CyberLink PowerDirector 2.5.5 Instructions

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All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means electronic, mechanical, or otherwise

(including photocopying and recording), without the prior written permission of

CyberLink Corporation.

To the extent allowed by law, POWERDIRECTOR IS PROVIDED "AS IS", WITHOUT

WARRANTY OF ANY KIND, EITHER EXPRESS OR IMPLIED, INCLUDING WITHOUT

LIMITATION ANY WARRANTY FOR INFORMATION, SERVICES, OR PRODUCTS

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FOR ANY DIRECT, INDIRECT, OR CONSEQUENTIAL LOSS ARISING FROM THE USE

OF THIS SOFTWARE OR MATERIALS CONTAINED IN THIS PACKAGE.

The terms and conditions here under shall be governed and construed in accordance with the laws of Taiwan, Republic of China.

PowerDirector is a registered trademark. Other company and product names mentioned in this publication are used for identification purposes, and shall remain the exclusive property of their respective owners.

International Headquarters: CyberLink Corporation, 15F, No.100, Min-Chiuan Road, Hsin-

Tian City, Taipei Hsien, Taiwan, R.O.C.

Web site: support.gocyberlink.com

Telephone #: 886-2-8667-1298

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Copyright © 2002 CyberLink Corporation, Taipei, Taiwan, ROC

T

ABLE OF

C

ONTENTS

9291

9292

Introduction..................................................................... 1

System Requirements ......................................................................... 3

Hardware Requirements............................................................... 3

Supported File Formats ...................................................................... 4

Visual Overview .............................................................. 5

PowerDirector Workspace ................................................................ 6

1. Library............................................................................................... 8

Color Boards Mode ............................................................................. 9

2. Storyboard ...................................................................................... 10

3. Preview Window........................................................................... 11

4. Modes Wheel ................................................................................. 12

Capture Mode .................................................................................... 13

DV VCR Capture Mode............................................................... 14

DV Batch Capture Mode ............................................................. 16

Trim Mode.......................................................................................... 18

Speed Mode........................................................................................ 19

Titles Mode......................................................................................... 20

Effects Mode....................................................................................... 21

Picture-in-Picture Mode ................................................................... 22

Master Audio Mode.......................................................................... 23

Audio Mode ....................................................................................... 24

Master Watermark Mode ................................................................. 25

Transitions Mode............................................................................... 26

i

ii

9293

9294

9295

The Basics..................................................................... 27

Basic Procedures................................................................................ 27

PowerDirector Workspace .......................................................... 27

Working with Project Files.......................................................... 28

Importing Media Files into the Library .................................... 28

Writing Movies to Tape............................................................... 28

Editing in the Storyboard............................................................ 29

Playing Movies ............................................................................. 29

Changing Modes .......................................................................... 29

Help ................................................................................................ 29

Importing into the Library ............................................................... 30

Previewing your Library Files......................................................... 32

Previewing in the Video Viewer ................................................ 32

Previewing in the Preview Window ......................................... 33

Color Boards ...................................................................................... 34

Detecting Scenes ................................................................................ 35

Storyboard Functions........................................................................ 38

Hotkey List ......................................................................................... 41

Basic Functions ............................................................................. 41

Modes Wheel ................................................................................ 41

Storyboard & Volume.................................................................. 42

Library............................................................................................ 42

Preview Window Controls ......................................................... 43

Other .............................................................................................. 43

Preferences ......................................................................................... 44

General Preferences .................................................................... 44

Edit Preferences ............................................................................ 46

Display Preferences...................................................................... 47

Capture/Export Preferences ...................................................... 48

Preview Preferences..................................................................... 50

Capturing Content ........................................................ 51

Capturing Video and Audio............................................................ 52

Capturing from DV Camcorders .................................................... 57

Capturing from DV Camera Mode............................................ 58

Capturing from DV VCR Mode ................................................. 60

Batch Capturing from DV Camcorders.......................................... 63

Trimming Video ............................................................ 67

Trim Mode.......................................................................................... 67

Splitting the Video File ................................................................ 69

Trim Mode for Image Files .............................................................. 70

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9297

9298

Altering Speed and Supplying Video Effects............. 71

Altering Speeds.................................................................................. 71

Supplying Video Effects ................................................................... 73

Adding Titles and Transitions ..................................... 77

Titles Mode......................................................................................... 77

Transitions Mode............................................................................... 81

Adding Audio and Pictures.......................................... 83

Audio Mode ....................................................................................... 83

Master Audio ..................................................................................... 86

Picture-in-Picture Mode ................................................................... 88

Master Watermark ............................................................................ 91

Applying Image Color Filters.......................................................... 92

Producing Your Movie ................................................. 93

Producing General MPEG-1 Files ................................................... 94

Producing General MPEG-2 Files ................................................... 97

Creating Custom MPEG Profiles ............................................. 100

Producing Windows Media Files.................................................. 102

Producing AVI Files........................................................................ 105

Writing to DV Tape.................................................................... 108

Setting AVI Profiles.................................................................... 110

Producing QuickTime Movie Files ............................................... 112

Creating Custom QuickTime Movie Profiles......................... 114

Producing RealVideo Files............................................................. 116

Creating Custom RealVideo Profiles....................................... 118

Producing Movies on a Disc .......................................................... 119

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iv

10

Creating Your Own Movie Disc ................................. 121

Starting the Disc Wizard ................................................................ 122

Loading an Existing Movie File .................................................... 123

Authoring Your Disc....................................................................... 124

Authoring: Disc Type and Selecting Media Files .................. 124

Authoring: Slideshows and Main Menu Order..................... 126

Authoring: Chapters and Menus ............................................. 128

Authoring: Previewing Content............................................... 132

Burning or Saving Your Movie ..................................................... 134

Burning Your Disc...................................................................... 134

Saving as a Movie File ............................................................... 136

Saving and Opening Disc Wizard Projects.................................. 138

Opening Disc Wizard Projects ................................................. 138

11

Technical Support ...................................................... 139

Web Support .................................................................................... 139

Fax Support ...................................................................................... 139

Telephone Support.......................................................................... 140

Appendix ..................................................................... 141

What Is MPEG?................................................................................ 141

NTSC and PAL ................................................................................ 142

The Digital Video Universe ........................................................... 143

The DV Format: A Brief History .............................................. 143

FireWire ....................................................................................... 144

Glossary ...................................................................... 145

Index ............................................................................ 151

C

HAPTER

1:

I

NTRODUCTION

Ever thought about directing your own movie? How about having all the creative controls and being in charge of the entire editing and post-production process? Well, today’s computing technology has made all this possible for anyone who has recording devices, capture devices, a computer, and of course, the sensational new software application, PowerDirector.

Admittingly, video editing software is not without its drawbacks. Since the advent of computers and its incredible growth in usage and processing speed power, video editing software applications have taken off to astronomical heights. Yet, a great inherent limitation, such as requiring a huge amount of disk space because of the raw video data it captures, still remains. This is why many still choose to edit with analog devices.

What makes PowerDirector the megastar of its industry in one quick flash is its ability to save precious producing time because of its Smart Video Rendering

Technology (SVRT). No additional compression nor decompression is required when producing scenes with MPEG or DV AVI formats that do not contain effects, which saves you huge amounts of time compared to our competitors that compress and decompress the entire movie regardless!

1

Chapter 1

PowerDirector offers wonderful features that simply enthrall, amaze and stupefy including:

altering video speeds detecting scenes

*capturing directly from DV camcorders in real-time or non real-time a Disc Wizard that creates and burns movie discs a cinch!

adding titles to clips adding audio streams to clips

*picture-in-pictures (adding video or images to an existing video clip)

*a huge collection of transitions, video and titles effects

*master audio files

*watermarks

...and there is nothing left to be desired!

Note: Features marked by an asterix (*) may differ in availability or number, depending on the version of PowerDirector that you have. To get the full version, please visit www.gocyberlink.com

.

2

Introduction

System Requirements

Windows 98SE, ME, 2000, XP

Hardware Requirements

Pentium II 450 or above

Note: For hardware requirements when capturing from your DV camcorder or analog devices, please refer to the most up-to-date Readme.

200MB of free hard drive disk (HDD) space

Video capture devices (optional)

capture cards (PCI, USB, FireWire or other FireWire formats)

DV camcorder or DV VCR

analog camcorders or VCRs in 8mm, Hi8, VHS, VHS-C or Beta formats digital camera

PC camera

Playback

Internet Streaming: Pentium II 266 with MMX Technology, Microsoft

Windows Media Player 7.0, IE 5.0

Desktop Slide Show: Pentium II 266 with MMX Technology

3

4

Chapter 1

Supported File Formats

The following formats are supported by PowerDirector for input and output.

Media Type

Image

Video

Input

BMP

GIF

JPG

TIF

Windows AVI

DV AVI

MPEG-1

MPEG- 2

Output

BMP

GIF

JPG

Windows AVI

DV AVI

MPEG-1

MPEG- 2

RealVideo

QuickTime

WMV

C

HAPTER

2:

V

ISUAL

O

VERVIEW

This section describes the PowerDirector user’s interface, along with its key elements. The four major elements of the PowerDirector interface include:

the Library the Storyboard the Preview Window the Modes Wheel

In the image of the PowerDirector workspace that follows, these four elements are indicated by numbers (1-4), which correspond to sections that describe each of these elements in more detail. Each of these sections, in turn, contains a graphic with callouts and a table that contains descriptions of each of their elements.

5

Chapter 2

PowerDirector Workspace

1 2 3 4 A B C

6

D E

Visual Overview

Button/Icon Description

1

2

Library

Storyboard

Contains raw media files for use in the Storyboard

Contains finalized media clips, transitions, effects, and user settings that combine to create a movie

3 Preview Window Allows users to preview media clips, transitions, and special effects

4 Modes Wheel

A i-Power

Switches between editing modes

Activates i-Power on the Web for resources

B Minimize

C Exit

D Trash Can

E Volume

Minimizes PowerDirector

Exits PowerDirector

Deletes media clips in the Library or the Storyboard

Adjusts volume

7

Chapter 2

1. Library

A F G H I J

8

Button/Icon

J

I

A Show All Media

B Show Video

C Show Audio

D Show Images

E Show Color Boards

F Detect Scenes

G Import Media

H Import Directory

Thumbnails

Details

Description

Shows all media files in Library

Shows all video files in Library

Shows all audio files in Library

Shows all image files in Library

Shows colored backgrounds in the Library

Detects scenes for a selected file in the Library

Imports media files

Imports all media files in a directory

Displays Library media files as thumbnails

Displays Library media files with file details

Color Boards Mode

A B

Visual Overview

Button/Icon

A New Color Board

B Restore Default Color

Boards

Description

Shows the default Color Boards in the Library

Removes customized Color Boards and reverts to the default Color Boards

9

A

B

C

D

E

Chapter 2

2. Storyboard

Button/Icon

A Play Movie

B Master Watermark

C Master Audio

D Scroll Left

E Scroll Right

Description

Plays your movie (preview before producing)

Activates Master Watermark mode

Activates Master Audio mode

Scrolls Storyboard left

Scrolls Storyboard right

10

3. Preview Window

Visual Overview

A B C D E F G H


A Stop

B Play/Pause

C Start

D Apply

Stops playing file

Plays/pauses file

Jumps to start of file

Applies clip to Storyboard (if applicable)

E

F

End Jumps to end of file

Previous Frame Moves to previous frame

G Next Frame

H Record

Moves to next frame

Records file (if applicable depending on mode)

Note: Durations are displayed as HH:MM:SS:FF (i.e. hours:minutes:seconds:frames).

11

Chapter 2

4. Modes Wheel

B A

C

D

E

F

I

J

K

G H


A Preview Mode

B Trim Mode

C Speed Mode

D Titles Mode

E Effects Mode

F PiP Mode

G Audio Mode

Switches to the default Preview Mode

Switches to Trim Mode

Switches to Speed Mode

Switches to Titles Mode

Switches to Effects Mode

Switches to Picture-in-Picture (PiP) Mode

Switches to Audio Mode

H Transitions Mode Switches to Transitions Mode

I Capture Mode Switches to Capture Mode

J Disc Wizard

K Produce Movie

Switches to Disc Wizard

Switches to Produce Movie

12

Capture Mode

Visual Overview

A B C D E F

Button/Icon

A Audio Capture

B Analog Video

Capture

C DV Capture

D Video Setup

E Profile Setup

F Audio Setup

Description

Captures audio source only

Captures analog video and audio source (if applicable)

Captures DV source

Setup for audio/video sources and profiles



13

Chapter 2

DV VCR Capture Mode

14

A B C D E F G H I J K L M N O P Q RS

Visual Overview

Button/Icon

A Stop

B Play

C Current Tape

Timecode

D Total Time

E Pause

F Seek

G Rewind

H Fast Forward

I Previous Frame

J Shuttle

K Next Frame

L Record

M Non Real-time/

Real-time Capture

N Instant Capture

Mode

O Snapshot

P Batch Capture

Mode

Q Video Setup

R Profile Setup

S Audio Setup

Description

Stops recording file (may also stop DV tape playback)

Plays file

Denotes current time position of your DV tape

Denotes total time captured from DV tape

Pauses file

Seeks tape’s timecode

Rewinds DV tape

Fast forwards DV tape

Goes to DV tape’s previous frame

Shuttles DV tape

Goes to DV tape’s next frame

Records/captures DV tape content

Captures in non real-time (default) or real-time

Switches to Instant Capturing Mode (not pictured)

Takes an instant snapshot

Switches to Batch Capturing Mode




15

Chapter 2

DV Batch Capture Mode

16

A B C D E F G H I J K L M N O P Q

Visual Overview


A Stop

B Mark In

C Current Tape

Timecode

Stops batch capturing

Marks in for beginning of batch task

Denotes current time position of your DV tape

D Seek

E Rewind

F Fast Forward

G Mark Out

Seeks tape’s timecode

Rewinds DV tape

Fast forwards DV tape

Marks out for beginning of batch task

H Shuttle

I Non Real-time/Realtime Capture

Shuttles DV tape

Captures in non real-time (default) or real-time

J Instant Capture Mode Switches to Instant Capturing Mode (not pictured)

K Add Task Adds new batch capturing task

L Remove Task

M Batch Capture Mode

N Start Selected Task(s)

O Video Setup

P Audio Setup

Q Profile Setup

Removes batch capturing task

Switches to Batch Capturing Mode

Starts selected batch capturing task(s)




17

Chapter 2

Trim Mode

A B C D E F G H


A Mark In Marks in for beginning of trimmed clip

B Time Slider Position Denotes current time slider position

C Mark Out Marks out for end of trimmed clip

D Total Time Total time of trimmed clip

E Split Video

F Revert

G Snapshot

H Clear

Splits current clip into two at the time slider position

Reverts to clip’s original trim effects

Takes snapshot

Clears all trim effects

18

Speed Mode

Visual Overview

A B C D

Button/Icon

A Decrease Speed

B Revert

C Clear

D Increase Speed

Description

Decreases speed of video

Reverts to clip’s original speed effects

Clears all speed effects

Increases speed of video

19

Chapter 2

Titles Mode

A B C D E F G H I


A Mark In

B Mark Out

Marks in for beginning of title effect

Marks out for end of title effect

C TV Safe Zone Displays a dashed outline around the inside of the Preview

Window

D Grid Lines

E Add Title

Displays a grid of dashed lines

Adds new title to clip

F Remove Title Removes title from clip

G Revert Reverts to clip’s original title effects

H Set Font

I Clear

Sets font options

Clears all title effects

20

Effects Mode

Visual Overview

Button/Icon

A Link Settings

B Revert

C Clear

Description

Links two given settings

Reverts to clip’s original video effects

Clears all video effects

A B C

21

Chapter 2

Picture-in-Picture Mode

A B C D E F


A TV Safe

Zone

B Grid Lines

C Revert

Displays a dashed outline around the inside of the Preview

Window


Reverts to clip’s original picture effects

D Trim Video

E Clear

Allows you to trim a video file used as the second picture

Clears all picture effects

F Eyedropper Selects image color to be filtered

22

Master Audio Mode

Visual Overview

A B C D E F


A Volume Mixing Drag slider for mixing volume for user-defined audio files (0-200%)

B Add Audio

C Revert

Adds new audio file to clip

Reverts to clip’s original audio effects

D Remove Audio

E Trim Audio

F Clear

Removes audio file from clip

Allows you to trim an audio file

Clears all audio effects

23

Chapter 2

Audio Mode

A B C D E F


A Volume Mixing Drag slider for mixing volume for user-defined audio files (0-200%)

B Add Audio Adds new audio file to clip

C Revert

D Remove Audio

E Trim Audio

F Clear

Reverts to clip’s original audio effects

Removes audio file from clip

Trims audio file

Clears all audio effects

24

Master Watermark Mode

Visual Overview

E

A

B

C D

Button/Icon

A TV Safe Zone

B Grid Lines

C Revert

D Clear

E Eyedropper

Description

Displays a dashed outline around the inside of the

Preview Window


Reverts to clip’s original transition effects

Clears all transition effects

Selects image color to be filtered

25

Chapter 2

Transitions Mode

A B C D

Button/Icon

A Decrease Transition Length

B Revert

C Clear

D Increase Transition Length

Description

Decreases time for the selected transition

Reverts to clip’s original transition effects

Clears all transition effects

Increases time for the selected transition

26

C

HAPTER

3:

T

HE

B

ASICS

It’s time to get started with the basics before your mesmeric and uninhibited effects are added. The ensuing sections will outline how to begin by importing your media files into the PowerDirector Library and previewing these files. You will also learn how to use Color Boards in the Storyboard and how to detect scenes within a video file. Later, you will get accustomed to the Storyboard and then wrap things up with choosing your specific Preferences.

Basic Procedures

Below are brief descriptions of various functions. For more information, please follow their links.

PowerDirector Workspace

To close PowerDirector, do one of the following:

choose File > Exit press Ctrl+Q

click the Exit button in the top right-hand corner

Click the Minimize button in the top right-hand corner to minimize the

PowerDirector workspace.

27

Chapter 3

Working with Project Files

If you want to create a new project, choose New Project.

Choose Open Project... to open an existing project.

Choose Save Project to save your project.

Choose Save Project As... to rename the project.

Choose Project Properties... to add more information about your movie.

You might want to fill out Keyword, which is suitable for database searches, or any other fields.

Choose Recent Files to select a project you had recently been modifying.

Importing Media Files into the Library

The File > Import command serves the same function as Import Media in importing media files to your project’s Library.

You may import Media Files..., Media Folder..., or Files from Another Project...

For the latter, select another project and click Open to import another

project’s media files. Refer to "Importing into the Library" on page 30 for

more details.

Writing Movies to Tape

For the File > Write to DV Tape... function, a quick and easy way is to do the following:

1 Select a DV AVI file directly from the Library and then choose File > Export >

Write to DV Tape...

for instant writing. A dialog box appears.

2 Click Show Preview to preview when writing and then click Start.

3

Click Close when complete.

To write multiple files to a DV tape, do the following:

1 Drag the DV AVI files from the Library to the Storyboard. It is imperative that you do not add any effects and that all Storyboard clips are in DV AVI format.

2 Now, with a DV AVI file selected on the Storyboard, choose File > Export >

Write to DV Tape...

The Storyboard order will be the sequence in which they will be written to DV tape.

3

Click Show Preview to preview when writing and then click Start.

4 Click Close when complete. For more information on writing to DV tape when

producing, please refer to "Producing AVI Files" on page 105 for more

information.

28

The Basics

Editing in the Storyboard

The basic editing commands are if a clip is selected in the Storyboard: Cut, Copy,

Paste or Delete.

You may also set the Mark In/Mark Out positions, and perform other editing functions.

Playing Movies

Use the commands found in the Playback menu for full playback controls, including: Play/Pause, Stop, Go to Start, Go to End.

Changing Modes

Select a clip and then any one of the Modes under the Go To menu. This has the same effect as clicking the icons on the Modes Wheel, the Master Audio or Master

Watermark icons on the Storyboard, or the Color Boards icons in the Library. Go to the individual sections for more details on specific Modes.

Help

Under the Help menu, you will find any help you might need that will include the following:

PowerDirector Help...

Search for Help Topic...

 Help Index...

You may also choose from the following services:

Register PowerDirector...

Download Upgrades...

Online Support Web Site...

i-Power Web Site... for resources

CyberLink Web Site...

29

Chapter 3

Importing into the Library

The first step in almost all video editing software applications is to import media files into the software application itself. This area of the software application where the imported files reside is the Library. When you first start PowerDirector, several media files appear in the Library by default.

1

After you have started the PowerDirector application, click Import Media or choose File > Import > Media Files...

Click Import Directory to import all media files in a given directory.

Select the folder and click OK.

2

Select the files to be imported by clicking. To select multiple files, press <Shift> while clicking to select continuous files or press <Ctrl> while clicking to select discontinuous files.

3 Click Open. The file(s) will now be imported to PowerDirector’s Library.

To show all media files, all video files, all audio files, or all image files, click the appropriate icon in the top left corner.

The files will appear in the Library. Click Thumbnails or click Details to change the view to a text view along with some of its associated file properties.

Note: If you change the view to Details, you can sort media clips by Name, Duration, or

Date (of creation) by clicking the appropriate column heading. Note that still images do not have an inherent duration.

You may also right-click on a specific file for a menu. Select one of the options to Preview, Play in Video Viewer, Apply to Storyboard , Remove from Library, View Scenes or

Detect Scenes . Please refer to the appropriate sections for more information.

30

The Basics

Right-click anywhere in the Library area when no files are selected for another menu. Here, you may change your view, import files, sort,

Select All , and also choose Up One Level if

you are in a scenes subfolder. Go to "Detecting

Scenes" on page 35 for more information.

To remove files from the Library, select them and click the Trash Can to delete. (You may also drag the selected files to the Trash Can, press the <Delete> key on your keyboard, or right-click on one of the files and select Remove from Library.) A warning prompt appears, asking if you would like to delete the files from your hard drive, too. Click Yes to remove the files from both the Library and your hard drive or No to remove them only from the Library.

31

Chapter 3

Previewing your Library Files

Previewing Library files simply plays your original files like any other Media Player.

There are two methods for previewing Library files, which are described below.

Previewing in the Video Viewer

1

After you have imported your files into the Library, right-click on the file for a menu.

2 Select Play in Video Viewer. The file will instantly appear in the Video Viewer.

Play controls allow you to navigate forward or backward in the video file.

32

You can resize the Video Viewer window by dragging any of the borders.

If you want to restore the original dimensions of the window, click the

Restore button .

The Basics

Previewing in the Preview Window

1

After you have imported your files into the Library, begin previewing by dragging the files into the Preview Window or double-clicking on them. The mode will instantly switch to Preview.

2 Click Play

to begin playing your file if it’s a video or audio clip.

You may also skip directly to the Start of the file or to the End .

Other common commands are Pause, Stop, Next Frame and Previous Frame.

The best way to utilize the Next Frame and Previous Frame commands are during the Pause and Stop modes. However, you may click them during playback, which will then switch into Pause mode.

Drag and release the Time Slider to navigate quicker when previewing your file.

You may also right-click on the Preview Window for a shortcut menu. Select one of the preview options or

Apply to Storyboard .

3 If you are satisfied with your file and don’t require any further manipulation, click Apply and the file will be applied to your Storyboard. Be sure to set your preferences for applying to the

Storyboard. Go to "Edit Preferences" on page 46 for more information.

33

Chapter 3

Color Boards

Color Boards allow you to insert solid frames of color into the Storyboard or into other files in Picture-in-Picture or Master Watermark Mode. Color Boards are not media files as such, and cannot be previewed or sorted. However, they can be applied directly to the Storyboard, used in the foreground or the background of image and video files, and added to or deleted from the Library.

1

Click Show Color Boards in the Library. The default Color Boards appear in the Library.

2 Drag-and-drop a Color Board into the Storyboard or into the frame in Picture-

in-Picture or Master Watermark Mode. (See "Picture-in-Picture Mode" on page

88.) Once applied in the Storyboard, Color Boards behave like any other image

file.

To create a customized Color Board, click New Color Board . A standard

Windows Color dialog box opens, allowing you to select from a palette of basic colors, or define a customized color. When you click OK, the new Color Board will appear in the Library.

To remove your customized Color Boards and revert to the default Color

Boards, click Restore Default Color Boards . A prompt will appear to ask if you want to revert to the default settings. Click Yes and the Color

Boards you have defined will be removed from the Library.

Note: Color Boards only appear in the Library when you click Show Color Boards.

34

The Basics

Detecting Scenes

Scene detection automatically creates individual files based on the original file’s scenes allowing users to utilize existing video files to their maximum. Even after you are finished detecting scenes for a certain file, you can further divide its scenes an infinite number of times.

1

After you have imported your files into the Library, select a video file and click

Detect Scenes and the Detect Scenes window will appear.

2

Drag the Sensitivity slider or click Increase/Decrease Sensitivity. The more sensitive the setting, the more scenes it will detect which will generate more video files.

For previewing functionality, go to "Previewing your Library Files" on page 32

for more information.

35

Chapter 3

Click Advanced Settings for modification before detecting scenes.

The Detection Method section is for captured video content that has been

imported into the Library. Go to "Capturing from DV Camcorders" on page 57 for information on capturing content from a DV camcorder. Use

the default unless you have a DV AVI format file that contains multiple timecodes (i.e. resetting of timecodes are automatically set when you start and stop recording) and you wish to split up your files in this manner, select Detect by changing of timecodes.

Note: If you have selected Detect by changing of timecodes, in essence, PowerDirector will not be performing the scene detection feature, for scenes that are detected will rely solely on the DV tape’s changing of timecodes, which is ultimately dependent on the

DV tape itself.

To detect more precisely for video content that contains fades (used to delicately move from scene-to-scene), be sure that Ignore fade ins/outs are checked. Otherwise, erroneous scenes may be detected that will include fades.

To detect more precisely, be sure that Ignore flashing lights (e.g. camera flash) is checked. Otherwise, erroneous scenes may be detected that will include flashing lights. Click OK.

3 Use the navigation buttons or drag the Time Slider to the position where you would like to begin detecting scenes. (You may, of course, detect scenes from the start of the clip.)

4 Click Detect . The media clip plays in the Preview Window.

Click the Stop toggle or the <Esc> key to end the scene detection process, or let the clip play to the end.

After the original scene detection, you may detect again for an infinite number of times! Simply select a scene, repeat all the steps including

36

The Basics

To split your own scenes, drag the slider to the desired position and click Split

. The new scene will be compromised of the video content after the split position. Repeat this procedure to create more scenes. To split from the original video file again, click outside of the scenes and the Preview Window will display the original video file.

To remove scenes after detection, select the scene and click Merge With Previous

or Remove All . If you click the Remove All button, a warning message appears, asking whether you want to remove all of the scenes from the

Library. Click Yes to remove the scenes, or No to cancel the operation.

Note: When removing scenes, content from the removed scene will be merged into the previous scene automatically, except for the first scene, which will merge with the following scene.

You may also select a scene and right-click for a menu.

Choose Remove Scene to remove or Detect Again from this Scene to detect additional scenes from this specific scene and generate even more files/scenes!

5 After the scenes are created, click OK

Cancel .

to return to PowerDirector or click

The new scene files will now be displayed in the Library in a subfolder. To return to the Library, click Up One Level.

A small folder icon will be displayed for all Library files that have undergone scene detection and which possess additional scene files.

Simply click on the icon to access the scene’s subfolder for a specific

Library file.

37

Chapter 3

Storyboard Functions

When you produce, you are producing all the clips on your Storyboard. If you don’t have any files applied onto the Storyboard, you can’t produce your movie! Thus, the

Storyboard is the most important facet and area of your entire pre-production.

Keep in mind that not all files have to be manipulated, for files may be directly applied or dragged onto the Storyboard immediately after being imported into the

Library. Go to "Importing into the Library" on page 30 for more information.

1

Now that your files have been imported into the Library and you have previewed them, you can directly drag the media files into the Storyboard without further manipulation and produce your own movie. A red line will appear so as to convey where the dragged file will be placed.

Note: Audio files may not be applied individually onto the Storyboard unless it is for the

Master Audio or as an audio supplement to an existing clip.

2

To move multiple clips on the Storyboard, simply hold down the <Shift> key while clicking the clips you want to move together. The clips will be highlighted. Now, drag and release onto the new position.

38

The Basics

delete. (You may also drag the selected files to the Trash Can, press the <Delete> key on your keyboard, or right-click on one of the files and select Cut from

Storyboard or Remove from Storyboard.) If you select any of these options except Cut from Storyboard, a prompt appears, asking if you would like to remove the file from the Storyboard. Click Yes to remove the file from the

Storyboard, or No to abort the deletion process.

3

To preview or to manipulate a clip from the Storyboard, select it by double-

clicking and it will appear in the Preview window. Refer to "Previewing your

Library Files" on page 32 for more information.

You may also right-click on a specific clip in the Storyboard for a menu. Select one of the options that will include cutting, copying or pasting clips on the

Storyboard.

Click anywhere other than a clip on the Storyboard and a more diverse menu will be displayed that will include Storyboard display and also Go to options.

Select one.

39

Chapter 3

4

Click Play Movie to view clips on your Storyboard before producing. You may select your options in the Preview section under Edit > Preferences... Go

to "Preview Preferences" on page 50 for more information. Or, you may right-

click on the Play Movie icon to call up a shortcut menu that will allow you to set the window size during your movie playback.

Note: Playing the movie is not the final step in your movie-making process and is only a preview of you production. Remember to produce your movie!

During the movie playback, press <Esc> on your keyboard to quit or double-click.

Two other icons are located on the Storyboard. For more information on Master

Watermark

or Master Audio, go to "Master Watermark" on page 91 and "Master

Audio" on page 86 for more information.

5

If you are satisfied with all your clips and your movie, click Produce Movie

on the Modes Wheel. Refer to "Producing Your Movie" on page 93.

40

Hotkey List

The following tables display the hotkey combinations that can be used in

PowerDirector.

Basic Functions

The Basics

Hotkey Function

Alt+Space Opens the Minimize menu

Alt+E Opens the Edit menu

Alt+F

Alt+G

Alt+H

Opens the File menu

Opens the Go To menu

Opens the Help menu

Alt+P

Alt+T

Alt+V

Ctrl+A

Ctrl+C

Opens the Playback menu

Opens the Capture menu

Opens the View menu

Select All (Library, Scene

Detection)

Copy

Hotkey

Ctrl+N

Ctrl+O

Ctrl+Q

Ctrl+S

Ctrl+V

Ctrl+X

Delete

Esc

F1

Function

New Project

Open Project

Exit Program

Save Project

Paste

Cut

Delete active item

Stops current action

Help

Shift+Ctrl+S Save Project As

Modes Wheel

Hotkey Function

F2 Switches to Capture Mode

F3

Hotkey Function

F8

F9

Switches to Picture-in-Picture

(PiP) Mode

Switches to Audio Mode

F4

F5

F6

F7

Switches to the default

Preview Mode

Switches to Trim Mode

Switches to Speed Mode

Switches to Titles Mode

Switches to Effects Mode

F10

F11

F12

Switches to Transitions Mode

Switches to Produce Movie

Switches to Disc Wizard

41

Chapter 3

Storyboard & Volume

Hotkey

Ctrl +

Ctrl -

Function

Increases Volume

Decreases Volume

Alt+F8 Switches to Master

Watermark Mode

Alt+F9 Switches to Master

Audio Mode

Ctrl+W Preview

Hotkey Function

Ctrl+Backspace

Shift+End

Shift+Home

Mutes volume

Goes to last clip on the Storyboard

Goes to first clip on the Storyboard

Shift+Page Down Go to next page on the Storyboard

Shift+Page Up Go to previous page on the

Storyboard

Library

Hotkey

Alt+C

Function

Show Color Boards

Hotkey Function

Ctrl+Tab Switches between Show All

Media/Video/Audio/Images/

Color Boards

Ctrl+Shift+I Import Directory Alt+D Detects scenes in active clip

Alt+Shift+C New Color Board

Ctrl+I Import Media

Shift+Space Plays clip in Video Viewer

Shift+Tab Switches between Thumbnails/

Details

42

The Basics

Preview Window Controls

Hotkey Function

Space Bar

S

Ctrl+Left arrow

Ctrl+Right arrow

Ctrl+D

Plays/Pauses file

Stops playing file

Step Backward

Step Forward

Mark In

Mark Out Ctrl+F

Other

Hotkey

Ctrl+R

Ctrl+End

Ctrl+Enter

Ctrl+Home

Function

Record (when enabled)

To end of file

Apply

To start of file

Ctrl+Page

Down

Ctrl+Page Up

Jump forward

Jump backward

Hotkey Function

Ctrl+1

Ctrl+2

Add Scene (Scene Detection)

Takes snapshot (Trim, Webcam, TV Tuner)

Hotkey Function

Ctrl+3 Split video (Scene Detection)

Insert Add item (Titles, DV Batch

Capture, Audio, Master

Audio)

43

Chapter 3

Preferences

When using PowerDirector, we give you the luxury of deciding the processes and routines of how files are applied to the Storyboard, how captured files are stored, the display of file information, previewing options and a host of others. Preferences are accessed through Edit > Preferences...

General Preferences

The first option here is for users to select a default media Import Directory and

Export Directory for all their files. Type in the directory path or click Browse and search for the directory. Click OK after you select the proper directory.

44

The Basics

You may decide the number of recent files to be displayed under File > Recent

Files in the Recently Used Files section. Click on the drop-down menu and select the number of recent files to be displayed. Click Clear List to clear all the recent files. Select Automatically load the most recent project to save time whenever you start PowerDirector.

The next selection is Capture File Name. Use the Default Name to automatically name captured media files without your input. If you want to name each captured file individually, click the Always prompt me to confirm the file name option and a dialog box will open whenever you capture a media file.

Click OK to exit Preferences.

45

Chapter 3

Edit Preferences

In the Removing Clip Preferences section, you may specify whether or not you wish to be prompted to delete from your hard drive the files that you delete from the Library. Checking this option provides an easy way to remove unused media files from your hard drive. If you leave this option unchecked, clips are not deleted from your hard drive, but are removed automatically from the Library.

You may set the default length of image clips and video transitions in the

Storyboard under the Default Durations section.

For the Applying Clip Preferences section, select one of the options. The first option automatically applies clips after previewing, while the second applies clips after you make changes to it. Leave these options unchecked if you would like PowerDirector to remind you if you would like to apply the changes that you have just made.

Click OK or another tab to set more preferences.

46

Display Preferences

The Basics

The Library Files Tool Tips Display determines how all your media files’ tool tips are displayed in the Library. Check and uncheck the selections to show or hide the desired information.

The Storyboard Display is the next section. Check and uncheck to Show file name or Show duration. You may not choose both.

The Frame Rate Display option allows you to set the default number of frames per second for any movie that you produce in PowerDirector. Choose NTSC (30 fps) or PAL (25 fps).


47

Chapter 3

Capture/Export Preferences

The first section is the Capture Destination. Check the selections if you would like to automatically add the recently captured files to the Library, Storyboard, or both.

For Capture Performance, if you want your VGA card to regulate the video overlay so less CPU resources are consumed, speed is faster, but less stable than non-overlay mode in some cases (depending on your VGA card), click Use video overlay .

In the Auto Scene Detection in Capture Mode area, you can specify if you would like to perform automatic scene detection while capturing video. If you choose to detect scenes, you can select to detect by changing of video frames or to detect in real-time by changing of time codes (which is only available DV VCR mode). This latter option splits the detected scenes into individual files.

48

The Basics

The next selection is for snapshots that you have captured from your video content in the Capture or Trim Modes.

Snap to Clipboard captures the image onto your Windows' clipboard.

Snap to Wallpaper (Center) will capture the image, place the image centered on your desktop in its original size, and save it automatically in your default Windows' System folder.

Snap to Wallpaper (Tile) will capture the image, place the image on your desktop in its original size following a tile format, and save it automatically in your default Windows' System folder.

Snap to File will capture the image directly into a folder you have selected. For this selection, you may input the file name and select a file format form the drop-down box.

Click DV Parameters to set up the buffer parameters for your DV camcorder.

All DV camcorders’ mechanisms and the time it takes for the tape to start rolling differ in seconds. Thus, if there is no buffer time, batch capturing will begin too early. Enter the time you would like to buffer your DV tape so that batch capturing will coincide with it. The tape will begin playing during this buffer time and after it has elapsed, capturing takes place.

When writing to tape, all DV camcorders’ mechanisms and the time it takes for the tape to start rolling differ in seconds. Setting an adequate buffer time for sending video stream to your tape eliminates these differences so that when the tape begins writing, it coincides with the beginning of the video stream feed. Click OK.


49

Chapter 3

Preview Preferences

To set the Window Size for your Preview Window, click on the drop-down menu and select.

When you are editing clips from the Storyboard, you may decide to reserve system resources by ignoring video effects or audio tracks during previewing or in when modifying in any of the Modes. In the Previewing Clips area, simply

click to select which option you want to ignore. Be sure to check out "System

Requirements" on page 3.

Whenever you click Play Movie on the Storyboard, you may wish to Play from selected clip or Play from first clip. Select one.

During the actual production process, you may choose which type of display is utilized. The Don’t display preview selection saves the most system resources.

For the Display a quick video preview, not every frame will be displayed. Check

Display the full video preview in real-time if you want to watch the entire movie’s preview.

Note: There is no audio during the Production Process.


50

C

HAPTER

4:

C

APTURING

C

ONTENT

PowerDirector allows you to capture almost anything under the sun provided that you have a capture card or other assortment of adapter cards in transferring data into your hard drive. Listed below are video capture devices that may assist you in making the best possible movie out there:

capture card (PCI, USB, FireWire or other FireWire formats)

DV camcorder or DV VCR analog camcorder or VCR in 8mm, Hi8, VHS, VHS-C, Beta format digital camera

PC camera

Just make sure you have all the proper hardware and drivers installed before you begin.

51

Chapter 4

Capturing Video and Audio

Now you are ready to capture video or audio footage from practically anything digital or analog stored in your library and transforming it into digital footage with special effects directly authored from PowerDirector.

This section will cover video capture devices that are input through your adapter cards via video ports such as Composite video, S-Video or Tuner and also audio capture devices through ports such as Audio In or from your audio CD. However,

this section won’t include capturing from a DV camcorder. Please refer to "Capturing from DV Camcorders" on page 57 for more information.

Make sure your devices are installed properly with the proper drivers. Refer to their respective user's guide for more information.

1

Start PowerDirector. Click the Capture Mode located on the Modes Wheel.

2 Depending on the content you would like to capture (audio or video), click the

Capture .

52

If you clicked Analog Video Capture default tab will be Video Setup.

Capturing Content

, click Video Setup to modify. The

Click on the Capture Device drop-down menu to select the appropriate video capture device installed on your system.

Select the correct Capture Source. Usually, all the sources will have ports located on the capture card. Make sure the connections are secure.

If you selected Video Tuner, you may then select either CATV (if you have a cable connected) or Antenna installed. Select a channel and click OK. To set up your TV, click on the TV Setup tab. Find your location. For nontuner sources (e.g. S-Video or Video In sources), select the television signal format. Click OK.

53

Chapter 4

If you would like to adjust your video while in the Video Setup, click the Video

Adjustment tab.

Adjust Brightness, Hue, Saturation, Contrast, and Sharpness levels by dragging the sliders. Click OK when you are done.

While in the Video Capture mode, select a Profile Setup by clicking on it.

When the dialog box appears, select which purpose this video is for. If it’s for

Video for General Purposes , click it and then select a MPEG or AVI video format from the drop-down menu. Then, select a profile group depending on the format you chose. Finally, select the profile located in the drop-down menu located on its right.

For the MPEG profiles, select High Speed, High Quality, Custom or All.

For the AVI formats, refer to #4 in "Producing AVI Files".

54

If you selected a MPEG profile, you may create a custom MPEG profile by

clicking New... Refer to "Creating Custom MPEG Profiles" on page 100 for

more information. If you selected a AVI profile and want to change its

settings, click Settings... and then refer to "Setting AVI Profiles" on page

110 for more information.

Capturing Content

If you selected Video for Movie Disc Production, select the Type of Disc, High

Speed or High Quality, and then the video format of the disc.

After selecting a profile, you may click Comments... or Details... to find out more information about the profile and CPU recommendation.

Click OK when you are finished with the Video Setup.

Note: If the video display is blank after you have selected to capture video, be sure your video device is functioning properly. Other possibilities may be that the connections aren't set up properly or you selected the wrong input settings.

Now, modify the Audio Setup if you are capturing audio by clicking on it either in Video or Audio Capture. A dialog box will appear.

Click on the Audio Device drop-down menu to select the appropriate audio capture device installed on your system.

For the Audio Input, select the right input source (selections here will depend on your sound card manufacturer). Click OK.

If you have an audio CD, select the Audio CD selection for the Audio

Input and an additional drop-down menu will appear to select the audio track that you would like to capture/rip.

You may select Rip selected CD track at highest speed in order to rip the selected track into your HDD into WAV format. Click OK.

55

Chapter 4

To alter the audio capture profile, switch to the Audio Capture mode then click Profile Setup . A dialog box will appear.

and

Click a Name (i.e. profile) or change your Attributes by clicking on the drop-down menu and choosing another one.

Click Save As to save the new profile. Name the new profile and click OK.

To remove, select a profile and click Remove. After you are done, click

OK .

Click the Time Limit box to set it and then input the maximum recording time in minutes and seconds.

Click the Size Limit box to set it and then input the maximum recording size in

MB.

If you are in the Video Capture mode, you may click Snapshot to capture

still images from your video content. To set your preferences, go to "Capture/

Export Preferences" on page 48 for more information.

3 Depending on your device, turn it on, press Play or activate any other function so that your external capture device will begin capturing or playing content that PowerDirector is able to record. When ready, click PowerDirector’s Record

.

Note: For example, a PC camera would not have to be activated after its power is turned on, for it will begin capturing content automatically.

Note: An audio CD, on the other hand, does not need to be played. Just click Record and

PowerDirector will begin playing and recording it.

4

Click PowerDirector’s Stop function after finishing your capture. The file will now be saved automatically, or appear in your Library or Storyboard. (You can also select to begin detecting scenes automatically after the capture is

completed.) Go to "Capture/Export Preferences" on page 48 for more

information.

56

Capturing from DV Camcorders

Capturing Content

Whether your DV is playing video or filming special moments, PowerDirector captures it all in non real-time or in real-time.

Info: Unlike real-time capture, non real-time capture will utilize a buffer and is recommended for users who desire high quality but do not possess adequate computing power. Thus, non real-time capture will take longer to process the encoding of captured content when utilizing a buffer. A display of the time remaining for capturing will be located at the bottom right corner below the Preview Window.

With real-time capture, the actual content being encoded will coincide with the content that is being played in the Preview Window and consume more CPU resources. This will not hold true for non real-time capture.

And, with the astounding FireWire transfer protocol, you will capture crystal clear digital video and audio from your DV camcorder and transfer data without any quality loss whatsoever.

Capturing from a DV camcorder differs in two respects. As you might well be aware of, DV camcorders come with two main modes. The first mode is to record live content and is referred to as the Camera mode for most brands. The alternative mode is the VCR mode (for most brands) where you may play back your previously recorded content and navigate through the DV tape. The degree of controlling your

DV camcorder with PowerDirector differ in these two DV modes.

Note: Before starting PowerDirector, make sure all devices are installed properly with the proper drivers, your DV camcorder is turned on, is in the correct mode, and the

FireWire cables are hooked up properly. Refer to the respective user's guide for more information.

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Chapter 4

Capturing from DV Camera Mode

When your DV camcorder is in the Camera mode, PowerDirector may only Record into your hard drive, for it will simply capture what your DV camcorder is aimed at or what it is recording. For other commands in the Camera mode, you will have to rely on your DV camcorder’s controls.

1


2 Click the DV Capture icon. If you’re DV camcorder is hooked up properly along with the FireWire cables, turned on, and in the Camera mode

(this will depend on your DV camcorder’s designation), a live shot from your

DV camcorder should be displayed in PowerDirector’s Preview Window.

Tips: The bottom left corner will display the amount of free drive space along with the size of the captured content. This drive may be set in the General tab under Edit >

Preferences... in the Capture File Name section.

3 Now, decide if you would like to capture in Non Real-time (default) or

Real-time (switch on).

4

Select a Profile Setup by clicking on it. When the dialog box appears, select which purpose this video is for. If it’s for Video for General

Purposes , click it and then select a MPEG or AVI video format from the dropdown menu. Then, select a profile group depending on the format you chose.

58

Capturing Content

Finally, select the profile located in the drop-down menu located on its right.

For the MPEG profiles, select High Speed, High Quality, Custom or All. For the

AVI formats and the differences between the Windows and DV groups, refer to

#4 in "Producing AVI Files".



more information. The DV AVI profiles may not be modified.




5 Click OK.

Caution: If you have selected the DV AVI profile, you will be unable to capture in non realtime.



MB.

6

To begin capturing, click PowerDirector’s Record

7 Click Stop after finishing your capture. The file will now be automatically added to the Library or Storyboard according to your preferences. (You can also select to begin detecting scenes automatically after the capture is completed.) To

set your preferences, go to "Capture/Export Preferences" on page 48.

Note: If you have chosen to capture in non real-time, after you have clicked Stop, a message will be displayed in the Preview Window notifying you that the encoding of the content in the buffer is still ongoing and that it will be completed shortly in the time remaining.

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Chapter 4

Capturing from DV VCR Mode

When your DV camcorder is in VCR mode, PowerDirector has a high degree of control. All navigational functionality may be controlled by PowerDirector including playing, seeking, pausing, stopping and of course, recording content directly from the DV tape. After capturing content from your DV tape with

PowerDirector, you may apply all the special effects you wish, which have made

PowerDirector a powerhouse in the arena of video editing. Finally, when it is time to produce, PowerDirector provides the luxury of writing your new movie directly

onto your DV tape! Please refer to "Producing Your Movie" on page 93 for more

information on producing.

1


2 Click the DV Capture icon. Make sure you’re DV camcorder is hooked up properly along with the FireWire cables, is turned on, and in the VCR mode

(this will depend on your DV camcorder’s designation). The display you are viewing in PowerDirector’s Preview Window should be exactly as your DV camcorder screen.



60

Capturing Content

3

Now, decide if you would like to capture in Non Real-time (switch up) or

Real-time (switch down).

4













5 Click OK.

Caution: If have selected the DV AVI profile, you will be unable to capture in non real-time.

6

To seek to the proper time, drag and release the Shuttle its immediate left is the timecode area for the DV tape.

icon. Located to

Note: If the DV tape’s timecode is incorrect, then click Seek Tape to verify the timecode.

You may also navigate with the Play, Next and Previous Frame, Start, End,

Pause

, and Stop buttons. Refer to #2 in "Previewing your Library Files" on page

32 for more information on the aforementioned commands.


61

Chapter 4


MB.

7

To begin real-time capture, click Play on your camcorder and then click PowerDirector’s Record button when you’re ready. The total recording time will be displayed above the

DV tape’s timecode area.

Note: When capturing in non real-time, if your HDD is almost out of space (if less than

150 MB of free space, all capturing will be disabled), a warning message will appear in the Preview Window notifying that a portion of the transcoding process will be paused and resume later only after all the content in the buffer has been encoded by your HDD.

8 Click Stop after finishing your capture. The captured file may appear directly in your Library or Storyboard depending on preferences. (You can also select to begin detecting scenes automatically after the capture is completed.)

Go to "Capture/Export Preferences" on page 48 for more information.


62

Capturing Content

Batch Capturing from DV Camcorders

When you are in the DV VCR mode, you may select precise scenes you want to convert. After selecting a few scenes, you may convert them with one click as part of a whole batch of files. Batch capturing is efficient and saves huge amounts of time when capturing numerous scenes.

Tips: Be sure that your DV tape’s timecodes are linear. If not, you might have to capture a scene at a time in the DV VCR mode.

1 Start PowerDirector. Click the Capture Mode located on the Modes Wheel.

2 Click the DV Capture icon. Make sure your DV camcorder is hooked up properly along with the FireWire cables, is turned on, and in the VCR mode

(this will depend on your DV camcorder’s designation). The display you are viewing in PowerDirector’s Preview Window should be exactly identical to your DV camcorder screen.

3 Click Batch Capturing.



63

Chapter 4

4

Now, decide if you would like to capture in Non Real-time (default) or

Real-time (switch on).

5













6 Click OK.

Caution: If have selected the DV AVI profile, you will be unable to capture in non real-time.

To shuttle (fast forward/rewind) to the proper time, drag and release the Shuttle icon .

Click Seek Tape to locate the exact timecode position of the DV tape.

64

Capturing Content

Note: Depending on the specific DV tape, there may be identical timecodes for many different scenes on a DV tape (e.g. 00:01:20). This is attributed to the resetting of timecodes performed by the author. When seeking tape with PowerDirector, it will only seek to the first timecode. If your DV tape has been reset numerous times, it is advised for you to capture in DV VCR mode, for capturing in batch mode highly relies on linear timecodes.

You may also navigate with the Play, Next and Previous Frame, Rewind, Fast

Forward

, Pause, and Stop functions of PowerDirector. Refer to "Previewing your

Library Files" on page 32 or use your DV camcorder’s navigational buttons.

7 To begin adding tasks, go to the correct time position where you would like to begin batch capturing and click the Add New Task icon. A new batch task will appear in the batch box.

Note: The Mark Out position (“Stop Time”) will automatically be set 5 seconds ahead of the Mark In position (“Start Time”). Be sure to set the correct Mark Out position.

8 Navigate to the end of the segment you would like to convert and click Mark

Out .

To reset the Start Time, navigate to the beginning of the segment and click

Mark In .

9 To begin conversion, be sure the specific task(s) is checked first. Click Start

Selected Task(s) to begin capturing your batch.

Note: When capturing in non real-time, if your HDD is almost out of space (if less than

150 MB of free space, all capturing will be disabled), a warning message will appear in the Preview Window notifying that a portion of the transcoding process will be paused and resume later only after all the content in the buffer has been encoded by your HDD.

65

Chapter 4

10 Click Stop to abort batch capturing.


Repeat the above steps to add more tasks.

To remove tasks, select one and click Remove Task .

After it is completed, the batch captured files may appear directly in your Library or

Storyboard depending on preferences. (You can also select to begin detecting scenes

automatically after the capture is completed.) Go to "Capture/Export Preferences" on page 48 for more information.

66

C

HAPTER

5:

T

RIMMING

V

IDEO

Trim Mode

Generally, after your media files are imported into your library, the next step is to trim your video clips or set the time limit for image files. Before production, this step is very important in eliminating unwanted portions of your video clip and to place more focus on the essential plot of your movie.

Note: After you have modified your file in this mode, a red line will be displayed in the

Modes Wheel to indicate this.

Note: Your original media files will not be manipulated in any way when trimming files that have been imported into the Library or after it is applied to the Storyboard.

1 Select a media file and click the Trim Mode located on the Modes Wheel.

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Chapter 5

Note: Whenever the mode switches from Preview to another mode for the first time, a dialog box may appear to notify you that the file will be added to the Storyboard

automatically depending on your Preferences. Refer to "Edit Preferences" on page 46

for more information.

2

Before setting your trim positions, you may play your file. Go to "Previewing your Library Files" on page 32 for more information on navigation during

playback.

Drag and release the Time Slider to find the exact time positions and quicken your search. You may also Play, Rewind, Fast Forward, Pause, jump to the Start or End of the file, and go to the Next or Previous Frame.

To capture the frame as a new image file, click Snapshot

Export Preferences" on page 48 for more information.

. Go to "Capture/

3 Click on the Mark In Mark Out icons to set your trimming positions at the Time Slider position or set them during playback. Or, you

Out sliders to the position where you would like to begin your trim.

Both trim position borders can be dragged on the Time Slider bar. Use this feature to quickly change the Mark In and Mark Out positions.

After your Mark In and Mark Out positions have been set, their times will be displayed to the right of each respective icon along with the time length for this new clip in the bottom right area. The other time slot on the bottom left indicates the current position of the Time Slider.

Note: Durations are displayed as HH:MM:SS:FF (i.e. hours:minutes:seconds:frames).

To Resize your view, select one of the options from the drop-down menu. (A sample thumbnail of each option appears under the drop-down menu, providing an instant preview of each option. The effect is likewise applied to your file in the Preview Window.)

68

Trimming Video

Stretch: This option will stretch your media file to fill out the screen but will not keep the aspect ratio.

Letterbox : This option will fit your media file into the Preview

Window but (unlike Fit to output size) will keep the aspect ratio of the media file and won’t crop the image.

Crop: This option will fill out the Preview Window with the original size but will crop the image.

Note: The Resize function will not alter your original file but will affect your Storyboard clip.

Click Revert to return to the original trim (if the clip had already been trimmed) or click Clear to start from scratch.

4 When you are satisfied with your trim, click Apply and your trim will be applied to your Storyboard. Be sure to set your preferences for applying to the


Splitting the Video File

To save precious editing time, the Split Video function automatically splits an original video file into two separate clips with one swift click and eliminates the need to drag the same file onto the Storyboard twice and trimming both separately.

Just keep in mind this function is only intended for Library files that do not have effects applied from other modes. Apply effects only after you split the video.

1

Select a media file from the Library by double-clicking on the selected file or

dragging it into the Preview Window. Refer to "Importing into the Library" on page 30 for more information on importing.

2 To split video files that have already been applied to the Storyboard, simply select the particular clip by double-clicking and it will be displayed in the

Preview Window.

Note: If the Storyboard clip has been previously modified or contain effects, this clip may not be split.

3 Click the Trim Mode located on the Modes Wheel.

4 Drag the Time Slider to the scene where you would like to split this video or through any other navigational method.

5 Click Split Video . The file will be split into two clips on the Storyboard.

If you would like to further trim either clip, refer to "Trim Mode" on page 67.

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Trim Mode for Image Files

Naturally, image files don’t need to be trimmed. The time duration of the appearance of the image file may be set along with the image’s resize if desired.

1

Once your image files have been imported into the Library, double-click on an image file or drag it in order to display it in the Preview Window. Refer to

"Importing into the Library" on page 30 for more information on importing.

2 To modify files that have already been applied to the Storyboard, simply select the particular clip by double-clicking and it will be displayed in the Preview

Window.

3

Click on the Trim Mode from the Modes Wheel.

To Resize, select one of the options from the drop-down menu.

Stretch: This option will stretch your media file to fill out the screen but will not keep the aspect ratio.

Letterbox : This option will fit your media file into the Preview

Window but (unlike Fit to output size) will keep the aspect ratio of the media file and won’t crop the image.

Crop: This option will fill out the Preview Window with the original size but will crop the image.

Enter the time for the image to appear in the Duration box by using the arrows or inputting a numeral.

Click Revert to revert to the original trim.

Or click Clear to start over.

4

Click Apply when complete. Be sure to set your preferences for applying to the


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Altering Speeds

To invigorate your audience and enliven your movies with a different pace or tempo, or to emphasize certain elements of meaningful clips, PowerDirector allows you to go slo-mo or accelerate clips to previously unforeseen speeds! Any clip could be slowed down to a crawl or sped up to the speed of light. As a director, utilize both these mind-altering speed effects to throw your audience for a loop, because as any sane person or scientist will protest to, time is relative to the observer except in the warped parallel universe of PowerDirector.

1

Select a video clip from the Library by double-clicking on the selected file or


2 To add effects to files that have already been applied to the Storyboard, simply select the particular clip by double-clicking and it will be displayed in the

Preview Window.

3

Click Speed Mode on the Modes Wheel.

4 Drag the slider in order to slow or quicken up the video speed. You may also click Increase Speed or Decrease Speed with the range being 1/4X - 8X.

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Now, you must decide how your video file’s audio will be played. Click on the

Audio Setting drop-down menu and select one.

The Synchronize with video selection will synchronize the video speed with the audio speed.

Note: If the video speed is faster or slower than 1X, the synchronized audio may be unrecognizable.

Select Preserve original speed if you prefer the audio speed to be at its original recognizable speed independent of the video speed.

Select Mute to mute this video file’s audio. This is great for dubbing over original audio content with another audio file or background music.

Click Revert scratch.

to return to the previous state or click Clear to start from

6 After you are satisfied with your alteration, click Apply to apply it to the

Storyboard. Be sure to set your preferences for applying to the Storyboard. Go

to "Edit Preferences" on page 46 for more information.

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Altering Speed and Supplying Video Effects

Supplying Video Effects

Supplying video effects is for the music video director in you! For normal movies, transition effects are sufficient, but for those who wish to cast a spell and enrapture the audience with a video effect that takes hold throughout the length of one clip, this is your epiphanous calling.

Let’s first enjoy a graphical display of all the effects:

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Below is a table that summarizes the settings available for each video effect.

Video Effects

Color

Blur

Color Focus

Delay

Edge

Emboss

Focus

Grid

Mosaic

Noise

Ripple

Skip

Spotlight

Swing Left

Swing Down

Swing Right

Swing Up

TV Wall

X-Ray

Zoom In

Zoom Out

Settings Available

Brightness, Contrast, Hue, Saturation, Sharpness

Degree

Depth of Gradient Border, Width of Color Area, Height of Color

Area

Regularity

Degree, Background Color, Foreground Color

Direction

Depth of Gradient Border, Width of Original Image, Height

Information Display

Depth of Grid Line, Width, Height, Background Color

Width of Blocks, Height of Blocks, Effect Length

Intensity, Size, Background Color

Wave Length, Speed, Effect Length

Frequency

Brightness, Depth of Gradient Border, Width, Height, Information DisplayBackground Color

Angle, Background Color, Effect Length




Horizontal Number, Vertical Number, Effect Length

Degree

Size, Effect Length

Width, Height, Background Color, Effect Length

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Altering Speed and Supplying Video Effects

1

Select a video clip from the Library by double-clicking on the selected file or


2 To add effects to files that have already been applied to the Storyboard, simply select the particular clip by double-clicking and it will be displayed in the

Preview Window.

3

Click Effects Mode on the Modes Wheel.

4 Drag an effect from the Library over to the Preview Window or double-click the effect. Depending on the effect, settings will vary.

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For most effects settings, simply drag the slider and then preview it in the

Preview Window before applying. Refer to "Previewing your Library

Files" on page 32 for more information.

For some effects settings, you can set the duration of the effect by clicking and sliders to a new position.

You can also position the Time Slider and then click Mark In

Mark Out at the new Time Slider location. You can drag any of the four Mark In, Mark Out, and Hold Time borders to quickly change their positions on the Time Slider bar.

The entire video effect setting (including the Mark In and Mark Out times and the Hold Time) can likewise be dragged on the Time Slider bar. Use this feature to quickly change the point in the video clip at which the video effect appears and disappears.

For some effects settings, you will notice a Link Settings function that links two given settings and constrains the proportion of a video effect such as for the Grid and TV Wall effects. To unlink these settings, click on it.

Color . Click on either and then select the color. Click OK.

Click Revert scratch.

to return to the previous state or click Clear to start from

5 After you are satisfied with your effects, click Apply to apply it to the



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Titles Mode

Generally, at the beginning of every movie or show, text is involved to convey the title, starring and supporting actors, and other information for all those involved and whom made the movie possible. When a movie or show wraps up, the full spate of credits will be rolled out too.

For smaller movie productions, you may want to inform viewers with textual effects instead of just visual effects. So, get ready to begin communicating literally like you never have before.



1 Select a video clip from the Library by double-clicking on the selected file or


2 To add titles to files that have already been applied to the Storyboard, simply select the particular clip by double-clicking and it will be displayed in the

Preview Window.

3 Click Titles Mode on the Modes Wheel.


automatically depending on your Preferences. Refer to "Edit Preferences" on page


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4

Click on the Add Title icon. A cursor will appear in the Preview Widow for you to begin typing. Press <Enter> to skip to the next line if you wish.

5

After inputting your text, click outside of the box. The title will be displayed in the Titles box along with the Preview Window.

To edit the text you have entered, double-click on the title in the Preview

Widow. A cursor appears inside the text, allowing you to edit it.

Click the Fonts icon to set your font format. There are a host of options here including Spacing, Color, Font Style, and Alignment. After you are finished, click OK.

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6

To select a suitable Title Effect, select a title first and then click on the effect thumbnail in the Library to select. An instant preview will be shown in the

Preview Window.

Drag the Hold Time slider to determine the length of static time for the effect. You can also set the duration of the effect (in seconds) by using the up and down arrows or by entering a value up to two decimal places using your keyboard. By increasing the Hold Time (represented by the blue bar), the static time for your title’s effect (i.e. only the text without effects) will be increased and vice-versa.

Note: Each chosen title effect vary in terms of duration length.

To minimize the duration of an entire title effect (i.e. you don’t want the title effect to last the entire duration of the clip), click and drag the Mark

In Mark Out sliders to the desired position. Or, position the

Time Slider at a designated point and then click Mark In Mark

Out below the Preview Window. You can also drag any of the four

Mark In, Mark Out, and Hold Time borders to quickly change their positions on the Time Slider bar. Use this feature to quickly change the duration of the effect as well as when the effect appears and vanishes.

The entire title effect setting (including the Mark In and Mark Out times and the Hold Time) can likewise be dragged on the Time Slider bar. Use this feature to quickly change the point in the video clip at which the title effect appears and disappears.

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To place a title at a certain area of the screen, simply click on it in the Preview

Window and drag.

Click TV Safe Zone to display a dashed outline around the inside of the

Preview Window. This zone represents the area in which content is sure to be displayed on TV screens, which have a smaller display area than computer monitors. (The TV Safe Zone outline will not appear when your movie is previewed or produced.)

Click the Grid Line to display a grid of dashed lines that can aid in positioning your text more precisely. (Grid lines will not appear when your movie is previewed or produced.)

Click Revert click Clear

to return to the original titles and their associated effects or

to start from scratch.

Repeat the above steps to add more titles.

To edit or remove titles, click on a title in the Titles box.

To edit, click twice and a cursor will appear in the box.

Begin editing.

To remove, select an existing title and then click

Remove Title .

You may hide titles by unchecking Show All Titles or checking to show all.

8

After you are satisfied with all your titles, click Apply to apply it to the Storyboard. Be sure to set your preferences for applying to the Storyboard. Go to

"Edit Preferences" on page 46 for more information.

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Adding Titles and Transitions

Transitions Mode

Usually invisible to the naked eye, transitions are a great mood enhancer in movies or full-length feature shows and videos. Generally, scene-from-scene, simple fades or a direct cut to the next scene is used. To further enhance your video, you may want to try one of the many transitional effects PowerDirector has provided.

Before you begin, be sure that there are at least two video clips or images that have been applied in the Storyboard.



1 Click a transition icon located anywhere between two clips from the

Storyboard.

2 Or, you may select a clip from the Storyboard and then click Transitions Mode

on the Modes Wheel.

Note: Transitions may not be applied to the last clip on the Storyboard.

To preview a transitional effect before you apply, place your cursor above a given transition in the Library.

3

Select a transition by clicking on it or dragging to the appropriate point between the selected clip and the clip immediately proceeding it on the

Storyboard. You may also drag the transition from the Library to the Modes

Panel. The chosen transition will now appear in the Modes Panel.

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4

Input the Transition Length located in the Modes Panel numerically or drag the slider to increase and decrease. The length will vary depending on your clips’ duration.

Note: Keep in mind that the length you set will be equally divided amongst the two slides. If you set ten seconds, five seconds of the transitional effect will be allotted to the end of the first media file while five seconds will be allotted to the beginning of the succeeding media file.

Tips: Don’t forget that many of the transitional effects are so radical, that they will literally

“swallow” up some of your clip’s content. Consequently, be sure that your clips have ample time in the beginning and in the end so as not to interfere with your clip’s content and that the transition length is not set too long.

Click Revert to revert to the original transition effect or click Clear clear all transitions.

to

5 When you are finished with your selection, click Apply to apply it to the



Right-click on any transition for a shortcut menu that provides an efficient way to manage the transition effects in the Storyboard. Select one of the options to Cut, Copy,

Paste , Remove, Apply to All, or Clear All Transitions.

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Audio Mode

As all amateur or seasoned video professionals know, the soundtrack of your movie is incredibly important to set the mood and atmosphere of your movie. For exciting scenes, a musical score with a fast beat will serve to outline the hastiness and recklessness of the occasion. For tender moments, a beautifully scored song touching on romance and playing with your emotions like a concert violinist will go a long way in making your post-production a worthy undertaking.



1 Select a file from the Library by double-clicking on the selected file or dragging

it into the Preview Window. Refer to "Importing into the Library" on page 30 for

more information on importing.

2 To add audio to clips that have already been applied to the Storyboard, simply select the particular clip by double-clicking and it will be displayed in the

Preview Window.

3 Click Audio Mode on the Modes Wheel.


automatically depending on your Preferences. Refer to "Edit Preferences" on page


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If your original file or clip contains audio, it will be displayed in the uppermost line. Three userdefined audio files are allowed, which will be displayed below the original file. All of these files can be independently manipulated by clicking them and changing their individual settings.

5 To add more audio files to a certain clip, drag them from the Library into the User-Defined box or onto the Preview Window, or you may click the Add Audio icon, which opens a browser window. A flashing message will appear in the Preview Window to show you where you should drag the audio file to. (This message disappears after the first audio file is added.)

When all three tracks in the User-Defined box are full, you can no longer add new audio files. Click the Remove Audio icon to remove a file, then add another audio file.

6

To trim the audio, select a particular file and click Trim Audio .

Note: You are not allowed to trim the audio portion of the original video file.

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Adding Audio and Pictures

7

Trimming controls are very similar to trimming other media files. Please refer

to #3 in "Trim Mode" on page 67 for more information. Click Apply and then

OK when you are finished trimming your audio clip.

If you would like to repeat any of the audio files that appear under the User-

Defined heading, click the file to select it, then drag the Time Slider in the

Preview Window to the point at which you would like the file to end. The audio track will repeat from the start of the video file to the point you set.

The entire audio setting (including the Mark In and Mark Out times) can likewise be dragged on the Time Slider bar. Use this feature to quickly change the point in the video clip at which the audio file starts and stops playing.

If you want the audio clip to Fade In or Fade Out, click the corresponding option and set the duration of the fade (in seconds) by using the up and down arrows or by entering a value up to two decimal places using your keyboard.

Adjust the volume by dragging on the Volume Mixing to increase or decrease after you have selected the audio file. Drag to the farthest left to mute it. Keep in mind that this volume will be combined with the original clip’s audio volume (if applicable).

Click Revert to return to the original clip’s audio effects (if the clip had employed audio clips previously) or click Clear to start from scratch.

8 Click Apply when you are finished to apply it to the Storyboard. Be sure to set

your preferences for applying to the Storyboard. Go to "Edit Preferences" on page 46 for more information.

Note: If two adjacent image or video files in the Storyboard contain audio clips, the audio portions of these files will cross fade to allow for a smoother transition.

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Master Audio

To further accentuate the audio aspect of your movie production, you may wish to apply a musical score that will act as the background audio for your entire movie.

The controls and options for the master audio file is very similar to the normal

Audio Mode where you add files to various clips.

Caution: If you utilize Master Audio in your movie, SVRT will be disabled when producing.

1 Click Master Audio located on the Storyboard’s farthest left.

2 The Master Audio controls will be displayed below the Modes Wheel in the

Modes Panel. Drag an audio file from the Library into the Preview Window, or you may click the Add Audio icon, which opens a browser window. A flashing message will appear in the Preview Window to show you where you should drag the audio file to.

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Note: If you already have an audio file in Master Audio, a dialog box will appear to ask you in replacing your original file after you have dragged the new file to the Preview

Window. Click OK.

3 Click Trim Audio to begin trimming your Master Audio file. Trimming

controls are very similar to trimming other media files. Please refer to #3 in

Trim Mode for more information. Click Apply and then OK when you are

finished trimming your audio clip.

If you want the audio clip to Fade In or Fade Out, click the corresponding option and set the duration of the fade (in seconds) by using the up and down arrows or by entering a value using your keyboard.

Adjust the volume by dragging on the Volume Mixing to increase or decrease after you have selected the audio file. You may adjust the volume from 0-200% of the original level.

To Repeat Master Audio, click to check the box so that it will repeat until the end of the entire movie.

Click Revert to return to the original Master Audio file or click Clear to start from scratch.

4 You do not need to click Apply in this mode. Just switch out of the mode and your Master Audio will be set and save your project.

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Picture-in-Picture Mode

For any of your existing video clips or image clips on the Storyboard, you may add a still image or video to the background. Set the transparency level depending on your preferences.



1 First, select the default picture or video clip from the Library by double-clicking on the selected file or dragging it into the Preview Window. The file will be

displayed. Refer to "Importing into the Library" on page 30 for more

information on importing.

2 Or, you may select a clip that has already been applied to the Storyboard by simply selecting the particular clip and it will be displayed in the Preview

Window.

3 Click the Picture-in-Picture (PiP) Mode located on the Modes Wheel.


automatically depending on your Preferences. Refer to "Preferences" on page 44 for

more information.

4 A message will flash in the Preview Window. Select the second “picture” from the Library in the form of an image, video file, or scene detected from a video file by dragging it there.

88


Note: If you already have a PiP file applied to the original clip, a dialog box will appear to ask you in replacing your original file after you have dragged the new file to the

Preview Window. Click OK.

Click and drag the points located on the edge of the file to enlarge or decrease its size. Keep in mind that the Keep Aspect Ratio is checked as the default. If you do not want to retain its width-to-length size ratio intact, uncheck it.

Click the TV Safe Zone toggle button to display a dashed outline around the inside of the Preview Window. This zone represents the area in which content is sure to be displayed on TV screens, which have a smaller display area than computer monitors. (The TV Safe Zone outline will not appear when your movie is previewed or produced.)

Click the Grid Lines toggle button to display a grid of lines that can aid in positioning the second picture more precisely. (Grid lines will not appear when your movie is previewed or produced.)

To Apply Color Filter, go to "Applying Image Color Filters" on page 92 for more

information.

Drag the Transparency slider to make the picture more or less transparent.

Click Revert to return to the original clip’s PiP file and its associated modifications or click Clear or press <Delete> on your keyboard to start from scratch.

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To minimize the duration of the second picture (i.e. you don’t want the second

picture to last the entire duration of the clip), if it is an image file, go to #3 under

"Trim Mode" on page 67 and follow the same directions as for trimming video

files. If your second picture is a video file, click Trim Video , and go to

"Trim Mode" on page 67.

The entire PiP effect setting (including the Mark In and Mark Out times) can be dragged on the Time Slider bar. Use this feature to quickly change the point in the video clip at which the PiP effect appears and disappears.

6 Click Apply when you are finished to apply it to the Storyboard. Be sure to set

your preferences for applying to the Storyboard. Go to "Edit Preferences" on page 46 for more information.

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Master Watermark

There are times when you wish to add an image that will serve as a visual background throughout the movie, which will usually represent the party that has created the movie or owns the rights to it. This is a watermark. It may also be a TV station logo or the movie title.

Caution: If you utilize Master Watermark in your movie, SVRT will be disabled when producing.

1 Click Master Watermark located on the Storyboard’s left side.

2 The steps here are extremely similar to the PiP Mode except that only an image

file may be used. Go to #4 in "Picture-in-Picture Mode" on page 88 for the rest of

the steps.

3 You do not need to click Apply in this mode. Just switch out of the mode and your Master Watermark will be set and save your project.

To Apply Color Filter, go to "Applying Image Color Filters" on page 92 for more

information.

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Applying Image Color Filters

You may want to apply a color filter so that a specific color of the image file will blend the background of the image with the foreground of the original file. This option is available in the Picture-in-Picture and Master Watermark Modes.

1

With the file selected in the PiP Mode, click Eyedropper to apply the color filter.

2

A dialog box will appear. Now, position the Eyedropper tool over the color you want to filter out and then click once to select it. The color box on top displays the current color the Eyedropper is positioned over. The lower box displays the color that was last filtered.

To select a color more accurately, you can Zoom In

on the picture. You may also select a magnification level from the drop-down menu.

3 Click OK.

4 Now, check Apply Color Filter by clicking in the box. To disable this function, uncheck by clicking it again.

Drag the Tolerance Level slider to extend the range of colors from the one you have selected for the Color Filter option.

5 Click Apply when you are finished. Be sure to set your preferences for applying

to the Storyboard. Go to "Edit Preferences" on page 46 for more information.

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OVIE

The time has finally arrived for you to produce your own movie. After all your hard work of importing media files into your Library, previewing them, manipulating them, and applying them to the Storyboard, the production of your grand masterpiece is imminent. This chapter will cover MPEG-1, MPEG-2, Windows

Media and AVI formatted video types.

Editing and producing MPEG and DV AVI files and clips is what makes

PowerDirector a powerhouse in video editing software applications.

Info: MPEG is an acronym short for the Moving Picture Experts Group which belongs to the family of ISO/IEC standards (International Organization for Standardization and International Electrotechnical Commission). It is a compression technology for digital video and audio signals intended for consumer distribution. Please refer to

"What Is MPEG?" on page 141 for more information.

Many video editing software applications waste valuable time when decompressing

MPEG and DV AVI files into uncompressed AVI format before the editing process.

During editing, this process places unnecessary burden on your hard disk by requiring a huge amount of disk space when working with uncompressed AVI format. After it’s all said and done, when you are ready to produce into MPEG or

DV AVI format, valuable time is wasted again in compressing your movie!

Not so with PowerDirector’s proprietary technology, SVRT (Smart Video Rendering

Technology). If your files are originally in MPEG or DV AVI format, editing will be in the same format and when producing, invaluable time and hard disk space is preciously saved when only the edited video portions need to be rendered. This is

“smart video rendering”.

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Producing General MPEG-1 Files

As mentioned in the previous section, MPEG is the standard format this generation for compressed multimedia files with high quality. After you are satisfied with your all special effects, trims, audio, etc., and wish to produce a file in compressed MPEG format, you are ready for the final stage of your post-production process. Refer to

"What Is MPEG?" on page 141 for more information.

1

Clips should be applied to the Storyboard.

2 Click Produce Movie located on the Modes Wheel.

3

Select MPEG-1 from the Video for General Purposes drop-down menu. Click

Next .

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Producing Your Movie

4

We recommend that you select the default Smart Video Rendering

Technology (SVRT)

selection to save time. Refer to "Glossary" on page 145 for

more information on this selection’s properties.

Note: If the SVRT is grayed out, it might be that your movie is utilizing Master Audio or

Master Watermark or does not possess any MPEG files. SVRT is used optimally with MPEG formatted files.

5 If you are an advanced user, you may click the second selection MPEG-1 Video

(Constant Bitrate) .

If you picked the second selection, click on the left drop-down menu and choose the group of profiles you want to display, which will include

Default, Custom, or All.

6 After selecting a group, select the specific profile. Profile properties will be displayed immediately below the chosen profile including the recommended processing speeds of your system. If you want better resolution or quality but at the expense of hard disk consumed, choose the higher quality or higher bitrate profiles.

Tips: If you will be making your own VCDs (burning at a later time), choose a VCD profile. For more information on television standards such as NTSC and PAL, refer

to "NTSC and PAL" on page 142.

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Click Details for more specific information concerning a profile.

To create your own profile, go to "Creating Custom MPEG Profiles" on page 100.

7

Click Next.

8 For the last step, choose a file name or click Browse to look for the correct directory. After finding the directory and typing in the new file name, click

Save .

If you would like to view your movie as soon as the production process is complete, click Preview movie after production. After your movie is produced, it will appear in a preview window with standard play controls, giving you full playback options.

9 Check your File Details. Click Finish.

During the production, there are viewing options you may set. Go to "Preview

Preferences" on page 50 for more information. You may also click Abort during

production.

Save you project if you haven’t already by choosing File > Save Project. Enter the file name and click Save.

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Producing General MPEG-2 Files

As mentioned in the previous section, MPEG is the standard format this generation for compressed multimedia files with high quality. After you are satisfied with your all special effects, trims, audio, etc., and wish to produce a file in compressed MPEG format, you are ready for the final stage of your post-production process. Refer to

"What Is MPEG?" on page 141 for more information.

1

Clips should be applied to the Storyboard.


3

Select MPEG-2 from the Video for General Purposes drop-down menu. Click

Next .

4 We recommend that you select the default SVRT selection to save time. Refer

to "Glossary" on page 145 for more information on this selection’s properties.


Master Watermark or does not possess any MPEG files. SVRT is used optimally with MPEG formatted files.

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5

If you are an advanced user, you may click the second selection MPEG-2 Video

(Constant Bitrate) .

If you picked the second selection, click on the left drop-down menu and choose the group of profiles you want to display, which will include

Default, Custom, or All.

6 After selecting a group, select the specific profile. Profile properties will be displayed immediately below the chosen profile including the recommended processing speeds of your system. If you want better resolution or quality but at the expense of hard disk consumed, choose the higher quality or higher bitrate profiles.

Note: If you will be making your own DVDs (burning at a later time), choose a DVD profile.


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To create your own profile, go to "Creating Custom MPEG Profiles" on page 100.

7

Click Next.

If you would like to view your movie as soon as the production process is complete, click Preview movie after production. After your movie is produced, it will appear in a preview window with standard play controls, giving you full playback options.

8 For the last step, choose a file name or click Browse to look for the correct directory. After finding the directory and typing in the new file name, click

Save .


During the production, there are viewing options you may set. Go to "Preview

Preferences" on page 50 for more information. You may also click Abort during

production.

Save your project if you haven’t already by choosing File > Save Project. Enter the file name and click Save.

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Creating Custom MPEG Profiles

1

Either if you were in the Producing Movie process after you have chosen MPEG as your video type and selected MPEG-1/2

Video (Constant Bitrate) , or in the Capture

Mode and in the process of selecting a profile, to create a custom profile you must first select an existing MPEG profile that is closely associated with your new profile.

2

Then, click New... in order to create a new

MPEG profile. A dialog box appears.

3

Type in a profile name and edit the description. For information on the Profile

Properties, refer to "Glossary" on page 145


4

Click on the Video tab.

Select a Video Size by clicking on the dropdown menu.

5 Drag the slider to set your Video

Compression Rate . The higher the kbps, the less the compression with better quality, but more disk space will be consumed.

6 Some Advanced Settings may be checked as default depending on the profile you are copying from:

Smoothing : Check for a smoother image if you find video content is too fine and on the grainy side.

Noise Removal : This removes video artifacts such as white noise from video signals.

Deinterlacing : Combines two interlaced fields into a single frame and render them at 30 frames per second (fps). Deinterlacing is done to remove artifacts and improve the quality of encoded video.

7

Drag the Speed Quality Indicator to the left for higher speed but which will sacrifice quality or to the right for better quality but at a slower speed.

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8

Click on the Audio tab.

9 The default MPEG Audio Compression setting will be Layer II stereo. For the Audio

Compression Rate , like its Video counterpart, the higher the kbps, the less the compression with better quality, but more disk space will be consumed.

10 Click OK to return to the production/ capture process.

To select your new profile, select Custom from the profile group menu and then select the profile.

To edit existing profiles, select the right custom profile and click Edit. Click Delete after you have selected the custom profile you wish to delete.


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Producing Windows Media Files

Streaming technology has grown by leaps and bounds since its increasing usage from the last decade by providing a medium that is controlled by the content provider and therefore is free of copyright issues. And it’s only getting started.

Info: Streaming utilizes video scaling, compression techniques, and network protocols in order to transmit files from a Web server (where the streaming file is stored) to the client (your hard drive). The concept of streaming is relatively easy: the file is broken up into data packets, compressed, and sent over the Internet in a stream, or a series of related packets, along with the audio data if applicable. The client must have a player in order to decompress the packets, display the video data, and send audio data to the speakers via the sound card. The player will first buffer the packets, meaning the packets are downloaded and stored in a buffer before playback begins. This ensures smooth playback in case of breaks or interference due to instable Internet connections.

Thus, the client and its player does not have to wait for the entire file to download in order to begin playing the individual data packets.

Windows Media is a proprietary streaming audio/video format typically used to download and play files or to stream content. It is the main streaming format used for Microsoft's Windows Media Player.

The Windows Media profiles are best for streaming content across bandwidths where you, the presenter, would like as many flexible selections as possible. Profiles range from the more basic Internet connection speeds to full-fledged broadband, audio only, and profiles containing single to multiple video streams.

After you are satisfied with your all special effects, trims, audio, etc., and wish to produce a file in compressed streaming Windows Media format, you are ready for the final stage of your post-production process.


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2

Select Windows Media from the Video for General Purposes drop-down menu and click Next.

3

Now select a profile depending on what type of connection speed you will be utilizing when streaming your file to your audience. Click on the drop-down menu and select a profile. Profile descriptions and properties will be displayed

immediately below the chosen profile. Refer to "Glossary" on page 145 for more

details. Click Next.

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4

For the last step, choose a file name or click Browse to look for the correct directory. After finding the directory and typing in the new file name, click

Save .


6

Save you project if you haven’t already by choosing File > Save Project. Enter the file name and click Save.

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Producing AVI Files

PowerDirector has the robust feature of writing directly to your DV tape in AVI format when producing. This will include all your manipulation, modifications and special effects and is just another way of making your production more mobile and timeless. You may also produce in uncompressed AVI format to your hard drive.

1

Click Produce Movie located on the Modes Wheel.

2 Select AVI from the Video for General Purposes drop-down menu and click

Next .

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3

We recommend that you select the default SVRT selection to save precious time and render like never before!


Master Watermark or does not possess any DV AVI files. SVRT is used optimally with DV AVI formatted files.

4

For the Profile field, click on the left drop-down menu to display the profile group. The DV group consists of DV format profiles while the Windows group is the uncompressed AVI format that will take up a large amount of hard disk but is used for editing by some video editing software applications and also writing to VHS tapes or for TV broadcast.

For information on television standards such as NTSC and PAL, refer to

"NTSC and PAL" on page 142.

5 After selecting the profile group, select the specific profile with the right dropdown menu. Profile properties will be displayed immediately below the chosen profile. Click Details for more information on a specific profile. Click Next.

To adjust and modify a Windows AVI profile, go to "Setting AVI Profiles" on page

110.

If your FireWire connection is ready, your DV camcorder is on, and your DV tape is in place, check Write to DV Tape to directly write your entire production onto your camcorder’s tape. Click Next.

Note: The Write to DV Tape step will appear after your production is complete.

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6

For the last step, enter a file name or click Browse to look for the correct directory. After finding the directory and typing in the new file name, click

Save .


If you decided to Write to DV Tape, after your movie is produced (hard disk

version), the Write to DV Tape dialog box will be displayed. (See "Writing to DV

Tape" on page 108.) Click Show Preview to preview when writing and then click

Start . Click Close after it is complete.

8

Save your project if you haven’t already by choosing File > Save Project. Enter the file name and click Save.

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Writing to DV Tape

For the Write to DV Tape function, a quick and easy way is to select a DV AVI file directly from the Library and then choose File > Export > Write to DV Tape for instant writing. You may also choose this option when you are producing AVI movies. A dialog box appears.

1

You can preview your DV tape using the play controls, or shuttle forward and backward to find the exact location where you want to write the new files to tape.

The files you have set to write to tape appear in the upper left corner of the dialog box.

2 To add a file, click the Add icon, which opens a browser window. To

Note: You are only allowed to write .AVI files to DV tape.

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To change the order in which the files will be written to tape, select a file

arrows.

The Total Files and Total Duration that you have selected to write to tape appear in the lower left of the dialog box.

A smaller preview window in the lower left corner allows you to preview the files that you have selected to write to tape in the exact order you have selected.

3

After you are satisfied with the order of the files you have selected, click the

Write to DV Tape button . While files are writing to tape, the button becomes the Stop Writing to Tape button writing to tape procedure.

, allowing you to stop the

The files will begin to write to tape in the exact order you have set in this dialog box, are a preview appears in the larger preview window.

4

When the write to tape procedure is finished, click the Cancel button close the dialog box.

to

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Setting AVI Profiles

You may set the parameters of DV and Windows AVI profiles. For more information

on the individual settings, refer to "Glossary" on page 145 for more information.

DV AVI Profiles

1 While in the Producing Movie process, after you have chosen AVI as your video type, select DV from the AVI Video drop-down menu and select NTSC or PAL from the drop-down menu to the right.

2

Click Settings...

3 The Type tab is the default. Select DV

AVI Type I or DV AVI Type II, depending on your preference. Refer to

"Type I" and "Type II" on page 149 for

more information.

4 Click on the Audio Quality tab.

5

Select Medium audio quality or High audio quality , depending on your preference.

6 Click OK to return to the production process.

Windows AVI Profiles

1

While in the Producing Movie process, after you have chosen AVI as your video type, select Windows from the AVI Video drop-down menu and select the quality from the drop-down menu to the right.

2 Click Settings...

3 The Compression tab is the default.

Select a Compression Codec by clicking on the drop-down menu. Refer to

"codec" on page 145 for more

information.

4 The Key Frame is unavailable to be set.

It is defined as a frame in a video sequence that does not require information from a previous frame for decompression. The more the key frames, the better the quality but at the expense of disk space.

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5

Click on the Data Rate drop-down menu and select one. The higher kbps, the better quality but at the expense of hard disk consumed.

6

Select the Composition if you only prefer video or audio.

7 Drag the slider to set your Quality.

8

Click on the Video/Audio Settings tab.

Refer to "Glossary" on page 145 for more

information on specific terms.

9 Select a Frames x per second by clicking on the drop-down menu. The more motion you have in your video content, the higher the frame rate setting should be. The standard TV frame rate (e.g.

NTSC) is 30.

10 Select a Video Size by clicking on the drop-down menu.

11 Select a Color by clicking on the dropdown menu.

12 For the Audio Setting, click on the drop-down menu for Format and Attributes

and select for each one. PCM is the default. Refer to "PCM" on page 148 for

more information. For the attributes, the higher the Hz, the better quality but at the expense of hard disk space.

13 Click OK to return to the production process.

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Producing QuickTime Movie Files

1


2 Select QuickTime Movie from the Video for General Purposes drop-down menu and click Next.

3 Select the specific profile from the Default, Custom, or All options. Profile properties will be displayed immediately below the chosen profile. If you want

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Producing Your Movie better resolution or quality but at the expense of hard disk consumed, choose the higher quality profiles.


To create your own profile, go to "Creating Custom QuickTime Movie Profiles" on page 114.

4

Click Next.

5 For the last step, enter a file name or click Browse to look for the correct directory. After finding the directory and typing in the new file name, click

Save .

6

Check your File Details. Click Finish.

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Creating Custom QuickTime Movie Profiles

1

Either if you were in the Producing Movie process after you have chosen

QuickTime Movie as your video type, or in the Capture Mode and in the process of selecting a profile, to create a custom profile you must first select an existing QuickTime Movie profile that is closely associated with your new profile.

2 Click New... in order to create a new QuickTime profile. A dialog box appears.

3

Type in a profile name and edit the description. For information on the Profile

Properties, refer to "Glossary" on page 145 for more information.

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4

Click on the Compressor/Video tab.


Select a compression scheme that best suits your needs for this movie (i.e. higher

Fidelity , Speed, or Compression).

Select a Video Size, Video Type, and Video Quality by clicking on the dropdown menus. Set the Video Key Frame Rate using the arrows.

5 Click OK to return to the production/capture process.


To edit existing profiles, select the right custom profile and click Edit. Click

Delete after you have selected the custom profile you wish to delete.

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Producing RealVideo Files

1


2 Select RealVideo from the Video for General Purposes drop-down menu and click Next.

3

Select the specific profile from the Default, Custom, or All options. Profile properties will be displayed immediately below the chosen profile. (Editable fields appear in the Properties box.) If you want better resolution or quality but at the expense of hard disk consumed, choose the higher quality profiles.

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To create your own profile, go to "Creating Custom RealVideo Profiles" on page

118.

4 Click Next.

5 For the last step, enter a file name or click Browse to look for the correct directory. After finding the directory and typing in the new file name, click

Save .


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Chapter 9

Creating Custom RealVideo Profiles

1

Either if you were in the Producing Movie process after you have chosen

RealVideo as your video type, or in the Capture Mode and in the process of selecting a profile, to create a custom profile you must first select an existing

RealVideo profile that is closely associated with your new profile.

2

Click New... in order to create a new RealVideo profile. A dialog box appears.

3 Type in a profile name and edit the description. For information on the Profile

Properties, refer to "Glossary" on page 145 for more information.

4 Click on the Settings tab.

Select a Video Size, Audio Setting, and

Target Audience by clicking on the dropdown menus.

5 Click OK to return to the production/ capture process.


To edit existing profiles, select the right custom profile and click Edit. Click Delete after you have selected the custom profile you wish to delete.

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Producing Movies on a Disc

1


2 Select Video for Movie Disc Production.

3

Select a Type of Disc from the drop-down menu and then a video format from the Country/Video Format of Disc menu.

4

If you have the PowerDirector Pro version, you will have the option of selecting

Continue authoring and burning steps after movie is produced . The Disc

Wizard will guide you through the remaining steps after you are finished with the basic producing steps.

5 Click Next.

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6

For the last step, enter a file name or click Browse to look for the correct directory. After finding the directory and typing in the new file name, click

Save .


8

After production is completed, Pro’s Disc Wizard will automatically appear to allow you to select more video files for your movie disc along with the file you

just produced. Go to "Authoring: Disc Type and Selecting Media Files" and #3 on page 125 to continue.

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After you have completed your movie and have produced it into a file, you are ready to author and burn it on a disc for mass distribution. Just be sure your CD or

DVD burner is working properly and you have a supply of format-compatible blank discs to get started. PowerDirector Pro’s Disc Wizard makes authoring and burning an effortless and fun process, which can also be saved for later use. Let’s get started then!

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Starting the Disc Wizard

Tips: Click on the helpful questions located on every page of the Disc Wizard for a quick and convenient answer.

1 Click Disc Wizard . After reading the Welcome message, click Next.

2

To open an existing project, refer to "Opening Disc Wizard Projects" on page 138


3 If you already have a disc image, select Load an existing movie file and go to

"Loading an Existing Movie File" on page 123. If not, the default Create new

movie

will be selected. Go to "Authoring Your Disc" on page 124. Click Next.

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Creating Your Own Movie Disc

Loading an Existing Movie File

1 Select either Load a disc image file or Load a DVD folder. The latter choice is for users who have previously saved a movie file as a DVD folder.

Click Browse

Open .

to find the appropriate disc image and then click

2

Click Next. Go to "Burning Your Disc" on page 134 and #3.

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Authoring Your Disc

This process allows you to create personalized menus, slideshows, chapters, and much more for your movie discs regardless of the type of disc you have chosen. The steps below will be divided into authoring sections.

If you have run out of time before completing this movie file, you may save this

wizard project. Refer to "Saving and Opening Disc Wizard Projects" on page 138 for

more information.

Tips: Click on the helpful questions located on every page of the Disc Wizard for a quick and convenient answer.

Authoring: Disc Type and Selecting Media Files

1 After you are finished with the Disc Wizard’s welcome section, you are ready to select the type of disc you would like to create. Select from DVD, VCD,

SVCD , and MiniDVD.

2

Click on the drop-down menu of Video Format and select the proper format for viewing (NTSC or PAL) depending on the country it will be played in. Refer

to "NTSC and PAL" on page 142 for more information. Click Next.

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3

Select your video files for your movie disc. To begin, click Import media from

PowerDirector projects to import all media files from a specific

PowerDirector project. Find and select the project and click Open. All of this project’s Library files will be listed for selection.

Or, you may click on From Local Disks to use video files from your local hard disk drive. Click on the drop-down menu to select a drive and its folders will be listed below. Find the right folder and the files.

4 After the media files are listed, select a file and click Add .

Tips: If you would like the create a DVD/MiniDVD movie with chapters just like a professional DVD Video disc, you must only use one video file. If your movie disc consists of multiple video files or slideshows, continuous playback between these items will not be available. During disc playback, after each file’s or slideshow’s conclusion, the disc will return to the main menu. For VCD/SVCD discs, jumping between chapters during playback, regardless if they are originally set from a single video file or not, are not available.

To remove, first select a file that you have already added to the right window and then click Remove .

5 Click Next.

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Authoring: Slideshows and Main Menu Order

1

The next step is if you would like to include your own personal photos and images as a slideshow. Select No, I do not want to include slideshows in this movie disc

to skip this step and go to #6. Otherwise, click Next.

2 Disc Wizard allows you to create a maximum of 100 slideshows and 256 images per slideshow. First, click Add Slideshow and a dialog box will appear for you to select images. After selecting the images, click Open. A slideshow folder icon, which represents one slideshow, will also be created along with a display of its contents.

To remove a slideshow folder and all its images, select the folder and click

Remove Slideshow .

3 To add additional images to a slideshow, click a slideshow folder icon and then click on Add Image located below the slideshows section. A dialog box will appear. Find and select images you would like to include and then click

Open . The images will appear in the Images pane.

Depending on your audience's screen size and your image's size, you may click

Stretch to Fit . When checked, during your movie disc playback, if your image is smaller than the display window, it will be stretched to fit the window size disproportionate to the original size aspect ratio. If it is not checked, the original aspect ratio will remain intact when it is enlarged.

Note: If your image is larger than the display window, it may also be Stretched to Fit or if not checked, it will be shrunk in proportion to the original size aspect ratio.

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Clockwise to modify your images.

After selecting an image, click Move Forward Move Backward to rearrange the order of your slideshow.

4

The last slideshow step is to specify the time for each individual slide. Enter the number of seconds in the Time Duration for Each Slide field.

To add music for a slideshow, select a slideshow and then click Slideshow

Music . Select the audio file and click Open.

To remove the Slideshow Music file, click Remove Music .

5

Click Next.

6 To adjust the main menu order, select a video file/slideshow and click Move

Forward or Move Backward . Click Next.

Note: If your movie disc consists of multiple video files or slideshows, continuous playback between these items will not be available. During disc playback, after each file’s or slideshow’s conclusion, the disc will return to the main menu.

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Authoring: Chapters and Menus

1

In order to make it easier for your audience to navigate within your movie discs, you could divide your a video file into chapters. Click Next if you would like to set chapters. Select No, I do not want to chapters on this movie disc and

then click Next. Go to #5.

The first current file will be displayed in the Preview Window. To preview, refer

to "Previewing your Library Files" on page 32 for more information.

Caution: If you are burning a VCD/SVCD disc and want to set chapters, jumping between chapters during playback, regardless if they are originally set from a single video file or not, are not available.

2 Click Add Chapter at the scene where you would like to divide this file into separate chapters. The first scene of this newly created chapter will appear below in the pane when a chapter has been set.

To remove a chapter, select its thumbnail in the chapters’ window and click Remove Chapter .

Click Next Chapter Previous Chapter to navigate among the different files and its chapters or you may click on the chapter thumbnail directly.

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3

You may also detect scenes from your file with the Disc Wizard. Simply, click

Detect Next Scene . The first frame of the next scene will be displayed. If you want to set a chapter here, click Add Chapter . If not, continue

detecting to other scenes. (Refer to "Detecting Scenes" on page 35 for more

information on this great new feature for PowerDirector 2.0)

To modify the sensitivity of your scene detections, click Detect Scenes

Options . Drag the Sensitivity slider or click Increase/Decrease

Sensitivity . The more sensitive the setting, the more scenes it will detect which will generate more video files.

The Detection Method section is for captured video content that has been imported into the Library. Use the default unless you have a DV AVI format file that contains multiple timecodes (i.e. resetting of timecodes are automatically set when you start and stop recording) and you wish to split up your files in this manner, select Detect by changing of timecodes.

Note: If you have selected Detect by changing of timecodes, in essence, PowerDirector will not be performing the scene detection feature, for scenes that are detected will rely solely on the DV tape’s changing of timecodes, which is ultimately dependent on the

DV tape itself.

4 Click Next when you are done.

5

You may wish to include menus in your movie disc for that professional look and to provide your audience with an organized and flexible palette to work from. Select DVD/VCD/SVCD with Menus. If you do not wish to include

menus, click Next and go to "Authoring: Previewing Content" on page 132.

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6

Click on the drop-down menu in order to select a proper theme for your menu.

Menu templates will be displayed according to the theme you selected. Click

Next after selecting one.

Note: If you previously had selected another template, a dialog box will appear to verify that you want to apply the new template you have selected. Click Yes to apply or No to revert to the existing template.

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7

The next step allows you to modify all the menu options imaginable. Notice the right window and the icons that are aligned on its right in a vertical fashion.

The default is Buttons Per Page . Select the number of buttons per page.

Note: If your movie disc consists of multiple video files or slideshows, and you have set chapters for your video files, these chapters will be combined with other files’ chapters and slideshows in the menus. Even though they are combined together in the main menu, continuous playback between video files and slideshows will not be available.

For VCD/SVCD discs, jumping between chapters during playback, regardless if they are originally set from a single video file or not, are not available.

8 Click on the other tabs located beside the right window after you have selected the Buttons Per Page. Select an option for each tab and repeat this procedure for all the following tabs:

Buttons Per Page determines the number of maximum buttons found on one menu page and determines the selections found in the Style tab.

Style determines the style you would like to adopt for this particular menu page. This will depend on the Buttons Per Page selection.

Background allows you to customize background images for this menu page. Click Add Personal Photo as Background and you will be allowed to select your own personal background image from your HDD.

Find and select the file. Then click Open. To delete a customized background image (default images may not be deleted), click the

Background tab first and then select a background image that you previously added. Finally, click Delete Custom Background .

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Note: The size of this image file will be resized during playback (stretched to fit) depending

on the disc type you chose. Refer to the table at "NTSC and PAL" on page 142 for

more information.

Frames selections are for the visual representations of the individual chapters or slideshows.

Navigational Buttons will include Home, Next and Previous if your disc possesses multiple menu pages.

Graphic Buttons are for chapter selections that may be represented by static images instead of the chapter’s thumbnails.

To edit text, click in the text boxes twice and a cursor will flash. Begin typing. To set its format, select the text and click on Set Text Format to format your menu’s text. Click OK.

and to set other menu pages (if applicable). For example, if you have 30 chapters and 3 slideshows, the total number of buttons will be 33. If the maximum number of buttons for every menu page is 10, you will have a total of 4 menu pages (10 per page with 3 remaining on the 4th page).

Click on Background Music to select an audio file to be played in the background for your menus. Select the audio file and then click Open.

To remove an audio file, click Remove Music .

9 Click Next after you are finished.

Authoring: Previewing Content

1 To preview your content before you burn it or save it as a movie file (disc image), click Next. If you would like to burn right now, select No, burn disc now

, click Next and go to "Burning Your Disc" on page 134.

2 Now, put the remote control to its full use during the preview. Click Toggle View to switch to a full screen preview window. This is where you may click and drag the remote control to any position on the display window.

Click Toggle View again to minimize the screen.

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3

Use the remote control’s menu arrows in order to select the proper file, chapter, or slideshow and click Enter to begin previewing. You may also click the each individual selection directly to begin playback without using the remote control.

To return to the menu, click Menu .

Utilize the navigational functions such as Play, Pause and Stop during the preview.

jump to other chapters.

and to navigate faster and

4

After you are satisfied with the preview, click Next to continue to the final stage.

Note: The disc preview is only a simulation of the actual content that will be burned/ produced. The video size and any other effects may be slightly dissimilar.

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Chapter 10

Burning or Saving Your Movie

You have reached the final stage of distributing your masterpiece for public consumption. You may either burn to your disc or save it as a movie file (disc image).

Caution: If you are using CD-R discs (even multi-session discs), they must be completely new and blank.

Burning Your Disc

1 The first step of the final stage is if you would like to burn it on your disc or to save this as an image file onto your hard disk drive. Select Burn disc now. To

Save to hard disk drive

, select it and refer to "Saving as a Movie File" on page

136.

2 Check Include PowerDVD runtime on disc if you would like to make the autoplay feature available for your movie disc so that it will play automatically on any computer even without a DVD playback software. Click Next.

3 Select the proper Recording drive by clicking on the drop-down menu.

4 Enter a label for this movie disc in the Volume Label field.

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5

Enter the number of copies you would like to make. During the burning process, after one movie disc has been completed, the Disc Wizard will notify you for the next burning session so prepare all your discs beforehand!

6 Select the Recording speed by clicking on the drop-down menu.

7

Checked as default are two options listed below:

Enable disc burning simulation is a pseudo-burning session that undergoes the burning process through simulation for testing.

Include buffer under-run protection is to create a buffer for the burning process that maximizes system stability during the burning process and allows users to multitask. Without the buffer under-run protection, stability is minimized and multitasking would prove difficult.

To erase all the content on your rewritable disc before burning, click Erase Disc

Content .

Note: If you are using a CD-RW disc, you will be prompted to erase all data on your disc before proceeding. Click Yes.

To check details of your drive, click Drive Info

8 Click Burn it to begin writing to your disc.

.

9 To start another job after this one is complete, click Return to Start. Otherwise, click Finish.

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Saving as a Movie File

1

The first step of the final stage is if you would like to burn it on your disc or to save this as an image file onto your hard disk drive. Select Save to hard disk drive and click Next if you have not already done so.

2 Depending on your disc type, only Save as a disc image file will be available if you are burning a VCD or SVCD in the future. For DVD types, select the above or Save as a DVD folder.

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Enter the Volume Label if you wish.

Note: When saving as a disc image, it will be in a proprietary format only the Disc Wizard may read and write to disk (i.e. burn) in the future. When saving as a DVD folder, all files will be in a standard format that any disk writer software application may read and write to disk (i.e. burn) in the future.

3 Enter the directory path and a new file name for this disc image. Or click

Browse to find the proper directory and then click Save. Click Next.

Click Abort to abort the process.

4 To start another job after this one is complete, click Return to Start. Otherwise, click Finish.

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Chapter 10

Saving and Opening Disc Wizard

Projects

If you are the perfectionist that people have claimed you to be, and you want to create a spellbinding movie file (disc image), you may save your Disc Wizard project

(.CTR) for later use or reference.

1

At any step in the Disc Wizard, simply place your cursor on the

Show Menu tab (icons will vary depending on the last performed action). The menu will be displayed.

2 Select Save As... A dialog box will appear. Find the folder and then name your wizard project and then click Save.

Opening Disc Wizard Projects

To open a project, place your cursor on the Show Menu tab and select Open. Find and select the CTR project file. Then click Open and you will be at the exact step where you saved the project the last time.

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Before asking CyberLink Corp. for technical support, please refer to this user's guide or online help for more information. You may also contact your local distributor/ dealer. If your problem is still not resolved, the following sections provide ways to obtain technical support.

Web Support

Solutions to your problem are available 24 hours a day at our Web sites in Taiwan,

USA, or Japan:

support.gocyberlink.com

www.gocyberlink.com

www.cli.co.jp

You may also find solutions in the FAQ section or at our Web sites. In addition to frequently asked questions, we also provide troubleshooting techniques, the latest in product news, and other relevant information.

Fax Support

In order to answer your technical questions as quickly as possible, you may fax us at:

(886) 2-8667-1467 .

Note: Technical support is only offered to registered users, so please make sure to jot down your CD-Key located on your CD case when visiting our Web sites or faxing.

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Telephone Support

You are welcome to call the CyberLink's Technical Support Hotline at:

(886) 2-8667-1298

Phone support hours are Monday to Friday, 9:00 AM-5:00 PM (GMT+8:00) Taiwan local time excluding holidays. When calling for support, please have your computer ready and provide us with the following information:

your registered CD-Key the product version

Windows' OS version hardware types (capture card, sound card, VGA card) and their specifications warning messages displayed detailed problem description and when it occurred

Note: Technical support is only offered to registered users, so please make sure your CD-

Key is ready when calling.

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A

PPENDIX

What Is MPEG?

MPEG, simply, is an acronym short for the Moving Picture Experts Group which belongs to the family of ISO/IEC standards (International Organization for

Standardization and International Electrotechnical Commission). It is a compression technology for digital video and audio signals intended for consumer distribution.

Included in the MPEG family are:

MPEG-1 (Audio/Video)

MP3 or MPEG-1 Audio Layer 3 (Audio)

MPEG-2 (Audio/Video)

MPEG-4 (Interactive Multimedia System)

MPEG-7 (Multimedia Database & Retrieval)

MPEG technology is defined as a bit-stream representation for synchronized digital audio and digital non-interlaced or interlaced (MPEG-2 includes both) video compressed to fit into a certain bandwidth:

MPEG-1 -- 1.5-4-0 Mbps (megabits per second)

MPEG-2 -- 4.0-10.0 Mbps

MPEG is responsible for multiplexing and synchronizing one video stream with a single or multiple audio streams. MPEG-1 was designed to reproduce VHS/VCR quality in a digital format, while the MPEG-2 concept, similar to MPEG-1, is intended to cover a wider range of applications including DVD quality and its primary goal of an all-digital transmission of broadcast TV at coded bitrates between

4 and 9 Mbps.

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Appendix

NTSC and PAL

The NTSC (National Television Systems Committee) and PAL (Phase Alternating

Line) are television standards used for commercial television broadcasting around the world. Both NTSC and PAL use interlaced content at 30 frames per second (i.e.

60 fields) and 25 frames per second (i.e. 50 fields) respectively.

Because fields in interlaced signals are independent of other fields within a given frame, problems arise when two fields containing different imagery data are interleaved for display on non-interlaced computer monitors. When video imagery with superfluous movement is displayed, it usually causes motion artifacts (visual imperfections) and is why deinterlacing in bob mode with PowerDVD XP is needed.

DVD titles whose content originates directly from films produced from Hollywood studios (24 frames/second) won't possess motion artifacts.

142

Appendix

The Digital Video Universe

Profit outlooks and shrinking demand in the technology industry not-withstanding, the digital video revolution is well underway. There are still home videos to be edited, videos to be distributed, and full length movies to be produced. In previous generations, video editing and recording was accomplished through analog means by video professionals who had access to high-priced machinery and video equipment. Thus, many of those who wished to edit home footage or videos, if they were lucky enough to have it recorded in the first place, never had the chance to display their creative prowess when it came to video editing unless it involved enrolling in film schools and obtaining access to production studios.

When the computer descended upon our lives and immersed itself in our world, it was only a matter of time until processing speeds were incredibly fast and disk space was vast enough to begin editing video at home with software applications that didn’t require expensive video specialists, equipment or any other gadgets.

And coinciding with the computer industry’s major influence was the birth of the

DV (digital video) format, an international standard intended for consumer use, back in 1995.

The DV Format: A Brief History

Like a seamless emergence and natural coalescence with desktop video editing, the advent and proliferation of DV camcorders were sure to spark continued interest in the infinite possibilities of digital video. What began back in 1995 and a DV format agreement reached by a consortium of companies that included Hitachi, Ltd., Sony

Corp, Sharp Corporation, Thompson Multimedia, Mitsubishi Electric Corporation,

Victor Corporation of Japan (JVC), Matsushita Electric Industrial Corp. (Panasonic),

Philips Electronics, Sanyo Electric Co. Ltd., and Toshiba Corporation, is still being ironed out until this day in terms of a consensual format.

The frontrunners at the time and still are until this day, are Sony and Matsushita

(Panasonic), which beat out the competition with their consumer releases hitting the market first. Soon after though, the format wars began with professional DV variants such as DVCAM (Sony) and DVCPRO (JVC) despite the DV format agreement. Luckily, the basic DV format is still intact, but other factors were altered

(i.e. tape type, track pitch and width) so we are still left with backward-compatible formats or incompatible formats between models from differing companies.

Hopefully, this won’t impact or trickle down to the consumer segment anytime soon.

What exactly is the DV format then? To start with, it has a 5:1 compression ratio and its compression technology is quite similar to MPEG (e.g. DVD Video format).

Tips: For more information on MPEG, refer to "What Is MPEG?" on page 141.

143

Appendix

The difference is that it relies more on intraframe compression where each compressed frame will depend entirely on itself and not on data from preceding or following frames like MPEG. However, the DV format does incorporate the use of adaptive interfield compression where two extremely similar interlaced fields of a frame will be compressed together to save space.

The analog generation is slowly witnessing its demise. There is still room left for analog technology, but as the DV format perfects its compression technology and enhances their non-linear editing (NLE) friendliness, the analog generation will soon be outdated, fainting memories from a bygone era. Add to this the continued popularity of video editing software and the uncompromising blazing speed of computer processing power, and the perfect union between DV recording and editing couldn’t be any more natural or fitting.

FireWire

In the early courting stages of video editing software and DV format recording, there had to be an intermediary between the two technologies to make it a success, because as you know from analog transference, there is always data lost from the original source. FireWire, or IEEE-1394, is this unerring technology when it comes to data loss, as in “lossless” transfer. A serial data transfer protocol and interconnection

(bi-directional) system, FireWire transmits digital video (DV) offering a higher transfer rate and incorporating the use of hot-plugging technology (i.e. connecting and disconnecting without shutting down the host computer).

144

G

LOSSARY

ASF bitrate

CD-R & CD-

RW chapter codec deinterlace

DivX

DSL

Short for Advanced Streaming Format, a streaming multimedia file format developed by Microsoft for Windows 98. Term is currently used interchangeably with WMA and WMV.

Bitrate denotes the average number of bits that one second of video/audio data will consume.

CD-R stands for "CD-Recordable". Recordable CDs are WORM

(Write Once, Read Multiple) media that work just like standard

CDs but may only be written to once unlike CD-Rewritable (CD-

RW) discs, which may be reused. However, its main disadvantage is that it doesn't work in all players. CD-Rewritable drives are able to write both CD-R and CD-RW discs and all CD recorders can read CDs and CD-ROMs. Volume, of 650 MB, is just like any other

CD-ROM disc.

For DVDs, chapters make up one title. There are roughly 20+ chapters for the entire length of one DVD movie.

Short for video COmpression and DECompression. Each codec uses a different algorithm to compress and decompress video data. Without codecs, storing and playing back digital video would be impractical. Common codecs include Indeo, Cinepak,

RLE, MS Video 1, and MPEG.

Deinterlaces interlaced video content, especially from TV signals and is mainly used to display interlaced video programs on non-

interlaced computer monitors (see "interlaced video content" on page 147 for more information).

A digital video codec that uses MPEG-4 technology. This file format compresses high-quality video to a small enough size that makes sending video over the Internet a realistic option for many users.

See xDSL.

145

Glossary

DV

DVD

DVD-ROM

DVD-RW

DVD+RW flip video fps

Digital Video. Refers to the capturing, manipulation and storage of video in digital formats. The DV format is an international standard intended for consumer use created back in 1995 by a consortium of companies.

Digital Versatile Disc. DVD is a high capacity CD-size disc for video, multimedia, games and audio applications.

A read-only format, it is similar to the CD-ROM format for compact discs but holds up to 4.7 GB for single-side and singlelayered discs. More common today is the single-sided and dual-layered 8.5 GB discs. Further down the scale is doublesided and single-layered 9.4 GB discs and double-sided and dual-layered 17 GB discs.

DVD-RW (formerly DVD-R/W and also briefly known as

DVD-ER) is a phase-change erasable format. Developed by

Pioneer and based on DVD-R, it uses similar track pitch, mark length, and rotation control. DVD-RW is playable in most DVD drives and players. Capacity is 4.7 billion bytes and can be rewritten about 1,000 times.

DVD+RW, supported by Philips, Sony, Hewlett-Packard, etc., is an erasable format based on CD-RW technology. It is not supported by the DVD Forum (even though the DVD+RW companies are members), but the Forum has no power to set standards. DVD+RW drives will read DVD-ROMs, CDs, DVD-

Rs and probably DVD-RWs, but will not read or write DVD-

RAM discs. The drives can also write CD-Rs and CD-RWs.

DVD+RW discs, which hold 4.7 billion bytes per side, should be readable in most existing DVD Video players and DVD-

ROM drives. It can be rewritten about 1,000 times (down from

100,000 times in the original version).

This option is for certain video formats (such as YUY2) provided by some hardware capture devices which will might be displayed as upside-down during recording.

Frames Per Second. A measure of how much information is used to store and display motion video. The term applies equally to film video and digital video. Each frame is a still image; displaying frames in quick succession creates the illusion of motion. The more frames per second (fps), the smoother the motion appears. In general, the minimum fps

146

frame rate

GOP hue

I-frame interlaced video content

ISDN kbps kHz

LAN

MiniDVD

MBR

Glossary needed to avoid jerky motion is about 30. Some computer video formats, such as AVI, provide only 15 frames per second.

For video content, the frame rate measures how many still frames per second. The higher the better when capturing video content with motion.

Group of Pictures. A MPEG compression technology, the GOP concept reduces the temporal redundancy across frames (from frame to frame) for video content and consists of I, B, P frames.

Is an attribute of colors that permits them to be classed as red, yellow, green, blue, or an intermediate between any contiguous pair of these colors.

A.k.a. intra pictures, I-frame is typically the first frame of each

GOP (apart of video compression technology used by MPEG), is moderately compressed, and serves as the reference points for random access and can be likened to images.

Describes video content within a given frame where there are 2 imagery data fields, even and odd, that is scanned separately

(e.g. NTSC and PAL television signals). This usually poses a problem when interlaced content meets non-interlaced mediums like computer monitors, which only displays noninterlaced content.

Integrated Services Digital Network. Provides a user up to 56 kbps of data bandwidth on a phone line that is also used for voice, or up to 128 kbps if the line is only used for data.

Kilobits per second. See bitrate.

Kilohertz. Hertz (Hz) is a unit of frequency equal to one cycle per second. One kHz is 1000 complete cycles per second.

Local Area Network. A computer network that spans a relatively small area. Most LANs are confined to a single building or group of buildings and mainly connect workstations and personal computers.

MiniDVD is a variation of DVD Video, where a true DVD

(including menus and high-resolution MPEG-2 video) is placed on CD-R media.

Multibitrate codecs allow several streams of different bitrates to be bundled into one file. The streaming server then

147

Glossary mono

MPEG non-interlaced video content noise removal

NTSC

PAL

PCM resolution sampling rate saturation smoothing communicates with the end user's media player to determine the optimum speed for delivery.

Mono is a single audio channel for lowest bitrate consumption.

Moving Picture Experts Group. A family of international standards used for coding audio/video information into digital format. Currently, MPEG-2 is the standard for digital video formats and MP3 for strictly digital audio formats.

Describes video content within a given frame that does not consist of distinct imagery data fields. (e.g. computer monitors)

Removes video artifacts such as white noise from video signals.

National Television Systems Committee. Is a standard format adopted by the FCC for television broadcasts in the United

States, Japan, Canada, and Mexico. Specifications: 525 lines of resolution per frame at 30 fps.; 60 Hz field frequency; requires a 6 MHz analog channel for transmission.

Phase Alteration Line. Is the standard format for television broadcasts in Germany, Great Britain, South America,

Australia, and most of Western European and Asian countries.

Pulse Code Modulation. Is a sampling technique for digitizing analog signals, especially audio signals. PCM samples the signal 8000 times a second; each sample is represented by 8 bits for a total of 64 kbps. There are two standards for coding the sample level. The Mu-Law standard is used in North America and Japan while the A-Law standard is use in most other countries.

A synonym for sharpness in regards to imagery detail, it is measured in lines or pixels.

Sampling rate determines the sound frequency range

(corresponding to pitch), which can be represented in digital waveform. The range of frequencies represented in a waveform is often called its bandwidth.

Is chromatic purity: freedom from dilution with white.

Smooths out image if you find video content is too fine and on the grainy side.

148

stereo

SVCD

SVRT title

Type I

Type II

VCD video overlay

Windows Media

Format

Windows Media

Services Server

Glossary

Short for stereophonic and developed in the 1950’s, it constitutes sound reproduction using two independent audio channels.

Conceived of in China, this format’s quality falls in between that of VCD 2.0 and DVD.

Smart Video Rendering Technology. A proprietary CyberLink technology, SVRT saves vast amounts of time when producing movies that contain compressed MPEG files because it only renders edited portions. This preserves the quality of unrendered video portions of the original MPEG files.

DVDs consist a maximum of 99 titles for every DVD Video.

Titles will consist of chapters.

Method of storing DV data in AVI format that was defined by

Microsoft. This format stores data (i.e. video and audio) as a single AVI stream. It offers better compression, but is newer, and therefore compatible with fewer systems than Type II.

Method of storing DV data in AVI format that was defined by

Microsoft. This format stores data (i.e. video and audio) as a single video stream and 1-4 audio streams to store DV data. It offers wider compatibility, but uses an older compression than

Type I. This format requires slightly more processing time to split the video/audio stream while capturing.

Video Compact Disc. Generally for video applications employing MPEG-1 technology, video quality is not as detailed as DVD and has similar technology to that of audio

CDs.

Video overlay is the ability to superimpose computer graphics over a live or recorded video signal and store the resulting video image on hard disk.

This format is optimized for streaming and playing back audio, video, and script data and is primarily used in streaming presentations over the Internet. The main format used is .WMV in combination with Microsoft's Windows

Media Player.

The Windows Media Services server offers the ability to provide multimedia content to a large number of clients using

.WMV, .ASF, .WMA, .MP3 and .WAV formats. It is for the expanded use of streaming media such as live broadcasting

149

Glossary

WMA

WMV xDSL and intelligent streaming and is, by default, the best way to stream media since it was designed especially for streaming. It also provides sufficient tools and support for traffic management and broadcasting streaming services. This differs from HTTP (Hypertext Transfer Protocol) streaming, which is directly streamed from Web servers.

Windows Media Audio. A Windows Media proprietary streaming audio format typically used to download and play files or to stream content.

Windows Media Video. A Windows Media proprietary streaming audio/video format typically used to download and play files or to stream content and is the main streaming format used for Microsoft's Windows Media Player.

Refers collectively to all types of Digital Subscriber Lines, the two main categories being ADSL and SDSL. Two other types of xDSL technologies are High-data-rate DSL (HDSL) and

Symmetric DSL (SDSL). DSL technologies use sophisticated modulation schemes to pack data onto copper wires. They are sometimes referred to as last-mile technologies because they are used only for connections from a telephone switching station to a home or office, not between switching stations.

150

I

NDEX

A

advanced settings 100

altering speeds. See Speed Mode

analog

camcorders 3, 51

devices 1

generation 144

signals 148

video capture

See Capture Mode, analog video

capture

antenna 53

applying

image color filters 92 eyedropper tool 92

in modes. See specific mode for

details

to Storyboard 11, 30, 33

ASF format 145

audio capture. See Capture Mode, au-

dio capture

audio clips, adding to Storyboard 83

audio compression rate 101

Audio Mode

adding audio files 23, 24, 84, 86

applying 85

clearing effects 23, 24, 85

Master Audio. See Master Audio

removing audio files 23, 24 reverting 23, 24, 85 trimming audio files 24

applying 85

visual overview 12, 24

volume mixing 23, 24, 85

audio streams 141

AVI format 93, 147

movies.See producing, AVI movies

profiles 106

DV group 106

video for general purposes 105

Windows group 106

setting profiles of 110

audio setting 111 color 111 composition 111

compression 110 compression codec 110

data rate 111 frames per second 111

key frame 110

quality 111 video size 111

writing in 105

B

background color 76

bandwidth 148

basic procedures 27

batch capturing 63

See also Capture Mode, DV capture

bitrate 145

buffer 49, 102

burning your disc 134

151

C

camcorders

DV 3, 51, 57

advent of 143

batch capturing from.See batch

capturing

Camera mode 57, 58

VCR mode 57, 60, 63

Camera mode 58

capture cards 3, 51

selecting source of 53

capture destination.See preferences,

capture destination

capture file name 45

Capture Mode

analog video capture 13 audio capture 13, 55

audio CD source 55 device setup 55 input setup 55

profile setup 56

setup 55

capturing selection 53

capturing video and audio 52

DV capture 13, 57

adding batch task 17, 65 batch capturing 15, 17, 63

Camera mode 58

current time 15 instant capturing 15, 17

marking in 17, 65

marking out 17, 65

profiles 54, 58, 61, 64

removing batch task 17, 66

seek tape 15, 17, 61, 64

shuttling 15, 17, 61, 64

starting batch task 17, 65

total time 15, 62

using non real-time 15, 17, 57, 58,

61, 64

using real-time 15, 17, 57, 58, 61,

64

VCR mode 60


recording 56, 59, 62

152

size limit 56, 59, 62

time limit 56, 59, 61

video capture

analog video 53 antenna 53

CATV 53 device setup 53 setup 53

snapshot 56

tuner source 53


capture performance 48 capture/export preferences. See pref-

erences, capture/export capturing files

scenes detection 48

CD-R 145

CD-RW 145

clearing. See specific mode for details

closing PowerDirector 27

codec 145, 147

compression 110

Color Boards 34 new 34 restoring default in the Library 9, 34

showing in Library 9, 34

composition 111

compression 101, 145

audio rate 101

codec 110 setting 110

techniques of 102

technology of 93, 147

video rate 100

country of disc 119

crop resize option 69, 70

custom MPEG profiles. See MPEG,

custom profiles of

D

data packets 102

data rate 111

deinterlacing 100, 145

deleting

clips from Storyboard 39

files from Library 31

MPEG profiles 101

QuickTime profiles 115

RealVideo profiles 118

detected scenes

merging 37 removing 37

detecting scenes 8, 30, 35

advanced settings in 36 by changing timecodes 36 ignoring fade ins 36 ignoring flashing lights 36

in capture mode 48

setting sensitivity 35, 129 through changing of timecodes 129

digital camera 3, 51

disc wizard

adding slideshows 126

adjusting main menu order 127

buffer under-run protection,

including of 135

burning your disc 134

creating new movie 122

detecting scenes in 129

disc image file, loading of 123

discs with menus 129

DVD folder, loading of 123

enabling disc burning simulation

135

importing from projects 125

loading existing movie file 122, 123

menu options 131

menu templates 130

opening projects 138

PowerDVD runtime, including of

134

previewing content 132

saving as movie file 136

saving projects 138

selecting disc type 124

selecting media files 125

setting chapters 128

starting 122

video formats 124

visual overview 12

display preferences. See preferences,

display

DSL 145

DV 144, 146

camcorders 3

buffer time 49

Camera mode.See camcorders,

DV

capturing from 57

DVCAM format 143

DVCPRO format 143

VCR mode.See camcorders, DV

See also camcorders, DV

Capture Mode of


See also Capture Mode, DV cap-

ture

capturing source of 13

format of 143

parameters setup 49

profiles 106

tape

previewing when writing 28

timecode 15, 17, 61, 64

writing multiples files to 28

writing to 28, 105, 106, 108

universe of 143

DV AVI

detecting scenes with 36, 129

introduction of 93

profiles of 59

used optimally with SVRT 106

writing to tape 28, 108

DV VCR 51

DVD 146

DVD+RW 146

DVD-ROM 146

DVD-RW 146

153

E

edit preferences. See preferences, edit

editing MPEG profiles 101

editing QuickTime profiles 115

editing RealVideo profiles 118

Effects Mode

applying 76 background color setting 76

clearing effects 21, 76

effects settings table 74

foreground color setting 76 linked settings for 76 marking in 76 marking out 76 reverting 21, 76

supplying video effects 73


end of file 11, 33, 68

exiting PowerDirector 7, 27

F

file formats, supported 4

files

importing into Library 30

FireWire 3, 51, 144

flip video 146

foreground color 76

frame rate

display preferences 47

See frames per second.

frames per second 100, 146

G

general preferences.See preferences,

general

GOP 147

grid lines 89

H

hardware requirements. See system re-

quirements, hardware

Help 29

hold time 79

hotkey list 41

hue 147

I

I-frame 147

image color filters. See applying, image

color filters

importing files. See Library, importing

media

input file formats 4

intelligent streaming 150

interlaced video content 141, 142, 147

See also non-interlaced video

content

i-Power 7, 29

ISDN 147

K

kbps 147

key frame 110

kHz 147

L

LAN 147

letterbox resize option 69, 70

Library

deleting files from 31

displaying as file details 8 displaying as large icons 8

importing directory 8, 30 importing files into 30 importing media 8, 28, 30

new Color Boards in 34

previewing files in 32

154

removing from 30

restoring default Color Boards in 34

Show Audio icon 8 showing all audio files 8, 30 showing all image files 8, 30 showing all media files 8, 30 showing all video files 8, 30

showing Color Boards 34

visual overview 8

M

marking in

See Capture Mode, DV capture

See Effects Mode, marking in

See Titles Mode, marking in

marking out

See Capture Mode, DV capture

See Effects Mode, marking out

See Titles Mode, marking out

Master Audio 10

clearing effects 87

fade in 85, 87 fade out 85, 87

repeating 87 reverting 87 trimming in 87 applying 87 volume mixing 87

Master Watermark 10, 91

applying color filter in 91

MBR 147

merging detected scenes 37

minimizing PowerDirector 7, 27

Modes Wheel

visual overview 12

Modes.See specific mode

mono 148

movie files

See also disc wizard, loading

existing movie file

MPEG 93, 141, 147, 148

audio compression setting of 101

compared to DV format 143

profiles 95, 96, 98

custom 100

video for general purposes 94, 97

used optimally with SVRT 95

MPEG-1 149

producing movies of.See

producing, MPEG-1 movies

MPEG-2 148

producing movies of.See

producing, MPEG-2 movies

N

networks

ISDN 147 local area 147

protocols 102

new project 28

next frame 11, 33

noise removal 100, 148

non-interlaced video content 141, 142,

148

non-linear editing 144

NTSC 142, 148

O

opening

PowerDirector projects 28

wizard projects 138

output file formats 4

overlay.See video overlay

P

PAL 142, 148

parameters setup.See DV, parameters

setup

pausing 11, 15, 33, 68

PC camera 3, 51, 56

PCI

capture cards 3, 51

PCM 148

Picture-in-Picture Mode

155

applying image color filter 22, 25, 92 clearing effects 22, 89

editing video in 90

keeping aspect ratio 89 reverting 22, 89

selecting 88

transparency setting 89


playing files 11, 15, 33

playing movie 10, 40, 50

ports 53

PowerDirector overview 6

preferences 44

capture/export destination of 48

DV parameters setup 49

display

Library files tool tips 47

edit applying clip preferences 46 default durations 46 removing clips 46

file directory and name

default export directory 44 default import directory 44

frame rate 47

general

capture file name 45

preview clip 50 window size 50

scene detection in capture mode 48

Preview Mode 12

preview preferences. See preferences,

preview

Preview Window 11

previewing

during production 10, 40, 50

in Preview Window 33

in Video Viewer 32

Library files 32

preferences. See preferences,

preview

the Storyboard 30

title effects 79

transitions 81

156

when writing to DV tape 28, 107

previous frame 11, 33, 68

producing

AVI movies 105

from Storyboard clips 38

movies on a disc 119

MPEG-1 movies 94

MPEG-2 movies 97

preferences 50

profiles.See profiles

visual overview 12

Windows Media movies 102

profiles

AVI.See AVI format, setting profiles

of

DV AVI 59

MPEG.See MPEG, profiles

video for general purposes 54, 58,

61, 64

video for movie disc production 55,

59, 61, 64

Windows Media.See Windows

Media, profiles

properties of project 28

Q

QuickTime

profiles 113

custom 114

QuickTime format profiles


R

RealVideo

profiles 117

custom 118

RealVideo format profiles


recent files 28

recently used files 45

recording 11, 15

audio CD 56

Capture Mode.See Capture Mode,

recording

upside-down 146

removing

audio files. See Audio Mode,

removing audio files

batch task. See Capture Mode, DV

capture

detected scenes 37

titles. See Titles Mode, removing

titles resizing

images. See Trim Mode, for image

files video. See Trim Mode

resizing

resolution 148

reverting. See specific mode for details

S

sampling rate 148 saturation 148

saving

PowerDirector projects 28

wizard projects 138

scenes

detecting by changing timecodes 36

See also detecting scenes

seek tape.See Capture Mode, DV cap-

ture setup

See Capture Mode, audio capture

See Capture Mode, profile setup

See Capture Mode, video capture

shuttling 15, 17, 61

size limit.See Capture Mode, size limit

slow motion. See Speed Mode

Smart Video Rendering Technology 1,

93, 95, 97, 106

smoothing 100, 148

snapshot 15, 18

preferences 49 to clipboard 49 to file 49 to wallpaper 49

sound cards 102 speakers 102

Speed Mode

applying 72 audio settings of 72

clearing effects 19, 72 decreasing speed 19, 71 increasing speed 19, 71

preserving original audio speed 72

reverting 19, 72

synchronizing audio with video 72


speed quality indicator 100

splitting video

in Trim Mode 69

while detecting scenes 37

start of file 11, 33, 68

stereo 149

stopping 11, 15, 17, 33

Storyboard

activating Master Audio 10 activating Master Watermark 10

applying audio files to 38

applying to. See applying, to

Storyboard

copying from 29, 39 cutting from 29, 39 deleting from 29

display preferences 47

functions of 38 moving clips 38

removing clips 39 going to 39

pasting on 29, 39

playing movie 10, 40

preferences 50

scrolling left 10 scrolling right 10 visual overview 10

streaming

ASF format 145

format of 150 intelligent streaming. See intelligent

157

streaming

requirements for 3

server 147

technology 102

stretch resize option 69, 70

supported file formats 4

system requirements 3

T

technical support 139

time limit.See Capture Mode, time lim-

it

time slider 18, 33, 68

timecode.See DV, tape

Titles Mode

adding titles 20, 78

applying 80

clearing effects 20, 80 marking in 20, 79 marking out 20, 79 removing titles 20, 80

reverting 20, 80

selecting title effects 79 hold time 79 previewing 79

setting fonts 20, 78

showing all titles 80


Transitions Mode

applying 82

clearing effects 25, 26, 82

previewing 81

reverting 25, 26, 82

selecting of 81

transition length 82


Trash Can

using in Library 31

Trim Mode

applying 69

clearing effects 18, 69

for image files 70 clearing effects 70 duration setting 70

158

resizing 70 reverting 70

marking in 18, 68 marking out 18, 68

resizing video 68

reverting 18, 69

snapshot 15, 18

splitting video 69

total trim time 18


trimming

audio files. See Audio Mode,

trimming audio files

files. See Trim Mode

TV

antenna 53

broadcast 141

producing for 106

capturing from 53

frame rate 111

station logos 91

TV Safe Zone 89

type of disc 119

U

USB 3, 51

V

VCD 149

VCR 3

video capture devices

optional list 3

selecting of 53

video compression rate.See compres-

sion, video rate video editing

in previous generations 143

software 1, 93, 144

video effects. See Effects Mode

video format of disc 119, 124

video overlay 48, 149

video scaling 102

video size 100, 111, 115, 118

Video Viewer 32

viewing scenes 30

W

watermark. See Master Watermark

Web server 102, 150

Windows Media 102, 149

Audio (WMA) 150

Player 102, 149, 150

profiles 102, 103 video for general purposes 103

Services server 149

Video (WMV) 150

Windows OS

system requirements. See system

requirements

WMA 150

WMV 150

writing

multiple files to DV tape 28

to DV tape.

See DV, tape

to tape

previewing 28

X

xDSL 150

159

160

No results