Roland JD-Xi Analog/Digital Crossover Synthesizer Interaktif Owner's Manual

MIDI Implementation

Model: JD-Xi

Date: May 1, 2015

Version: 1.00

1. Data Reception (Sound

Source Section)

9 Channel Voice Messages

7 Note off

Status 2nd byte 3rd byte

8nH kkH vvH

9nH kkH 00H n = MIDI channel number: kk = note number: vv = note off velocity:

7 Note on


9nH kkH vvH n = MIDI channel number: kk = note number: vv = note on velocity:

7 Polyphonic Key Pressure


AnH kkH vvH n = MIDI channel number: kk = note number: vv = Polyphonic Key Pressure:

0H - FH (ch.1 - 16)

00H - 7FH (0 - 127)

00H - 7FH (0 - 127)

* Not received when the Receive Polyphonic Key Pressure parameter

(SysEx) is OFF.

7 Control Change

0H - FH (ch.1 - 16)

00H - 7FH (0 - 127)

00H - 7FH (0 - 127)

0H - FH (ch.1 - 16)

00H - 7FH (0 - 127)

01H - 7FH (1 - 127)

6 Bank Select (Controller number 0, 32)


BnH 00H mmH

BnH 20H llH n = MIDI channel number: mm, ll = Bank number: bank.16384)

0H - FH (ch.1 - 16)

00 00H - 7F 7FH (bank.1 -

* Not received when the Receive Bank Select parameter (SysEx) is OFF.

The Programs corresponding to each Bank Select are as follows.

BANK SELECT | PROGRAM | GROUP | NUMBER

MSB | LSB | NUMBER | |

-----+-----------+-----------+----------------------------+-----------

085 | 000 | 001 - 064 | User Bank Program (E) | E01 - E64

085 | 000 | 065 - 128 | User Bank Program (F) | F01 - F64

085 | 001 | 001 - 064 | User Bank Program (G) | G01 - G64

085 | 001 | 065 - 128 | User Bank Program (H) | H01 - H64

-----+-----------+-----------+----------------------------+-----------

085 | 064 | 001 - 064 | Preset Bank Program (A) | A01 - A64

085 | 064 | 065 - 128 | Preset Bank Program (B) | B01 - B64

085 | 065 | 001 - 064 | Preset Bank Program (C) | C01 - C64

085 | 065 | 065 - 128 | Preset Bank Program (D) | D01 - D64

-----+-----------+-----------+----------------------------+-----------

085 | 096 | 001 - 064 | Extra Bank Program (S) | S01 - S64

| : | : | : | :

085 | 103 | 001 - 064 | Extra Bank Program (Z) | Z01 - Z64

The SuperNATURAL Synth Tones corresponding to each Bank Select are as follows.



-----+-----------+-----------+----------------------------+-----------

095 | 064 | 001 - 128 | SuperNATURAL Synth Tone | 001 - 128

095 | 065 | 001 - 128 | SuperNATURAL Synth Tone | 129 - 256

The Analog Synth Tones corresponding to each Bank Select are as follows.



-----+-----------+-----------+----------------------------+-----------

094 | 064 | 001 - 064 | Analog Synth Tone | 001 - 064

The Drum Kits corresponding to each Bank Select are as follows.



-----+-----------+-----------+----------------------------+-----------

086 | 064 | 001 - 033 | Drum Kit | 001 - 033

6 Modulation (Controller number 1)


BnH 01H vvH n = MIDI channel number: vv = Modulation depth:

0H - FH (ch.1 - 16)

00H - 7FH (0 - 127)

* Not received when the Receive Modulation parameter (SysEx) is OFF.

6 Portamento Time (Controller number 5)


BnH 05H vvH n = MIDI channel number: vv = Portamento Time:

0H - FH (ch.1 - 16)

00H - 7FH (0 - 127)

* The Portamento Time parameter (TONE:COMMON) will change.

6 Data Entry (Controller number 6, 38)


BnH 06H mmH

BnH 26H llH n = MIDI channel number: 0H - FH (ch.1 - 16) mm, ll = the value of the parameter specified by RPN/NRPN mm = MSB, ll = LSB

6 Volume (Controller number 7)


BnH 07H vvH n = MIDI channel number: vv = Volume:

0H - FH (ch.1 - 16)

00H - 7FH (0 - 127)

* Not received when the Receive Volume parameter (SysEx) is OFF.

* The Part Level parameter (PROG:MAIN) will change.

6 Panpot (Controller number 10)


BnH 0AH vvH n = MIDI channel number: vv = Panpot:

- Right),

0H - FH (ch.1 - 16)

00H - 40H - 7FH (Left - Center

* Not received when the Receive Pan parameter (SysEx) is OFF.

* The Part Pan parameter (PROG:MAIN) will change.

6 Expression (Controller number 11)


BnH 0BH vvH n = MIDI channel number: vv = Expression:

0H - FH (ch.1 - 16)

00H - 7FH (0 - 127)

* Not received when the Receive Expression parameter (SysEx) is OFF.

© 2015 ROLAND CORPORATION

1

01

6 Hold 1 (Controller number 64)


BnH 40H vvH n = MIDI channel number: vv = Control value:

OFF, 64-127 = ON

0H - FH (ch.1 - 16)

00H - 7FH (0 - 127) 0-63 =

* Not received when the Receive Hold-1 parameter (SysEx) is OFF.

6 Portamento (Controller number 65)


BnH 41H vvH n = MIDI channel number: vv = Control value:

OFF, 64-127 = ON

0H - FH (ch.1 - 16)

00H - 7FH (0 - 127) 0-63 =

* The Part Portamento Switch parameter (PROG:PITCH) will change.

6 Resonance (Controller number 71)


BnH 47H vvH n = MIDI channel number: 0H - FH (ch.1 - 16) vv= Resonance value (relative change): 00H - 40H - 7FH (-64 - 0 -

+63),

* The Part Resonance Offset parameter (PROG:OFFSET) will change.

6 Release Time (Controller number 72)


BnH 48H vvH n = MIDI channel number: 0H - FH (ch.1 - 16) vv = Release Time value (relative change): 00H - 40H - 7FH (-64 - 0 -

+63),

* The Part Release Time Offset parameter (PROG:OFFSET) will change.

6 Attack time (Controller number 73)


BnH 49H vvH n = MIDI channel number: 0H - FH (ch.1 - 16) vv = Attack time value (relative change): 00H - 40H - 7FH (-64 - 0 -

+63),

* The Part Attack Time Offset parameter (PROG:OFFSET) will change.

6 Cutoff (Controller number 74)


BnH 4AH vvH n = MIDI channel number: vv = Cutoff value (relative change):

+63)

0H - FH (ch.1 - 16)

00H - 40H - 7FH (-64 - 0 -

* The Part Cutoff Offset parameter (PROG:OFFSET) will change.

6 Decay Time (Controller number 75)


BnH 4BH vvH n = MIDI channel number: 0H - FH (ch.1 - 16) vv = Decay Time value (relative change): 00H - 40H - 7FH (-64 - 0 -

+63)

* The Part Decay Time Offset parameter (PROG:OFFSET) will change.

6 Vibrato Rate (Controller number 76)


BnH 4CH vvH n = MIDI channel number: 0H - FH (ch.1 - 16) vv = Vibrato Rate value (relative change): 00H - 40H - 7FH (-64 - 0 -

+63)

* The Part Vibrato Rate parameter (PROG:OFFSET) will change.

6 Vibrato Depth (Controller number 77)


BnH 4DH vvH n = MIDI channel number: 0H - FH (ch.1 - 16) vv = Vibrato Depth Value (relative change): 00H - 40H - 7FH (-64 - 0 -

+63)

* The Part Vibrato Depth parameter (PROG:OFFSET) will change.

6 Vibrato Delay (Controller number 78)


BnH 4EH vvH n = MIDI channel number: 0H - FH (ch.1 - 16) vv = Vibrato Delay value (relative change): 00H - 40H - 7FH (-64 - 0 -

+63)

* The Part Vibrato Delay parameter (PROG:OFFSET) will change.

6 General Purpose Effect 1 (Reverb Send Level)

(Controller number 91)


BnH 5BH vvH n = MIDI channel number: vv = Reverb Send Level:

0H - FH (ch.1 - 16)

00H - 7FH (0 - 127)

* The Part Reverb Send Level parameter (PROG:MAIN) will change.

6 General Purpose Effect 4 (Delay Send Level)

(Controller number 94)


BnH 5EH vvH n = MIDI channel number: vv = Delay Send Level:

0H - FH (ch.1 - 16)

00H - 7FH (0 - 127)

* The Part Delay Send Level parameter (PROG:MAIN) will change.

6 NRPN MSB/LSB (Controller number 98, 99)


BnH 63H mmH

BnH 62H llH n = MIDI channel number: 0H - FH (ch.1 - 16) mm = upper byte (MSB) of parameter number specified by NRPN ll = lower byte (LSB) of parameter number specified by NRPN

<<< NRPN >>>

The NRPN (Non Registerd Parameter Number) message allows an extended range of control changes to be used. On this unit, NRPN messages can be used to modify sound parameters etc.

To use these messages, you must first use NRPN messages (Controller number 98 and 99, their order does not matter) to specify the parameter to be controlled, and then use Data Entry messages to specify the value of the specified parameter. Once an NRPN parameters has been specified, all Data Entry messages received on that channel will modify the value of that parameter. To prevent accidents, it is recomended that you set RPN Null (RPN Number = 7FH/7FH) when you have finished setting the value of the desired parameter.

* For more about the NRPN that JD-Xi receive, refer to Control Change

Message List (p. 14).

2

6 RPN MSB/LSB (Controller number 100, 101)


BnH 65H mmH

BnH 64H llH n = MIDI channel number: 0H - FH (ch.1 - 16) mm = upper byte (MSB) of parameter number specified by RPN ll = lower byte (LSB) of parameter number specified by RPN

<<< RPN >>>

Control Changes include RPN (Registered Parameter Numbers), which are extended.

When using RPNs, first RPN (Controller numbers 100 and 101; they can be sent in any order) should be sent in order to select the parameter, then Data Entry (Controller numbers 6 and 38) should be sent to set the value. Once RPN messages are received, Data Entry messages that is received at the same MIDI channel after that are recognized as changing toward the value of the RPN messages. In order not to make any mistakes, transmitting RPN Null is recommended after setting parameters you need.

This device receives the following RPNs.

RPN Data entry

MSB, LSB MSB, LSB Notes

00H, 00H mmH, llH Pitch Bend Sensitivity

* mm: 00H - 18H (0 - 24 semitones) ll: ignored (processed as 00H)

Up to 2 octave can be specified in semitone steps.

The Part Pitch Bend Range parameter (PROG:PITCH) will change.

00H, 01H mmH, llH Channel Fine Tuning mm, ll: 20 00H - 40 00H - 60 00H

(-4096 x 100 / 8192 - 0 - +4096 x 100 / 8192 cent)

* The Part Fine Tune parameter (PROG:PITCH) will change.

00H, 02H mmH, llH Channel Coarse Tuning mm: 10H - 40H - 70H (-48 - 0 - +48 semitones) ll: ignored (processed as 00H)

* The Part Coarse Tune parameter (PROG:PITCH) will change.

7FH, 7FH ---, --- RPN null

RPN and NRPN will be set as “unspecified.” Once this setting has been made, subsequent mm, ll:

Parameter values that were previously set will not change.

ignored

9 Channel Mode Messages

7 All Sounds Off (Controller number 120)


BnH 78H 00H n = MIDI channel number: 0H - FH (ch.1 - 16)

* When this message is received, all notes currently sounding on the corresponding channel will be turned off.

7 Reset All Controllers (Controller number 121)



* When this message is received, the following controllers will be set to their reset values.

Controller Reset value

Pitch Bend Change +/-0 (center)

Channel Pressure

Modulation

Expression

Hold 1

RPN

NRPN

0 (off)

0 (off)

127 (max)

However the controller will be at minimum.

0 (off) unset; previously set data will not change unset; previously set data will not change

7 All Notes Off (Controller number 123)


BnH 7BH 00H n = MIDI channel number: 0H - FH (ch.1 - 16)

* When All Notes Off is received, all notes on the corresponding channel will be turned off. However, if Hold 1 is ON, the sound will be continued until these are turned off.

7 Program Change

Status 2nd byte

CnH ppH n = MIDI channel number: pp = Program number:

0H - FH (ch.1 - 16)

00H - 7FH (prog.1 - prog.128)

* Not received when the Receive Program Change parameter (SysEx) is

OFF.

7 OMNI OFF (Controller number 124)


BnH 7CH 00H n = MIDI channel number: 0H - FH (ch.1 - 16)

* The same processing will be carried out as when All Notes Off is received.

7 Channel Pressure

Status 2nd byte

DnH vvH n = MIDI channel number: vv = Channel Pressure:

0H - FH (ch.1 - 16)

00H - 7FH (0 - 127)

* Not received when the Receive Channel Press parameter (SysEx) is

OFF.

7 OMNI ON (Controller number 125)


BnH 7DH 00H n = MIDI channel number: 0H - FH (ch.1 - 16)

* The same processing will be carried out as when All Notes Off is received. OMNI ON will not be turned on.

7 Pitch Bend Change


EnH llH mmH n = MIDI channel number: mm, ll = Pitch Bend value:

- 0 - +8191)

0H - FH (ch.1 - 16)

00 00H - 40 00H - 7F 7FH (-8192

* Not received when the Receive Pitch Bend parameter (SysEx) is OFF.

7 MONO (Controller number 126)


BnH 7EH mmH n = MIDI channel number: mm = mono number:

0H - FH (ch.1 - 16)

00H - 10H (0 - 16)


* Not received on the Analog part.

3

7 POLY (Controller number 127)


BnH 7FH 00H n = MIDI channel number: 0H - FH (ch.1 - 16)


* Not received on the Analog part.

9 System Realtime Message

7 Timing Clock

Status

F8H

* Received when Sync Mode parameter (SYSTEM:MIDI) is set to SLAVE.

7 Active Sensing

Status

FEH

* When Active Sensing is received, the unit will begin monitoring the intervals of all further messages. While monitoring, if the interval between messages exceeds 420 ms, the same processing will be carried out as when All Sounds Off, All Notes Off and Reset All

Controllers are received, and message interval monitoring will be halted.

9 System Exclusive Message

Status

F0H

Data byte iiH, ddH, ......,eeH

Status

F7H

F0H: ii = ID number:

System Exclusive Message status

an ID number (manufacturer ID) to indicate the manufacturer whose Exclusive message this is.

Roland’s manufacturer ID is 41H.

ID numbers 7EH and 7FH are extensions of the MIDI standard; Universal Non-realtime Messages (7EH) and Universal Realtime Messages (7FH).

dd,...,ee = data: 00H - 7FH (0 - 127)

F7H: EOX (End Of Exclusive)

Of the System Exclusive messages received by this device, the

Universal Non-realtime messages and the Universal Realtime messages and the Data Request (RQ1) messages and the Data Set (DT1) messages will be set automatically.

7FH

7FH

04H

01H llH mmH

F7H

ID number (universal realtime message)

Device ID (Broadcast)

Sub ID#1 (Device Control)

Sub ID#2 (Master Volume)

Master Volume lower byte

Master Volume upper byte

EOX (End Of Exclusive)

* The lower byte (llH) of Master Volume will be handled as 00H.

6 Master Fine Tuning

Status

F0H 7FH, 7FH, 04H, 03H, llH, mmH F7H

Byte

F0H

7FH

7FH

04H

03H llH mmH

F7H

Explanation

Exclusive status




Sub ID#2 (Master Fine Tuning)

Master Fine Tuning LSB

Master Fine Tuning MSB

EOX (End Of Exclusive) mm, ll: 00 00H - 40 00H - 7F 7FH (-100 - 0 - +99.9 [cents])

* The Master Tune parameter (SYSTEM:SOUND) will change.

6 Master Coarse Tuning

Status

F0H 7FH, 7FH, 04H, 04H, llH, mmH F7

Byte

F0H

7FH

7FH

04H

04H llH mmH

F7H

Explanation

Exclusive status




Sub ID#2 (Master Coarse Tuning)

Master Coarse Tuning LSB

Master Coarse Tuning MSB

EOX (End Of Exclusive) llH: mmH: ignored (processed as 00H)

28H - 40H - 58H (-24 - 0 - +24 [semitones])

* The Master Key Shift parameter (SysEx) will change.

7 Universal Non-realtime System Exclusive

Messages

6 Identity Request Message

Status

F0H

Data byte Status

7EH, dev, 06H, 01H F7H

Byte

F0H

7EH dev

06H

01H

F7H

Explanation

Exclusive status

ID number (Universal Non-realtime Message)

Device ID (dev: 10H - 1FH, 7FH)

Sub ID#1 (General Information)

Sub ID#2 (Identity Request)

EOX (End Of Exclusive)

*

When this message is received, Identity Reply message (p. 6)

will be transmitted.

7 Universal Realtime System Exclusive

Messages

6 Master Volume

Status

F0H 7FH, 7FH, 04H, 01H, llH, mmH

Byte

F0H

Explanation

Exclusive status

F7H

4

7 Data Transmission

This instrument can use exclusive messages to exchange many varieties of internal settings with other devices.

The model ID of the exclusive messages used by this instrument is 00H

00H 00H 0EH.


6 Data Request 1 (RQ1)

This message requests the other device to transmit data. The address and size indicate the type and amount of data that is requested.

When a Data Request message is received, if the device is in a state in which it is able to transmit data, and if the address and size are appropriate, the requested data is transmitted as a Data Set 1 (DT1) message. If the conditions are not met, nothing is transmitted.

Status

F0H 41H, dev, 00H, 00H, 00H, 0EH, 11H, aaH, bbH, ccH, F7H ddH, ssH, ttH, uuH, vvH, sum

Byte

F0H

41H dev

00H

00H

00H

0EH

Remarks

Exclusive status

ID number (Roland) device ID (dev: 10H - 1FH, 7FH) model ID #1 (JD-Xi) model ID #2 (JD-Xi) model ID #3 (JD-Xi) model ID #4 (JD-Xi)

11H aaH command ID (RQ1) address MSB bbH address ccH address ddH ssH address LSB size MSB ttH size uuH size vvH size LSB sum checksum

F7H EOX (End Of Exclusive)

* The size of data that can be transmitted at one time is fixed for each type of data. And data requests must be made with a fixed starting address and size. Refer to the address and size given in

Parameter Address Map (p. 8).

*

For the checksum, refer to p. 16.

2. Data Transmission (Sound

Source Section)

7 Note off


8nH kkH vvH n = MIDI channel number: kk = note number: vv = note off velocity:

7 Note on



7 Control Change

0H - FH (ch.1 - 16)

00H - 7FH (0 - 127)

00H - 7FH (0 - 127)

0H - FH (ch.1 - 16)

00H - 7FH (0 - 127)

01H - 7FH (1 - 127)

6 Bank Select (Controller number 0, 32)


BnH 00H mmH

BnH 20H llH n = MIDI channel number: mm, ll = Bank number: bank.16384)

0H - FH (ch.1 - 16)

00 00H - 7F 7FH (bank.1 -

* These messages are transmitted when Program, Tone or Drum Kit is selected. But not transmitted when Transmit Bank Select parameter

(SysEx) is OFF.

6 Data set 1 (DT1)

Status

F0H 41H, dev, 00H, 00H, 00H, 0EH, 12H, aaH, bbH, ccH, ddH, eeH, ... ffH, sum

F7H

Byte

F0H

41H dev

00H

00H

00H

0EH

12H aaH bbH ccH ddH eeH

Explanation

Exclusive status

ID number (Roland)


Model ID #1 (JD-Xi)

Model ID #2 (JD-Xi)

Model ID #3 (JD-Xi)

Model ID #4 (JD-Xi)

Command ID (DT1)

Address MSB:

Address:

Address:

Address LSB:

Data:

upper byte of the starting address of the data to be sent

upper middle byte of the starting address of the data to be sent

lower middle byte of the starting address of the data to be sent

lower byte of the starting address of the data to be sent.

the actual data to be sent. Multiple bytes of data are transmitted in order starting from the address.

: ffH

:

Data sum Checksum


* The amount of data that can be transmitted at one time depends on the type of data, and data will be transmitted from the specified starting address and size. Refer to the address and size given in


* Data larger than 256 bytes will be divided into packets of 256 bytes or less, and each packet will be sent at an interval of about

*

20 ms.

Regarding the checksum, please refer to p. 16.

6 Modulation (Controller number 1)


BnH 01H vvH n = MIDI channel number: vv = Modulation depth:

0H - FH (ch.1 - 16)

00H - 7FH (0 - 127)

6 Portamento Time (Controller number 5)


BnH 05H vvH n = MIDI channel number: vv = Portamento Time:

0H - FH (ch.1 - 16)

00H - 7FH (0 - 127)

6 Data Entry (Controller number 6, 38)


BnH 06H mmH

BnH 26H llH n = MIDI channel number: 0H - FH (ch.1 - 16) mm, ll = the value of the parameter specified by RPN/NRPN mm = MSB, ll = LSB

5

6 NRPN MSB/LSB (Controller number 98, 99)


BnH 63H mmH

BnH 62H llH n = MIDI channel number: 0H - FH (ch.1 - 16) mm = upper byte (MSB) of parameter number specified by NRPN ll = lower byte (LSB) of parameter number specified by NRPN

<<< NRPN >>>

The NRPN (Non Registerd Parameter Number) message allows an extended range of control changes to be used. On this unit, NRPN messages can be used to modify sound parameters etc.

To use these messages, you must first use NRPN messages (Controller number 98 and 99, their order does not matter) to specify the parameter to be controlled, and then use Data Entry messages to specify the value of the specified parameter. Once an NRPN parameters has been specified, all Data Entry messages received on that channel will modify the value of that parameter. To prevent accidents, it is

recomended that you set RPN Null (RPN Number = 7FH/7FH) when you have finished setting the value of the desired parameter.

* For more about the NRPN that JD-Xi transmit, refer to Control Change

Message List (p. 14).

7 Program Change

Status 2nd byte

CnH ppH n = MIDI channel number: pp = Program number:

0H - FH (ch.1 - 16)

00H - 7FH (prog.1 - prog.128)

* These messages are transmitted when Program, Tone or Drum Kit is selected. But not transmitted when Transmit Program Change parameter

(SysEx) is OFF.

7 Pitch Bend Change



- 0 - +8191)

9 System Realtime Messages

7 Active Sensing

Status

FEH

0H - FH (ch.1 - 16)

00 00H - 40 00H - 7F 7FH (-8192

* This message is transmitted at intervals of approximately 250 msec.

7 Data Transmission

6 Data set 1 (DT1)

Status

F0H 41H, dev, 00H, 00H, 00H, 0EH, 12H, aaH, bbH, ccH, ddH, eeH, ... ffH, sum

F7H

Byte

F0H

41H dev

00H

00H

00H

0EH

12H aaH bbH ccH ddH eeH

Explanation

Exclusive status

ID number (Roland)


Model ID #1 (JD-Xi)

Model ID #2 (JD-Xi)

Model ID #3 (JD-Xi)

Model ID #4 (JD-Xi)

Command ID (DT1)

Address MSB:

Address:

Address:

Address LSB:

Data:

upper byte of the starting address of the data to be sent

upper middle byte of the starting address of the data to be sent

lower middle byte of the starting address of the data to be sent

lower byte of the starting address of the data to be sent.

the actual data to be sent. Multiple bytes of data are transmitted in order starting from the address.

: ffH

:

Data sum Checksum


* The amount of data that can be transmitted at one time depends on the type of data, and data will be transmitted from the specified starting address and size. Refer to the address and size given in


* Data larger than 256 bytes will be divided into packets of 256 bytes or less, and each packet will be sent at an interval of about

20 ms.

9 System Exclusive Messages

Universal Non-realtime System Exclusive Message and Data Set 1 (DT1) are the only System Exclusive messages transmitted by the JD-Xi

3. Data Reception (Sequencer

Section)

7 Universal Non-realtime System Exclusive

Message

3.1 Messages recorded during recording 6 Identity Reply Message (JD-Xi)

Receiving Identity Request Message (p. 4), the JD-Xi send this

message.

Status

F0H

Byte

F0H

7EH dev

06H

02H

41H

0EH 03H

00H 00H

00H 03H 00H 00H

F7H

7EH, dev, 06H, 02H, 41H, 0EH, 03H,

00H, 00H, 00H, 03H, 00H, 00H

F7H

Explanation

Exclusive status

ID number (Universal Non-realtime Message)

Device ID (dev: 10H - 1FH)

Sub ID#1 (General Information)

Sub ID#2 (Identity Reply)

ID number (Roland)

Device family code

Device family number code

Software revision level

EOX (End of Exclusive)


7 Note off


8nH kkH vvH

9nH kkH 00H n = MIDI channel number: kk = note number: vv = note off velocity:

0H - FH (ch.1 - 16)

00H - 7FH (0 - 127)

00H - 7FH (0 - 127)

7 Note on



0H - FH (ch.1 - 16)

00H - 7FH (0 - 127)

01H - 7FH (1 - 127)

6

7 Control Change


BnH 01H vvH n=MIDI channel number: 0H - FH (ch.1 - ch.16) kk=Control number: 00H - 78H (0 - 120) vv=value: 00H - 7FH (0 - 127)

* kk = 00H and kk = 20H are not recorded.

7 Channel Aftertouch

Status 2nd byte

DnH vvH n = MIDI channel number: vv=Channel Aftertouch:

0H - FH (ch.1 - 16)

00H - 7FH (0 - 127)

7 Mono (Controller number 126)


BnH 7EH mmH n = MIDI channel number: mm = mono number:

0H - FH (ch.1 - 16)

00H - 10H (0 - 16)

* The same processing will be done as when an All Note Off message is received.

7 Poly (Controller number 127)


BnH 7FH 00H n = MIDI channel number: 0H - FH (ch.1 - 16)


7 Pitch Bend Change



- 0 - +8191)

0H - FH (ch.1 - 16)

00 00H - 40 00H - 7F 7FH (-8192

9 Channel Mode Messages

9 System Exclusive Messages

Status

F0H

Data byte iiH, ddH, ......, eeH

Status

F7H

F0H: System Exclusive message status ii=ID number: This is the ID number (manufacturer ID) that specifies the manufacturer whose exclusive message this is. Roland’s manufacturer ID is 41H. ID numbers 7EH and 7FH are defined in an expansion of the MIDI standard as Universal Non-real-time messages (7EH) and Universal Realtime Messages

(7FH).

dd,..., ee = data: 00H - 7FH (0 - 127)

F7H: EOX (End of System Exclusive)

* MIDI Machine Control and MIDI Time code is not recorded.

7 All Sounds Off (Controller number 120)




3.2 Messages not recorded during recording

7 Reset All Controllers (Controller number 121)



9 Channel mode messages

7 Local On/Off (Controller number 122)

Status

BnH

2nd byte 3rd byte

7AH vvH n=MIDI channel number: vv=Value:

0H - FH (ch.1 - ch.16)

00H, 7FH (Local Off, Local On)

7 Omni Off (Controller number 124)


BnH 7CH 00H n = MIDI channel number: 0H - FH (ch.1 - 16)


7 All notes off (Controller number 123)

Status

BnH

2nd byte 3rd byte

7BH 00H n=MIDI channel number: 0H - FH (ch.1 - ch.16)

* When an All Note Off message is received, all notes of the corresponding channel that are on will be sent Note Off’s, and the resulting Note Off messages will be recorded.

7 Omni On (Controller number 125)


BnH 7DH 00H n = MIDI channel number: 0H - FH (ch.1 - 16)


7

3.3 Messages acknowledged for synchronization


7 Timing Clock

Status

F8H


7 Start

Status

FAH


7 Continue

Status

FBH

* The same processing will be carried out as when Start is received.


7 Stop

Status

FCH


4. Data transmission

(Sequencer Section)

4.1 Messages transmitted during playing

Recorded messages are transmitted during playback.

4.2 Messages that are generated and transmitted

Messages are generated and transmitted to synchronize with other devices.


7 Timing Clock

Status

F8H

7 Start

Status

FAH

7 Stop

Status

FCH

5. Parameter Address Map

* Transmission of “#” marked address is divided to some packets. For example, ABH in hexadecimal notation will be divided to 0AH and

*

0BH, and is sent/received in this order.

“<*>” marked address or parameters are ignored when the JD-Xi received them.

JD-Xi (ModelID = 00H 00H 00H 0EH)

+------------------------------------------------------------------------------+

| Start | |

| Address | Description |

|-------------+----------------------------------------------------------------|

| 01 00 00 00 | Setup |

|-------------+----------------------------------------------------------------|

| 02 00 00 00 | System |

|-------------+----------------------------------------------------------------|

| 18 00 00 00 | Temporary Program |

| 19 00 00 00 | Temporary Tone (Digital Synth Part 1) |

| 19 20 00 00 | Temporary Tone (Digital Synth Part 2) |

| 19 40 00 00 | Temporary Tone (Analog Synth Part) |

| 19 60 00 00 | Temporary Tone (Drums Part) |

+------------------------------------------------------------------------------+

* System

+------------------------------------------------------------------------------+

| Offset | |


|-------------+----------------------------------------------------------------|

| 00 00 00 | System Common |

| 00 03 00 | System Controller |

+------------------------------------------------------------------------------+

* Temporary Tone

+------------------------------------------------------------------------------+

| Offset | |


|-------------+----------------------------------------------------------------|

| 01 00 00 | Temporary SuperNATURAL Synth Tone |

| 02 00 00 | Temporary Analog Synth Tone |

| 10 00 00 | Temporary Drum Kit |

+------------------------------------------------------------------------------+

* Program

+------------------------------------------------------------------------------+

| Offset | |


|-------------+----------------------------------------------------------------|

| 00 00 00 | Program Common |

| 00 01 00 | Program Vocal Effect |

| 00 02 00 | Program Effect 1 |

| 00 04 00 | Program Effect 2 |

| 00 06 00 | Program Delay |

| 00 08 00 | Program Reverb |

| 00 20 00 | Program Part (Digital Synth Part 1) |

| 00 21 00 | Program Part (Digital Synth Part 2) |

| 00 22 00 | Program Part (Analog Synth Part) |

| 00 23 00 | Program Part (Drums Part) |

| 00 30 00 | Program Zone (Digital Synth Part 1) |

| 00 31 00 | Program Zone (Digital Synth Part 2) |

| 00 32 00 | Program Zone (Analog Synth Part) |

| 00 33 00 | Program Zone (Drums Part) |

| 00 40 00 | Program Controller |

+------------------------------------------------------------------------------+

* SuperNATURAL Synth Tone

+------------------------------------------------------------------------------+

| Offset | |


|-------------+----------------------------------------------------------------|

| 00 00 00 | SuperNATURAL Synth Tone Common |

| 00 20 00 | SuperNATURAL Synth Tone Partial (1) |



| 00 50 00 | SuperNATURAL Synth Tone Modify |

+------------------------------------------------------------------------------+

* Analog Synth Tone

+------------------------------------------------------------------------------+

| Offset | |


|-------------+----------------------------------------------------------------|

| 00 00 00 | Analog Synth Tone |

+------------------------------------------------------------------------------+

* Drum Kit

+------------------------------------------------------------------------------+

| Offset | |


|-------------+----------------------------------------------------------------|

| 00 00 00 | Drum Kit Common |

| 00 2E 00 | Drum Kit Partial (Key # 36) |

| 00 30 00 | Drum Kit Partial (Key # 37) |

| : | |

| 00 76 00 | Drum Kit Partial (Key # 72) |

+------------------------------------------------------------------------------+

8

* Setup

+------------------------------------------------------------------------------+

| Offset | |


|-------------+----------------------------------------------------------------|

| 00 00 | 0000 000a | (reserve) <*> |

| 00 01 | 0aaa aaaa | (reserve) <*> |

| : | | |

| 00 03 | 0aaa aaaa | (reserve) <*> |

|-------------+-----------+----------------------------------------------------|

| 00 04 | 0aaa aaaa | Program BS MSB (CC# 0) (0 - 127) |

| 00 05 | 0aaa aaaa | Program BS LSB (CC# 32) (0 - 127) |

| 00 06 | 0aaa aaaa | Program PC (PC) (0 - 127) |

|-------------+-----------+----------------------------------------------------|

| 00 07 | 0aaa aaaa | (reserve) <*> |

| 00 08 | 0aaa aaaa | (reserve) <*> |

| : | | |

| 00 3A | 00aa aaaa | (reserve) <*> |

|-------------+----------------------------------------------------------------|

| 00 00 00 3B | Total Size |

+------------------------------------------------------------------------------+

* System Common

+------------------------------------------------------------------------------+

| Offset | |


|-------------+----------------------------------------------------------------|

|# 00 00 | 0000 aaaa | |

| | 0000 bbbb | |

| | 0000 cccc | |

| | 0000 dddd | Master Tune (24 - 2024) |

| | | -100.0 - 100.0 [cent] |

| 00 04 | 00aa aaaa | Master Key Shift (40 - 88) |

| | | -24 - +24 |

| 00 05 | 0aaa aaaa | Master Level (0 - 127) |

| 00 06 | 0000 000a | (reserve) <*> |

| 00 07 | 0000 000a | (reserve) <*> |

| 00 08 | 0000 000a | (reserve) <*> |

|-------------+-----------+----------------------------------------------------|

| 00 09 | 000a aaaa | (reserve) <*> |

| 00 0A | 000a aaaa | (reserve) <*> |

| : | | |

| 00 10 | 000a aaaa | (reserve) <*> |

|-------------+-----------+----------------------------------------------------|

| 00 11 | 000a aaaa | Program Control Channel (0 - 16) |

| | | 1 - 16, OFF |

|-------------+-----------+----------------------------------------------------|

| 00 12 | 0aaa aaaa | (reserve) <*> |

| 00 13 | 0aaa aaaa | (reserve) <*> |

| : | | |

| 00 28 | 0000 000a | (reserve) <*> |

|-------------+-----------+----------------------------------------------------|

| 00 29 | 0000 000a | Receive Program Change (0 - 1) |

| | | OFF, ON |

| 00 2A | 0000 000a | Receive Bank Select (0 - 1) |

| | | OFF, ON |

|-------------+----------------------------------------------------------------|

| 00 00 00 2B | Total Size |

+------------------------------------------------------------------------------+

* System Controller

+------------------------------------------------------------------------------+

| Offset | |


|-------------+----------------------------------------------------------------|

| 00 00 | 0000 000a | Transmit Program Change (0 - 1) |

| | | OFF, ON |

| 00 01 | 0000 000a | Transmit Bank Select (0 - 1) |

| | | OFF, ON |

| 00 02 | 0aaa aaaa | Keyboard Velocity (0 - 127) |

| | | REAL, 1 - 127 |

| 00 03 | 0000 00aa | Keyboard Velocity Curve (1 - 3) |

| | | LIGHT, MEDIUM, HEAVY |

| 00 04 | 000a aaaa | Keyboard Velocity Curve Offset (54 - 73) |

| | | -10 - +9 |

|-------------+-----------+----------------------------------------------------|

| 00 05 | 0000 0aaa | (reserve) <*> |

| 00 06 | 0000 000a | (reserve) <*> |

| : | | |

| 00 10 | 0aaa aaaa | (reserve) <*> |

|-------------+----------------------------------------------------------------|

| 00 00 00 11 | Total Size |

+------------------------------------------------------------------------------+

* Program Common

+------------------------------------------------------------------------------+

| Offset | |


|-------------+----------------------------------------------------------------|

| 00 00 | 0aaa aaaa | Program Name 1 (32 - 127) |

| | | 32 - 127 [ASCII] |


| | | 32 - 127 [ASCII] |


| | | 32 - 127 [ASCII] |


| | | 32 - 127 [ASCII] |


| | | 32 - 127 [ASCII] |


| | | 32 - 127 [ASCII] |


| | | 32 - 127 [ASCII] |


| | | 32 - 127 [ASCII] |


| | | 32 - 127 [ASCII] |


| | | 32 - 127 [ASCII] |

| 00 0A | 0aaa aaaa | Program Name 11 (32 - 127) |

| | | 32 - 127 [ASCII] |

| 00 0B | 0aaa aaaa | Program Name 12 (32 - 127) |

| | | 32 - 127 [ASCII] |

|-------------+-----------+----------------------------------------------------|

| 00 0C | 0aaa aaaa | (reserve) <*> |

| 00 0D | 0aaa aaaa | (reserve) <*> |

| : | | |

| 00 0F | 0aaa aaaa | (reserve) <*> |

|-------------+-----------+----------------------------------------------------|

| 00 10 | 0aaa aaaa | Program Level (0 - 127) |

|# 00 11 | 0000 aaaa | |

| | 0000 bbbb | |

| | 0000 cccc | |

| | 0000 dddd | Program Tempo (500 - 30000) |

| | | 5.00 - 300.00 |

| 00 15 | 0000 aaaa | (reserve) <*> |

|-------------+-----------+----------------------------------------------------|

| 00 16 | 0000 aaaa | Vocal Effect (0 - 2) |

| | | OFF, VOCODER, AUTO-PITCH |

|-------------+-----------+----------------------------------------------------|

| 00 17 | 0000 000a | (reserve) <*> |

| 00 18 | 0000 000a | (reserve) <*> |

| : | | |

| 00 1A | 0000 000a | (reserve) <*> |

|-------------+-----------+----------------------------------------------------|

| 00 1B | 0000 00aa | (reserve) <*> |

| 00 1C | 0aaa aaaa | Vocal Effect Number (0 - 20) |

| | | 1 - 21 |

| 00 1D | 0000 aaaa | Vocal Effect Part (0 - 1) |

| | | 1 - 2 |

|-------------+-----------+----------------------------------------------------|

| 00 1E | 0000 000a | Auto Note Switch (0 - 1) |

| | | OFF, ON |

|-------------+----------------------------------------------------------------|

| 00 00 00 1F | Total Size |

+------------------------------------------------------------------------------+

* Program Vocal Effect

+------------------------------------------------------------------------------+

| Offset | |


|-------------+----------------------------------------------------------------|

| 00 00 | 0aaa aaaa | Level (0 - 127) |

| 00 01 | 0aaa aaaa | Pan (0 - 127) |

| | | L64 - 63R |

| 00 02 | 0aaa aaaa | Delay Send Level (0 - 127) |

| 00 03 | 0aaa aaaa | Reverb Send Level (0 - 127) |

| 00 04 | 0000 0aaa | Output Assign (0 - 4) |

| | | EFX1, EFX2, DLY, REV, DIR |

| 00 05 | 0000 000a | Auto Pitch Switch (0 - 1) |

| | | OFF, ON |

| 00 06 | 0000 0aaa | Auto Pitch Type (0 - 3) |

| | | SOFT, HARD, ELECTRIC1, ELECTRIC2 |

| 00 07 | 0000 000a | Auto Pitch Scale (0 - 1) |

| | | CHROMATIC, Maj(Min) |

| 00 08 | 000a aaaa | Auto Pitch Key (0 - 23) |

| | | C, Db, D, Eb, E, F, F#, G, |

| | | Ab, A, Bb, B, Cm, C#m, Dm, D#m, |

| | | Em, Fm, F#m, Gm, G#m, Am, Bbm, Bm |

| 00 09 | 0000 aaaa | Auto Pitch Note (0 - 11) |

| | | C, C#, D, D#, E, F, |

| | | F#, G, G#, A, A#, B |

| 00 0A | 000a aaaa | Auto Pitch Gender (0 - 20) |

| | | -10 - +10 |

| 00 0B | 0000 00aa | Auto Pitch Octave (0 - 2) |

| | | -1 - +1 |

| 00 0C | 0aaa aaaa | Auto Pitch Balance (0 - 100) |

| | | D100:0W - D0:100W |

|-------------+-----------+----------------------------------------------------|

| 00 0D | 0000 000a | Vocoder Switch (0 - 1) |

| | | OFF, ON |

| 00 0E | 0000 00aa | Vocoder Envelope (0 - 2) |

| | | SHARP, SOFT, LONG |

| 00 0F | 0aaa aaaa | (0 - 127) |

| 00 10 | 0aaa aaaa | Vocoder Mic Sens (0 - 127) |

| 00 11 | 0aaa aaaa | Vocoder Synth Level (0 - 127) |

| 00 12 | 0aaa aaaa | Vocoder Mic Mix Level (0 - 127) |

| 00 13 | 0000 aaaa | Vocoder Mic HPF (0 - 13) |

| | | BYPASS, |

| | | 1000, 1250, 1600, 2000, 2500, |

| | | 3150, 4000, 5000, 6300, 8000, |

| | | 10000, 12500, 16000 [Hz] |

| 00 14 | 0aaa aaaa | (reserve) <*> |

|-------------+-----------+----------------------------------------------------|

| 00 15 | 0000 000a | (reserve) <*> |

| 00 16 | 0aaa aaaa | (reserve) <*> |

| 00 17 | 0aaa aaaa | (reserve) <*> |

|-------------+----------------------------------------------------------------|

| 00 00 00 18 | Total Size |

+------------------------------------------------------------------------------+

9

* Program Effect 1

+------------------------------------------------------------------------------+

| Offset | |


|-------------+----------------------------------------------------------------|

| 00 00 | 0aaa aaaa | EFX1 Type (0 - 4) |

| 00 01 | 0aaa aaaa | EFX1 Level (0 - 127) |

| 00 02 | 0aaa aaaa | EFX1 Delay Send Level (0 - 127) |

| 00 03 | 0aaa aaaa | EFX1 Reverb Send Level (0 - 127) |

| 00 04 | 0000 00aa | EFX1 Output Assign (0 - 1) |

| | | DIR, EFX2 |

|-------------+-----------+----------------------------------------------------|

| 00 05 | 0aaa aaaa | (reserve) <*> |

| 00 06 | 0aaa aaaa | (reserve) <*> |

| : | | |

| 00 10 | 000a aaaa | (reserve) <*> |

|-------------+-----------+----------------------------------------------------|

|# 00 11 | 0000 aaaa | |

| | 0000 bbbb | |

| | 0000 cccc | |

| | 0000 dddd | EFX1 Parameter 1 (12768 - 52768) |

| | | -20000 - +20000 |

|# 00 15 | 0000 aaaa | |

| | 0000 bbbb | |

| | 0000 cccc | |


| | | -20000 - +20000 |

| : | | |

|# 01 0D | 0000 aaaa | |

| | 0000 bbbb | |

| | 0000 cccc | |


| | | -20000 - +20000 |

|-------------+----------------------------------------------------------------|

| 00 00 01 11 | Total Size |

+------------------------------------------------------------------------------+

* Program Effect 2

+------------------------------------------------------------------------------+

| Offset | |


|-------------+----------------------------------------------------------------|

| 00 00 | 0aaa aaaa | EFX2 Type (0, 5 - 8) |

| 00 01 | 0aaa aaaa | EFX2 Level (0 - 127) |

| 00 02 | 0aaa aaaa | EFX2 Delay Send Level (0 - 127) |

| 00 03 | 0aaa aaaa | EFX2 Reverb Send Level (0 - 127) |

| 00 04 | 0000 00aa | (reserve) <*> |

|-------------+-----------+----------------------------------------------------|

| 00 05 | 0aaa aaaa | (reserve) <*> |

| 00 06 | 0aaa aaaa | (reserve) <*> |

| : | | |

| 00 10 | 000a aaaa | (reserve) <*> |

|-------------+-----------+----------------------------------------------------|

|# 00 11 | 0000 aaaa | |

| | 0000 bbbb | |

| | 0000 cccc | |


| | | -20000 - +20000 |

|# 00 15 | 0000 aaaa | |

| | 0000 bbbb | |

| | 0000 cccc | |


| | | -20000 - +20000 |

| : | | |

|# 01 0D | 0000 aaaa | |

| | 0000 bbbb | |

| | 0000 cccc | |


| | | -20000 - +20000 |

|-------------+----------------------------------------------------------------|

| 00 00 01 11 | Total Size |

+------------------------------------------------------------------------------+

* Program Delay

+------------------------------------------------------------------------------+

| Offset | |


|-------------+----------------------------------------------------------------|

| 00 00 | 0000 aaaa | (reserve) <*> |

| 00 01 | 0aaa aaaa | Delay Level (0 - 127) |

| 00 02 | 0000 00aa | (reserve) <*> |

| 00 03 | 0aaa aaaa | Delay Reverb Send Level (0 - 127) |

|-------------+-----------+----------------------------------------------------|

|# 00 04 | 0000 aaaa | |

| | 0000 bbbb | |

| | 0000 cccc | |

| | 0000 dddd | Delay Parameter 1 (12768 - 52768) |

| | | -20000 - +20000 |

|# 00 08 | 0000 aaaa | |

| | 0000 bbbb | |

| | 0000 cccc | |


| | | -20000 - +20000 |

| : | | |

|# 00 60 | 0000 aaaa | |

| | 0000 bbbb | |

| | 0000 cccc | |


| | | -20000 - +20000 |

|-------------+----------------------------------------------------------------|

| 00 00 00 64 | Total Size |

+------------------------------------------------------------------------------+

* Program Reverb

+------------------------------------------------------------------------------+

| Offset | |


|-------------+----------------------------------------------------------------|

| 00 00 | 0000 aaaa | (reserve) <*> |

| 00 01 | 0aaa aaaa | Reverb Level (0 - 127) |

| 00 02 | 0000 00aa | (reserve) <*> |

|-------------+-----------+----------------------------------------------------|

|# 00 03 | 0000 aaaa | |

| | 0000 bbbb | |

| | 0000 cccc | |

| | 0000 dddd | Reverb Parameter 1 (12768 - 52768) |

| | | -20000 - +20000 |

|# 00 07 | 0000 aaaa | |

| | 0000 bbbb | |

| | 0000 cccc | |


| | | -20000 - +20000 |

| : | | |

|# 00 5F | 0000 aaaa | |

| | 0000 bbbb | |

| | 0000 cccc | |


| | | -20000 - +20000 |

|-------------+----------------------------------------------------------------|

| 00 00 00 63 | Total Size |

+------------------------------------------------------------------------------+

* Program Part

+------------------------------------------------------------------------------+

| Offset | |


|-------------+----------------------------------------------------------------|

| 00 00 | 0000 aaaa | Receive Channel (0 - 15) |

10

| | | 1 - 16 |

| 00 01 | 0000 000a | Part Switch (0 - 1) |

| | | OFF, ON |

| 00 02 | 0000 000a | (reserve) (1) |

| 00 03 | 0000 000a | (reserve) (1) |

| 00 04 | 0000 000a | (reserve) (1) |

| 00 05 | 0000 000a | (reserve) (1) |

|-------------+-----------+----------------------------------------------------|

| 00 06 | 0aaa aaaa | Tone Bank Select MSB (CC# 0) (0 - 127) |

| 00 07 | 0aaa aaaa | Tone Bank Select LSB (CC# 32) (0 - 127) |

| 00 08 | 0aaa aaaa | Tone Program Number (PC) (0 - 127) |

|-------------+-----------+----------------------------------------------------|

| 00 09 | 0aaa aaaa | Part Level (CC# 7) (0 - 127) |

| 00 0A | 0aaa aaaa | Part Pan (CC# 10) (0 - 127) |

| | | L64 - 63R |

| 00 0B | 0aaa aaaa | Part Coarse Tune (RPN# 2) (16 - 112) |

| | | -48 - +48 |

| 00 0C | 0aaa aaaa | Part Fine Tune (RPN# 1) (14 - 114) |

| | | -50 - +50 |

| 00 0D | 0000 00aa | Part Mono/Poly (MONO ON/POLY ON) (0 - 2) |

| | | MONO, POLY, TONE |

| 00 0E | 0000 00aa | Part Legato Switch (CC# 68) (0 - 2) |

| | | OFF, ON, TONE |

| 00 0F | 000a aaaa | Part Pitch Bend Range (RPN# 0) (0 - 25) |

| | | 0 - 24, TONE |

| 00 10 | 0000 00aa | Part Portamento Switch (CC# 65) (0 - 2) |

| | | OFF, ON, TONE |

|# 00 11 | 0000 aaaa | |

| | 0000 bbbb | Part Portamento Time (0 - 128) |

| | | 0 - 127, TONE |

| 00 13 | 0aaa aaaa | Part Cutoff Offset (CC# 74) (0 - 127) |

| | | -64 - +63 |

| 00 14 | 0aaa aaaa | Part Resonance Offset (CC# 71) (0 - 127) |

| | | -64 - +63 |

| 00 15 | 0aaa aaaa | Part Attack Time Offset (CC# 73) (0 - 127) |

| | | -64 - +63 |

| 00 16 | 0aaa aaaa | Part Decay Time Offset (CC# 75) (0 - 127) |

| | | -64 - +63 |

| 00 17 | 0aaa aaaa | Part Release Time Offset (CC# 72) (0 - 127) |

| | | -64 - +63 |

| 00 18 | 0aaa aaaa | Part Vibrato Rate (CC# 76) (0 - 127) |

| | | -64 - +63 |

| 00 19 | 0aaa aaaa | Part Vibrato Depth (CC# 77) (0 - 127) |

| | | -64 - +63 |

| 00 1A | 0aaa aaaa | Part Vibrato Delay (CC# 78) (0 - 127) |

| | | -64 - +63 |

|-------------+-----------+----------------------------------------------------|

| 00 1B | 0000 0aaa | Part Octave Shift (61 - 67) |

| | | -3 - +3 |

| 00 1C | 0aaa aaaa | Part Velocity Sens Offset (1 - 127) |

| | | -63 - +63 |

| 00 1D | 0000 0000 | (reserve) <*> |

| 00 1E | 0aaa aaaa | (reserve) <*> |

| 00 1F | 0000 0000 | (reserve) <*> |

| 00 20 | 0000 0000 | (reserve) <*> |

| 00 21 | 0aaa aaaa | Velocity Range Lower (1 - 127) |

| | | 1 - UPPER |

| 00 22 | 0aaa aaaa | Velocity Range Upper (0 - 127) |

| | | LOWER - 127 |

| 00 23 | 0aaa aaaa | Velocity Fade Width Lower (0 - 127) |

| 00 24 | 0aaa aaaa | Velocity Fade Width Upper (0 - 127) |

| 00 25 | 0000 000a | Mute Switch (0 - 1) |

| | | OFF, MUTE |

|-------------+-----------+----------------------------------------------------|

| 00 26 | 0aaa aaaa | (reserve) <*> |

| 00 27 | 0aaa aaaa | (reserve) <*> |

| : | | |

| 00 29 | 0aaa aaaa | (reserve) <*> |

|-------------+-----------+----------------------------------------------------|

| 00 2A | 0aaa aaaa | (reserve) <*> |

| 00 2B | 0aaa aaaa | Part Delay Send Level (CC# 94) (0 - 127) |

| 00 2C | 0aaa aaaa | Part Reverb Send Level (CC# 91) (0 - 127) |

| 00 2D | 0000 0aaa | Part Output Assign (0 - 4) |


| 00 2E | 0000 000a | (reserve) <*> |

|-------------+-----------+----------------------------------------------------|

| 00 2F | 0aaa aaaa | Part Scale Tune Type (0 - 8) |

| | | CUSTOM, EQUAL, JUST-MAJ, JUST-MIN, |

| | | PYTHAGORE, KIRNBERGE, MEANTONE, |

| | | WERCKMEIS, ARABIC |

| 00 30 | 0aaa aaaa | Part Scale Tune Key (0 - 11) |

| | | C, C#, D, D#, E, F, F#, G, G#, |

| | | A, A#, B |

| 00 31 | 0aaa aaaa | Part Scale Tune for C (0 - 127) |

| | | -64 - +63 |

| 00 32 | 0aaa aaaa | Part Scale Tune for C# (0 - 127) |

| | | -64 - +63 |

| 00 33 | 0aaa aaaa | Part Scale Tune for D (0 - 127) |

| | | -64 - +63 |

| 00 34 | 0aaa aaaa | Part Scale Tune for D# (0 - 127) |

| | | -64 - +63 |

| 00 35 | 0aaa aaaa | Part Scale Tune for E (0 - 127) |

| | | -64 - +63 |

| 00 36 | 0aaa aaaa | Part Scale Tune for F (0 - 127) |

| | | -64 - +63 |

| 00 37 | 0aaa aaaa | Part Scale Tune for F# (0 - 127) |

| | | -64 - +63 |

| 00 38 | 0aaa aaaa | Part Scale Tune for G (0 - 127) |

| | | -64 - +63 |

| 00 39 | 0aaa aaaa | Part Scale Tune for G# (0 - 127) |

| | | -64 - +63 |

| 00 3A | 0aaa aaaa | Part Scale Tune for A (0 - 127) |

| | | -64 - +63 |

| 00 3B | 0aaa aaaa | Part Scale Tune for A# (0 - 127) |

| | | -64 - +63 |

| 00 3C | 0aaa aaaa | Part Scale Tune for B (0 - 127) |

| | | -64 - +63 |

|-------------+-----------+----------------------------------------------------|

| 00 3D | 0000 000a | Receive Program Change (0 - 1) |

| | | OFF, ON |

| 00 3E | 0000 000a | Receive Bank Select (0 - 1) |

| | | OFF, ON |

| 00 3F | 0000 000a | Receive Pitch Bend (0 - 1) |

| | | OFF, ON |

| 00 40 | 0000 000a | Receive Polyphonic Key Pressure (0 - 1) |

| | | OFF, ON |

| 00 41 | 0000 000a | Receive Channel Pressure (0 - 1) |

| | | OFF, ON |

| 00 42 | 0000 000a | Receive Modulation (0 - 1) |

| | | OFF, ON |

| 00 43 | 0000 000a | Receive Volume (0 - 1) |

| | | OFF, ON |

| 00 44 | 0000 000a | Receive Pan (0 - 1) |

| | | OFF, ON |

| 00 45 | 0000 000a | Receive Expression (0 - 1) |

| | | OFF, ON |

| 00 46 | 0000 000a | Receive Hold-1 (0 - 1) |

| | | OFF, ON |

|-------------+-----------+----------------------------------------------------|

| 00 47 | 0000 0aaa | (reserve) (0) |

|-------------+-----------+----------------------------------------------------|

| 00 48 | 0aaa aaaa | (reserve) <*> |

| 00 49 | 0aaa aaaa | (reserve) <*> |

| : | | |

| 00 4B | 0aaa aaaa | (reserve) <*> |

|-------------+----------------------------------------------------------------|

| 00 00 00 4C | Total Size |

+------------------------------------------------------------------------------+

* Program Zone

+------------------------------------------------------------------------------+

| Offset | |


|-------------+----------------------------------------------------------------|

| 00 00 | 0aaa aaaa | (reserve) <*> |

| 00 01 | 0aaa aaaa | (reserve) <*> |

| : | | |

| 00 02 | 0000 000a | (reserve) <*> |

| 00 03 | 0000 000a | Arpeggio Switch (0 - 1) |

| | | OFF, ON |

| 00 04 | 0000 000a | (reserve) <*> |

| 00 05 | 0000 000a | (reserve) <*> |

| : | | |

| 00 0D | 0000 000a | (reserve) <*> |

|-------------+-----------+----------------------------------------------------|

|# 00 0E | 0000 aaaa | |

| | 0000 bbbb | (reserve) <*> |

| : | | |

| 00 18 | 0aaa aaaa | (reserve) <*> |

| 00 19 | 0000 0aaa | Zone Octave Shift (61 - 67) |

| | | -3 - +3 |

| 00 1A | 0000 aaaa | (reserve) <*> |

| 00 1B | 0aaa aaaa | (reserve) <*> |

| : | | |

| 00 22 | 0aaa aaaa | (reserve) <*> |

|-------------+----------------------------------------------------------------|

| 00 00 00 23 | Total Size |

+------------------------------------------------------------------------------+

* Program Controller

+------------------------------------------------------------------------------+

| Offset | |


|-------------+----------------------------------------------------------------|

| 00 00 | 0000 000a | (reserve) <*> |

| 00 01 | 0aaa aaaa | Arpeggio Grid (0 - 8) |

| | | 04_, 08_, 08L, 08H, 08t, |

| | | 16_, 16L, 16H, 16t |

| 00 02 | 0aaa aaaa | Arpeggio Duration (0 - 9) |

| | | 30, 40, 50, 60, 70, 80, 90, |

| | | 100, 120, FUL |

| 00 03 | 0000 000a | Arpeggio Switch (0 - 1) |

| | | OFF, ON |

| 00 04 | 0aaa aaaa | (reserve) <*> |

| 00 05 | 0aaa aaaa | Arpeggio Style (0 - 127) |

| | | 1 - 128 |

| 00 06 | 0aaa aaaa | Arpeggio Motif (0 - 11) |

| | | UP/L, UP/H, UP/_, dn/L, dn/H, |

| | | dn/_, Ud/L, Ud/H, Ud/_, rn/L, |

| | | rn/_, PHRASE |

| 00 07 | 0000 0aaa | Arpeggio Octave Range (61 - 67) |

| | | -3 - +3 |

| 00 08 | 0000 000a | (reserve) <*> |

| 00 09 | 0aaa aaaa | Arpeggio Accent Rate (0 - 100) |

| 00 0A | 0aaa aaaa | Arpeggio Velocity (0 - 127) |

| | | REAL, 1 - 127 |

| 00 0B | 0000 aaaa | (reserve) <*> |

|-------------+----------------------------------------------------------------|

| 00 00 00 0C | Total Size |

+------------------------------------------------------------------------------+

* SuperNATURAL Synth Tone Common

+------------------------------------------------------------------------------+

| Offset | |


|-------------+----------------------------------------------------------------|

| 00 00 | 0aaa aaaa | Tone Name 1 (32 - 127) |

| | | 32 - 127 [ASCII] |


| | | 32 - 127 [ASCII] |


| | | 32 - 127 [ASCII] |


| | | 32 - 127 [ASCII] |


| | | 32 - 127 [ASCII] |


| | | 32 - 127 [ASCII] |


| | | 32 - 127 [ASCII] |


| | | 32 - 127 [ASCII] |


| | | 32 - 127 [ASCII] |


| | | 32 - 127 [ASCII] |

| 00 0A | 0aaa aaaa | Tone Name 11 (32 - 127) |

| | | 32 - 127 [ASCII] |

| 00 0B | 0aaa aaaa | Tone Name 12 (32 - 127) |

| | | 32 - 127 [ASCII] |

|-------------+-----------+----------------------------------------------------|

| 00 0C | 0aaa aaaa | Tone Level (0 - 127) |

|-------------+-----------+----------------------------------------------------|

|# 00 0D | 0000 aaaa | |

| | 0000 bbbb | |

| | 0000 cccc | (reserve) <*> |

| 00 10 | 0000 000a | (reserve) <*> |

| 00 11 | 0000 000a | (reserve) <*> |

|-------------+-----------+----------------------------------------------------|

| 00 12 | 0000 000a | Portamento Switch (0 - 1) |

| | | OFF, ON |

| 00 13 | 0aaa aaaa | Portamento Time (CC# 5) (0 - 127) |

| 00 14 | 0000 00aa | Mono Switch (0 - 1) |

| | | OFF, ON |

| 00 15 | 0000 0aaa | Octave Shift (61 - 67) |

| | | -3 - +3 |

| 00 16 | 000a aaaa | Pitch Bend Range Up (0 - 24) |

| 00 17 | 000a aaaa | Pitch Bend Range Down (0 - 24) |

| 00 18 | 0000 0aaa | (reserve) <*> |

|-------------+-----------+----------------------------------------------------|

| 00 19 | 0000 000a | Partial1 Switch (0 - 1) |

| | | OFF, ON |

| 00 1A | 0000 000a | Partial1 Select (0 - 1) |

| | | OFF, ON |

| 00 1B | 0000 000a | Partial2 Switch (0 - 1) |

| | | OFF, ON |

| 00 1C | 0000 000a | Partial2 Select (0 - 1) |

| | | OFF, ON |

| 00 1D | 0000 000a | Partial3 Switch (0 - 1) |

| | | OFF, ON |

| 00 1E | 0000 000a | Partial3 Select (0 - 1) |

| | | OFF, ON |

|-------------+-----------+----------------------------------------------------|

| 00 1F | 0000 00aa | RING Switch (0 - 2) |

| | | OFF, ---, ON |

|-------------+-----------+----------------------------------------------------|

| 00 20 | 0000 000a | (reserve) <*> |

| 00 21 | 0000 00aa | (reserve) <*> |

| : | | |

| 00 2D | 0000 000a | (reserve) <*> |

|-------------+-----------+----------------------------------------------------|

| 00 2E | 0000 000a | Unison Switch (0 - 1) |

| | | OFF, ON |

| 00 2F | 0000 000a | (reserve) <*> |

| 00 30 | 0000 000a | (reserve) <*> |

| 00 31 | 0000 000a | Portamento Mode (0 - 1) |

| | | NORMAL, LEGATO |

| 00 32 | 0000 000a | Legato Switch (0 - 1) |

| | | OFF, ON |

| 00 33 | 0000 000a | (reserve) <*> |

| 00 34 | 0aaa aaaa | Analog Feel (0 - 127) |

| 00 35 | 0aaa aaaa | Wave Shape (0 - 127) |

| 00 36 | 0aaa aaaa | Tone Category (0 - 127) |

|# 00 37 | 0000 aaaa | |

| | 0000 bbbb | |

| | 0000 cccc | |

| | 0000 dddd | (reserve) <*> |

| 00 3B | 0000 0aaa | (reserve) <*> |

| 00 3C | 0000 00aa | Unison Size (0 - 3) |

| | | 2, 4, 6, 8 |


| 00 3E | 0aaa aaaa | (reserve) <*> |


|-------------+----------------------------------------------------------------|

| 00 00 00 40 | Total Size |

+------------------------------------------------------------------------------+

* SuperNATURAL Synth Tone Modify

+------------------------------------------------------------------------------+

| Offset | |


|-------------+----------------------------------------------------------------|

| 00 00 | 0aaa aaaa | (reserve) <*> |

|-------------+-----------+----------------------------------------------------|

| 00 01 | 0aaa aaaa | Attack Time Interval Sens (0 - 127) |

| 00 02 | 0aaa aaaa | Release Time Interval Sens (0 - 127) |

| 00 03 | 0aaa aaaa | Portamento Time Interval Sens (0 - 127) |

| 00 04 | 0000 00aa | Envelope Loop Mode (0 - 2) |

| | | OFF, FREE-RUN, TEMPO-SYNC |

| 00 05 | 000a aaaa | Envelope Loop Sync Note (0 - 19) |

| | | 16, 12, 8, 4, 2, 1, 3/4, 2/3, 1/2, |

| | | 3/8, 1/3, 1/4, 3/16, 1/6, 1/8, 3/32, |

| | | 1/12, 1/16, 1/24, 1/32 |

| 00 06 | 0000 000a | Chromatic Portamento (0 - 1) |

| | | OFF, ON |

| 00 07 | 0aaa aaaa | (reserve) <*> |

| 00 08 | 0aaa aaaa | (reserve) <*> |

| : | | |

| 00 24 | 0aaa aaaa | (reserve) <*> |

|-------------+----------------------------------------------------------------|

| 00 00 00 25 | Total Size |

+------------------------------------------------------------------------------+

11

* SuperNATURAL Synth Tone Partial

+------------------------------------------------------------------------------+

| Offset | |


|-------------+----------------------------------------------------------------|

| 00 00 | 0000 0aaa | OSC Wave (0 - 7) |

| | | SAW, SQR, PW-SQR, TRI, SINE, |

| | | NOISE, SUPER-SAW, PCM |

| 00 01 | 00aa aaaa | OSC Wave Variation (0 - 2) |

| | | A, B, C |

| 00 02 | 0000 00aa | (reserve) <*> |

| 00 03 | 00aa aaaa | OSC Pitch (40 - 88) |

| | | -24 - +24 |

| 00 04 | 0aaa aaaa | OSC Detune (14 - 114) |

| | | -50 - +50 |

| 00 05 | 0aaa aaaa | OSC Pulse Width Mod Depth (0 - 127) |

| 00 06 | 0aaa aaaa | OSC Pulse Width (0 - 127) |

| 00 07 | 0aaa aaaa | OSC Pitch Env Attack Time (0 - 127) |

| 00 08 | 0aaa aaaa | OSC Pitch Env Decay (0 - 127) |

| 00 09 | 0aaa aaaa | OSC Pitch Env Depth (1 - 127) |

| | | -63 - +63 |

|-------------+-----------+----------------------------------------------------|

| 00 0A | 0000 0aaa | FILTER Mode (0 - 7) |

| | | BYPASS, LPF, HPF, BPF, PKG, |

| | | LPF2, LPF3, LPF4 |

| 00 0B | 0000 000a | FILTER Slope (0 - 1) |

| | | -12, -24 [dB] |

| 00 0C | 0aaa aaaa | FILTER Cutoff (0 - 127) |

| 00 0D | 00aa aaaa | FILTER Cutoff Keyfollow (54 - 74) |

| | | -100 - +100 |

| 00 0E | 0aaa aaaa | FILTER Env Velocity Sens (1 - 127) |

| | | -63 - +63 |

| 00 0F | 0aaa aaaa | FILTER Resonance (0 - 127) |

| 00 10 | 0aaa aaaa | FILTER Env Attack Time (0 - 127) |

| 00 11 | 0aaa aaaa | FILTER Env Decay Time (0 - 127) |

| 00 12 | 0aaa aaaa | FILTER Env Sustain Level (0 - 127) |

| 00 13 | 0aaa aaaa | FILTER Env Release Time (0 - 127) |

| 00 14 | 0aaa aaaa | FILTER Env Depth (1 - 127) |

| | | -63 - +63 |

|-------------+-----------+----------------------------------------------------|

| 00 15 | 0aaa aaaa | AMP Level (0 - 127) |

| 00 16 | 0aaa aaaa | AMP Level Velocity Sens (1 - 127) |

| | | -63 - +63 |

| 00 17 | 0aaa aaaa | AMP Env Attack Time (0 - 127) |

| 00 18 | 0aaa aaaa | AMP Env Decay Time (0 - 127) |

| 00 19 | 0aaa aaaa | AMP Env Sustain Level (0 - 127) |

| 00 1A | 0aaa aaaa | AMP Env Release Time (0 - 127) |

| 00 1B | 0aaa aaaa | AMP Pan (0 - 127) |

| | | L64 - 63R |

|-------------+-----------+----------------------------------------------------|

| 00 1C | 0000 0aaa | LFO Shape (0 - 5) |

| | | TRI, SIN, SAW, SQR, S&H, RND |

| 00 1D | 0aaa aaaa | LFO Rate (0 - 127) |

| 00 1E | 0000 000a | LFO Tempo Sync Switch (0 - 1) |

| | | OFF, ON |

| 00 1F | 000a aaaa | LFO Tempo Sync Note (0 - 19) |

| | | 16, 12, 8, 4, 2, 1, 3/4, 2/3, 1/2, |

| | | 3/8, 1/3, 1/4, 3/16, 1/6, 1/8, 3/32, |

| | | 1/12, 1/16, 1/24, 1/32 |

| 00 20 | 0aaa aaaa | LFO Fade Time (0 - 127) |

| 00 21 | 0000 000a | LFO Key Trigger (0 - 1) |

| | | OFF, ON |

| 00 22 | 0aaa aaaa | LFO Pitch Depth (1 - 127) |

| | | -63 - +63 |

| 00 23 | 0aaa aaaa | LFO Filter Depth (1 - 127) |

| | | -63 - +63 |

| 00 24 | 0aaa aaaa | LFO Amp Depth (1 - 127) |

| | | -63 - +63 |

| 00 25 | 0aaa aaaa | LFO Pan Depth (1 - 127) |

| | | -63 - +63 |

|-------------+-----------+----------------------------------------------------|

| 00 26 | 0000 0aaa | Modulation LFO Shape (0 - 5) |


| 00 27 | 0aaa aaaa | Modulation LFO Rate (0 - 127) |

| 00 28 | 0000 000a | Modulation LFO Tempo Sync Switch (0 - 1) |

| | | OFF, ON |

| 00 29 | 000a aaaa | Modulation LFO Tempo Sync Note (0 - 19) |

| | | 16, 12, 8, 4, 2, 1, 3/4, 2/3, 1/2, |

| | | 3/8, 1/3, 1/4, 3/16, 1/6, 1/8, 3/32, |

| | | 1/12, 1/16, 1/24, 1/32 |

| 00 2A | 0aaa aaaa | OSC Pulse Width Shift (0 - 127) |

| 00 2B | 0000 000a | (reserve) <*> |

| 00 2C | 0aaa aaaa | Modulation LFO Pitch Depth (1 - 127) |

| | | -63 - +63 |

| 00 2D | 0aaa aaaa | Modulation LFO Filter Depth (1 - 127) |

| | | -63 - +63 |

| 00 2E | 0aaa aaaa | Modulation LFO Amp Depth (1 - 127) |

| | | -63 - +63 |

| 00 2F | 0aaa aaaa | Modulation LFO Pan Depth (1 - 127) |

| | | -63 - +63 |

|-------------+-----------+----------------------------------------------------|

| 00 30 | 0aaa aaaa | Cutoff Aftertouch Sens (1 - 127) |

| | | -63 - +63 |

| 00 31 | 0aaa aaaa | Level Aftertouch Sens (1 - 127) |

| | | -63 - +63 |

| 00 32 | 0aaa aaaa | (reserve) <*> |

| 00 33 | 0aaa aaaa | (reserve) <*> |

|-------------+-----------+----------------------------------------------------|

| 00 34 | 0000 00aa | Wave Gain (0 - 3) |

| | | -6, 0, +6, +12 [dB] |

|# 00 35 | 0000 aaaa | |

| | 0000 bbbb | |

| | 0000 cccc | |

| | 0000 dddd | Wave Number (0 - 16384) |

| | | OFF, 1 - 16384 |

| 00 39 | 0aaa aaaa | HPF Cutoff (0 - 127) |

| 00 3A | 0aaa aaaa | Super Saw Detune (0 - 127) |

| 00 3B | 0aaa aaaa | Modulation LFO Rate Control (1 - 127) |

| | | -63 - +63 |

| 00 3C | 000a aaaa | AMP Level Keyfollow (54 - 74) |

| | | -100 - +100 |

|-------------+----------------------------------------------------------------|

| 00 00 00 3D | Total Size |

+------------------------------------------------------------------------------+

* Analog Synth Tone

+------------------------------------------------------------------------------+

| Offset | |


|-------------+----------------------------------------------------------------|


12

| | | 32 - 127 [ASCII] |


| | | 32 - 127 [ASCII] |


| | | 32 - 127 [ASCII] |


| | | 32 - 127 [ASCII] |


| | | 32 - 127 [ASCII] |


| | | 32 - 127 [ASCII] |


| | | 32 - 127 [ASCII] |


| | | 32 - 127 [ASCII] |


| | | 32 - 127 [ASCII] |


| | | 32 - 127 [ASCII] |

| 00 0A | 0aaa aaaa | Tone Name 11 (32 - 127) |

| | | 32 - 127 [ASCII] |

| 00 0B | 0aaa aaaa | Tone Name 12 (32 - 127) |

| | | 32 - 127 [ASCII] |

|-------------+-----------+----------------------------------------------------|


|-------------+-----------+----------------------------------------------------|

| 00 0D | 0000 0aaa | LFO Shape (0 - 5) |


| 00 0E | 0aaa aaaa | LFO Rate (0 - 127) |

| 00 0F | 0aaa aaaa | LFO Fade Time (0 - 127) |

| 00 10 | 0000 000a | LFO Tempo Sync Switch (0 - 1) |

| | | OFF, ON |

| 00 11 | 000a aaaa | LFO Tempo Sync Note (0 - 19) |

| | | 16, 12, 8, 4, 2, 1, 3/4, 2/3, 1/2, |

| | | 3/8, 1/3, 1/4, 3/16, 1/6, 1/8, 3/32, |

| | | 1/12, 1/16, 1/24, 1/32 |

| 00 12 | 0aaa aaaa | LFO Pitch Depth (1 - 127) |

| | | -63 - +63 |

| 00 13 | 0aaa aaaa | LFO Filter Depth (1 - 127) |

| | | -63 - +63 |

| 00 14 | 0aaa aaaa | LFO Amp Depth (1 - 127) |

| | | -63 - +63 |

| 00 15 | 0000 000a | LFO Key Trigger (0 - 1) |

| | | OFF, ON |

|-------------+-----------+----------------------------------------------------|

| 00 16 | 0000 0aaa | OSC Waveform (0 - 2) |

| | | SAW, TRI, PW-SQR |

| 00 17 | 00aa aaaa | OSC Pitch Coarse (40 - 88) |

| | | -24 - +24 |

| 00 18 | 0aaa aaaa | OSC Pitch Fine (14 - 114) |

| | | -50 - +50 |

| 00 19 | 0aaa aaaa | OSC Pulse Width (0 - 127) |

| 00 1A | 0aaa aaaa | OSC Pulse Width Mod Depth (0 - 127) |

| 00 1B | 0aaa aaaa | OSC Pitch Env Velocity Sens (1 - 127) |

| | | -63 - +63 |

| 00 1C | 0aaa aaaa | OSC Pitch Env Attack Time (0 - 127) |

| 00 1D | 0aaa aaaa | OSC Pitch Env Decay (0 - 127) |

| 00 1E | 0aaa aaaa | OSC Pitch Env Depth (1 - 127) |

| | | -63 - +63 |

| 00 1F | 0000 00aa | Sub Oscillator Type (0 - 2) |

| | | OFF, OCT-1, OCT-2 |

|-------------+-----------+----------------------------------------------------|

| 00 20 | 0000 0aaa | Filter Switch (0 - 1) |

| | | BYPASS, LPF |

| 00 21 | 0aaa aaaa | Filter Cutoff (0 - 127) |

| 00 22 | 00aa aaaa | Filter Cutoff Keyfollow (54 - 74) |

| | | -100 - +100 |

| 00 23 | 0aaa aaaa | Filter Resonance (0 - 127) |

| 00 24 | 0aaa aaaa | Filter Env Velocity Sens (1 - 127) |

| | | -63 - +63 |

| 00 25 | 0aaa aaaa | Filter Env Attack Time (0 - 127) |

| 00 26 | 0aaa aaaa | Filter Env Decay Time (0 - 127) |

| 00 27 | 0aaa aaaa | Filter Env Sustain Level (0 - 127) |

| 00 28 | 0aaa aaaa | Filter Env Release Time (0 - 127) |

| 00 29 | 0aaa aaaa | Filter Env Depth (1 - 127) |

| | | -63 - +63 |

|-------------+-----------+----------------------------------------------------|

| 00 2A | 0aaa aaaa | AMP Level (0 - 127) |

| 00 2B | 000a aaaa | AMP Level Keyfollow (54 - 74) |

| | | -100 - +100 |

| 00 2C | 0aaa aaaa | AMP Level Velocity Sens (1 - 127) |

| | | -63 - +63 |

| 00 2D | 0aaa aaaa | AMP Env Attack Time (0 - 127) |

| 00 2E | 0aaa aaaa | AMP Env Decay Time (0 - 127) |

| 00 2F | 0aaa aaaa | AMP Env Sustain Level (0 - 127) |

| 00 30 | 0aaa aaaa | AMP Env Release Time (0 - 127) |

|-------------+-----------+----------------------------------------------------|

| 00 31 | 0000 000a | Portamento Switch (0 - 1) |

| | | OFF, ON |

| 00 32 | 0aaa aaaa | Portamento Time (CC# 5) (0 - 127) |

| 00 33 | 0000 000a | Legato Switch (0 - 1) |

| | | OFF, ON |

| 00 34 | 0000 0aaa | Octave Shift (61 - 67) |

| | | -3 - +3 |

| 00 35 | 000a aaaa | Pitch Bend Range Up (0 - 24) |

| 00 36 | 000a aaaa | Pitch Bend Range Down (0 - 24) |

| 00 37 | 0000 0aaa | (reserve) <*> |

|-------------+-----------+----------------------------------------------------|

| 00 38 | 0aaa aaaa | LFO Pitch Modulation Control (1 - 127) |

| | | -63 - +63 |

| 00 39 | 0aaa aaaa | LFO Filter Modulation Control (1 - 127) |

| | | -63 - +63 |

| 00 3A | 0aaa aaaa | LFO Amp Modulation Control (1 - 127) |

| | | -63 - +63 |

| 00 3B | 0aaa aaaa | LFO Rate Modulation Control (1 - 127) |

| | | -63 - +63 |

|-------------+-----------+----------------------------------------------------|



| : | | |


|-------------+----------------------------------------------------------------|

| 00 00 00 40 | Total Size |

+------------------------------------------------------------------------------+

* Drum Kit Common

+------------------------------------------------------------------------------+

| Offset | |


|-------------+----------------------------------------------------------------|

| 00 00 | 0aaa aaaa | Kit Name 1 (32 - 127) |

| | | 32 - 127 [ASCII] |

| 00 01 | 0aaa aaaa | Kit Name 2 (32 - 127) |

| | | 32 - 127 [ASCII] |

| 00 02 | 0aaa aaaa | Kit Name 3 (32 - 127) |

| | | 32 - 127 [ASCII] |

| 00 03 | 0aaa aaaa | Kit Name 4 (32 - 127) |

| | | 32 - 127 [ASCII] |

| 00 04 | 0aaa aaaa | Kit Name 5 (32 - 127) |

| | | 32 - 127 [ASCII] |

| 00 05 | 0aaa aaaa | Kit Name 6 (32 - 127) |

| | | 32 - 127 [ASCII] |

| 00 06 | 0aaa aaaa | Kit Name 7 (32 - 127) |

| | | 32 - 127 [ASCII] |

| 00 07 | 0aaa aaaa | Kit Name 8 (32 - 127) |

| | | 32 - 127 [ASCII] |

| 00 08 | 0aaa aaaa | Kit Name 9 (32 - 127) |

| | | 32 - 127 [ASCII] |

| 00 09 | 0aaa aaaa | Kit Name 10 (32 - 127) |

| | | 32 - 127 [ASCII] |

| 00 0A | 0aaa aaaa | Kit Name 11 (32 - 127) |

| | | 32 - 127 [ASCII] |

| 00 0B | 0aaa aaaa | Kit Name 12 (32 - 127) |

| | | 32 - 127 [ASCII] |

|-------------+-----------+----------------------------------------------------|

| 00 0C | 0aaa aaaa | Kit Level (0 - 127) |

| 00 0D | 0000 000a | (reserve) <*> |

|# 00 0E | 0000 aaaa | |

| | 0000 bbbb | (reserve) <*> |

| : | | |

| 00 11 | 0000 aaaa | (reserve) <*> |

|-------------+----------------------------------------------------------------|

| 00 00 00 12 | Total Size |

+------------------------------------------------------------------------------+

* Drum Kit Partial

+------------------------------------------------------------------------------+

| Offset | |


|-------------+----------------------------------------------------------------|

| 00 00 | 0aaa aaaa | Partial Name 1 (32 - 127) |

| | | 32 - 127 [ASCII] |


| | | 32 - 127 [ASCII] |


| | | 32 - 127 [ASCII] |


| | | 32 - 127 [ASCII] |


| | | 32 - 127 [ASCII] |


| | | 32 - 127 [ASCII] |


| | | 32 - 127 [ASCII] |


| | | 32 - 127 [ASCII] |


| | | 32 - 127 [ASCII] |


| | | 32 - 127 [ASCII] |

| 00 0A | 0aaa aaaa | Partial Name 11 (32 - 127) |

| | | 32 - 127 [ASCII] |

| 00 0B | 0aaa aaaa | Partial Name 12 (32 - 127) |

| | | 32 - 127 [ASCII] |

|-------------+-----------+----------------------------------------------------|

| 00 0C | 0000 000a | Assign Type (0 - 1) |

| | | MULTI, SINGLE |

| 00 0D | 000a aaaa | Mute Group (0 - 31) |

| | | OFF, 1 - 31 |

|-------------+-----------+----------------------------------------------------|

| 00 0E | 0aaa aaaa | Partial Level (0 - 127) |

| 00 0F | 0aaa aaaa | Partial Coarse Tune (0 - 127) |

| | | C-1 - G9 |

| 00 10 | 0aaa aaaa | Partial Fine Tune (14 - 114) |

| | | -50 - +50 |

| 00 11 | 000a aaaa | Partial Random Pitch Depth (0 - 30) |

| | | 0, 1, 2, 3, 4, 5, 6, 7, 8, 9, |

| | | 10, 20, 30, 40, 50, 60, 70, 80, |

| | | 90, 100, 200, 300, 400, 500, |

| | | 600, 700, 800, 900, 1000, 1100, |

| | | 1200 |

| 00 12 | 0aaa aaaa | Partial Pan (0 - 127) |

| | | L64 - 63R |

| 00 13 | 00aa aaaa | Partial Random Pan Depth (0 - 63) |

| 00 14 | 0aaa aaaa | Partial Alternate Pan Depth (1 - 127) |

| | | L63 - 63R |

| 00 15 | 0000 000a | Partial Env Mode (0 - 1) |

| | | NO-SUS, SUSTAIN |

|-------------+-----------+----------------------------------------------------|

| 00 16 | 0aaa aaaa | Partial Output Level (0 - 127) |

| 00 17 | 0aaa aaaa | (reserve) <*> |

| 00 18 | 0aaa aaaa | (reserve) <*> |

| 00 19 | 0aaa aaaa | Partial Chorus Send Level (0 - 127) |

| 00 1A | 0aaa aaaa | Partial Reverb Send Level (0 - 127) |

| 00 1B | 0000 aaaa | Partial Output Assign (0 - 4) |


|-------------+-----------+----------------------------------------------------|

| 00 1C | 00aa aaaa | Partial Pitch Bend Range (0 - 48) |

| 00 1D | 0000 000a | Partial Receive Expression (0 - 1) |

| | | OFF, ON |

| 00 1E | 0000 000a | Partial Receive Hold-1 (0 - 1) |

| | | OFF, ON |

| 00 1F | 0000 000a | (reserve) <*> |

13

|-------------+-----------+----------------------------------------------------|

| 00 20 | 0000 00aa | WMT Velocity Control (0 - 2) |

| | | OFF, ON, RANDOM |

|-------------+-----------+----------------------------------------------------|

| 00 21 | 0000 000a | WMT1 Wave Switch (0 - 1) |

| | | OFF, ON |

| 00 22 | 0000 00aa | WMT1 Wave Group Type (0) |

|# 00 23 | 0000 aaaa | |

| | 0000 bbbb | |

| | 0000 cccc | |

| | 0000 dddd | WMT1 Wave Group ID (0 - 16384) |

| | | OFF, 1 - 16384 |

|# 00 27 | 0000 aaaa | |

| | 0000 bbbb | |

| | 0000 cccc | |

| | 0000 dddd | WMT1 Wave Number L (Mono) (0 - 16384) |

| | | OFF, 1 - 16384 |

|# 00 2B | 0000 aaaa | |

| | 0000 bbbb | |

| | 0000 cccc | |

| | 0000 dddd | WMT1 Wave Number R (0 - 16384) |

| | | OFF, 1 - 16384 |

| 00 2F | 0000 00aa | WMT1 Wave Gain (0 - 3) |

| | | -6, 0, +6, +12 [dB] |

| 00 30 | 0000 000a | WMT1 Wave FXM Switch (0 - 1) |

| | | OFF, ON |

| 00 31 | 0000 00aa | WMT1 Wave FXM Color (0 - 3) |

| | | 1 - 4 |

| 00 32 | 000a aaaa | WMT1 Wave FXM Depth (0 - 16) |

| 00 33 | 0000 000a | WMT1 Wave Tempo Sync (0 - 1) |

| | | OFF, ON |

| 00 34 | 0aaa aaaa | WMT1 Wave Coarse Tune (16 - 112) |

| | | -48 - +48 |

| 00 35 | 0aaa aaaa | WMT1 Wave Fine Tune (14 - 114) |

| | | -50 - +50 |

| 00 36 | 0aaa aaaa | WMT1 Wave Pan (0 - 127) |

| | | L64 - 63R |

| 00 37 | 0000 000a | WMT1 Wave Random Pan Switch (0 - 1) |

| | | OFF, ON |

| 00 38 | 0000 00aa | WMT1 Wave Alternate Pan Switch (0 - 2) |

| | | OFF, ON, REVERSE |

| 00 39 | 0aaa aaaa | WMT1 Wave Level (0 - 127) |

| 00 3A | 0aaa aaaa | WMT1 Velocity Range Lower (1 - 127) |

| | | 1 - UPPER |

| 00 3B | 0aaa aaaa | WMT1 Velocity Range Upper (1 - 127) |

| | | LOWER - 127 |

| 00 3C | 0aaa aaaa | WMT1 Velocity Fade Width Lower (0 - 127) |

| 00 3D | 0aaa aaaa | WMT1 Velocity Fade Width Upper (0 - 127) |

|-------------+-----------+----------------------------------------------------|

| 00 3E | 0000 000a | WMT2 Wave Switch (0 - 1) |

| | | OFF, ON |

| 00 3F | 0000 00aa | WMT2 Wave Group Type (0) |

|# 00 40 | 0000 aaaa | |

| | 0000 bbbb | |

| | 0000 cccc | |


| | | OFF, 1 - 16384 |

|# 00 44 | 0000 aaaa | |

| | 0000 bbbb | |

| | 0000 cccc | |


| | | OFF, 1 - 16384 |

|# 00 48 | 0000 aaaa | |

| | 0000 bbbb | |

| | 0000 cccc | |


| | | OFF, 1 - 16384 |

| 00 4C | 0000 00aa | WMT2 Wave Gain (0 - 3) |

| | | -6, 0, +6, +12 [dB] |

| 00 4D | 0000 000a | WMT2 Wave FXM Switch (0 - 1) |

| | | OFF, ON |

| 00 4E | 0000 00aa | WMT2 Wave FXM Color (0 - 3) |

| | | 1 - 4 |

| 00 4F | 000a aaaa | WMT2 Wave FXM Depth (0 - 16) |

| 00 50 | 0000 000a | WMT2 Wave Tempo Sync (0 - 1) |

| | | OFF, ON |

| 00 51 | 0aaa aaaa | WMT2 Wave Coarse Tune (16 - 112) |

| | | -48 - +48 |

| 00 52 | 0aaa aaaa | WMT2 Wave Fine Tune (14 - 114) |

| | | -50 - +50 |


| | | L64 - 63R |


| | | OFF, ON |




| 00 57 | 0aaa aaaa | WMT2 Velocity Range Lower (1 - 127) |

| | | 1 - UPPER |

| 00 58 | 0aaa aaaa | WMT2 Velocity Range Upper (1 - 127) |

| | | LOWER - 127 |

| 00 59 | 0aaa aaaa | WMT2 Velocity Fade Width Lower (0 - 127) |

| 00 5A | 0aaa aaaa | WMT2 Velocity Fade Width Upper (0 - 127) |

|-------------+-----------+----------------------------------------------------|

| 00 5B | 0000 000a | WMT3 Wave Switch (0 - 1) |

| | | OFF, ON |

| 00 5C | 0000 00aa | WMT3 Wave Group Type (0) |

|# 00 5D | 0000 aaaa | |

| | 0000 bbbb | |

| | 0000 cccc | |


| | | OFF, 1 - 16384 |

|# 00 61 | 0000 aaaa | |

| | 0000 bbbb | |

| | 0000 cccc | |


| | | OFF, 1 - 16384 |

|# 00 65 | 0000 aaaa | |

| | 0000 bbbb | |

| | 0000 cccc | |


| | | OFF, 1 - 16384 |

| 00 69 | 0000 00aa | WMT3 Wave Gain (0 - 3) |

| | | -6, 0, +6, +12 [dB] |

| 00 6A | 0000 000a | WMT3 Wave FXM Switch (0 - 1) |

| | | OFF, ON |

| 00 6B | 0000 00aa | WMT3 Wave FXM Color (0 - 3) |

| | | 1 - 4 |

| 00 6C | 000a aaaa | WMT3 Wave FXM Depth (0 - 16) |

| 00 6D | 0000 000a | WMT3 Wave Tempo Sync (0 - 1) |

| | | OFF, ON |

| 00 6E | 0aaa aaaa | WMT3 Wave Coarse Tune (16 - 112) |

| | | -48 - +48 |

| 00 6F | 0aaa aaaa | WMT3 Wave Fine Tune (14 - 114) |

| | | -50 - +50 |


| | | L64 - 63R |


| | | OFF, ON |





| | | 1 - UPPER |


| | | LOWER - 127 |


| 00 77 | 0aaa aaaa | WMT3 Velocity Fade Width Upper (0 - 127) |

|-------------+-----------+----------------------------------------------------|

| 00 78 | 0000 000a | WMT4 Wave Switch (0 - 1) |

| | | OFF, ON |

| 00 79 | 0000 00aa | WMT4 Wave Group Type (0) |

|# 00 7A | 0000 aaaa | |

| | 0000 bbbb | |

| | 0000 cccc | |


| | | OFF, 1 - 16384 |

|# 00 7E | 0000 aaaa | |

| | 0000 bbbb | |

| | 0000 cccc | |


| | | OFF, 1 - 16384 |

|# 01 02 | 0000 aaaa | |

| | 0000 bbbb | |

| | 0000 cccc | |


| | | OFF, 1 - 16384 |

| 01 06 | 0000 00aa | WMT4 Wave Gain (0 - 3) |

| | | -6, 0, +6, +12 [dB] |

| 01 07 | 0000 000a | WMT4 Wave FXM Switch (0 - 1) |

| | | OFF, ON |

| 01 08 | 0000 00aa | WMT4 Wave FXM Color (0 - 3) |

| | | 1 - 4 |

| 01 09 | 000a aaaa | WMT4 Wave FXM Depth (0 - 16) |

| 01 0A | 0000 000a | WMT4 Wave Tempo Sync (0 - 1) |

| | | OFF, ON |

| 01 0B | 0aaa aaaa | WMT4 Wave Coarse Tune (16 - 112) |

| | | -48 - +48 |

| 01 0C | 0aaa aaaa | WMT4 Wave Fine Tune (14 - 114) |

| | | -50 - +50 |

| 01 0D | 0aaa aaaa | WMT4 Wave Pan (0 - 127) |

| | | L64 - 63R |

| 01 0E | 0000 000a | WMT4 Wave Random Pan Switch (0 - 1) |

| | | OFF, ON |

| 01 0F | 0000 00aa | WMT4 Wave Alternate Pan Switch (0 - 2) |




| | | 1 - UPPER |


| | | LOWER - 127 |


| 01 14 | 0aaa aaaa | WMT4 Velocity Fade Width Upper (0 - 127) |

|-------------+-----------+----------------------------------------------------|

| 01 15 | 000a aaaa | Pitch Env Depth (52 - 76) |

| | | -12 - +12 |

| 01 16 | 0aaa aaaa | Pitch Env Velocity Sens (1 - 127) |

| | | -63 - +63 |

| 01 17 | 0aaa aaaa | Pitch Env Time 1 Velocity Sens (1 - 127) |

| | | -63 - +63 |

| 01 18 | 0aaa aaaa | Pitch Env Time 4 Velocity Sens (1 - 127) |

| | | -63 - +63 |

| 01 19 | 0aaa aaaa | Pitch Env Time 1 (0 - 127) |

| 01 1A | 0aaa aaaa | Pitch Env Time 2 (0 - 127) |

| 01 1B | 0aaa aaaa | Pitch Env Time 3 (0 - 127) |

| 01 1C | 0aaa aaaa | Pitch Env Time 4 (0 - 127) |

| 01 1D | 0aaa aaaa | Pitch Env Level 0 (1 - 127) |

| | | -63 - +63 |

| 01 1E | 0aaa aaaa | Pitch Env Level 1 (1 - 127) |

| | | -63 - +63 |

| 01 1F | 0aaa aaaa | Pitch Env Level 2 (1 - 127) |

| | | -63 - +63 |

| 01 20 | 0aaa aaaa | Pitch Env Level 3 (1 - 127) |

| | | -63 - +63 |

| 01 21 | 0aaa aaaa | Pitch Env Level 4 (1 - 127) |

| | | -63 - +63 |

|-------------+-----------+----------------------------------------------------|

| 01 22 | 0000 0aaa | TVF Filter Type (0 - 6) |

| | | OFF, LPF, BPF, HPF, PKG, LPF2, |

| | | LPF3 |

| 01 23 | 0aaa aaaa | TVF Cutoff Frequency (0 - 127) |

| 01 24 | 0000 0aaa | TVF Cutoff Velocity Curve (0 - 7) |

| | | FIXED, 1 - 7 |

| 01 25 | 0aaa aaaa | TVF Cutoff Velocity Sens (1 - 127) |

| | | -63 - +63 |

| 01 26 | 0aaa aaaa | TVF Resonance (0 - 127) |

| 01 27 | 0aaa aaaa | TVF Resonance Velocity Sens (1 - 127) |

| | | -63 - +63 |

| 01 28 | 0aaa aaaa | TVF Env Depth (1 - 127) |

| | | -63 - +63 |

| 01 29 | 0000 0aaa | TVF Env Velocity Curve Type (0 - 7) |

| | | FIXED, 1 - 7 |

| 01 2A | 0aaa aaaa | TVF Env Velocity Sens (1 - 127) |

| | | -63 - +63 |

14

| 01 2B | 0aaa aaaa | TVF Env Time 1 Velocity Sens (1 - 127) |

| | | -63 - +63 |

| 01 2C | 0aaa aaaa | TVF Env Time 4 Velocity Sens (1 - 127) |

| | | -63 - +63 |

| 01 2D | 0aaa aaaa | TVF Env Time 1 (0 - 127) |

| 01 2E | 0aaa aaaa | TVF Env Time 2 (0 - 127) |

| 01 2F | 0aaa aaaa | TVF Env Time 3 (0 - 127) |

| 01 30 | 0aaa aaaa | TVF Env Time 4 (0 - 127) |

| 01 31 | 0aaa aaaa | TVF Env Level 0 (0 - 127) |





|-------------+-----------+----------------------------------------------------|

| 01 36 | 0000 0aaa | TVA Level Velocity Curve (0 - 7) |

| | | FIXED, 1 - 7 |

| 01 37 | 0aaa aaaa | TVA Level Velocity Sens (1 - 127) |

| | | -63 - +63 |

| 01 38 | 0aaa aaaa | TVA Env Time 1 Velocity Sens (1 - 127) |

| | | -63 - +63 |

| 01 39 | 0aaa aaaa | TVA Env Time 4 Velocity Sens (1 - 127) |

| | | -63 - +63 |

| 01 3A | 0aaa aaaa | TVA Env Time 1 (0 - 127) |

| 01 3B | 0aaa aaaa | TVA Env Time 2 (0 - 127) |

| 01 3C | 0aaa aaaa | TVA Env Time 3 (0 - 127) |

| 01 3D | 0aaa aaaa | TVA Env Time 4 (0 - 127) |

| 01 3E | 0aaa aaaa | TVA Env Level 1 (0 - 127) |

| 01 3F | 0aaa aaaa | TVA Env Level 2 (0 - 127) |

| 01 40 | 0aaa aaaa | TVA Env Level 3 (0 - 127) |

|-------------+-----------+----------------------------------------------------|

| 01 41 | 0000 000a | One Shot Mode (0 - 1) |

| | | OFF, ON |

| 01 42 | 0aaa aaaa | Relative Level (0 - 127) |

| | | -64 - +63 |

|-------------+----------------------------------------------------------------|

| 00 00 01 43 | Total Size |

+------------------------------------------------------------------------------+

6. Control Change Message List

(Knob operation)

9 SuperNATURAL Synth Tone

Parameter | Partial | Controller Number | Value

-----------------------+---------+---------------------------+---------

Cutoff | 1 - 3 | 102 - 104 | 0 - 127

Resonance | 1 - 3 | 105 - 107 | 0 - 127

Level | 1 - 3 | 117 - 119 | 0 - 127

Envelope | 1 - 3 | NRPN MSB:0, LSB:124 - 126 | 0 - 127

LFO Shape | 1 - 3 | NRPN MSB:0, LSB:3 - 5 | 0 - 5

LFO Rate | 1 - 3 | 16 - 18 | 0 - 127

LFO Pitch Depth | 1 - 3 | NRPN MSB:0, LSB:15 - 17 | 0 - 127

LFO Filter Depth | 1 - 3 | NRPN MSB:0, LSB:18 - 20 | 0 - 127

LFO Amp Depth | 1 - 3 | NRPN MSB:0, LSB:21 - 23 | 0 - 127

9 Analog Synth Tone

Parameter | Controller Number | Value

---------------------------------+---------------------------+---------

Cutoff | 102 | 0 - 127

Resonance | 105 | 0 - 127

Level | 117 | 0 - 127

Envelope | NRPN MSB:0, LSB:124 | 0 - 127

LFO Shape | NRPN MSB:0, LSB:3 | 0 - 5

LFO Rate | 16 | 0 - 127

LFO Pitch Depth | NRPN MSB:0, LSB:15 | 0 - 127

LFO Filter Depth | NRPN MSB:0, LSB:18 | 0 - 127

LFO Amp Depth | NRPN MSB:0, LSB:21 | 0 - 127

Pulse Width | NRPN MSB:0, LSB:37 | 0 - 127

9 Drum Kit

Parameter | Note | Controller Number | Value

-----------------------+---------+---------------------------+---------

Cutoff | 36 - 72 | NRPN MSB:89, LSB:Note | 0 - 127

Resonance | 36 - 72 | NRPN MSB:92, LSB:Note | 0 - 127

Level | 36 - 72 | NRPN MSB:64, LSB:Note | 0 - 127

Envelope | 36 - 72 | NRPN MSB:119, LSB:Note | 0 - 127

9 Effects

Parameter | Controller Number | Value

---------------------------------+---------------------------+---------

Effect 1 | 14 | 0 - 127

Effect 2 | 15 | 0 - 127

Delay | 13 | 0 - 127

Reverb | 12 | 0 - 127

Vocoder (Level) | 83 | 0 - 127

7. Supplementary Material

9 Decimal and Hexadecimal Table

(An “H” is appended to the end of numbers in hexadecimal notation.)

In MIDI documentation, data values and addresses/sizes of Exclusive messages, etc. are expressed as hexadecimal values for each 7 bits.

The following table shows how these correspond to decimal numbers.

+------+------++------+------++------+------++------+------+

| D | H || D | H || D | H || D | H |

+------+------++------+------++------+------++------+------+

| 0 | 00H || 32 | 20H || 64 | 40H || 96 | 60H |

| 1 | 01H || 33 | 21H || 65 | 41H || 97 | 61H |

| 2 | 02H || 34 | 22H || 66 | 42H || 98 | 62H |

| 3 | 03H || 35 | 23H || 67 | 43H || 99 | 63H |

| 4 | 04H || 36 | 24H || 68 | 44H || 100 | 64H |

| 5 | 05H || 37 | 25H || 69 | 45H || 101 | 65H |

| 6 | 06H || 38 | 26H || 70 | 46H || 102 | 66H |

| 7 | 07H || 39 | 27H || 71 | 47H || 103 | 67H |

| 8 | 08H || 40 | 28H || 72 | 48H || 104 | 68H |

| 9 | 09H || 41 | 29H || 73 | 49H || 105 | 69H |

| 10 | 0AH || 42 | 2AH || 74 | 4AH || 106 | 6AH |

| 11 | 0BH || 43 | 2BH || 75 | 4BH || 107 | 6BH |

| 12 | 0CH || 44 | 2CH || 76 | 4CH || 108 | 6CH |

| 13 | 0DH || 45 | 2DH || 77 | 4DH || 109 | 6DH |

| 14 | 0EH || 46 | 2EH || 78 | 4EH || 110 | 6EH |

| 15 | 0FH || 47 | 2FH || 79 | 4FH || 111 | 6FH |

| 16 | 10H || 48 | 30H || 80 | 50H || 112 | 70H |

| 17 | 11H || 49 | 31H || 81 | 51H || 113 | 71H |

| 18 | 12H || 50 | 32H || 82 | 52H || 114 | 72H |

| 19 | 13H || 51 | 33H || 83 | 53H || 115 | 73H |

| 20 | 14H || 52 | 34H || 84 | 54H || 116 | 74H |

| 21 | 15H || 53 | 35H || 85 | 55H || 117 | 75H |

| 22 | 16H || 54 | 36H || 86 | 56H || 118 | 76H |

| 23 | 17H || 55 | 37H || 87 | 57H || 119 | 77H |

| 24 | 18H || 56 | 38H || 88 | 58H || 120 | 78H |

| 25 | 19H || 57 | 39H || 89 | 59H || 121 | 79H |

| 26 | 1AH || 58 | 3AH || 90 | 5AH || 122 | 7AH |

| 27 | 1BH || 59 | 3BH || 91 | 5BH || 123 | 7BH |

| 28 | 1CH || 60 | 3CH || 92 | 5CH || 124 | 7CH |

| 29 | 1DH || 61 | 3DH || 93 | 5DH || 125 | 7DH |

| 30 | 1EH || 62 | 3EH || 94 | 5EH || 126 | 7EH |

| 31 | 1FH || 63 | 3FH || 95 | 5FH || 127 | 7FH |

+------+------++------+------++------+------++------+------+

D: decimal

H: hexadecimal

* Decimal values such as MIDI channel, bank select, and program change are listed as one greater than the values given in the above table.

* A 7-bit byte can express data in the range of 128 steps. For data where greater precision is required, we must use two or more bytes.

For example, two hexadecimal numbers aa bbH expressing two 7-bit bytes would indicate a value of aa x 128+bb.

* In the case of values which have a +/- sign, 00H = -64, 40H = +/-0, and 7FH = +63, so that the decimal expression would be 64 less than the value given in the above chart. In the case of two types, 00

00H = -8192, 40 00H = +/-0, and 7F 7FH = +8191. For example, if aa bbH were expressed as decimal, this would be aa bbH - 40 00H = aa x

128+bb - 64 x 128.

* Data marked “Use nibbled data” is expressed in hexadecimal in 4-bit units. A value expressed as a 2-byte nibble 0a 0bH has the value of a x 16+b.

<Example1> What is the decimal expression of 5AH?

From the preceding table, 5AH = 90

<Example2> What is the decimal expression of the value 12 34H given as hexadecimal for each 7 bits?

From the preceding table, since 12H = 18 and 34H = 52

18 x 128+52 = 2356

<Example3> What is the decimal expression of the nibbled value 0A 03

09 0D?

From the preceding table, since 0AH = 10, 03H = 3, 09H = 9, 0DH = 13

((10 x 16+3) x 16+9) x 16+13 = 41885

<Example4> What is the nibbled expression of the decimal value 1258?

16 ) 1258

16 ) 78 ...10

16 ) 4 ...14

0 ... 4

Since from the preceding table, 0 = 00H, 4 = 04H, 14 = 0EH, 10 = 0AH, the result is: 00 04 0E 0AH.

9 Examples of Actual MIDI Messages

<Example1> 92 3E 5F

9n is the Note-on status, and n is the MIDI channel number. Since 2H =

2, 3EH = 62, and 5FH = 95, this is a Note-on message with MIDI CH = 3, note number 62 (note name is D4), and velocity 95.

<Example2> CE 49

CnH is the Program Change status, and n is the MIDI channel number.

Since EH = 14 and 49H = 73, this is a Program Change message with MIDI

CH = 15, program number 74.

<Example3> EA 00 28

EnH is the Pitch Bend Change status, and n is the MIDI channel number.

The 2nd byte (00H = 0) is the LSB and the 3rd byte (28H = 40) is the

MSB, but Pitch Bend Value is a signed number in which 40 00H (= 64 x

12+80 = 8192) is 0, so this Pitch Bend Value is

28 00H - 40 00H = 40 x 12+80 - (64 x 12+80) = 5120 - 8192 = -3072

If the Pitch Bend Sensitivity is set to 2 semitones, -8192 (00 00H) will cause the pitch to change -200 cents, so in this case -200 x (-3072)

/ (-8192) = -75 cents of Pitch Bend is being applied to MIDI channel

11.

<Example4> B3 64 00 65 00 06 0C 26 00 64 7F 65 7F

BnH is the Control Change status, and n is the MIDI channel number.

For Control Changes, the 2nd byte is the control number, and the 3rd byte is the value. In a case in which two or more messages consecutive messages have the same status, MIDI has a provision called “running status” which allows the status byte of the second and following messages to be omitted. Thus, the above messages have the following meaning.

B3 64 00 MIDI ch.4, lower byte of RPN parameter number: 00H

(B3) 65 00 (MIDI ch.4) upper byte of RPN parameter number: 00H

(B3) 06 0C (MIDI ch.4) upper byte of parameter value:

(B3) 26 00 (MIDI ch.4) lower byte of parameter value:

0CH

00H

(B3) 64 7F (MIDI ch.4) lower byte of RPN parameter number: 7FH

(B3) 65 7F (MIDI ch.4) upper byte of RPN parameter number: 7FH

In other words, the above messages specify a value of 0C 00H for

RPN parameter number 00 00H on MIDI channel 4, and then set the RPN parameter number to 7F 7FH.

RPN parameter number 00 00H is Pitch Bend Sensitivity, and the MSB of the value indicates semitone units, so a value of 0CH = 12 sets the maximum pitch bend range to +/-12 semitones (1 octave). (On this sound generators the LSB of Pitch Bend Sensitivity is ignored, but the LSB should be transmitted anyway (with a value of 0) so that operation will be correct on any device.)

Once the parameter number has been specified for RPN or NRPN, all Data

Entry messages transmitted on that same channel will be valid, so after the desired value has been transmitted, it is a good idea to set the parameter number to 7F 7FH to prevent accidents. This is the reason for the (B3) 64 7F (B3) 65 7F at the end.

It is not desirable for performance data (such as Standard MIDI File data) to contain many events with running status as given in <Example

4>. This is because if playback is halted during the song and then rewound or fast-forwarded, the sequencer may not be able to transmit the correct status, and the sound generator will then misinterpret the data. Take care to give each event its own status.

It is also necessary that the RPN or NRPN parameter number setting and the value setting be done in the proper order. On some sequencers, events occurring in the same (or consecutive) clock may be transmitted in an order different than the order in which they were received. For this reason it is a good idea to slightly skew the time of each event

(about 1 tick for TPQN = 96, and about 5 ticks for TPQN = 480).

* TPQN: Ticks Per Quarter Note

15

9 Example of an Exclusive Message and Calculating a Checksum

Roland Exclusive messages (RQ1, DT1) are transmitted with a checksum at the end (before F7) to make sure that the message was correctly received. The value of the checksum is determined by the address and data (or size) of the transmitted Exclusive message.

7 How to calculate the checksum

(hexadecimal numbers are indicated by “H”)

The checksum is a value derived by adding the address, size, and checksum itself and inverting the lower 7 bits.

Here’s an example of how the checksum is calculated. We will assume that in the Exclusive message we are transmitting, the address is aabbccddH and the data or size is eeffH.

aa + bb + cc + dd + ee + ff = sum sum / 128 = quotient ... remainder

128 - remainder = checksum

<Example> Setting Effect 1 Reverb Send Level of Program to 100 (DT1)

According to the Parameter Address Map (p. 8), the start address

of Temporary Program is 18 00 00 00H, the offset address of Effect 1 at

Program is 02 00H, and the address of Reverb Send Level is 00 03H.

Therefore the address of Reverb Send Level is;

18 00 00 00H

02 00H

+) 00 03H

18 00 02 03H

64H = 100

So the system exclusive message should be sent is;

F0 41 10 00 00 00 0E 12 18 00 02 03 64 ??

(1) (2) (3) (4) data

F7 checksum (6)

(1) Exclusive Status (2) ID (Roland) (3) Device ID (17)

(4) Model ID (JD-Xi) (5) Command ID (DT1) (6) End of Exclusive

Then calculate the checksum.

18H + 00H + 02H + 03H + 64H = 24 + 0 + 2 + 3 + 100 = 129 (sum)

129 (sum) / 128 = 1 (quotient) ... 1 (remainder) checksum = 128 - 1 (remainder) = 127 = 7FH

This means that F0 41 10 00 00 00 0E 12 18 00 02 03 64 7F F7 is the message should be sent.

ASCII Code Table

Program Name, etc., of MIDI data are described the ASCII code in the table below.

+------+------+------++------+------+------++------+------+------+

| D | H | Char || D | H | Char || D | H | Char |

+------+------+------++------+------+------++------+------+------+

| 32 | 20H | SP || 64 | 40H | @ || 96 | 60H | ` |

| 33 | 21H | ! || 65 | 41H | A || 97 | 61H | a |

| 34 | 22H | “ || 66 | 42H | B || 98 | 62H | b |

| 35 | 23H | # || 67 | 43H | C || 99 | 63H | c |

| 36 | 24H | $ || 68 | 44H | D || 100 | 64H | d |

| 37 | 25H | % || 69 | 45H | E || 101 | 65H | e |

| 38 | 26H | & || 70 | 46H | F || 102 | 66H | f |

| 39 | 27H | ` || 71 | 47H | G || 103 | 67H | g |

| 40 | 28H | ( || 72 | 48H | H || 104 | 68H | h |

| 41 | 29H | ) || 73 | 49H | I || 105 | 69H | i |

| 42 | 2AH | * || 74 | 4AH | J || 106 | 6AH | j |

| 43 | 2BH | + || 75 | 4BH | K || 107 | 6BH | k |

| 44 | 2CH | , || 76 | 4CH | L || 108 | 6CH | l |

| 45 | 2DH | - || 77 | 4DH | M || 109 | 6DH | m |

| 46 | 2EH | . || 78 | 4EH | N || 110 | 6EH | n |

| 47 | 2FH | / || 79 | 4FH | O || 111 | 6FH | o |

| 48 | 30H | 0 || 80 | 50H | P || 112 | 70H | p |

| 49 | 31H | 1 || 81 | 51H | Q || 113 | 71H | q |

| 50 | 32H | 2 || 82 | 52H | R || 114 | 72H | r |

| 51 | 33H | 3 || 83 | 53H | S || 115 | 73H | s |

| 52 | 34H | 4 || 84 | 54H | T || 116 | 74H | t |

| 53 | 35H | 5 || 85 | 55H | U || 117 | 75H | u |

| 54 | 36H | 6 || 86 | 56H | V || 118 | 76H | v |

| 55 | 37H | 7 || 87 | 57H | W || 119 | 77H | w |

| 56 | 38H | 8 || 88 | 58H | X || 120 | 78H | x |

| 57 | 39H | 9 || 89 | 59H | Y || 121 | 79H | y |

| 58 | 3AH | : || 90 | 5AH | Z || 122 | 7AH | z |

| 59 | 3BH | ; || 91 | 5BH | [ || 123 | 7BH | { |

| 60 | 3CH | < || 92 | 5CH | \ || 124 | 7CH | | |

| 61 | 3DH | = || 93 | 5DH | ] || 125 | 7DH | } |

| 62 | 3EH | > || 94 | 5EH | ^ ||------+------+------+

| 63 | 3FH | ? || 95 | 5FH | _ |

+------+------+------++------+------+------+

D: decimal

H: hexadecimal

* “SP” is space.

16

SYNTHESIZER

Model: JD-Xi

MIDI Implementation Chart

(Sound Source Section)

Function...

Basic

Channel

Mode

Note

Number :

Velocity

After

Touch

Pitch Bend

Control

Change

Default

Changed

Default

Messages

Altered

True Voice

Note On

Note Off

Key’s

Channel’s

73

74

75

76

64

65

71

72

0,32

1

5

6,38

7

10

11

12-18

77

78

83

98,99

100,101

102-119

Transmitted

1-16

1-16 x o o o x x x x x x x x x x x o x x o o o o x o

Mode 3 x

**************

0-108 o x

************** o o *1

**************

Recognized

1-16

1-16

Mode 3

Mode 3, 4(M=1) o o

0-127

0-127 o *1 o *1 o *1 o o o

*1

*1 o o *1 o o o o o o o o o o o o o o *1 o *1 o o *1 o *1

0-127

Program

Change

System

Exclusive

: True Number o *3 o

System

Common

System

Real Time

Aux

Messages

Notes

: Song Position

: Song Select

: Tune Request

:Clock

:Commands

:All Sound Off

:Reset All Controllers

:Local On/Off x x x x x x x x

:All Notes Off

:Active Sensing x o

:System Reset x

*1 o x is selectable (using System Exclusive Messages).

x x x o x o (120, 126, 127) o x o (123, 127) o x

*2 Recognized as M=1 even if M1.

*3 Transmitted only when “Transmitted Edit Data” is ON or RQ1is received.

*4 Refer to Control Change Message List (p. 14) about function of each controller number.

Mode 1 : OMNI ON, POLY

Mode 3 : OMNI OFF, POLY

Mode 2 : OMNI ON, MONO

Mode 4 : OMNI OFF, MONO

Remarks

Date : May 1, 2015

Version : 1.00

*2

Bank select

Modulation

Portamento time

Data entry

Volume

Panpot

Expression

*4

Hold 1

Portamento

Resonance

Release time

Attack time

Cutoff

Decay time

Vibrate rate

Vibrate depth

Vibrate delay

*4

NRPN LSB,MSB *4

RPN LSB,MSB

*4

Program No.1-128

O : Yes

X : No

17

SYNTHESIZER

Model: JD-Xi

(Sequencer section)

Function...

Basic

Channel

Mode

Default

Changed

Default

Messages

Altered

Note

Number :

Velocity

After

Touch

Pitch Bend

: True Voice

Note On

Note Off

Key’s

Channel’s

MIDI Implementation Chart

x o o o o x x

Transmitted

All channel x

**************

0-127

**************

Recognized

All channel

1-16 x x x o o o o

0-127

0-127

Date : May 1, 2015

Version : 1.00

Remarks

There is not specific basic channel

Control

Change

0-119 o o

Program

Change

System

Exclusive

: True Number x

************** o x o

System

Common

System

Real Time

Aux

Messages

Notes

: Song Position

: Song Select

: Tune Request

:Clock

:Commands x x x o o x x x o o

*1

*1

: All Sound Off

: Reset All Controllers

: Local On/Off

: All Notes Off

: Omni Mode Off

: Omni Mode On

: Mono Mode On

: Poly Mode On o o x x o o o o o *2 o x x *3 o *2 o *2 o *2 o *2

: Active Sensing

: System Reset o x o x

*1 o x is selectable. |

*2 First, a note-off message is recorded for each note that is currently on; then this message itself is recorded

*3 The All Notes Off message itself is not recorded; a note-off message is recorded for each note that is currently on

Mode 1 : OMNI ON, POLY

Mode 3 : OMNI OFF, POLY

Mode 2 : OMNI ON, MONO

Mode 4 : OMNI OFF, MONO

O : Yes

X : No

18

Roland JD-Xi Analog/Digital Crossover Synthesizer Interaktif Owner's Manual

MIDI Implementation

MIDI Implementation Chart

MIDI Implementation Chart

Related manuals

Roland

HP-505

Roland

F-120

Roland

F-120R

Roland

F-140R

Roland

RP401R

Roland

HPi-50

Roland

F-140R

Roland

AX-Synth

Roland

HPi-50e

Roland

FP-30

Roland

SH-32

Roland

V-STUDIO 700