec
1221 
Family Life
0067  0586 
Feilang
0039 
Feilu
0039 
Feiyan
0294 
Feiyue
0039 
Fenner
0404  0039 
Ferguson
0067  0139  0655 
0365  0373  0590 
0586  0065  0683 
0138  0578  0473 
1067 
Fidelity
0193  0246  0542 
0067  0586  0294 
Filsai
0247 
Finlandia
0238  0376  0578 
0193  0373 
Finlux
0067  0135  0100 
0586  0744  0376 
0247  0193  0745 
0661  0522  0510 
0503  0448  0636 
0838 
Firstar
0039 
Firstline
0039  0067  0246 
0586  0247  0404 
0698  0744  0193 
1939  0238  1067 
1221  0838  1393 
1193  1401 
Fisher
0247  0238  0400 
0193 
Flint
0067  0485  0586 
0640  0294 
Force
1179 
Formenti
0067  0193  0586 
0516  0246 
Formenti-Phoenix0246 
Fortress
0123 
Fraba
0067  0586  0400 
Friac
0039  0067  0586 
0400  0529  0640 
Frontech
0193  0294  0247 
0039 
Fujimaro
0895 
Fujitsu
0713  0883  0247 
0193  0039  0382 
0067  0586 
Fujitsu General 0039  0247  0193 
Fujitsu Siemens 1328  1289  1278 
1193 
Funai
0698  0294 
Furi
0294 
Furichi
0890 
Futronic
0294  0890 
Future
0067  0586 
Galaxi
0067  0586  0193 
Galaxis
0400  0448  0067 
0586 
Galeria
0039 
Gateway
1785 
Eurofeel
EuroLine
Euroman
GBC
GE
0193  0039  0404 
0373  0208  0123 
0590  0139  0365 
0655 
Geant Casino
0193 
GEC
0067  0193  0247 
0586 
Geloso
0039  0193  0404 
General
0139 
General Electric 0373 
General Technic 0039 
Genesis
0039  0067  0586 
Genexxa
0193  0067  0586 
0039 
Gericom
0895  1328  1247 
0910 
Gevalt
1401 
Giant
0247 
Go Video
0090 
Goldfunk
0698 
Goldhand
0246 
GoldStar
0039  0067  0208 
0400  0407  0247 
0586  0246  0193 
0139  0636  0744 
0745  0485 
Gooding
0517 
Goodmans
0664  1289  1278 
0067  1067  0529 
0247  0586  0744 
0373  0698  1939 
0404  0294  0039 
0517  0065  0510 
0590  0365  0691 
0910  0617  1406 
Gorenje
0400 
Gradiente
0067  0683  0200 
0586 
Graetz
0193  0744  0067 
0586  1193 
Granada
0067  0586  0238 
0256  0247  0138 
0503  0365  0590 
0193  0373  0578 
Grandin
0067  0586  0039 
0193  0640  0744 
0745  0698  0404 
0485  1067  0895 
1221  0910 
Gronic
0247  0193 
Grundig
0225  0538  1401 
0067  0100  0517 
0586  0617  0473 
0736  0039  0400 
0208  1406  0373 
Grunkel
1193 
H&B
0838 
Haaz
0736 
Haier
0728  0921  0294 
Haihong
0039 
Haiyan
0294 
Halifax
0294  0246  0247 
Hallmark
0208 
Hammerstein
0294  0090 
Hampton
0246  0247 
Hankook
0208 
Hanseatic
0067  0586  0529 
0193  0691  0424 
0664  0400  0039 
0247  0407  0744 
0838  0516 
Hantarex
0039  0067  0586 
Hantor
0067  0586 
Harsper
0895 
Harwa
0803  1226  1299 
Harwood
0039  0067  0586 
0517 
0067  0586 
0123 
0039  0067  0586 
0247  0448  0294 
Hedzon
0586  0067 
helios
0895 
Hema
0247  0039 
Hifivox
0139 
Higashi
0246 
Highline
0294  0067  0586 
Hinari
0039  0238  0067 
0586  0193  0473 
0517  0294 
Hisawa
0485  0640  0744 
HISense
1393  0238  0039 
0538  0783  1200 
1238  0810  0586 
Hitachi
0193  0208  1255 
0039  0608  0135 
0138  0503  0373 
0247  0139  0511 
0529  0067  0538 
0586  0578  0664 
0774  1067  1167 
1200  0522  1511 
0542  0510  1606 
1179 
Hitachi Fujian
0138 
Hitsu
0039  0640  0485 
Höher
0744  0895 
Home Electronics 0636 
Hongmei
0039  0123  0294 
Hongyan
0294 
Hornyphon
0067  0586 
Hoshai
0485 
Hua Tun
0039 
Huafa
0039 
Huanghaimei
0039 
Huanghe
0039 
Huanglong
0039 
Huangshan
0039  0294 
Huanyu
0246  0404  0294 
Huaqiang
0294 
Huari
0294 
Hugoson
0920  1247 
Hygashi
0247  0246 
Hyper
0039  0246  0247 
Hypson
0067  0294  0586 
0744  0745  0247 
0485  1067  0698 
0516 
Hyundai
0067  0895  0586 
0736  0890  0783 
0906 
Iberia
0067  0586 
ICE
0247  0294  0067 
0039  0586  0246 
Ices
0246 
Ict
0067  1167  0586 
IISonic
1406 
Iiyama
1247  0920 
Imperial
0067  0104  0193 
0400  0448  0586 
Imperial Crown 0039  0294  0404 
0691 
Indiana
0067  0586 
InFocus
0782  1194 
Ingelen
0193  0517  0640 
0744 
Ingersoll
0039 
Inno Hit
0039  0067  0586 
0247  1193 
Hauppauge
Havermy
HCM
Innova
Innovation
Innowert
inotech
Interactive
Interbuy
Interfunk
Internal
International
Intervision
Irradio
IRT
Isukai
ITC
ITS
ITT
ITT Nokia
ITV
IX
Jean
JEC
Jialicai
Jinfeng
Jinque
Jinta
Jinxing
JMB
Jocel
Jubilee
Juhua
JVC
Kaige
Kaisui
Kambrook
Kamp
Kanghua
Kangli
Kangyi
Kapsch
Karcher
Kathrein
Kawasho
KB Aristocrat
Kendo
Kennedy
Kennex
Kenwood
Khind
KIC
0067 
0067  0586 
0895  1328 
0803  0850 
0067  0586  0542 
0357  0193  0400 
0139 
0039  0067  0294 
0542  0586 
0067  0193  0586 
0542  0357  0400 
0139  0230 
0067  0586  0529 
0404  1939 
0246 
0067  0247  0485 
0294  0407  0516 
0400  0424  0517 
0193  0039  0586 
0039  0067  0586 
0728 
0067  0586  0485 
0247 
0067  0294  0246 
0039  0586 
0193  0510  0578 
0503  0376  0238 
0640 
0578  0193  0503 
0510  0376  0238 
0636  0640  0661 
0294  0067  0586 
0404 
0907 
0039 
0065 
0039  0294 
0238  0256 
0039  0294 
0039  0294 
0039  0586  0067 
0294  0728 
0067  0529  0664 
0404  0586  0473 
0742 
0586 
0294 
0683  0761  0538 
0636  0713  0448 
0123  0680 
0039  0294 
0039  0246  0067 
0247  0586  0485 
0407 
0246 
0926 
0039  0294  0404 
0691 
0039  0294 
0193 
0067  0586  0400 
0640  0193  0294 
0808  0744  0636 
0586  0067 
0246 
0193 
0067  0640  0586 
0193  0542  0400 
0407  1067  0516 
0193 
1067 
0135 
0926  0736 
0247 
Kingsley
Kioto
Kiton
KLL
Kneissel
Kolin
Kolster
Kongque
Konichi
Konka
Kontakt
Korpel
Korting
Kosmos
Kotron
Koyoda
Kreisen
KTV
Kuaile
Kuba
Kuba Electronic
Kulun
Kunlun
Kyoshu
Kyoto
L&S Electronic
LaSAT
Lavis
Leader
Lecson
Legend
Lenco
Lenoir
Levis Austria
Lexsor
Leyco
LG
Liesenk & Tter
Liesenkotter
Lifetec
Lloyd’s
Local Malaysia
TV
Lodos
Loewe
Logik
Logix
Longjiang
Luma
Lumatron
Lux May
0246 
0736  0586 
0586  0067  0698 
0067 
0067  0400  0640 
0404  0529  0586 
0138 
0067  0586 
0039  0294 
0039 
0067  0586  0744 
0448  0617  0784 
0517 
0067  0586 
0400 
0067  0586 
0294 
0039 
0906 
0247 
0039  0294 
0193 
0193 
0039 
0238  0256  0294 
0404  0691 
0448  0294 
0193  0246  0247 
0895  0744 
0516  0400 
1067  0067  0193 
0039 
0067  0586 
0039 
0067  0039  0193 
0404  0586  0617 
1067 
0039 
0067  0586 
1226 
0067  0294  0586 
0067  0208  0400 
0039  0407  1295 
0586  0247  0744 
0246  0674  0193 
0090  0138  0636 
0139  0728  0745 
1667  1221 
0067  0357  0586 
0067  0357  0586 
0067  0039  0404 
0698  0542  1067 
1167  0586  0294 
0713  1278  1289 
0744 
0039 
0728 
1067  1179 
0542  0663  0820 
0067  0586  0400 
0090  0728  0803 
0039  0294  0910 
1247  1067 
0698 
0294 
0067  0193  0586 
0404  0039 
0067  0586  0193 
0247  0294 
0067  0039  0586 
Luxor
LXI
Madison
Magnadyne
Magnafon
Magnavox
Magnum
Mandor
Manesth
Manhattan
Marantz
Mark
Master’s
Mastro
Masuda
Matsui
Matsushita
Matsuviama
Maxam
Maxdorf
Maxent
MCE
Meck
Mediator
Medion
Megas
Megatron
MEI
Meile
Melectronic
Memorex
Memphis
Mercury
Mermaid
Merritt
Metronic
Metz
MGA
Micromaxx
Microstar
MicroTEK
Mikomi
Minato
Minerva
Minoka
1193  0510  0522 
0238  0578  0193 
0376  0503  1067 
0247  0661 
0208 
0067  0586 
0193 
0246 
0067  0586  0736 
0810 
0744  0067  0586 
0745  1319 
0294 
0067  0247  0586 
0294  0065  0193 
0067  0906  0586 
0698  1067  0193 
0808 
0067  0586 
0067  0586  0247 
0246  0404  0039 
0744  0745 
0529  0067 
0810  0728 
0039  0294  0067 
0247  0586 
0039  0067  0586 
0065  0517  0238 
0247  0473  0463 
0485  0193  0225 
0365  0744  1067 
0680 
0617 
0294 
0803 
1785 
0039 
0921  0728 
0067  0586 
0067  0698  0744 
1067  0838  0586 
0542  1167  0728 
1278  1289  0910 
1319 
0640 
0208 
1067  0067  0586 
0294 
0039  0376  0067 
0542  0139  0373 
0193  0135  0247 
0404  0510  0522 
0246  0586  0664 
0225  0691  0744 
0039  1067  0208 
0680  0090 
0039 
0067  0039  0586 
0067 
0578  0193 
0655 
0418  0477  0776 
1193  0225  0067 
0586  0617  0698 
1067  1563 
0208  0067  0586 
0067  0586  0698 
1067  0838 
0838 
0850 
1179 
0067  0586 
0100 0517 0225 0138 0067  0586 
65
Mitsubishi
Mitsuri General
Mivar
Monaco
Morgan’s
Motorola
MTC
MTlogic
Mudan
Multitec
Multitech
Murphy
Musikland
MyCom
Myryad
NAD
Naiko
Nakimura
Nanbao
Nansheng
Naonis
NAT
National
NEC
Neckermann
NEI
Neovia
Netsat
Neufunk
New Tech
Newave
Nicamagic
Nikkai
Nikkei
Nikko
Nishi
Noblex
Nobliko
Nogamatic
Nokia
Nordic
Nordmende
Norfolk
Normerel
Novak
Novatronic
NU-TEC
0138  0123  0542 
0067  0208  0586 
0238  1067 
0193 
0246  0400  0639 
0247 
0039 
0067  0586 
0123 
0090 0400 0542 0193 0246 0744 
0039  0238  0256 
0294 
0067  0586  0516 
0698  1067 
0039  0246  0516 
0067  0247  0400 
0586  0294 
0246  0193 
0067  0586 
1406  0208 
0586  0067 
0208  0193 
0067  0636  0586 
0404  0067  0586 
0039  0294 
0294 
0193 
0256 
0256  0238  0538 
0200  0617  1200 
0208  0039  0485 
0404  0247  0067 
0586  0294  0538 
1734  0529  0683 
0691 
0067  0400  0586 
1535  0230  0193 
0357  0448  0247 
0542 
0067  0586  0193 
0895  1401  0906 
1406 
0067  0586 
0067  0039  0586 
0640  0744 
0067  0039  0586 
0373  0247 
0039  0208  0123 
0246 
0065  0067  0586 
0246  0247  0294 
0039 
0744 
0208 
0512 
0067  0294  0512 
0100  0246 
0139 
0193  0503  0510 
0578  0636  0522 
0661  0238  0404 
0376  0640  0139 
0247 
0139  0744  0921 
0373  0590  0225 
0067  0586  0365 
0193  1289  1278 
0193 
0067  0586 
0067  0586 
0067  0135  0404 
0586 
0485  0728 
Nurnberg
Oceanic
Odeon
Okano
Olidata
Omega
Omni
Onwa
Opera
Optimus
Optonica
Orbit
Orion
Orline
Ormond
Osaki
Osio
Osume
Otto Versand
Pacific
Pael
Palladium
Palsonic
Panama
Panasonic
Panavision
Panda
Papouw
Pathe Cinema
Pathe Marconi
Pausa
Peng Sheng
Penney
Perdio
Perfekt
Philco
Philex
Philharmonic
Philips
Phocus
Phoenix
Phonola
Pilot
0193 
0193  0238  0503 
0578  0510 
0294 
0400  0067  0586 
0294  0039 
1406 
0294 
0810  0921  0728 
0632  0463 
0067  0586 
0680 
0123 
0067  0586 
0067  0473  0586 
0744  0039  0294 
0910  1226 
0067  0586 
0698  1067  0067 
0586 
0247  0294  0067 
0404  0586 
0067  0586 
0067  0586 
1535  0067  0247 
0373  0123  0542 
0586  0225  0139 
0256  0039 
0067  0586  1167 
0744  1067  0473 
0246 
0400  0067  0448 
0744  1167  1535 
0230  0586  0357 
0193  0247 
0294  0803  0067 
0247  0407  0728 
0586  0448  0808 
1226 
0039  0247  0294 
0246  0067  0586 
0680  0256  0138 
1340  0067  0586 
0193  0238  0538 
0926  0578  0883 
0208  0090 
0067  0586 
0039  0810  0238 
0256  0294  0736 
0921  0538  0728 
0067  0586 
0193  0246  0400 
0139 
0039 
0921 
0208  0090 
0193  0067  0246 
0586 
0067  0586 
0067  0104  0448 
0586  0193  0400 
0511  0208 
0193 
0247 
0067  0586  0373 
0208  0138  0404 
0802  0039  0230 
1319  0744 
0067  0586  0400 
0516  0193  0246 
0067  0586  0246 
0586  0067  0742 
0736 
Pioneer
Pionier
Plantron
Playsonic
Polaroid
Policom
Poppy
Portland
Powerpoint
Precision
Premier
President
Prima
Princess
Prinston
Profex
Profi
Profitronic
Proline
Prosonic
Protech
Proton
Provision
PVision
Pye
Pymi
Qingdao
Quasar
Quelle
R-Line
Radialva
Radiola
Radiomarelli
RadioShack
Radiotone
Rank
Rank Arena
RBM
RCA
Realistic
Recor
Rectiligne
Rediffusion
Redstar
Reflex
Relisys
Reoc
Revox
Rex
0790  0067  0139 
0200  0193  0586 
1290  0400  0373 
0516  0542 
0400  0516 
0067  0586  0294 
0039 
0744  0067  0247 
0745 
0895 
0139  0193  0100 
0104 
0039 
0404  1939 
0517  0067  0586 
0728 
0247 
0039  0294 
0890 
0039  0294  1299 
0728 
1067 
0039  0193 
0039 
0067  0586 
0067  0586  0655 
0664  1406 
0067  0586  0400 
0404  0698  0744 
0246  0247 
0039  0067  0586 
0247  0294  0448 
0698  0193  0516 
1067 
0208  0039  0674 
0529  0067  0586 
1067  0744 
1221  0906 
0067  0586  0404 
0039 
0238  0256  0294 
0680  0895  0039 
0067  1535  0100 
0104  0139  0542 
0247  0357  0135 
0698  0586  0225 
0230  0294  1067 
0376  0039 
0067  0586  0193 
0139  0193  0067 
0586 
0067  0586  0247 
0067  0586 
0067  0586  0208 
0039  0067  0586 
0400  0448  0698 
0294  1067 
0100 
0632  0783 
0100 
0090  0648  0123 
0655  0208  0590 
0365  0373  0783 
0208 
0067  0448  0586 
0067  0586 
0578  0376 
0067  0586 
0067  0586  1067 
0698 
0895  0906  0907 
1328 
0744  0664  1939 
0067  0586  0400 
0193  0294 
TV (cont.)
RFT
Rhapsody
Ricoh
Rinex
Roadstar
Rodex
Rover
Rowa
Royal Lux
Rukopir
Saba
Sagem
Saige
Saisho
Saivod
Sakaï
Sakyno
Salora
Salsa
Sampo
Samsung
Sandra
Sanjian
Sansui
Santon
Sanyo
Sanyuan
Save
SBR
Schaub Lorenz
Schneider
Scotch
Scotland
Scott
Sears
Seaway
Seelver
SEG
SEI
Sei-Sinudyne
0400  0294  0067 
0586  0516 
0246 
0067  0586 
0803  0448 
0039  1067  0294 
0448  0067  0586 
0744  0698  1219 
0067  0586 
0907 
0067  0294  0728 
0039  0247  0742 
0246  0617  0586 
0400  0365 
0586  0067 
0139  0655  0193 
0590  0365  0373 
0578  0680  0744 
0640  0485  0860 
1343  0648 
0039 
0039  0294  0247 
0193 
0067  0586  1193 
0698  0742  1067 
0193 
0485 
0193  0578  0238 
0510 
0365 
1785  0039  0123 
0208  0680 
0090  0648  0674 
0512  0617  0796 
0067  0208  0586 
1279  0039  0123 
1265  0247  0400 
0294  0246  0238 
0193  0256  0655 
0246  0247 
0294 
0067  0759  0586 
0736  0632  0485 
0783  1401 
0039 
0238  1238  0400 
0246  0247  0039 
0538  0193  0067 
0138  0586  0516 
0200 
0039  0123 
0067  0586 
0067  0586 
0578  0744  0636 
0516  0404  1221 
0067  1167  0586 
0698  0424  0382 
0373  0247  1067 
0193  0744  1939 
0100 
0208 
0193 
1219  0208 
0208 
0664 
0586  1067  0067 
0067  0247  0586 
0294  1067  0698 
0517  0039  0193 
0664  0246  1193 
1939  0744 
1535  0193  0067 
0586 
1535  0067  0586 
Seitech
Seleco
Sencora
Sentra
Serie Dorada
Serino
Shancha
Shanghai
Sharp
Shen Ying
Shencai
Sheng Chai
Sheng Chia
Shenyang
Sherwood
Shintoshi
Shivaki
Show
Siam
Siarem
Siemens
Siera
Siesta
Silva
Silver
SilverCrest
Singer
Sinotec
Sinudyne
Sky
SKY Brasil
Skymaster
Skysonic
Skyworth
Sliding
SLX
Smaragd
Soemtron
Solavox
Songba
Soniko
Sonitron
Sonneclair
Sonoko
Sonolor
Sontec
Sony
Sound & Vision
Soundesign
Soundwave
Sowa
Soyea
Spectra
Ssangyong
1247 
0193  0294  0376 
0039 
0065  0039 
0208 
0640  0485  0246 
0123 
0294 
0039  0238  0256 
0294 
0123  0039  1223 
1423  0683  0680 
0230  0790  1193 
0039 
0039  0294 
0039 
0039  0123 
0039  0294  0783 
0039 
0067  0586 
0067  0586  0473 
0404  0208 
0448  0039 
0067  0586 
0193 
0067  0225  0230 
0357  0586 
0067  0586  0617 
0400 
0067  0586  0246 
0067  0485  0586 
0745  0193 
1067  0067  0586 
0039  0067  0586 
0365  0193 
0803 
0193  1535  0067 
0586 
0067  0910  0208 
0586 
0910 
0135 
0783 
0067  0586  0039 
0294  0728  0783 
0895  0910 
0698 
0517 
0895  1328 
0193  0578  0067 
0586 
0039 
0067  0586 
0238  0400  0247 
0067  0586 
0039  0067  0586 
0294  0247 
0193  0238  1535 
0578 
0067  0586  0400 
0039 
1535  0104  1681 
0680  0683  1781 
0383  0067  0586 
0123  0200 
0404  0067  0586 
0208 
0067  0448  0586 
0745 
0090  0256  0208 
0803 
0039 
0039 
Staksonic
Standard
Starlite
Stern
Strato
Strong
Stylandia
Sunic Line
Sunkai
Sunstar
Sunwatt
Sunwood
Superla
SuperScan
Supersonic
SuperTech
Supra
Susumu
Sutron
SVA
Swisstec
Sydney
Synco
Sysline
Sytong
T+A
Tacico
Tai Yi
Taishan
Tandberg
Tandy
Targa
Tashiko
Tatung
TCL
TCM
Teac
TEC
Tech Line
Tech Lux
Technics
TechniSat
Technisson
Technosonic
Techwood
Tecnimagen
Teco
Tedelex
Teiron
Teknika
Tele System
0039 
0039  0067  0247 
0586  1067  0404 
0039  0193  0067 
0586  0294 
0193  0294 
0067  0586  0294 
0039 
1193  1179  1067 
0067  0586 
0247 
0067  0586 
0485  0640  0067 
0586  0517  0895 
0067  0586  0039 
0294 
0485 
0067  0586  0039 
0246  0247 
0123 
0238  0586  0728 
0294  0485 
0039  0246  0067 
0586 
0208  0404  0039 
0365 
0039 
0617  0895 
0910 
0246  0247 
0090  0123  0208 
0067  0586 
0246 
0477 
0208  0039 
0039 
0039  0404 
0139  0193 
0123  0247  0193 
1401 
0247  0680  0200 
0246  0193 
0039  0067  0586 
0090  0247  1401 
1289  1278  1221 
0736  0728 
0744  1319  0838 
0039  0728  0067 
0542  0294  1067 
0448  0586  0485 
0742  0698  0247 
0736  1939  0208 
0200  0744  1179 
1785 
0247  0039  0365 
0067  0586  0193 
0067  0586  0698 
1193 
1219 
0680 
0067  0586  0193 
0744  1319 
0067  0586 
1193 
0586 
0039  0123  0208 
0294  0683 
0247  0448  0636 
0039  0736  0238 
0728  0617  0921 
0067  0586 
0039 
0090 
0906 
Teleavia
Telecor
0139  0373 
0067  0586  0193 
0247  0424 
Telefunken
0655  0104  0590 
0139  0617  0365 
0728  0373  0742 
0850  0926  0784 
0067  0586  0516 
0744  0376 
Telefusion
0067  0586 
Telegazi
0067  0193  0294 
0586 
Telemeister
0067  0586 
Telesonic
0067  0586 
Telestar
0039  0067  0586 
Teletech
0039  0067  0586 
0698  1067 
Teleton
0247  0193 
Televideon
0193  0246 
Teleview
0067  0586 
Tempest
0039  0067  0586 
0294 
Tennessee
0067  0586 
Tensai
0067  0586  0247 
0039  0135  0404 
0407  0745  0193 
1067 
Tenson
0039 
Tesla
0067 
Tevion
1278  1328  0067 
1289  0586  0838 
0698  1167  0744 
1067  1319 
Texet
0246  0247  0404 
0039 
Thomson
0139  0655  0590 
0373  0365  0067 
0586  0246 
Thorn
0065  0138  0067 
0139  0104  0373 
1535  0529  0542 
0586  0365  0404 
0100 
Thorn-Ferguson 0138  0373  0139 
0365  0529  0065 
Tiane
0123 
Tiny
1226  1299 
TMK
0208 
Tobo
0039  0294 
Tokai
0067  0586  0698 
0193  0247  0404 
0039  1067 
Tokaido
1067 
Tokyo
0246  0065 
Tongguang
0294 
Tongtel
0810  0617 
Topline
1067  0698 
Toshiba
0538  0090  0680 
1538  0039  0065 
0123  1734  1194 
1319  0100  1295 
0744  0294  0247 
0139  0225  0648 
0674  0728  0067 
1193 
Towada
0247 
Toyoda
0039  0294 
Trakton
0039  0294  0247 
Trans Continens 0698  0247  1067 
0067  0586  0516 
TRANS0895 
continents
Transonic
0067  0728  0586 
0742  0485  0617 
0542  0294  0448 
0039 
66
Transtec
Triad
Trident
Tristar
Triumph
Tuntex
TVTEXT 95
Uher
Ultravox
Unic Line
United
Universal
Universum
Univox
Utax
V7 Videoseven
Vestel
Vexa
Victor
Videocon
Videologic
Videologique
VideoSystem
Videotechnic
Videoton
Vidtech
Viewpia
ViewSonic
Visiola
Vision
Vortec
Voxson
Waltham
Wards
Warumaia
Watson
Watt Radio
Wega
Wegavox
Weipai
Welltech
Weltblick
Westinghouse
Weston
Wharfedale
White
Westinghouse
Windsor
Windy Sam
Wintel
0246 
0067  0586 
0247 
0294 
0376  0586  0067 
0039 
0586 
0067  0586  0404 
0448  0516  0400 
0510 
0404  0246  0193 
0067  0586 
0067  0586  0503 
0485 
0744  0067  0745 
0586  1067  0617 
0744  0067  0586 
0067  0376  0104 
0135  0225  0294 
0503  0400  0522 
0510  0230  0448 
0542  0100  0193 
0586  0357  1535 
0698  0247  0139 
0661  0039  1067 
0200  1193  1179 
0648 
0067  0586  0193 
0193 
1785  0208  0910 
1406  1247 
0067  0193  0247 
0586  0698  1067 
1193 
0039  0067  0586 
0683  0680 
0538 
0246 
0246  0247 
0067  0586 
0246  0247  0404 
0193 
0208 
0906 
1785 
0246 
0067  0294  0586 
0247 
0067  0586 
0193  0208  0067 
0586  0448 
0247  0448  0067 
0586  0698  0139 
1067  0193  0473 
0208 
0404  0691 
0067  1067  1278 
1289  0586  0193 
0039  0698  0424 
1406  0357 
0193  0246 
0067  0586 
0039  0067  0586 
0039 
0744 
0067  0586  0247 
0920 
0067  0586 
0067  0926  0586 
0067  0246  0586 
1939 
0698  1067 
0586 
0744 
World-of-Vision 0910  0920  0895 
1319  1328  0907 
1247 
Worldview
0485 
X-View
1221 
Xenius
0664  0691 
Xiahua
0039  0294  0728 
0803 
Xianghai
0039 
Xiangyang
0294 
Xihu
0294 
Xingfu
0039 
Xinghai
0294 
Xingyu
0039 
XLogic
0728  0890 
Xoro
1226  1247 
Xrypton
0067  0586 
Yamaha
0680  1606 
Yamishi
0485  0067  0586 
0247 
Yingge
0039 
Yokan
0067  0586 
Yoko
0067  0247  0294 
0586  0039  0400 
0246 
Yonggu
0039 
Yousida
0039 
Yuhang
0039 
Zanussi
0247 
Zenith
1939  0208  1295 
Zhuhai
0039  0404 
Zonda
0728 
VCR
Accent
Admiral
Adventura
Adyson
Aiko
Aim
Aiwa
0102 
0078 
0030 
0102 
0308 
0308  0672  0378 
0030  0378  0382 
0067  0772  1167 
0062 
Akai
0067  0136  0345 
0672  0382  0270 
0378 
Akashi
0102 
Akiba
0102 
Akura
0102 
Alba
0308  0102  0382 
0030  0345  0378 
0111 
Allorgan
0270 
Allstar
0111 
America Action 0308 
Amstrad
0030  0308  0102 
Anam
0067  0256  0270 
0308 
Anitech
0102 
Ansonic
0030 
Aristona
0111 
ASA
0067  0111 
Asha
0270 
Asuka
0102  0067  0111 
0030 
Audiosonic
0308 
Audiovox
0067  0308 
AVP
0382  0030 
AWA
0067  0308  0672 
0073 
Baird
0136  0308  0134 
0030 
Basic Line
0308  0102  0134 
Beaumark
0270 
Beko
0134 
Bell & Howell
0134 
Bestar
0308 
Black Diamond 0672  0308 
Black Panther
0308 
Blaupunkt
0256  1592  0111 
Blue Sky
0067  0378  0102 
0382  0308  0030 
0510  0672  1167 
Bondstec
0102 
Brandt
0350 
Brinkmann
0378 
Broksonic
0378 
Bush
0102  0308  0345 
0382  0030  0378 
0111  0672  0772 
Calix
0067 
Carena
0111 
Carrefour
0075 
Carver
0111 
Casio
0030 
Cathay
0308 
CCE
0102  0308 
CGE
0030 
Cimline
0102 
Cineral
0308 
CineVision
1167 
Citizen
0067  0308 
Clatronic
0102  0030 
Colt
0102 
Combitech
Condor
Craig
Crown
0382 
0308 
0067  0102  0270 
0067  0308  0102 
0510 
Cybernex
0270 
Cyrus
0111 
Daewoo
0308  0672  0667 
1167  0075  0378 
0382 
Dansai
0102  0308 
Dantax
0382 
Daytron
0308 
de Graaf
0072  0196  0111 
0134  0078 
Decca
0030  0111  0097 
0378  0382 
Deitron
0308 
Denko
0102 
Denon
0072 
Diamant
0067 
Diamond
0308 
Digitor
0672 
DSE
0672 
Dual
0111  0308  0030 
0378 
Dumont
0030  0111  0134 
Durabrand
0672 
Dynatech
0030 
Elbe
0308 
Elcatech
0102 
Electrohome
0067 
Electrophonic
0067 
Elin
0270 
Elsay
0102 
Elta
0102  0308 
Emerex
0062 
Emerson
0030  0102  0067 
0075  0073  1167 
0308 
ESC
0308  0270 
EuroLine
0378 
Ferguson
0350  0030  0308 
Fidelity
0030  0102  0270 
0462  0382 
Finlandia
0134  0111  0072 
0196  0030  0078 
0067  0073  0136 
0256 
Finlux
0030  0111  0134 
0072 
Firstline
0102  0378  0073 
0067  0075  0072 
0308  1167 
Fisher
0134 
Flint
0378 
Frontech
0102 
Fujitsu
0030 
Fujitsu General 0067 
Funai
0030 
Galaxi
0030 
Galaxis
0308 
Garrard
0030 
GE
0350  0078  0270 
GEC
0111 
General Electric 0067 
General Technic 0378 
Genexxa
0134 
Go Video
0462  1167 
Goldhand
0102 
GoldStar
0067  0510  0030 
1167 
Goodmans
0030  0102  0270 
0308  0067  0111 
0378  0667  0382 
0672 
GPX
0067 
Gradiente
0030 
Graetz
0134  0270 
Granada
0134  0078  0111 
0270  0067  0256 
0072  0030 
Grandin
0102  0067  0030 
0308 
Grundig
0270  0377  0111 
0256  0350  0378 
0102  0382  0772 
Haaz
0378 
Hanimex
0382 
Hanseatic
0067  0308  0111 
Harley Davidson 0030 
Harman/Kardon 0111 
Harwood
0102 
HCM
0102 
Hinari
0102  0382  0308 
0270 
Hisawa
0382 
Hischito
0075 
Hitachi
0072  0196  0030 
0270  0111  0134 
Höher
0308  0672 
Hornyphon
0111 
Hughes Network 0072 
Systems
Hypson
0102  0308  0382 
0030  0067  0510 
Imperial
0030  0270 
Ingersoll
0270 
Inno Hit
0270  0308  0102 
Interbuy
0067  0102 
Interfunk
0111  0134 
Internal
0308  0667 
International
0308  0067 
Intervision
0030  0308  0067 
0378 
Irradio
0102  0067  0111 
1167 
ITT
0136  0134  0270 
ITT Nokia
0078 
ITV
0308  0067 
JMB
0382  0378 
Joyce
0030 
JVC
0097 
Kaisui
0102 
Kambrook
0067 
Karcher
0308 
KEC
0067  0308 
Kendo
0136  0345  0378 
0102  0067  0308 
Kenwood
0097 
KIC
0030 
Kioto
0378 
KLH
0102 
Kneissel
0382  0378  0067 
0308 
Kodak
0067 
Kolster
0378 
Korpel
0102 
Kyoto
0102 
Lenco
0308 
Leyco
0102 
LG
0067  0510  0030 
0308  1167 
Lifetec
0378 
Lloyd’s
0030 
Loewe
0111  1592  0256 
0067 
0270  0102  0136 
0308 
0102 
0136  0073  0102 
0134  0078  0345 
LXI
0067 
Magnasonic
0308 
Magnavox
0111  0030  0672 
Magnin
0270 
Magnum
0672 
Manesth
0102  0075  0111 
Marantz
0111 
Mark
0308  0030 
Marta
0067 
Mastec
0672 
Master’s
0308 
Matsui
0378  0067  0270 
0382  0030  0772 
Mediator
0111 
Medion
0378  0382 
Melectronic
0030  0067 
Memorex
0134  0030  0067 
0078  0378  0270 
Memphis
0102 
Metronic
0111 
Metz
1592  0377  0866 
0111  0256  0067 
MGA
0073  0270 
MGN Technology0270 
Micormay
0378 
Micromaxx
0378 
Migros
0030 
Minolta
0072 
Mitsubishi
0073  0097  0078 
0111  0510  0030 
0672 
Motorola
0078 
MTC
0270  0030 
Multitec
0067 
Multitech
0030  0102  0134 
Murphy
0030 
Myryad
0111 
NAD
0134 
Naiko
0672  0378 
National
0256  1592 
NEC
0097  0070  0134 
0067  0308  1167 
Neckermann
0111 
Nesco
0102  0030  0382 
Neufunk
0067 
Nikkai
0102  0308 
Nikko
0067 
Noblex
0270 
Nokia
0134  0136  0345 
0308  0270  0078 
0072  0111 
Nordmende
0350  0097 
NU-TEC
0378 
Oceanic
0030  0078  0136 
0111  0134 
Okano
0345  0378  0102 
0308 
Olympus
0256 
Onimax
0672 
Optimus
0067  0078  0134 
0462 
Orbit
0102 
Orion
0382  0378  0772 
Orson
0030 
Osaki
0030  0067  0102 
Logik
Lumatron
Lux May
Luxor
67
Osume
Otto Versand
Pace
Pacific
Palladium
Palsonic
Panasonic
Pathe Cinema
Penney
Pentax
Perdio
Philco
Philips
Phoenix
Phonola
Pilot
Pioneer
Portland
Prinz
Profitronic
Proline
Prosco
Prosonic
Protech
Provision
Pye
Quasar
Quelle
Radialva
Radiola
Radionette
RadioShack
Radix
Randex
RCA
Realistic
Reoc
RFT
Roadstar
Royal
Saba
Saisho
Salora
Samsung
Sanky
Sansei
Sansui
Sanyo
Saville
SBR
ScanSonic
Schaub Lorenz
Schneider
Scott
Sears
Seaway
SEG
SEI
0102 
0111 
0382 
0030 
0102  0345  0067 
0270  0378  0462 
0102  0030  0672 
0256  1592  0866 
0073 
0067  0070  0072 
0270 
0072 
0030 
0102 
0111 
0308 
0111 
0067 
0097  0111  0072 
0308  0667 
0030 
0111  0270 
0030  0308  0350 
0672 
0308 
0308  0030 
0102  0111  0308 
0308 
0111  0030 
0308 
0111 
0067  0102  0111 
0078 
0111 
1167  0067 
0030 
0067 
0067 
0136  0072  0078 
0350  0270 
0030  0067  0078 
0134 
0378  0667  0308 
0102 
0270  0102  0067 
0308  0772  0111 
0102 
0350  0308 
0378 
0073  0136  0134 
0270  0462  0075 
0078 
0078 
0097  0030  0136 
0102  0378 
0134  0270  0078 
0097  0378 
0382  0308  0270 
0111 
0270 
0134  0030  0136 
0345 
0102  0030  0067 
0111  0308  0270 
1167  0072  0382 
0672 
0073  0075 
0030  0067  0072 
0134 
0308 
0102  0270  0308 
0672  0111  0667 
0111 
Sei-Sinudyne
Seleco
Semivox
Semp
Sentra
Setron
Sharp
Shintom
Shivaki
Shogun
Siemens
0111 
0067 
0075 
0075 
0102 
0102 
0078  0067  0599 
0102  0134 
0067 
0270 
0067  0134  0111 
0350  0377 
Siera
0111 
Silva
0067 
Silver
0308 
SilverCrest
0672 
Singer
0378  0075  0102 
Sinudyne
0111  0382 
Smaragd
0378 
Sonneclair
0102 
Sonoko
0308 
Sonolor
0078 
Sontec
0067  0308 
Sonwa
0672 
Sony
0062  0030  0136 
Soundwave
0067  0378 
Ssangyong
0102 
Standard
0308 
Starlite
0067  0134 
Stern
0308 
STS
0072 
Sunkai
0378  0308 
Sunstar
0030 
Suntronic
0030 
Sunwood
0102 
Supra
0067  0270  0378 
0308 
Sylvania
0030  0073  0111 
Symphonic
0030  0102 
T+A
0256 
Tandberg
0308 
Tandy
0030  0134 
Tashiko
0030  0078  0270 
0111  0067 
Tatung
0030  0111  0078 
0073  0378  0382 
Tchibo
0378 
TCM
0378 
Teac
0102  0030  0308 
0672  0067  0111 
0667 
TEC
0308  0102 
Tech Line
0102 
Technics
0256 
TechniSat
0378 
Tedelex
0067  0378  0672 
Teknika
0030  0067 
Telefunken
0672  0350  0308 
Telestar
0067 
Teletech
0102  0308  0030 
Tenosal
0102 
Tensai
0030  0067  0102 
0308 
Tevion
0378  0672 
Texet
0308 
Thomas
0030 
Thomson
0350  0097  0308 
Thorn
0134  0067 
Thorn-Ferguson 0350 
TMK
0270 
Tokai
0102  0067  0134 
Tokiwa
Topline
Toshiba
0102 
0378 
0073  0075  0111 
0772  0382 
Totevision
0067  0270 
Towada
0102 
Tradex
0111 
Tredex
0308 
Triad
0308 
Uher
0067  0270 
Ultravox
0308 
Unitech
0270 
United
0378  0772 
United Quick Star0308 
Universum
0030  0111  0270 
0067  0136  0378 
0134 
Vector
0075 
Vector Research 0070 
Victor
0097 
Video Concepts 0070  0075 
Video Technic
0030 
Videosonic
0270 
Wards
0030  0072  0078 
0102  0111  0270 
Watson
0111  0382  0308 
0672 
Weltblick
0067 
Wharfedale
0672 
White
0102  0308 
Westinghouse
World
0378 
XR-1000
0030  0102 
Yamishi
0102  0308 
Yokan
0102 
Yoko
0067  0102  0270 
Yoshita
0102 
Zenith
0030  0667  1167 
ZX
0378  0382 
CBL
ADB
1260  1299 
Amstrad
1252 
Auna
1299  1260 
Austar
0306 
Canal Plus
0473 
Comcrypt
0473 
Comtec
0049 
Contec
0049 
Daeryung
0507 
Fastweb
1660 
Filmnet
0473 
Foxtel
1252 
France Telecom 0847  1764 
freebox
1512 
Funai
0049 
General
0306 
Instrument
Jerrold
0306  0049 
Macab
0847 
Madritel
1260 
MNet
0473  0049 
Motorola
0306  1136  1513 
Multichoice
0049  0473 
Nokia
1599 
Noos
0847  1654 
NTL
1090  1098 
Oak
0049 
Ono
1098 
Optus
0306  1090 
Pace
1098  1607  1090 
Philips
0847 
Sagem
0847  1654 
Samsung
1696 
Scientific Atlanta 0507 
Tele+1
0473 
Telepiu
0473 
Telewest
1098  1090 
Telsey
1660 
Thomson
1764  1612 
Trans PX
0306 
UPC
1612 
US Electronics 0306 
Visiopass
0847 
VIDAC
Gateway
1302 
Hewlett Packard 1302 
Microsoft
1302 
Pinnacle Systems 1477 
Sony
1302 
CD
Advantage
0062 
Aiwa
0187 
Arcam
0187  2010
Audio Research 0187 
Audiolab
0187 
Audiomeca
0187 
Audioton
0187 
Balanced Audio 0187 
Technology
Cairn
0187 
California Audio 0059  0333 
Labs
Cambridge
0187 
Audio
Carver
0187 
CCE
0187 
Copland
0423 
Cyrus
0187 
Denon
0033  0796  0656 
DKK
0030 
Dual
0033 
Dynaco
0187 
Elektra
0423 
Garrard
0423 
Genexxa
0030  0062 
Goldmund
0187 
Grundig
0187 
Harman/Kardon 0187 
Hitachi
0062 
JVC
0102 
Kenwood
0220  0656  0066 
Krell
0187 
Linn
0187 
Loewe
0187 
Magnavox
0187 
Marantz
0187  0656  0059 
Matsui
0187 
MCS
0059 
Memorex
0062 
Meridian
0187 
Micromega
0187 
Mission
0187 
Musical Fidelity 0423 
Myryad
0187 
NAD
0751  0030 
Naim
0187 
NSM
0187 
Onkyo
0131 
Optimus
0030  0062 
Orion
0423 
Panasonic
0333  0059 
Philips
0187  0656 
Pioneer
0062 
Primare
0187 
Proton
0187 
QED
0187 
Quad
0187 
Quasar
0059 
Radiola
0187 
Restek
0187 
Revox
0187 
Rotel
0187 
SAE
0187 
Sansui
0187 
Siemens
0187 
Simaudio
0187 
Sony
0030  0520  0187 
Tag McLaren
0187 
Tandy
Teac
Technics
Thorens
Thule Audio
Traxdata
Universum
Victor
Wards
Yamaha
Zonda
0062 
0423 
0333  0059 
0187 
0187 
0656 
0187 
0102 
0187 
0066  0520  0062 
0187 
Magnavox
TUNER
AEG
AFK
Aiwa
1420 
1419 
0151  0219  1088 
1188  1288  1652 
Akai
0639  1250  1420 
All-Tel
1420 
Anam
0639 
Arcam
0219  1119  1219 
1299  1319  2009
ASCOMTEC
1419 
Audiolab
1119  1219  1299 
1319  0219 
Audiosonic
1419 
Audiovox
1420 
Audioworld
1420 
Balanced Audio
1119  1219  1299 
Technology
1319  0219 
Bang & Olufsen
0829 
Basic Line
1584 
Belson
1419 
Blue Sky
1420 
Bose
1259  1385 
Bush
1119  1219  1299 
1319 
Cairn
0219 
Cambridge Audio 0219  1219 
Carver
0219  1119  1219 
CCE
1382 
Centrum
1250  1584  1419 
Classic
1382 
Clatronic
1250 
Copland
1119  1219  1299 
1319 
Denon
1390  1134 
Denver
1419 
Diamond
1420 
DK digital
1450 
DMTECH
1420 
Dual
1250  1420  1450 
Electro­com­paniet 1219 
Elta
1420 
Fisher
1831 
Genexxa
0216 
Goldmund
0219  1119  1219 
1299  1319 
Goodmans
0639  1229  1450 
1641  1419 
Grundig
1119  1219  1299 
1319  0219 
Hanseatic
1420 
Harman/Kardon 1334  1119  1219 
1299  1319  0219 
HCM
1420 
HE
1419 
Hitachi
1831  1250  1584 
Hiteker
1419 
Integra
0165  1350 
JVC
0104  1404  1229 
1525 
Kenwood
1057  1343  1599 
0216 
KLH
1420 
KXD
1419 
Lenoxx
1641 
Lenoxx Sound
1641 
LG
1323 
Linn
0219  1119  1219 
1299  1319 
Loewe
1119  1219  1299 
1319  0219 
68
Magnum
Marantz
Mark
MBO
Medion
MEI
Melectronic
Meridian
Metz
Micromaxx
Micromega
Mitsubishi
Mustek
Myryad
NAD
Naim
Nikkai
Nikko
Norcent
Okano
Onkyo
Optimus
Palladium
Panasonic
Philco
Philips
Pioneer
Polk Audio
Proline
Proson
Provision
QONIX
Quad
Radiola
Radionette
RCA
Red Star
Restek
Revox
Revoy
Roadstar
Rotel
Saba
Samsung
Sansui
Sanyo
Schneider
SEG
Sharp
Sherwood
Siemens
Silva Schneider
Sony
Soundwave
Sunfire
0219  1119  1219 
1299 
1641 
0219  1119  1219 
1299  1319 
1119  1219  1299 
1319 
1382 
1450 
1420 
0639 
1119  1219  1299 
1319 
1584 
1450 
1119  1219  1299 
1319  0219 
0206 
1382 
1219  1119  1299 
1319  0219 
0350  0639 
1119  1219  1299 
1319 
1419 
0639 
1419 
0639 
0165  1350 
0216  1053 
1250 
1548  1338  1339 
1793  1809  1795 
1420 
0219  1219  1299 
1119  1319 
1053  0216  1119 
1219  1299  1319 
1489 
1319 
1420 
0639 
1419 
1450 
1119  1219  1299 
1319 
1119  1219  1299 
1319  0219 
1664  1323 
1184  1420  1489 
1419 
0219 
1119  1219  1299 
1319  0219  0216 
1119  1219  1299 
1319 
1641 
0823 
1184 
1325  1229 
0219  1119  0639 
1831 
1420  1229  1250 
1584 
0216  1664  1644 
0683 
0639 
1323 
1188  1288  1888 
1789  1088  1688 
1752  1652  1142 
0639 
1343 
Sunstech
Tag McLaren
Teac
Technics
Techwood
Telefunken
Tevion
Thomson
Thorens
Toshiba
United
Universum
Venturer
Victor
Voxson
Waitec
Wards
Wharfedale
Yamaha
Yukai
1450 
1219 
1229  0639  1420 
1338  1339  1793 
1548  1795 
0639  1584 
1419 
1641 
1184  1384 
1219  1119  1299 
1319  0219 
1602 
1420 
1250  0639  1420 
1119  1219  1299 
1319  0219 
1420 
0104 
1450 
1382 
0219 
0639  1420 
0206  1361  1306 
0216  0742 
1382 
DVD
3D LAB
0569 
4Kus
1188 
A-Trend
0744 
Acoustic Solutions 0760  0743  1258 
AEG
0818  0800  0820 
AFK
1258  1182 
Aim
0808  0702 
Airis
1254  1351  0702 
1035  1375 
Aiwa
0725  0899  0563 
Akai
0820  0809  0800 
0818  0725  1145 
0928  0746  0743 
0882  0735  1725 
1263 
Akashi
0868 
AKI
1035 
Akira
0808  1351 
Akura
1201  0928  1081 
1170 
Alba
0747  0743  0753 
0725  0760  0569 
0702  1170  1081 
1560  1725 
Alize
1181 
All-Tel
0820  1481  0865 
Amitech
0800  0880 
Amoi
0882 
Amoisonic
0865 
Amstrad
0743  1145  1181 
1601 
AMW
0902 
Ansonic
0789  0861 
Apex Digital
0702  0747  1034 
Arcam
0762
Arena
0882 
Asono
1254 
ATACOM
1254 
Audiovox
0820  0747 
Audioworld
0820 
Audix
1134  1182 
Autovox
0743 
Auvio
0873 
Avious
1195 
AWA
0760  0902 
Axion
0760 
Base
1481 
Basic Line
0743 
Baze
1195  0928  0702 
BBK
0892  1254 
Bel Canto Design 1601 
Bellagio
0902 
Best Buy
0887 
Black Diamond 0743  0863 
Blaupunkt
0747 
Blu:sens
1263 
Blue Parade
0601 
Blue Sky
0743  0725  0702 
0873  0808  0681 
0820 
BNI
1351 
Boghe
1034 
Boman
0818  0928  1035 
Brainwave
0800  1145 
Brandt
0681  0581  0533 
Broksonic
0725  1449 
Bush
0743  0725  0863 
1725  0760  0861 
0747  0808  0546 
0848  0753  1195 
1466  1449  1513 
1170 
C-Tech
0798  1182 
Cambridge Audio 1139  0781 
Campomatic
1081 
Digital
CAT
0819 
Celestial
0702 
cello
1760 
Centrex
0702  1034 
Centrum
0743  0819  0809 
1035 
CGV
0800  0781 
Cinea
0871 
Cineral
0760 
Cinetec
0743  0902 
CineVision
0899  0863 
Classic
0760  1760 
Clatronic
0818  0809  0848 
0702  1195  0705 
Clayton
0743 
Coby
0808  1137  0760 
1195  0882 
Codex
1263 
Conia
0702  0882  0546 
0865  1351 
Contel
0818 
Continental
0902  0861 
Edison
Craig
0861 
Crown
0800  0681 
Crypto
1258 
Cybercom
0861 
CyberHome
0744  0846 
Cytron
0746  0681  0735 
0861  1377 
D-Vision
1145 
Daenyx
0902 
Daewoo
0800  0863  0899 
1513  0735  0744 
1466  0902  0808 
Dalton
1066 
Dansai
0800  1145  1725 
Dantax
0753  0725 
Daytek
0902  1035 
Dayton
0902 
DCE
0861 
DEC
0808  0848 
Decca
0800 
Denon
0520  0664  1664 
Denver
0808  0818  0928 
0848  1137  1351 
0702 
Denzel
0695 
Diamond
0681  0798  0781 
0808  0753  0820 
Digihome
0743 
DigiLogic
0743 
digiRED
0747 
Digitor
1035 
Digitrex
0702  1034 
DiK
0861 
Dinamic
0818 
DiViDo
0735 
DK digital
0861 
DMTECH
0820  1301 
Dragon
0861 
DSE
1760  0863  1182 
Dual
0861  0743  0695 
0681  0760  0809 
0820 
Durabrand
0861  0743 
DVX
0798 
E-Boda
0753 
E-Dem
1254 
e:max
1263  1351 
EagleTec
0744 
eBench
1182 
Eclipse
0753  0781 
Electrohome
0800 
Elfunk
0880  0743 
Elin
0800 
Ellion
0880  1451 
Elta
0800  0818  0820 
1145  1181  1263 
1081 
Eltax
1351 
Emerson
0621  0705  0735 
0899 
ENG
1601 
Enterprise
0621 
Enzer
0695 
EuroLine
0818 1145 1263 0705 Ferguson
0681  1760  0928 
0743 
Finlux
0771  0800  0621 
0702  0781  1195 
Fintec
0743 
Firstline
0899  0681  1560 
Fisher
0700 
Funai
0725  0705 
Gateway
1188 
GE
0747 
General Electric 0747 
Germatic
1081 
Global Link
1254 
Global Solutions 0798 
Global Sphère
0798 
Go Video
0774  1188  0899 
0863 
GoldStar
0621  0771 
Goodmans
0743  1034  0753 
0781  0760  0681 
0820  0848  0863 
1170  1760 
GP Audio
1170 
GPX
0681  0771 
Gradiente
0681 
Graetz
0695 
Gran Prix
0861 
Grandin
0746  0702 
Greenhill
0747 
Grundig
0725  0735  0805 
0569  0681  0820 
0743  0700  0753 
1725  1034  1760 
1466  1513 
Grunkel
0800  0861 
H&B
0848  0743  0871 
0880  1263  1451 
Haaz
0798  0781 
Haier
0873 
Hanseatic
0771  0820 
Harman/Kardon 0732 
HCM
0818 
HDT
0735 
HE
0760 
Henß
0743 
HiMAX
0887  0873 
Hitachi
0694  0725  0809 
0695  0603  0887 
0743 
Hiteker
0702 
Höher
0861  1034  1254 
Home Electronics 0760  0800 
Home Tech
1254 
Industries
Hyundai
0880  1258 
Iekei
1137 
Ingelen
0818 
Inno Hit
0743 
Integra
0657 
Irradio
0771  1145  1254 
1263  0899  0800 
ISP
0725 
Jaton
0695 
JBL
0732 
JDB
0760 
JDV
1258 
Jeken
0808 
Jepssen
1213 
JMB
0725 
JNC
0702  1301 
JVC
0653  0588  1194 
0569  0533  0897 
jWIN
1081 
Kansai
1137 
Kansas
1263  1560 
Technologies
Kendo
0743  0861  0702 
1377 
Kennex
0800  0743  0928 
Kenwood
0564  0520 
KeyPlug
0800 
Kiiro
0800 
Kingavon
0848 
Kiss
0871  0695 
KLH
0820 
KLH Digital
0747 
Kodak
0848 
Koss
0681 
Kreisen
1451 
KXD
0887  1137  1351 
Lawson
0735  0746  0798 
Leiker
0902 
Lenco
0681  0800  0808 
0848  0743  0861 
1195 
Lenoir
1258 
Lenoxx
0868 
LG
0771  0601  0621 
1936  0899 
Lifetec
0681  0861  1377 
Limit
0746  0798 
LiteOn
1188 
Lodos
0743 
Loewe
0569  0771 
LogicLab
0798 
Logik
0743 
Logix
0735 
Lumatron
0735  1145  0771 
0863  1351  0743 
0760  0928 
Luxman
0603 
Luxor
1034  0743  1760 
0760 
Magnasonic
0681 
Magnavox
0533  0705  0848 
1170  0569  0743 
Magnex
0753  1195 
Magnum
1466 
Majestic
1137  1375 
Manhattan
Marantz
Mark
Marquant
Mastec
Matsui
Maxdorf
Maxent
Maxim
Maya
MBO
MDS
Mecotek
Medion
MEI
Memorex
Memory
Metz
MiCO
Micromaxx
Micromedia
Micromega
Microsoft
Microstar
Minax
Minerva
Minoka
Minowa
Mintek
Mitsubishi
Mizuda
Monyka
MPX
Mustek
Mx Onda
Mystral
NAD
Naiko
NEC
Neovia
Nesa
Neufunk
Nevir
Nintaus
Nordmende
Nowa
NU-TEC
Omni
Onix
Onkyo
Oopla
Oppo
Optim
Optimus
Orava
Orbit
Orion
Oritron
P&B
Pacific
Packard Bell
Palladium
Palsonic
Panasonic
0735  0743 
0569 
0743  0725  1725 
0800  1481 
1036 
0681  0743  0702 
0725  1760 
0818 
1377 
0743 
1375 
0760 
0808 
0800 
0861  1377  0681 
0746  1375  0660 
1195  1036 
0820 
0861 
0760  1081 
0601  0555  0743 
0753  0781  1253 
1725  0725  1377 
0533  0569 
0569 
0552 
0861 
0743 
0735 
0800  1145 
1195 
0747 
0743 
0848  0887  1481 
0695 
0873 
0760  1760 
0681  0781  0753 
1253 
0861 
0771 0800  1034 
0899  0621  0771 
1301 
0747 
0695 
0861  0800 
1081 
0861 
0873 
0546  1258 
0808  0863  1134 
1258 
0868 
0657  0533 
1188 
1254 
0873 
0601  0555 
0848 
0902 
0725  1725  1036 
1263  1449  0928 
0681 
0848  1481 
0798  0820  0789 
0743  0861 
0861 
0725  0809 
0865  0702  0882 
0520  1864  1938 
69
Panda
Papouw
peeKTON
Philco
Philips
Philo
Phonotrend
Pioneer
Plu2
Pointer
Polk Audio
Portland
Powerpoint
Presidian
Prima
Prinz
Prism
Pro2
ProCaster
Proline
Proscan
Proson
Prosonic
Provision
Pye
QONIX
Qwestar
Radionette
Raite
RCA
REC
Red Star
Relisys
Reoc
Revoy
Rex
Richmond
Rimax
Rio Audio
Roadstar
Rocksonic
Ronin
Rotel
Rowa
Rownsonic
Saba
Sabaki
Saivod
Salora
Sampo
Samsung
Sansui
Sanyo
Scan
ScanMagic
ScanSonic
SCE
Schaub Lorenz
0747  1137 
0563 
1254  0928 
0753  0892  0818 
0820 
0569  0676  1370 
0705  0533  1188 
1375 
1195 
0601  0661  1995 
0555  1601 
0880 
0800 
0569 
0800 
0902  1035 
0705 
1258 
0861 
1036  0861 
1375 
1034 
0681  0702  0820 
1034  1513  0863 
0552 
0743 
1137 
0848  1351  1137 
0760 
0676  0569 
0808  1081 
0681 
0771  0899  1936 
0695 
0552  0681  0820 
1995 
0520 
0789  0793  0800 
0818  0928  1137 
1375 
1377 
0798 
0871 
0868 
1263 
1181 
0899 
0743  0848  0760 
1081  0928  0863 
1257 
0819 
0902 
0653  0588 
0789  1034  0546 
0555  0747 
0819  0753 
0681  0581 
0798 
0789  0861  0800 
0771 
1377 
0603  0774  1962 
0520 
0725  0746  0798 
0753  0800  0781 
1258  1725 
0700  0903  0725 
0820  0743 
0735  0865  0880 
0760  1760 
0887 
0819 
0818  1195  0800 
Schneider
Scientific Labs
Scott
Seeltech
SEG
Semp
Shanghai
Sharp
Sherwood
Shinco
Siemssen
Sigmatek
Silva
Silva Schneider
SilverCrest
Singer
Sinudyne
Sistemas
Skymaster
Skyworth
Sliding
Slim Art
Slim Devices
SM Electronic
Smart
Sonashi
Sonic Blue
Soniko
Sony
Sound Color
Soundmaster
Soundmax
Spectra
Standard
Star Clusters
StarLogic
Starmedia
Strong
Sunfly
Sunkai
Sunstech
Sunwood
SuperDigital
Supervision
SVA
Sylvania
Symphonic
Synn
Tandberg
Tangent
Targa
Tatung
Tchibo
TCM
Teac
TEC
Technics
Technika
0861  0809  0569 
0735  0818  0743 
0681  0899  0820 
0676 
0798  1182 
0681  0702  1066 
1263 
1254  1481 
0743  0695  0798 
0902  0793  1560 
0533 
0702 
0660  1286  0743 
0725  1449 
0747  0771 
0747 
1412 
0887  1254 
0818  0928  0861 
0861  1936 
1182 
0746  0753  0781 
0798 
1170 
0702 
0760  0798 
0928 
1145 
0800 
0653 0563 
0760  0798 
0735  0743 
0746  0861 
0899 
0818 
0563  0894  1663 
0802  1100  2011 
1463  0603 
1263 
0798 
0798 
0902 
0681  0798  0818 
0861  0928 
0798  1257  1182 
1035 
0848  1254  1035 
0743 
0887 
0800  0880 
0861 0818 
1217 
0760  0798 
0702  0747 
0705  0660 
0705 
0798 
0743  1725 
1351 
0771  1188  1257 
0800 
0771 
0771 
0747  0771  0546 
0601  0798  0621 
0789  1036  0820 
1227  0863  1257 
1195  0705 
0928 
0520  1938 
0800  1145  0861 
1195 
Technosonic
Techwood
Tedelex
Telefunken
Teletech
Tensai
Tevion
Theta Digital
Thomson
Tokai
Tokiwa
Tom-Tec
Top Suxess
Toshiba
TRANScontinents
Transonic
Tredex
Trio
TruVision
TSM
TYT
Umax
United
Universal
Multimedia
Universum
Uptek
upXus
Urban Concepts
Venturer
Vestel
Vieta
Viewmaster
Voxson
VTrek
Waitec
Walkvision
Waltham
Welkin
Wellington
Weltstar
Wharfedale
Wilson
Windy Sam
Wintech
Woxter
XBox
XLogic
XMS
Xoro
Yakumo
Yamada
Yamaha
Yamakawa
Yukai
Zenith
1081  1145 
0743  1560  0569 
1258 
0820  0819  0818 
1258 
0743 
0681  0800 
0681  1066  1412 
0798  1257  0863 
1377  1760 
0601 
0581  0552 
0695  0928  0818 
0735  0746 
0819 
1254 
0533  0725  1075 
1540 
0902  0861  1195 
0702  1195 
0873 
0800 
0887  1481 
1254 
0735 
1181 
0818  0760  0820 
1258  0702  1195 
0725  1145  0798 
1263  0743  1182 
0705 
0798 
0771  0743  0621 
0809  1257  0820 
1560 
0793 
1375 
0533 
0820 
0743  1560 
0735 
0892  1254 
0760  0861 
1258 
1254 
0747 
1560 
0861 
0743 
0743 
0798  0753  0781 
0861  1263 
0603 
1217 
1181  1254 
0552 
0800  0798  1258 
0818  0800 
1213 
1034 
1034  0902  1181 
1188 
0569  0520  0676 
0695  0902  1134 
0760 
0533  0899  0621 
0771 
PVR
@sat
1330
@Sky
1364
Amstrad
1205
Arnion
1330
ASCI
1364
Astro
1130
Aurora
1463
Austar
1206
B@ytronic
1442
Brainwave
1244
British Sky
1205
Broadcasting
BSkyB
1205
Bush
1675
CanalSatellite
1369
Chess
1364
CityCom
1206
Comag
1442
DigiFusion
1675
DigiQuest
1330
Dream Multimedia1267
eMTech
1244
Foxtel
1206 1386
Galaxis
1206
GbSAT
1244
Gecco
1442
General Satellite 1206
Globo
1364 1442
Hanseatic
1130
HB
1244
HDT
1189
Hirschmann
1442
Homecast
1244
Humax
1206 1457 1705
Hyundai
1189
ID Digital
1206
Imperial
1130 1364
Interstar
1244
Jaeger
1364
Jepssen
1244
Kathrein
1591
Kongque
1330
L&S Electronic
1364
Maximum
1364
Mediacom
1236
Medion
1364 1442
Multichoice
1463
Neotion
1364
Opentel
1442
Orbis
1364 1442
Orbitech
1130
Pace
1205 1386 1453
1880
Panasonic
1334
Pilotime
1369
Pino
1364
Premiere
1130 1206
Rebox
1244
Sagem
1283
Samsung
1236
Sat Control
1330
Satplus
1130
Schaub Lorenz
1244
Schneider
1236
Schwaiger
1364 1442
Siemens
1364
Sky
1205
SKY Italia
1878 1880
Sky XL
SKY+
Skymaster
skyplus
Stream
Strong
Sunny
Systec
TechniSat
Technosat
Telestar
Televes
Tevion
Thomson
Topfield
TPS
UEC
Worldsat
XSat
Xtreme
Zehnder
Zinwell
1442
1205
1364
1364 1442
1878
1189 1330
1330
1364
1130
1236
1130 1364
1244 1330 1364
1364
1205 1930
1236 1575 1813
1283
1386
1244
1244
1330
1364 1442
1206
CityCom
SAT
@sat
@Sky
ABsat
ADB
Adcom
Akai
Alba
Allsat
Allsonic
Alltech
Allvision
Alpha
Amitronica
Ampere
Amstrad
Anglo
Ankaro
AntSat
Arcon
Armstrong
Arnion
ASA
Asat
ASCI
ASLF
AssCom
Aston
Astra
Astratec
Astro
Audioline
Aurora
Austar
Axil
Axis
B@ytronic
Bentley Walker
Best
Big Sat
Black Diamond
Blaupunkt
Blue Sky
Blue Star
Boca
Boston
Brainwave
British Sky
Broadcasting
Broco
BSkyB
BT
Bubu Sat
Bush
Canal Digital
Canal+
CanalSatellite
Centrex
CGV
Cherokee
Chesley
Chess
1330 
1364 
1353  0743 
0672  0917  1289 
1397  1503  1521 
0230 
0230 
0743  1314 
0230  1047 
0399 
0743 
1262 
0230 
0743 
0162 
0877  1205  0743 
0162  1143 
0743 
0399  0743  1309 
1047 
1309  0162  1105 
0230 
1330 
0329 
0230 
1364 
0743 
0883 
1159  1291 
0743 
1773 
0163  0203  0399 
0688  1143  1129 
1130  0230 
1459 
0909  0672  1463 
1289  0672  0909 
1206 
1487 
1141  0399 
1442 
1047 
0399 
1487 
1314 
0203 
0743 
1309 
0162  1396  0743 
1262 
0162 
1244  0688  1702 
0877  1205 
0743 
0877  1205 
1326 
0743 
1501  1702  1675 
1773 
1883  0883  0197 
1076 
0883  1883 
0883  1369  1883 
1577 
1443 
1353 
1577 
1364  0743  1656 
1206  1262  0329 
0848  0534  1105 
1443 
1397 
0162 
0162 
0162  1396  1443 
1262  1442 
Condor
0399 
Connexions
0399 
Conrad
0399  0162 
Coship
1487 
Crown
1314 
Cyrus
0230 
D-box
1144  0753 
Daewoo
1326  0743  1773 
1141 
Deltasat
1105 
DGTEC
1272  1572 
Digatron
1324 
Digenius
0329  1191 
DigiFusion
1675  1773 
Diginet
1577 
DigiQuest
1487  1330 
DigiSat
1262 
Digisky
1487 
Digital+
1883 
DigitAll World
1257 
DiPro
1577  1503  1397 
DirecTV
0129  0886 
Distratel
1313 
Distrisat
0230 
DMT
1105 
DNT
0230 
Dream Multimedia 1267 
DStv
0672  0909 
Dune
0399 
Durabrand
1314 
Echostar
1230  0640  0197 
0883  0743  1353 
1503  1439  1797 
Einhell
0162  0743 
Elap
0743  1159  1597 
Elsat
0743 
Elta
0230  0399 
Emme Esse
0399 
eMTech
1244 
Engel
1047  0743  1281 
EuroLine
1281 
Europa
0230 
Europhon
0329  0162 
Eurosat
1597 
Eurosky
0162  0329  0399 
Eurostar
0848 
Eutelsat
0743 
Eycos
1309 
Fenner
0743  0399 
Ferguson
1321  0741  1773 
Flair Mate
0743 
FMD
1281  1487  1443 
Force
1224 
Fortec Star
1047 
Foxtel
1386  0909  0750 
1206  1192 
Fracarro
0155 
Freecom
0203 
FTEmaximal
0399  0743 
Fuba
1831  0399  0203 
1191  0329  1281 
Fugionkyo
0155 
Galaxis
1141  1206  0883 
0399  0909 
Clatronic
CNS
Colombia
Columbia
Comag
70
Gardiner
Garnet
GbSAT
Gecco
General Satellite
Globo
GOD Digital
Gold Box
Gold Vision
Golden Interstar
Goodmans
Gradiente
Grundig
H&B
Hanseatic
Hänsel & Gretel
Hauppauge
HB
HDT
HE@D
Hills
Hirschmann
Hitachi
HNE
Homecast
Humax
Huth
Hyundai
iCan
ID Digital
Imperial
International
Interstar
iotronic
ITT Nokia
Jadeworld
Jaeger
Jepssen
K-SAT
Kamm
Kaon
KaTelco
Kathrein
Kennex
Kenwood
Key West
Kongque
Kreiling
Kreiselmeyer
Kyostar
L&S Electronic
Labgear
LaSAT
Lenco
Lennox
Lenoxx
Lexus
LG
Lifesat
Lodos
Logik
0848 
1105 
1244 
1442  1303 
1206 
1281  1656  1442 
1459  1364 
0230 
0883 
1047 
1313 
1314 
0917 
0203  0877  1321 
0909  0883 
1577 
1129  1130 
0162 
1324  1702 
1244 
1189 
1309 
1262 
1141  1143  0203 
0329  1262  0399 
0155  1442 
1314 
1262  0162 
1244 
1206  1457  1705 
1255  1773 
0162  1047  1105 
1189  1105 
1397 
1206 
1459  1364  1129 
1130  1225  1227 
0230  1702 
0162 
1047  1244 
0162 
0753 
0672 
1364 
1244 
0743 
0743 
1330 
1141 
0534  1597  0510 
1591  0688  0203 
0230  0743  0848 
1353  1446 
0155 
0883 
0162 
1330 
0688 
0203 
0162 
0399  0162  1364 
1326 
0399  0162  0329 
0743  0399 
0399 
1641 
0230 
1444  1105 
0162  0399  0329 
0743 
1314 
1314 
Logix
Lorenzen
1047  1105 
0329  1324  1191 
0162 
Lupus
0399 
Macab
0883 
Madritel
0672 
Manata
0743  0162 
Manhattan
1047 
Marantz
0230 
Maspro
0743  0203 
Matsui
0203  1773 
Maximum
1105  1364 
MDS
1255 
Mediabox
0883 
Mediacom
1236 
MediaSat
0883 
Medion
1262  0329  0743 
0162  1105  1442 
1656  1364  0399 
Medison
0743 
Mega
0230 
Melectronic
0848 
Metronic
0743  1309  1313 
0848  0162 
Metz
0203 
Micro
0743  1324 
Micro electronic 0743 
Micro Technology 0743 
Micromaxx
0329  0399 
Microstar
1105 
Microtec
0743 
Morgan’s
0230  0743  0162 
1439 
Motorola
0886 
Multichoice
0672  0909  1463 
Myryad
0230 
Mysat
0743 
Neotion
1364 
Netgem
1352 
Netsat
0917  0129 
Neuf TV
1352 
Neuhaus
0743 
Neuling
1262 
Neusat
0743  1309 
Neveling
1191 
NextWave
1047 
Nikko
0743  0753  0230 
Nokia
1144  1253  1053 
0753  0883  1753 
Nordmende
1641 
Nova
0909 
OctalTV
1324 
Opentel
1262  1442 
Optex
1313  0743  1641 
Optus
0909  0883 
Orbis
1364  1442 
Orbitech
1129  1130  0230 
P/Sat
1262 
Pace
0877  0917  1205 
1386  1880  0271 
1353  0821  0750 
0230  0883  1453 
Pacific
1314 
Packard Bell
1141 
Palcom
0329  1191  1439 
Panasat
0909 
Panasonic
0877  1334  1434 
Panda
0203 
Patriot
0162 
peeKTON
1487 
Philips
0230  1144  0883 
0129  0163  0848 
1702  0203  1459 
Phoenix
1303 
Phonotrend
1047  1230 
Pilotime
1369 
Pino
1364 
Pioneer
0883  1338  0382 
Portland
1326 
Power Sky
1309 
Preisner
0162  1143  1396 
Premiere
0883  1144  0753 
1141  1206  1225 
1130  0688 
Primacom
1141 
QNS
1397  1434 
Quadral
0399  1353 
Quelle
0329 
Radiola
0230 
Radix
1143 
RCA
1321 
Rebox
1244 
Red Star
0399 
Regal
1281 
RFT
0230 
Roadstar
0743  0883 
Rover
0743  0399 
Rownsonic
1597 
S-ZWO
1237 
SAB
1281 
Sagem
1144  1283  1720 
Samsung
1273  1600  1488 
1047  1236  0883 
Sat Control
1330 
Sat Team
0743 
SAT+
1439 
Satec
0743 
Satelco
0399 
Satplus
1130 
Schaub Lorenz
1244 
Schneider
1281  1236 
Schwaiger
0534  1364  1487 
1442  1141  0162 
1105 
SCS
0329 
Sedea Electronique 0155  0162  1313 
1656  1309 
SEG
1281  0399  1656 
1105 
Serino
0640 
Servimat
1641 
ServiSat
1281  0743 
Sherwood
1641 
Siemens
0203  1459  1364 
Silva
0329 
Skantin
0743 
SKR
0743 
Sky
0129  0877  0886 
0917  1205  0741 
SKY Brasil
0672  0917 
SKY Italia
1878  1880 
Sky XL
1442  1281 
SKY+
1205 
Skymaster
0743  1439  1230 
1105  1641  1364 
Skymax
0230 
skyplus
1262  1364  1442 
SkySat
0743 
SL
0162  1702 
SM Electronic
0743  1230  1105 
Smart
Soniq
Sony
SR
Star Sat
Starland
Stream
Strong
Sunny
Sunny Sound
Sunsat
Sunstar
Supermax
Systec
Tarbs
TBoston
Teac
Tecatel
TechniSat
Technomate
Technosat
Technosonic
Technotrend
Technowelt
Techsan
Techwood
tekComm
Tele System
Tele System
Electronic
TeleClub
Telecom
Telestar
Televes
Televisa
Telewire
Tevion
Thomson
Tiny
Tioko
Tokai
Tonna
Topfield
TPS
Triax
Trio
TT-micro
Turnsat
Twinner
UEC
Unimax
Unisat
United
Universum
Van Hunen
Variosat
1303  0162  0329 
1143  1262  0743 
1443 
1597 
0877  1588  0312 
0883 
0162 
0162 
0743 
1878 
0155  1397  1439 
1656  0399  0909 
0883  1189  1330 
1503  1314 
1330 
0399 
0743 
0399  0162  0672 
1313 
0162  1364 
1255 
1487 
1257  1255  1352 
1230 
1129  1130  1225 
1227  0230  1352 
1313 
1236 
1702 
1459 
0162 
1047 
1314  1656 
1047 
1281  1439  1641 
1831 
1641 
Vega
Ventana
Vestel
VH-Sat
Viasat
Visionic
Visiosat
Vivid
VTech
Wavelength
Wharfedale
Winbox
Wisi
Worldsat
XMS
Xrypton
XSat
Xtreme
YES
Yess
Zehnder
Zenith
Zeta Technology
Zinwell
Zodiac
0399 
0230 
1281 
1191  0329 
1353  1053 
0155  1309 
0743  1159  1487 
1192 
0848 
1262  1443 
1314 
1831 
0203  0329  0162 
1503  1244  1281 
1105 
0399 
0743  1244  0877 
1353 
1330 
0917 
1577 
1281  1262  1364 
1442  1105  1443 
0534  0848  0399 
0886 
0230 
1206 
1831 
1397 
0743 
1129  1130  0230 
1281  1364  1656 
0162  1244  1330 
1364  1439 
0917 
1262 
1364  1702  0743 
1439  1597 
0741  0877  1321 
1930  0743  1205 
0883  1076 
1702 
0162 
0230 
1641  0743 
1236  1237  1575 
1813 
1283 
0230  0743  0883 
1281  1326  1321 
0162  1129  1143 
1257  1656 
1105 
1459 
0743 
0162  0743 
0909  1192  1386 
1577 
0230  0162 
1281 
0203  0329  1129 
1191  0329 
0203 
71
SH222E Issue 4
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