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HA<O> Model: / STAGE KEYBOARD Thank you, and congratulations on your choice of the Hammond Stage Keyboard SK1/SK2. The SK1 and SK2 are the first ever Stage Keyboards from Hammond to feature both traditional Hammond Organ Voices and the basic keyboard sounds every performer desires. Please take the time to read this manual completely to take full advantage of the many features of your SK1/SK2; and please retain it for future reference. DRAWBARS SELECT MENU/ EXIT UPPER PEDAL LOWER VALUE ORGAN TYPE PLAY NUMBER NAME PATCH ENTER DRAWBARS SELECT ORGAN TYPE MENU/ EXIT Bourdon OpenDiap Gedeckt VoixClst 16' 8' 8' II Octave Flute Dolce 4' 4' Flute 2' Mixture III UPPER Hautbois 8' PEDAL LOWER VALUE PLAY NUMBER NAME PATCH Owner’s Manual ENTER 2 IMPORTANT SAFETY INSTRUCTIONS u Before using this unit, please read the following Safety instructions, and adhere to them. u Keep this manual close by for easy reference. u In this manual, the degrees of danger are classified and explained as follows: WARNING CAUTION This sign shows there is a risk of death or severe injury if this unit is not properly used as instructed. This sign shows there is a risk of injury or material damage if this unit is not properly used as instructed. *Material damage here means a damage to the room, furniture or animals or pets. WARNING u Do not open (or modify in any way) the unit or its AC adaptor. u Do not attempt to repair the unit, or replace parts in it. Refer all servicing to your retailer, the nearest Hammond Dealer, or an authorized Hammond distributor, as listed on the “Service” page. u Never use or store the unit in places that are: w Subject to temperature extremes (e.g., direct sunlight in an enclosed vehicle, near a heating duct, on top of heat generating equipment) w Damp (e.g., baths, washrooms, on wet floors) w Humid w Exposed to rain w Dusty w Subject to high levels of vibration. u Be sure to use only the AC adaptor supplied with the unit. And, make sure the line voltage at the installation matches the input voltage specified on the AC adaptor’s case. Other AC adaptors may use a different polarity, or be designed for a different voltage, their use could result in damage, malfunction, or electric shock. u Do not excessively twist or bend the power cord, or place heavy objects on it. Doing so can damage the cord, producing severed elements and short circuits. Damaged cords are fire and shock hazards! u This unit, either alone or in combination with an amplifier and headphones or speakers, may be capable of producing sound levels that could cause permanent hearing loss. Do not operate for a extended periods of time at a high volume level, or at a level that is uncomfortable. If you experience any hearing loss or ringing in the ears, you should immediately stop using the unit, and consult a physician. u Do not allow any objects (e.g., flammable material, coins, pins); or liquids of any kind (water, soft drinks, etc.) to penetrate the unit. HA<O> Sk1 / Sk2 Owner’s Manual u Immediately turn the power off, remove the AC adaptor from the outlet, and request servicing by your retailer, the nearest Hammond Dealer, or an authorized Hammond distributor, as listed on the “Service” page when: w The AC adaptor, the power-supply cord, or the plug has been damaged; or w If smoke or unusual odor occurs w Objects have fallen into, or liquid has been spilled onto the unit; or w The unit has been exposed to rain (or otherwise has become wet); or w The unit does not appear to operate normally or exhibits a marked change in performance. u In households with small children, an adult should provide supervision until the child is capable of following all the rules essential for the safe operation of the unit. u Protect the unit from strong impact. (Do not drop it!) u Do not force the unit’s power-supply cord to share an outlet with an unreasonable number of other devices. Be especially careful when using extension cords - the total power used by all devices you have connected to the extension cord’s outlet must never exceed the power rating (watts/amperes) for the extension cord. Excessive loads can cause the insulation on the cord to heat up and eventually melt through. u Before using the unit in a foreign country, consult with your retailer, the nearest Hammond Dealer, or an authorized Hammond distributor, as listed on the “Service” page. u Do not put anything that contains water (e.g., flower vases) on this unit. Also, avoid the use of insecticides, perfumes, alcohol, nail polish, spray cans, etc., near the unit. Swiftly wipe away any liquid that spills on the unit using a dry, soft cloth. 3 CAUTION u The unit and the AC adaptor should be located so their location or position does not interfere with their proper ventilation. u Always handle the AC adaptor by the plug when plugging into, or unplugging from an outlet or this unit. u At regular intervals, you should unplug the AC adaptor and clean it by using a dry cloth to wipe all dust and other accumulations away from its prongs. Also, disconnect the power plug from the power outlet whenever the unit is to remain unused for an extended period of time. Any accumulation of dust between the power plug and the power outlet can result in poor insulation and lead to fire. u Try to prevent cords and cables from becoming entangled. Also, all cords and cables should be placed so they are out of the reach of children. u Never climb on top of, nor place heavy objects on the unit u Never handle the AC adaptor or its plugs with wet hands when plugging into, or unplugging from, an outlet of this unit. u Before moving the unit, disconnect the AC adaptor and all cords coming from external devices. u Before cleaning the unit, turn off the power and unplug the AC adaptor from the outlet. u Whenever you suspect the possibility of lightning in your area, disconnect the AC adaptor from the outlet. In the unlikely event that you need to dispose of this unit, be sure to contact your dealer or your nearest town or municipal office for its proper disposal. Introduction IMPORTANT - PLEASE READ 4 uPower Supply u Do not use this unit on the same power circuit with any device that will generate line noise (such as an electric motor or variable lighting system). u The AC adaptor will begin to generate heat after long hours of consecutive use. This is normal, and is not a cause for concern. u Before connecting this unit to other devices, turn off the power to all units. This will help prevent malfunctions and/ or damage to speakers or other devices. uPlacement u Using the unit near power amplifiers (or other equipment containing large power transformers) may induce hum. To alleviate the problem, change the orientation of this unit; or move it farther away from the source of interference. u This device may interfere with radio and television reception. Do not use this device in the vicinity of such receivers. u Noise may be produced if wireless communications devices, such as cell phones, are operated in the vicinity of this unit. Such noise could occur when receiving or initiating a call, or while conversing. Should you experience such problems, you should relocate such wireless devices so they are at a greater distance from this unit, or switch them off. u Do not expose the unit to direct sunlight, place it near devices that radiate heat, leave it inside an enclosed vehicle, or otherwise subject it to temperature extremes. Also, do not allow lighting devices that normally are used while their light source is very close to the unit (such as a piano light), or powerful spotlights to shine upon the same area of the unit for extended periods of time. Excessive heat can deform or discolor the unit. u When moved from one location to another where the temperature and/or humidity is very different, water droplets (condensation) may form inside the unit. Damage or malfunction may result if you attempt to use the unit in this condition. Therefore, before using the unit, you must allow it to stand for several hours, until the condensation has completely evaporated. u Do not allow rubber, vinyl, or similar materials to remain on the unit for long periods of time. Such objects can discolor or otherwise harmfully affect the finish. u Do not paste stickers, decals, or the like to this instrument. Peeling such matter off the instrument may damage the exterior finish. uMaintenance u To clean the unit, use a dry, soft cloth; or one that is slightly dampened. u To remove stubborn dirt off plastic parts, use a cloth impregnated with a mild, non-abrasive detergent. Afterwards, be sure to wipe the unit thoroughly with a soft, dry cloth. Try to wipe the entire surface using an equal amount of strength, moving the cloth along with the grain of the wood. Rubbing too hard in the same area can damage the finish. u Never use benzine, thinners, alcohol or solvents of any HA<O> Sk1 / Sk2 Owner’s Manual kind, to avoid the possibility of discoloration and/or deformation. uAdditional Precautions u Please be aware that the contents of memory can be irretrievably lost as a result of a malfunction, or the improper operation of the unit. To protect yourself against the risk of losing important data, we recommend that you periodically save a backup copy of important data you have stored in the unit’s memory in another MIDI device (e.g., a sequencer). u Unfortunately, it may be impossible to restore the contents of data that was stored in another MIDI device (e.g., a sequencer) once it has been lost. Hammond assumes no liability concerning such loss of data. u Use a reasonable amount of care when using the unit’s buttons, sliders, or other controls; and when using its jacks and connectors. Rough handling can lead to malfunctions. u When connecting / disconnecting all cables, grasp the connector itself - never pull on the cable. This will avoid causing short circuits, or damage to the cable’s internal elements. u To avoid disturbing your neighbors, try to keep the unit's volume at reasonable levels. You may prefer to use headphones, so you do not need to be concerned about those around you (especially when it is late at night). u When you need to transport the unit, package it in the box (including padding) that it came in, if possible. Otherwise, you will need to use equivalent packaging materials. 5 INTRODUCTION Introduction 6 Table Of Contents IMPORTANT SAFETY INSTRUCTIONS ................................................ 2 IMPORTANT - PLEASE READ ................................................................. 4 INTRODUCTION ........................5 MAIN FEATURES ....................................................................................... 9 NAMES AND FUNCTIONS ...................................................................10 TOP PANEL ......................................................................................................10 REAR PANEL ...................................................................................................13 KEYBOARD ......................................................................................................14 ACCESSORIES.................................................................................................14 HOOK-UP .................................15 BASIC HOOK-UP .....................................................................................16 CONNECTING THE LESLIE SPEAKER ................................................17 BASIC CONNECTION OF THE LESLIE SPEAKER ...................................17 MIDI CONTROL OF THE LESLIE SPEAKER .............................................17 MULTI-EFFECTS ....................................................................................................32 ADD REVERB TO BOTH SECTIONS ..........................................................32 REVERB ....................................................................................................................32 WHAT IS A “PART”? .......................................................................................33 KEYBOARD SPLIT ..........................................................................................33 MANUAL BASS ..............................................................................................33 LOWER TO PEDAL.........................................................................................34 PEDAL SUSTAIN ............................................................................................34 RECORD THE PATCH TO MEMORY ..........................................................35 Example: RECORD TO U032 .............................................................................35 SETTING UP .............................37 SOUND ENGINE STRUCTURE .............................................................38 ORGAN SECTION ..........................................................................................39 EXTRA VOICE SECTION ...............................................................................39 MASTER EQUALIZER....................................................................................39 ORGAN SECTION....................................................................................40 ORGAN TYPE ..................................................................................................40 TONE-WHEELS (BType1, BType2, Mellow) ..................................................40 TRANSISTOR (Vx, Farf ) .......................................................................................40 PIPE ...........................................................................................................................40 EXPAND THE KEYBOARD .....................................................................18 Column: SELECTING THE ORGAN TYPES..............................................41 SK1: DUAL KEYBOARD + PEDALBOARD ...............................................18 SK1: ORGAN + PIANO .................................................................................19 SK2: PEDALBOARD ......................................................................................20 HARMONIC DRAWBARS™ ...................................................................42 Example: Switching the manual part to “Pipe” .........................................41 HOW TO POWER ON ...................................................................................22 BACK UP ..........................................................................................................22 RESET TO THE FACTORY SETTINGS ........................................................22 DRAWBARS (ON TONE-WHEEL) ...............................................................42 DRAWBARS FOR THE UPPER AND LOWER PARTS .............................43 DRAWBARS TO USE ON THE PEDAL .......................................................43 DRAWBAR REGISTRATION PATTERNS....................................................44 MODERN DRAWBAR REGISTRATIONS ...................................................45 DRAWBARS (Vx) ............................................................................................46 DRAWBARDS (Farf )......................................................................................47 DRAWBARS (PIPE) ........................................................................................48 PLAY WITH THE PATCHES ....................................................................23 DRAWBAR SELECT .................................................................................49 GETTING READY TO PLAY .......21 SWITCH ON ..............................................................................................22 USER and PRESET .........................................................................................23 HOW TO CALL A PATCH..............................................................................23 Example: Select U041. .......................................................................................23 REGISTER FAVORITE PATCHES (FAVORITES) ..................................24 REGISTER PATCHES TO FAVORITES .........................................................24 HOW TO CALL FAVORITES .........................................................................24 Column: RECORD FAVORITES LIKE PRESET BUTTONS .....................25 USE THE FOOT CONTROLLERS ..........................................................26 EXPRESSION PEDAL ....................................................................................26 FOOT SWITCH ................................................................................................26 MASTER EQUALIZER .............................................................................27 TRY CREATING YOUR OWN SOUND.................................................28 SELECT [MANUAL] .......................................................................................28 Column: INITIALIZE THE INTERNAL SETTINGS [MANUAL] .............28 SELECT THE UPPER DRAWBARS ..............................................................29 PULL OUT DRAWBARS................................................................................29 ADD THE TOUCH-RESPONSE PERCUSSION.........................................29 ADD EFFECTS TO THE ORGAN SECTION ..............................................30 VIBRATO & CHORUS ............................................................................................30 LESLIE.......................................................................................................................30 OVERDRIVE ............................................................................................................30 MULTI-EFFECTS ....................................................................................................30 ALLOCATING THE EXTRA VOICES............................................................31 SELECT AN INSTRUMENT ..........................................................................31 ADJUST THE VOLUME BALANCE .............................................................31 ADD EFFECTS TO THE EXTRA VOICE SECTION ...................................32 HA<O> Sk1 / Sk2 Owner’s Manual ASSIGN DRAWBARS TO PARTS.................................................................49 MATCH THE REGISTRATION TO DRAWBARS........................................49 PERCUSSION............................................................................................50 1´ DRAWBAR CANCEL ........................................................................................50 VIBRATO & CHORUS ..............................................................................51 DRAWBAR OVERDRIVE.........................................................................52 LESLIE .........................................................................................................53 MULTI-EFFECTS, REVERB .....................................................................54 PEDAL SUSTAIN, MANUAL BASS ......................................................55 KEYBOARD SPLIT, OCTAVE SHIFT .....................................................56 TRANSPOSE .............................................................................................57 EXTRA VOICE SECTION ........................................................................58 ALLOCATE AND SOLO.................................................................................58 BUILT IN SOUNDS AND LIBRARY.............................................................58 MULTI-EFFECTS, REVERB .....................................................................59 PATCH.........................................................................................................60 USER AND PRESET .......................................................................................60 NAME THE PRESENT SETTING..................................................................61 RECORD TO THE PATCH ..............................................................................62 USING THE CONTROL PANEL..63 WHAT YOU CAN DO ON THE CONTROL PANEL ...........................64 7 PLAY MODE..............................................................................................65 HOW TO READ THE DISPLAY ....................................................................65 BUTTON OPERATION IN THIS MODE .....................................................65 MENU MODE ...........................................................................................66 HOW TO READ THE DISPLAY ....................................................................66 BUTTON OPERATION IN THIS MODE .....................................................66 MENU AND THE CONTENTS .....................................................................67 MIDI .......................................101 ABOUT MIDI.......................................................................................... 102 WHAT IS “MIDI”? ........................................................................................ 102 MIDI JACKS ON THIS KEYBOARD ......................................................... 102 WHAT THE MIDI CAN DO ON YOUR KEYBOARD ............................. 102 MAIN MIDI MESSAGE ............................................................................... 103 FUNCTION MODE ..................................................................................68 CHANNEL MESSAGE ........................................................................................ 103 SYSTEM MESSAGE ............................................................................................ 103 HOW TO READ THE DISPLAY ....................................................................68 BUTTON OPERATION IN THIS MODE .....................................................68 MIDI STRUCTURE ................................................................................ 104 SHORT CUT TO FUNCTION MODE ...................................................69 EXAMPLE OF OPERATION:.........................................................................69 REGISTER THE PAGES YOU FREQUENTLY USE ..............................69 EXAMPLE OF OPERATION:.........................................................................69 PARAMETER OPERATION EXAMPLE: ......................................................70 SETTING THE PARAMETERS ...73 uKEYBOARD CHANNELS .............................................................................. 104 uEXTERNAL ZONE CHANNELS ................................................................... 104 uEXPANDED KEYBOARDS ............................................................................ 104 USING AN EXTERNAL SEQUENCER ............................................... 106 uRecording a performance to an external sequencer ...................... 106 uSequencer playback ................................................................................... 106 USING A MIDI SOUND MODULE.................................................... 107 ZONES ..................................................................................................... 108 uSETTING FOR MANUAL (LOWER & UPPER) DRAWBARS ....................74 uSETTING THE PEDAL PART ...........................................................................75 uWHAT IS DISPLAYED ON THE UPPER LEFT?......................................... 108 uINTERNAL ZONE ........................................................................................... 108 uEXTERNAL ZONE .......................................................................................... 108 PANIC FUNCTION AND PARAMETER RE-LOAD....................................... 109 PATCH.........................................................................................................76 MIDI ......................................................................................................... 110 DRAWBAR .................................................................................................74 uPATCH NAME ....................................................................................................76 uPATCH LOAD .....................................................................................................76 uFAVORITES .........................................................................................................76 EXVOICE (Extra Voices) ........................................................................77 CONTROL ..................................................................................................78 uFOOT SWITCH...................................................................................................78 uEXPRESSION......................................................................................................79 uGLIDE...................................................................................................................79 uDAMPER .............................................................................................................80 uASSIGN................................................................................................................80 uDISPLAY ..............................................................................................................81 PERCUSS (Percussion) ..........................................................................82 VIB&CHO (Vibrato & Chorus) .............................................................83 LESLIE .........................................................................................................84 uCABINET NUMBER ..........................................................................................84 uLESLIE PARAMETERS ......................................................................................84 uEXTERNAL LESLIE SPEAKER .........................................................................86 RECORD THE CABINET ................................................................................86 CUST. TW (Custom Tone-Wheels) ....................................................87 OD / EFF (Overdrive / Effects) ............................................................88 uORGAN SECTION EFFECTS ...................................................................88 OVERDRIVE ............................................................................................................88 MULTI-EFFECTS ....................................................................................................88 uEFFECTS OF THE EXTRA VOICE SECTION ........................................95 OVERDRIVE ............................................................................................................95 MULTI-EFFECTS ....................................................................................................95 EQUALIZ (Equalizer)..............................................................................96 uORGAN SECTION.............................................................................................96 uORGAN SECTION, EXTRA VOICE SECTION..............................................96 REVERB ......................................................................................................97 TUNE ..........................................................................................................98 uMASTER TUNE ..................................................................................................98 DEFAULT ....................................................................................................99 SYSTEM................................................................................................... 100 uMIDI TEMPLATE............................................................................................. 110 uMASTER ........................................................................................................... 110 uKEYBOARD CHANNELS .............................................................................. 111 SAVE THE SETUP ...................113 SAVE YOUR SETUP .............................................................................. 114 WHAT YOU CAN DO WITH THE USB FLASH DRIVE ......................... 114 ABOUT USB FLASH DRIVE ...................................................................... 114 USABLE USB FLASH DRIVE ............................................................................ 114 USB MEMORY CONNECTOR .......................................................................... 114 FOLDER STRUCTURE ....................................................................................... 114 INITIALIZE THE USB FLASH DRIVE ................................................. 115 SETUP PROCEDURES ......................................................................... 116 HOW TO READ THE DISPLAY ................................................................. 116 SAVE THE SETUP ........................................................................................ 116 CHANGE THE SETUP NAME ................................................................... 117 LOAD THE SETUP ....................................................................................... 118 DELETE THE SETUP ................................................................................... 118 MUSIC PLAYER ......................119 BEFORE PLAYING BACK .................................................................... 120 FILE TYPE AND PLACING FOLDER ....................................................... 120 HOW TO READ THE DISPLAY ................................................................. 120 OPERATION OF THE MUSIC PLAYER ............................................. 121 MUSIC PLAYER MODES ........................................................................... 122 CHANGE THE TIME DISPLAY .................................................................. 122 VOICE LIBRARY .....................123 WHAT IS VOICE LIBRARY? ................................................................. 124 FILE TYPE AND THE PLACING FOLDER............................................... 124 VOICE LIBRARY AND SETUPS ................................................................ 124 OPERATE THE VOICE LIBRARY......................................................... 125 LOADING THE VOICE LIBRARY .............................................................. 125 DELETE A LIBRARY .................................................................................... 126 Introduction 8 CLEAR ALL LIBRARIES .............................................................................. 126 Troubleshooting ...................127 TROUBLESHOOTING .......................................................................... 128 APPENDIX ..............................129 EXTRA VOICE INSTRUMENT LIST ................................................... 130 MIDI TEMPLATES ................................................................................. 132 MIDI TEMPLATES OF SK1 ........................................................................ 132 MIDI TEMPLATES OF SK2 ........................................................................ 133 MIDI INFORMATION ........................................................................... 134 MIDI Implementation .............................................................................. 134 Channel Voice Message ................................................................................ 134 Channel Mode Message ................................................................................ 134 Drawbar Data List 1 .................................................................................. 135 Control Number ................................................................................................ 135 Drawbar Data List 2 .................................................................................. 135 System Exclusive Message..................................................................... 136 Mode Setting Exclusive Message ............................................................... 136 NRPN Switch ...................................................................................................... 136 Data Set (Rx. only) ............................................................................................ 136 Identity Request (Rx. only) ............................................................................ 136 Identity Reply (Tx. only) ................................................................................. 136 Global Parameters .................................................................................... 137 Patch Parameters ...................................................................................... 138 Leslie Parameters ...................................................................................... 142 System Parameters ................................................................................... 142 CUSTOM TONE-WHEELS LIST ......................................................... 143 MIDI IMPLEMENTATION CHART ..................................................... 144 MIDI CHANNELS AND MESSAGES................................................. 145 SPECIFICATIONS .................................................................................. 146 PRESET PATCH LIST............................................................................. 147 SERVICE .................................................................................................. 149 HA<O> Sk1 / Sk2 Owner’s Manual MAIN FEATURES 9 uA LIBRARY OF ESSENTIAL KEYBOARD VOICES The modern keyboard player requires a wide palette of voices, including organs, pianos (acoustic and electric), wind and various keyboards. uAUTHENTIC HAMMOND DRAWBAR ORGAN The SK1/SK2 is first and foremost a genuine HAMMOND organ with Virtual ToneWheels to provide its traditional sound. Also available are the tones of vintage “combo” organs, and a variety of pipe organ ranks to provide church and classical organ voices. uEXTRA VOICE SECTION High Quality Acoustic and Electric Pianos are included, in multiple varieties of popular voices. Wind voices are also included. New voices will be able to be downloaded via the USB port. The Organ and Extra Voice can be used together, and their outputs can be individually accessed, using the 8-pin Leslie speaker jack for the organ voice. uDIGITAL LESLIE/VIBRATO A digital and programmable LESLIE is available for the Drawbar voices, as well as the traditional “Chorus-Vibrato” as used on the legendary B-3. The Chorus-Vibrato may be selected for the Upper and Lower manuals, independently. uA WIDE VARIETY OF EFFECTS Digital Multi-effects are available for the Organ and Extra Voice sections independently. A Master Equalizer allows you to tailor the total tonal response of the keyboard. uMP3 MUSIC PLAYER This keyboard is equipped to play MP3 type audio files. This makes it very convenient for accompanying solo performances or practicing. uMIDI MASTER KEYBOARD External Zones are available to enable the SK1/SK2 to be used as a master keyboard. uPATCHS AND FAVORITES In addition to the 100 available user-defined patches, 10 “Favorite” quick-call patches are available for on-stage ease. uBUILT-IN USB PORT The versatile USB Flash Drive is adopted for easy access to a PC or for saving the audio file set up of the music player also for storing the voice library. uSMALL AND LIGHT WEIGHT Both the SK1 and SK2 are small and light weight, making transport and setup easy. Introduction NAMES AND FUNCTIONS 10 TOP PANEL DRAWBARS SELECT ❶ ❻ ❸ Bourdon OpenDiap Gedeckt VoixClst 16' 8' 8' II ORGAN TYPE ❷ ❿ ❹ Flute 2' ❽ ❺ ❼ ⓫ Octave Flute Dolce 4' 4' ❾ ❶ MASTER VOLUME knob Controls the total volume. (P. 22) ❷ CONTROL button Brings the CONTROL window up in the display. (P. 78) uMUSIC PLAYER ❸ VOLUME knob Controls the volume of the music player. (P. 121) ❹ SONG button Selects the audio file to play. (P. 121) ❺ 1/2 button Selects PLAY and PAUSE modes of the music player. (P. 121) uDRAWBAR SELECT ❻ UPPER, PEDAL, LOWER buttons Used to select which division (Upper/Lower/Pedal) the Drawbar settings will affect while editing or playing live. The indicator light shows which selector is “live”. (P. 49) uVIBRATO & CHORUS ❼ V1/C1, V2/C2 buttons Controls the depth of the classic “Vibrato & Chorus” effect. 1 is light, 2 is medium, and pressing both buttons selects 3 which is maximum. (P. 51) ❽ CHORUS button Toggles between Vibrato and Chorus effect. (P. 51) ❾ UPPER, LOWER buttons Selects which division (or both) receives the Vibrato & Chorus Effect. (P. 51) HA<O> Sk1 / Sk2 Owner’s Manual Hautbois 8' ⓲ ⓳ ⓭ ⓬ uUPPER LEFT Mixture III MENU/ EXIT UPPER PEDAL LOWER PLAY NUMBER NAME PATCH ㉔ ㉕ uLESLIE ❿ BYPASS button De-selects the Leslie effect and directs the output to the Main outputs. When the indicator light is ON, the Bypass is engaged. (P. 53) ⓫ STOP button Sets the STOP or SLOW then the [FAST] button is off. When the light is ON, the [FAST] button toggles STOP/FAST. And when the light is OFF, it toggles SLOW/FAST(P. 53) ⓬ FAST button Toggles the modes of the rotors FAST or not. When the light is ON, it is FAST. (P. 53) uDRAWBARS ⓭ DRAWBARS These are for adjusting the basic harmonics of the organ section. The function of each drawbar is different depending on the keyboard selected (Upper/Lower/Pedal) of type of Organ (Transistor/Pipe). (P. 42) uPERCUSSION ⓮ SECOND button Adds 4´ percussion (decay) to the UPPER part. (P. 50) ⓯ THIRD button Adds 2 ⅔´ percussion (decay) to the UPPER part. (P. 50) ⓰ FAST button Switches the decay time of the percussion. (P. 50) ⓱ SOFT button Switches the percussion volume. (P. 50) 11 ㉚ ㉑ MENU/ EXIT UPPER PEDAL ⓴ LOWER VALUE ㉒ PLAY NUMBER NAME PATCH ㉓ ㉘ ㉗ ㉖ ㉚ ㉝ ENTER ㉙ ㉞ ⓮ ⓯ ⓰ ⓱ ㉜ uCONTROL PANEL ⓲ MENU/EXIT button Recalls the Menu mode in the display. Also used for returning to the Menu mode from other function modes. (P. 66) ⓳ PLAY button Returns to the Play, or basic mode. (P. 65) ⓴ DISPLAY ㉑ VALUE knob Increases/Decreases Patch numbers while performing or adjusts values during editing. ㉛ TRANSPOSE button Shifts the entire instrument’s key signature Up or Down. (P. 57) ㉜ OCTAVE DOWN button Lowers the UPPER part by one octave. (P. 56) ㉝ OCTAVE UP button Raises the UPPER part by one octave. (P. 56) ㉞ OCTAVE LOWER button Raises and lowers the octave of the LOWER part, together with the OCTAVE DOWN/UP buttons. (P. 56) ㉒ DIRECTION buttons Moves the cursor or pages. ㉓ ENTER button Confirms the current entry or procedure. uFAVORITES ㉔ RECORD button Enables recording of user-definable items. (P. 35) ㉕ MANUAL button Dismisses any current Patch or Favorite in favor of the current settings of the control panel. (P. 28) ㉖ NUMBER buttons Recalls the corresponding Favorites. (P. 24) uKEYBOARD CONTROL ㉗ P. SUS (Pedal SUStain) button Switches the Pedal Sustain on. (P. 34) ㉘ M. BASS (Manual BASS) button Switches the Manual Bass on. (P. 33) ㉙ SPLIT button (only on the SK1) Divides the SK1 keyboard into UPPER and LOWER. (P. 33) ㉚ LOWER to PEDAL button (only on the SK2) Couples the LOWER part to the pedalboard. (P. 34) Introduction 12 NAMES AND FUNCTIONS - continued ㉟ / UPPER NUMBER PEDAL LOWER VALUE NAME PATCH ENTER ㊱ ㊲ ㊴ ㊵ ㊳ ㊼ uEXTRA VOICES ㉟ ALLOCATE UPPER, LOWER button Toggles the Extra Voices to the UPPER, and LOWER parts. The light illuminates when button is pressed (on). (P. 58) ㊱ SOLO button ㊴ DRAWBARS OVERDRIVE AMOUNT knob Adjusts the amount of the Overdrive effect. (P. 52) ㊵ DRAWBARS OVERDRIVE ON button Switches the overdrive effect ON/OFF. (P. 52) ㊶ DRAWBARS EFFECT AMOUNT knob Adjusts the amount of the Multi-Effects. (P. 54) ㊷ DRAWBARS EFFECT ON button Switches the Multi-Effects ON/OFF. (P. 54) uEFFECTS OF THE EXTRA VOICE SECTION ㊸ EXTRA VOICE EFFECT AMOUNT knob Adjusts the depth of the Multi-Effects. (P. 59) ㊹ EXTRA VOICE EFFECT ON button Switches the Multi-Effects ON/OFF. (P. 59) uEFFECTS FOR ALL PARTS ㊺ REVERB DEPTH knob Adjusts the depth of the Reverb. (P. 54) HA<O> Sk1 / Sk2 Owner’s Manual ㊿ ㊼ BASS knob Adjusts the boost/cut the of bass frequencies. (P. 27) ㊾ MID GAIN knob uORGAN SECTION EFFECTS ㊾ ㊻ uMASTER EQUALIZER Adjusts the volume of the Extra Voices. (P. 31) Selects the voice group of the Extra Voices. (P. 31) ㊽ ㊹ ㊺ Switches the Reverb ON/OFF. (P. 54) ㊽ MID FREQUENCY knob ㊳ VOICE GROUP buttons ㊷ ㊸ ㊻ REVERB ON button Mutes the organ section and only the Extra Voices sound. (P. 58) ㊲ VOLUME knob ㊶ Sets the frequency the MID GAIN knob will adjust. (P. 27) Adjusts the boost/cut of the mid range frequency as set by the MID Frequency knob. (P. 27) ㊿ TREBLE knob Adjusts the boost/cut of the treble frequencies. (P. 27) 13 REAR PANEL USB FLASH DRIVE uPOWER DC IN jack Connect the AC adaptor AD3-1250 to this jack. POWER switch uSOUND OUTPUT TERMINALS PHONES jack Connect stereo headphones here. Connecting Headphones does NOT mute the Line or Leslie Outputs. LINE OUT L/MONO jack PHONES uMIDI TERMINALS MIDI OUT jack MIDI information is output from this jack. (P. 102) MIDI IN jack MIDI received here. From the factory, this terminal is set to receive channels in accordance with using a lower manual and pedalboard. (P. 102) uUSB TERMINAL USB FLASH DRIVE jack This jack is for connecting a USB Flash drive. (P. 114) LINE OUT R jack These are the sound output jacks. If the connected mixer or monitor speaker is stereophonic, connect both L and R. If monaural, connect only to the L/ MONO terminal. (P. 16) LESLIE 8 PIN jack Connect a Leslie Speaker equipped with an eight-pin jack here. When the connection of a physical Leslie Speaker is detected, the on-board digital Leslie Simulator to the PHONES jack (53) and the LINE OUT jacks (54, 55) are disabled. (P. 17) uCONTROLLER TERMINALS DAMPER PEDAL jack Connect an optional Damper Pedal (optional FS-9H etc.) here. If you press the damper pedal, holding down the keyboard, the sound is sustained even after you release your finger from the key. (P. 78) FOOT SWITCH jack Connect the Foot Switch (optional FS-9H etc.) here. Consult (P. 78) to learn the different functions available for the foot switch. EXP. PEDAL jack Connect the Expression Pedal (optional EXP-50 etc.) here. Controls volume while you are playing. (P. 78) Introduction 14 NAMES AND FUNCTIONS - continued KEYBOARD DRAWBARS SELECT MENU/ EXIT UPPER PEDAL LOWER VALUE ORGAN TYPE PLAY NUMBER NAME PATCH ENTER Keyboard (SK1) 61 waterfall keys, velocity sensitive. UPPER keyboard (SK2) This is for playing the UPPER part. LOWER keyboard (SK2) This is for playing the LOWER part. ACCESSORIES AC adaptor Supplies power to the instrument - USE ONLY AD3-1250, DO NOT SUBSTITUTE! AC cord set Attaches AC adapter to Wall outlet. HA<O> Sk1 / Sk2 Owner’s Manual 15 HOOK-UP BASIC HOOK-UP 16 Attach cables and accessories as illustrated. There is no on-board amplification or speaker system. An external amp/speaker is required. When the stereo headphones are connected to the PHONES jack, you can enjoy playing it or practising by yourself. Switch this unit, and any external equipment OFF before connecting amps or headphones. USB MEMORY PHONES AC adaptor AD3-1250 (included) to AC outlet Expression Pedal EXP-50 (optional) Foot Switch FS-9H (optional) Powered Speakers (optional) The Expression Pedal and Foot Switch parameters must be set properly. For details see [CONTROL] (P. 78) CAUTION Do not place this unit in direct sun light, near heat sources, or in a hot location. HA<O> Sk1 / Sk2 Owner’s Manual CONNECTING THE LESLIE SPEAKER 17 An 8-pin type Leslie speaker can be directly connected to this keyboard. v Switch keyboard OFF before connecting the Leslie speaker. USB MEMORY PHONES 8-pin Leslie Cable MIDI Cable (Optional) BASIC CONNECTION OF THE LESLIE SPEAKER Connect the Leslie Speaker #2101, or #2101mk2 and the Leslie 8-PIN jack on this keyboard with the exclusive 8-pin Leslie cable (optional LC-8-7M, not included). NOTE: The Leslie terminal on this unit is of 8-pin specifications. It is impossible to directly connect a 11-pin spec. Leslie speaker. 1. Make the setting of Tone-Wheel organ. 2. Switch “ON” the [BYPASS] button, set the [STATIONARY VOLUME] of the #2101/mk2 at desired volume. 3. Repeat “ON/OFF” the [BYPASS] button with playing the keyboard, set the [ROTARY VOLUME] of the #2101/mk2 at same volume which you can hear. MIDI CONTROL OF THE LESLIE SPEAKER To control the parameters of the Leslie Speaker #2101, #2101mk2 (fine adjustment of the rotor speed or the rise time, etc.): 1. Connect the MIDI OUT of this unit with the MIDI IN of the Leslie speaker with a MIDI cable. 2. Set the keyboard channel - UPPER and the Leslie MIDI channel to the same channel. (P. 111) When this unit detects that the Leslie speaker is connected, the Leslie parameters sent through MIDI from this unit are switched from the SK original to those for the Leslie speaker. LESLIE SPEAKERS TO BE CONNECTED This keyboard is designed to connect with 3 channel Leslie speakers such as #2101. However, it is also possible to connect 1 channel type Leslie speakers such as #3300 sending the stationary channels to the LINE OUT jacks independently. (P. 86) LESLIE CHANNEL 3 channel type Leslie speakers are equipped with a stereo speaker system, independent of the rotor, to provide stereo sound for the Extra Voices and direct organ sounds. A traditional 1-channel Leslie, such as a #122 or #147 has no stationary speaker system, thus requiring a separate amplifier/speaker for the Extra Voices or direct organ sounds. Hook-Up EXPAND THE KEYBOARD 18 This instrument can be upgraded to dual keyboards by connecting an external MIDI keyboard and pedalboard. SK1: DUAL KEYBOARD + PEDALBOARD USB MEMORY PHONES MIDI OUT OUT (MERGE) IN MIDI Keyboard MIDI Pedalboard 1. Connect as illustrated above. There is only one MIDI IN jack onboard this instrument, so a MIDI keyboard with a merge function or a MIDI Merge-box is necessary for realizing a dual keyboard configuration. NOTE: This illustration shows only the keyboard expansion See P. 16 for the basic hook up of the power source, audio, etc. 2. Turn the SK1 power ON. Then recall the MIDI template “3KBD”. (P. 110) 3. Set the Send channel of the added MIDI keyboard at “2” and that of the MIDI pedalboard at “3”. Refer to the operation manual of the added MIDI keyboard and pedalboard, as required. uRECOMMENDABLE MIDI KEYBOARD The following HAMMOND MIDI pedal keyboards (compliant with the SK1) are available from our sales dealers: w MIDI pedalboard XPK-100 (13 keys) w MIDI pedalboard XPK-200 (20 keys) Both models have a MIDI merge function. HA<O> Sk1 / Sk2 Owner’s Manual 19 SK1: ORGAN + PIANO You can create a comprehensive basic keyboard rig by utilizing a separate keyboard controller for the Extra Voices (Piano, Etc) and using the SK-1 keyboard for Organ. USB MEMORY PHONES MIDI OUT Weighted MIDI Keyboard 1. Connect as illustrated. NOTE: This illustration shows only the keyboard expansion. See P. 16 for the basic hook up of the power source, audio, etc. 2. Switch ON the power of this unit. Then recall the MIDI template “Extra Voice”. (P. 110) Refer to the operation manual of the added MIDI keyboard as required. Hook-Up 20 EXPAND THE KEYBOARD - continued SK2: PEDALBOARD OUT IN MOUNTING THE CU-1 (optional) 1. Connect the MIDI OUT of the MIDI pedalboard to the MIDI IN of this unit with a MIDI cable. 2. When using a Leslie Switch CU-1, connect the CU-1 to the FOOT SWITCH jack. NOTE: This illustration shows only the keyboard expansion. See P.16 for the basic hook up of the power source, audio, etc. 3. Switch ON the power of this unit and call the MIDI template “Pedal KBD”. (P. 110) 4. When using the CU-1, set the CONTROL - FOOT DEVICE” at “CU-1”. (P. 78) uRECOMMENDABLE MIDI KEYBOARD The following MIDI pedal keyboards (compliant with the SK2) are available from our sales dealers: w MIDI pedal-board XPK-100 (13 keys) w MIDI pedal-board XPK-200 (20 keys) Both models have a MIDI merge function. HA<O> Sk1 / Sk2 Owner’s Manual MIDI Pedalboard 21 GETTING READY TO PLAY SWITCH ON 22 HOW TO POWER ON After making the necessary connections, follow the procedures below for powering on your SK1/SK2. Please be sure to adhere to the procedure, to prevent malfunction or damage. u PROCEDURES 1. Before switching the power ON, confirm the [MASTER VOLUME] knob is set to minimum. 2. Switch ON the [POWER] (on the rear of this keyboard). The Title mode and then the Play mode are displayed (as illustrated). v For protecting the circuits, the keyboard is designed not to play immediately at the power on (about 6 seconds). 3. Switch ON the connected amplifier etc. 4. Play a bit, raising the [MASTER VOLUME] knob to adjust the volume to your needs. v The [MANUAL] button does not sound in the default settings. Pull out the Drawbars or select any of the FAVORITE [1] to [10] buttons to get sound. 5. Adjust the volume of amplifier etc. v To turn OFF the power, do the above steps in reverse. (Switch OFF the amplifier etc. first.) PHONES MENU/ EXIT UPPER PEDAL LOWER VALUE PLAY NUMBER BACK UP NAME PATCH ENTER This keyboard “remembers” the unit’s status immediately before the power is turned off, returning the unit to that status upon the next power-on. The status of the default settings are the same as when the [MANUAL] button is depressed. RESET TO THE FACTORY SETTINGS To reset all parameters of this keyboard to its default settings, perform the following steps: uOPERATION PROCEDURES 1. 2. 3. 4. Switch the [POWER] of this keyboard off. Holding down the preset [RECORD] button, switch the [POWER] ON. Keep holding down the button until “Loading Default...” is displayed. When the Play mode is displayed, this operation is completed. HA<O> Sk1 / Sk2 Owner’s Manual PLAY WITH THE PATCHES 23 There are 100 patches loaded in memory from the factory, allowing you to immediately start playing. You can also create 100 patches of your own. USER and PRESET Patches “FAVORITE” buttons 1 2 3 refer refer U001 U002 U003 U004 U005 refer MANUAL First Second Third Fourth Fifth P098 Mezzo Forte P099 Forte P100 Fotissimo exclusive Manual There are two domains: “USER” and “PRESET” in this keyboard’s Patch memory. You can freely overwrite in the “USER” domain, but you can not do so in the “PRESET” domain as it contains the factory settings. “USER” and “PRESET” are indicated by “U” and “P” respectively. “VALUE” knob in PLAY mode sequential select “P” are not rewritable HOW TO CALL A PATCH Example: Select U041. MENU/ EXIT p Gedeckt VoixClst 8' II Octave Flute Dolce 4' 4' Flute 2' Mixture III UPPER Hautbois 8' PEDAL LOWER PLAY 1 NUMBER VALUE 2 NAME PATCH ENTER (2) - optional 1. GO TO THE PLAY MODE Select the PLAY button, to enter PLAY mode. 2. SELECT THE PATCH NUMBER Select the patch number U041 with the [VALUE] knob. Read the [PRESET PATCH LIST] (P. 147) in the Appendix for the preset patch details. Call various patches to play. When you call patches, not only the Drawbar registrations but the effects such as Leslie, reverb , and Extra Voices also change. NOTE: You can set the types of parameters to call (P. 76 #2 to 10). NOTE: You can set the FAVORITE buttons to select a Patch with direct key-in (P. 76 #11) Getting Ready To Play 24 REGISTER FAVORITE PATCHES (FAVORITES) Patches are selected with the [VALUE] knob. On stage, it is convenient to have your favorite patches available immediately. Here’s how: REGISTER PATCHES TO FAVORITES MENU/ EXIT eckt VoixClst ' II Octave Flute Dolce 4' 4' Flute 2' Mixture III UPPER Hautbois 8' PEDAL LOWER 1 PLAY NUMBER Press and hold VALUE NAME PATCH ENTER 2 Press 1. SELECT THE PATCH 2. SELECT THE BUTTON TO REGISTER Select the patch you want to register to a favorite button as shown on the previous page Press the desired Favorite button, holding down the [RECORD] button. “Recording Favorite..” is displayed for a moment and the selected Favorite button blinks momentarily. Your favorite is stored. Repeat as desired. HOW TO CALL FAVORITES MENU/ EXIT UPPER s PEDAL LOWER VALUE SELECT THE DESIRED BUTTON Press the Favorite button you wish to recall. The Favorite button lights and the corresponding patch is called. PLAY NUMBER NAME PATCH HA<O> Sk1 / Sk2 Owner’s Manual ENTER 25 Column: RECORD FAVORITES LIKE PRESET BUTTONS You can record a Favorite Patch with a procedure similar to the Hammond XB/XK series organs, by holding the [RECORD] button, and pressing the selected favorite button - after doing the following procedure. 1 4 LOCATE THE MENU MODE MENU/ EXIT UPPER PEDAL LOWER GO TO THE FAVORITE PAGE MENU/ EXIT VALUE UPPER VALUE LOWER PEDAL PLAY NUMBER NAME PATCH PLAY Press the [MENU/EXIT] button. The MENU mode appears. Repeat-press the menu button until the “A” menu appears (if necessary) 2 NUMBER ENTER ENTER Press the [] button twice. The Favorite page appears. 5 SELECT THE PATCH NAME PATCH SET THE RECORD AT OVERWRITE MENU/ EXIT MENU/ EXIT UPPER PEDAL LOWER UPPER VALUE VALUE LOWER PEDAL PLAY PLAY NUMBER NUMBER NAME PATCH ENTER ENTER Press the [] buttons to select the PATCH option (it will blink). 3 NAME PATCH Turn the [VALUE] knob and set the value of the item RECORD to “OVERWRITE”. 6 ENTER RETURN TO THE PLAY MODE MENU/ EXIT UPPER PEDAL LOWER VALUE MENU/ EXIT UPPER PEDAL LOWER VALUE PLAY NUMBER NAME PATCH Press the [ENTER] button to select the patch function mode. ENTER PLAY NUMBER NAME PATCH ENTER Press the [PLAY] button. Returning to the PLAY mode. Getting Ready To Play USE THE FOOT CONTROLLERS 26 Expression and sustain are important elements in any performance. Here you’ll learn how to connect these controllers. EXPRESSION PEDAL The Expression Pedal controls the overall volume or loudness of the SK1/SK2. The further you depress the pedal, the louder the sound becomes; the more you pull back on the pedal, the softer it. NOTE: The Volume pedal has specific parameters to adjust. (P. 79) NOTE: You can switch enable or disable of which control the Extra Voice section. (P.77) EXP-50 (optional) FOOT SWITCH The foot switch can be programmed to various functions. The default setting is [LESLIE S/F ALTERNATE]. Every press toggles, the speed of the Leslie effect to fast or not. NOTE: You can change the foot switch assignment. (P. 78) FS-9H (optional) HA<O> Sk1 / Sk2 Owner’s Manual MASTER EQUALIZER 27 Every room has a different acoustic profile, and it is often necessary to compensate for this. The SK’s MASTER EQUALIZER allows you to tailor the overall tonal profile of your instrument without changing the contents of the Patches. BASS Controls the Bass frequencies. It is adjustable below 100Hz by ±9dB. The response is flat in the middle. MID FREQUENCY Controls which Mid-range frequency will be adjusted by the MID GAIN knob. The range is between 250Hz and 3.1kHz. MID GAIN Controls the gain of the frequency set by the MID FREQUENCY knob. The response is flat at the center. TREBLE Controls the treble frequencies. Adjustable above 8kHz by ±9dB. The response is flat in the middle. v The sound may distort if gains are raised too high. Adjust accordingly. NOTE: These are live performance controls, and they are not record to Patch memory. Getting Ready To Play TRY CREATING YOUR OWN SOUND 28 In this section you’ll learn how to create your own sound. In this example, the Organ and Extra Voices are combined (Jazz Organ and Electric Piano). SELECT [MANUAL] First, select the [MANUAL] button (LED lit). The [MANUAL] button makes all the current control panel settings active, allowing for real-time registration, and the creation of new patches. NOTE: To return to the Patch, press the [MANUAL] button again (LED off). Column: INITIALIZE THE INTERNAL SETTINGS [MANUAL] When the MANUAL button is pressed, not only the current panel settings become active, but the internal settings do as well. This is the procedure to return them to the DEFAULT MENU/ Status. EXIT 3 ENTER UPPER PEDAL LOWER VALUE PLAY 1 NUMBER GO TO THE MENU MODE PEDAL LOWER ENTER Press the [ENTER] button. This brings up the MANUAL page of the DEFAULT function mode. MENU/ EXIT UPPER NAME PATCH VALUE PLAY NUMBER NAME PATCH 4 ENTER MENU/ EXIT Select the [MENU/EXIT] button. The Menu mode appears. If the display is different from the above illustration, select the [MENU/EXIT] button again. ENTER AGAIN UPPER PEDAL LOWER VALUE PLAY NUMBER 2 LOCATE PAGE E NAME PATCH ENTER Press the [ENTER] button. The contents of MANUAL are initialized. ENU/ XIT UPPER PEDAL LOWER VALUE 5 LAY NUMBER NAME PATCH RETURN TO THE PLAY MODE ENTER MENU/ EXIT UPPER Press the [] button 4 times reaching Page E. The DEFAULT entry is blinking. PEDAL LOWER VALUE PLAY NUMBER NAME PATCH Press the [PLAY] button. This returns the SK1/SK2 to the Play mode. HA<O> Sk1 / Sk2 Owner’s Manual ENTER 29 SELECT THE UPPER DRAWBARS In this example, make sounds to begin with the Organ Section. The DRAWBARS SELECT buttons are for selecting which part the Drawbars will control written below. DRAWBARS SELECT ORGAN TYPE NOTE: What is a “PART”? (p. 33) Select [UPPER]. This is the basic Organ Part, the one used most frequently. PULL OUT DRAWBARS DRAWBARS SELECT VALUE MENU/ EXIT UPPER PEDAL LOWER ORGAN TYPE PLAY NUMBER NAME PATCH Pull out Drawbars to your taste. You can monitor your selections easily while playing the keyboard (the UPPER keyboard if on SK2). The Drawbars make the fundamental organ sound of this unit. The tone changes depending on how far the Drawbars are pulled out. The volume of each sound becomes maximum when the Drawbar is fully pulled out, and null when fully pushed back. The drawbars are arranged so that the pitch grows higher from left to right. Now, as an example, fully pull out the 3 left side bars; 16´, 5 ⅓´ and 8´. ENTER NOTE: You can change the sound character of the Drawbars. (P. 74) NOTE: The present registration is displayed in the Play mode. (P. 65) ADD THE TOUCH-RESPONSE PERCUSSION [PERCUSSION] here does not mean percussion instruments like drums or marimbas, but the classic crisp attack unique to the Hammond Organ. Use it to mix with Drawbar sounds whenever necessary. [PERCUSSION] is available only on the UPPER part. If you switch on the [SECOND] and the [THIRD], percussion sounds of one octave higher “C” and “G” are added to the note on each keyboard, respectively. If you switch on the [FAST] button the decay is quicker, and if the [SOFT] button is selected, the volume of the Percussion is diminished. Here, select the following 3 Percussion buttons [THIRD], [FAST], [SOFT]. NOTE: You can fine-tune the percussion parameters to your taste. (P. 82) Getting Ready To Play 30 TRY CREATING YOUR OWN SOUND - continued ADD EFFECTS TO THE ORGAN SECTION VIBRATO & CHORUS DRAWBARS SELECT Adding the Classic Hammond Vibrato & Chorus to the sound. ORGAN TYPE [UPPER], [LOWER] buttons Switches the Vibrato & Chorus effect ON/OFF. When ON the light illuminates. [V1/C2], [V2/C2] buttons These set the depth of the Vibrato effect. If both buttons are selected, the depth becomes maximum as V3/C3. [CHORUS] button This button changes the Vibrato to the distinctive and Classic Hammond Chorus effect-Changing the V1/V2/V3 to C1/C2/C3. When the Chorus effect is engaged the button light illuminates. NOTE: You can fine-tune the speed of Vibrato/Chorus. (P. 83) For this example, set ALL of the Vibrato & Chorus buttons to “on” (except [LOWER]). DRAWBARS SELECT LESLIE The LESLIE effect is the famous “Moving and Swirling” sound provided by rotating horns and speakers, but executed here in the Digital realm. ORGAN TYPE [FAST] button This button toggles the mode of the rotor to fast or not. When the light is ON, it is FAST, and when OFF, not. [STOP] button This button sets the mode when the [FAST] button is off. When the light is ON, it is STOP, and when OFF, it is SLOW. [BYPASS] button To Engage the Leslie effect, press the [BYPASS] button turning the light OFF. NOTE: These controls perform the same functions when a Physical Leslie is connected via the 8 pin plug. NOTE: You can fine-tune the parameters of the Digital Leslie effect etc. (P. 84) For this example, let’s set the status of all lights OFF. OVERDRIVE The overdrive section adds warmth at low settings, and “grit” or distortion at higher. [ON] button Toggles the Overdrive OFF and ON (when on the light is illuminated). [AMOUNT] knob Adjusts the amount of Overdrive. The amount increases as you rotate the knob clockwise. In this example, the Overdrive is not used. The Button light should be OFF. MULTI-EFFECTS Adjusts the amount of the Chosen Multi-effect to be applied to the Drawbar sounds. The default settings: at “Tremolo”. [ON] button Toggles the Multi-Effects send ON and OFF (The light illuminates when ON). [AMOUNT] knob Adjusts the amount of Multi-Effect to be applied. The amount increases as you rotate the knob clockwise. In this example, the Multi-Effects are not used. The Button light should be OFF. HA<O> Sk1 / Sk2 Owner’s Manual te ' 31 ALLOCATING THE EXTRA VOICES Choose which parts will play the Extra Voices. [UPPER] button The Extra Voices play in the UPPER part. [LOWER] button The Extra Voices play in the LOWER part. [SOLO] BUTTON Turns the Organ section OFF and only the Extra Voices sound. In this example, a blend of Organ and Piano voices are desired. Press the [UPPER] button ON, and insure the [LOWER] and [SOLO] buttons are not lit. SELECT AN INSTRUMENT MENU/ EXIT Mixture III UPPER Hautbois 8' PEDAL LOWER PLAY NUMBER NAME PATCH 1 VALUE 2 ENTER To choose the Extra Voice instruments, press the desired Voice Group button on the top panel, then select your specific instrument in the display. Select the “EPiano Rd2” as follows. 1. SELECT A VOICE GROUP Press the [E.PIANO] button. The instrument automatically selects voice used previously in this voice group. The voice will appear in the display. 2. SELECT AN INSTRUMENT Select “EPiano Rd2” with the [VALUE] knob. Now the “EPiano Rd2” is ready to play. ADJUST THE VOLUME BALANCE To achieve your desired blend of Organ and Extra Voice (In this example the E. Piano), adjust the Extra Voice volume knob accordingly. Getting Ready To Play 32 TRY CREATING YOUR OWN SOUND - continued ADD EFFECTS TO THE EXTRA VOICE SECTION MULTI-EFFECTS The most suitable effects for each Extra Voice are automatically called when selecting that voice. [ON] button Adds effects to the Extra Voices. When “ON” the light is illuminated. [AMOUNT] knob Adjusts the amount of effect added. Turning the knob clockwise increases the amount. ADD REVERB TO BOTH SECTIONS REVERB The SK1/SK2’s Digital Reverberation is common to both Organ and Extra Voice sections. [ON] button Turns the Reverb effect ON. [DEPTH] knob Adjusts the amount of Reverb added. Turning the knob clockwise increases the amount. HA<O> Sk1 / Sk2 Owner’s Manual 33 WHAT IS A “PART”? Each “PART” is equivalent to a player in a band or an orchestra. The 3 Parts here are expressed in Organ terms: UPPER. LOWER, and PEDAL. These parts can be individually played with different sounds. The SK1 has a single keyboard, the SK2 has 2 keyboards. Plural parts are available simultaneously, by splitting the keyboards or expanding them using a MIDI keyboard. KEYBOARD SPLIT The SK1 has only 1 manual, but it can be split and treated as if it were a 2 manual instrument. [SPLIT] button To use the Split function, press the [SPLIT] button and the light will go ON. The default setting split is at the middle B/C. NOTE: You can change the split point (dividing note) and octave. (P. 108) Lower Split Point Upper NOTE: The Split function is disabled when a second MIDI Keyboard is added. (P. 110) Right of the split point is referred to as: UPPER and the left side LOWER. Percussion does not function on the LOWER part. There is no SPLIT function available on the SK2. MANUAL BASS You can play the Pedal voices using the lowest notes of the keyboard (the LOWER keyboard if on the SK2). [M. BASS] button To use the Manual Bass function, press the [M. BASS] button and the light will go ON. The Pedal/Bass sound is heard in conjunction with the lowest note being played, on the manual keyboard till that time. In order to interface with the melody performance, the default Manual Bass upper limit point is set to sound up to, and including middle “B”. Manual Bass NOTE: The Manual Bass can be set to play in Lowest, Polyphonic, and Chord (P. 108 #1). You can change the playing range of the Manual Bass (the upper limit) (P. 108 #2). NOTE: When the SK1 is expanded to 2 manual, the Manual Bass function works on the LOWER keyboard. (P. 110) The part obtained when the Manual Bass is selected is called PEDAL part and its sound is controlled by the Drawbars ([PEDAL] when selected in Drawbar Select). This is originated from the style of playing bass on the pedal keyboard of a 3 keyboard type organ. You can use both the manual bass and the split at the same time. This makes it possible to play the bass + chord + melody only by yourself. NOTE: You can triggering the Manual Bass by foot switch (P. 78). Getting Ready To Play 34 TRY CREATING YOUR OWN SOUND - continued LOWER TO PEDAL When a pedal keyboard is connected to the SK2, you can play the LOWER part sound (or “registration”) with the pedalboard using the “LOWER TO PEDAL”. [LOWER to PEDAL] BUTTON To use the ‘Lower to Pedal’ coupler, press the [LOWER to PEDAL] button and the light will go ON. The default upper limit for Lower to Pedal is below Middle “B”. NOTE: You can change the playing range (the upper limit) of the ‘Lower to Pedal’. (P. 108 #2) Lower to Pedal PEDAL SUSTAIN A popular effect for organ bass is “PEDAL SUSTAIN”, which adds a smooth decay reminiscent of a string bass. [PEDAL SUSTAIN] To engage the pedal sustain, press the [P. SUS] button and the light will go ON. When you release your foot from the pedalboard (or release the key on the Lower keyboard - when using manual bass), the PEDAL part decays smoothly. NOTE: You can adjust the sustain time of the Pedal Sustain. (P. 75 #16) HA<O> Sk1 / Sk2 Owner’s Manual e Dolce 4' 35 RECORD THE PATCH TO MEMORY All the previous settings can be recorded to any Patch within the range of U001 to U100. Example: RECORD TO U032 1 Flute 2' Mixture III MENU/ EXIT UPPER Hautbois 8' PEDAL LOWER VALUE PLAY NUMBER MENU/ EXIT 2 UPPER PEDAL LOWER NAME PATCH Press the [RECORD] button. A question “Which patch do you want to record?” appears in the display. ENTER Select the patch number, this time U032, to record, using the [VALUE] knob. VALUE PLAY NUMBER MENU/ EXIT NAME PATCH 3 UPPER PEDAL LOWER ENTER VALUE PLAY NUMBER NAME PATCH ENTER Press the [ENTER] button. The Patch Number is decided and “Recording Patch” is displayed. When the recording process completes, the display returns to the previous mode. The recorded patch is automatically selected. NOTE: The user created patch data is not lost when the power is turned off and/or disconnected. Getting Ready To Play 36 TRY CREATING YOUR OWN SOUND - continued HA<O> Sk1 / Sk2 Owner’s Manual 37 SETTING UP SOUND ENGINE STRUCTURE 38 Lower&Upper Virtual Tonewheel Set Pedal Virtual Tonewheel Set Pedalboard Lower Keyboard Upper Keyboard Percussion Pedal Drawbars Upper Drawbars Lower Drawbars Overdrive Vibrato & Chorus TC & Equalizer Multi Effect Leslie Simulator Reverb Master Equalizer Extra Voice Generator Overdrive Equalizer Multi Effect Line Out Leslie 8Pin Phones HA<O> Sk1 / Sk2 Owner’s Manual 39 To fully utilizing this unit, read the following detailed explanations about the various functions for creating music. ORGAN SECTION TONE-WHEELS The sound source or “engine” of the classic Hammond Organ are the electro-magnetic Tone-Wheel Generators. On this keyboard, the Tone Wheel engine is replicated digitally. While the power is on, each of the 96 virtual Tone-Wheels keeps oscillating as they did in the vintage Hammond Organs. KEYS The tone signals created with the 96 virtual Tone-Wheels are “switched” at the keys. To each key the signals corresponding to the pitch and harmonics (for example, 9 sets on the manual keyboard) are distributed, and when you touch or release a key, the switch connects or cuts the tone signals. TONE-WHEEL SETS The Tone-Wheel Sets are divided into the Manuals and the Pedal Part. This is to give the Pedal Part the Decay (= the sound gradually fading out while pressing the key) or Sustain Effect. (= the sound gradually fading out after the key is released). DRAWBARS Each Drawbar represents a fundamental harmonic. Each bar adjusts the value of each harmonic. There are 9 drawbars corresponding to 9 different harmonics. TOUCH-RESPONSE PERCUSSION The Percussion creates a decaying sound on the UPPER manual. VIBRATO & CHORUS HARMONICS Harmonic is a pitch of a different ratio to a certain pitch; for example, the one octave higher C to the middle C. The more Harmonics, the brighter and richer sound is obtained. The Vibrato & Chorus gives depth and richness to the organ sound by slightly varying the pitch (Vibrato), or doubling the voice by mixing the original sound, with a duplicate, slightly detuned one (Chorus). OVERDRIVE The Overdrive creates distortion as if an amplifier was being driven beyond its limits. MULTI-EFFECTS The Multi-Effects create various effects such as tremolo and Wah. EQUALIZER, LESLIE, REVERB The built-in Effects are as follows: an Equalizer for sculpting the tonal response, a Leslie Effect for rotary speaker effects, and Reverb. (The built-in Leslie Effect is disengaged when a physical Leslie is connected to the 8-pin terminal.) EXTRA VOICE SECTION SOUND ENGINE The Extra Voice section is the sound engine for playing piano and other musical instruments. It is independent of the Organ Section. EFFECTS You can add Overdrive, Multi-Effects, Equalizer and Reverb to the Extra Voice Section. MASTER EQUALIZER The combined signal of Organ and Extra Voice is routed through the Master Equalizer. Allowing you to tailor your sound for the provided venue, amp, sound system or recording. The settings are not saved in patch memory. Setting Up 40 ORGAN SECTION ORGAN TYPE There are various “Organ” types: the Hammond Tone-Wheel organs used in everywhere rock, jazz, and Gospel, the transistor organ frequently heard in pop music of ‘60’s. Classical pipe organ used in classical music or church services. All organs have characteristic sounds. The keyboard will sound like the types of organ you choose. TONE-WHEELS (BType1, BType2, Mellow) These are various types of Hammond Organs’ characteristic tone wheels. The Hammond Organ’s original purpose was to duplicate the pipe organ, however, they became famous for producing a unique sound of their own. The BType1 and BType2 have the B-3/C-3’s traditional Tone-Wheel sounds. The BType2 has more wow-flutter and leakage noise. The Mellow is not a Tone-Wheel, if strictly speaking. It replicates the first-generation non-mechanical Transistor Hammond Tone Generators like the GT-7 and Concord. TRANSISTOR (Vx, Farf) After the transistor became generally used, the light weight organs were introduced (such as Ace Tone TOP-6 etc.) using the transistor circuit instead of the tone wheels or tubes. The circuit system is different from maker to maker or model by model. We have replicated 2 representative types here. The Vx is a type to combine the triangle wave and square wave with several footages. The Farf is one to combine the sound wave forms coming through plural filters with the tablet switch. PIPE The pipe organ produces sounds by oscillating the air sent through the pipe. The name of Stops tells you which wind instruments that you are duplication. You can create other sounds by combining different organ Stops, in the same way Drawbars are used on this keyboard. HA<O> Sk1 / Sk2 Owner’s Manual 41 Column: SELECTING THE ORGAN TYPES Use the control panel for switching the organ types. Example: Switching the manual part to “Pipe” 1 DRAWBARS SELECT Press the [UPPER] and [LOWER] buttons together. The DRAWBAR function mode is displayed and the organ type (“BType1” etc.) of the manual keyboard presently selected blinks. ORGAN TYPE MENU/ EXIT UPPER PEDAL VALUE LOWER PLAY NUMBER MENU/ EXIT NAME PATCH 2 UPPER PEDAL LOWER ENTER Select “Pipe” with the [VALUE] knob. The pipe organ sounds when you play the keyboard. VALUE PLAY NUMBER 3 NAME PATCH ENTER MENU/ EXIT UPPER PEDAL LOWER VALUE To return to the PLAY mode, press the [PLAY] button. PLAY NUMBER NAME PATCH ENTER Setting Up 42 HARMONIC DRAWBARS™ The 9 Drawbars on this keyboard are used to create the basic “Hammond” sounds. Each Drawbar is marked with the register numbers 1 - 8 along the flat part of the Drawbar. If you push back a Drawbar until you cannot see any number at all, the sound of the Drawbar is not heard. If you pull it out to the fullest position the sound level is maximum. When recalling a patch, the drawbars’ “positions” will change internally, but not physically. However, if you move a drawbar, the setting will “snap” to that drawbars current position. DRAWBARS (ON TONE-WHEEL) 16' 51/3' 8' 4' 22/3' 2' 13/5' 11/3' 1' Middle “C” The pitch of each Drawbar is as shown above, when the middle C is depressed. The footage marked (´) on the handle end of each Drawbar is derived from the corresponding length of pipes of a pipe organ. The numbers 1 - 8 on the “bar” portion of each Drawbar indicate the volume of the sound to be produced as well as the guide to remember Drawbar settings. Pull the fundamental (8´), the third harmonic (2⅔´) plus the fifth harmonic (1⁄´) Dolcethe Flute Bourdon OpenDiapout Gedeckt VoixClst Octave Mixture Hautbois Drawbars completely andFlute play keyboard. Notice how the sound resembles 4' 4' 2' 8' 16' 8' 8' II III a clarinet. If you push the 8´ Drawbar half-way, you’ll notice the sound becomes more highpitched and a bit “harder”. Now pull the 8´ Drawbar back out fully and push the 2⅔´ and 1⁄´ in halfway. Notice how the sound becomes mellower. Experiment with the Drawbars to obtain your own personal favorite sounds. DRAWBAR RESISTRATION The lengths of the pulled out Drawbars. In the case of the Tone-Wheel Organ, refer the correspondence between each bar and the footage to the “TW” row in front of the Drawbars. HA<O> Sk1 / Sk2 Owner’s Manual 43 DRAWBARS FOR THE UPPER AND LOWER PARTS WHITE DRAWBARS 16' 51/3' 8' 4' 22/3' 2' 13/5' 11/3' 1' In each Drawbar set, the white Drawbar (8´) on the left side makes the fundamental sound. The other white Drawbars get higher by the octave to the right. BLACK DRAWBARS 16' 51/3' 8' 4' 22/3' 2' 13/5' 11/3' 1' The sounds of the black Drawbars, too, play an important role in building rich tones. Their pitches are fifth and third to the fundamental. These harmonics add a complexity to the tone, even allowing characteristics of acoustic instruments. BROWN DRAWBARS 16' 51/3' 8' 4' 22/3' 2' 13/5' 11/3' 1' The two brown Drawbars on the far left give depth and richness to the sound. The left 16´ is one octave lower than the 8´, and 5⅓´ is the third harmonic of the 16´ fundamental. Normally, the tones are built on the 8’ fundamental, but, if you want to add depth to the tone or to expand the playing range by one octave lower, build your tones on the 16´ fundamental. DRAWBARS TO USE ON THE PEDAL 16' 5 1/3' 8' 4' 2 2/3' 2' 1 3/5' 1 1/3' 1' The Pedalboard plays the bass line and uses the two Drawbars -16´ and 8´. The first Pedal Drawbar produces a tone at 16´ pitch for a deep foundation bass, while the second Pedal Drawbar produces a tone at 8´ pitch, or one octave higher. The registration of the Pedal part appears in the center of the display. 16´ on the left and 8´ on the right. Setting Up 44 HARMONIC DRAWBARS™ - continued DRAWBAR REGISTRATION PATTERNS The Drawbar Registration is matched by digits. It is easy to remember the typical combinations of the 9 Drawbars by their forms. The Drawbar Registrations are grouped into the following 4 patterns: Flute family (2 step pattern) 16' 51/3' 8' 4' 22/3' 2' Diapason family (check mark pattern) 13/5' 11/3' 1' Accompaniment Flute 8´ I .............. 00 8460 000 Accompaniment Flute 8´ II ............. 00 3220 000 Accompaniment Flute 8´ III ........... 00 8600 000 Chorus of Flutes 16´ ....................... 80 8605 002 Orchestral Flute 8´ .......................... 00 3831 000 Piccolo 2´ ........................................ 00 0006 003 Stopped Flute 8´ ............................. 00 5020 000 Tibia 8´ ........................................... 00 7030 000 Tibia 4´ ........................................... 00 0700 030 Tibia (Theater) 16´ .......................... 80 8605 004 Wooden Open Flute 8´ ................... 00 8840 000 51/3' 8' 4' 22/3' 2' 13/5' 51/3' 8' 4' 22/3' 2' 13/5' 11/3' 1' Accomp. Diapason 8´...................... 00 8874 210 Chorus Diapason 8´ ........................ 00 8686 310 Diapason 8´ .................................... 00 7785 321 Echo Diapason 8´ ........................... 00 4434 210 Harmonic Diapason 16´ ................. 85 8524 100 Harmonic Diapason 8´ ................... 00 8877 760 Harmonic Diapason 4´ ................... 00 0606 045 Horn Diapason 8´ ........................... 00 8887 480 Open Diapason 8´ .......................... 01 8866 430 Solo Diapason ................................. 01 8855 331 Wood Diapason 8´ .......................... 00 7754 321 Reed family (triangle pattern) 16' 16' String family (bow pattern) 11/3' 1' Bassoon 16´ .................................... 44 7000 000 Clarinet 8´ ...................................... 00 6070 540 English Horn 8´ .............................. 00 3682 210 Flugel Horn 8´ ................................ 00 5777 530 French Horn ................................... 00 7654 321 Kinura 8´ ........................................ 00 0172 786 Oboe 8´ .......................................... 00 4764 210 Trombone 8´ ................................... 01 8777 530 Trumpet 8´...................................... 00 6788 650 Tuba Sonora 8´ ............................... 02 7788 640 Vox Humana 8´ .............................. 00 4720 123 HA<O> Sk1 / Sk2 Owner’s Manual 16' 51/3' 8' 4' 22/3' 2' 13/5' Cello 8´ ........................................... 00 3564 534 Dulciana 8´ ..................................... 00 7770 000 Gamba 8´ I ..................................... 00 3484 443 Gemshorn 8´................................... 00 4741 321 Orchestral String 8´......................... 00 1464 321 Salicional 8´ .................................... 00 2453 321 Solo Viola 8´ ................................... 00 2474 341 Solo Violin 8´.................................. 00 3654 324 Viola da Gamba 8´ .......................... 00 2465 432 Violina 4´........................................ 00 0103 064 Violone 16´ ..................................... 26 3431 000 11/3' 1' 45 MODERN DRAWBAR REGISTRATIONS The Drawbar registrations introduced on the previous page are typically for classical music. They were created at the dawn of the Hammond Organ, when it was intended to sound like a pipe or church organ. Later on, as the Hammond Organ spread throughout Jazz, Pop, Rock and (especially) Gospel music, Some timeless registrations become common. Jazz 16' Bluesy 51/3' 8' 4' 22/3' SECOND 2' THIRD 13/5' ON FAST 11/3' ON SOFT 1' 16' 8' 51/3' 8' 4' 22/3' 2' 13/5' 11/3' 1' 8' 4' 22/3' 2' 13/5' 11/3' 1' ON Groovy & Funky 51/3' 16' Max Power 4' 22/3' 2' 13/5' 11/3' 1' 16' 51/3' APPLICATION OF PERCUSSION When Percussion is used, the sound of the 1´ Drawbar is cancelled. As it was on the Vintage B-3. A trick is to keep the 1’ drawbar fully out, and then turn the percussion on and off as you play for a instant change in sound. Try it! Setting Up 46 HARMONIC DRAWBARS™ - continued DRAWBARS (Vx) 16´ 8´ 4´ 2´ III II IV at Middle “C” The original British Vx type organ was equipped with Drawbars, but the function was different from that of the Hammond Organ. The vintage arrangement has been re-created here. Each of the 4 bars on the left functions similarly to the Hammond Organ. II, III and IV on the right are “Mixture” drawbars that sound plural pitches. The 2 right-most bars are a mini mixer controlling the mellow voice or bright voice as in the vintage combo organ. Each or both of the two right-most drawbars must be pulled in some combination to achieve sound in the Vx type. 16´ 8´ Oscillators 4´ Filter 2´ to output II III IV FOOTAGE The markings, “8’, 4’” etc., indicate the lengths of pipes corresponding to their pitch. The common term for these numbers are “footages”. For example, 8’ means that a pipe of 8’ in length sounds, the lowest C on a standard 5 octave organ keyboard. Bourdon OpenDiap Gedeckt VoixClst 16' 8' 8' II Octave Flute Dolce 4' 4' Flute 2' HA<O> Sk1 / Sk2 Owner’s Manual Mixture III Hautbois 8' If the organ type is set to Vx, refer to the “Vx” row on the other side of the Drawbars for the correspondence between each bar and the footage. 47 DRAWBARDS (Farf) Strings 8´ Strings 4´ Trumpet 8´ Piccolo 4´ Strings 16´ Oboe 8´ Flute 4´ Bass 16´ Flute 8´ Strings 16´ 8´ Oboe 8´ at Middle “C” Filters Bass 16´ 16´ The original Italian Farf type organ was tablet-equipped with different sounds at various footages. On this keyboard the operation is made with Drawbars instead of tablets. At the same footage, the tablets gives grow brighter in sound as you progress to the right. The names “Flute”, “Strings”, etc. are general descriptions and do not reflect the tonalities or characteristics of the real instruments. Flute 8´ Oscillators Trumpet 8´ to output Strings 8´ 4´ Flute 4´ Piccolo 4´ Strings 4´ Bourdon OpenDiap Gedeckt VoixClst 16' 8' 8' II Octave Flute Dolce 4' 4' Flute 2' Mixture III Hautbois 8' When using the Farf type organ, refer to the “Farf ” row on the other side of the Drawbars for the correspondence between each bar and the footage. Setting Up 48 HARMONIC DRAWBARS™ - continued DRAWBARS (PIPE) Open Viole Bourdon Diapason Gedeckt Celeste 16´ 8´ 8´ II UPPER: LOWER: PEDAL: Principal Principal Melodia 16´ 8´ 8´ Sub Bass 16´ + Gedeckt 8´ Rohr Flute 8´ Octave 4´ Flauto Dolce 4´ Flute 2´ Prestant 4´ Flute 4´ Super Octave 2´ Mixture Hautbois 8´ III Mixture IV Trompette 8´ Principal Chorus + Mixture IV When using the PIPE organ type, the stops are registered through the Drawbars, and follow the classic organ layout left to right as follows: Flue,Mixture and Reed. On the UPPER and LOWER parts, each Drawbar corresponds with a stop of the pipe organ. On the PEDAL part, two stops sound with one Drawbar. NOTE: The effects - Vibrato & Chorus, Leslie, Overdrive - are not available on the Pipe type voices. Bourdon OpenDiap Gedeckt VoixClst 16' 8' 8' II Octave Flute Dolce 4' 4' Flute 2' HA<O> Sk1 / Sk2 Owner’s Manual Mixture III Hautbois 8' If the organ type is Pipe, refer to the “Pipe” row on the other side of the Drawbars for the correspondence between each bar and the footage. DRAWBAR SELECT 49 ASSIGN DRAWBARS TO PARTS Upper Registration Physical Drawbars On UPPER PEDAL e abl En LOWER Disable Dis a Lower Registration bl e Pedal Registration Press This keyboard has 3 parts; UPPER, LOWER and PEDAL. On the SK1, the keyboard is usually assigned to the UPPER, and, when you want to sound the LOWER, PEDAL, use the Split / Manual Bass Function or connect a MIDI keyboard and/or Pedalboard and assign each part. Although there are three parts here, there is only one set of Drawbars. The [UPPER], [LOWER], and [PEDAL] buttons PEDAL Upper Registration Physical Drawbars All LEDs are “Off” UPPER allow you to register all the parts. The Drawbars select buttons are [UPPER], [PEDAL] and [LOWER]. Which button you choose, sends the registration commands to proper part of the sound engine. e abl Dis LOWER Disable Lower Registration Dis ab le Pedal Registration Press again If you de-select any of the drawbar buttons, the instant control of the drawbars for that part is suspended. You can “pre-set” a registration, however (covered in next section) MATCH THE REGISTRATION TO DRAWBARS Physical Drawbars Blink UPPER “On” PEDAL LOWER not equal UPPER Physical Drawbars PEDAL LOWER equal Upper Registration Upper Registration Press and hold When you recall a patch, the Drawbar registration of the recorded patch is heard, instead of the physical Drawbar setting. If you move any Drawbar, its position takes precedence over the recorded registration, although the recorded preset is not altered. If you wish to switch to the physical Drawbar setting, Press and hold the corresponding button ([UPPER], [PEDAL] or [LOWER]) in the Drawbar select until the light blinks then release it. The physical registration now becomes “current”. Setting Up PERCUSSION 50 Organ tones are normally heard as long as the playing key is held down. The word “Percussion” refers to a tone that is not steady and fades away, such as a piano or chimes. This keyboard has Percussion tones which enhance the sounds produced by the Drawbars. “Touch-Response Percussion” is very useful for highlighting single notes, full chords, even entire songs. [SECOND] button The 2nd harmonic speaks at the same pitch as the 4´ Drawbar. Combining this 2nd harmonic with the Drawbars will produce a bright and clear attack. To engage, press the [SECOND] button and the light will go ON. [THIRD] button The 3rd harmonic tone speaks at the same pitch as the 2⅔´ Drawbar. Combining this 3rd harmonic with the Drawbars will produce the ringing attack that has become a Hallmark Hammond sound. To engage, press the [THIRD] button and light will go ON. [FAST] button When this button is OFF (LED not lit) the percussion tone will decay (decrease in volume) slowly like a chime. When [FAST] is “ON” (LED is lit) the percussion tone will decay rapidly like a xylophone. [SOFT] button This control regulates the volume of the percussion tone. When it is OFF (LED not lit) the percussion effect will be very prominent, compared to the tones produced by the UPPER Drawbars. NOTE: Percussion is available on 3 Organ types; BType1, BType2 and Mellow. NOTE: You can fine-tune the parameters of the Percussion (P. 82). 1´ DRAWBAR CANCEL As on the Vintage Hammond B-3, the 1´ Tone-Wheel Drawbar is inoperative when the Percussion is engaged. NOTE: If you wish the 1´ Drawbar to remain operative, you can change the parameter. (P. 82) HA<O> Sk1 / Sk2 Owner’s Manual DECAY On the piano, the sound gradually fades out even if you keep touching the key. It is called Decay. The violin sound, on the contrary, keeps sounding at a certain volume. It is called Sustain. VIBRATO & CHORUS 51 The Hammond Vibrato & Chorus is another hallmark of the Classic Hammond sound. Vibrato alters the pitch slightly, as a violinist, singer, or guitarist may do. And DRAWBARS SELECT Chorus combines a detuned signal with the original for a lush tone. ORGAN TYPE [UPPER] button Pressing [UPPER] button “ON” (red LED lit) will turn the Vibrato & Chorus effect on for the UPPER Drawbars. [LOWER] button Pressing [UPPER] button “ON” (red LED lit) will turn the Vibrato & Chorus effect on for the LOWER Drawbars. [V1/C1], [V2/C2] button These buttons are for setting the depth of the Vibrato & Chorus effects. V1 (C1): V2 (C2): V1+V2 (C1+C2): V1 (C1), light vibrato (chorus) V2 (C2), vibrato (chorus) of standard depth. V3 (C3), deepest vibrato (chorus) NOTE: While the power is on, the Vibrato and/or Chorus button LED’s will always be on. The effect will not be active unless the UPPER or LOWER switches are pressed (LED on). [CHORUS] button The CHORUS effect combines a slightly detuned signal with the original. To engage the Chorus effect, press this button and the light will go ON. STATUS CHART OF EACH BUTTON BUTTON MODE V1/C1 On Off On On Off On V2/C2 Off On On Off On On CHORUS Off Off Off On On On Effect V1 V2 V3 C1 C2 C3 NOTE: Vibrato & Chorus is available on 5 Organ types; BType1, BType2, Mellow, Vx and Farf. NOTE: The speed etc. of the Vibrato & Chorus effects can be fine-tuned. (P. 83) NOTE: The Vibrato & Chorus effects on this keyboard come from a virtual model of the mechanical scanner as first used on the vintage B-3. It operates in the same manner, albeit in the digital realm. (no moving parts) Setting Up DRAWBAR OVERDRIVE 52 Overdrive simulates the effect of pushing an amplifier beyond its normal limits to achieve a more aggressive sound. By changing the drive amount, various sounds are obtained from an unclipped warmth to a hard distortion. [OVERDRIVE ON] button To engage the Overdrive effect, press this button and the light will go ON. [OVERDRIVE AMOUNT] knob Adjusts the amount of the Overdrive effect. Rotating the knob clockwise increases the depth of the effect. NOTE: Drawbar Overdrive is available on 5 Organ types; BType1, BType2, Mellow, Vx and Farf. NOTE: You can fine-tune the overdrive sound. (P. 88) NOTE: The button and knob are for the Organ section. The Overdrive effect for the Extra Voice section is operated by the parameter in the control panel. (P. 95) HA<O> Sk1 / Sk2 Owner’s Manual DRAWBARS SELECT LESLIE 53 ORGAN TYPE The rotating sound of the LESLIE Speaker is the natural partner of the Hammond Organ. A Digital version is built-in to the SK1/SK2; and the controls will also function with a connected physical Leslie. [FAST] button Toggles the mode of the rotor by two steps. Every press switches the status. When the light is ON, the mode is FAST, and when it is OFF, it is not. STATUS CHART OF EACH BUTTON BUTTON [STOP] button To toggle the FAST and SLOW when you pressed the [FAST] button, press this button and the light OFF. To toggle the FAST and STOP when you pressed the [FAST] button, press this button and the light ON. [BYPASS] button When the light is OFF, the Organ section sound is output from the rotary channel. To bypass the Leslie effect, press this button and the light will go ON. Regardless of the status of the [FAST], [STOP] buttons, the Organ section sound is output from the stationary channel. MODE FAST CH=3, on-board Leslie effect BYPASS STOP CH=1 Off Off On Fast Off Off Off Slow Off On On Fast Off On Off Stop On On On Fast On On Off Stop On Off On Fast On Off Off Slow Bypass NOTE: Leslie Effect is available on Organ section except Pipe type. NOTE: You can fine-tune the parameters of the Leslie effect. (P. 84) Diagram of 3 channel Leslie Speaker Horn Rotor 800Hz Horn Driver Woofer Stationary Speaker WHAT IS THE LESLIE EFFECT? The Leslie Speaker was invented by Donald Leslie in 1941 to make the Hammond Organ sound like a Theatre Pipe Organ. Using motor-driven rotating horns and baffles, Leslie’s invention gave the organ a rich and moving tone, which quickly became it’s own unforgettable sound. In its basic form, the Leslie Speaker has an built-in amplifier and two rotors; the “Horn Rotor” for treble and the “Bass Rotor” for bass which are each fed by a custom-designed driver/speaker. The combination of the two utilizes the “Doppler Effect” to give the unique Leslie “swirling” sound.. Some models have not only rotors but also a fixed speaker. The circuit for sending the sound to the rotor is called the “Rotary Channel”, and that for the fixed speaker is called the “Stationary Channel”. Amplifier Bass Rotor The Digital Leslie on-board the SK1/SK2 employs all the proprietary concepts used in the physical speakers, but realizes them in the digital realm. It is recommended that you run the Main Outputs “in stereo” to get the fullest effect. Setting Up MULTI-EFFECTS, REVERB 54 The SK1/SK2 has on-board Digital Multi-Effects and Reverb to enhance the Organ section. uMULTI-EFFECTS [EFFECT ON] button To engage the Muti-Effects. Press this button and the light will go ON. [EFFECT AMOUNT] knob Adjusts the amount of the Multi-Effects. NOTE: There are numerous parameters in the Multi-Effects. The detailed settings of the parameters are adjusted on the control panel. (P. 88) HA<O> Sk1 / Sk2 Owner’s Manual uREVERB The Digital Reverb is common to both Organ and Extra Voice sections. [REVERB ON] button To engage the Reverb, press this button and the light will go ON. [REVERB DEPTH] knob Adjusts the depth of the Reverb. NOTE: You can fine-tune the time etc. of the Reverb. (P.97) PEDAL SUSTAIN, MANUAL BASS 55 A popular option for playing the Pedals or Manual Bass is Pedal Sustain, which allows the Pedal voice to smoothly decay upon release, much in the manner of a string bass. Using the lowest note of the keyboard, you can play the PEDAL part together (Manual Bass). [P. SUS] button To engage the PEDAL SUSTAIN, press the [P. SUS] button and the light will go ON. After releasing your foot from the Pedal keyboard (or, if you release your finger from the Manual keyboard when you are using the Manual Bass function) (= explained later in this manual), the sound will slowly fade, or decay. NOTE: You can control the decay time of the Pedal Sustain. (P. 75) [M. BASS] button To engage the Manual Bass function, press the [M. BASS] button and the light will go ON. The keyboard that functions as the Manual Bass is the keyboard itself if it is on the SK1 stand-alone, and the Lower keyboard if the Lower keyboard is added to the SK1 or SK2. The default range of the MANUAL BASS is up to the middle “B”. NOTE: You can change the highest note range of the MANUAL BASS (P. 108 #2). COUPLER Like the Manual Bass or the Lower to Pedal (only on the SK2), the function to set a keyboard to play two keyboards together is called “COUPLER”. NOTE: You can select the MANUAL BASS play chords or only the lowest note (P. 108 #1). Setting Up 56 KEYBOARD SPLIT, OCTAVE SHIFT The SK1 normal range is the UPPER Keyboard. A split is optional to place the LOWER keyboard voices on the left side of the single keyboard. The keyboard can be shifted up or down one octave to facilitate easier play. SK1 [SPLIT] button (only on the SK1) Press to split the keyboard, and the light will go ON. NOTE: You can set the split point. (P. 108) [OCTAVE] buttons Raises or Lowers each part by one octave. w To raise UPPER by one octave, press the [UP] button. w To lower UPPER by one octave, press the [DOWN] button. w To raise LOWER by one octave, press the [UP] button, holding down the [LOWER] button. w To lower LOWER by one octave, press the [DOWN] button, holding down the [LOWER] button. Octave of LOWER is at “+1”. When changing octaves here, the status of the Octave is briefly shown on the display. [LOWER to PEDAL] button (only on the SK2) Allows whatever sounds that are registered on the LOWER Part to be played on the PEDAL part as well. To use this function, press this button and turn the light ON. NOTE: You can change the upper limit playing range of ‘Lower to Pedal’. (P. 108) HA<O> Sk1 / Sk2 Owner’s Manual SK2 TRANSPOSE 57 The transpose function allows you to match the same key of other instruments or vocalists without changing the key that you are playing in. For example, if you set Transpose at [+5], the note “F” sounds when you play the “C” key. (By playing in the key of C the SK1 sounds in the key of F.) [TRANSPOSE] button w To raise the pitch by semi-tone, press the [UP] button, while holding down the [TRANSPOSE] button. w To lower the pitch by semi-tone, press the [DOWN] button, while holding down the [TRANSPOSE] button. You can set Transpose in the range from -6 to +6 semi-tone. Transpose is at “+5”. When performing this operation, the status of the transposition is shown in the display. Transpose is mapped to the following points: i) Between the internal keyboard and the built-in sound engines. ii) Between the MIDI IN and the built-in sound engines. iii) To the external zone. iv) When the MIDI pedalboard XPK-100 is connected, transpose value will synchronize with it. NOTE: Transpose is a temporary parameter, and is not recorded to any patch. When the power is switched OFF, it returns to 0. Setting Up 58 EXTRA VOICE SECTION The EXTRA VOICE section contains the sounds other than Organ which comprise the SK series. As a single system, you select which voice to allocate to what part. The Organ and Extra Voice sections can be played simultaneously. ALLOCATE AND SOLO To play the Extra Voices, you must allocate them to either the UPPER or LOWER parts. The Extra Voices can play alongside the Organ and can also be soloed, muting the organ section. EXTRA VOICE The Extra Voice section on your SK1/2 is not related to, and does not replicate the sounds of F-100 “Extravoice” (1960’s). [ALLOCATE UPPER], [ALLOCATE LOWER] buttons Selects either the UPPER/LOWER part to allocate Extra Voices. To play the Extra Voices, press either button and (LED ON). To CANCEL the Extra Voice allocation, press the desired button again (LED OFF). [SOLO] button Mutes the Organ section to play only the Extra Voices. The solo functions toggled ON and OFF by pressing [SOLO] button. BUILT IN SOUNDS AND LIBRARY There are 6 groups of resident sounds, corresponding to the Voice Group. These core sounds may not be overwritten. You may expand this core with sounds available online from “LIBRARY”, which Hammond-Suzuki will make available in the future. To select instruments, see “SELECT INSTRUMENTS” on (P. 31), and the “INSTRUMENT LIST” (P. 130) for the built in sounds. PRO-CHORD FUNCTION In the Extra Voice instruments, some are set with the “Prochord” function. These are for easily playing on the keyboard the harmony heard from the brass section etc. The instrument with a Prochord has “Pcd” as a suffix added to its name. If you allocate this instrument to the Upper part, play a chord on the Lower keyboard and play a single note on the Upper keyboard, you can get a melody with harmony. ON SK1: CHORD MELODY ON SK2: MELODY CHORD HA<O> Sk1 / Sk2 Owner’s Manual MULTI-EFFECTS, REVERB 59 This keyboard is equipped with Multi-Effects capable of adding various effects to the Extra Voices, and Reverb capable of adding the effects of playing in a concert hall. uMULTI-EFFECTS [EFFECT ON] button To engage the Multi-Effects, press this button and the light will go ON. [EFFECT AMOUNT] knob Adjusts the amount of the Multi-Effects. NOTE: There are numerous parameters in the Multi-Effects. Detailed settings are made with the parameters in the control panel. (P. 95) uREVERB Reverb is common for both the organ and the Extra Voice sections. [REVERB ON] button To engage the Reverb, press this button and the light will go ON. [REVERB DEPTH] knob Adjusts the depth of the Reverb. NOTE: You can fine-tune the time etc. of the Reverb effect. (P. 97) Setting Up PATCH 60 The settings you have prepared can be recorded to User Patches. USER AND PRESET Patches “FAVORITE” buttons 1 2 3 refer U001 U002 U003 U004 U005 U098 refer U099 U100 refer P001 P002 P003 First Second Third Fourth Fifth November December “User” ends Preset begins Monday Tuesday “VALUE” knob in PLAY mode sequential select There are 100 USER and 100 PRESET Patches as illustrated. The “User” Patch are over-write capable. The “Preset” Patches are not. To call the Patch, select the Patch Number with the [VALUE] knob in the Play mode (P. 23). To record the present setting to the patch, first give a name to it and designate the patch number before recording the patch (next page). P098 Mezzo Forte P099 Forte P100 Fotissimo MANUAL exclusive Manual “P” are not rewritable The [MANUAL] button on the left side of the top panel shifts the focus to all the current settings of the top panel, and the current internal settings. It is used as a starting point for writing your own patches, or for the musician who prefers to register “by hand” instead of using patches. PATCH LOAD Only the Drawbar registrations of each keyboard were recorded to the preset of the B-3/C-3. But many more parameters than the Drawbar registrations are recorded to the patches on this keyboard. If you wish to keep the “traditional” style of registration (Drawbars only), Select the proper parameters in “Patch Load”. (P. 76) HA<O> Sk1 / Sk2 Owner’s Manual 61 NAME THE PRESENT SETTING 1 3 GO TO THE MENU MODE GO TO PATCH FUNCTION MODE MENU/ EXIT MENU/ EXIT UPPER PEDAL LOWER UPPER VALUE PEDAL LOWER VALUE PLAY NUMBER PLAY NUMBER NAME PATCH ENTER ENTER Press the [MENU/EXIT] button. Menu mode will be displayed. 2 NAME PATCH Press [ENTER] and go to PATCH function mode. GO TO PAGE A 4 MENU/ EXIT UPPER PEDAL LOWER INPUT NAME VALUE MENU/ EXIT PLAY UPPER NUMBER NAME PATCH PEDAL LOWER VALUE ENTER PLAY NUMBER If Page A is not displayed, go to Page A by pressing [] button. 2 NAME PATCH ENTER You can enter a name using up to 15 letters. [],[] buttons: [VALUE] knob: Moves the cursor. Selects letters. The Characters available are the Capital and small English Alphabet, signs and digits. The name input here is not captured until you record the patch (as explained on the next page). SELECT THE “PATCH” MENU/ EXIT UPPER PEDAL LOWER VALUE PLAY NUMBER NAME PATCH ENTER Press [] button twice and move the cursor to “PATCH”. Setting Up e 62 PATCH - continued RECORD TO THE PATCH Example: RECORD TO “U032” 1 GIVE THE NAME Enter the name of your Patch. (P. 61) 2 PRESS THE [RECORD] BUTTON MENU/ EXIT Mixture III UPPER Hautbois 8' PEDAL LOWER VALUE PLAY NUMBER NAME PATCH ENTER Press the [RECORD] button. The Record mode is displayed. 3 SELECT THE PATCH NUMBER MENU/ EXIT UPPER PEDAL LOWER VALUE Select the patch number you wish to record with the [VALUE] knob (This time select U032). PLAY NUMBER 4 NAME PATCH ENTER PRESS [ENTER] MENU/ EXIT UPPER PEDAL LOWER VALUE PLAY NUMBER NAME PATCH ENTER Press the [ENTER] button. The patch is confirmed and is displayed as follows for a few seconds: Recording Patch... When the recording is completed, the display returns to the previous one. NOTE: The recorded patch data is retained if the power is switched off or disconnected. HA<O> Sk1 / Sk2 Owner’s Manual 63 USING THE CONTROL PANEL 64 WHAT YOU CAN DO ON THE CONTROL PANEL Your access to deep-editing the SK1/SK2. All of the parameters and all of the controls not covered by the top panel knobs and switches are here. MENU/ EXIT UPPER PEDAL LOWER VALUE PLAY NUMBER NAME PATCH ENTER The modes displayed are, basically “PLAY”, “MENU” and “FUNCTION”. See how to read them and how to use the buttons on the next pages. PLAY mode MENU mode FUNCTION mode HA<O> Sk1 / Sk2 Owner’s Manual PLAY MODE 65 The Play mode is basic for all operations. All information necessary for ordinary performance is displayed here. To locate this mode 1. “Playmode”isthedefaultmodeatpower-up. 2. IfthePlaymodeisnotdisplayed,touchthe[PLAY]button. HOW TO READ THE DISPLAY Drawbar Registration UPPER / PEDAL / LOWER Display of Registration (Bars)DRAWBARS SELECT ORGAN TYPE MENU/ EXIT Bourdon OpenDiap Gedeckt VoixClst 16' 8' 8' II Octave Flute Dolce 4' 4' Flute 2' Mixture III UPPER Hautbois 8' PEDAL LOWER PLAY Display of Extra Voice NUMBER NAME PATCH The three PLAY modes, two for displaying the Registration and the other for displaying the Extra Voices, are toggled every time the [PLAY] button pressed. Display of Registration (Digits) Patch BUTTON OPERATION IN THIS MODE Display the Menu mode. Select the Patch MENU/ EXIT UPPER PEDAL LOWER VALUE PLAY NUMBER NAME PATCH ENTER Switch the three Play mode types. Using the Control Panel VALUE PER e MENU MODE 66 The purpose of the menu mode is to give a directory of all the various function. To locate this mode: Pressthe[MENU/EXIT]button. There are many pages functions available to edit. For easier editing, the different divisions in the menus are grouped together in bundles of four. Search for the item you wish to edit using the direction buttons, then press the [ENTER] button and display each Function mode. HOW TO READ THE DISPLAY Page PEDAL LOWER Items VALUE NAME PATCH ENTER BUTTON OPERATION IN THIS MODE Move the page. Select the item in the page. MENU/ EXIT UPPER Hautbois 8' PEDAL LOWER VALUE PLAY NUMBER NAME PATCH ENTER Return to the Play mode. Jump to the selected Function mode. HA<O> Sk1 / Sk2 Owner’s Manual 67 MENU AND THE CONTENTS PAGE A 1. DRAWBAR Sets the parameters for each of the Organ section’s Drawbars. (P. 74) 2. EXVOICE Selects the Extra Voice instrument, plus, its range and volume. (P. 77) 3. PATCH For naming the patch, setting which parameters will load and assignment of Favorites. (P. 76) 4. PAGE E 1. DEFAULT For returning to the factory default setting. (P. 99) 2. SYSTEM For setting the System Parameter(s) and displaying the information. (P. 100) 3. LIBRARY For controlling the Sound Library of the Extra Voices. (P. 125) 4. FORMAT For initializing the USB Flash Drive. (P. 115) CONTROL For setting the controllers, such as the Expression Pedal and Foot Switch. (P. 78) PAGE B 1. CUST. TW For custom setting of the tone wheel sets of the Lower and Upper part. (P. 78) 2. PERCUSS For custom setting the percussion parameters. (P. 82) 3. VIB & CHO For custom setting the speed and depth of the Vibrato & Chorus. (P. 83) 4. LESLIE For adjusting the built-in Leslie effect and sets the external Leslie speaker. (P. 84) PAGE C 1. O. D./EFF Adjust the Overdrive and the Multi-Effects here. (P. 88) 2. EQUALIZ For setting the parameters of the Equalizer. (P. 96) 3. REVERB For setting the parameters of the Reverb. (P. 97) 4. TUNE Set the tuning of the entire keyboard. (P. 98) PAGE D 1. ZONE For setting the Internal Zone/External Zone. (P. 108) 2. MIDI For setting the basic MIDI operations. (P. 110) 3. SET-UP For saving/loading the set-up to/from the USB Flash Drive. (P. 114) 4. PLAYER For operating the Music Player. (P. 121) Using the Control Panel FUNCTION MODE 68 These modes are for selecting and controlling the function. All modes can be navigated the same way. HOW TO READ THE DISPLAY There is another page above (or below) this page. PARAMETER (ITEM) NAME Shows there is another page on the right (or the left) of this page. CURSOR PAGE NAME CURSOR (flashing VALUE) VALUE On this keyboard the cursor style is to flash the entry. BUTTON OPERATION IN THIS MODE Move the page up or down. Move the cursor on the page. The cursor goes to the edge of the mode, and, if there is another page on the right or the left, moves to that page. MENU/ EXIT UPPER PEDAL LOWER VALUE PLAY NUMBER Return to the PLAY mode. Jump to the MENU mode. HA<O> Sk1 / Sk2 Owner’s Manual NAME PATCH ENTER Adjust the value of the cursor location. SHORT CUT TO FUNCTION MODE 69 Each button on the top panel has a built in shortcut-making programming and editing easier. Pressing and holding any of the buttons on the top panel automatically jumps the display to the related function menu item. EXAMPLE OF OPERATION: LOCATE THE PERCUSSION FUNCTION MODE If you wish to edit the percussion settings, press and hold either of the [SECOND], [THIRD], [FAST], or [SOFT] buttons, and the display will immediately jump to the percussion function mode. This is called “SHORT CUT”. In the next chapter, you will see which button is used for a particular “SHORT CUT”. NOTE: Changing the length of time until display jump when button held. (P. 81) Press and hold REGISTER THE PAGES YOU FREQUENTLY USE You can assign frequently-used function page to the [CONTROL] button for immediate access. EXAMPLE OF OPERATION: REGISTER THE “DRAWBAR - PEDAL” PAGE 1 Display the page you want to register using the MENU etc. Here, as an example, let’s display the “Drawbar - Pedal” page. 2 DRAWBARS SELECT ORGAN TYPE MENU/ EXIT Bourdon OpenDiap Gedeckt VoixClst 16' 8' 8' II Octave Flute Dolce 4' 4' Flute 2' Mixture III UPPER Hautbois 8' PLAY Press and hold NUMBER PEDAL LOWER VALUE While holding down the [RECORD] button press the [CONTROL] button. You will be able to immediately access the desired page just by pressing the [CONTROL] button. NAME PATCH ENTER Press with... Using the Control Panel 70 PARAMETER OPERATION EXAMPLE: ADJUST THE [FAST] PERCUSSION DECAY TIME 1 LOCATE THE MENU MODE MENU/ EXIT UPPER PEDAL LOWER VALUE Press the [MENU/EXIT] button. The MENU mode is displayed. PLAY NUMBER 2 NAME PATCH ENTER SELECT THE MENU PAGE Locate the “PERCUSS” page using the [],[] buttons. “PERCUSS” is on Page B. MENU/ EXIT UPPER PEDAL LOWER VALUE PLAY NUMBER 3 NAME PATCH ENTER MOVE THE CURSOR TO THE FUNCTION MODE YOU WISH TO LOCATE MENU/ EXIT UPPER LOWER PEDAL Move the cursor to “PERCUSS” using the [],[] buttons. VALUE PLAY NUMBER 4 NAME PATCH ENTER PRESS [ENTER] Press the [ENTER] button. The display shows the first page of the Percussion function mode. MENU/ EXIT UPPER PEDAL LOWER VALUE PLAY NUMBER NAME PATCH HA<O> Sk1 / Sk2 Owner’s Manual ENTER 71 5 MOVE THE CURSOR TO THE PARAMETER YOU WANT TO CHANGE MENU/ EXIT UPPER LOWER PEDAL VALUE PLAY NUMBER 6 NAME PATCH ENTER Decay time is on the “DECAY” page. Locate the “DECAY” page using the [][] buttons. “FAST” is on the right side of the page move the cursor (blinking value) to the right using the [][] buttons. CHANGE THE VALUE MENU/ EXIT UPPER LOWER PEDAL VALUE Decrease the value using the [VALUE] knob. PLAY NUMBER 7 NAME PATCH ENTER NOTE: If you want to change other items, repeat the process 1 to 6. RETURN TO THE PLAY MODE MENU/ EXIT UPPER LOWER PEDAL VALUE Press the [PLAY] button. The display returns to the PLAY mode. PLAY NUMBER 8 NAME PATCH ENTER RECORD TO THE PATCH IF NECESSARY The parameter “DECAY FAST” is a patch parameter, so, if you call another (or same) patch, it is changed to the newly set value. If you need the changed value hereafter, you must record it to a patch. MENU/ EXIT Mixture III UPPER Hautbois 8' PEDAL LOWER PATCH PARAMETERS VALUE PLAY NUMBER NAME PATCH ENTER Patch Parameters are unique to the current patch, and change with the programming of each patch. Many of the knobs/buttons on the top panel are “Patch Parameters” The Parameters common to all the patches are called “Global Parameter”, on the contrary. Using the Control Panel 72 HA<O> Sk1 / Sk2 Owner’s Manual 73 SETTING THE PARAMETERS DRAWBAR 74 Drawbar sound parameters for each keyboard are set in this mode. To locate this mode: MENU/ EXIT ENTER See the “Function mode” (P. 68) for operational details. ⓭ ⓮ ❶ ❷ ❸ ❹ ⓯ ⓰ ❺ ⓱ ❻ ⓲ ❼ uSETTING FOR MANUAL (LOWER & UPPER) DRAWBARS ❶ ORGAN TYPES Select the manual keyboard organ type. BType1: BType2: Mellow: Vx: Fart: Pipe: Traditional B-3/C-3 tone-wheel sound Sound with more leakage noise and wow-flutter With transparent sine waves Transistor Organ, Vx type Transistor Organ, Farf type Pipe Organ When the organ type is set at Vx, Farf, or Pipe, the parameters (2) to (6) are unavailable. ❷ CLICK - ATTACK LEVEL Sets the key-on click volume. The higher the value, the louder the click gets. No key-click at 4. As the value goes lower than 4, the attack rate becomes slower. ❽ ❾ ❹ CLICK - LOW PASS FILTER Sets the key-click tone. The setting range is 0 to 127. The higher the value, the brighter the sound. ❺ FOLDBACK - LOW Sets the key-point from which the 16´ Drawbar folds back (= repeat the same octave on the lower octaves of the keyboard). The bottom key on the keyboard is displayed as “1C”. The setting range is 1C to 2C. ❻ FOLDBACK - HIGH Sets the key from which the 1´ Drawbar folds back (= repeat the same octave on the higher octaves). The setting range is 4G to 5C. NOTE: The Fold-back is possible not only with 1´ but also with 11⁄3´, 13⁄5´, 2´, 22⁄3´ Drawbars. ❼ UPPER ZONE OCTAVE Set the octave shift for the UPPER part. The setting range is -2 to +2. ❽ UPPER ZONE LOW ❾ UPPER ZONE HIGH Set the sounding range of the UPPER part with these two parameters. HA<O> Sk1 / Sk2 Owner’s Manual ⓴ ㉑ ❿ ⓫ ⓬ TONE-WHEEL SET There are variations available for each virtual ToneWheel set of BType1, BType2 and Mellow. (P. 87) KEY CLICK On the traditional models such as B-3/C-3, a noise occurred when keys were pressed and released, due to the mechanical keying system employed on the classic organs. That characteristic is replicated here. Loudness Attack Rate Release Rate Attack Click ❸ CLICK - RELEASE LEVEL Sets the key-off click volume. The higher the value, the louder the click gets. No key-click at 4. As the value goes lower than 4, the release rate becomes slower. ⓳ Release Click Note On Note Off Time EXAMPLES OF KEY-CLICK SETTINGS Simulation of classic multi-contact keyboard B-3 and C-3: AT = 8, RL = 8 Simulation of a PCM synthesizer to produce the key-click only at ‘attack’: AT = 8, RL = 4 Slow envelope like a pipe-organ: AT = 0, RL = 0 FOLD-BACK As the number of the Tone-Wheels was limited on the B-3/C-3, the very highest and lowest pitches “folded back” on the keyboards, sounding the same octave twice in a row. This function reproduces this characteristic. 75 ❿ LOWER ZONE - OCTAVE Set the octave shift for the LOWER part. The setting range is -2 to +2. ⓫ LOWER ZONE - LOW ⓬ LOWER ZONE - HIGH Set the sounding range of the LOWER part with these two parameters. uSETTING THE PEDAL PART ⓭ ORGAN TYPE Set the Organ type for the Pedal part. Normal: Muted: Synth1: Synth2: Loudness Attack The traditional tone wheel sound of the B-3/C-3. Analog oscillating sound as heard on the Classic X-5. Saw-tooth waveform with the filter-sweep. Dull square wave. When the “Pipe” Organ type is selected by (1), only Pipe Organ pedal sounds are heard, regardless of this parameter. Also, parameters (14) to (17) are unavailable. ⓮ ATTACK Decay = "C" Sustain = "On" Decay = "1" - "5" Note On Note Off Time This allows you to set the Pedal Attack Rate and the Key-Click Volume at ‘attack’ and ‘release’. MAX CLK: NORM CLK: SOFT CLK: NO CLK: SLOW ATK: Immediate attack and the key-click is loud. Immediate attack and the key-click is normal. Immediate attack and the key-click is soft. A slightly slower attack without key-click. Slow attack without key-click. ⓯ DECAY RATE This allows you to determine whether the Pedal voice remains at the same volume as a note is held, or if the voice decays, as like a plucked string. The setting range is 1 - 5 and C. The higher the value, the longer the decay time. There is no decay at C. ⓰ SUSTAIN LENGTH This allows you to set the Release Rate (= the decay time after key release), when the [P. SUS] button is ON. 1 is the shortest, and 5 is the longest decay time. SUSTAIN Unlike synthesizer nomenclature, on the this keyboard “Sustain” refers to note decay after note release. On a synth envelope generator this setting would be called “T4” or “Release”. NOTE: You can locate this page by holding down the [P. SUS] button as well. ⓱ VELOCITY This allows you to set the response to the Velocity. The setting range is OF and 1 - 4. At OFF, the volume does not change however hard you play the key. As the value increases from 1 - 4, the sounds gets louder even if the key is played softly. ⓲ KEY MODE This allows you to set the Pedal polyphony. POLY: MONO: Makes it possible to play chords(up to 3 notes). Only the lowest note will sound, when you play a chord. ⓳ PEDAL ZONE - OCTAVE ZONE The “ZONE” set in these modes is the setting of the sounding range for each part of the organ section. See page 104 for details. Set the octave shift for the Pedal part. The setting range is -2 to +2. ⓴ PEDAL ZONE - LOW ㉑ PEDAL ZONE - HIGH Set the sounding range for the PEDAL part with these two parameters. NOTE: All the parameters in these modes are Patch Parameters. They are recorded into the Patch. Setting the Parameters PATCH 76 In this mode you a name your patch, set which parameters load, and how to link to the Favorite buttons. To locate this mode: MENU/ EXIT ENTER See the “Function mode” (P. 68) for operational details. ⓫ ❷ ~ omitted ~ ⓬ ❸ ❹ ❺ ❻ ㉑ ❼ ❶ uPATCH NAME ❶ Patch Name (P) Name the present patch using up to 15 letters. Move the cursor by the [][] buttons. Then select letters with the [VALUE] knob. The patch name is lost, unless you save the patch. NOTE: This parameter (P) is a patch parameter. It is recorded in each patch. uPATCH LOAD These are for setting which parameters are loaded when a patch is called. ❷ PATCH LOAD - UPPER Registration (G) Sets whether or not to load the Drawbar registration of the UPPER part. ❸ PATCH LOAD - LOWER/PEDAL Registration (G) Sets whether or not to load the Drawbar registration of the LOWER and PEDAL parts. ❹ PATCH LOAD - DRAWBAR (G) Sets whether or not to load the parameters specific to the Organ Section such as organ type or percussion. ❺ PATCH LOAD - EXTRA VOICES (G) Sets whether or not to load the Extra Voice parameters. ❻ PATCH LOAD - INTERNAL ZONE (G) Sets whether or not to load the parameters relating with Internal Zone or Coupler (Pedal to Lower and Manual Bass). ❼ PATCH LOAD - EXTERNAL ZONE (G) Sets whether or not to load the parameters specific to the External Zone to control external MIDI equipment. ❽ PATCH LOAD - DRAWBAR EFFECT (G) Sets whether or not to load the parameters specific to the Organ Section Effects (Overdrive, Multi-Effects, Equalizer, and Leslie). ❾ PATCH LOAD - EXTRA VOICE EFFECTS (G) Sets whether or not to load the parameters specific to the Extra Voice Section Effects (Overdrive, Multi-Effects and Equalizer). HA<O> Sk1 / Sk2 Owner’s Manual ❽ ❾ ❿ ❿ PATCH LOAD - REVERB (G) This is for setting whether or not to load the Reverb parameter. NOTE: Each Patch Load parameter is a global parameter. It is recorded when the value is set. Common for each patch. uFAVORITES ⓫ FAVORITE ACCESS (G) This is for setting the action of the Favorite Buttons. ASSOCIATE: Each number button usually calls the related patch. If you touch each number button holding down the [RECORD] button, it relates the number button to the currently selected patch. OVERWRITE: In addition to above, if you touch each number button holding down the [RECORD] button, it records the current setting to the selected patch. LOCKED1-10: Each number button usually calls the corresponding patch, 1 ... 10. If you touch each number button holding down the [RECORD] button, it records the current setting to the corresponding patch, 1 ... 10. DIRECT: This is for directly calling the patch, using each number button. To call the patch, first put in the 3 digit patch number and then touch the [ENTER] button. U001 ... [1], [ENTER] U010 ... [1], [10], [ENTER] U100 ... [1], [10], [10], [ENTER] P001 ... [1], [10], [1], [ENTER] P010 ... [1], [1], [10], [ENTER] P100 ... [2], [10], [10], [ENTER] You can not relate the patch to each number button. ⓬ to ㉑ FAVORITE PATCHES (G) Displays and changing the patches related with each Number button. NOTE: “G” means “Global”. These parameters will be recorded when set, and are common in each Patch. EXVOICE (Extra Voices) 77 In this mode the basic Extra Voice settings are made such as the extra voice tone and volume. To locate this mode: MENU/ EXIT ENTER or, touch either button in the voice group. See “Function mode” (P. 68) for operation details. ❹ ❶ ❷ ❸ ❺ ❻ ❼ ❽ ❶ ZONE - OCTAVE Sets the playing octave for the Extra Voice section. The setting range is -2 to +2. ❷ ZONE - LOW ❸ ZONE - HIGH Sets the sounding range in the Extra Voice section with these two parameters. ❹ VOICE GROUP Sets the Voice group. Choices are in the range of “A. Piano” to “Library”, same as the [VOICE GROUP] buttons on the top panel. ❺ INSTRUMENT Selects the instrument in the voice group. Consult the instrument list at the back of this manual (P. 130) for details. ❻ VOLUME Adjust the volume of the Extra Voice section here. It is linked with the [VOLUME] knob on the top panel. The setting range is 0 to 127. ❼ VELOCITY LINK BETWEEN INSTRUMENTS AND OTHER PARAMETERS When an instrument is selected, each parameter of the Octave, the Multi-Effects, the Equalizer and the Prochord (although not displayed), is automatically set at the recommended value. Sets the response to the velocity (strength of the key touch) of the Extra Voice section. The setting range is OFF, 1 to 4. At OFF keys sound at a certain volume, regardless of the key touch strength (like an organ’s touch). At 1 to 4, the harder you strike the key, the louder it sounds (like a piano keyboard). ❽ EXPRESSION Sets the enable or desable the Expression control. At ON, Expression controls both Organ and Extra Voice section. At OFF, Expression controls only the Organ section. NOTE: The parameters in this mode are patch parameters, and are recorded to each patch. Setting the Parameters CONTROL 78 This mode is for setting the controller. Please insure that the Expression Pedal and Foot Pedal are properly connected before adjusting their settings, it is also possible to assign the octave buttons to other functions. To locate this mode: MENU/ EXIT ENTER or, touch the [CONTROL] button. See “Function mode” (P. 68) for operation details. ㉑ ㉒ ㉓ ⓲ ⓮ ⓳ ⓯ ⓫ ⓬ ❹ ⓰ ⓴ ⓱ ⓭ ❺ ❻ ❶ ❼ ❽ ❷ ❾ ❿ ⓫ ❸ uFOOT SWITCH ❶ FOOT SWITCH - DEVICE (G) This is for selecting the equipment connected to the FOOT SWITCH jack. FOOT SW: Foot Switch connected. CU-1: Optional Leslie Mode Switch (CU-1) connected. ❷ FOOT SWITCH - TIP MODE (G) This sets the Foot Switch function. OFF: Does not function. LESLIE S/F ALT, MOM, TRI: Switches the Leslie Effect Slow/Fast/Stop. At ALT, Fast / not (Slow or Stop - it set by [STOP] button) is toggled every time the foot switch is pressed. At TRI, it is switched to Stop when the foot switch is further held down for longer than a second. At MOM, it is switched to Fast only while the foot switch is held down. When released, it is switches to not (Slow or Stop - it set by [STOP] button). GLIDE: The pitch bends while the foot switch is pressed down the interval is determined by a parameter setting. PATCH FWD, REV: Switches the Patch Forward or Reverse. FAVORITE FWD, REV: Switches the Favorite Forward or Reverse. SPRING: This generates the sound of the spring reverb being shaken. DELAY TIME: This is for setting the delay time (P. 88, 97) of the Effects, at the interval of pressing the foot switch. The delay sound goes out, while the foot switch is held down. MUSIC START: Controls the Start/Stop of the music player. MANUAL BASS: Triggers the Manual Bass note of Pedal part. BASS 1C - BASS 3C Triggers the specified note of Pedal part. HA<O> Sk1 / Sk2 Owner’s Manual TIP AND RING The typical stereo plug, there are 3 metal parts. The end is called the “Tip”, the middle portion is the “Ring”. The part on the cord side is called the “Sleeve”. This keyboard requires a foot switch that uses a Stereo Jack. Two Mono-Jack foot switches may be used, and can have discrete functions, if a Left/ Right stereo splitter is used. Tip Ring Sleeve SPRING REVERB The Hammond Organ company actually invented the spring reverb for its organs in the 1940’s. The effect was obtained with a length of spring and a few pickups. If the spring was disturbed, it would make a large crashing noise that was usually considered a nuisance, but sometimes was used as a program sound effect. The Reverb here is digital, but the “crash” effect is re-created here. 79 ❸ FOOT SWITCH - RING MODE (G) This sets the Ring side function, when the foot switch connected to the foot switch jack 3RD PARTY EXPRESSION PEDAL is of the TRS specifications. When using a Korg XVP-10 type of pedal, con- uEXPRESSION nect the EXPRESSION jack of the XVP-10 to the EXP. PEDAL jack of the this keyboard with a stereo (TRS) cable. ❹ EXPRESSION - SOURCE (G) Sets the source of expression control. PED (NORM): For the (Optional) Hammond-Suzuki EXP-50 pedal etc. PED (REV): For using a Korg XVP-10 type of Expression Pedal etc. MIDI: For using expression information received at the UPPER keyboard channel. ❺ EXPRESSION - MONITOR Displays the current value of expression. In case of no sound or no change when the expression pedal is pressed, this monitor shows whether the expression value changes or not, so you may discover the cause of trouble (if any). This can also be an indicator when playing from low volume to fade in. ❻ EXPRESSION - MINIMUM LEVEL (G) EXPRESSION LIMIT One of the human ear’s characteristics is that when the volume falls, the sound of the high or low frequencies becomes difficult to hear. Using expression limit, you can hear the revised frequency response. Vintage B-3 preamps age in different ways-one symptom is the organ’s timbre may change with Expression pedal travel. This is a desirable characteristic for some. Loudness Sets the volume at minimum expression. The setting range is OFF, -40dB to 0dB. At OFF the instrument is silent when Pedal is at Minimum (all the way back). The other value points represent the lowest volume that will be present at the Pedal’s minimum position. Expression = Maximum LF Limit Sets the amount of Low or High Frequency to remain, when the expression is set at minimum. The setting range is OFF, -40dB to 0dB. At OFF the sound totally disappears, but at other value points the set volume is kept, even if the expression is at minimum. 120Hz Expression = Minimum LF Limit Output HF Limit Min. Level Sets the gain (range) of the connected expression pedal. Depending on the type of the connected expression pedals, the expression value may not change. In such case, adjust this parameter to obtain the desired response. Adjusts change of expression value corresponding to the angle of the depressed expression pedal. The setting range is 1 to 3. Refer each curve to the bottom right illustration or try playing live to discern which curve is correct for you. 4kHz Frequency Loudness ❾ EXPRESSION - GAIN (S) ❿ EXPRESSION - CURVE (S) HF Limit Min. Level ❼ EXPRESSION - LIMIT LOW FREQUENCY (G) ❽ EXPRESSION - LIMIT HIGH FREQUENCY (G) Output 120Hz 4kHz Frequency Value 127 NOTE: The parameters indicated (S) are system parameters. They are recorded when set, and are common in each Patch. 3 2 1 uGLIDE ⓫ GLIDE - RANGE (P) Sets the bend range of pitch by semi-tone. Setting range is -24 to +12. 0 Degree ⓬ GLIDE - TIME (P) Sets the time from the start of glide to reach the pitch set at (11). The setting range is 0.1 to 5.0 seconds. ⓭ GLIDE - AMP (P) Engages a “fade” along with the Glide, where the volume drops in tandem with the pitch to total silence. NOTE: The parameter with (P) indicated is a patch parameter, and is recorded to each patch. (G) indicates “global parameter”, which is recorded upon being set, and is common with each patch. Setting the Parameters 80 CONTROL - continued ㉑ ㉒ ㉓ ⓲ ⓮ ⓳ ⓯ ⓫ ⓬ ❹ ⓰ ⓴ ⓱ ⓭ ❺ ❻ ❶ ❼ ❷ ❽ ❾ ❿ ❸ uDAMPER ⓮ DAMPER - UPPER (G) ⓯ DAMPER - LOWER (G) ⓰ DAMPER - PEDAL (G) ⓱ DAMPER - EXTRA VOICES (G) Assigns the DAMPER to the various divisions of the Instrument. (14) (15) and (16) are for setting each part of the Organ section, and (17) is for the Extra Voices. uASSIGN ⓲ OCTAVE BUTTON - DOWN (G) ⓳ OCTAVE BUTTON - UP (G) ⓴ OCTAVE BUTTON - LOWER (G) Used to assign extra functions other than the original ones to the [OCTAVE] buttons. ORIGIN: Works according to the buttons’ original function. LES STOP, LES FAST: Similar to the [LESLIE STOP], [LESLIE FAST] buttons. VIB UPPER, VIB LOWER: Similar to the [VIBRATO UPPER], [VIBRATO LOWER] buttons. GLIDE: This is for activating the Glide function. SPRING: This is for producing the shock noise of the Spring Reverb. DELAY TIME: Sets the Delay (Effect) Time by tapping the button at the speed you wish the delay to be set. If you keep pressing the button, the Delay sound disappears. HA<O> Sk1 / Sk2 Owner’s Manual DAMPER Or “Sustain” pedal-analogous to the RIGHT pedal on a piano. Sounds are held when this pedal is depressed. Called “Damper” due to the fact that when the pedal was depressed on a piano, the mechanism that muted or “damped” the strings was raised, allowing the piano strings to ring free. 81 uDISPLAY ㉑ DISPLAY - SHORT CUT (G) Sets the short cut waiting time. The setting range is 0 to 2 seconds. At NO the short cut feature is disabled. ㉒ DISPLAY - TIME OUT (G) Sets the time for returning to the previous mode from the mode displayed by the short cut operation. The setting range is 4 to 16 seconds. At NO the screen will not return to the previous mode. ㉓ DISPLAY - POP UP (G) Sets the interval at which the Pop Up is displayed when you move the [OVERDRIVE] or [EFFECT AMOUNT] knob. The setting range is 0.5 to 2 seconds. At NO no Pop Up is displayed. NOTE: The parameter with (P) indicated is a patch parameter, and is recorded to each patch. (G) indicates “global parameter”, which is recorded upon being set, and is common with each patch. Setting the Parameters PERCUSS (Percussion) 82 This mode is for setting the parameters of the percussion sounds. To locate this mode: MENU/ EXIT ENTER or, keep pressing either of the [SECOND], [THIRD], [FAST], [SOFT] buttons for a moment. See “Function mode” (P. 68) for operation details. ❽ ❺ ❾ ❻ ❸ ❶ ❼ ❹ ❷ ❶ LEVEL SOFT ❷ LEVEL - NORMAL Controls the percussion volume levels. The Normal level is set by the NORM setting, and SOFT is the level when the [SOFT] button is ON. ❸ DECAY - SLOW ❹ DECAY - FAST Controls the percussion decay time. The Slow rate is set by SLOW setting, and FAST is the time when the [FAST] button is ON. The setting range is 1 to 9 and C. As the value is raised, the decay time grows longer. At C (continuous) there is no decay, and the percussion sound is sustained while keys are pressed. ❽ DRAWBAR - 1´ CANCEL Mutes the UPPER 1´ Drawbar while using the percussion. ON: OFF: Mute active No mute. ❾ DRAWBAR - LEVEL Reduces the UPPER Drawbar volume while using the percussion (except [SOFT] button is ON). -5dB: Reduces the volume in similar response to the classic B-3/C-3. -3dB: Slight reduction in volume. 0dB: Does not reduce the volume. NOTE: All the parameters of these modes are patch parameters, and are recorded to the respective patches. ❺ KEYBOARD - TOUCH Sets the touch response of the percussion. ON: OFF: Legato playing will result in the First note hit engaging the percussion, and none after. The envelopes reset with each key hit and percussion sounds on every note. ❻ KEYBOARD - VELOCITY Links the percussion volume to velocity. ON: OFF: A harder strike produces a louder percussion sound. Regardless how hard you play, the volume remains the same. ❼ KEYBOARD - KEY TRACK Attenuates the percussion volume by keyboard position. ON: OFF: The higher the note is, the lesser the volume. no change in volume. TOUCH The percussion generator on the vintage B3/C-3 had a single envelope, which would not recycle until all keys were raised. Originally thought to be a defect, the resulting response became a desired trait. 1´ CANCEL The B-3/C-3 had no exclusive key contact for the percussion, but, used the 1´ contact. This is simulated on this keyboard. DRAWBAR LEVEL When the percussion was activated on the B-3/C-3, the volume of the Drawbars became slightly softer in volume. This is simulated on this keyboard. HA<O> Sk1 / Sk2 Owner’s Manual VIB&CHO (Vibrato & Chorus) 83 In this mode, the settings specific to Vibrato and Chorus are adjusted. To locate this mode: MENU/ EXIT ENTER or, keep pressing either of the [V1/C1], [V1/C2], [CHORUS], [ON UPPER], [ON LOWER] buttons for a few seconds. See “Function mode” (P. 68) for operation details. ❺ ❶ ❻ ❼ ❷ ❽ ❾ ❸ ❶ RATE Sets the Speed of the Vibrato and Chorus effect. The setting range is 6.10 - 7.25 Hz. ❷ VIBRATO - TREMOLO Sets Tremolo (amplitude modulation) of the Vibrato and Chorus effect. The setting range is 0 - 15. ❿ ❹ CHORUS EFFECT The Hammond Chorus/Vibrato is not an everyday DSP effect. It is a re-creation of the vintage mechanical scanner that was included on-board the classic B-3, through executed in the digital realm. ❸ EMPHASIS Sets Emphasis (high frequency boost) of the Chorus effect (C1 / C2 / C3). The setting range is 0 - 9 dB. ❹ PEDAL Sets Vibrato and Chorus affects on the Pedal part by [LOWER] button. The setting range is ON/OFF. ❺ DEPTH V1 ❻ DEPTH V2 ❼ DEPTH V3 ❽ DEPTH C1 PEDAL On the vintage B-3/C-3, the Vibrato and Chorus affects not only Lower part but also Pedal part via [LOWER] (exactly, “GREAT”) tablet by the circuit structure. It is divided on later models. This parameter simulates that. ❾ DEPTH C2 ❿ DEPTH C3 Sets the Depth of each Vibrato and Chorus effect mode. The setting range is 0 - 15. NOTE: The parameters in these modes are Preset Parameters and are recorded to each Preset. NOTE: All the parameters in these modes are Patch Parameters. They are recorded into the Patch. Setting the Parameters LESLIE 84 In this mode, the settings are made for the built-in Leslie Effect and the External Leslie Speaker. There are many parameters related to the Leslie functions, to make this easier to edit and use. The built-in Leslie parameters are grouped in macro-settings called “CABINETS”. You select the CABINET NUMBER in the Combination Presets where this selection is saved as part of the Preset. To locate this mode: MENU/ EXIT ENTER or, keep pressing either of the [BYPASS], [STOP], [FAST] buttons for a few seconds. See “Function mode” (P. 68) for operation details. ⓴ ⓲ ⓳ ⓬ ⓭ ⓮ ⓯ ⓰ ⓱ ❺ ❻ ❼ ❽ ❾ ❿ ❸ ⓫ ❹ ❷ ❶ uCABINET NUMBER ❶ CABINET NUMBER (P) Selects the Cabinet Number to use in the Patch. The setting range is P1 to P8 (not-overwritable) and U1 to U8 (overwritable). If the Leslie parameter is changed, “*” is displayed on the left side. CONCEPT OF THE CABINET NUMBER One Cabinet is equivalent to a virtual Leslie speaker made with the Leslie parameter. This is a Patch parameter. uLESLIE PARAMETERS ❷ CABINET NAME (L) #2 Sets the Cabinet Name by up to 10 characters. Move the cursor with the [][] button and select letters with the [VALUE] knob. Allowable values are: symbols, digits and the large and small Alphabet. The name and following (L) parameters are not recorded until the Cabinet Macro is recorded into memory (See the next paragraph.) ❸ AMP (L) This is for setting the type of the virtual Power Amplifier. Solid: Flat characteristic Amp Tube: Tube-style amp with Mild characteristics. ❹ SPEAKER (L) This is for setting the virtual Speaker. RotSmall: A small Leslie speaker, such as the Leslie 145 RotLarge: A large Leslie speaker, such as the Leslie 122 Station: A fixed speaker, such as the Hammond PR-40 HA<O> Sk1 / Sk2 Owner’s Manual #3 #1 85 ❺ SLOW SPEED - HORN (L) ⓬ SLOW SPEED - BASS (L) Mode: SLOW FAST SLOW FAST STOP Sets the speed of the rotor at slow mode. The setting range is 0, 24 to 318 rpm. At 0, no rotation. ❻ FAST SPEED - HORN (L) ⓭ FAST SPEED - BASS (L) Sets the speed of the rotor at the fast mode. The setting range is 0, 375 to 453 rpm. At 0, no rotation. ❼ HORN LEVEL (L) Rotor Speed: Rise Time Fall Time Brake Time ⓮ BASS LEVEL (L) Sets the volume of each rotor. The setting range is 0 to -12dB. ❽ RISE TIME - HORN (L) ⓯ RISE TIME - BASS (L) Sets the time for the rotors to “ramp up” to the ‘Fast Speed’, when switching from ‘Slow’ or ‘Stop’ to the ‘Fast’ mode. The setting range for the Horn Rotor is 0.2 to 5.0sec., and the Bass Rotor is 0.5 to 12.5sec. ❾ FALL TIME - HORN (L) ⓰ FALL TIME - BASS (L) Sets the time for the rotor to reach the ‘Slow Speed’, when switching from ‘Fast’ to ‘Slow’ mode. The setting range for the Horn Rotor is 0.2 to 5.0sec., and that for the Bass Rotor is 0.5 to 12.5sec. ❿ BRAKE TIME - HORN (L) ⓱ BRAKE TIME - BASS (L) Sets the time for the rotor to stop, when switching from ‘Fast’ to the ‘Stop’ mode. The setting range for the Horn Rotor is 0.2 to 5.0sec., and the Bass Rotor is 0.5 to 12.5sec. Sets the virtual locations of the two virtual microphones for the virtual Leslie Speaker. The ANGLE decides the distance between the two virtual mikes. The setting range is 0 to 180°. Farther settings exhibit more stereophonic characteristics. ce ⓲ MIC - ANGLE (L) tan Sets the tone of the Horn Rotor. “FLAT” has no boost or cut in frequencies, and the “MID” or “DEEP” have “peaks” in various tonal ranges, to mimic the particular characteristics of the horns. Dis ⓫ HORN CHARACTER (L) Angle ⓳ MIC - DISTANCE (L) Sets the distance between the virtual Leslie Speaker and the virtual microphones. The setting range is 0.3 to 2.7m. Setting the range “further away” will result in a less intense sound. NOTE: When you operate the parameters 2 to 9, the setting range will be lost after the power is switched OFF, if you do not do the recording operation of the next paragraph. Setting the Parameters e 86 LESLIE - continued uEXTERNAL LESLIE SPEAKER ⓴ LESLIE CHANNELS Sets the channel for the Leslie speaker connected to the LESLIE 8-PIN jack. 1ch: 3ch: For connecting a 1 channel Leslie cabinet such as the 122XB, 3300/W (non-expansion). The Drawbar and the percussion sounds are output only from the rotary channel, the other voices are from the LINE OUT jack. This is for connecting a 3 channel Leslie cabinet such as the 2101/mk2, 3300/W (stationary expanded). The Drawbar and the percussion sounds are output from the rotary channel, the Extra Voices are from the stationary channel of the Main and Aux. NOTE: This is a system parameter. It is recorded upon setting, and is common with all patches. RECORD THE CABINET Record the Leslie Parameter (#2 to #19 on the previous page) to the Cabinet Numbers and use them selecting at the patches. 3 1 MENU/ EXIT UPPER PEDAL LOWER VALUE PLAY Give a name to the cabinet as desired. NUMBER NAME PATCH ENTER Select the Cabinet Number to record with the [VALUE] knob. 2 4 MENU/ EXIT Mixture III UPPER Hautbois 8' PEDAL LOWER VALUE MENU/ EXIT PLAY NUMBER UPPER NAME PATCH PEDAL LOWER VALUE ENTER PLAY NUMBER Press the [RECORD] button in the Leslie Parameter setting mode (#2 to #19). The Cabinet Select mode is displayed. HA<O> Sk1 / Sk2 Owner’s Manual NAME PATCH ENTER Recording is made upon pressing the [ENTER]. The display is as the above during the treatment. NOTE: If you don’t wish to record, touch the [MENU/EXIT] button. CUST. TW (Custom Tone-Wheels) 87 In this mode, you select the characteristics of each tone wheel set to be used on the manual keyboards. To locate this mode: MENU/ EXIT ENTER See “Function mode” (P. 68) for operation details. ❷ ❶ ❶ TONE-WHEEL SET Selects the Custom Tone-Wheel set (BType1, BType2, Mellow). The present setting is automatically switched to the selected tone wheel set. ❷ CUSTOM NUMBER Selects the “CUSTOM NUMBER” to use. Further refines the choice of Hammond type. “Real B-3” simulating a well-preserved B-3/C-3, “80’s Clean” with less leakage noise, Rough sound “Noisy”, and “Noisy 60” with louder leakage noise. LEAKAGE NOISE In the Vintage Hammond Organs, there was often “cross-talk” in the mechanical tone-wheel generators. Originally thought a defect the “hash” sound became a very desirable Hammond trait. “Mellow” does not include “Leakage Noise”. NOTE: This parameter is a Global Parameter. It is common for the same Tone-wheel Set (= “B-type” here) of each Combination Preset. Setting the Parameters OD / EFF (Overdrive / Effects) 88 Diap Gedeckt VoixClst II 8' Octave Flute Dolce 4' 4' In this mode, Overdrive and the Multi-Effects are adjusted. MENU/ The Organ and Extra EXIT Voice Sections have their own independent overdrive and VALUE UPPER LOWER PEDAL Multi-Effects section. Mixture Hautbois Flute 2' 8' III To locate this mode: PLAY NUMBER MENU/ EXIT NAME PATCH ENTER or, keep pressing the [OVERDRIVE], [EFFECT ON] buttons for a few seconds. See “Function mode” (P. 68) for operation details. ⓰ ⓬ ⓭ ⓮ ⓯ ❷ ❸ ❹ ❶ uORGAN SECTION EFFECTS OVERDRIVE ❶ OVERDRIVE - DRIVE Adjusts the drive component of the Overdrive. The higher you raise the value, more distortion is obtained. It is linked with the [DRAWBARS OVERDRIVE AMOUNT] knob on the top panel. Level ❷ OVERDRIVE - EXPRESSION Sets whether or not to vary the distortion amount by operating the Expression Pedal. EX-OD: If you operate the Expression Pedal, not only the volume but also the distortion amount also varies. OD-EX: The effect of the Expression Pedal changes only the volume and the distortion amount does not change. OD ONLY: The effect of the Expression Pedal only changes the distortion amount and the volume does not change. INPUT: This is similar to “EX-OD”, but less of volume change. ❸ OVERDRIVE - PREAMP Sets the characteristic of the Overdrive. Tube: Stomp: Clip: EPAmp: Replicates the overdrive of a tube-driven amp. Replicates the stomp box. Accurate hard clip. Replicates the pre-amplifier of an electric piano. MULTI-EFFECTS ❹ EFFECT TYPE Selects the Multi-Effect type. The following effects are built in this keyboard. Tremolo, Auto Pan, Wah-Wah, Ring Mod., Phaser, Flanger, Chorus, Delay The parameters for the Multi-Effects are different type by type. The explanation about the types follows: HA<O> Sk1 / Sk2 Owner’s Manual Time 89 Tremolo The Tremolo modulates the volume at a set cycle. Level ❹ ❺ ❻ ❼ Depth ❺ TREMOLO - WAVEFORM Sets which waveform is used to modulate the volume. Tri: Sqr: Saw: S&H: DSqr: Triangle wave. The volume changes smoothly. Square wave. The volume suddenly rises and falls. Sawtooth wave. Repeated decaying sound is obtained. Sample & hold. The volume changes randomly. Dull square wave like the old electric piano effect. Rate ❻ TREMOLO - RATE Adjusts the speed of the tremolo cycle. The setting range is 0 to 127. The higher the value rises, the faster the cycle becomes. This is synchronized with the [EFFECT AMOUNT] knob on the top panel. Time ❼ TREMOLO - DEPTH Adjusts the depth of the tremolo effect. The setting range is 0 to 127. At 0 the volume does not modulate. The higher the value goes up, the deeper becomes the effect. At 127 a repeated no sound/maximum volume is obtained. Auto Pan Auto Pan applies adjustable modulation to the stereo field. This is not applicable if a monophonic (one channel) amp is used, or when the Leslie effect is used. Left ❹ ❺ AUTO PAN - WAVEFORM ❺ ❻ Right ❼ Rate Sets which waveform to modulate the direction. Triangle wave. The direction smoothly changes. Square wave. The direction suddenly moves to the left, and suddenly moves to the right. Sawtooth waveform. The direction repeatedly moves from left to right. Sample & hold. The direction changes randomly. Dull square wave like the old electric piano effect (recommended). ❻ AUTO PAN - RATE Adjusts the speed of the modulation. The setting range is 0 to 127. The higher the value rises, the faster the modulation becomes. It is linked with the [EFFECT AMOUNT] on the top panel. Depth Time Tri: Sqr: Saw: S&H: DSqr: ❼ AUTO PAN DEPTH Adjusts the depth of the cycle. The setting range is 0 to 127. At 0, there is no direction modulation. The higher the value rises, the deeper the effect becomes. At 127 you can give a perfect left/right repetition. NOTE: All the parameters in these modes are Patch Parameters. They are recorded into the Patch. Setting the Parameters 90 OD / EFF (Overdrive / Effects) - continued Wah-Wah Wah-Wah imposes a “speech-like” dynamic to the sound. ❹ ❺ Wah-Wah - SOURCE ❺ ❻ ❼ ❽ ❾ ❿ Selects the source of the WAH control. Waveform, Rate MAN: Uses the FREQ parameters, i.e. the [EFFECT AMOUNT] knob. EXP: Uses the Expression Pedal like a “Wah Wah pedal”. LFO: Auto-Wah using the built-in ‘LFO - Low Frequency Oscillator’. ❻ Wah-Wah - SENSITIVITY Sets the sensitivity to change the Wah effect of LFO or Expression Pedal. It is linked with the [EFFECT AMOUNT] knob on the top panel when the SOURCE (5) is set at EXP or LFO. The setting range is 0 to 127. The dynamic response increases as the value rises. Modulation Source ❼ Wah-Wah RESONANCE Boosts the cut-off frequency range of the Low-pass Filter and gives a more pronounced “Wah” effect. The setting range is 0 to 127. The resonance increases as the value rises. Level Resonance ❽ Wah-Wah - WAVEFORM When the SOURCE (5) is set at LFO, the LFO wave form is set. Tri: Sqr: Saw: S&H: Triangle wave. The sound smoothly varies. Square wave. The filter suddenly opens and suddenly closes. Saw-tooth wave. Repeated changes in the sound are obtained. Sample & Hold. Random sound changes are obtained. ❾ Wah-Wah - RATE When the SOURCE (5) is set at LFO, the cycle speed is adjusted. The setting range is 0 to 127. The cycle becomes faster as the value increases. ❿ Wah-Wah - FREQUENCY Adjusts the central frequency. It is linked with the [EFFECT AMOUNT] knob on the top panel when the SOURCE (5) is set at MAN. The setting range is 0 to 127. The frequency becomes higher as the value is increased. HA<O> Sk1 / Sk2 Owner’s Manual Sensitivity Frequency 91 Ring Mod. The Ring Modulator creates complex, metallic-like sounds by taking the sum and difference of the fundamental tone and a second “ring” frequency. ❹ ❺ ❻ ❼ ❽ ❾ ❿ ❺ RING MODULATOR - SOURCE Waveform, Rate Selects what to use to modulate the ring frequency. MAN: Uses the following FREQ parameter, i. e. the [EFFECT AMOUNT] knob. EXP: Modulates the ring frequency with the Expression Pedal. LFO: Allows a cyclical modulation effect using the built-in LFO-Low Frequency Oscillator. NOTE: The ring frequency changes by the note, i. d. the UPPER Part performance (or the performance of the allocated part if in the Extra Voices). ❻ RING MODULATOR - FREQUENCY Adjusts the central ring frequency. It is linked with the [EFFECT AMOUNT] knob on the top panel. The setting range is 0 to 127. The frequency becomes higher as the value increases. ❼ RING MODULATOR - MIX Adjusts the volume balance between the fundamental and effect sounds. The setting range is 0 to 127. At 0, only the fundamental sound is heard. As the value is raised, the more effect is added. At 127, only the effect comes out. ❽ RING MODULATOR - WAVEFORM When the SOURCE (5) is set at LFO, the LFO waveform is set. Tri: Sqr: Saw: S&H: Triangle wave. The ring frequency number smoothly varies. Square wave. The ring sound suddenly changes to treble and also suddenly to bass. Sawtooth wave. The ring sound repeatedly drops from treble to bass. Sample & hold wave. The ring frequency changes randomly. Modulation Source Level Original Signal Modulation Effect Signal Ring Frequency Frequency ❾ RING MODULATOR - RATE When the SOURCE (5) is set at LFO, the frequency speed is adjusted. The setting range is 0 to 127. The cycle becomes faster as the value is raised. ❿ RING MODULATOR - DEPTH Adjusts the depth of the frequency change when the source is set at LFO or EXP. The setting range is 0 to 127. The ring frequency becomes wider as the value is raised. Setting the Parameters 92 OD / EFF (Overdrive / Effects) - continued Phaser This creates a sound with a shifting phase, adding a twisting effect to the sound.. ❹ ❺ ❻ ❼ ❽ ❾ ❿ ❺ PHASER - RATE Adjusts the frequency speed. It is linked with the [EFFECT AMOUNT] knob. The setting range is 0 to 127. The cycle becomes faster as the value increases. Rate ❻ PHASER - DEPTH Adjusts the depth of modulation. The setting range is 0 to 127. The modulation becomes deeper as the value increases. ❼ PHASER - RESONANCE Level Depth Adjusts the resonance (feed-back) amount. The setting range is 0 to 127. The resonance becomes greater as the value increases. At higher values, the sound is modulated beyond normal recognition. ❽ PHASER - MANUAL Sets the middle frequency of the phase effect. The setting range is 0 to 127. The frequency becomes higher as the value increases. ❾ PHASER - MIX Adjusts the volume balance between the “dry” and the effect sound. The setting range is 0 to 127. At 0, only “dry” is heard. The effect level becomes greater as the value increases. At 127 the ratio between the “dry” and the effect sounds becomes 1:1. ❿ PHASER - HPF Controls the frequency range of the effect. The setting range is 0 to 127. At 0 the effect is added to all frequencies. The effect is added to the higher frequencies as the value increases. HA<O> Sk1 / Sk2 Owner’s Manual Mix Modulation HPF Manual effect range Frequency 93 Flanger This is the sweeping “Jet Airplane” sound adjustable from a mild shimmer to a deep “swoosh”. ❹ ❺ ❻ ❼ ❽ ❾ ❿ ❺ FLANGER - RATE Adjusts the modulation speed. It is linked with the [EFFECT AMOUNT] knob on the top panel. The setting range is 0 to 127. The cycle becomes faster as the value increases. ❻ FLANGER - DEPTH Adjusts the depth of modulation. The setting range is 0 to 127. The modulation becomes deeper as the value increases. ❼ FLANGER - RESONANCE Adjusts the amount of resonance (feed-back). The setting range is 0 to 127. The resonance becomes greater as the value increases. At higher values, the sound is modulated beyond normal recognition. ❽ FLANGER - DELAY Controls the delay of the effect sound. The setting range is 0 to 127. The delay increases as the value is increased. Rate Level Depth Mix Modulation HPF effect range Frequency ❾ FLANGER - MIX Adjusts the volume balance between the “dry” and the effect sound. The setting range is 0 to 127. At 0, only the “dry” is heard. The effect level becomes greater as the value is increased. At 127 the ratio between the “dry” and the effect sounds becomes 1:1. ❿ FLANGER - HPF Controls the frequency range of the effect. The setting range is 0 to 127. At 0 the effect is added to all frequencies. The effect is added to the higher frequencies as the value increases. Setting the Parameters 94 Chorus This “Chorus” is NOT the same as Hammond’s proprietary “Chorus-Vibrato”. This effect is the familiar Chorus as heard widely on electric pianos, guitars, etc. ❹ ❺ ❻ ❼ ❽ ❾ ❿ ⓫ ❺ CHORUS - RATE Adjusts the speed of the cycle of the rising and falling effect pitch. It is linked with the [EFFECT AMOUNT] on the top panel. The setting rate is 0 to 127. The cycle becomes faster as the value increases. Rate ❻ CHORUS - DEPTH Adjusts the depth of modulation. The setting range is 0 to 127. The modulation becomes deeper as the value increases. ❼ CHORUS - RESONANCE Adjusts the amount of resonance (feed-back). The setting range is 0 to 127. The resonance becomes greater as the value increases. At higher values, the sound is modulated beyond normal recognition. Depth Level Original Signal Effect Signal Mix ❽ CHORUS - DELAY Controls the delay of the effect sound. The setting range is 0 to 127. The delay becomes greater as the value increases. ❾ CHORUS - MIX Adjusts the volume balance between the “dry” and the effect sound. The setting range is 0 to 127. At 0, only the “dry” is heard. The effect level becomes greater as the value increases. At 127 the ratio between the “dry” and the effect sounds becomes 1:1. ❿ CHORUS - HPF Controls the frequency range of the effect. The setting range is 0 to 127. At 0, the effect is added to all frequencies. The effect is added to the higher frequencies as the value increases. ⓫ CHORUS - PHASE Selects the type of the chorus effect available: “2” (normal) or “3” (rich) phase effect type. NOTE: There is no phase parameter on the organ section. And it is fixed at “2”. HA<O> Sk1 / Sk2 Owner’s Manual Frequency HPF effect range 95 Delay This is for adding echo effects. ❺ DELAY - TYPE ❹ ❺ ❻ ❼ ❽ Select the type of delay here. Level MONO: A simply delayed sound. RtoL, LtoR: The delay is alternated in the stereo field. At RtoL the delayed sound comes from the right, and at LtoR from the left. Your results may vary when used in a mono idiom, or through a Leslie Speaker. TYPE = MONO Original Signal Effect Signal Mix Feedback ❻ DELAY - TIME Adjusts the delay time. It is linked with the [EFFECT AMOUNT] on the top panel. The setting range is 10 to 1000 ms. ❼ DELAY - FEED-BACK Sets the repetition amount of the effect sound. The setting range is 0 to 127. The repetition becomes greater as the value is increased. ❽ DELAY - MIX Adjusts the volume balance between the “dry” and the effect sound. The setting range is 0 to 127. At 0, only the “dry” is heard. The effect level becomes greater as the value is increased. At 64 the ratio between the “dry” and the effect sounds becomes 1:1. At 127 only the effect sound is heard. Time Delay Time Level TYPE = PAN L R L R L R Time uEFFECTS OF THE EXTRA VOICE SECTION OVERDRIVE ⓬ OVERDRIVE - SWITCH Turns the Overdrive effect of Extra Voice section “ON/OFF”. NOTE: While this parameter is “ON”, the stereo sound of “Stereo Grand” etc. becomes monaural. ⓭ OVERDRIVE - DRIVE Controls the distortion amount. The distortion becomes greater as the value is increased. There is no knob linked with this effect, different from the organ section, so the setting is possible only in this mode. ⓮ OVERDRIVE - EXPRESSION ⓯ OVERDRIVE - PREAMP The functions of these parameters are the same as those of the organ section. MULTI-EFFECTS ⓰ EFFECT TYPE and the other effect parameters The functions of these parameters are the same as those of the organ section. NOTE: All the parameters in these modes are Patch Parameters. They are recorded into the Patch. Setting the Parameters EQUALIZ (Equalizer) 96 In this mode, you adjust the settings for the Equalizer. An Equalizer is used to adjust the tonal quality. The SK1/2’s built-in Equalizer consists of 3 bands and a recreation of the unique “tone” control that was part of the vintage B-3. The Bass and Treble bands are handled by “shelf ” equalizers, and the Mid band is handled by parametric control. To locate this mode: MENU/ EXIT ENTER See “Function mode” (P. 68) for operation details. ❶ ⓫ ⓬ ⓭ ❽ ❾ ❿ ❺ ❻ ❼ ❷ ❸ ❹ uORGAN SECTION ❶ TONE CONTROL This is a simulated original B-3 TONE CONTROL. Its response is unique, but its basic response is to gently cut the overall treble above 200Hz. The setting range is -9 to +9, and it becomes neutral when set at “0”. “-1” corresponds to the maximum of the original B-3 tone control, “-5”, the middle, “-9”, the minimum. The tone control found on the original B-3, was only available at “minus” settings, but here you are able to “plus” the settings as well. uORGAN SECTION, EXTRA VOICE SECTION ❷, ❽ GAIN - BASS ❸, ❾ GAIN - MIDDLE ❹, ❿ GAIN - TREBLE Adjusts the Boost/Cut of Bass, Mid-range and Treble respectively. The setting range is -9 to +9. It is flat at 0. ❺, ⓫ FREQUENCY - BASS ❻, ⓬ FREQUENCY - MIDDLE ❼, ⓭ FREQUENCY - TREBLE Adjusts the central frequency that will be attenuated. The setting range is 20Hz - 200Hz for BASS, 250Hz - 3.1kHz for MIDDLE, 4.0kHz - 8.0kHz for TREBLE. v The sound may distort if gains are raised too high. Adjust accordingly. NOTE: The parameters in these modes are patch parameters, and are recorded to respective patches. Gain +3dB 0dB -3dB TC +9 0 -1 -9dB -5 -15dB 100Hz 1kHz -9 10kHz Frequency Gain +9dB Bass Gain Middle Gain Treble Gain 0dB -9dB Middle Freq. 1kHz Frequency THE EFFECTIVE USE OF THE MIDDLE FREQUENCY The frequency response of the horn rotor in the Leslie speaker is not flat. It has a peak from 1kHz to 3kHz. This peak is effective in “cutting through” any ensemble playing. If you use this organ through line out without a Leslie speaker, you can duplicate effect by setting the FREQUENCY- MIDDLE to approximately 2kHz, and the GAIN - MIDDLE to “+”. PATCH PARAMETERS The equalizer is designed to be a patch parameter to be actively utilized as a part of sound making parameter. Use the Master Equalizer for tonal compensation to match the performance stage (P. 27). HA<O> Sk1 / Sk2 Owner’s Manual REVERB 97 In this mode, you set the Reverb effect. Reverb is common with the Organ and Extra Voice sections, the single reverb control section affects both. To locate this mode: MENU/ EXIT ENTER or, keep pressing the [REVERB ON] button for a few seconds. See “Function mode” (P. 68) for operation details. ❶ ❷ ❸ ❹ ❺ ❶ DEPTH This sets the depth (volume) of the Reverb Effect. The setting range is 0 to 127. This parameter is linked with the [REVERB DEPTH] knob on the top panel. ❷ TYPE This sets the types of Reverb Effect. Room 1: Room 2: Live: Hall 1: Hall 2: Church: Plate: Spring: Delay: PanDly: RevDly: Small room Large room Ambient room Large Hall Small Hall Church Iron-plate Reverb Spring Reverb Delay Panning Delay Reverb + Delay ❸ REVERB TIME When the Type (#2) is set at Room 1 to Spring, The decay of the Reverb is attenuated. The setting range is 0 to 127. The decay becomes greater as the value is increased. ❹ DELAY TIME When the Type (#2) is set at Delay, PanDly, RevDly, this sets the delay time. The setting range is 4.7 to 2000ms. The delay becomes longer as the number value is increased. NOTE: You can set the delay time with the foot switch. (P. 78 #2) ❺ DELAY FEEDBACK When the Type (#2) is at Delay, PanDly, RevDly, it sets the amount of Feedback (How many times the sound repeats.) The setting range is 0 to 96%. The repetition becomes greater as the value is increased. NOTE: Type (#2) is a micro-parameter. When you change the type, each reverb parameter (except #1) is automatically set to the recommend value. NOTE: All the parameters in these modes are Patch Parameters. They are recorded into the Patch. Setting the Parameters TUNE 98 In this mode, the entire keyboard is tuned. To locate this mode: MENU/ EXIT ENTER See “Function mode” (P. 68) for operation details. ❶ uMASTER TUNE ❶ MASTER TUNE This is for tuning the entire keyboard. The setting range is A = 430 to 450 Hz. NOTE: The parameter of this mode is a global parameter. It is recorded when it is set, and is common for each patch. HA<O> Sk1 / Sk2 Owner’s Manual DEFAULT 99 In this mode, you can go back totally or partially to the factory default settings. To locate this mode: MENU/ EXIT ENTER ❺ ❶ ❷ ❸ ❻ ❹ To initialize each parameter, select the parameter you want to initialize with the [][] button and press the [ENTER] button. ❶ MANUAL This is for initializing the contents of the [MANUAL] button. Used to create a “clean slate” for new Patch settings. ❷ PATCH This is for initializing the User Patch contents (from Preset Patch with same patch number). Select the Patch you want to initialize with the [VALUE] knob. The selecting range is U001 to U100 and ALL (All user patches). ❸ GLOBAL This is for initializing the Global Parameters such as the Master Tune or assignment of the Foot Switch. ❹ LESLIE This is for initializing the contents of all internal Leslie cabinets. Select the cabinet you want to initialize with the [VALUE] knob. The selecting range is U1 to U8 and ALL (All User cabinets). ❺ LIBRARY This is for deleting all the tone library contents and rewriting to the default contents. ❻ ALL This is for initializing all parameters of this keyboard. If any unstable condition occurs on this keyboard system, initializing “all” will usually clear the problem. NOTE: You can also totally initialize your keyboard by switching the power ON while pressing and holding the [RECORD] button. Setting the Parameters SYSTEM 100 In this mode,the System information of the SK1/SK2 is displayed. To locate this mode: MENU/ EXIT ENTER See “Function mode” (P. 68) for operation details. ❶ ❷ ❶ VERSION - MAIN PROGRAM ❷ VERSION - SUB-PROGRAM ❸ VERSION - VOICE INFORMATION ❹ VERSION - D. S. P. ❺ VERSION - BOOTSTRAP PROGRAM ❻ VERSION - FACTORY PRESET This mode is display only and not intended for System update use. HA<O> Sk1 / Sk2 Owner’s Manual ❺ ❻ ❸ ❹ 101 MIDI ABOUT MIDI 102 WHAT IS “MIDI”? MIDI is an abbreviation of ‘Musical Instrument Digital Interface’. MIDI is the musical instrument industry standard for exchanging performance information between electronic musical instruments and a sequencer, effects, lighting, and sound reinforcement gear, etc. The MIDI standard allows instruments made by different manufacturers to effectively communicate with each other. Many types of data can be transmitted and received, including all performance information, settings of parameters, and global commands. MIDI JACKS ON THIS KEYBOARD USB FLASH DRIVE MIDI OUT JACK This is for sending performance information. To an external MIDI sound module from this keyboard or to record performances and controls to an external sequencer. MIDI IN JACK This jack is used for playing this keyboard from external MIDI equipment. WHAT THE MIDI CAN DO ON YOUR KEYBOARD On this keyboard, the MIDI terminals are intended to do the following: w use the MIDI keyboard to expand the number of manual keyboards. w control an external sound generator such as a synthesizer or sampler. w record/playback the performance on an external sequencer or computer. For easily making these settings, this keyboard is equipped with “MIDI Templates”. HA<O> Sk1 / Sk2 Owner’s Manual PHONES 103 MIDI CHANNEL MIDI has 16 “Channels”. Information divided into 16 channels can be transmitted through one MIDI cable. The channel must match between the sender and the receiver. If not, the machines can not “hear” what the other “says”. MAIN MIDI MESSAGE The MIDI information is grouped into a channel message per each of the 16 channels and a system message for all channels. There are more details in the MIDI IMPLEMENTATION CHART. CHANNEL MESSAGE uNOTE ON This data tells: which key (Note Number) is played, at what speed (Velocity) and the strike/release (Note On/Off). uPROGRAM CHANGE Control Channel: Switches the internal patches of this keyboard. External Zone Channel: Switches the external MIDI equipment’s patches. uCONTROL CHANGE The messages are transmitted (sent or received) in accordance with the motion of select controls on the top panel, any foot or auxiliary pedals, or any MIDI controller information. SYSTEM MESSAGE uSYSTEM EXCLUSIVE MESSAGE This message is for transmitting the particular data between compatible equipment of the same model or same make. This keyboard can do a memory dump (= sending the total information compliment onboard) and recording them to an external sequencer. MIDI MIDI STRUCTURE 104 This keyboard has “Keyboard Channels” to transmit playing information of the keyboards and “External Zone Channels” to control external MIDI equipment on the keyboards. Map of the MIDI structure on Sk1 Extra Voice Section Organ Section Octave Shift (part) Octave Shift (button) Key Range Allocate Split Point Upper Lower Upper Kbd. to MIDI OUT Lower Kbd. Manual Bass Pedal Kbd. ExZone 1 ExZone 2 ExZone 3 Internal (Upper) Keyboard Octave Shift (zone) On/Off & MIDI Channel uKEYBOARD CHANNELS The Keyboard channels transmit the playing information of the Upper, Lower and Pedal parts. These are used to exchange playing information with an external sequencer. Through the Upper channel, besides the keyboard information, that of each controller is transmitted. uEXTERNAL ZONE CHANNELS The External Zone channels are for using this keyboard as a simple master keyboard to control the external MIDI equipment. These are Patch parameters, and it is possible to make different settings to each Patch. There are 3 external zones in total. Each can be allocated to the desired keyboards (for example, 3 zones for the Upper keyboard and 1 each for the U/L/P keyboards). uEXPANDED KEYBOARDS When the MIDI keyboard is expanded for Lower and Pedal parts, they behave as if the built-in keyboard on the keyboard, and, not only sounds the built-in sound generator, but also are transmitted through the MIDI OUT jack to the keyboard channels as well as transmitted to the external zones. HA<O> Sk1 / Sk2 Owner’s Manual 105 Map of the MIDI structure on Sk2 Sk1 and Extra Voice Section Organ Section Octave Shift (part) Octave Shift (button) Keyboard Extended Upper Key Range Allocate Upper Kbd. ExZone 1 Upper Keyboard to MIDI OUT Lower Lower Kbd. Manual Bass Pedal Kbd. ExZone 2 Lower Keyboard Octave Shift (zone) On/Off & MIDI Channel Pedal ExZone 3 MIDI in (Pedal) Keyboard MIDI 106 USING AN EXTERNAL SEQUENCER This is to record/playback the performance by connecting an external sequencer or computer to this keyboard. uRecording a performance to an external sequencer USB MEMORY PHONES MIDI IN MIDI Keyboard MIDI OUT Optional 1. Connectasillustratedabove. 2. Calltheothersthanthe“UseEx.orExtraVoice”ofMIDItemplate(P.110) OUT (MERGE) MIDI Pedalboard IN The performance can be recorded by Keyboard channels. It cannot be recorded the control of the External Zones in this hook-up*1. 3. Setboththekeyboardchannelandthecontrolchannel. *1 To record the control of External Zones, addition of above illustration, connect MIDI IN of controlled MIDI equipment to MIDI OUT of external sequencer, and set Echo ON the external sequencer. When the playback, connect the MIDI OUT of external sequencer to MIDI IN of controlled MIDI equipment instead of this keyboard. Set the MIDI channel of this keyboard to that of the external sequencer. 4. Startrecordingontheexternalsequencer. 5. Ifnecessary,sendthememorydump. 6. Startplaying. uSequencer playback USB MEMORY PHONES MIDI OUT MIDI Keyboard MIDI OUT Optional 1. Connectasillustrated. 2. CalltheMIDItemplate“Basic”.(P.110) 3. Setboththekeyboardchannelandthecontrolchannel. Set the MIDI channel of this keyboard at that of the external sequencer. 4. Startplayingontheexternalsequencer. HA<O> Sk1 / Sk2 Owner’s Manual OUT (MERGE) IN MIDI Pedalboard USING A MIDI SOUND MODULE 107 You can control an external MIDI sound module with the built-in keyboard and the expanded MIDI keyboard. USB MEMORY PHONES MIDI OUT MIDI Keyboard Optional OUT (MERGE) IN MIDI Pedalboard MIDI IN MIDI Sound Module 1. Connectasillustrated. Connect the MIDI OUT of this organ to the MIDI IN of the MIDI sound module. 2. CalltheMIDItemplate“UseEx.xxx”.(P.110) By this, the External Zone performance is sent from the MIDI OUT instead of Keyboard channels. Use different MIDI templates, depending whether the keyboard is expanded or not. 3. Seteachzone,and,ifnecessary,recordtothepatches. See the next paragraph “ZONES” for the setting details. WHY USING EXTERNAL ZONES You can control the MIDI equipment by using Keyboard channels (easier) sure, but it makes some problem. Probably the program number is different between this keyboard and MIDI equipment that you wish to use. About octave, velocity sensitivity, and so on? The External Zone is a solution. It has a program number, octave, velocity sensitivity and so on by each Patch. When a Patch is called, various messages for MIDI equipment will sent automatically. MIDI ZONES 108 To control external MIDI equipment, ranges on the keyboard of this instrument are assigned. They are called “External Zones”. The range of the built-in sound engine on this keyboard (called “Internal Zone”) is set at the same time. You can use each separately on a single manual keyboard. Each MIDI keyboard connected to the MIDI IN jack can control the external MIDI equipment with the external zone. ❼ SK1’s ❶ ❽ ❷ ❸ ❾ ❹ ❿ MENU/ EXIT ENTER See “Function mode” (P. 68) for operation details. ⓫ ❺ ❻ uWHAT IS DISPLAYED ON THE UPPER LEFT? On the upper left of the Zone mode, the Zone to be operated now is displayed. INT: Internal zone XZn: External zone (#n) uINTERNAL ZONE ❶ MANUAL BASS - MODE This is for setting the how the Manual Bass (P. 33) works. LOW: Sounds on lowest note if a chord is played. CHRD: Sounds suitable bass note if a chord is played on Lower part. POLY: Sounds the chord if a chord played. ❷ MANUAL BASS - LIMIT Sets the upper limit note for the Manual Bass function. ❸ SPLIT POINT (on SK1 only) Sets the upper limit note for the Lower part when using the split function (P. 33). ❸ LOWER to PEDAL (on SK2 only) Sets the upper limit note for the ‘Lower to Pedal’ coupler (P. 34). ❹ OCTAVE - UPPER Sets the octave of the Upper part. It is linked with the [OCTAVE UP], [OCTAVE DOWN] buttons on the top panel. ❺ OCTAVE - LOWER on SPLIT (on SK1 only) This is for setting the octave of the Lower part. This parameter works on splitted Lower division of internal keyboard. ❻ OCTAVE - LOWER on REAL This is for setting the octave of the Lower part. This parameter works on expanded Lower keyboard (SK1) and Lower keyboard (SK2). [OCTAVE LOWER] button on the top panel adjusts #5 or #6 with select automatically. HA<O> Sk1 / Sk2 Owner’s Manual To locate this mode: ⓬ SK2’s ❶ ⓭ ❷ ⓮ ❸ ⓯ ⓰ ❹ ⓱ ⓲ ❻ uEXTERNAL ZONE ❻ SWITCH Sets whether or not to send the MIDI message in this zone. ❼ MIDI CHANNEL Sets the MIDI send channel 1 to 16 of this zone. ❽ KEYBOARD ALLOCATE Sets which keyboard to allocate this zone. Set to the UPPER if it is only the SK1. If on SK2 or there is an expanded keyboard, you can control the external zone using the Lower keyboard or the Pedalboard. In this time, set at LOWER or PEDAL. Set at OFF if an external synthesizer is connected, to change the Program or volume only, and no sending the note (playing) messages. ❾ ZONE - LOW ❿ ZONE - HIGH Sets the keyboard range for playing this zone. Set the lower limit with LO and the upper limit with HI. NOTE: 9 and 10 can also be set by playing the desired note on the keyboard with pressing the [RECORD] button. ⓫ PROGRAM - BANK MSB ⓬ PROGRAM - BANK LSB ⓭ PROGRAM - PROGRAM CHANGE Sets Bank Select and the Program Change to send to this zone. Generally, switching the tone of an external synthesizer or sampler is set by changing the Bank Select and the Program Change. Please consult the owners manual of your MIDI equipment to obtain the proper settings for Bank and Program change. You can select the Bank MSB and LSB at 0 to 127, the Program Change at 1 to 128. 109 ⓳ ⓴ ㉑ ㉒ ⓮ NOTE - OCTAVE Sets octave shift of this zone. If an external synthesizer sound in a different octave from that you desire, adjust this parameter. The setting range is -2 to +2. ⓯ NOTE - VOLUME Sets the volume (Control Change #7) of this zone. However, if CC# (20) is at “VOL”, this setting value is null. ⓰ NOTE - PAN Sets the Pan of this zone (Control Change #10). ⓱ NOTE - VELOCITY Sets the character of the velocity to send to this zone. The setting range is OF and 1 to 4. At OF, the velocity is fixed at 100. The “touch” (velocity response) of the keyboard progresses from 1 (heavier) through 4 (lighter). ⓲ EXPRESSION - MINIMUM ㉑ MESSAGE - DAMPER Sets whether to send the damper information to this zone. NOTE: The parameters in these modes are patch parameters, and are recorded to the patch. PANIC FUNCTION AND PARAMETER RE-LOAD If a problem occurs to the MIDI system, it may be caused by a cypher. When this keyboard and an external MIDI equipment is connected, such a problem could happen due to the difference between the setting contents of both equipment. In such a case, touch both [], [] buttons. Both the “All Note Off” and “Reset All Controllers” are sent to the MIDI channels of all external zones (Panic Function), then the settings of all external zones are reloaded (sent again). ⓳ EXPRESSION - MAXIMUM Sets the range to “compress” the expression information to send to this zone. On the electronic organ, even if the expression pedal is fully returned, sound does not perfectly silenced. If a GM sound generator is used, no sound comes out. This is a parameter to balance it. The setting range is MIN at 0 to 63, MAX at 64 to 127. ⓴ EXPRESSION - CONTROL NUMBER Sets the MIDI control change number (CC#) of the expression pedal. The way of controlling volume differs type by type of the MIDI equipment to be connected. This parameter is for setting a proper number to control the volume of the connected MIDI equipment. You can select 7: VOL, 11: EXP. MIDI MIDI 110 In this mode, you make the basic MIDI settings and the memory dump operation. To locate this mode: MENU/ EXIT ENTER ⓭ ⓮ ❷ SK1’s SK2’s ⓯ ⓰ ❸ ⓱ ❹ ⓲ See “Function mode” (P. 68) for operation details. ❺ ❻ ❼ ❽ ❾ ❿ ❶ ❶ uMIDI TEMPLATE ❶ MIDI TEMPLATE This mode allows common MIDI setups to be recalled. By selecting the use with the [][] buttons and pressing the [ENTER] button, the typical settings are called. The SK1 and the SK2 have different functions, so the MIDI templates are also different. See “MIDI TEMPLATE” in the Appendix (P. 132) for details of each MIDI template. uMASTER ❷ MIDI IN This is for switching the MIDI jack function. LOWER The received MIDI data sounds the LOWER part and are re-sent to the LOWER channel (#13) of the MIDI OUT jack, regardless of the settings of the MIDI channel. PEDAL The received MIDI data sounds the PEDAL part and are re-sent to the PEDAL channel (#14), regardless of the setting of the settings of the MIDI channel. LOW + PED The received MIDI data sounds the LOWER and the PEDAL parts in accordance with the MIDI channel settings and are re-sent to the LOWER (#13) and the PEDAL (#14) parts. SEQUENCE The received MIDI data sounds the UPPER, LOWER and PEDAL parts in accordance with the MIDI channel settings. They are not re-sent. EXVOICE The received MIDI data sounds the Extra Voice section regardless of the MIDI channel settings. They are not re-sent. ❸ LOCAL This switches the Local Control ON/OFF. When switched ON, the keyboard(s) and the internal sound engine are connected. When OFF, the keyboard(s) and the sound engine are disconnected no sound is played. You can use this keyboard as two different equipment; the HA<O> Sk1 / Sk2 Owner’s Manual MIDI keyboard and the sound module at the same time. ❹ NRPN This switches the NRPN (Non-Registered Parameter Number) ON/OFF. On this keyboard it is used for transmitting the messages such as the Drawbar Fold Back or the Leslie ON. The NRPN is transmitted through the UPPER channel. When switched ON, it is transmitted. When OFF, not transmitted. ❺ LESLIE This is for controlling how to send Leslie Parameters. The Leslie Parameters sent on UPPER Channel. SK: The Leslie Parameters will be sent out on this keyboard original NRPN address and data. 21: The Leslie Parameters will be sent out for Leslie 21 series NRPN address and data. When the Cabinet Number is selected (i.e. by Patch), the parameters are sent out also. NOTE: This parameter will changed automatically when the Leslie speaker is connected / disconnected. ❻ PROGRAM CHANGE This switches the transmission of the program change ON/ OFF. When ON, transmitted. When OFF, not transmitted. ❼ DRAWBAR REGISTRATION This switches the transmission of the Drawbar registration ON/ OFF. When ON, transmitted. When OFF, not transmitted. ❽ EXTERNAL ZONE This switches the transmission of the external zones as a whole ON/OFF. When ON, transmitted. When OFF, not transmitted. ❾ DEVICE ID This sets the Device ID when transmitting the system exclusive messages such as the Memory Dump (#11, 12). For example, 111 ⓫ ⓬ the receiving is neglected, when the Device ID does not match, even if the messages are the same. ⓯ TX PEDAL This switches whether to receive the Memory Dump or not ON/OFF. On this keyboard the total onboard memory can be transmitted as a Memory Dump, as system exclusive messages. If you do not want the contents of this keyboard be changed by sequencer play, set this to OFF. When ON, transmitted. When OFF, not transmitted. ⓰ RX UPPER ❿ RECEIVE DUMP ⓫ TEMPORARY DUMP Sends the Memory Dump. When you press the [ENTER] button in this mode, the Temporary (the present settings) are sent as a whole from the MIDI OUT jack. If you record the Temporary by doing this before you record your performance to the external sequencer, you can avoid the setting mismatching when you play it back later. ⓬ ALL DUMP Sends the Memory Dump. If you press the [ENTER] button in this mode, all the settings except the sound library contents are sent out of the MIDI OUT jack. uKEYBOARD CHANNELS Sets the MIDI channel to transmit at each part. The setting range is 1 to 16 and OF. At OF there is no transmission. ⓭ TX UPPER Sets the MIDI channel for sending the UPPER part playing information, the control information of this organ and that of the Leslie speaker. ⓮ TX LOWER Sets the MIDI channel for sending the LOWER part playing information. Sets the MIDI channel for sending the PEDAL part playing information. Sets the MIDI channel for receiving the UPPER part playing information, the control information of this organ and that of the Leslie speaker. ⓱ RX LOWER Sets the MIDI channel for receiving the LOWER part playing information. ⓲ RX PEDAL Sets the MIDI channel for receiving the PEDAL part playing information. v To avoid confusion of MIDI signals, set each MIDI channel including the external zones (P. 108) to different numbers. NOTE: The settings in this mode are not recorded to the patches. They are recorded upon setting, and are common at all patches. TEMPORARY DUMP CONTENTS The patch parameters, global parameters and system parameters of the Temporary (= the present setting values) are transmitted. The contents of each patch or that of the Leslie Cabinet are not transmitted. Use ‘All Dump’ or a USB flash drive for saving them. TO SAVE ALL All the setting values of this organ are transmitted by ‘All Dump’, but the contents of the Extra Voice section sound library are not transmitted, because the data are enormous large. Use the USB flash drive to save all settings including the sound library. MIDI 112 HA<O> Sk1 / Sk2 Owner’s Manual 113 SAVE THE SETUP SAVE YOUR SETUP 114 A USB memory connector is built in on this instrument. You can save the setting of each Parameter as a file to it. The USB memory can be used for the music player or as a sound library. USB FLASH DRIVE PHONES WHAT YOU CAN DO WITH THE USB FLASH DRIVE w Saving / Restoring the set-ups of this keyboard. Unlike the memory dump, it is possible to save all data including the sound library. w If you use the music player to playback audio data of WAVs (44.1 kHz 16 bit) and MP3 (44.1 kHz, 128 kbps), you can enjoy playing the keyboard with the accompaniment of the audio data. w Load the exclusive sound library. w the capacity of 1 file is 32K bytes (only set-ups), the maximum including the sound library is 32M bytes. w 1 USB flash drive can save up to 99 set-up files. ABOUT USB FLASH DRIVE USABLE USB FLASH DRIVE Consult our web site about compatible USB flash drives. in Europe: http://www.hammond.eu in The US: http://www.hammondorganco.com USB MEMORY CONNECTOR 1. Insert the USB flash drive into the correct direction, matching the upper side of it to that of this keyboard. 2. Do not remove the USB flash drive nor switch OFF the power while the access (= while the “Please wait.” is displayed). The data may be damaged. FOLDER STRUCTURE When the USB flash drive is inserted to this organ, the following folders are automatically created on the drive. 1. “HAMMOND” - “SK” to the route. 2. “SETUP”, “AUDIO”, “LIBRARY”, “SYSTEM” below it SETUP The setup file is saved here. AUDIO Place the audio file to playback with the music player. LIB Place the exclusive library file here. SYSTEM Place the system file to update this keyboard here. NOTE: If it is different format type that SK can used, SK initializes the USB flash drive by its own format type automatically. HA<O> Sk1 / Sk2 Owner’s Manual EXTENSION OF THE SETUP FILE The extension “SET” is automatically given to the setup file treated on this keyboard. INITIALIZE THE USB FLASH DRIVE 115 A “fresh” The USB flash drive must be “initialized”. The initializing procedure is as follows: v When initializing is completed, all the contents of the USB flash drive are erased. 1 USB FLASH DRIVE MENU/ EXIT 5 PHONES UPPER PEDAL LOWER VALUE PLAY NUMBER Insert the USB flash drive to the USB MEMORY jack. Wait until the display “Confirming USB. Please wait...” disappears. 2 MENU/ EXIT UPPER PEDAL LOWER MENU/ EXIT VALUE NUMBER 6 PEDAL LOWER VALUE PLAY NAME PATCH NUMBER ENTER Press the [MENU/EXIT] button to display the Menu. MENU/ EXIT ENTER Press the [ENTER] button. The FORMAT (=initializing) mode is displayed. UPPER PLAY NAME PATCH NAME PATCH ENTER Press the [ENTER] button. Confirmation message is displayed. 3 UPPER PEDAL LOWER VALUE MENU/ EXIT PLAY NUMBER NAME PATCH 7 UPPER PEDAL LOWER VALUE ENTER PLAY NUMBER NAME PATCH ENTER Select Page E with the [],[] buttons. MENU/ EXIT 4 UPPER PEDAL LOWER Press the [ENTER] button. Initialization starts. It takes about 3 seconds. VALUE NOTE: If you choose to not initialize, just press the [MENU/EXIT] button. PLAY NUMBER NAME PATCH ENTER 8 Select the “FORMAT” with the [] button. To return to the play mode, press the [PLAY] button. Save the Setup SETUP PROCEDURES 116 Save or Load the SET-UPS to/from the USB flash drive in the SETUP mode. To locate this mode: MENU/ EXIT ENTER HOW TO READ THE DISPLAY SETUP name This indicates there is another SETUP file above (or below). Type of File SU: only the Setup WH: includes Library This indicates there is another page on the right (or on the left). What your are going to operate SAVE THE SETUP 1 MENU/ EXIT 4 Check that the USB flash drive is correctly inserted. UPPER PEDAL LOWER VALUE PLAY NUMBER 2 NAME PATCH ENTER If you want to save the sound library, too, press the [] button to display the “TYPE” and change the value from “SETUP” to “WHOLE” with the [VALUE] knob. Then press the [] button and return to the file display mode. Locate the SETUP mode. WHAT DOES THIS MEAN? USB is not ready. USB flash drive is not correctly inserted. MENU/ EXIT MENU/ EXIT 3 5 UPPER UPPER PEDAL LOWER PEDAL LOWER VALUE VALUE PLAY NUMBER PLAY NUMBER NAME PATCH NAME PATCH ENTER ENTER Select the “New File” by pressing the [] button (or turning the [VALUE] knob) a few times. If you press the [ENTER] button, it is saved. With the WHOLE file, it can take up to 3 hours maximum for saving. 6 A temporary name “SETUPxx” is automatically given to the saved setup file. HA<O> Sk1 / Sk2 Owner’s Manual 117 CHANGE THE SETUP NAME 1 MENU/ EXIT 4 UPPER PEDAL LOWER VALUE PLAY NUMBER NAME PATCH ENTER Select the setup file you want to change the name of with the [],[] buttons or the [VALUE] knob. Enter the new setup name. MENU/ EXIT [],[] buttons Move the cursor. The length is up to 16 letters. [VALUE] knob Select letters. Valid characters are: digits, symbols, large and small alphabets. 2 UPPER PEDAL LOWER VALUE PLAY NUMBER NAME PATCH ENTER MENU/ EXIT 5 UPPER Press the [] button. “[ENT] to Name” is displayed. LOWER VALUE PLAY NUMBER MENU/ EXIT PEDAL NAME PATCH ENTER 3 UPPER PEDAL LOWER VALUE Press the [ENTER] button. The setup name is changed. PLAY NUMBER NAME PATCH ENTER Press the [ENTER] button. This is the screen where the name is entered. WHAT CONTENTS ARE SAVED? Setup: Global parameter, Patch parameter, Leslie Cabinet, Custom Tone Wheel, Temporary (except the Expression Source and Device ID) Whole: In addition to the Setups, the whole sound library in the organ. Save the Setup 118 LOAD THE SETUP DELETE THE SETUP v If you do this operation, the settings in this keyboard are replaced with the newly loaded setups. You should save important data beforehand (p. 116). 1 1 Check the USB flash drive is correctly inserted. 2 Check the USB flash drive is correctly inserted. Locate the SETUP mode. 2 MENU/ EXIT 3 UPPER PEDAL LOWER VALUE PLAY NUMBER Locate the SETUP mode. MENU/ EXIT NAME PATCH ENTER 3 UPPER PEDAL LOWER VALUE Select the setup file to delete with the [],[] buttons or the [VALUE] knob. PLAY NUMBER NAME PATCH ENTER MENU/ EXIT 4 UPPER PEDAL LOWER VALUE PLAY NUMBER Select the Setup file to load with the [],[] buttons or the [VALUE] knob. NAME PATCH ENTER Press [] button twice. “[ENT] to Delete” is displayed. MENU/ EXIT 4 MENU/ EXIT UPPER PEDAL LOWER VALUE 5 UPPER PEDAL LOWER VALUE PLAY PLAY NUMBER NAME PATCH NUMBER ENTER Press the [ENTER] button. The Setup is loaded. In case of the WHOLE file, loading can take up to a maximum 3 hours. HA<O> Sk1 / Sk2 Owner’s Manual NAME PATCH ENTER Press the [ENTER] button. “Delete?” is displayed. Now press the [ENTER] button again. The setup is deleted. NOTE: If you do not with to delete the setup, touch the [MENU/EXIT] button. 119 MUSIC PLAYER BEFORE PLAYING BACK 120 You can play audio files saved in the USB flash drive. Enjoy playing a rhythm section recorded in advance as an accompaniment for your one-man band or practising the keyboard performance playing/listening to your Favorites. FILE TYPE AND PLACING FOLDER FILE TYPE The audio file types possible to reproduce on this keyboard are as follows: w WAV type (44.1 kHz 16 bit stereo) w MP3 type (44.1 kHz 64 to 192 kbps stereo) v The mp3 file may cause intermittent sound during playback with hardly keyboard play. We redcommend that use wav file for serious program. HANDLING THE USB FLASH DRIVE See the previous paragraph “Save your setup” for the handling details of the USB flash drive (P. 114). PLACING FOLDER When the USB flash drive onto this keyboard, the folder for the music player is automatically prepared. \HAMMOND\SK\AUDIO\ Using your Computer, place the files you wish to play in this folder. This keyboard identifies up to 99 files. NAMES OF MUSIC TO BE DISPLAYED If the audio file is in the WAV type, the file name is displayed as the name of the song. If the audio file is in the MP3 type, the title of the ID3 tag (V1 or V2) is displayed as the name of the music. PLAYING ORDER For playing the audio file in the show etc. in the order as prepared beforehand, put the file name in the ascending order. Example: 00_Audio_Check.wav 01_Show_Opener.wav 02_Self_Introduction.wav 03_Hit_Number.wav 04_Ballad.wav 05_Anchor.wav HOW TO READ THE DISPLAY The illustration is of the Song List mode. Song Name This means there is another audio file above (or below). Time HA<O> Sk1 / Sk2 Owner’s Manual This means there is another audio file on the right (or on the left). OPERATION OF THE MUSIC PLAYER 1 USB FLASH DRIVE 121 PHONES Insert the USB flash drive to the USB FLASH DRIVE jack. Wait until the display “Confirming USB. Please wait.” disappears. 2 DRAWBARS SELECT ORGAN TYPE MENU/ EXIT Press the [SONG] button to display the song list. You can locate the song list mode pressing the [MENU/EXIT] - Page D - PLAYER - [ENTER]. 3 UPPER PEDAL VALUE LOWER Select the audio file you want to play with the [VALUE] knob or the [],[] buttons. PLAY NUMBER 4 NAME PATCH ENTER DRAWBARS SELECT ❶ ❸ TO PLAYBACK Press the [1/2] button (LED On). The play starts. ORGAN TYPE TEMPORARY PAUSE Press the [1/2] button again (LED Blink). The play temporarily stops. TO RETURN TO THE TOP OF THE SONG Press the [SONG] button in the song list mode ([1/2]LED Off). TO ADJUST THE PLAY VOLUME Adjust volume with the [VOLUME] knob (3). It adjusts independently of the [MASTER VOLUME] knob (1). Music Player 122 OPERATION OF THE MUSIC PLAYER - continued MUSIC PLAYER MODES 1 Confirm the USB flash drive is inserted correctly. 2 Locate the song list mode. MENU/ EXIT 3 UPPER PEDAL LOWER VALUE PLAY NUMBER NAME PATCH ENTER Move the cursor to the item CHAIN with the [] button. MENU/ EXIT 4 UPPER PEDAL LOWER VALUE PLAY NUMBER NAME PATCH Select how to play with the [VALUE] knob. ALL: ENTER Repeats all songs. When the currently playing song ends, the next song automatically starts playing. ONE: When the currently playing song ends, it stops the playback. SHUF: When the currently playing song ends, the next song is randomly selected and played. HA<O> Sk1 / Sk2 Owner’s Manual 123 VOICE LIBRARY 124 WHAT IS VOICE LIBRARY? and more... You can additionally register new voices into the [LIBRARY] button of the Extra Voice section using the USB flash drive. This is called “Voice Library”. The voice library will be announced periodically on our web sites. Several sounds are registered as a default settings (P. 130). FILE TYPE AND THE PLACING FOLDER FILE TYPE The voice library is offered in the following types: If the file is compressed in some way, first expand it beforehand. “Libxxxxx.SYS” (xxxx is name of voice library) PLACING FOLDER When you insert the USB flash drive to this keyboard, the folder of the voice library is automatically created. \HAMMOND\SK\LIBRARY Save the library file you want to register here using the personal computer. This keyboard can identify up to 99 files. VOICE LIBRARY AND SETUPS You can record settings created with the sound library to the patches. If the contents of the sound library change, the sound of the patch becomes different from that of the recorded one. The memory dump or the USB flash drive is used for saving and loading the setups. However, if you want to save/load including the sound library, be sure to record as WHOLE to the USB flash drive. (P. 116 - 4) The contents of the sound library are not recorded in any other way. HA<O> Sk1 / Sk2 Owner’s Manual HANDLING THE USB FLASH DRIVE See the previous paragraph “Save your setup” for the handling details of the USB flash drive (P. 114). OPERATE THE VOICE LIBRARY 125 LOADING THE VOICE LIBRARY 1 USB FLASH DRIVE MENU/ EXIT 5 PHONES UPPER PEDAL LOWER VALUE PLAY NUMBER Insert the USB flash drive to the USB FLASH DRIVE jack. Wait until the display “Confirming USB. Please wait...” disappears. 2 MENU/ EXIT MENU/ EXIT PEDAL LOWER ENTER Press the [ENTER] button. Now you have come to the library function mode. 6 UPPER UPPER NAME PATCH PEDAL LOWER VALUE VALUE PLAY NUMBER PLAY NUMBER NAME PATCH NAME PATCH ENTER ENTER Select the voice library you want to additionally register with the [VALUE] knob or the [],[] buttons. Display the menu with the [MENU/EXIT] button. MENU/ EXIT NOTE: The capacity of the sound library file on the upper right of the display, and the remaining capacity of this unit on the bottom right. You can not additionally register larger files than the remaining capacity. 3 UPPER PEDAL LOWER VALUE PLAY NUMBER NAME PATCH ENTER MENU/ EXIT 7 UPPER PEDAL LOWER VALUE PLAY NUMBER NAME PATCH ENTER Select the Page E with the [],[] button. MENU/ EXIT 4 UPPER PEDAL LOWER VALUE PLAY NUMBER NAME PATCH ENTER Press the [ENTER] button. Loading the voice library starts. It may take a while for this procedure to complete. Required time for registration depends on the capacity. It takes a maximum of 3 hours. Select LIBRARY with the [] button. Voice Library 126 OPERATE THE VOICE LIBRARY - continued DELETE A LIBRARY CLEAR ALL LIBRARIES When the remaining capacity of this unit is not enough for the sound library you want to load, you can increase the capacity by deleting an unnecessary portion of the library. You can delete all the existing voice library when you want to freshly make the set up. 1 1 Locate the voice library function mode. Locate the voice library function mode. MENU/ EXIT 2 UPPER PEDAL LOWER MENU/ EXIT VALUE UPPER PLAY NUMBER NUMBER ENTER 3 UPPER PEDAL LOWER NUMBER ENTER MENU/ EXIT PEDAL LOWER NAME PATCH ENTER PEDAL LOWER VALUE PLAY NAME PATCH 4 UPPER VALUE 3 UPPER The library’s size is displayed on the upper right. Select the library you want to delete with the [VALUE] knob or the [],[] buttons, referring to the display. MENU/ EXIT LOWER Press the [] button twice. ‘Clear’ page appears. MENU/ EXIT VALUE PLAY NUMBER PEDAL PLAY NAME PATCH Presss the [] button. The selected library is displayed. MENU/ EXIT 2 VALUE NAME PATCH ENTER Press the [ENTER] button. The confirmation message whether you really want to delete it or not is displayed. 4 UPPER PEDAL LOWER VALUE PLAY PLAY NUMBER NAME PATCH NUMBER ENTER Press the [ENTER] button. The deleting treatment is done and the new remaining capacity is displayed on the bottom right. HA<O> Sk1 / Sk2 Owner’s Manual NAME PATCH ENTER Press the [ENTER] button again. All the voice library registered to this keyboard is deleted. If you do not wish to delete, touch the [MENU/EXIT] button. 127 Troubleshooting TROUBLESHOOTING 128 u Malfunction of the buttons, the keys, etc. w Turn off the POWER switch once, then turn it on again. If this procedure is not successful, turn off the POWER switch. While pressing the [RECORD] button, turn the POWER switch on again. (Note that in this case, all parameters all parameters return to their factory-preset status.) u No sound is produced when the keys are pressed. w The MASTER VOLUME is at the minimum setting. Adjust the volume with the MASTER VOLUME control. w The local control is turned OFF. Turn the local control ON, if not using an external sequencer or computer. (P. 110 #3) w Leslie speaker is connected. Line out and Phones jack does not output the sound of rotary channel when the Leslie speaker is connected. u The Manual Bass does not sound when the Split is turned off. w The Manual Bass - Mode is set at “CHRD” (detecting chord on the LOWER part). Set the mode at “LOW” or “POLY”. (P. 108 #1) u The expression does not change. w The Expression Source assignment is not correctly set. Correctly set the Expression Source item in the CONTROL mode. (P. 79) w The Expression mode of Overdrive is set at “OD Only” or “Input”. Set the Expression mode at except “OD Only” or “Input”. (P. 88) w The Source of Multi-Effect is set at “EXP”. Set the Source at except “EXP”. (P. 88) u The Foot switch does not work properly. w The Foot Switch assignment is not correctly set. Correctly set the Foot Switch in the CONTROL mode. (P. 78) u No functions the Split or Manual Bass. w MIDI IN mode is set at “LOWER” or “LOW+PED”. Set the MIDI IN mode depending on the purpose. (P. 110 #2) u The Manual Bass Does not sound. w The Foot Switch assignment is set at “MANUAL BASS”. Press the Foot Switch or set the Foot Switch assignment at except “MANUAL BASS”. (P. 78) u When the patch is called, the sound is interrupted. If the following values are different between the patches, there will be a brief interruption: w Organ type w Extra Voice w Multi-Effects w Octave w Split w Manual Bass w Key Range HA<O> Sk1 / Sk2 Owner’s Manual 129 APPENDIX EXTRA VOICE INSTRUMENT LIST 130 Group Number 0 0 0 0 0 0 0 0 2 2 2 2 2 2 2 2 2 2 2 2 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 A. Piano A. Piano A. Piano A. Piano A. Piano A. Piano A. Piano A. Piano E. Piano E. Piano E. Piano E. Piano E. Piano E. Piano E. Piano E. Piano E. Piano E. Piano E. Piano E. Piano Keyboard Keyboard Keyboard Keyboard Keyboard Keyboard Keyboard Keyboard Keyboard Keyboard Keyboard Keyboard Keyboard Keyboard Keyboard Keyboard Keyboard 0 1 2 3 4 5 6 7 0 1 2 3 4 5 6 7 8 9 10 11 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 Stereo Grand Pf. Bright Stereo Grand Pf. Mono Grand Pf. Bright Mono Grand Pf. Electric Grand Pf. Electric Grand Pf. EQ Stereo Grand Pf. Pad Electric Grand Pf. Pad E. Piano Rd1 EP Rd1 Pan EP Rd1 Phase EP Rd1 OD E. Piano Rd2 EP Rd2 Pan EP Rd2 Phase EP Rd2 OD E. Piano FM EP FM Chorus E. Piano Wur EP Wur OD Harpsi 8´ Harpsi 8´ 4´ Harpsi 8´ Lute Clav. AC Clav. AD Clav. BC Clav. BD Clav. AC Wah Clav. AD Wah Clav. BC Wah Clav. BD Wah Clav. AC Cry Clav. AD Cry Clav. BC Cry Clav. BD Cry Lucy Lucy Tremolo 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 4 4 4 Keyboard Keyboard Keyboard Keyboard Keyboard Keyboard Keyboard Keyboard Keyboard Keyboard Keyboard Keyboard Keyboard Keyboard Keyboard Keyboard Keyboard Keyboard Keyboard Keyboard Keyboard Keyboard Wind Wind Wind 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 0 1 2 Clavn. Don’t Run Telstar Blue Star Accordion A120 1/0/0 Accordion A120 1/1/0 Accordion A120 1/0/1 Accordion A120 1/1/1 Accordion A120 1/2/0 Accordion A120 1/2/1 Accordion A120 0/1/0 Accordion A120 0/2/0 Accordion A120 0/1/1 Accordion A120 0/2/1 Accordion A120 0/0/1 Accordion A120 OD Acdn Mellow 0/1/0 Acdn Mellow 0/2/0 Acdn Mellow MMM Acdn Bright 0/1/0 Acdn Bright 0/2/0 Acdn Bright MMM Trumpet Straight Trumpet Vibrato Trumpet Muted 4 Wind 4 Wind 3 Trombone Straight 4 Trombone Muted HA<O> Sk1 / Sk2 Owner’s Manual Description Concert grand piano. The maximum sound effect is obtained when connected stereo. The mono version of above. Use this if connection is monaural. The clumsy “omission” due to the interfering right and left channels is avoided. Electric grand piano which picks up the string vibration by hammer action. The following “EQ” means equalized edition. The mellow “Pad” sound added on Stereo Grand Pf. The mellow “Pad” sound added on Electric Grand Pf. Tone-bar electric piano (first edition). The following “Pan”, “Phase”, “OD” are using each effect. Tone-bar electric piano (second edition). The following “Pan”, “Phase”, “OD” are using each effect. FM synth electric piano. The following “Chorus” is using chorus effect. Reed-driven electric piano. The following “OD” is using overdrive effect. Harpsichord. “8´” is normal, “8´ 4´” is in octave unison, “Lute” means treble damped. Electric clavichord. The following “AC”, “AD”, “BC”, “BD” means each pick-up selector. The sound “Clav. AC” - “Clav BD” with “Touch-Wah” effect. Playing harder, the filter opens wider. The sound “Clav. AC” - “Clav BD” with “Pedal Wah” effect. If the expression pedal is connected, you can get the wah effect with pedal operation. Simulates an electronic organ, that heard intro. of “Lucy In The...”. The following “Tremolo” is added its effect. The effective method is playing arpeggio with slowly and staccato. Simulates the electronic violin clavier in 1950’s. The reed sound like “Walk, Don’t...”. Simulates the lead sound what used in “Telstar”. Simulates an electronic organ, like “Blue Star”. Variations of Suzuki accordion A-120. Overdriven accordion. Mellow accordion. On “MMM”, you can adjust the beating by the Chorus Depth of the Extra Voice effects. Bright accordion. On “MMM”, you can adjust the beating by the Chorus Depth of the Extra Voice effects. The instruments following “Wind” group sounds simply. They does not work Prochord function. Trumpet. The following “Straight”, “Vibrato”, “Muted” means each playing method. Trombone. The following “Straight”, “Muted” means each playing method. 131 Group 4 4 4 4 4 4 4 4 4 4 Example Wind Wind Wind Wind Wind Wind Wind Wind Wind Wind Number 5 6 7 8 9 10 11 12 13 14 Flute Vibrato Al. Sax Straight Al. Sax Vibrato Tn. Sax Straight Tn. Sax Vibrato Ba. Sax Straight Tp + Tb Straight Tp + Tb Vibrato Tp + Tb Muted Flute Pcd 4 Wind 15 BigBand Sax Pcd 4 Wind 4 Wind 16 BigBand Pcd 17 BigBand FD Pcd 4 Wind 18 Quartet 1 Pcd 4 Wind 19 Quartet 2 Pcd 4 Wind 4 Wind 20 Jazz Brass Pcd 21 Jazz Brass FD Pcd 4 Wind 22 Mute Combo 1 Pcd 4 Wind 23 Mute Combo 2 Pcd 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 Other Other Other Other Other Other Other Other Other Other Other Other Other Other Other Other Other Other Other Glockenspiel Vibraphone Solly Strings Solly Strings o Solly Strings Long Solly Strings o Long Syn. Strings 1 Syn. Strings 1 o Syn. Strings 2 Syn. Strings 2 o Syn. Strings 3 Sweep Pad Slice Pad H. Bell Pad Glock. Pad Square Lead Square Mellow Saw Lead Saw Duo Pcd 5 Other 19 P. O. Love 5 Other 5 Other 20 Funny Lead 21 Funny Duo Pcd 5 6 6 6 6 6 6 6 6 22 0 1 2 3 4 5 6 7 Other Library Library Library Library Library Library Library Library Syn. Harp VxJ Bright VxJ Brass VxJ Mellow VxJ Flute VxJV Bright VxJV Brass VxJV Mellow VxJV Flute Description Flute with vibrato playing method. The “attack” will heard by hard-strike. Alto Saxophone. The following “Straight”, “Vibrato” means each method. Tenor Saxophone. The following “Straight”, “Vibrato” means each method. Baritone Saxophone. Trumpet and trombone plays in octave unison. The following “Straight”, “Vibrato” means each method. The Flute section. A melody with harmony is obtained if a single note is played on the UPPER keyboard holding down the chord on the LOWER keyboard. Only the Saxophone family formation. Alto sax as the top note, tenor sax, baritone sax as the harmony sound if a single note is played on the UPPER keyboard holding down the chord on the LOWER keyboard. The typical big brass band formation. Trumpet as the top note, alto sax, trombone and tenor sax as the harmony sound if a single note is played on the UPPER keyboard holding down the chord on the LOWER keyboard. The instrumentation is same as “Big Band Pcd”, but the voicing of harmony is different. The instrumentation is same as “Big Band Pcd”, but the voicing of harmony is different. Only the brass instruments’ formation. Trumpet as the top note, trumpet, trombone as the harmony sound if a single note is played on the UPPER keyboard holding down the chord on the LOWER keyboard. “FD” means fall-down when the played with fortissimo and released. The brass combo with muted trumpets and straight trombone. Play single note on the UPPER with playing chord on the LOWER. The brass combo with muted trumpets and muted trombone. Play single note on the UPPER with playing chord on the LOWER. Orchestra bells or glockenspiel, effective if mixed with the Drawbar sounds. Hard hit vibraphone. Also effective if mixed with the Drawbar sounds. Strings keyboard usually later 1970’s. The following “o” means in octave unison, “Long” means longer release rate. Simulates the strings keyboard via multi-effects. The following “o” means in octave unison. Strings sounds by synthesizer. They simulates that Hammond SX/CX series. Strings sound by synthesizer. It is used 3 sawtooth waveform. Synth pad with slowly filter sweep. In addition, “Slice” affects the deep tremolo effect. Synth pad with hand bells. Synth pad with glockenspiel. Synth lead made of square waveform. Synth lead, mellower than “Square Lead”. Synth lead made of sawtooth waveform. The following “Duo Pcd” adds Prochord function, you can get the “twin-lead” effect by playing single note on the Upper with playing chord on the Lower. In octave unison of above “Saw Lead”. It is usually used not only single note but also on chord like intro. of “The Power Of...”. Simulates the “green button” of an Japanese electronic organ in later 1970’s. The following “Duo Pcd” adds Prochord function, you can get the “twin-lead” effect by playing single note on the Upper with playing chord on the Lower. Synth orchestral harp. A transistor organ in 1960’s, usually used together with “Vx” type in Organ section. This model has tablet switches instead of Drawbars, and they only changes the brightness of its tone. At “Bright” brightest, the tone becomes mellower along “Brass”, “Mellow”, and “Flute”. “VxJ” with vibrato. Select Group 2, Number 3 via NRPN .................Bx 63 06 62 50 06 02 26 00 63 07 62 50 06 03 26 00 (x = Control channel) 132 MIDI TEMPLATES MIDI TEMPLATES OF SK1 Template MIDI IN Local Control NRPN Program Change Drawbar Registration Transmit Channel Tx. Upper Tx. Lower Tx. Pedal Rx. Upper Rx. Lower Rx. Pedal External Zone Comments Basic Sequence On On On On 1 2 3 1 2 3 Off Use this template to record/ play the performance only on this unit with the external sequencer. Two Manual Lower On On On On 1 2 3 1 (disregarded, off) 2 (disregarded, omni) 3 (disregarded, off) Off Use this template to play the LOWER keyboard connecting to the MIDI IN jack. Pedal KBD Pedal On On On On 1 2 3 1 (disregarded, off) 2 (disregarded, off) 3 (disregarded, omni) Off Use this template to play the PEDAL keyboard connecting to the MIDI IN jack. Template MIDI IN Local Control NRPN Program Change Drawbar Registration Transmit Channel Tx. Upper Tx. Lower Tx. Pedal Rx. Upper Rx. Lower Rx. Pedal External Zone Comments 3KBD Low + Ped On On On On 1 2 3 1 2 3 Off Use this template to play the LOWER and PEDAL keyboards merging and connecting to the MIDI IN jack. Use Ex. Zone Sequence On On On On Off Off Off 1 2 3 On Use this template to play only this keyboard and control the MIDI equipment connected to the MIDI OUT jack with the External Zones. Use Ex. w/2Man Lower On On On On Off Off Off 1 (disregarded, off) 2 (disregarded, omni) 3 (disregarded, off) On Use this template to play this keyboard and the LOWER keyboard connected to the MIDI IN jack and control the MIDI equipment connected to the MIDI OUT jack with the External Zone. Template MIDI IN Local Control NRPN Program Change Drawbar Registration Transmit Channel Tx. Upper Tx. Lower Tx. Pedal Rx. Upper Rx. Lower Rx. Pedal External Zone Comments Use Ex. w/PK Pedal On On On On Off Off Off 1 (disregarded, off) 2 (disregarded, off) 3 (disregarded, omni) On Use this template to play this keyboard and the Pedal keyboard connected to the MIDI IN jack and control the MIDI equipment connected to the MIDI OUT jack with the External Zone. Use Ex. w/3KBD Low + Ped On On On On Off Off Off 1 2 3 On Use this template to play the merged LOWER and PEDAL keyboards connecting to the MIDI IN jack and control the MIDI equipment connected to the MIDI OUT jack with the External Zone. Extra Voice ExVoice On On On On 1 2 3 1 (disregarded, off) 2 (disregarded, off) 3 (disregarded, off) Off Use this template to play only the Extra Voices on the MIDI keyboard connected to the MIDI IN jack. Messages Messages Messages HA<O> Sk1 / Sk2 Owner’s Manual 133 MIDI TEMPLATES OF SK2 Template MIDI IN Local Control NRPN Program Change Drawbar Registration Transmit Channel Tx. Upper Tx. Lower Tx. Pedal Rx. Upper Rx. Lower Rx. Pedal External Zone Comments Basic Sequence On On On On 1 2 3 1 2 3 Off Use this template to record/ playback the performance of only this keyboard to the external sequencer. Pedal KBD Pedal On On On On 1 2 3 1 (disregarded, off) 2 (disregarded, off) 3 (disregarded, omni) Off Use this template to play on the Pedal keyboard connecting to the MIDI IN jack. Template MIDI IN Local Control NRPN Program Change Drawbar Registration Transmit Channel Tx. Upper Tx. Lower Tx. Pedal Rx. Upper Rx. Lower Rx. Pedal External Zone Comments Use Ex. w/PK Pedal On On On On Off Off Off 1 (disregarded, off) 2 (disregarded, off) 3 (disregarded, omni) On Use this template to play on this keyboard and the Pedalboard connected to the MIDI IN jack and control the MIDI equipment connected to the MIDI OUT jack with the External Zone. Extra Voice ExVoice On On On On 1 2 3 1 (disregarded, off) 2 (disregarded, off) 3 (disregarded, off) Off Use this template to use MIDI IN jack for play only the Extra Voices with external MIDI keyboard. Messages Messages Use Ex. Zone Sequence On On On On Off Off Off Off Off Off On Use this template to play only on this keyboard and control the MIDI equipment connected to the MIDI OUT jack with the External Zone. Appendix MIDI INFORMATION 134 MIDI Implementation Channel Voice Message Note Off Status 2nd Byte 3rd Byte 8nH kkH vvH, or 9nH kkH 00H n=MIDI Channel Number: 0H - FH (Ch. 1 - 16) kk=Note Number: 00H - 7FH (0 - 127) vv=Velocity(disregard): 00H - 7FH (0 - 127) Note On Status 2nd Byte 3rd Byte 9nH kkH vvH n=MIDI Channel Number: 0H - FH (Ch. 1 - 16) kk=Note Number: 00H - 7FH (0 - 127) vv=Velocity: 00H - 7FH (0 - 127) Control Change The value set by the Control Change is not reset even when Program Change messages etc. are received. Bank Select (CC#0, 20) Status 2nd Byte 3rd Byte BnH 00H mmH BnH 20H llH n=MIDI Channel Number: 0H - FH (Ch. 1 - 16) mm,ll=Bank Number: 00 00H=User 01 00H=Preset Until you send the Program Change, the Bank Select process is reserved. Expression (CC#11) Status 2nd Byte 3rd Byte BnH 0BH vvH n=MIDI Channel Number: 0H - FH (Ch. 1 - 16) vv=Expression: 00H - 7FH (0 - 127) Spring Shock (CC#48) Status 2nd Byte 3rd Byte BnH 30H vvH n=MIDI Channel Number: 0H - FH (Ch. 1 - 16) vv=Velocity: 00H - 7FH (0 - 127) Glide (CC#49) Status 2nd Byte 3rd Byte BnH 31H vvH n=MIDI Channel Number: 0H - FH (Ch. 1 - 16) vv=Control Value: 00H - 7FH (0 - 127) 0 - 63=Off, 64 - 127=On Damper (CC#64) Status 2nd Byte 3rd Byte BnH 40H vvH n=MIDI Channel Number: 0H - FH (Ch. 1 - 16) vv=Control Value: 00H - 7FH (0 - 127) 0 - 63=Off, 64 - 127=On NRPN MSB/LSB (CC#98, 99) Status 2nd Byte 3rd Byte BnH 63H mmH BnH 62H llH n=MIDI Channel Number: 0H - FH (Ch. 1 - 16) mm=upper byte of the parameter number specified by NRPN ll=lower byte of the parameter number specified by NRPN Data Entry (CC#6, 38) Status 2nd Byte 3rd Byte BnH 06H mmH BnH 26H llH n=MIDI Channel Number: 0H - FH (Ch. 1 - 16) mm,ll=the value of the parameter specified by NRPN HA<O> Sk1 / Sk2 Owner’s Manual Program Change Status 2nd Byte CnH ppH n=MIDI Channel Number: pp=Program Number: 0H - FH (Ch. 1 - 16) 00H - 63H, 7FH (Patch #1 - 100, Manual) Example of Patch operation ex: select Patch U016 Bx 00 00 20 00 Cx 0F (x=Upper Channel) ex: select Patch P100 Bx 00 01 20 00 Cx 63 (x=Upper Channel) ex: select [Manual] Bx 00 00 20 00 Cx 7F (x=Upper Channel) Channel Mode Message All Sounds Off (CC#120) Status 2nd Byte 3rd Byte BnH 78H 00H n=MIDI Channel Number: 0H - FH (Ch. 1 - 16) When this message is received, all currently-sounding notes on the corresponding channel will be turned off immediately. Reset All Controllers (CC#121) Status 2nd Byte 3rd Byte BnH 79H 00H n=MIDI Channel Number: 0H - FH (Ch. 1 - 16) When this message is received, the following controllers will be set to their reset values. Expression: 127 Glide: 0 Damper: 0 NRPN: unset; previously set data will not change All Sounds Off (CC#123) Status 2nd Byte 3rd Byte BnH 7BH 00H n=MIDI Channel Number: 0H - FH (Ch. 1 - 16) When All Notes Off is received, all notes on the corresponding channel will be turned off. However if Hold 1 or Sostenuto is ON, the sound will be continued until these are turned off. 135 Drawbar Data List 1 Control Number Upper: Lower: Pedal: Level 0 1 2 3 4 5 6 7 8 50H(80) 51H(81) 52H(82) 16´ 5 1⁄3´ Upper / Lower 2 2⁄3´ 2´ 8´ 4´ 1CH(28) 1DH(29) 1EH(30) 1FH(31) 20H(32) 21H(33) 22H(34) 1 3⁄5´ 1 1⁄3´ 1´ 37H(55) 38H(56) 39H(57) 3AH(58) 3BH(59) 3CH(60) 3DH(61) 40H(64) 41H(65) 42H(66) 43H(67) 44H(68) 45H(69) 46H(70) 16´ Pedal 8´ 00H(0) 09H(9) 12H(18) 1BH(27) 24H(36) 2DH(45) 36H(54) 3FH(63) 48H(72) 00H(0) 09H(9) 01H(1) 02H(2) 03H(3) 04H(4) 05H(5) 06H(6) 07H(7) 0AH(10) 0BH(11) 0CH(12) 0DH(13) 0EH(14) 0FH(15) 10H(16) 13H(19) 14H(20) 15H(21) 16H(22) 17H(23) 18H(24) 19H(25) 2EH(46) 2FH(47) 30H(48) 31H(49) 32H(50) 33H(51) 34H(52) 49H(73) 4AH(74) 4BH(75) 4CH(76) 4DH(77) 4EH(78) 4FH(79) 01H(1) 02H(2) 03H(3) 04H(4) 05H(5) 06H(6) 07H(7) 0AH(10) 0BH(11) 0CH(12) 0DH(13) 0EH(14) 0FH(15) 10H(16) 08H(8) 11H(17) 1AH(26) 23H(35) 2CH(44) 35H(53) 3EH(62) 47H(71) 50H(80) 08H(8) 11H(17) 25H(37) 26H(38) 27H(39) 28H(40) 29H(41) 2AH(42) 2BH(43) ex: Set Lower 8´ to level 7 via MIDI... Bx 51 19 (x=Lower Channel) Drawbar Data List 2 Part Upper Lower Pedal Value 16´ 5 1⁄3´ 8´ Control Number 4´ 2 2⁄3´ 2´ 1 3⁄5´ 1 1⁄3´ 1´ 0CH(12) 0DH(13) 0EH(14) 0FH(15) 10H(16) 11H(17) 12H(18) 13H(19) 14H(20) 15H(21) 21H(33) 16H(22) - 18H(24) - 19H(25) - 1AH(26) - 1BH(27) - 1CH(28) - 1DH(29) - 0 00 - 0FH (0 - 15) 1 10 - 1FH (16 - 31) 17H(23) 23H(35) 2 20 - 2FH (32 - 47) 3 30 - 3FH (48 - 63) Level 4 40 - 4FH (64 - 79) 5 50 - 5FH (80 - 95) 6 7 8 60 - 6FH 70 - 7EH 7FH (96 - 111) (112-126) (127) ex: Set Lower 8´ to level 7 via MIDI... Bx 17 70 (x=Upper Channel) Appendix 136 MIDI INFORMATION - continued System Exclusive Message Mode Setting Exclusive Message uMemory Dump 1. Each Packet F0 55 dd 10 1F 11 [TYPE] [PNH] [PNL] [DATA] [CHD] F7 Full Parameters Reset (Rx. only) System Exclusive SUZUKI ID Device ID (refer to P. 110 #8) Model ID MSB Model ID LSB Command: Data Packet Data Type 02H = All Data Dump 07H = Combi. Temp. Dump 09H = Global Dump 0AH = System Dump Packet Number MSB Packet Number LSB 128 Bytes Data 256 Bytes nibblized ASCII ex: 7EH = 37H, 45H Check Digit Lower 7 bits of XOR [DATA] End Of Exclusive 2. Acknowledge F0 55 dd 10 1F 14 [TYPE] [AK] [PNH] [PNL] F7 System Exclusive SUZUKI ID Device ID Model ID MSB Model ID LSB Command: Acknowledge Data Type Result 00H = OK 05H = Check Digit Error 06H = Receive Protected Packet Number MSB Packet Number LSB End Of Exclusive 3. # of Packets All Data Dump: Combi. Temp Dump: Global Dump: System Dump: 466 27 6 1 uDump Request (Rx. only) F0 55 dd 10 1F 12 [TYPE] F7 System Exclusive SUZUKI ID Device ID Model ID MSB Model ID LSB Command: Dump Request Data Type 02H = All Data Dump 07H = Combi. Temp. Dump 09H = Global Dump 0AH = System Dump End Of Exclusive F0 55 dd 42 12 40 00 7F 7F 42 F7 System Exclusive SUZUKI ID Device ID Mode ID for DT1 Command: DT1 Address MSB Address Address LSB Reset Check Sum End Of Exclusive NRPN Switch F0 55 dd 10 1F 02 [DATA] F7 Suzuki Exclusive SUZUKI ID Device ID Model ID MSB Model ID LSB Command: NRPN Sw. 00H = Off, 7FH = On End Of Exclusive When this device receives this message, switch Tx & Rx NRPN in Control channel. Data Set (Rx. only) F0 55 dd 10 1F 13 aa bb cc [DATA] F7 System Exclusive SUZUKI ID Device ID Model ID MSB Model ID LSB Command: Data Set Address MSB Address Address LSB Data (Flexible bytes) End Of Exclusive Identity Request (Rx. only) F0 7E dd 06 01 F7 System Exclusive Universal non real-time Device ID Sub ID #1 Sub ID #2 End Of Exclusive Identity Reply (Tx. only) F0 7E dd 06 02 55 00 10 00 1F 00 00 00 00 F7 System Exclusive Universal non real-time Device ID Sub ID #1 Sub ID #2 SUZUKI ID Device Family code Device Family number End Of Exclusive When Identity Request is received, Identity Reply will be transmitted. HA<O> Sk1 / Sk2 Owner’s Manual 137 Global Parameters Category Tune Expression Foot Switch Panel Switch Patch Load Favorites Display Master EQ Example Parameter NRPN LSB MSB (62) (63) SysEx Address SysEx MSB to LSB Length Data Transpose 01 00 00 01 00 01 Master Tune 01 02 00 01 02 02 Source 02 00 00 02 00 01 Min. Level 02 08 00 02 08 01 Min. Limit LF Min. Limit HF 02 02 09 0A 00 00 02 02 09 0A 01 01 FS Device 03 00 00 03 00 01 FS Tip Mode 03 01 00 03 01 01 FS Ring Mode Damper Org. Upper Damper Org. Lower Damper Org. Pedal Damper Extra Voice Octave Down Mode 03 03 03 03 03 03 02 03 04 05 06 07 00 00 00 00 00 00 03 03 03 03 03 03 02 03 04 05 06 07 01 01 01 01 01 01 Octave Up Mode Octave Lower Mode Drawbar Regist. Upper Drawbar Regest. L/P Drawbar Parameters (DRAWB) Extra Voice (EXV) Internal Zone (INT) External Zone (EXT) Organ Effect (DRAWB) Extra Voice Effect (EXV) Reverb (REV) Overwrite Patch Short Cut Time Out Pop Up Bass Freq. Treble Freq. 03 03 60 60 60 08 09 00 01 02 00 00 00 00 00 03 03 60 60 60 08 09 00 01 02 01 01 01 01 01 00 - 01 (Foot Sw., Leslie Sw.) 00 - 0B 00: Off 01: Leslie Fast (alternate) 02: Leslie Fast (momentarily) 03: Leslie Fast (tri-state) 04: Glide 05: Patch Fwd. 06: Patch Back 07: Favorite Fwd. 08: Favorite Back 09: Spring Shock 0A: Delay Time 0B: Music Start 0C: Manual Bass 0D - 25: Bass 1C - 3C same as FS Tip mode 00, 01 (Off/On) 00, 01 (Off/On) 00, 01 (Off/On) 00, 01 (Off/On) 00 - 05 00: Origin 01: Leslie Stop 02: Leslie Fast 03: Vibrato Upper 04: Vibrato Lower 05: Glide 06: Spring Shock 07: Delay Time same as above same as above 00, 01 (Off/On) 00, 01 (Off/On) 00, 01 (Off/On) 60 60 60 60 60 60 04 ---02 02 03 04 05 06 07 08 00 ---0F 10 00 00 00 00 00 00 00 ---00 00 60 60 60 60 60 60 04 ---02 02 03 04 05 06 07 08 00 ---0F 10 01 01 01 01 01 01 01 ---01 01 00, 01 (Off/On) 00, 01 (Off/On) 00, 01 (Off/On) 00, 01 (Off/On) 00, 01 (Off/On) 00, 01 (Off/On) 00, 01 (Off/On) 0, 1, 2s, No 4, 8, 16s, No No, 0.5, 1, 2s 00 - 0A (20 - 200Hz) 00 - 03 (4.0k - 8.0kHz) 3A - 40 - 46 (-6 - 0 - 6) 032E - 0338 - 0342 (430 - 440 - 450) 00 - 01 00: Pedal (normal) 01: Pedal (reverse) 02: MIDI 00 - 09 (Off, -40dB - 0dB) 00 - 08 (Off, -40dB - -5dB) Default Description 40 0 0338 440 00 Pedal (normal) 06 -35dB 05 03 -20dB -30dB 00 Foot Sw. 01 Leslie Fast (alternate) 01 01 01 01 01 00 Leslie Fast (alternate) On On On On Origin 00 00 01 01 01 Origin Origin On On On 01 01 01 01 01 01 00 On On On On On On Off 07 03 100Hz 8.0kHz Set Transpose at 0 via NRPN ................................Bx 62 01 63 00 06 40 (x = Upper channel) Set Transpose at 0 via System Exclusive .................F0 55 dd 10 1D 13 00 01 00 40 F7 (dd = Device ID) Appendix 138 MIDI INFORMATION - continued Patch Parameters Category Name Internal Zone External Zone Extra Voice Example Parameter NRPN SysEx Address SysEx LSB MSB MSB to LSB Length (62) (63) 15 Characters Manual Bass Manual Bass Mode Manual Bass Range Hi Great To Pedal G to P Range Hi Split Split Point Key Octave Upper 1 Key Octave Lower 1 Glide Length Glide Time Glide Amp Key Octave Upper 2 Key Octave Lower 2 MIDI Channel Switch Allocate -07 07 07 07 07 07 07 07 07 07 07 07 07 07 4n 4n 4n -00 01 02 03 04 05 06 07 08 09 0A 0B 0C 0D 00 01 02 01 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 07 07 07 07 07 07 07 07 07 07 07 07 07 07 4n 4n 4n 00 00 01 02 03 04 05 06 07 08 09 0A 0B 0C 0D 00 01 02 0F 01 01 01 01 01 01 01 01 01 01 01 01 01 01 01 01 01 Key Range Lo Key Range Hi Bank Select MSB Bank Select LSB Program Change Octave Shift Volume Pan Velocity Expression Minimum Expression Maximum Expression CC# Tx. Damper On Switch Upper Switch Lower Switch Solo Octerve Shift Key Range Lo Key Range Hi Inst. Group Inst. Number Volume Velocity Expression 4n 4n 4n 4n 4n 4n 4n 4n 4n 4n 4n 4n 4n 50 50 50 50 50 50 50 50 50 50 50 03 04 05 06 07 08 09 0A 0B 0C 0D 0E 0F 00 01 02 03 04 05 06 07 08 09 0A 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 4n 4n 4n 4n 4n 4n 4n 4n 4n 4n 4n 4n 4n 50 50 50 50 50 50 50 50 50 50 50 03 04 05 06 07 08 09 0A 0B 0C 0D 0E 0F 00 01 02 03 04 05 06 07 08 09 0A 01 01 01 01 01 01 01 01 01 01 01 01 01 01 01 01 01 01 01 01 01 01 01 01 Data 7 bit ASCII 00, 01 (Off/On) 00 - 02 (Lower, Chord, Poly) 24 - 60 (MIDI note number) 00, 01 (Off/On) 24 - 3C (MIDI note number) 00, 01 (Off/On) 24 - 60 (MIDI note number) 3E - 40 - 42 (-2 - 0 - +2) 3E - 40 - 42 (-2 - 0 - +2) 00 - 18 (0 - 24 semitones) 00 - 31 (0.1 - 5.0 seconds) 00, 01 (Off/On) 3E - 40 - 42 (-2 - 0 - +2) 3E - 40 - 42 (-2 - 0 - +2) 00 - 0F (1 - 16) 00, 01 (Off/On) 00 - 03 00: Off 01: Upper 02: Lower 03: Pedal 24 - 60 (MIDI note number) 24 - 60 (MIDI note number) 00 - 7F 00 - 7F 00 - 7F 3E - 40 - 42 (-2 - 0 - +2) 00 - 7F 00 - 40 - 7F (L64 - C - R63) 00 - 04 (Off, Normal - Easy) 00 - 3F (0 - 63) 40 - 7F (64 - 127) 00, 01 (7, 11) 00, 01 (Off/On) 00, 01 (Off/On) 00, 01 (Off/On) 00, 01 (Off/On) 3E - 40 - 42 (-2 - 0 - +2) 24 - 60 (MIDI note number) 24 - 60 (MIDI note number) 00 - 06 (1 - 7) 00 - 7F (1 - 128) 00 - 7F (0 - 127) 00 - 04 (Off, Normal - Easy) 00, 01 (Off/On) “n” means Zone number. 1=0, 2=1, 3=2 Turn Extra Voice On via NRPN ...........................Bx 62 50 63 00 06 01 (x = Upper channel) Turn Extra Voice On via System Exclusive ............F0 55 dd 10 1F 13 00 50 00 01 F7 (dd = Device ID) HA<O> Sk1 / Sk2 Owner’s Manual Patch Load always INT EXT EXV 139 Category Parameter Percussion NRPN SysEx Address SysEx LSB MSB MSB to LSB Length (62) (63) 08 08 08 08 08 08 08 08 08 08 08 08 08 20 00 01 02 03 04 05 06 07 08 09 0A 0B 0C 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 08 08 08 08 08 08 08 08 08 08 08 08 08 20 00 01 02 03 04 05 06 07 08 09 0A 0B 0C 00 01 01 01 01 01 01 01 01 01 01 01 01 01 01 Key Click Attack Key Click Release Fold Back Lo Fold Back Hi Key Click LPF Custom TW B-Type 1 Custom TW B-Type 2 Custom TW Mellow Octerve Shift Upper Key Range Lo Upper Key Range Hi Upper Octerve Shift Lower Key Range Lo Lower Key Range Hi Lower 16´ 5 1/3´ 8´ 4´ 20 20 20 20 20 20 20 20 20 20 20 20 20 20 ----- 01 02 03 04 05 06 07 08 09 0A 0B 0C 0D 0E ----- 00 00 00 00 00 00 00 00 00 00 00 00 00 00 01 01 01 01 20 20 20 20 20 20 20 20 20 20 20 20 20 20 01 01 01 01 01 02 03 04 05 06 07 08 09 0A 0B 0C 0D 0E 00 01 02 03 01 01 01 01 01 01 01 01 01 01 01 01 01 01 01 01 01 01 00, 01 (Off/On) 00, 01 (Off/On) 00, 01 (Off/On) 00, 01 (Off/On) 00 - 0F (1 - 16) 00 - 0F (1 - 16) 00 - 09 (1 - 9, Cont) 00 - 09 (1 - 9, Cont) 00, 01 (Off/On) 00, 01 (Off/On) 00, 01 (Off/On) 00, 01 (Off/On) 00, 01 (0, -3dB) 00 - 05 00: B-Type 1 01: B-Type 2 02: Mellow 03: Vx 04: Farf 05: Pipe 00 - 0F (0 - 15) 00 - 0F (0 - 15) 00 - 0C (C1 - C2) 2B - 30 (G4 - C5) 00 - 7F (0 - 127) 00 - 04 (1 - 5) 00 - 04 (1 - 5) 00 - 04 (1 - 5) 3E - 40 - 42 (-2 - 0 - +2) 24 - 60 (MIDI note number) 24 - 60 (MIDI note number) 3E - 40 - 42 (-2 - 0 - +2) 24 - 60 (MIDI note number) 24 - 60 (MIDI note number) 00 - 08 (0 - 8) 00 - 08 (0 - 8) 00 - 08 (0 - 8) 00 - 08 (0 - 8) 2 2/3´ 2´ 1 3/5´ 1 1/3´ 1´ 16 5 1/3´ 8´ 4´ 2 2/3´ 2´ 1 3/5´ 1 1/3´ 1´ --------------- --------------- 01 01 01 01 01 01 01 01 01 01 01 01 01 01 01 01 01 01 01 02 02 02 02 02 02 02 02 02 04 05 06 07 08 00 01 02 03 04 05 06 07 08 01 01 01 01 01 01 01 01 01 01 01 01 01 01 00 - 08 (0 - 8) 00 - 08 (0 - 8) 00 - 08 (0 - 8) 00 - 08 (0 - 8) 00 - 08 (0 - 8) 00 - 08 (0 - 8) 00 - 08 (0 - 8) 00 - 08 (0 - 8) 00 - 08 (0 - 8) 00 - 08 (0 - 8) 00 - 08 (0 - 8) 00 - 08 (0 - 8) 00 - 08 (0 - 8) 00 - 08 (0 - 8) Second On Third On Decay Fast Volume Soft Level On Soft Level On Normal Decay Fast Decay Slow Touch Velocity Key Track Drawbar 1´ Cancel Drawbar Level Lower & Upper Organ Type Organ section Upper Registration Lower Registration Data Patch Load DRAWB DRAWB UPPER L/P Appendix 140 MIDI INFORMATION - continued Category Pedal Pedal Registration Organ Effect Parameter NRPN SysEx Address SysEx LSB MSB MSB to LSB Length (62) (63) Data Tonewheel Set 22 00 00 22 00 01 Attack 22 01 00 22 01 01 Sustain On Sustain Length Decay Length Velocity Key Mode Octerve Shift Key Range Lo Key Range Hi 16´ 8´ Leslie Bypass Leslie Fast Leslie Stop Leslie Cabinet Number Vibrato On Swell Vibrato On Great Vibrato Mode Vibrato Rate Vibrato V1 Depth Vibrato V2 Depth Vibrato V3 Depth Vibrato C1 Depth Vibrato C2 Depth Vibrato C3 Depth Vibrato Tremolo Vibrato Cho. Emphasis 22 22 22 22 22 22 22 22 --09 09 09 09 09 09 09 09 09 09 09 09 09 09 09 09 03 04 05 06 07 08 09 0A --00 01 07 08 04 03 04 05 0D 0E 0F 10 11 12 13 14 00 00 00 00 00 00 00 00 01 01 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 22 22 22 22 22 22 22 22 03 03 09 09 09 09 09 09 09 09 09 09 09 09 09 09 09 09 03 04 05 06 07 08 09 0A 00 01 00 01 07 08 02 03 04 05 0D 0E 0F 10 11 12 13 14 01 01 01 01 01 01 01 01 01 01 01 01 01 01 01 01 01 01 01 01 01 01 01 01 01 01 00 - 03 00: Normal 01: Muted 02: Synth 1 03: Synth 2 00 - 04 00: Slow Attack 01: No Click 02: Soft Click 03: Normal Click 04: Max Click 00, 01 (Off/On) 00 - 04 (1 - 5) 00 - 05 (1 - 5, Cont) 00 - 04 (Off, Normal - Easy) 00, 01 (Mono/Poly) 3E - 40 - 42 (-2 - 0 - +2) 24 - 60 (MIDI note number) 24 - 60 (MIDI note number) 00 - 08 (0 - 8) 00 - 08 (0 - 8) 00, 01 (Enable / Bypass) 00, 01 (Slow / Fast) 00, 01 (Turn / Stop) 00 - 07 (1 - 8) 00, 01 (Off/On) 00, 01 (Off/On) 00 - 05 (V1 - C3) 00 - 04 (6.1 - 7.25Hz) 00 - 0F (1 - 16) 00 - 0F (1 - 16) 00 - 0F (1 - 16) 00 - 0F (1 - 16) 00 - 0F (1 - 16) 00 - 0F (1 - 16) 00 - 0F (0 - 15) 00 - 09 (0 - 9) Vibrato On Pedal 09 15 00 09 15 01 00, 01 (Off/On) HA<O> Sk1 / Sk2 Owner’s Manual Preset Load DRAWB L/P EFFECT DRAWB 141 Category Effects Example: Parameter NRPN SysEx Address SysEx LSB MSB MSB to LSB Length (62) (63) Overdrive On Overdrive Type 3p 3p 00 01 00 00 3p 3p 00 01 01 01 Overdrive Drive Level Overdrive Controlled Exp. 3p 3p 02 03 00 00 3p 3p 02 03 01 01 Multi Effect On Multi Effect Type 3p 3p 04 05 00 00 3p 3p 04 05 01 01 Multi Effect Parameter 0 Multi Effect Parameter 1 Multi Effect Parameter 2 Multi Effect Parameter 3 Multi Effect Parameter 4 Multi Effect Parameter 5 Multi Effect Parameter 6 Multi Effect Parameter 7 EQ Bass Gain EQ Bass Frequency EQ Mid Gain EQ Mid Frequency EQ Treble Gain EQ Treble Frequency EQ Tone Control Reverb On Reverb Type 3p 3p 3p 3p 3p 3p 3p 3p 3p 3p 3p 3p 3p 3p 30 0A 0A 06 07 08 09 0A 0B 0C 0D 0E 0F 10 11 12 13 14 00 01 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 3p 3p 3p 3p 3p 3p 3p 3p 3p 3p 3p 3p 3p 3p 3p 0A 0A 06 07 08 09 0A 0B 0C 0D 0E 0F 10 11 12 13 14 00 01 01 01 01 01 01 01 01 01 01 01 01 01 01 01 01 01 01 Reverb Level Reverb Time Reverb Delay Feedback Reverb Delay Time 0A 0A 0A 0A 02 03 04 05 00 00 00 00 0A 0A 0A 0A 02 03 04 05 01 01 01 01 Data 00, 01 (Off/On) 00 - 03 00: Tube 01: Stomp Box 02: Clip 03: E. Pf. Amp 00 - 7F 00-03 00: EX-OD 01: OD-EX 02: OD Only 03: Input 00, 01 (Off/On) 00-07 00: Tremolo 01: Auto Pan 02: Wah-Wah 03: Ring Mod. 04: Phaser 05: Flanger 06: Chorus 07: Delay 00-03 00-03 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00 - 09 - 12 (-9 - 0 - +9) 00 - 0A (20 - 200Hz) 00 - 09 - 12 (-9 - 0 - +9) 00 - 0A (250 - 3.1kHz) 00 - 09 - 12 (-9 - 0 - +9) 00 - 03 (4.0 - 8.0 kHz) 00 - 09 - 12 (-9 - 0 - +9) 00, 01 (Off/On) 00 - 0A 00: Room 1 01: Room 2 02: Live House 03: Hall 1 04: Hall 2 05: Church 06: Plate 07: Spring 08: Delay 09: Panning Delay 0A: Reverb + Delay 00 - 7F (0 - 127) 00 - 7F (0 - 127) 00 - 1F (0 - 96%) 00 - 44 (4.7 - 2000ms) Preset Load EFFECT p=0: DRAWB p=1: EXV REV “p” means Section number. Organ=0, Extra Voice=1 Set Multi-Effect EXV at Phaser via NRPN ...........Bx 63 05 62 31 06 04 26 00 (x = Upper channel) Set Multi-Effect EXV at Phaser via SysEx .............F0 55 dd 10 1F 13 00 31 05 04 F7 (dd = Device ID) Appendix 142 MIDI INFORMATION - continued Leslie Parameters Category Cabinet Parameter Name Slow Speed Horn Slow Speed Bass Fast Speed Horn Fast Speed Bass Rise Time Horn Rise Time Bass Fall Time Horn Fall Time Bass Brake Time Horn Brake Time Bass Level Horn Level Bass Mic. Angle Mic. Distance Horn Character Amplifier Speaker NRPN (OR) NRPN (21) SysEx Address SysEx LSB MSB LSB MSB MSB to LSB Length (62) (63) (62) (63) -06 06 06 06 06 06 06 06 06 06 06 06 06 06 06 06 06 -00 01 02 03 04 05 06 07 08 09 0A 0B 0C 0D 0E 0F 10 -7F 7F 7F 7F 7F 7F 7F 7F 7F 7F --7F 7F 7F --- -00 01 02 03 04 05 06 07 08 09 --0A 0B 0D --- 03 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 06 06 06 06 06 06 06 06 06 06 06 06 06 06 06 06 06 00 00 01 02 03 04 05 06 07 08 09 0A 0B 0C 0D 0E 0F 10 0A 01 01 01 01 01 01 01 01 01 01 01 01 01 01 01 01 01 Data (10 Characters) NRPN OR/21 is switched automatically by Leslie speaker is disconnected/connected. System Parameters Category MIDI MIDI IN Parameter Ext. Leslie Local Control TRx. NRPN Tx. Leslie Param. Rx. Dump TRx. Prog. Change TRx. Drawbar Regi. Tx. Ext. Zone TRx. Channel Upper TRx. Channel Lower TRx. Channel Pedal Device ID Channel(s) Data Range Lower, Pedal, Low+Ped, Sequence, ExVoice Off/On Off/On OR/21 Off/On Off/On Off/On Off/On 1 - 16, Off 1 - 16, Off 1 - 16, Off 1 - 32 1, 3 HA<O> Sk1 / Sk2 Owner’s Manual Default Value Sequence On On SK On On On Off 1 2 3 1 3 CUSTOM TONE-WHEELS LIST 143 uBType1, BType2 Real B-3 Type based upon a B-3 in good condition. It contains moderate motor hum and leakage noise. 80's Clean Type based upon the popular clear sound 80’s B-3. The motor hum or leakage noise has been removed, the delicate “vibration” caused by the wow-flutter of the motor still remains. Noisy This is a custom replicating the entire sound output from the B-3, including the motor hum and leakage noise. Noisy 60 Type based upon very prominent leakage noise. uMellow Full Flats Type based on perfect sine waves, and a hypothetical Hammond in which all tone wheels oscillate at the same volume. Husky Type with characteristics of mid-range and reduced volume. Flute Lead Type with characteristics of reduced bass and treble, opposite to the “Husky”. Cheap Tr.s Like a portable radio, reduced bass-range. Appendix MIDI IMPLEMENTATION CHART 144 MIDI Implementation Chart Stage Keyboard Model: SK1, SK2 Function Basic Channel Transmitted Default Changed Default Messages Altered *1 1 - 16 3 X Mode ***** 12 - 120 Note ***** : True Voice Number O Note ON Velocity X Note OFF X Key’s After Touch X Ch’s X Pitch Bend O 0, 32 X 1 O 6, 38 O 7 O 10 O 11 Control O 12 - 20, 80 Change O 21 - 29, 81 O 33, 35, 82 O 48 O 49 O 64 O 98, 99 O Program 0 - 127 : True # Change O System Exclusive X : Song Position System X : Song Select Common : Tune X X System : Clock X : Commands Real Time X : All Sounds Off : Reset All Controllers O X Aux : Local On/Off O Messages : All Notes Off O : Active Sense X : Reset Mode 1: OMNI ON, POLY Mode 2: OMNI ON, MONO Mode 3: OMNI OFF, POLY Mode 4: OMNI OFF, MONO HA<O> Sk1 / Sk2 Owner’s Manual Date: 8-Jul-2010 Version: 1.0 Recognized *1 1 - 16 3 X X 36 - 96 36 - 96 O X X X X O X O X X O O O O O O O O O 0 - 81 O X X X X X O O X O O X Remarks *1: Upper = 1, Lower = 2, Pedal = 3 Bank Select MSB, LSB Modulation Data Entry MSB, LSB Volume Pan Expression Drawbar Reg. Upper Drawbar Reg. Lower Drawbar Reg. Pedal Spring Shock Glide Damper NRPN MSB, LSB (120) (121) O: Yes X: No MIDI CHANNELS AND MESSAGES Note Pitch Bend Modulation Volume, Pan Expression Hold 1 Drawbar Reg. Spring Shock RPN NRPN All Notes Off All Sounds Off Reset All Ctrl. After Touch Bank Select Program Change (7, 10) (11) (64) (48) (100, 101) (98, 99) (123) (120) (121) (0, 32) 145 External Zone (Tx. only) O Upper Part O Lower Part O Pedal Part O X X O O O X X X X O *2 O CC#80, 12 - 20 (Upper) 21 - 29 (Lower) 33, 35 (Pedal) O X O O O *3 O X Patch X X X X O CC#81 X X X X O CC#82 X X X O O *3 O X X X X X X O O *3 O X X X X X X O X O X Change the voice for each zone. *1: It works for both Swell, Great and Pedal. *2: It works for all parts (audio controlled) *3: For Rx. only. Appendix SPECIFICATIONS 146 Sound Generator Organ Section 2 - VASE III as Digital Tone-wheels, Transistor Organ and Pipe Organ 61 polyphony (for manual, except Pipe Organ) 8 polyphony (for pedal, except Pipe Organ) 63 polyphony (maximum, on Pipe Organ) Extra Voice Section Patches Capacity 100 User Patches, 100 Preset Patches, Manual Favorites 10 buttons Patch Load Options Drawbar Registration, Drawbar Parameters, Extra Voice, Internal Zone, External Zone, Organ Effects, EXV Effects, Reverb VASE III, 63 polyphony (maximum) Keyboards C1 to C6 61-key (SK1) 2 x C1 to C6 61-key (SK2) Harmonic Drawbars Drawbars 9 Pitches, assignable for Upper, Pedal, Lower Voicing Manuals: 6 choices (B-Type1, B-Type2, Mellow, Vx, Farf, Pipe), variable key-click Pedal: 4 choices (Normal, Muted, Synth1, Synth2), 5 choices key-click Touch Response Percussion Buttons Second Harmonic, Third Harmonic, Fast Decay, Volume Soft Adjustable Controllers Volumes Master Volume, Music Volume, Extra Voice Volume Switch Power On/Off Music Player File Format WAV (44.1kHz, 16bit, Stereo), MP3 (44.1kHz, 128kbps, Stereo) Control Song, Play/Pause Storage USB Flash Drive Display 20 - Characters, 2 - Lines 8 Control Buttons and Value knob Touch, Velocity, Decay (Fast, Slow), Level (Normal, Soft) Extra Voice Instruments 6 Groups (A. Piano, E. Piano, Keyboard, Wind, Other, Library) Upgradable via Library Control Allocate Upper/Lower, Solo, Group Effects Vibrato and Chorus Digital Scanner Buttons: 1, 2, Chorus, Upper On, Lower On Overdrive Digital, 4 programs Control: On, Amount Multi Effects 8 programs for Organ/Extra Voice individually Control: On, Amount Equalizer for Organ: Bass, Mid (sweep), Treble, Tone for Extra Voice: Bass, Mid (sweep), Treble Internal Leslie Advanced Digital, 2 Rotors Buttons: Bypass, Stop, Fast Reverb Digital, 11 programs Control: On, Depth Master Equalizer Control: Bass, Mid Gain, Mid Frequency, Treble Keymap Buttons Manual Bass, Split (SK1 only), Lower to Pedal (SK2 only) Octave Up, Octave Down, Lower, Transpose Adjustable Coupler Highest note, Split Point HA<O> Sk1 / Sk2 Owner’s Manual MIDI Templates 9 Templates(SK1), 5 Templates(SK2) External Zones 3 Zones, assignable any keyboards Connections MIDI In, Out Audio Line Out L, R, Headphones Leslie 8 - pin, 1 and 3 channels available Other Foot Switch, Damper Pedal, Exp. Pedal, DC IN (12V) Accessory AC Adaptor AD3-1250 Dimensions SK1: 894(W), 303(D), 99(H) mm SK2: 944(W), 454(D), 170(H) mm Weight SK1: 7kg SK2: 16kg PRESET PATCH LIST Category # Category Jazz Organ High Lights Gospel Organ Rock / Pop Pipe Organ A / E Piano Others Keyboard Appendix Wind P001 P002 P003 P004 P005 P006 P007 P008 P009 P010 P011 P012 P013 P014 P015 P016 P017 P018 P019 P020 P021 P022 P023 P024 P025 P026 P027 P028 P029 P030 P031 P032 P033 P034 P035 P036 P037 P038 P039 P040 P041 P042 P043 P044 P045 P046 P047 P048 P049 P050 Name The Rock! Jazz Tune Preacher’s Chord Glory Pipes Light’n Up Absolutely Richard Respect Piano Groovy Donny Trust Clav. Splitted Brass Prochord Purple The Gnome Some Lovin White Shade Soloist Ring Heaven Light Fire Neon Shuf Don’t Run Lucy’s Sky Stereo Grand Piano Bright Grand Piano Mono Grand Piano Saturday Park Panning E. Piano Phasing E. Piano Chorus E. Piano Galaxy FM Ballad Wurly Rock Wurly Super Wonder Rock Nuts Wah Clav. Flanged Clav. Macarena Clav. Harpsichord Coupled Harpsichord Accordion MMM Enka Lead Tornaido Prochorded Flute Sect. Prochorded Big Band Prochorded Sax Sect. Prochorded Brass Sect. Prochorded Mute Combo Solo Flute Solo Alto Sax Solo Trumpet Trumpet + Trombone Muted Tp + Tb # P051 P052 P053 P054 P055 P056 P057 P058 P059 P060 P061 P062 P063 P064 P065 P066 P067 P068 P069 P070 P071 P072 P073 P074 P075 P076 P077 P078 P079 P080 P081 P082 P083 P084 P085 P086 P087 P088 P089 P090 P091 P092 P093 P094 P095 P096 P097 P098 P099 P100 147 Name Hey! Jimmy Crazy! Baby Mack The Knife The Lower Manual Full Swing Mighty Burner Groove Richard Five Spot Sweet Ballad Walter’s Summer Classic Gospel Slow Gospel Contemp. Gospel Shout Gospel Quiet Praise Reflective Praise Dramatic Praise Total Praise Meditation Full Gospel Pianissimo Piano Mezzo Piano Mezzo Forte Forte Fortissimo Reed Solo Sforzando Split Positiv Org / Piano Split Positiv Org / Strings Theater Glock Org Jazz Vibes + Organ Electro Strings SX/CX Strings Fake Arpeggio Sleng Teng Chameleon Slice Pad Pcd Duo Lead 1960’s Sci-Fi TW Organ / E. Pf Brass / Tonewheel Tonewheel / Funny A. Piano Pad Breathy T. Sax Growl T. Sax Drawbars Flute Drawbars Reed Drawbars Diapason Drawbars String Appendix 148 Index K Keyboard Channels 104, 111 Key Click 74 Key Mode 75 A Allocate 58 Assign 80 Leakage Noise 87 Leslie 30, 53, 84 Leslie Channel 17, 86 Leslie Parameters 84 Leslie Speaker 17 Library 58 Lower to Pedal 34 Back Up 22 C D MANUAL 28 Manual Bass 33, 55 Master Equalizer 27 Master Tune 98 M. BASS. see: Manual Bass Menu Mode 66 MIDI 101, 110 MIDI Keyboards 18 MIDI Sound Module 107 MIDI Template 110, 132 Multi-Effects 30, 32, 54, 59 Music Player 119 E F O Octave 56 Organ Type 40, 74 Overdrive 30, 52, 88 P Panic Function 109 Parameter 70 Part 33 Patch 23, 60, 76 Patch Load 60, 76 Pedalboard 20 Pedal Sustain 34, 55 Percussion 29, 50, 82 Pipe 40, 48 Play Mode 65 Power 22 Preset 23 Pro-Chord 58 P. SUS. see: Pedal Sustain Factory Settings 22 Farf 47 Favorites 24, 76 Folder Structure 114 Foot Switch 26, 78 Function Mode 68 G Glide 79 H Harmonic Drawbars 42 I Instrument 31 Internal Zone 108 Setup 116 Setup File 114 Short Cut 69 Solo 58 Split 33, 56 Spring Reverb 78 System 100 T Tip and Ring 78 Transpose 57 Tune 98 M Damper 80 Default 99 Display 81 Drawbar Registration 44 Drawbars 29, 74 Drawbars Select 29, 49 Effects 88 Equalizer 96 Expand The Keyboard 18 Expression 77, 79 Expression Pedal 26 External Sequencer 106 External Zone 108 External Zone Channel 104 Extra Voice 58, 77, 130 S L B Cabinet Number 84 Control 78 Coupler 34, 55 Custom Tone-Wheels 87, 143 Reverb 32, 54, 59, 97 R Re-Load 109 HA<O> Sk1 / Sk2 Owner’s Manual U USB Flash Drive 114 User 23 V Vibrato & Chorus 30, 51, 83 Voice Group 31 Voice Library 123 Vx 40, 46 Z Zones 108 SERVICE 149 Hammond maintains a policy of continuously improving and upgrading its instruments and therefore reserves the right to change specifications without notice. Although every attempt has been made to insure the accuracy of the descriptive contents of this Manual, total accuracy cannot be guaranteed. Should the owner require further assistance, inquiries should first be made to your Authorized Hammond Dealer. If you still need further assistance, contact Hammond at the following addresses: In the United States Contact: In Europe contact: All other countries contact: HAMMOND SUZUKI USA, Inc. 733 Annoreno Dr. Addison, IL 60101 UNITED STATES HAMMOND SUZUKI EUROPE B. V. IR. D. S. Tuynmanweg 4A 4131 PN Vianen THE NETHERLANDS HAMMOND SUZUKI Ltd. 25-11, Ryoke 2 Chome, Naka-ku, Hamamatsu 430-0852 (Shizuoka) JAPAN E-mail: [email protected] Web site: www.hammondorganco.com E-mail: [email protected] Web site: www.hammond.eu E-mail: [email protected] Web site: www.suzuki-music.co.jp Technical materials are available and can be obtained by mailing a request to the appropriate address listed above marked ATTENTION: SERVICE DEPARTMENT. Manufacturer: SUZUKI MUSICAL INSTRUMENT MFG. CO., Ltd. 25-12, Ryoke 2 Chome, Naka-ku, Hamamatsu 430-0852 (Shizuoka) JAPAN Printed in Japan HAMMOND SUZUKI, LTD., Hamamatsu, Japan 00457-40173 V1.00-110314
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