Yamaha MU100 Owner Manual

TONE GENERATOR

SOUND LIST & MIDI DATA

TABLE OF CONTENTS

m

EFFECT

A/D Input Preset

Effect Type List

Effect LSB/MSB List

Effect Parameter List

Effect Data Assign Table

8

11

4

5

25

m

MIDI

MIDI data format

MIDI implementation chart

28

60

m

VOICE

XG Voice List

TG300B Voice List

About the 128 GM sounds

C/M Voice List

XG Drum Map

TG300B Drum Map

C/M Drum Map

Performance List

101

106

107

108

62

90

98

100

3

A/D Input Preset

A/D Input Preset

BANK Source

0 MIC Preset Name input gain

1

2

GUITAR

(Note 1) var type

Preset Name input gain

KEYBOARD var type

Preset Name input gain var type

3 AUDIO

(Note 2)

Preset Name input gain

18

19

STEREO

KEYBOARD

(Note 3)

STEREO

AUDIO

(Note 3) var type



Off line

-

Off line

-

-

Off line

-

Off line

-

A/D1

A/D2

PGM # = 1

Off mic

-

Off mic

2

Mic mic

-

Guitar mic

-

Keyboard

line

-

Audio line

Keyboard line

-

Audio

line

3

Reverb Chorus

mic

-

4 mic

Reverb mic

Chorus mic

-

Reverb

-

Chorus

line

line

-

Reverb line

Chorus line

-

Reverb line

Chorus line

-

Reverb

-

Chorus

line

line

5

Chorus+Reverb

mic

Chorus+Reverb mic

-

Chorus+Reverb

line

-

Chorus+Reverb line

Chorus+Reverb line

-

Chorus+Reverb

line

6

Karaoke1 mic

Karaoke1

Tube mic

Amp Sim.

Phaser EP line

Phaser

Phaser EP line

Phaser

7

Karaoke2

8

Karaoke3 mic

Karaoke2

Stack mic

Amp Sim.

Pan EP line

Auto Pan mic

Karaoke3

Flang Gtr mic

Flanger

Wah Clavi line

Touch Wah

9

Echo mic

Echo

Clean Gtr mic

Celeste

Rotary Orgn line

Rotary Speaker

10

Vocal mic

Stage1

Funk Gtr mic

11

Studio mic

Exciter

Tremolo mic

Touch Wah

Synth Str line

Symphonic

Tremolo

Synth Pad line

Flanger2

12

Oct Up mic

Pitch Change

Phaser mic

Phaser

Synth Lead line

Delay LCR

13

Oct Down mic

Pitch Change

5th Guitar mic

Pitch Change

SFX line

Pitch Change

Pan EP line

Auto Pan

Wah Clavi line

Touch Wah

Rotary Orgn line

Rotary Speaker

Synth Str line

Symphonic

Synth Pad line

Flanger2

Synth Lead line

Delay LCR

SFX line

Pitch Change

(Note 1) Depending on the guitar, the input may be distorted. Adjust the A/D INPUT

VOLUME or the volume of your guitar.

(Note 2) AUDIO sets PAN to Lch for A/D1 and Rch for A/D2.

(Note 3) The Stereo setting can be selected only for A/D1.

The A/D1 and A/D2 inputs will be handled as the Lch and Rch respectively of a stereo signal.

Thus, when you select Stereo, the bank number and program number of part A2 will be displayed as "***" and cannot be set.

4

MU100 EFFECT

Effect Type List


REVERB

No.

6

7

4

5

8

0

1

2

3

9

10

11

12

01H

02H

00H

01H

00H

00H

00H

00H

00H

LSB

00H

00H

01H

00H

02H

02H

03H

03H

04H

10H

11H

12H

13H

MSB

00H

01H

01H

02H

Effect Type

NO EFFECT

HALL 1

HALL 2

ROOM 1

ROOM 2

ROOM 3

STAGE 1

STAGE 2

PLATE

WHITE ROOM

TUNNEL

CANYON

BASEMENT

Remarks

Turn off the effect.

Reverb simulating the acoustics of a hall.

˝

Reverb simulating the acoustics of a room.

˝

˝

Reverb appropriate for a solo instrument.

˝

Reverb simulating a metal plate reverb device.

Unique short reverb with a slight initial delay.

Simulation of a cylindrical space extending to left and right.

A hypothetical acoustic space which extends without limit.

Reverb with distinctive resonance following a slight initial delay.

CHORUS

No.

11

12

13

14

8

9

10

6

7

4

5

2

3

0

1

43H

44H

57H

48H

42H

42H

42H

43H

43H

MSB

00H

41H

41H

41H

41H

42H

01H

02H

08H

00H

01H

08H

00H

00H

00H

LSB

00H

00H

01H

02H

08H

00H

Effect Type

NO EFFECT

CHORUS 1

CHORUS 2

CHORUS 3

CHORUS 4

CELESTE 1

CELESTE 2

CELESTE 3

CELESTE 4

FLANGER 1

FLANGER 2

FLANGER 3

SYMPHONIC

ENSEMBLE DETUNE

PHASER 1

Remarks

Turn off the effect.

A standard chorus effect, adding natural spaciousness to the sound.

˝

˝

˝

An effect which uses a 3-phase LFO to add modulation and spaciousness to the sound.

˝

˝

˝

An effect reminiscent of a jet airplane taking off and landing.

˝

˝

A multi-stage version of CELESTE modulation.

Chorus effect without modulation, created by adding a slightly pitch-shifted sound.

Cyclically changes the phase to modulate the sound.

MU100 EFFECT

5

6


VARIATION

Effect Type

NO EFFECT

HALL 1

HALL 2

ROOM 1

ROOM 2

ROOM 3

STAGE 1

STAGE 2

PLATE

WHITE ROOM

TUNNEL

CANYON

BASEMENT

DELAY L,C,R

DELAY L,R

ECHO

CROSS DELAY

ER 1

ER 2

GATE REVERB

REVERSE GATE

KARAOKE 1

KARAOKE 2

KARAOKE 3

CHORUS 1

CHORUS 2

CHORUS 3

CHORUS 4

CELESTE 1

CELESTE 2

CELESTE 3

CELESTE 4

FLANGER 1

FLANGER 2

FLANGER 3

SYMPHONIC

ENSEMBLE DETUNE

AMBIENCE

ROTARY SPEAKER

2WAY ROTARY SPEAKER

TREMOLO

AUTO PAN

PHASER 1

PHASER 2

DISTORTION

COMP+DISTORTION

OVER DRIVE

AMP SIMULATOR

3BAND EQ(MONO)

2BAND EQ(STEREO)

AUTO WAH(LFO)

AUTO WAH+DIST

AUTO WAH+ODRV

TOUCH WAH 1

TOUCH WAH 2

TOUCH WAH+DIST

TOUCH WAH+ODRV

PITCH CHANGE 1

PITCH CHANGE 2

AURAL EXCITER ®

COMPRESSOR

NOISE GATE

VOICE CANCEL

TALKING MODULATOR

LO-FI

DIST+DELAY

OVERDRIVE+DELAY

COMP+DIST+DELAY

COMP+OVERDRIVE+DELAY

WAH+DIST+DELAY

WAH+OVERDRIVE+DELAY

THRU

08H

00H

01H

00H

00H

00H

00H

00H

00H

00H

01H

00H

01H

00H

01H

00H

00H

00H

00H

01H

02H

00H

01H

02H

00H

00H

00H

00H

00H

00H

00H

00H

08H

00H

01H

00H

00H

08H

00H

01H

02H

08H

00H

01H

08H

00H

00H

01H

00H

00H

00H

01H

02H

00H

01H

02H

00H

00H

00H

00H

00H

00H

00H

00H

LSB

00H

00H

01H

00H

01H

02H

00H

01H

52H

50H

50H

51H

53H

54H

55H

5DH

5EH

5FH

5FH

60H

60H

61H

61H

40H

4CH

4DH

4EH

4EH

4EH

52H

52H

52H

44H

57H

58H

45H

56H

46H

47H

48H

48H

49H

49H

4AH

4BH

41H

42H

42H

42H

42H

43H

43H

43H

08H

09H

09H

0AH

0BH

14H

14H

14H

41H

41H

41H

04H

10H

11H

12H

13H

05H

06H

07H

MSB

00H

01H

01H

02H

02H

02H

03H

03H

60

61

62

63

64

65

66

56

57

58

59

67

68

69

70

71

52

53

54

55

48

49

50

51

39

40

41

42

35

36

37

38

43

44

45

46

47

31

32

33

34

27

28

29

30

No.

20

21

22

23

24

25

26

16

17

18

19

12

13

14

15

10

11

8

9

5

6

7

3

4

0

1

2

Remarks

Turns off the effect.


˝


˝

˝


˝


Distinctive short reverb with a slight initial delay.

Simulation of a cylindrical space extending to left and right.

A hypothetical acoustic space which extends without limit.

Reverb with distinctive resonance following a slight initial delay.

Three delay sounds L, R and C (center).

Two delay sounds L and R, with two feedback delays.

Two delays L and R, with independent feedback delay for L and R.

This effect crosses the feedback of two delays.

This effect isolates only the early reflection components of the reverb.

˝

Simulation of gated reverb.

Simulation of gated reverb played back in reverse.

Echo for karaoke.

˝

˝

Conventional chorus effect which gives natural spaciousness to the sound.

˝

˝

˝

A three-phase LFO is used to give modulation and spaciousness to the sound.

˝

˝

˝


˝

˝



An effect which adds spatial breadth by blurring the location of the sound.

Simulation of a rotary speaker. AC1 (assignable controller 1) etc. can be used to control the rotation speed.


An effect which cyclically modulates the volume.

An effect which cyclically moves the sound between left/right and front/back.


˝

Adds distortion with an edge to the sound. Since a noise gate is included, this is suitable for use with A/D input as well.

Since a compressor is included in the first stage, distortion can be applied evenly, regardless of the input level.

Adds mild distortion to the sound. Since a noise gate is included, this is suitable for A/D input as well.

Simulation of a guitar amp. Since a noise gate is included, this is suitable for use with A/D input as well.

Mono EQ with equalization of LOW, MID and HIGH.

Stereo EQ with equalization of LOW and HIGH. Ideal for Drum Parts.

Cyclically changes the center frequency of a wah filter. Can also be used with AC1 etc. as a pedal wah.

Applies DISTORTION to the output of AUTO WAH to distort the sound. Can also be used with AC1 etc. as a pedal wah.

Applies OVERDRIVE to the output of AUTO WAH to distort the sound. Can also be used with AC1 etc. as a pedal wah.

Changes the center frequency of a wah filter according to the input level. Can also be used with AC1 etc. as a pedal way.

Applies DISTORTION to the output of TOUCH WAH to distort the sound. Can also be used with AC1 etc. as a pedal wah.

Applies OVERDRIVE to the output of TOUCH WAH to distort the sound. Can also be used with AC1 etc. as a pedal wah.

Changes the center frequency of a wah filter according to the input level. Can also be used with AC1 etc. as a pedal wah.

This effect changes the pitch of the input signal.

˝

This effect adds new overtones to the input signal to make the sound stand out.

Holds down the output when the input exceeds a specified level. Can also be used to add a sense of attack to the sound.

Gates the input when the input signal falls below a specified level. Useful for cutting noise from the A/D input, etc.

Attenuates the vocal part from sources such as CDs.

Adds a vowel sound to the input signal.

Degrades the audio quality of the input signal.

DISTORTION and DELAY are connected in series.

OVERDRIVE and DELAY are connected in series.

COMPRESSOR, DISTORTION and DELAY are connected in series.

COMPRESSOR, OVERDRIVE and DELAY are connected in series.

TOUCH WAH, DISTORTION and DELAY are connected in series.

TOUCH WAH, OVERDRIVE and DELAY are connected in series.

Bypass without applying an effect.

Aural Exciter ® is a registered trademark of Aphex Corporation.

MU100 EFFECT


INSERTION1,2

27

28

29

30

23

24

25

26

19

20

21

22

15

16

17

18

35

36

37

38

39

31

32

33

34

40

41

42

43

No.

11

12

13

14

9

10

7

8

5

6

3

4

0

1

2

08H

00H

01H

02H

08H

00H

01H

08H

00H

00H

00H

01H

02H

00H

01H

02H

LSB

00H

00H

01H

00H

01H

02H

00H

01H

00H

00H

00H

00H

00H

00H

00H

00H

08H

00H

00H

00H

00H

00H

00H

00H

00H

00H

00H

00H

41H

42H

42H

42H

42H

43H

43H

43H

07H

08H

14H

14H

14H

41H

41H

41H

MSB

40H

01H

01H

02H

02H

02H

03H

03H

04H

05H

06H

4BH

4CH

4DH

4EH

52H

52H

51H

53H

54H

44H

57H

45H

46H

47H

48H

49H

4AH

Effect Type

THRU

HALL 1

HALL 2

ROOM 1

ROOM 2

ROOM 3

STAGE 1

STAGE 2

PLATE

DELAY L,C,R

DELAY L,R

ECHO

CROSS DELAY

KARAOKE 1

KARAOKE 2

KARAOKE 3

CHORUS 1

CHORUS 2

CHORUS 3

CHORUS 4

CELESTE 1

CELESTE 2

CELESTE 3

CELESTE 4

FLANGER 1

FLANGER 2

FLANGER 3

SYMPHONIC

ENSEMBLE DETUNE

ROTARY SPEAKER

TREMOLO

AUTO PAN

PHASER 1

DISTORTION

OVER DRIVE

AMP SIMULATOR

3BAND EQ(MONO)

2BAND EQ(STEREO)

AUTO WAH(LFO)

TOUCH WAH 1

TOUCH WAH 2

AURAL EXCITER ®

COMPRESSOR

NOISE GATE

Remarks

Bypass without applying an effect.


˝


˝

˝


˝


Three delay sounds L, R and C (center).

Two delay sounds L and R, with two feedback delays.

Two delays L and R, with independent feedback delay for L and R.

This effect crosses the feedback of two delays.

Echo for karaoke.

˝

˝

Conventional chorus effect which gives natural spaciousness to the sound.

˝

˝

˝

A three-phase LFO is used to give modulation and spaciousness to the sound.

˝

˝

˝


˝

˝




An effect which cyclically modulates the volume.

An effect which cyclically moves the sound between left/right and front/back.


Adds distortion with an edge to the sound.

Adds mild distortion to the sound.

Simulation of a guitar amp.

Mono EQ with equalization of LOW, MID and HIGH.

Stereo EQ with equalization of LOW and HIGH. Ideal for Drum Parts.

Cyclically changes the center frequency of a wah filter. Can also be used with AC1 etc. as a pedal wah.



This effect adds new overtones to the input signal to make the sound stand out.

Holds down the output when the input exceeds a specified level. Can also be used to add a sense of attack to the sound.

Gates the input when the input signal falls below a specified level. Useful for cutting noise from the A/D input, etc.


MU100 EFFECT

7

Effect LSB/MSB List


REVERB TYPE

TYPE MSB

:

015

016

017

018

019

020

:

DEC

000

001

002

003

004

005

:

F

10

11

12

13

14

:

3

4

5

0

1

2

HEX 00

NO EFFECT

HALL 1

ROOM 1

STAGE 1

PLATE

NO EFFECT

:

NO EFFECT

WHITE ROOM

TUNNEL

CANYON

BASEMENT

NO EFFECT

:

01

HALL 2

ROOM 2

STAGE 2

NO EFFECT

TYPE LSB

02

ROOM 3

... 08

Same as basic effects (LSB=00)

CHORUS TYPE

TYPE MSB

DEC HEX 00 01

000

001

:

064

065

066

067

068

0

1

:

40

41

42

43

44

NO EFFECT

NO EFFECT

:

NO EFFECT

CHORUS 1

CELESTE 1

FLANGER 1

SYMPHONIC

069

:

071

45

:

47

NO EFFECT

:

NO EFFECT

072

073

:

086

48

49

:

56

PHASER 1

NO EFFECT

:

NO EFFECT

087 57 ENSEMBLE DETUNE

088

:

127

58

:

7F

NO EFFECT

:

NO EFFECT

CHORUS 2

CELESTE 2

FLANGER 2

NO EFFECT

TYPE LSB

02

CHORUS 3

CELESTE 3

... 08

CHORUS 4

CELESTE 4

FLANGER 3


8

MU100 EFFECT


VARIATION TYPE (MSB=0 - 63)

004

005

006

007

008

009

010

011

000

TYPE MSB

DEC

0

HEX

001

002

003

1

2

3

4

5

6

7

8

9

A

B

00

NO EFFECT

HALL 1

ROOM 1

STAGE 1

PLATE

DELAY L,C,R

DELAY L,R

ECHO

CROSS DELAY

ER 1

GATE REVERB

REVERSE GATE

HALL 2

ROOM 2

STAGE 2

ER 2

01

012 C NO

: : :

015 F NO

016 10 WHITE ROOM

017

018

019

020

11

12

13

14

TUNNEL

CANYON

BASEMENT

KARAOKE 1 KARAOKE 2

: : :

NO EFFECT (for SYS) or THRU (for INS)

TYPE LSB

02

ROOM 3

KARAOKE 3

...


08

VARIATION TYPE (MSB=64 - 127)

TYPE MSB TYPE LSB

064

065

066

067

DEC HEX

THRU

00

CHORUS 1

CELESTE 1

FLANGER 1

01

068

069

070

071

072

40

41

42

43

44

45

46

47

48

SYMPHONIC

ROTARY SPEAKER

TREMOLO

AUTO PAN

PHASER 1

CHORUS 2

CELESTE 2

FLANGER 2

073 49 DISTORTION COMP+DISTORTION

074 4A OVER DRIVE

075 4B AMP SIMULATOR

02

CHORUS 3

CELESTE 3

... 08

CHORUS 4

CELESTE 4

FLANGER 3

PHASER 2

076

077

078

079

080

4C

4D

4E

4F

50

3-BAND EQ

2-BAND EQ

AUTO WAH(LFO)

THRU

PITCH CHANGE1

081 51 AURAL

082 52 TOUCH WAH 1

®

083

084

085

53

54

55

COMPRESSOR

NOISE GATE

VOICE CANCEL

086 56 2 WAY ROTARY SPEAKER


088 58 AMBIENCE

089

:

59

:

092 5C

THRU

:

THRU

AUTO WAH+DIST AUTO WAH+OVERDRIVE

PITCH CHANGE2

TOUCH WAH+DIST TOUCH WAH+OVERDRIVE 2

093

094

095

096

097

098

5D

5E

5F

60

61

62

: :

127 7F

TALKING MODULATOR

LO-FI

DIST+DELAY OVERDRIVE+DELAY

COMP+DIST+DELAY COMP+OVERDRIVE+DELAY

WAH+DIST+DELAY WAH+OVERDRIVE+DELAY

THRU

:

THRU


THRU


MU100 EFFECT

9


INSERTION TYPE

TYPE MSB

DEC HEX 00 01

46

47

48

49

4A

4B

4C

4D

40

41

42

43

44

45

8

9

:

13

14

15

:

3F

3

4

5

6

7

0

1

2

070

071

072

073

074

075

076

077

064

065

066

067

068

069

008

009

:

019

020

021

:

063

000

001

002

003

004

005

006

007

078

079

080

4E

4F

50

AUTO WAH(LFO)

THRU

THRU

081 51 AURAL ®

082 52 TOUCH WAH 1

083

084

085

53

54

55

COMPRESSOR

NOISE GATE

THRU

086 56 THRU


088 58 THRU

:

127

:

7F

:

THRU

THRU

HALL 1

ROOM 1

STAGE 1

PLATE

DELAY L,C,R

DELAY L,R

ECHO

CROSS DELAY

THRU

:

THRU

KARAOKE 1

THRU

:

THRU

HALL 2

ROOM 2

STAGE 2

KARAOKE 2

THRU

CHORUS 1

CELESTE 1

CHORUS 2

CELESTE 2

FLANGER 1

SYMPHONIC

ROTARY SPEAKER

FLANGER 2

TREMOLO

AUTO PAN

PHASER 1

DISTORTION

OVER DRIVE

AMP SIMULATOR

3BAND EQ

2-BAND EQ


TYPE LSB

02

ROOM 3

KARAOKE 3

CHORUS 3

CELESTE 3

THRU

... 08

CHORUS 4

CELESTE 4

FLANGER 3

TOUCH WAH 2


10

UNIQUE INSERTION EFFECT (HARMONY) TYPE

TYPE MSB

DEC HEX 00

000

:

088

0

:

58

THRU

:

THRU

089 59

090 5A

VOCODER HARMONY

CHORDAL HARMONY

091 5B DETUNE HARMONY

092 5C CHROMATIC HARMONY

093 5D THRU

: : :

127 7F THRU

01

TYPE LSB

02

THRU

... 08


MU100 EFFECT

Effect Parameter List


Note

• Parameters marked with a ● in the "Control" column can be controlled from an AC1 (assignable controller 1) etc. However, this is valid only for a Variation effect (when selected for Insertion) and for Insertion effects 1/2.

• Dry/Wet is valid only for a Variation effect (when selected for Insertion) and for Insertion effects

1/2.

• Parameters 1 - 5 can be edited from the front panel of the MU100.

• Abbreviations used in the effect block diagrams

LPF = Low Pass Filter

HPF = High Pass Filter

LSF = Low Shelving Filter

HSF = High Shelving Filter

PDF = Peak Dip Filter

EF = Envelope Follower

ER = Early Reflection

● HALL1, 2

ROOM1, 2, 3

STAGE1, 2

PLATE (Reverb, Variation, Insertion1, 2 block)

No.

1

2

3

4

5

6

7

8

9

10

11

12

Parameter

Reverb Time

Diffusion

Initial Delay

HPF Cutoff

LPF Cutoff

Dry/Wet

Rev Delay

Density

13

14

15

16

Er/Rev Balance

High Damp

Feedback Level

Display

0.3 – 30.0s

0 – 10

0 – 63

Thru – 8.0kHz

1.0k – Thru

D63>W – D=W – D<W63

0 – 63

0 – 4 (reverb, variation block)

0 – 2 (insertion1,2 block)

E63>R – E=R – E<R63

0.1 – 1.0

-63 – +63

Value

0-69

0-10

0-63

0-52

34-60

See Table table#4 table#5 table#3 table#3

Control

1-127

0-63

0-4

0-2

1-127

1-10

1-127 table#5

L

WHITE ROOM

TUNNEL

CANYON

BASEMENT (Reverb, Variation block)

No.

1

2

3

4

5

6

7

8

9

10

Parameter

Reverb Time

Diffusion

Initial Delay

HPF Cutoff

LPF Cutoff

Width

Heigt

Depth

Wall Vary

Dry/Wet

11

12

13

14

15

16

Rev Delay

Density

Er/Rev Balance

High Damp

Feedback Level

Display

0.3 – 30.0s

0 – 10

0 – 63

Thru – 8.0kHz

1.0k – Thru

0.5 – 10.2m

0.5 – 20.2m

0.5 – 30.2m

0 – 30

D63>W – D=W – D<W63

0 – 63

0 – 4

E63>R – E=R – E<R63

0.1 – 1.0

-63 – +63

Value

0-69

0-10

0-63

0-52

34-60

0-37

0-73

0-104

0-30

1-127

See Table table#4 table#5 table#3 table#3 table#11 table#11 table#11

Control

0-63

0-4

1-127

1-10

1-127 table#5

Reverb Block

L

+

HPF LPF DELAY/ER

HPF LPF DELAY/ER

+ REV

+

R R

Variation, Insertion Block

L dry (L)

+

L

+

HPF LPF DELAY/ER REV

R

+ dry (R)

R

MU100 EFFECT

11


● DELAY L, C, R

(Variation, Insertion 1, 2 block)

No.

1

Parameter

Lch Delay

2 Rch Delay

3 Cch Delay

4 Feedback Delay

5

6

7

8

9

10

11

12

13

14

15

16

Feedback Level

Cch Level

High Damp

Dry/Wet

EQ Low Frequency

EQ Low Gain

EQ High Frequency

EQ High Gain

Display

0.1 – 1486.0ms (variation block)

0.1 – 742.9ms (insertion1,2 block)







-63 – +63

0 – 127

0.1 – 1.0

D63>W – D=W – D<W63

32Hz – 2.0kHz

-12 – +12dB

500Hz – 16.0kHz

-12 – +12dB

Value

1-14860

1-7429

1-14860

1-7429

1-14860

1-7429

1-14860

1-7429

1-127

0-127

1-10

See Table Control

1-127

4-40

52-76

28-58

52-76 table#3 table#3

● ECHO (Variation, Insertion 1, 2 block)

No.

1

Parameter

Lch Delay1

2

3

Lch Feedback Level

Rch Delay1

4

5

6

Rch Feedback Level

High Damp

Lch Delay2

7 Rch Delay2

8

9

10

Delay2 Level

Dry/Wet

11

12

13

14

15

16

EQ Low Frequency

EQ Low Gain

EQ High Frequency

EQ High Gain

Display



-63 – +63



-63 – +63

0.1 – 1.0





0 – 127

D63>W – D=W – D<W63

32Hz – 2.0kHz

-12 – +12dB

500Hz – 16.0kHz

-12 – +12dB

Value

1-7430

1-3714

1-127

1-7430

1-3714

1-127

1-10

1-7430

1-3714

1-7430

1-3714

0-127

See Table Control

1-127

4-40

52-76

28-58

52-76 table#3 table#3 dry (L)

L LSF HSF L

L LSF HSF

R LSF HSF

+ DELAY

LPF dry (L)

L

L

R dry (R)

C

R

R LSF HSF

+

+

DELAY

LPF

LPF

DELAY dry (R)

R

● DELAY L, R (Variation, Insertion 1, 2 block)

No.

1

Parameter

Lch Delay

2 Rch Delay

3 Feedback Delay 1

4 Feedback Delay 2

13

14

15

16

9

10

11

12

7

8

5

6

Feedback Level

High Damp

Dry/Wet

EQ Low Frequency

EQ Low Gain

EQ High Frequency

EQ High Gain

Display









-63 – +63

0.1 – 1.0

D63>W – D=W – D<W63

32Hz – 2.0kHz

-12 – +12dB

500Hz – 16.0kHz

-12 – +12dB

Value

1-14860

1-7429

1-14860

1-7429

1-14860

1-7429

1-14860

1-7429

1-127

1-10

See Table Control

1-127

4-40

52-76

28-58


● CROSS DELAY


No.

1

Parameter

L->R Delay

2 R->L Delay

11

12

13

14

8

9

10

15

16

5

6

7

3

4

Feedback Level

Input Select

High Damp

Dry/Wet

EQ Low Frequency

EQ Low Gain

EQ High Frequency

EQ High Gain

Display





-63 – +63

L,R,L&R

0.1 – 1.0

D63>W – D=W – D<W63

32Hz – 2.0kHz

-12 – +12dB

500Hz – 16.0kHz

-12 – +12dB

Value

1-7430

1-3714

1-7430

1-3714

1-127

0-2

1-10

See Table Control

1-127

4-40

52-76

28-58

52-76 table#3 table#3 dry (L)

L LSF HSF L

+

L LSF HSF

R LSF HSF

+ DELAY

LPF

LPF dry (L)

L

R dry (R)

L

R

R LSF HSF

+

DELAY

LPF

LPF

DELAY dry (R)

R

12

MU100 EFFECT

● EARLY REF 1, 2 (Variation block)

8

9

10

11

12

13

14

15

16

No.

1

2

3

6

7

4

5

Parameter

Type

Room Size

Diffusion

Initial Delay

Feedback Level

HPF Cutoff

LPF Cutoff

Dry/Wet

Liveness

Density

High Damp

Display

S-H, L-H, Rdm, Rvs, Plt, Spr

0.1 – 7.0

0 – 10

0 – 63

-63 – +63

Thru – 8.0kHz

1.0k – Thru

D63>W – D=W – D<W63

0 – 10

0 – 3

0.1 – 1.0

Value

0-5

0-44

0-10

0-63

1-127

0-52

34-60


Control

1-127

0-10

0-3

1-10

GATE REVERB

REVERSE GATE (Variation block)

11

12

13

14

15

16

No.

1

2

3

6

7

4

5

8

9

10

Parameter

Type

Room Size

Diffusion

Initial Delay

Feedback Level

HPF Cutoff

LPF Cutoff

Dry/Wet

Liveness

Density

High Damp

Display

TypeA,TypeB

0.1 – 20.0

0 – 10

0 – 127

-63 – +63

Thru – 8.0kHz

1.0k – Thru

D63>W – D=W – D<W63

0 – 10

0 – 3

0.1 – 1.0

Value

0-1

0-44

0-10

0-127

1-127

0-52

34-60


Control

1-127

0-10

0-3

1-10


● CHORUS 1, 2, 3, 4

CELESTE 1, 2, 3, 4 (Chorus, Variation,

Insertion 1, 2 block)

No.

1

2

3

4

5

6

7

8

9

10

Parameter

LFO Frequency

LFO Depth

Feedback Level

Delay Offset

EQ Low Frequency

EQ Low Gain

EQ High Frequency

EQ High Gain

Dry/Wet

11

12

13

14

15

16

EQ Mid Frequency

EQ Mid Gain

EQ Mid Width

Input Mode

Display

0.00Hz – 39.7Hz

0 – 127

-63 – +63

0 – 127

32Hz – 2.0kHz

-12 – +12dB

500Hz – 16.0kHz

-12 – +12dB

D63>W – D=W – D<W63

100Hz – 10.0kHz (variation block)

-12 – +12dB (variation block)

1.0 – 12.0 (variation block) mono/stereo

Value

0-127

0-127

1-127

0-127

See Table table#1 table#2

Control

4-40

52-76

28-58

52-76


14-54

52-76

10-120 table#3

0-1

Chorus Block: when input mode = "mono"

L LSF HSF L

R LSF HSF

+ CHORUS

R

L

R

+ HPF LPF ER dry (L) dry (R)

L

R

Chorus Block: when input mode = "stereo"

L LSF HSF L

CHORUS

CHORUS

R LSF HSF R

● KARAOKE1, 2, 3 (Variation, Insertion 1, 2 block)

11

12

13

14

15

16

No.

1

2

3

6

7

4

5

8

9

10

Parameter

Delay Time

Feedback Level

HPF Cutoff

LPF Cutoff

Dry/Wet

Display

0 – 127

-63 – +63

Thru – 8.0kHz

1.0k – Thru

D63>W – D=W – D<W63

Value

0-127

1-127

0-52

34-60

See Table table#7 table#3 table#3

Control

1-127

L

R

+ HPF LPF KARAOKE dry (L) dry (R)

L

R

L

Variation, Insertion Block: when input mode

= "mono" dry (L)

LSF HSF L

R LSF HSF

+ CHORUS dry (R)

R

L

Variation, Insertion Block: when input mode

= "stereo" dry (L)

LSF HSF L

CHORUS

CHORUS

R LSF HSF R dry (R)

MU100 EFFECT

13


● FLANGER 1, 2, 3

(Chorus, Variation, Insertion 1, 2 block)

No.

1

2

3

9

10

7

8

4

5

6

Parameter

LFO Frequency

LFO Depth

Feedback Level

Delay Offset

EQ Low Frequency

EQ Low Gain

EQ High Frequency

EQ High Gain

Dry/Wet

Display

0.00Hz – 39.7Hz

0 – 127

-63 – +63

0 – 63

32Hz – 2.0kHz

-12 – +12dB

500Hz – 16.0kHz

-12 – +12dB

D63>W – D=W – D<W63

11

12

13

14

15

16

EQ Mid Frequency

EQ Mid Gain

EQ Mid Width

LFO Phase Difference



1.0 – 12.0 (variation block)

-180 – +180deg

Value

0-127

0-127

1-127

0-63


Control

4-40

52-76

28-58

52-76


14-54

52-76

10-120

4-124 table#3 resolution=3deg.

Chorus Block

L LSF HSF L

R LSF HSF

FLANGER

FLANGER


L LSF HSF

FLANGER

FLANGER

R LSF HSF dry (L) dry (R)

R

L

R


L LSF HSF

R LSF HSF

+ SYMPHONIC dry (L)

L dry (R)

R

● ENSEMBLE DETUNE


No.

1

2

3

4

8

9

10

5

6

7

Parameter

Detune

Lch Init Delay

Rch Init Delay

Dry/Wet

11

12

13

14

15

16

EQ Low Frequency

EQ Low Gain

EQ High Frequency

EQ High Gain

Display

-50 – +50cent

0 – 127

0 – 127

Value

14-114

0-127

0-127


Control

D63>W – D=W – D<W63

32Hz – 2.0kHz (variation, insertion1,2 block)

-12 – +12dB (variation, insertion1,2 block)

500Hz – 16.0kHz (variation, insertion1,2 block)

-12 – +12dB (variation, insertion1,2 block)

1-127

4-40

52-76

28-58


Chorus Block

L L

PITCH CHANGE

PITCH CHANGE

R R

● SYMPHONIC


No.

1

2

3

4

5

9

10

6

7

8

Parameter

LFO Frequency

LFO Depth

Delay Offset

EQ Low Frequency

EQ Low Gain

EQ High Frequency

EQ High Gain

Dry/Wet

11

12

13

14

15

16

EQ Mid Frequency

EQ Mid Gain

EQ Mid Width

Display

0.00Hz – 39.7Hz

0 – 127

0 – 127

32Hz – 2.0kHz

-12 – +12dB

500Hz – 16.0kHz

-12 – +12dB

D63>W – D=W – D<W63




Value

0-127

0-127

0-127


Control

4-40

52-76

28-58

52-76


14-54

52-76

10-120 table#3

Chorus Block

L LSF HSF L

+ SYMPHONIC

R LSF HSF R


L LSF HSF

PITCH CHANGE

PITCH CHANGE dry (L)

R LSF HSF dry (R)

L

R

●

AMBIENCE (Variation block)

11

12

13

14

15

16

No.

1

2

3

4

5

8

9

6

7

10

Parameter

Delay Time

Output Phase

EQ Low Frequency

EQ Low Gain

EQ High Frequency

EQ High Gain

Dry/Wet

Display

0 – 127 normal/invers

32Hz – 2.0kHz

-12 – +12dB

500Hz – 16.0kHz

-12 – +12dB

D63>W – D=W – D<W63

Value

0-127

0-1

See Table table#2

Control

4-40

52-76

28-58

52-76


14

MU100 EFFECT

L LSF HSF

R LSF HSF

+ AMBIENCE dry (L)

L dry (R)

R

● ROTARY SPEAKER


7

8

9

10

11

12

13

No.

1

2

3

4

5

6

14

15

16

Parameter

LFO Frequency

LFO Depth

EQ Low Frequency

EQ Low Gain

EQ High Frequency

EQ High Gain

Dry/Wet

EQ Mid Frequency

EQ Mid Gain

EQ Mid Width

Display

0.00Hz – 39.7Hz

0 – 127

32Hz – 2.0kHz

-12 – +12dB

500Hz – 16.0kHz

-12 – +12dB

D63>W – D=W – D<W63




Value

0-127

0-127

See Table table#1

Control

4-40

52-76

28-58

52-76


14-54

52-76

10-120 table#3


● TREMOLO (Variation, Insertion 1, 2 block)

No.

1

2

3

4

5

6

7

8

9

10

Parameter

LFO Frequency

AM Depth

PM Depth

EQ Low Frequency

EQ Low Gain

EQ High Frequency

EQ High Gain

Display

0.00Hz – 39.7Hz

0 – 127

0 – 127

32Hz – 2.0kHz

-12 – +12dB

500Hz – 16.0kHz

-12 – +12dB

11

12

13

14

15

16

EQ Mid Frequency

EQ Mid Gain

EQ Mid Width


Input Mode




-180 – +180deg mono/stereo

Value

0-127

0-127

0-127

See Table table#1

Control

4-40

52-76

28-58


14-54

52-76

10-120

4-124


When input mode="mono"

L LSF HSF L

+ TREMOLO

R LSF HSF R

L LSF HSF

R LSF HSF

+ ROTARY SP.

dry (L)

L dry (R)

R

When input mode="stereo"

L LSF HSF

TOREMOLO

TOREMOLO

R LSF HSF

L

R

● 2WAY ROTARY SPEAKER

(Variation block)

No.

1

2

3

6

7

4

5

8

9

10

Parameter

Rotor Speed

Drive Low

Drive High

Low/High

EQ Low Frequency

EQ Low Gain

EQ High Frequency

EQ High Gain

11

12

13

14

15

16

Crossover Frequency

Mic L-R Angle

Display

0.0Hz – 39.7Hz

0 – 127

0 – 127

L63>H – L=H – L<H63

32Hz – 2.0kHz

-12 – +12dB

500Hz – 16.0kHz

-12 – +12dB

100Hz – 10.0kHz

0deg – 180deg

Value

0-127

0-127

0-127

1-127

See Table table#1

Control

4-40

52-76

28-58


14-54


● AUTO PAN (Variation, Insertion 1, 2 block)

No.

1

2

3

4

5

6

9

10

7

8

Parameter

LFO Frequency

L/R Depth

F/R Depth

PAN Direction

EQ Low Frequency

EQ Low Gain

EQ High Frequency

EQ High Gain

11

12

13

14

15

16

EQ Mid Frequency

EQ Mid Gain

EQ Mid Width

Display

0.00Hz – 39.7Hz

0 – 127

0 – 127

L<->R,L->R,L<-R,Lturn,Rturn,L/R

32Hz – 2.0kHz

-12 – +12dB

500Hz – 16.0kHz

-12 – +12dB




Value

0-127

0-127

0-127

0-5

See Table table#1

Control

4-40

52-76

28-58


14-54

52-76

10-120 table#3

L LSF HSF L

L + L

+

High

Low

HSF

LSF

HORN

ROTOR

+ AUTO PAN

R LSF HSF R

R + R

MU100 EFFECT

15


● PHASER 1


No.

1

2

3

4

5

6

7

8

9

10

Parameter

LFO Frequency

LFO Depth

Phase Shift Offset

Feedback Level

EQ Low Frequency

EQ Low Gain

EQ High Frequency

EQ High Gain

Dry/Wet

11 Stage

12

13

14

15

16

Diffusion

Display

0.00Hz – 39.7Hz

0 – 127

0 – 127

-63 – +63

32Hz – 2.0kHz

-12 – +12dB

500Hz – 16.0kHz

-12 – +12dB

D63>W – D=W – D<W63

4,5,6 (chorus, insertion1,2 block)

4 – 12 (variation block) mono/stereo

Value

0-127

0-127

0-127

1-127

See Table table#1

Control

4-40

52-76

28-58

52-76


4-6

4-12

0-1

Chorus Block

L LSF HSF L

+ PHASER

R LSF HSF


L LSF HSF

R LSF HSF

+ PHASER dry (L)

R

L dry (R)

R

● PHASER 2 (Variation block)

No.

1

2

3

4

5

6

7

8

9

10

Parameter

LFO Frequency

LFO Depth

Phase Shift Offset

Feedback Level

EQ Low Frequency

EQ Low Gain

EQ High Frequency

EQ High Gain

Dry/Wet

11

12

13

14

15

16

Stage


Display

0.00Hz – 39.7Hz

0 – 127

0 – 127

-63 – +63

32Hz – 2.0kHz

-12 – +12dB

500Hz – 16.0kHz

-12 – +12dB

D63>W – D=W – D<W63

3,4,5,6

-180deg – +180deg

Value

0-127

0-127

0-127

1-127

See Table table#1

Control

4-40

52-76

28-58

52-76


3-6

4-124 resolution=3deg.

dry (L)

L LSF HSF L

PHASER

PHASER

R LSF HSF dry (R)

R

● DISTORTION

OVERDRIVE (Variation, Insertion 1, 2 block)

No.

1

2

3

4

5

6

7

8

9

10

Parameter

Drive

EQ Low Frequency

EQ Low Gain

LPF Cutoff

Output Level

EQ Mid Frequency

EQ Mid Gain

EQ Mid Width

Dry/Wet

11

12

13

14

15

16

Edge(Clip Curve)

Display

0 – 127

32Hz – 2.0kHz

-12 – +12dB

1.0k – Thru

0 – 127

100Hz – 10.0kHz

-12 – +12dB

1.0 – 12.0

D63>W – D=W – D<W63

0 – 127

Value

0-127

4-40

52-76

34-60

0-127


Control

14-54

52-76

10-120

1-127 table#3

0-127 mild to sharp

L

AMP SIMULATOR


No.

1

2

3

4

5

6

7

8

9

10

Parameter

Drive

AMP Type

LPF Cutoff

Output Level

Dry/Wet

11

12

13

14

15

16

Edge(Clip Curve)

Display

0 – 127

Off,Stack,Combo,Tube

1.0k – Thru

0 – 127

D63>W – D=W – D<W63

0 – 127

Value

0-127

0-3

34-60

0-127

See Table table#3

Control

1-127

0-127 mild to sharp

Variation Block dry (L)

L

R

+

EF

GATE DISTORTION dry (R)

R

L

R

Insertion Block

+ DISTORTION dry (L)

L dry (R)

R

16

MU100 EFFECT

● COMP+DIST (Variation block)

No.

1

2

3

6

7

4

5

8

9

10

Parameter

Drive

EQ Low Frequency

EQ Low Gain

LPF Cutoff

Output Level

EQ Mid Frequency

EQ Mid Gain

EQ Mid Width

Dry/Wet

11

12

13

14

15

16

Edge(Clip Curve)

Attack

Release

Threshold

Ratio

Display

0 – 127

32Hz – 2.0kHz

-12 – +12dB

1.0k – Thru

0 – 127

100Hz – 10.0kHz

-12 – +12dB

1.0 – 12.0

D63>W – D=W – D<W63

0 – 127

1ms – 40ms

10ms – 680ms

-48dB – -6dB

1.0 – 20.0

Value

0-127

4-40

52-76

34-60

0-127


Control

14-54

52-76

10-120

1-127 table#3

0-127

0-19

0-15

79-121

0-7 mild to sharp table#8 table#9 table#10 dry (L)

L L

R

+

EF

COMP DISTORTION dry (R)

R


● 2BAND EQ (STEREO)


11

12

13

14

15

16

No.

1

2

3

4

5

6

7

8

9

10

Parameter

EQ Low Frequency

EQ Low Gain

EQ High Frequency

EQ High Gain

Display

32Hz – 2.0kHz

-12 – +12dB

500Hz – 16.0kHz

-12 – +12dB

Value

4-40

52-76

28-58

52-76


Control

L LSF HSF L

R LSF HSF R

● 3BAND EQ (MONO)


No.

1

2

3

6

7

8

4

5

9

10

Parameter

EQ Low Gain

EQ Mid Frequency

EQ Mid Gain

EQ Mid Width

EQ High Gain

EQ Low Frequency

EQ High Frequency

11

12

13

14

15

16

Input Mode

Display

-12 – +12dB

100Hz – 10.0kHz

-12 – +12dB

1.0 – 12.0

-12 – +12dB

50Hz – 2.0kHz

500Hz – 16.0kHz

mono/stereo

Value

52-76

14-54

52-76

10-120

52-76

8-40

28-58


Control

0-1

When input mode="mono"

L L

R

+ LSF PDF HSF

When input mode="stereo"

L LSF PDF HSF L

R

● AUTO WAH (Variation, Insertion 1, 2 block)

No.

1

2

3

4

5

9

10

6

7

8

11

12

13

14

15

16

Parameter

LFO Frequency

LFO Depth

Cutoff Frequency Offset

Resonance

EQ Low Frequency

EQ Low Gain

EQ High Frequency

EQ High Gain

Dry/Wet

Drive (Variation block)

Display

0.00Hz – 39.7Hz

0 – 127

0 – 127

1.0 – 12.0

32Hz – 2.0kHz

-12 – +12dB

500Hz – 16.0kHz

-12 – +12dB

D63>W – D=W – D<W63

0 – 127

Variation Block

L LSF HSF

AUTO WAH

AUTO WAH dry (L)

R LSF HSF

Insertion Block

L LSF HSF

R LSF HSF dry (R)

Value

0-127

0-127

0-127

10-120

See Table table#1

Control

4-40

52-76

28-58

52-76


0-127

+ DISTORTION

AUTO WAH

AUTO WAH dry (L) dry (R) dry (L)

L dry (R)

R

L

R

R LSF PDF HSF R

MU100 EFFECT

17


● AUTO WAH+DIST

AUTO WAH+ODRV (Variation block)

No.

1

2

3

6

7

8

4

5

12

13

14

15

16

9

10

11

Parameter

LFO Frequency

LFO Depth


Resonance

EQ Low Frequency

EQ Low Gain

EQ High Frequency

EQ High Gain

Dry/Wet

Drive

EQ Low Gain(distortion)

EQ Mid Gain(distortion)

LPF Cutoff

Output Level

Display

0.00Hz – 39.7Hz

0 – 127

0 – 127

1.0 – 12.0

32Hz – 2.0kHz

-12 – +12dB

500Hz – 16.0kHz

-12 – +12dB

D63>W – D=W – D<W63

0 – 127

-12 – +12dB

-12 – +12dB

1.0kHz – thru

0 – 127

L LSF HSF

R LSF HSF dry (L)

AUTO WAH

AUTO WAH dry (R)

Value

0-127

0-127

0-127

10-120

See Table table#1

Control

4-40

52-76

28-58

52-76


0-127

52-76

52-76

34-60

0-127 table#3


L dry (R)

R

● TOUCH WAH 1


TOUCH WAH+DIST (Variation block)

No.

1

2

3

4

5

6

7

8

9

10

11

12

13

14

15

16

Parameter

Sensitive


Resonance

EQ Low Frequency

EQ Low Gain

EQ High Frequency

EQ High Gain

Dry/Wet

Drive (Variation block)

Display

0 – 127

0 – 127

1.0 – 12.0

32Hz – 2.0kHz

-12 – +12dB

500Hz – 16.0kHz

-12 – +12dB

D63>W – D=W – D<W63

0 – 127

Value

0-127

0-127

10-120

See Table Control

4-40

52-76

28-58

52-76


0-127

L

Variation Block: TOUCH WAH 1 dry (L)

LSF HSF

+ EF

TOUCH WAH

TOUCH WAH


R LSF HSF dry (R) dry (R)

L

R

L

Insertion Block: TOUCH WAH 1 dry (L)

LSF HSF

+ EF

TOUCH WAH

TOUCH WAH

R LSF HSF dry (R)

L

R

R

L

Variation Block: TOUCH WAH+DIST dry (L) dry (L)

LSF HSF

+ EF

TOUCH WAH

TOUCH WAH

+ DISTORTION

LSF HSF dry (R) dry (R)

L

R

18

MU100 EFFECT

● TOUCH WAH 2


TOUCH WAH+ODRV (Variation block)

No.

1

2

3

8

9

10

6

7

4

5

11

12

13

14

15

16

Parameter

Sensitive


Resonance

EQ Low Frequency

EQ Low Gain

EQ High Frequency

EQ High Gain

Dry/Wet

Drive

EQ Low Gain(distortion)

EQ Mid Gain(distortion)

LPF Cutoff

Output Level

Release

Display

0 – 127

0 – 127

1.0 – 12.0

32Hz – 2.0kHz

-12 – +12dB

500Hz – 16.0kHz

-12 – +12dB

D63>W – D=W – D<W63

0 – 127

-12 – +12dB

-12 – +12dB

1.0kHz – thru

0 – 127

10 – 680ms

Value

0-127

0-127

10-120

See Table Control

4-40

52-76

28-58

52-76


0-127

52-76

52-76

34-60

0-127

52-67 table#3

L

Variation Block: TOUCH WAH 2 dry (L)

LSF HSF

R LSF HSF

+ EF

TOUCH WAH

TOUCH WAH dry (R)

+ DISTORTION dry (L) dry (R)

L

R


● PITCH CHANGE 1 (Variation block)

No.

1

2

9

10

6

7

8

3

4

5

11

12

13

14

15

16

Parameter

Pitch

Initial Delay

Fine 1

Fine 2

Feedback Level

Dry/Wet

Pan 1

Output Level 1

Pan 2

Output Level 2

Display

-24 – +24

0 – 127

-50 – +50

-50 – +50

-99 – +99%

D63>W – D=W – D<W63

L63 – R63

0 – 127

L63 – R63

0 – 127

Value

40-88

0-127

14-114

14-114

1-127

See Table table#7

Control

1-127

1-127

0-127

1-127

0-127

PITCH CHANGE 2 (Variation block)

10

11

12

13

14

15

16

No.

1

2

3

4

5

6

7

8

9

Parameter

Pitch

Initial Delay

Fine 1

Fine 2

Feedback Level

Dry/Wet

Pan 1

Output Level 1

Pan 2

Output Level 2

Display

-24 – +24

0 – 127

-50 – +50cent

-50 – +50cent

-99 – +99%

D63>W – D=W – D<W63

L63 – R63

0 – 127

L63 – R63

0 – 127

Value

40-88

0-127

14-114

14-114

1-127

See Table table#7

Control

1-127

1-127

0-127

1-127

0-127

L

Insertion Block: TOUCH WAH 2 dry (L)

LSF HSF

+ EF

TOUCH WAH

TOUCH WAH

R LSF HSF dry (R)

L

R

L

R

+

PITCH CHANGE

PITCH CHANGE dry (L) dry (R)

L

R

L

Variation Block: TOUCH WAH+ODRV dry (L) dry (L)

LSF HSF

R LSF HSF

+ EF

TOUCH WAH

TOUCH WAH dry (R)

+ DISTORTION dry (R)

L

R

MU100 EFFECT

19


● AURAL EXCITER ®


No.

1

2

3

4

5

9

10

6

7

8

11

12

13

14

15

16

Parameter

HPF Cutoff

Drive

Mix Level

Display

500Hz – 16.0kHz

0 – 127

0 – 127

Value

28-58

0-127

0-127

See Table table#3

Control


Variation Block

L + L

+ EF

EXCITER

EXCITER

R + R

● COMPRESSOR


11

12

13

14

15

16

No.

1

2

3

4

5

6

7

8

9

10

Parameter

Attack

Release

Threshold

Ratio

Output Level

Display

1 – 40ms

10 – 680ms

-48 – -6dB

1.0 – 20.0

0 – 127

Value

0-19

0-15

79-121

0-7

0-127


Control

Variation Block

L L

+ EF

COMP

COMP

R R

Insertion Block

Insertion Block

L L

L

+

L

+

COMP

+ EXCITER

EF

EF

R R

R + R

20

MU100 EFFECT

● NOISE GATE (Variation, Insertion 1, 2 block)

11

12

13

14

15

16

No.

1

2

3

6

7

4

5

8

9

10

Parameter

Attack

Release

Threshold

Output Level

Display

1 – 40ms

10 – 680ms

-72 – -30dB

0 – 127

Value

0-19

0-15

55-97

0-127


Control

Variation Block

L L

+ EF

GATE

GATE

R R


● VOICE CANCEL (Variation block)

Display Value See Table Control No.

1

2

3

4

5

6

7

8

9

10

Parameter

11

12

13

14

15

16

Low Adjust

High Adjust

0 – 26

0 – 26

0-26

0-26

L

R

VOICE CANCEL

VOICE CANCEL

+ L

+ R

L

R

Insertion Block

+

EF

GATE

L

R

● TALKING MODULATOR (Variation block)

11

12

13

14

15

16

No.

1

2

3

4

5

6

7

8

9

10

Parameter

Vowel

Move speed

Drive

Output level

Display a,i,u,e,o

1 – 62

0 – 127

0 – 127

Value

0-4

1-62

0-127

0-127

See Table Control

L L

+

EF

EXCITER + TALK MOD.

R R

MU100 EFFECT

21


● LO-FI (Variation block)

No.

1

2

3

4

5

6

7

8

9

10

Parameter sampling freq control word length output gain

LPF Cutoff filter type

LPF resonance bit assign emphasis

Dry/Wet

11

12

13

14

15

16

Input Mode

Display

44.1kHz – 345Hz

1 – 127

-6 – +12dB

63Hz – thru

Thru,PowerBass,Radio,Telephone,Clean,Low

1.0 – 12.0

0 – 6 off/on

D63>W – D=W – D<W63 mono/stereo

Value

0-127

1-127

0-18

10-60

0-5

10-120

0-6

0-1

See Table

1-127

0-1

Control

L

When input mode="mono" dry (L)

+ Lo-Fi

L

● COMP+DIST+DELAY (Variation block)

COMP+ODRV+DELAY (Variation block)

No.

1

2

3

4

8

9

10

5

6

7

Parameter

Delay Time

Delay Feedback Level

Delay Mix

Dist Drive

Dist Output Level

Dist EQ Low Gain

Dist EQ Mid Gain

Dry/Wet

Display

0.1 – 1486.0ms

-63 – +63

0 – 127

0 – 127

0 – 127

-12 – +12dB

-12 – +12dB

D63>W – D=W – D<W63

11

12

13

14

15

16

Comp. Attack

Comp. Release

Comp. Threshold

Comp. Ratio

1ms – 40ms

10ms – 680ms

-48dB – -6dB

1.0 – 20.0

Value

1-14860

1-127

0-127

0-127

0-127

52-76

52-76

See Table Control

1-127

0-19

0-15

79-121

0-7 table#8 table#9 table#10

L

R dry (L)

+

EF

COMP DISTORTION dry (R)

+ L

+ DELAY

LPF

+

R

R R dry (R)

L

When input mode="stereo" dry (L)

L

Lo-Fi

Lo-Fi

R dry (R)

R

● DIST+DELAY (Variation block)

OVERDRIVE+DELAY (Variation block)

11

12

13

14

15

16

No.

1

2

3

4

5

8

9

6

7

10

Parameter

Lch Delay Time

Rch Delay Time

Delay Feedback Time


Delay Mix

Dist Drive

Dist Output Level

Dist EQ Low Gain

Dist EQ Mid Gain

Dry/Wet

Display

0.1 – 1486.0ms

0.1 – 1486.0ms

0.1 – 1486.0ms

-63 – +63

0 – 127

0 – 127

0 – 127

-12 – +12dB

-12 – +12dB

D63>W – D=W – D<W63

Value

1-14860

1-14860

1-14860

1-127

0-127

0-127

0-127

52-76

52-76

1-127

See Table Control

● WAH+DIST+DELAY (Variation block)

WAH+ODRV+DELAY (Variation block)

No.

1

2

3

6

7

4

5

8

9

10

Parameter

Delay Time


Delay Mix

Dist Drive

Dist Output Level

Dist EQ Low Gain

Dist EQ Mid Gain

Dry/Wet

Display

0.1 – 1486.0ms

-63 – +63

0 – 127

0 – 127

0 – 127

-12 – +12dB

-12 – +12dB

D63>W – D=W – D<W63

11

12

13

14

15

16

Wah Sensitive

Wah Cutoff Freq Offset

Wah Resonance

Wah Release

0 – 127

0 – 127

1.0 – 12.0

10 – 680ms

Value

1-14860

1-127

0-127

0-127

0-127

52-76

52-76

See Table Control

1-127

0-127

0-127

10-120

52-67

L

R dry (L)

+

EF

TOUCH WAH dry (R) dry (L)

+ DISTORTION dry (R)

+ L

+ DELAY

LPF

+ R

L

R dry (L)

+

EF

GATE DISTORTION dry (R)

+

L

+

DELAY

LPF

L

R

+ R

22

MU100 EFFECT


Explanation of effect parameters

Parameter name

AM Depth

AMP Type

Attack

Bit Assign

Cch Delay

Cch Level

Crossover Frequency


Delay Mix

Delay Offset

Delay Time

Delay2 Level

Density

Depth

Detune

Diffusion

Drive

Drive High

Drive Low

Dry/Wet

Edge(Clip Curve)

Emphasis

EQ High Frequency

EQ High Gain

EQ Low Frequency

EQ Low Gain

EQ Mid Frequency

EQ Mid Gain

EQ Mid Width

Er/Rev Balance

F/R Depth

Feedback Delay

Feedback Delay 1

Feedback Delay 2

Feedback Level

Filter Type

Fine 1

Fine 2

Height

High Adjust

High Damp

HPF Cutoff

Initial Delay

Input Mode

Input Select

L/R Depth

L->R Delay

Lch Delay

Lch Delay1

Lch Delay2

Lch Feedback Level

Lch Init Delay

LFO Depth

LFO Frequency

Effect types in which the parameter exists

TREMOLO

AMP SIMULATOR

COMPRESSOR type

NOISE GATE

LO-FI

DELAY L,C,R

DELAY L,C,R

2WAY ROTARY SPEAKER

WAH type

DIST+DELAY,OVERDRIVE+DELAY,

COMP+DIST+DELAY,COMP+ODRV+DELAY,

WAH+DIST+DELAY,WAH+ODRV+DELAY

CHORUS type

KARAOKE1,2,3

AMBIENCE

ECHO

REVERB type, EARLY REF type

REVERB type

ENSEMBLE DETUNE

REVERB type, EARLY REF type, PHASER

DISTORTION type

AURAL EXCITER ®

TALKING MODULATION

2WAY ROTARY SPEAKER

2WAY ROTARY SPEAKER

All types

DISTORTION type

LO-FI

All types

All types

All types

All types

All types

All types

All types

REVERB type

AUTO PAN

DELAY L,C,R

DELAY L,R

DELAY L,R

REVERB type

DELAY type,EARLY REF type,PITCH CHANGE type

KARAOKE type

CHORUS type, FLANGER type

PHASER type

LO-FI

PITCH CHANGE type

PITCH CHANGE type

REVERB type

VOICE CANCELAR

REVERB type,DELAY type,EARLY REF type

REVERB type,EARLY REF type,KARAOKE type,AURAL EXCITER ®

REVERB type

EARLY REF type

PITCH CHANGE type

All types

CROSS DELAY

AUTO PAN

CROSS DELAY

DELAY type

ECHO

ECHO

ECHO

ENSEMBLE DETUNE

CHORUS type,FLANGER type,SYMPHONIC

ROTARY SPEAKER

PHASER type

WAH type

CHORUS type,FLANGER type,SYMPHONIC

ROTARY SPEAKER

TREMOLO

AUTO PAN

PHASER type

WAH type

Explanation of parameter

Depth of volume modulation

Select the type of amp to be simulated

Time until the compressor effect begins to apply

Time until the gate begins to open

Adjust the word length of the audio data

Length of the center channel delay

Volume of the center channel

Crossover frequency between the high-range and low-range speakers

Frequency offset value that will control the wah filter

Mixing amount of delay sound

Offset value of delay modulation

Spacing of reflections for karaoke echo

Delay length

Volume of second delay

Density of reflections. Higher values produce closer spacing

Depth of the simulated room

Amount of pitch shift

Control the spaciousness

Depth of distortion

Depth at which the exciter effect is applied

Depth at which the exciter effect is applied

Depth of modulation caused by rotation of the low-range speaker

Depth of modulation caused by rotation of the high-range speaker

Balance between dry sound and effect sound

Curve of distortion characteristics (sharp(127) distorts suddenly, mild(0) distorts gradually)

Modify the character of the high range

Frequency at which the EQ will boost/cut the high range

Gain amount by which the EQ will boost/cut the high range

Frequency at which the EQ will boost/cut the low range

Gain amount by which the EQ will boost/cut the low range

Frequency at which the EQ will boost/cut the mid range

Gain amount by which the EQ will boost/cut the mid range

Width of the area boosted/cut by the mid-range EQ

Level balance between the early reflections and the reverberation

Depth of front/back panning (valid when PAN Direction=Lturn,Rturn)

Length of feedback delay

Length of feedback delay 1

Length of feedback delay 2

Feedback amount of initial delay

Feedback amount

Setting for repeated reflections

Level at which delay output is again returned to the input (negative values invert the phase)

Level at which phaser output is again returned to the input (negative values insert the phase)

Select the type of tonal effect

Fine adjustment to pitch of first sound

Fine adjustment to pitch of second sound

Height of simulated room

Adjust the upper limit of the mid-frequency range that will be attenuated

Attenuation of the high frequency range (lower values will cause the high range to decay more rapidly)

Frequency at which the high pass filter will cut the low range

Delay time until the early reflections

Delay length until ER (GateReverb) sounds

Delay length

Mono/stereo switch for input

Input select

Depth of left/right panning

Delay time from left (input) to right (output)

Length of left channel delay

Length of first left channel delay

Length of second left channel delay

Amount of left channel feedback

Length of left channel delay

Depth of delay modulation

Depth of modulation caused by speaker rotation

Depth of phase modulation

Depth at which the wah filter will be controlled

Frequency of delay modulation

Frequency at which the speaker will rotate

Modulation frequency

Autopan frequency

Phase modulation frequency

Frequency at which wah filter will be controlled


MU100 EFFECT

23



Liveness

Low Adjust

Low/High

LPF Cutoff

LPF Resonance

Mic L-R Angle

Mix Level

Move Speed

Output Gain

Output Level

Output Level 1

Output Level 2

Output Phase

Pan 1

Pan 2

PAN Direction

Phase Shift Offset

Pitch

PM Depth

R->L Delay

Ratio

Rch Delay

Rch Delay1

Rch Delay2

Rch Feedback Level

Rch Init Delay

Release

Resonance

Rev Delay

Reverb Time

Room Size

Rotor Speed

Sampling Freq Control

Sensitive

Stage

Threshold

Type

Vowel

Wah Release

Wall Vary

Width

Word Length

PHASER type,FLANGER type

EARLY REF type

VOICE CANCEL

2WAY ROTARY SPEAKER

All types

LO-FI

2WAY ROTARY SPEAKER

AURAL EXCITER ®

TALKING MODULATOR

LO-FI

All types

PITCH CHANGE type

PITCH CHANGE type

AMBIENCE

PITCH CHANGE type

PITCH CHANGE type

AUTO PAN

PHASER type

PITCH CHANGE type

TREMOLO

CROSS DELAY

COMPRESSOR type

DELAY type

ECHO

ECHO

ECHO

ENSEMBLE DETUNE

COMPRESSOR type

NOISE GATE

TOUCH WAH2, TOUCH WAH+ODRV

WAH type

REVERB type

REVERB type

EARLY REF type

2WAY ROTARY SPEAKER

LO-FI

WAH type

PHASER type

COMPRESSOR type

NOISE GATE

EARLY REF type

TALKING MODULATOR

WAH+DIST+DELAY,WAH+ODRV+DELAY

REVERB type

REVERB type

LO-FI

L/R phase difference for modulation waveform (0 deg (=64) is no phase difference)

ER decay. Lower values cause faster decay.

Adjust the lower frequency limit of the mid-range that will be attenuated

Volume balance between the high-range and low-range speakers

Frequency at which the low pass filter will cut the high frequency range

Add character to the low pass filter of the input

L/R angle of the mic that picks up the output

Level of the effect sound that is mixed into the dry sound

Time over which the sound specified by Vowel is reached

Output gain

Output level

Output level for first unit

Output level for second unit

Swap phase of the effect sound between L/R

Pan of first unit

Pan of second unit

Autopan type (L<->R is sine wave, L/R is square wave)

Offset value for phase modulation

Pitch setting in semitones

Depth of delay modulation

Delay time from right (input) to left (output)

Compression ratio of the compressor

Length of right channel delay

Length of first right channel delay

Length of second right channel delay

Amount of right channel feedback

Length of right channel delay

Time until the sound is released from the compressor effect

Time until the gate closes

Time until the center frequency of the wah filter returns to normal

Bandwidth of the wah filter

Delay time between the early reflections and the reverberation

Length of reverb

Size of room. Increasing this value will lengthen ER.

Frequency at which the speaker rotates

Sampling frequency control

Sensitivity with which the wah filter will change in response to changes in the input

Number of steps for the phase shifter

Input level at which compression will begin

Input level at which the gate will begin to open

Type selection

Vowel selection

Time until the center frequency of the wah filter returns to normal

Condition of the walls of the simulated room (higher values produce more random reflections)

Width of the simulated room

Specify the roughness of the sound


Additional note: In the preceding pages, indication of effect types such as REVERB-type respectively include the following effect types.

CHORUS type

COMPRESSOR type

DELAY type

DISTORTION type

EARLY REF type

FLANGER type

KARAOKE type

PHASER type

PITCH CHANGE type

REVERB type

WAH type

CHORUS1,CHORUS2,CHORUS3,CHORUS4,CELESTE1,CELESTE2,CELESTE3,CELESTE4

COMPRESSOR,COMP+DIST, COMP+DIST+DELAY, COMP+OVERDRIVE+DELAY

DELAY L,C,R, DELAY L,R, ECHO, CROSS DELAY, DIST+DELAY, OVERDRIVE+DELAY, COMP+DIST+DELAY, COMP+DIST+DELAY,

COMP+OVERDRIVE+DELAY, WAH+DIST+DELAY, WAH+OVERDRIVE+DELAY

DISTORTION, OVERDRIVE, AMP SIMULATOR, AUTO WAH+DIST, AUTO WAH+ODRV, TOUCH WAH+DIST, TOUCH WAH+ODRV,

COMP+DIST, DIST+DELAY, OVERDRIVE+DELAY, COMP+DIST+DELAY, COMP+DIST+DELAY, COMP+OVERDRIVE+DELAY,

WAH+DIST+DELAY, WAH+OVERDRIVE+DELAY

EARLY REF1, EARLY REF2, GATE REVERB, REVERSE GATE

FLANGER1,FLANGER2, FLANGER3

KARAOKE1, KARAOKE2, KARAOKE3

PHASER1, PHASER2

PITCH CHANGE1, PITCH CHANGE2

HALL1,HALL2,ROOM1,ROOM2,ROOM3,STAGE1,STAGE2,PLATE,

WHITE ROOM,TUNNEL,CANYON,BASEMENT

AUTO WAH, AUTO WAH+DIST, AUTO WAH+ODRV, TOUCH WAH1, TOUCH WAH2, TOUCH WAH+DIST, TOUCH WAH+ODRV,

WAH+DIST+DELAY, WAH+OVERDRIVE+DELAY

24

MU100 EFFECT

Effect Data Assign Table


Table#1

LFO Frequency

27

28

29

30

31

21

22

23

24

25

26

14

15

16

17

18

19

20

Data Value Data Value Data Value Data Value

0

1

0.00

0.04

32

33

1.35

1.39

64

65

2.69

2.78

96

97

8.41

8.75

2

3

0.08

0.13

34

35

1.43

1.47

66

67

2.86

2.94

98

99

9.08

9.42

9

10

7

8

11

12

13

4

5

6

0.17

0.21

0.25

0.29

0.34

0.38

0.42

0.46

0.51

0.55

36

37

38

39

40

41

42

43

44

45

1.51

1.56

1.60

1.64

1.68

1.72

1.77

1.81

1.85

1.89

68

69

70

71

72

73

74

75

76

77

3.03

3.11

3.20

3.28

3.37

3.45

3.53

3.62

3.70

3.87

100

101

102

103

104

105

106

107

108

109

9.76

10.1

10.8

11.4

12.1

12.8

13.5

14.1

14.8

15.5

0.59

0.63

0.67

0.72

0.76

0.80

0.84

0.88

0.93

0.97

1.01

1.05

1.09

1.14

1.18

1.22

1.26

1.30

46

47

48

49

50

51

52

53

54

55

56

57

58

59

60

61

62

63

1.94

1.98

2.02

2.06

2.10

2.15

2.19

2.23

2.27

2.31

2.36

2.40

2.44

2.48

2.52

2.57

2.61

2.65

78

79

80

81

82

83

84

85

86

87

88

89

90

91

92

93

94

95

4.04

4.21

4.37

4.54

4.71

4.88

5.05

5.22

5.38

5.55

5.72

6.06

6.39

6.73

7.07

7.40

7.74

8.08

116

117

118

119

120

110

111

112

113

114

115

121

122

123

124

125

126

127

16.2

16.8

17.5

18.2

19.5

20.9

22.2

23.6

24.9

26.2

27.6

28.9

30.3

31.6

33.0

34.3

37.0

39.7

Table#2

Modulation Delay Offset

27

28

29

30

31

21

22

23

24

25

26

14

15

16

17

18

19

20


0

1

0.0

0.1

32

33

3.2

3.3

64

65

6.4

6.5

96

97

9.6

9.7

2

3

0.2

0.3

34

35

3.4

3.5

66

67

6.6

6.7

98

99

9.8

9.9

9

10

7

8

11

12

13

4

5

6

0.4

0.5

0.6

0.7

0.8

0.9

1.0

1.1

1.2

1.3

36

37

38

39

40

41

42

43

44

45

3.6

3.7

3.8

3.9

4.0

4.1

4.2

4.3

4.4

4.5

68

69

70

71

72

73

74

75

76

77

6.8

6.9

7.0

7.1

7.2

7.3

7.4

7.5

7.6

7.7

100

101

102

103

104

105

106

107

108

109

10.0

11.1

12.2

13.3

14.4

15.5

17.1

18.6

20.2

21.8

2.0

2.1

2.2

2.3

2.4

1.4

1.5

1.6

1.7

1.8

1.9

2.5

2.6

2.7

2.8

2.9

3.0

3.1

46

47

48

49

50

51

52

53

54

55

56

57

58

59

60

61

62

63

4.6

4.7

4.8

4.9

5.0

5.1

5.2

5.3

5.4

5.5

5.6

5.7

5.8

5.9

6.0

6.1

6.2

6.3

78

79

80

81

82

83

84

85

86

87

88

89

90

91

92

93

94

95

7.8

7.9

8.0

8.1

8.2

8.3

8.4

8.5

8.6

8.7

8.8

8.9

9.0

9.1

9.2

9.3

9.4

9.5

116

117

118

119

120

110

111

112

113

114

115

121

122

123

124

125

126

127

23.3

24.9

26.5

28.0

29.6

31.2

32.8

34.3

35.9

37.5

39.0

40.6

42.2

43.7

45.3

46.9

48.4

50.0

MU100 EFFECT

25


Table#3

EQ Frequency

20

21

22

23

24

25

26

27

28

29

30

31

13

14

15

16

17

18

19

10

11

12

8

9

6

7

Data

0

1

2

3

4

5

200

225

250

280

315

355

400

450

500

560

630

700

90

100

110

125

140

160

180

Value

THRU(20)

22

25

28

32

36

40

45

50

56

63

70

80

8.0k

9.0k

10.0k

11.0k

12.0k

14.0k

16.0k

18.0k

THRU(20.0k)

3.6k

4.0k

4.5k

5.0k

5.6k

6.3k

7.0k

Value

800

900

1.0k

1.1k

1.2k

1.4k

1.6k

1.8k

2.0k

2.2k

2.5k

2.8k

3.2k

56

57

58

59

60

52

53

54

55

45

46

47

48

49

50

51

38

39

40

41

42

43

44

Data

32

33

34

35

36

37

Table#4

Reverb time

25

26

27

28

29

30

31

19

20

21

22

23

24

9

10

11

12

13

14

15

16

17

18

Data Value Data Value Data Value

0

1

0.3

0.4

32

33

3.5

3.6

64

65

17.0

18.0

2

3

4

0.5

0.6

0.7

34

35

36

3.7

3.8

3.9

66

67

68

69

7

8

5

6

0.8

0.9

1.0

1.1

37

38

39

40

4.0

4.1

4.2

4.3

19.0

20.0

25.0

30.0

1.2

1.3

1.4

1.5

1.6

1.7

1.8

1.9

2.0

2.1

41

42

43

44

45

46

47

48

49

50

4.4

4.5

4.6

4.7

4.8

4.9

5.0

5.5

6.0

6.5

2.8

2.9

3.0

3.1

3.2

3.3

3.4

2.2

2.3

2.4

2.5

2.6

2.7

57

58

59

60

61

62

63

51

52

53

54

55

56

10.0

11.0

12.0

13.0

14.0

15.0

16.0

7.0

7.5

8.0

8.5

9.0

9.5

26

Table#6

Room Size

25

26

27

28

29

30

31

19

20

21

22

23

24

12

13

14

15

16

17

18

Data Value Data Value

0

1

0.1

0.3

32

33

5.1

5.3

2

3

4

0.4

0.6

0.7

34

35

36

5.4

5.6

5.7

9

10

11

7

8

5

6

0.9

1.0

1.2

1.4

1.5

1.7

1.8

37

38

39

40

41

42

43

44 2.0

2.1

2.3

2.5

2.6

2.8

2.9

5.9

6.1

6.2

6.4

6.5

6.7

6.8

7.0

4.0

4.2

4.3

4.5

4.6

4.8

5.0

3.1

3.2

3.4

3.5

3.7

3.9

MU100 EFFECT

Table#5

Delay Time(200.0ms)

31.6

33.2

34.7

36.3

37.9

39.5

41.0

20.6

22.1

23.7

25.3

26.9

28.4

30.0

42.6

44.2

45.7

47.3

48.9

20

21

22

23

24

25

26

27

28

29

30

31

13

14

15

16

17

18

19

10

11

12

8

9

6

7

Data Value Data Value

0

1

0.1

1.7

32

33

50.5

52.0

2

3

4

5

3.2

4.8

6.4

8.0

34

35

36

37

53.6

55.2

56.8

58.3

9.5

11.1

12.7

14.3

15.8

17.4

19.0

38

39

40

41

42

43

44

59.9

61.5

63.1

64.6

66.2

67.8

69.4

52

53

54

55

56

57

58

59

60

61

62

63

45

46

47

48

49

50

51

81.9

83.5

85.1

86.7

88.2

89.8

91.4

70.9

72.5

74.1

75.7

77.2

78.8

80.4

93.0

94.5

96.1

97.7

99.3

Table#7

Delay Time (400.0ms)

20

21

22

23

24

25

26

27

28

29

30

31

13

14

15

16

17

18

19

10

11

12

8

9

6

7


0

1

0.1

3.2

32

33

100.9

104.0

64

65

201.6

204.8

96

97

302.4

305.5

2

3

4

5

6.4

9.5

12.7

15.8

34

35

36

37

107.2

110.3

113.5

116.6

66

67

68

69

207.9

211.1

214.2

217.4

98

99

100

101

308.7

311.8

315.0

318.1

19.0

22.1

25.3

28.4

31.6

34.7

37.9

38

39

40

41

42

43

44

119.8

122.9

126.1

129.2

132.4

135.5

138.6

70

71

72

73

74

75

76

220.5

223.7

226.8

230.0

233.1

236.3

239.4

102

103

104

105

106

107

108

321.3

324.4

327.6

330.7

333.9

337.0

340.2

63.1

66.2

69.4

72.5

75.7

78.8

82.0

41.0

44.2

47.3

50.5

53.6

56.8

59.9

85.1

88.3

91.4

94.6

97.7

45

46

47

48

49

50

51

52

53

54

55

56

57

58

59

60

61

62

63

141.8

144.9

148.1

151.2

154.4

157.5

160.7

163.8

167.0

170.1

173.3

176.4

179.6

182.7

185.9

189.0

192.2

195.3

198.5

77

78

79

80

81

82

83

84

85

86

87

88

89

90

91

92

93

94

95

242.6

245.7

248.9

252.0

255.2

258.3

261.5

264.6

267.7

270.9

274.0

277.2

280.3

283.5

286.6

289.8

292.9

296.1

299.2

116

117

118

119

120

121

122

123

124

125

126

127

109

110

111

112

113

114

115

365.4

368.5

371.7

374.8

378.0

381.1

384.3

387.4

390.6

393.7

396.9

400.0

343.3

346.5

349.6

352.8

355.9

359.1

362.2

Table#8

Compressor Attack Time

Data Value

0 1

1 2

2 3

3 4

4 5

5 6

6 7

7 8

8 9

9 10

10 12

11 14

12 16

13 18

14 20

15 23

16 26

17 30

18 35

19 40

Table#9

Compressor Release Time

Data Value

0 10

1 15

2 25

3 35

4 45

5 55

6 65

7 75

8 85

9 100

10 115

11 140

12 170

13 230

14 340

15 680

Table#10

Compressor Ratio

Data Value

0 1.0

1 1.5

2 2.0

3 3.0

4 5.0

5 7.0

6 10.0

7 20.0


Table#11

Reverb Width; Depth; Height

20

21

22

23

24

25

26

27

28

29

30

31

10

11

12

13

14

15

16

17

18

19


0

1

0.5

0.8

32

33

8.8

9.1

64

65

17.6

17.9

96

97

27.5

27.8

2

3

4

5

6

7

8

9

1.0

1.3

1.5

1.8

2.0

2.3

2.6

2.8

34

35

36

37

38

39

40

41

9.4

9.6

9.9

10.2

10.4

10.7

11.0

11.2

66

67

68

69

70

71

72

73

18.2

18.5

18.8

19.1

19.4

19.7

20.0

20.2

98

99

100

101

102

103

104

28.1

28.5

28.8

29.2

29.5

29.9

30.2

3.1

3.3

3.6

3.9

4.1

4.4

4.6

4.9

5.2

5.4

42

43

44

45

46

47

48

49

50

51

11.5

11.8

12.1

12.3

12.6

12.9

13.1

13.4

13.7

14.0

74

75

76

77

78

79

80

81

82

83

20.5

20.8

21.1

21.4

21.7

22.0

22.4

22.7

23.0

23.3

5.7

5.9

6.2

6.5

6.7

7.0

7.2

7.5

7.8

8.0

8.3

8.6

52

53

54

55

56

57

58

59

60

61

62

63

14.2

14.5

14.8

15.1

15.4

15.6

15.9

16.2

16.5

16.8

17.1

17.3

90

91

92

93

84

85

86

87

88

89

94

95

23.6

23.9

24.2

24.5

24.9

25.2

25.5

25.8

26.1

26.5

26.8

27.1

MU100 EFFECT

27

MIDI data format


1. Channel messages

1.1 Note on/note off

These messages convey keyboard performance data.

Note-on is transmitted when a note is pressed, and note-off is transmitted when a note is released.

These messages contain a "note number" which indicates the key that was played, and a "velocity" which indicates how strongly it was played.

When a note-on of velocity "0" is received, it has the same effect as a note-off.

Range of note numbers received = 0 (C-2)...60 (C3)...127 (G8)

Velocity range = 1...127 (Velocity is received only for note-on)

When the Multi Part parameter "Rcv NOTE MESSAGE" = OFF, that part will not receive these messages.

For a drum part*, key-off is not received if the DrumSetup parameter

Rcv NOTE OFF = OFF.

For a drum part, key-on is not received if the DrumSetup parameter

Rcv NOTE ON = OFF.

* Drum Part indicates that the Multi Part parameter PART

MODE is "set to DRUM or DRUMS1...4."

1.2 Control changes

These messages control volume or pan etc.

Their functions are differentiated by the control number (Ctrl#).

If the Multi Part parameter Rcv CONTROL CHANGE = OFF, that part will not receive control changes.

1.2.1

Bank Select

This voice selects the voice bank.

The voice bank is selected by the combination of two control change messages: MSB and LSB.

The function of the MSB and LSB will differ depending on the sound module mode.

In the case of "XG," the MSB value will specify the major division of voices, and the LSB value will specify the detailed division.

In the case of "TG300B," the LSB value is fixed, and only the MSB value will specify the detailed voice division.

In the case of "C/M," Bank Select is not received.

Control#

0

32

Parameter

Bank Select MSB

Bank Select LSB

Data Range

0...127

0...127

The Bank Select data will be processed only after a Program

Change is received, and then voice bank will change at that time.

If you wish to change the voice bank as well as the voice, you must transmit Bank Select and Program Change messages as a set, in the order of Bank Select MSB, LSB, and Program Change.

1.2.2

Modulation

This message is used primarily to control the depth of vibrato, but the depth of the following 7 types of effect can be controlled.

The effect of this message can be changed by the following parameters.

• Multi Part Parameter

1. MW PITCH CONTROL

2. MW FILTER CONTROL

3. MW AMPLITUDE CONTROL

4. MW LFO PMOD DEPTH

5. MW LFO FMOD DEPTH

6. MW LFO AMOD DEPTH

• Effect1 Parameter

7. MW VARIATION CONTROL DEPTH

(Valid when Variation Effect is assigned to a part as

Insertion)

By default, an LFO Pitch Modulation (PMOD) effect will apply.

Control#

1

Parameter

Modulation

Data Range

0...127

If the Multi Part parameter Rcv MODULATION = OFF, that part will not receive Modulation.

If the receive channel is a drum part, effects 5 and 6 will not apply.

1.2.3

Portamento Time

This message controls the degree of Portamento (refer to

1.2.11).

Control#

5

Parameter

Portamento Time

Data Range

0...127

When Portamento (control number 065) is ON, this regulates the speed of the pitch change.

A value of 0 is the shortest portamento time, and 127 is the longest portamento time.

If the receive channel is a drum part, Portamento Time is not received.

1.2.4

Data Entry

This message sets the value of the parameter which was specified by RPN MSB/LSB (see 1.2.22) and NRPN MSB/

LSB (see 1.2.21).

Control#

6

38

Parameter

Data Entry MSB

Data Entry LSB

Data Range

0...127

0...127

28

MU100 MIDI

1.2.5

Main Volume

This message controls the volume of each part.

This is used to adjust the volume balance between parts.

Control#

7

Parameter

Main Volume

Data Range

0...127

When the Multi Part parameter Rcv VOLUME = OFF, that part will not receive Main Volume.

With a value of 0 there will be no sound, and a value of 127 will be the maximum volume.

1.2.6

Panpot

This message control the panning (stereo location) of each part.

This will be the location of the sound when heard in stereo.

Control#

10

Parameter

Pan

Data Range

0...64...127

When the Multi Part parameter Rcv PAN = OFF, that part will not receive Panpot.

0 is left, 64 is center, and 127 is right.

1.2.7

Expression

This message controls expression (dynamics within a musical line) for each part.

It is used to create volume changes during a song.

Control#

11

Parameter

Expression

Data Range

0...127

If the Multi Part parameter Rcv EXPRESSION = OFF, that part will not receive Expression.

With a value of 0 there will be no sound, and with a value of

127 the volume will be maximum.

1.2.8

Hold1

This message controls sustain pedal on/off.

The notes that are sounding while the pedal is pressed will be sustained.

Control#

64

Parameter

Hold1

Data Range

0...63,64...127

(OFF, ON)

For data of 0...63 the sustain pedal will be OFF (released), and for data of 64...127 it will be on (pressed).

When this is ON, currently-sounding notes will continue to sound even if note-off messages are received.

If the Multi Part parameter Rcv HOLD1 = OFF, that part will not receive Hold1.


1.2.9

Portamento

This message controls portamento on/off.

When the pedal is pressed, a portamento effect will be applied.

Control#

65

Parameter

Portamento

Data Range

0...63, 64...127

(OFF, ON)

For data of 0...63 the portamento pedal will be OFF

(released), and for 64...127 it will be ON (pressed).

When this is ON, the pitch will change smoothly between notes. The time over which the pitch changes is adjusted by

Portamento Time (see 1.2.3). Also, when the Multi Part parameter MONO/POLY MODE = MONO, the tone will also change smoothly (legato) if Portamento = ON.

If any of the following Multi Part parameter settings apply, that part will not receive Portamento.

• Rcv PORTAMENTO = OFF

• PART MODE = DRUM, DRUMS1...4

1.2.10 Sostenuto

This message controls sostenuto pedal on/off.

Notes which were already pressed when the pedal was pressed will be sustained.

Control#

66

Parameter

Sostenuto

Data Range

0...63,64...127

(OFF, ON)

For data of 0...63, the sostenuto pedal will be OFF (released), and for 64...127 it will be ON (pressed).

If sostenuto is turned on while a note is sounding, that note will be sustained until sostenuto is turned OFF.

If the Multi Part parameter Rcv SOSTENUTO = OFF, that part will not receive Sostenuto.

Has no effect on VL sounds.

1.2.11 Soft Pedal

This message controls soft pedal on/off.

The sound will become more mellow while the pedal is pressed.

Control#

67

Parameter

Soft Pedal

Data Range

0...63, 64...127

(OFF, ON)

For data of 0...63, the soft pedal is OFF (released), and for

64...127 it is ON (pressed).

If any of the following Multi Part parameter settings apply, that part will not receive the Soft Pedal.

• Rcv SOFT PEDAL = OFF

• PART MODE = DRUM, DRUM1...4

MU100 MIDI

29


1.2.12 Harmonic Content

This message adjusts the resonance of the filter that is specified for the sound.

The value of 0~127 is taken as -64~+63, and added as an offset value to the original sound data to modify the resonance.

Control#

71

Parameter

Harmonic Content

Data Range

0...64...127

(-64...0...+63)

Since this is a relative change parameter, it specifies a boost or cut relative to 64.

Higher values will produce a more distinctive sound.

For some sounds, the effective range may be less than the possible range of settings.

1.2.13 Release Time

This message adjusts the EG release time that was specified by the sound data.

The value of 0~127 is taken as -64~+63, and added to the original sound data as an offset value to modify the release time.

Control#

72

Parameter

Release Time

Data Range

0...64...127

(-64...0...+63)

Since this is a relative change parameter, it specifies an increase or decrease relative to 64.

Increasing this value will lengthen the release that follows a note-off.

1.2.14 Attack Time

This message adjusts the EG attack time that was specified by the sound data.

The value of 0~127 is taken as -64~+63, and added to the original sound data as an offset value to modify the attack time.

Control#

73

Parameter

Attack Time

Data Range

0...64...127

(-64...0...+63)

Since this a relative change parameter, it specifies an increase or decrease relative to 64.

Increasing this value will make the attack more gradual, and decreasing this value will make the attack sharper.

1.2.15 Brightness

This message adjusts the cutoff frequency of the low pass filter specified by the sound data.

The value of 0~127 is taken as -64~+63, and added to the original sound data as an offset value to modify the cutoff frequency.

Control#

74

Parameter

Brightness

Data Range

0...64...127

(-64...0...+63)

30

MU100 MIDI

Since this is a relative change parameter, it specifies an increase or decrease relative to 64.

Lower values will produce a more mellow sound.

For some sounds, the effective range may be less than the possible range of settings.

1.2.16 Portamento Control

This message specifies the portamento source key number

(the key number at which portamento will begin).

Data of 0...127 specifies the portamento source key.

When Portamento Control is received, the currentlysounding pitch will change at a Portamento Time of 0 to the key of the next-received note-on of the same channel.

Control#

84

Parameter

Portamento Control

Data Range

0...127

(C-2...G8)

This is received even if Rcv PORTAMENTO = OFF.

Has no effect on VL sounds.

1.2.17 Effect1 Depth(Reverb Send Level)

This message specifies the send level for the reverb effect.

Control#

91

Parameter

Effect1 Depth

Data Range

0...127

Increasing this value will produce a richer reverb. The effect of the value will depend on the state of the reverb effect.

1.2.18 Effect3 Depth(Chorus Send Level)

This message specifies the send level for the chorus effect.

Control#

93

Parameter

Effect3 Depth

Data Range

0...127

Raising this value will increase the modulation or spaciousness. The effect of the value will depend on the state of the chorus effect.

1.2.19 Effect4 Depth (Variation Effect Send

Level)

This message specifies the send level for the variation effect.

Control#

94

Parameter

Effect4 Depth

Data Range

0...127

However, this is not received if the Variation Effect parameter Variation Connection = 0 (Insertion).

1.2.20 Data Increment/Decrement (for RPN)

After RPN (see 1.2.22) is used to specify a parameter such as Pitch Bend Sensitivity, Fine Tune, or Coarse Tune, this message is used to increment or decrement the respective parameter value in steps of 1.

Control#

96

97

Parameter

RPN Increment

RPN Decrement

Data Range

--

--

The data byte is ignored.


1.2.21 NRPN (Non-registered parameter number)

This message is used to specify a sound parameter (such as vibrato, filter, EG, drum setup etc.) as an offset value.

Use NRPN MSB and NRPN LSB to specify the parameter that you wish to modify, and then use Data Entry (see 1.2.4) to set the value for the specified parameter.

Control#

98

99

Parameter

NRPN LSB

NRPN MSB

Data Range

0...127

0...127

If the Multi Part parameter Rcv NRPN = OFF, that part will not receive NRPN.

The following NRPN messages can be received.

NRPN

MSB LSB

01 08

Data Entry *1

MSB LSB mm -- *2

Parameter name and value range

Vibrato rate mm: 00 - 64 - 127

(-64...0...+63)

01 09 mm

01

01

01

10

32

33 mm mm mm

--

-- *3 Vibrato delay mm: 00 - 64 - 127

(-64...0...+63)

--

Vibrato depth mm: 00 - 64 - 127

(-64...0...+63)

--

Low pass filter cutoff frequency mm: 00 - 64 - 127

(-64...0...+63)

Low pass filter resonance mm : 00 - 64 - 127

(-64...0...+63)

01 34 mm

01

01

01

01

36

48

49

52 mm mm mm mm

--

--

Filter EG Depth (VL sounds only) mm : 00 - 64 - 127

(-64...0...+63)

High pass filter cutoff frequency

(Has no effect on VL sounds) mm: 00 - 64 - 127

(-64...0...+63)

-- *4 EQ bass gain mm: 00 - 64 - 127

(-64...0...+63)

-- *4 EQ treble gain mm: 00 - 64 - 127

(-64...0...+63)

-- *4 EQ bass frequency (Has no effect on VL sounds) mm: 04 - 40

(32...2.0k [Hz])

01 53

01 99

20 rr

21 rr

22 rr

23 rr

24 rr

25 rr

26 rr

28 rr

29 rr

MU100 MIDI mm mm

01 100 mm

01 102 mm mm mm mm mm mm mm mm mm mm

-- *4 EQ treble frequency (Has no effect on VL sounds) mm: 28 - 58

(500...16.0k [Hz])

--

--

--

EG attack time mm: 00 - 64 - 127

(-64...0...+63)

EG decay time mm: 00 - 64 - 127

(-64...0...+63)

EG release time mm: 00 - 64 - 127

(-64...0...+63)

--

--

--

--

--

--

Drum low pass filter cutoff frequency rr: drum instrument note number mm: 00 - 64 - 127

(-64...0...+63)

Drum low pass filter resonance rr: drum instrument note number mm: 00 - 64 - 127

(-64...0...+63)

Drum EG attack rate rr: drum instrument note number mm: 00 - 64 - 127

(-64...0...+63)

Drum EG decay rate rr: drum instrument note number mm: 00 - 64 - 127

(-64...0...+63)

The effect will apply both to

Decay 1 and 2.

Drum instrument pitch coarse rr: drum instrument note number mm: 00 - 64 - 127

(-64...0...+63)

Drum instrument pitch fine rr: drum instrument note number mm: 00 - 64 - 127

(-64...0...+63)

--

--

--

Drum instrument level rr: drum instrument note number mm: 00 - 127(0...maximum)

Drum instrument panpot rr: drum instrument note number mm: 00, 01-64-127(RND,

L63...C...R63)

Drum instrument reverb send level rr: drum instrument note number mm: 00 - 127(0...maximum)

31


30

31

36 rr rr rr mm mm mm

--

--

--

Drum instrument chorus send level rr: drum instrument note number mm: 00 - 127(0...maximum)

Drum instrument variation send level rr: drum instrument note number mm: 00 - 127(0...maximum)

(when Variation Connection

= SYSTEM)) mm: 00, 01-127 (OFF,ON)

(when Variation Connection

= INSERTION))

Drum high pass filter cutoff frequency mm: 00 - 64 - 127

(-64...0...+63)

48 rr

49 rr

52 rr

53 rr mm mm mm mm

--

--

--

--

Drum EQ bass gain mm: 00 - 64 - 127 (-64...0...

+63)

Drum EQ treble gain mm: 00 - 64 - 127

(-64...0...+63)

Drum EQ bass frequency mm: 04 - 40(32...2.0k [Hz])

Drum EQ treble frequency mm: 28 - 58(500...16.0k

[Hz])

MSB 20-53 (for drums) is received when Multi Part parameter PART MODE = DRUMS1...4.

*1 Refer to 1.2.4

*2 '--' indicates that the setting value is ignored.

*3 Adjusts the time after the note is played until vibrato begins to take effect. The effect will begin more quickly for higher values, and more slowly for higher values.

No effect if Bank Select MSB=127 is selected.

*4 No effect if Multi Part parameter PART MODE =

DRUM, DRUMS1...4.

32

1.2.22 RPN (Registered parameter number)

This message is used to specify part parameters such as Pitch

Bend Sensitivity or Tuning etc. as an offset value.

Use RPN MSB and RPN LSB to specify the parameter that you wish to modify, and then use Data Entry (see 1.2.4) to set the value of the specified parameter.

Control#

100

101

Parameter

RPN LSB

RPN MSB

Data Range

0...127

0...127

If the Multi Part parameter Rcv RPN = OFF, that part will not receive this message.

The following RPN messages can be received.

RPN

MSB LSB

00 00

Data Entry*1

MSB LSB mm -- *2

Parameter name and value range

Pitch bend sensitivity mm: 00-24 (0...+24 semitones)

Specify up to 2 octaves in semitone steps

00 01 mm ll

00 02 mm --

Fine tuning mm ll: 00 00 -100 cents

: : mm ll: 64 00 0 cents

: : mm ll: 127 127 +100 cents

[Note] mm ll: 00 127

(=-87.5) cents is followed by 01 00

(=-87.4) cents.

Coarse tuning mm: 40 - 64 - 88

(-24...0...+24 semitones)

127 127 --RPN Null

This sets RPN and NRPN numbers to an unset state.

Internal data is not affected.

*1 Refer to 1.2.4

*2 '--' indicates that the setting value is ignored.

1.2.23 Assignable controller

By assigning a control change number of 0...95 to a part, the specified effect can be controlled.

This device allows two control change numbers (AC1 and

AC2) to be specified for each part.

The following parameters specify the effect of AC1 and AC2.


1. AC1, AC2 PITCH CONTROL

2. AC1, AC2 FILTER CONTROL

3. AC1, AC2 AMPLITUDE CONTROL

4. AC1, AC2 LFO PMOD DEPTH

5. AC1, AC2 LFO FMOD DEPTH

6. AC1, AC2 LFO AMOD DEPTH


7. AC1, AC2 VARIATION CONTROL DEPTH

(Valid if Variation Effect is assigned to a part as Insertion)

The AC1 control change number is specified by the Multi

Part or A/D Part parameter AC1 CONTROLLER

NUMBER, and the AC2 control change number is specified by the Multi Part or A/D Part parameter AC2 CONTROLLER

NUMBER.

1.3 Channel mode messages

These messages specify the basic operation of a part.

1.3.1

All Sound Off

This message silences all currently-sounding notes on the corresponding channel.

However, the state of channel messages such as Note-on and Hold-on will be maintained.

MU100 MIDI

Control#

120

Parameter

All Sound Off

Data Range

0

1.3.2

Reset All Controllers

This message resets the following controllers to their default values.

Controller Value

Pitch bend change

Channel pressure

±

0 (center)

0 (off)

Polyphonic key pressure 0 (off)

Modulation

Expression

Hold

0 (off)

127 (maximum)

0 (off)

Portamento

Sostenuto

Soft pedal

Portamento control

RPN

0 (off)

0 (off)

0 (off)

Reset the portamento source note number that was received

Number unset, internal data is

NRPN not affected.

Number unset, internal data is not affected.

The following data is not changed

Parameter values specified by program change, bank select

MSB/LSB, volume, pan, effect send levels 1, 3, 4, RPN and

NRPN.

Control#

121

Parameter Data Range

Reset All Controllers 0

1.3.3

All Note Off

This message turns off all notes which are currently on for the corresponding part.

However, if Hold 1 or Sostenuto are on, notes will continue to sound until these are turned off.

Control#

123

Parameter

All Note Off

Data Range

0

1.3.4

Omni Off

Perform the same processing as when All Note Off is received.

Control#

124

Parameter

Omni Off

Data Range

0

1.3.5

Omni On

Perform the same processing as when All Note Off is received.

Control#

125

Parameter

Omni On

Data Range

0


1.3.6

Mono

Perform the same processing as when All Sound Off is received, and if the value (mono number) is in the range of

0...16, set the corresponding channel to Mode4* (m = 1).

Control#

126

Parameter

Mono

Data Range

0...16

* Mode4 is a state in which only channel messages on the specified channel will be received, and notes will be sounded individually (monophonically).

1.3.7

Poly

Perform the same processing as when All Sound Off is received, and set the corresponding channel to Mode3*.

Control#

127

Parameter

Poly

Data Range

0

* Mode3 is when channel messages will be received only on the specified channel, and will be sounded polyphonically.

1.4 Program change

This message is used to select voices or performances.

When this is transmitted in conjunction with Bank Select (see 1.2.1), voices and performances can be selected not only from the basic voice bank but also from the extended voice bank and from internal performances.

If the Multi Part parameter Rcv PROGRAM CHANGE = OFF, that part will not receive program changes.

If Sound Module Mode = C/M, program changes for the Drum Part will not be received.

1.5 Pitch bend

This message conveys movements of the pitch bender.

This message is generally used to modify the pitch of a part, but the depth of the following seven effects can be controlled.

The effect of this message can be modified by the following parameters.


1. BEND PITCH CONTROL

2. BEND FILTER CONTROL

3. BEND AMPLITUDE CONTROL

4. BEND LFO PMOD DEPTH

5. BEND LFO FMOD DEPTH

6. BEND LFO AMOD DEPTH


7. BEND VARIATION CONTROL DEPTH

(Valid when Variation Effect is assigned to a part as Insertion)

By default, the Pitch Control effect is applied.


If the Multi Part parameter Rcv PITCH BEND CHANGE =

OFF, that part will not receive pitch bend messages.

MU100 MIDI

33


1.6 Channel aftertouch

This message conveys the pressure which is applied to the keyboard after playing a note in order to create tonal changes (for an entire MIDI channel). The pressure can be controlled for each part. This message will affect the currently-sounding notes.

The effect of this message will be determined by the settings of the following parameters.


1. CAT PITCH CONTROL

2. CAT FILTER CONTROL

3. CAT AMPLITUDE CONTROL

4. CAT LFO PMOD DEPTH

5. CAT LFO FMOD DEPTH

6. CAT LFO AMOD DEPTH


7. CAT VARIATION CONTROL DEPTH

(Valid when the Variation Effect is assigned to a part as

Insertion)

By default, there will be no effect.


If the Multi Part parameter Rcv CHANNEL AFTER TOUCH = OFF, that part will not receive Channel Aftertouch.

1.7 Polyphonic aftertouch

This message conveys the pressure that is applied to the keyboard after playing a note (for individual note numbers).

The pressure can be controlled independently for each note. This message will affect currently-sounding notes.

The effect of this message is determined by the following Multi Part parameters.

1. PAT PITCH CONTROL

2. PAT FILTER CONTROL

3. PAT AMPLITUDE CONTROL

4. PAT LFO PMOD DEPTH

5. PAT LFO FMOD DEPTH

6. PAT LFO AMOD DEPTH

By default, there will be no effect.

The effect will apply to note numbers 36...97.

In the case of either of the following Multi Part parameter settings, that part will not receive Polyphonic Aftertouch.

Rcv CHANNEL AFTER TOUCH = OFF

PART MODE = DRUM, DRUMS1...4

2. System exclusive messages

These MIDI messages are not directly "performance data," but are used to make settings related to the system of the MIDI device.

For example, these messages can be used to save data specific to this device on a MIDI data filer such as the MDF3, or to exchange data between two or more MU100 units.

By using these messages, it is possible to edit virtually all settings of the MU100 from an external MIDI device.

However, data cannot be exchanged unless the receiving and transmitting devices are set to the same Device Number.

2.1 Parameter changes

This devices uses the following parameter changes.

34

MU100 MIDI

[UNIVERSAL REALTIME MESSAGE]

1) Master Volume

[UNIVERSAL NON REALTIME MESSAGE]

1) General MIDI System On

2) Identity Request(INQUIRY MESSAGE)

3) Identity Reply(INQUIRY MESSAGE)

[XG PARAMETER CHANGE]

1) XG System on

2) XG System parameter change

3) Multi Effect1 parameter change

4) Multi EQ parameter change

5) Multi Effect2 parameter change

6) Display parameter change

7) Multi Part parameter change

8) AD Part parameter change

9) AD System parameter change

10) Drums Setup parameter change

[MU100 NATIVE PARAMETER CHANGE 1]

1) System parameter change

2) Remote switch

[MU100 NATIVE PARAMETER CHANGE 2]

1) Current Performance parameter change

[Others]

1) Master tuning

2) TG300 System parameter change

3) TG300 Multi Effect parameter change

4) TG300 Multi Part parameter change

2.1.1

Universal realtime messages

2.1.1.1

Master Volume

This system exclusive message is used to control the volume of all channels simultaneously.

11110000

01111111

01111111

00000100

00000001

* 0sssssss

0ttttttt

11110111

or,

11110000

01111111

0xxxnnnn

00000100

00000001

0sssssss

0ttttttt

11110111

F0H

7FH

7FH

04H

01H

SSH

TTH

F7H

F0H

7FH

XNH

04H

01H

SSH

TTH

F7H

= Exclusive status

= Universal Real Time

= ID of target device

= Sub-ID #1 = Device

Control Message

= Sub-ID #2 = Master

Volume

= Volume LSB

= Volume MSB

= End of Exclusive

= Exclusive status

= Universal Real Time

= Device Number, xxx = don't care

= Sub-ID #1 = Device

Control Message

= Sub-ID #2 = Master

Volume

= Volume LSB

= Volume MSB

= End of Exclusive

When this is received, the Volume MSB will be reflected by the System parameter MASTER VOLUME.

* The binary expression 0sssssss is expressed in hexadecimal as SSH.

The same applies elsewhere.

2.1.2

Universal non-realtime messages

2.1.2.1

General MIDI System On

This system exclusive message causes the MU100 to function as a tone generator that is compatible with GM System Level 1.

11110000

01111110

01111111

00001001

00000001

F0H

7EH

7FH

09H

01H

= Exclusive status

= Universal Non-Real

Time

= ID of target device

= Sub-ID #1 = General

MIDI Message


MIDI On

= End of Exclusive 11110111

or,

11110000

01111110

0xxxnnnn

00001001

00000001

11110111

F7H

F0H

7EH

XNH

09H

01H

F7H

= Exclusive status


Time

= N:Device Number,

X:don't care


MIDI Message


MIDI On

= End of Exclusive

When this message is received, the SOUND MODULE

MODE is set to XG, and all MIDI messages defined by

GM will be received.

All data except for MIDI Master Tuning will be restored to the default value.

However this message will not be received in any of the following cases.

• SOUND MODULE MODE = C/M

• MU100 System Parameter (see table 2-2) Rcv GM

EXCLUSIVE MESSAGE= OFF

Since approximately 50[ms] is required in order to process this message, be sure to allow an appropriate interval before sending the next message.

2.1.2.2

Identity Request

11110000

01111110

0mmmmmmm

00000110

00000001

11110111

F0H

7EH

MMH

06H

01H

F7H

= Exclusive status


Time

= Device Number


Information

= Sub-ID #2 = Identity

Request

= End of Exclusive

MU100 MIDI


When this message is received, this device will transmit an

Identity Reply message as described in the following section

2.1.2.3.

2.1.2.3

Identity Reply

11110000

01111110

0mmmmmmm

00000110

00000010

01000011

00000000

01000001

00000000

000000ll

F0H

7EH

MMH

06H

02H

43H

00H

41H

00H

03H

= Exclusive status


Time

= Device Number


Information

= Sub-ID #2 = Identity

Reply

= YAMAHA ID

= Device Family Code

LSB

MU100 ID #1

= Device Family Code

MSB

MU100 ID #2

= Device Number Code

LSB

MU100 ID #3

= Device Number Code

MSB

MU100 ID #4

00000000

00000000

00000000

00000001

00H

00H

00H

01H

11110111 F7H

= Tone Generator Code

= XG

= End of Exclusive

This device will transmit this message when it receives the Identity Request message of 2.1.2.2.

2.1.3

XG parameter change

This message sets XG-related parameters. Each message can set a single parameter.

The message format is as follows.

11110000

01000011

0001nnnn

01001100

0ggggggg

0mmmmmmm

0lllllll

0sssssss

:

11110111

F0H

43H

1NH

4CH

GGH

MMH

LLH

:

SSH

F7H

Exclusive status

YAMAHA ID

N:device Number

Model ID

Address High

Address Mid

Address Low

Data

End of Exclusive

For parameters whose Data Size is 2 or 4, the appropriate amount of data will be transmitted as indicated by Size.

35


2.1.3.1

XG System On

This system exclusive message causes the MU100 to function as an "XG"-compatible tone generator.

11110000

01000011

0001nnnn

01001100

00000000

00000000

01111110

00000000

11110111

F0H

43H

1NH

4CH

00H

00H

7EH

00H

F7H

Exclusive status

YAMAHA ID

N:device Number

Model ID

Address High

Address Mid

Address Low

Data

End of Exclusive

When On is received, the SOUND MODULE

MODE will be set to XG, and all MIDI messages defined by XG such as NRPN or bank select etc.

can be received.

Since approximately 50[ms] are required in order to execute this message, please allow an appropriate interval before transmitting the next message.

2.1.3.2

XG System parameter change

This message sets the XG SYSTEM block (refer to tables <1 -1>, <1 - 2>).

2.1.3.3

Multi Effect1 parameter change

This message sets the MULTI EFFECT1 block

(refer to tables <1 - 1>, <1 - 4>).

2.1.3.4

Multi EQ parameter change

This message sets the MULTI EQ block (refer to tables <1 - 1>, <1 - 5>).

2.1.3.5

Multi Effect2 parameter change


(refer to tables <1 - 1>, <1 - 6>).

2.1.3.6

Display parameter change

This message sets the DISPLAY block (refer to tables <1 - 1>, <1 - 8>).

2.1.3.7

Multi Part parameter change

This message sets the MULTI PART block (refer to tables <1 - 1>, <1 - 9>).

2.1.3.8

AD Part parameter change

This message sets the AD PART block (refer to tables <1 - 1> , <1 - 10>).

2.1.3.9

AD System parameter change

This message sets the AD SYSTEM block (refer to tables <1 - 1>, <1 - 11>).

36

MU100 MIDI

2.1.3.10 Drums Setup parameter change

This message sets the DRUMS SETUP block

(refer to tables <1 - 1> , <1 - 12>).

2.1.4

MU100 native parameter change (1)

This message sets parameters unique to the MU100. Each message sets a single parameter.

As indicated below, the message format is in common with the MU50, MU80, and MU90.

11110000

01000011

0001nnnn

01001001

0ggggggg

0mmmmmmm

0lllllll

0vvvvvvv

:

11110111

F0H

43H

1NH

49H

GGH

MMH

LLH

VVH

:

F7H

Exclusive status

YAMAHA ID

N:Device Number

Model ID

Address High

Address Mid

Address Low

Data

End of Exclusive

For parameters whose Data Size is 2 or 4, the number of data bytes indicated by Size are transmitted.

2.1.4.1

MU100 System parameter change

This message sets the SYSTEM block (refer to tables <2 - 1>, <2 - 2>).

2.1.4.2

Remote Switch

This message sets the REMOTE SWITCH (refer to tables <2 - 1>, <2 - 3>).

2.1.5

MU100 native parameter change (2)

This message sets parameters which are unique to the

MU100. Each message modifies a single parameter.

The format of this message is the same as for the MU90, as shown below.

11110000

01000011

0001nnnn

01011001

0ggggggg

0mmmmmmm

0lllllll

0vvvvvvv

:

11110111

F0H

43H

1NH

59H

GGH

MMH

LLH

:

VVH

F7H

Exclusive status

YAMAHA ID

N:Device Number

Model ID

Address High

Address Mid

Address Low

Data

End of Exclusive

For parameters whose Data Size is 2 or 4, the number of data bytes indicated by Size are transmitted.

2.1.5.1

Current Performance parameter change

This message sets the CURRENT PERFORMANCE block (refer to tables <3 - 1>, <3 - 2>).

2.1.6

Other parameter changes

2.1.6.1

Master tuning

This message simultaneously modifies the tuning of all channels.

11110000

01000011

0001nnnn

00100111

00110000

00000000

00000000

0000mmmm

0000llll

0xxxxxxx

11110111

F0H

43H

1NH

27H

30H

00H

00H

0MH

0LH

XXH

F7H

Exclusive status

YAMAHA ID

N:device Number

Model ID

Address High

Address Mid

Address Low

Master Tune MSB

Master Tune LSB don't care

End of Exclusive

Normally, the XG SYSTEM message MASTER TUNE should be used (refer to table <1-2>).

2.2 Bulk dump

This device uses the following bulk dump messages.

[XG BULK DUMP]

1) XG System bulk dump

2) System Information bulk dump

3) Multi Effect1 bulk dump

4) Multi EQ bulk dump

5) Multi Effect2 bulk dump

6) Multi Part bulk dump

7) AD Part bulk dump

8) Drums Setup bulk dump

[MU100 NATIVE BULK DUMP 1]

1) MU100 System bulk dump

2) MU80, MU50 Internal Performance bulk dump

[MU100 NATIVE BULK DUMP 2]

1) MU100 Internal Performance bulk dump

2.2.1

XG bulk dump

This message sets XG-related parameters. Unlike parameter change messages, a single message can modify multiple parameters. The message format is as follows.

11110000

01000011

0000nnnn

01001100

0sssssss

0ttttttt

0ggggggg

0mmmmmmm

0lllllll

0vvvvvvv

:

0kkkkkkk

11110111

F0H

43H

0NH

4CH

SSH

TTH

GGH

MMH

LLH

:

VVH

KKH

F7H

Exclusive status

YAMAHA ID

N:Device Number

Model ID

ByteCountMSB

ByteCountLSB

Address High

Address Mid

Address Low

Data

Check-sum

End of Exclusive

MU100 MIDI


Address and Byte Count are given in tables 1-n. Byte Count is indicated by the total size of the Data in tables 1-n.

Bulk dump and dump request messages are received when the beginning of the block is specified as the 'Address'.

'Block' indicates the unit of the data string that is indicated in tables 1-n as 'Total size'.

Check sum is the value that produces a lower 7 bits of 0 when the Start Address, Byte Count, Data, and the Checksum itself are added.

2.2.1.1

XG System bulk dump

This message sets the XG SYSTEM block (refer to tables <1 -1>, <1 - 2>).

2.2.1.2

System Information bulk dump

This message indicates the contents of the

SYSTEM INFORMATION block (refer to tables

<1 - 1>, <1 - 3>).

This message is transmitted in response to a Dump

Request, but this message will be ignored if it is received.

2.2.1.3

Multi Effect1 bulk dump


(refer to tables <1 - 1>, <1 - 4>).

2.2.1.4

Multi EQ bulk dump

This message sets the MULTI EQ block (refer to tables <1 - 1>, <1 - 5>).

2.2.1.5

Multi Effect2 bulk dump


(refer to tables <1 - 1>, <1 - 6>).

2.2.1.6

Multi Part bulk dump

This message sets the MULTI PART block (refer to tables <1 - 1>, <1 - 9>).

2.2.1.7

A/D Part bulk dump

This message sets the A/D PART block (refer to tables <1 - 1>, <1 - 10>).

2.2.1.8

Drums Setup bulk dump

This message sets the DRUMS SETUP block

(refer to tables <1 - 1>, <1 - 12>).

37


2.2.2

MU100 native bulk dump (1)

This message modifies parameters unique to the MU100.

Unlike parameter change messages, a single message will modify multiple parameters.

11110000

01000011

0000nnnn

01001001

0sssssss

0ttttttt

0ggggggg

0mmmmmmm

0lllllll

0vvvvvvv

:

0kkkkkkk

11110111

F0H

43H

0NH

49H

SSH

TTH

GGH

MMH

LLH

:

VVH

KKH

F7H

Exclusive status

YAMAHA ID

N:Device Number

Model ID

ByteCountMSB

ByteCountLSB

Address High

Address Mid

Address Low

Data

Check-sum

End of Exclusive

Details are the same as for 2.2.1 XG Bulk Dump. However, refer to table 2-n for the address, byte count, and block.

2.3 Parameter request

This message requests transmission of a parameter value.

The output is transmitted in the Parameter Change message format

(refer to 2.1.3, 2.1.4, and 2.1.5).

2.3.1

XG parameter request

This message requests transmission of XG parameter settings.

Settings are transmitted in the format of an XG parameter change (refer to 2.1.3).

11110000

01000011

F0H

43H

Exclusive status

YAMAHA ID

0011nnnn 3NH

01001100

0ggggggg

0mmmmmmm

4CH

GGH

MMH

N:device Number

Model ID

Address High

Address Mid

0lllllll

11110111

LLH

F7H

Address Low

End of Exclusive

2.2.2.1

MU100 System bulk dump

This message sets the SYSTEM block (refer to tables <2 - 1>, <2 - 2>).

2.2.2.2

MU80, MU50 Internal

Performance bulk dump

This message is in MU80 / MU50 data format.

It sets the INTERNAL PERFORMANCE block

(refer to tables <2 - 1>, <2 - 4>).

2.3.2

MU100 native parameter request (1)

This message requests transmission of a parameter value unique to the MU100.

The output is transmitted in the format of a MU100 native parameter change (refer to 2.1.4).

11110000

01000011

0011nnnn

01001001

0ggggggg

0mmmmmmm

0lllllll

11110111

F0H

43H

3NH

49H

GGH

MMH

LLH

F7H

Exclusive status

YAMAHA ID

N:Device Number

Model ID

Address High

Address Mid

Address Low

End of Exclusive

2.2.3

MU100 native bulk dump (2)

This message sets parameters unique to the MU100. Unlike parameter change messages, a single message can modify multiple parameters.

11110000

01000011

0000nnnn

01011001

0sssssss

0ttttttt

0ggggggg

0mmmmmmm

0lllllll

0vvvvvvv

:

0kkkkkkk

11110111

:

F0H

43H

0NH

59H

SSH

TTH

GGH

MMH

LLH

VVH

KKH

F7H

Exclusive status

YAMAHA ID

N:Device Number

Model ID

ByteCountMSB

ByteCountLSB

Address High

Address Mid

Address Low

Data

Check-sum

End of Exclusive

Details are the same as for 2.2.1 XG Bulk Dump. However, refer to table 3-n for address, byte count, and block.

2.3.3

MU100 native parameter request (2)

This message requests the transmission of a parameter value unique to the MU100.

The output format is the same as for a MU100 native parameter change (refer to 2.1.5).

11110000

01000011

0011nnnn

01011001

0ggggggg

0mmmmmmm

0lllllll

11110111

F0H

43H

3NH

59H

GGH

MMH

LLH

F7H

Exclusive status

YAMAHA ID

N:Device Number

Model ID

Address High

Address Mid

Address Low

End of Exclusive

2.2.3.1

MU100 Internal Performance bulk dump

This message sets the INTERNAL PERFORMANCE block (refer to tables <3 - 1>, <3 - 3>).

38

MU100 MIDI

2.4 Dump request

This message requests transmission of a specific block of parameter values.

The output is the same as the bulk dump format.

2.4.1

XG dump request

This message requests transmission of all parameters of the specified block of XG parameters.

The output is the same as the format of XG bulk dump (refer to 2.2.1).

11110000

01000011

0010nnnn

01001100

0ggggggg

0mmmmmmm

0lllllll

11110111

F0H

43H

2NH

4CH

GGH

MMH

LLH

F7H

Exclusive status

YAMAHA ID

N:device Number

Model ID

Address High

Address Mid

Address Low

End of Exclusive

Address is valid only when the beginning of the block has been specified.

Reception/transmission of Dump Request cannot be turned off by MIDI switches other than Exclusive = off.


3. Realtime messages

3.1 Active sensing

This message is used to prevent problems which could occur if a MIDI cable were to be disconnected or broken during a performance.

When this message is received, the MU100 will begin monitoring the state of the MIDI cable.

a) Transmission not transmitted.

b) Receive

ReceptionOnce FE has been received, failure to receive any

MIDI message for an interval longer than approximately

300 msec will cause processing to be performed as if ALL

SOUND OFF, ALL NOTE OFF, and RESET ALL

CONTROLLERS messages were received, and the unit will reset to a condition in which FE was never received.

2.4.2

MU100 native dump request (1)

This message requests transmission of all parameters of the specified block of MU100 native parameters.

The output is in the same format as an MU100 native bulk dump (refer to 2.2.2).

11110000

01000011

0010nnnn

01001001

0ggggggg

0mmmmmmm

0lllllll

11110111

F0H

43H

2NH

49H

GGH

MMH

LLH

F7H

Exclusive status

YAMAHA ID

N:Device Number

Model ID

Address High

Address Mid

Address Low

End of Exclusive

Details are the same as for 2.4.1 XG Bulk Dump Request.

2.4.3

MU100 native dump request (2)

This message requests transmission of all parameter values of the specified MU100 native parameter block.

The output is in the format of MU100 Native Bulk Dump

(refer to 2.2.3).

11110000

01000011

0010nnnn

01011001

0ggggggg

0mmmmmmm

0lllllll

11110111

F0H

43H

2NH

59H

GGH

MMH

LLH

F7H

Exclusive status

YAMAHA ID

N:Device Number

Model ID

Address High

Address Mid

Address Low

End of Exclusive

Details are the same as for 2.4.1 XG Bulk Dump Request.

MU100 MIDI

39


< Table 1 - 1 >

Parameter Base Address

Model ID = 4C [XG]

Parameter

XG SYSTEM

INFORMATION

EFFECT 1

EFFECT 2

Description

Adress

(H) (M) (L)

00 00 00 System

00 00 7D Drum setup Reset

00 00 7E XG System On

00 00 7F All Parameter Reset

01 00 00 System Information

02 01 00 Effect 1 (Reverb, Chorus, Variation)

02 40 00 Multi EQ

03 00 00 Insertion Effect 1

03 01 00 Insertion Effect 2

06 00 00 Display Letter DISPLAY

MULTI PART

07 00 00 Display Bit Map

08 00 00 Multi Part 1

:

08 0F 00 Multi Part 16

08 10 00 Multi Part 17

:

08 1F 00 Multi Part 32

0A 00 00 Multi Part 1 MULTI PART

(additional) :

0A 0F 00 Multi Part 16

0A 10 00 Multi Part 17

:

A/D PART

0A 1F 00 Multi Part 32

10 00 00 A/D Part 1

10 01 00 A/D Part 2

11 00 00 A/D System A/D SYSTEM

DRUM 30 0D 00 Drum Setup 1

31 0D 00 Drum Setup 2



PLUGIN BOARD 70 00 00 Plugin Board

Remarks

Receives parameter changes only



Receives dump requeste only




< Table 1 - 2 >

MIDI Parameter Change table (XG SYSTEM)

Address Size Data Parameter

(H)

00 00 00

(H)

4

(H)

00 - 0F MASTER TUNE

01

02

03

00 - 0F

00 - 0F

00 - 0F

04

05

06

7D

7E

7F

1

1

1

1

1

1

00 - 7F

00 - 7F

28 - 58

N

00

00

MASTER VOLUME

MASTER ATTENUATOR

TRANSPOSE

DRUM SETUP RESET

XG SYSTEM ON

ALL PARAMETER RESET

Address Parameter

3n 0D 00 note number 13

3n 0E 00 note number 14

: :

3n 5B 00 note number 91

[XG]

Description Default value

(H)

-102.4...0...+102.3 [cent]

1st bit3-0

→ bit15-12

2nd bit3-0

→ bit11-8

3rd bit3-0

→ bit7-4

4th bit3-0

→ bit3-0

0...127

00 04 00 00

0...127

-24...0...+24 [semitones]

7F

00

40

N: Drum setup number (receive only) --

00 = XG system ON (receive only) --

00 = ON (receive only) --

TOTAL SIZE 07

40

MU100 MIDI


< Table 1 - 3 >

MIDI Parameter Change table (SYSTEM INFORMATION)


(H)

01 00 00

:

0D

0E

0F

(H)

E

1

1

(H)

20 - 7F

:

20 - 7F

00 - 7F

00 - 7F

Model Name 1

:

Model Name 14

XG Level 1

XG Level 2

TOTAL SIZE 10

Transmitted in response to Dump Request. Not received.

02 01 10

11

12

13

14

15

TOTAL SIZE 6

1

1

1

1

1

1

02 01 20 2

2A

2B

2C

2D

2E

TOTAL SIZE

26

27

28

29

22

23

24

25

1

1

1

1

1

0F

1

1

1

1

1

1

1

1

< Table 1 - 4 >

MIDI Parameter Change table (EFFECT 1)


(H)

02 01 00

02

03

04

05

06

07

08

09

0A

0B

0C

0D

(H)

2

1

1

1

1

1

1

1

1

1

1

1

1

(H)

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

01 - 7F

REVERB TYPE MSB

REVERB TYPE LSB

REVERB PARAMETER 1

REVERB PARAMETER 2

REVERB PARAMETER 3

REVERB PARAMETER 4

REVERB PARAMETER 5

REVERB PARAMETER 6

REVERB PARAMETER 7

REVERB PARAMETER 8

REVERB PARAMETER 9

REVERB PARAMETER 10

REVERB RETURN

REVERB PAN

TOTAL SIZE 0E

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

REVERB PARAMETER 11

REVERB PARAMETER 12

REVERB PARAMETER 13

REVERB PARAMETER 14

REVERB PARAMETER 15

REVERB PARAMETER 16

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

01 - 7F

00 - 7F

CHORUS TYPE MSB

CHORUS TYPE LSB

CHORUS PARAMETER 1

CHORUS PARAMETER 2

CHORUS PARAMETER 3

CHORUS PARAMETER 4

CHORUS PARAMETER 5

CHORUS PARAMETER 6

CHORUS PARAMETER 7

CHORUS PARAMETER 8

CHORUS PARAMETER 9

CHORUS PARAMETER 10

CHORUS RETURN

CHORUS PAN

SEND CHORUS TO REVERB

[XG]

32...127(ASCII CHARACTER)

:

32...127 (ASCII CHARACTER)

[XG]


(H) refer to Effect Program List 01 (= HALL1)

˝

00

˝

12 (depends on reverb type)

˝

˝

˝

˝

0A (˝)

08 (˝)

0D (˝)

31 (˝)

˝

˝

˝

˝

00 (˝)

00 (˝)

00 (˝)

00 (˝)

˝ 00 (˝)

-

∞ dB...0dB...+6dB (0...96...127) 40

L63...C...R63

40

˝

˝

˝

˝

˝ refer to Effect Parameter List 00 (depends on reverb type)

04 (˝)

32 (˝)

08 (˝)

40 (˝)

00 (˝) refer to Effect Program List 41 (= CHORUS1)

˝

00

˝

06 (depends on chorus type)

˝

˝

˝

˝

36 (˝)

4D (˝)

6A (˝)

00 (˝)

˝

˝

˝

˝

1C (˝)

40 (˝)

2E (˝)

40 (˝)

˝ 40 (˝)

-

∞ dB...0dB...+6dB (0...96...127) 40

L63...C...R63 (1...64...127) 40

-

∞ dB...0dB...+6dB (0...96...127) 00

MU100 MIDI

41


02 01 30

31

32

33

34

35

TOTAL SIZE

1

1

6

1

1

1

1

02 01 40

42

44

46

48

4A

4C

4E

50

52

54

56

57

58

59

5A

5B

2

2

2

2

2

2

2

2

2

1

1

1

1

1

1

2

2

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

CHORUS PARAMETER 11

CHORUS PARAMETER 12

CHORUS PARAMETER 13

CHORUS PARAMETER 14

CHORUS PARAMETER 15

CHORUS PARAMETER 16

˝

˝

˝

˝

˝ refer to Effect Parameter List 2E (depends on chorus type)

40 (˝)

0A (˝)

00 (˝)

00 (˝)

00 (˝)

5C

5D

5E

5F

60

TOTAL SIZE

1

1

1

1

1

21

02 01 70

71

72

73

74

75

TOTAL SIZE

1

1

6

1

1

1

1

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

01 - 7F

00 - 7F

00 - 7F

00 - 01

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

VARIATION TYPE MSB refer to Effect Program List

Part1...32 (0...31)

AD1, AD2 (64, 65)

05 (= DELAY L, C, R)

VARIATION TYPE LSB

˝

00

VARIATION PARAMETER 1 MSB

˝

1A (depends on variation type)

VARIATION PARAMETER 1 LSB








˝

˝

˝

˝

˝

˝

˝

˝









˝

˝

˝

˝

˝

˝

˝

˝ 4A (˝)

00 (˝)

64 (˝)

00 (˝)

0A (˝)

00 (˝)

00 (˝)

00 (˝)


˝

VARIATION PARAMETER 10 MSB ˝


VARIATION RETURN

00 (˝)

00 (˝)

˝ 20 (˝)

-

∞ dB...0dB...+6dB (0...96...127) 40

05 (˝)

0D (˝)

03 (˝)

27 (˝)

08 (˝)

27 (˝)

08 (˝)

00 (˝)

VARIATION PAN

SEND VARIATION TO REVERB

SEND VARIATION TO CHORUS

VARIATION CONNECTION

L63...C...R63 (1...64...127) 40

-

∞ dB...0dB...+6dB (0...96...127) 00

-

∞ dB...0dB...+6dB (0...96...127) 00

INSERTION, SYSTEM 00

VARIATION PART NUMBER 7F

OFF (127)

MW VARIATION CONTROL DEPTH -64...0...+63

BEND VARIATION CONTROL DEPTH -64...0...+63

CAT VARIATION CONTROL DEPTH -64...0...+63

AC1 VARIATION CONTROL DEPTH -64...0...+63

AC2 VARIATION CONTROL DEPTH -64...0...+63

40

40

40

40

40

VARIATION PARAMETER 11






< Table 1 - 5 >

MIDI Parameter Change table (MULTI EQ)


(H)

02 40 00

01

02

03

(H)

1

1

1

1

(H)

00 - 04

34 - 4C

04 - 28

01 - 78

EQ TYPE

EQ GAIN1

EQ FREQUENCY1

EQ Q1

˝

˝

˝

˝

˝ refer to Effect Parameter List 00 (depends on variation type)

3C (˝)

1C (˝)

40 (˝)

2E (˝)

40 (˝)

[XG]

Description flat, jazz, pops, rock, classic

-12...0...+12 [dB]

32...2.0k [Hz]

0.1...12.0

Default value

(H)

00

40 (depends on EQ type)

0C (˝)

07 (˝)

42

MU100 MIDI


10

11

12

13

0C

0D

0E

0F

14

TOTAL SIZE

08

09

0A

0B

04

05

06

07

1

1

1

1

1

1

1

1

1

15

1

1

1

1

1

1

1

1

34 - 4C

0E - 36

01 - 78

34 - 4C

1C - 3A

01 - 78

00 - 01

00 - 01

34 - 4C

0E - 36

01 - 78

34 - 4C

0E - 36

01 - 78

EQ SHAPE1

EQ GAIN2

EQ FREQUENCY2

EQ Q2

NOT USED

EQ GAIN3

EQ FREQUENCY3

EQ Q3

NOT USED

EQ GAIN4

EQ FREQUENCY4

EQ Q4

NOT USED

EQ GAIN5

EQ FREQUENCY5

EQ Q5

EQ SHAPE5 shelving, peaking

-12...0...+12 [dB]

100...10.0k [Hz]

0.1...12.0

-12...0...+12 [dB]

100...10.0k [Hz]

0.1...12.0

-12...0...+12 [dB]

100...10.0k [Hz]

0.1...12.0

-12...0...+12 [dB]

0.5k...16.0k [Hz]

0.1...12.0

shelving, peaking

40 (˝)

2E (˝)

07 (˝)

--

40 (˝)

34 (˝)

07 (˝)

00 (˝)

00 (˝)

40 (˝)

1C (˝)

07 (˝)

--

40 (˝)

22 (˝)

07 (˝)

--

24

25

TOTAL SIZE

20

21

22

23

30

32

34

36

38

< Table 1 - 6 >

MIDI Parameter Change table (EFFECT 2)


(H)

03 00 00

(H)

2

(H)

00 - 7F

02

03

04

05

06

07

08

09

0A

0B

0C

1

1

1

1

1

1

1

1

1

1

1

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

[XG]

Description

INSERTION EFFECT1 TYPE MSB refer to Effect Program List

INSERTION EFFECT1 TYPE LSB

˝

INSERTION EFFECT1 PARAMETER1 ˝










INSERTION EFFECT1 PART NUMBER Part1...32 (0...31)

0D

0E

0F

10

11

TOTAL SIZE

1

1

1

1

1

12

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

AD1, AD2 (64, 65)

OFF (127)

MW INSERTION CONTROL DEPTH -64...0...+63

BEND INSERTION CONTROL DEPTH -64...0...+63

CAT INSERTION CONTROL DEPTH -64...0...+63

AC1 INSERTION CONTROL DEPTH -64...0...+63


2

2

2

2

2

1

1

6

1

1

1

1

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

40

40

40

40

40

Default value

(H)

49 (= DISTORTION)

00

28 (depends on insertion effect1 type)

14 (˝)

48 (˝)

35 (˝)

40 (˝)

00 (˝)

2B (˝)

4A (˝)

0A (˝)

7F (˝)

7F

INSERTION EFFECT1 PARAMETER11 refer to Effect Parameter List 78 (depends on insertion effect1 type)






00 (˝)

00 (˝)

00 (˝)

00 (˝)

00 (˝)

INSERTION EFFECT1 PARAMETER1 MSB refer to Effect Parameter List 00 (depends on insertion effect1 type)

INSERTION EFFECT1 PARAMETER1 LSB ˝

INSERTION EFFECT1 PARAMETER2 MSB ˝








28 (˝)

00 (˝)

14 (˝)

00 (˝)

48 (˝)

00 (˝)

35 (˝)

00 (˝)

40 (˝)

MU100 MIDI

43


3A

3C

3E

40

42

TOTAL SIZE

2

14

When using an EFFECT TYPE which does not require the MSB, parameters of addresses 02~0B are received, and parameters of addresses 30~42 are not received.

When using an EFFECT TYPE which requires the MSB, parameters of addresses 30~42 are received, and parameters of addresses 02~0B are not received.

Bulk data which includes the EFFECT TYPE is always transmitted with the parameters of addresses 02~0B, but in the case of an EFFECT TYPE which requires the MSB, parameters of addresses 02~0B are not received even for bulk reception.

EFFECT TYPE’s that require MSB include: DELAY L,C,R, DELAY L,R, ECHO, and CROSS DELAY.

03 01 00

02

03

04

05

06

07

08

09

0A

0B

0C

0D

0E

0F

10

11

TOTAL SIZE

2

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

12

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

INSERTION EFFECT2 TYPE MSB refer to Effect Program List

INSERTION EFFECT2 TYPE LSB

˝











INSERTION EFFECT2 PART NUMBER Part1...32 (0...31)

AD1, AD2 (64, 65)

OFF (127)

MW INSERTION CONTROL DEPTH -64...0...+63

BEND INSERTION CONTROL DEPTH -64...0...+63

CAT INSERTION CONTROL DEPTH -64...0...+63



49 (= DISTORTION)

00

28(depends on insertion effect2 type)

14 (˝)

48 (˝)

35 (˝)

40 (˝)

00 (˝)

2B (˝)

4A (˝)

0A (˝)

7F (˝)

7F

40

40

40

40

40

24

25

TOTAL SIZE

20

21

22

23

30

32

34

36

38

3A

2

2

2

2

2

2

1

1

6

1

1

1

1

2

2

2

2

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F











00 (˝)

00 (˝)

00 (˝)

2B (˝)

00 (˝)

4A (˝)

00 (˝)

0A (˝)

00(˝)

7F (˝)

INSERTION EFFECT2 PARAMETER11 refer to Effect Parameter List







00 (˝)

00 (˝)

00 (˝)

00 (˝)

00 (˝)

INSERTION EFFECT2 PARAMETER1 MSB refer to Effect Parameter List













28 (˝)

00 (˝)

14 (˝)

00 (˝)

48 (˝)

00 (˝)

35 (˝)

00 (˝)

40 (˝)

00 (˝)

00 (˝)

44

MU100 MIDI


3C

3E

40

42

2

2

2

1

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F








INSERTION EFFECT2 PARAMETER10 LSB

˝

00 (˝)

2B (˝)

00 (˝)

4A (˝)

00 (˝)

0A (˝)

00 (˝)

7F (˝)

TOTAL SIZE 14

When using an EFFECT TYPE which does not require the MSB, parameters of addresses 02~0B are received, and parameters of addresses 30~42 are not received.

When using an EFFECT TYPE which requires the MSB, parameters of addresses 30~42 are received, and parameters of addresses 02~0B are not received.

Transmission of bulk data which includes EFFECT TYPE data will always include the parameters of addresses 02~0B, but in the case of an

EFFECT TYPE which does not require the MSB, parameters of addresses 02~0B will not be received even in bulk reception.

EFFECT TYPE’s that require MSB include: DELAY L,C,R, DELAY L,R, ECHO, and CROSS DELAY.

< Table 1 - 7 >

MIDI Parameter Change table (DISPLAY DATA)


(H)

06 00 00

:

1F

(H)

20

(H)

20 - 7F DISPLAY LETTER Data1

:

DISPLAY LETTER Data32

TOTAL SIZE 20

[XG]

Description

:

32...127(ASCII CHARACTER) --

:

Default value

(H)

32...127(ASCII CHARACTER) --

07 00 00

:

2F

TOTAL SIZE

30

30

00 - 7F DISPLAY BITMAP Data1*

:

DISPLAY BITMAP Data48

:

0...127

0...127

:

--

--

* The relation between DISPLAY BITMAP data and the display screen

Seven pixels horizontally are one byte of data.

Set a bit to 1 to display the corresponding pixel, and set a bit to 0 to turn it off.

This data is mapped to the screen as follows.

b7 b6 b5 b4 b3 b2 b1 b0

Data1 0 * * * * * * *

Data2

Data3

Data17 0 * * * * * * *

Data18

Data19 b7 b6 b5 b4 b3 b2 b1 b0 b7 b6 b5 b4 b3 b2 b1 b0 (‘b’ stands for ‘bit’)

Data33 0 * * - - - - -

Data34

Data35

Data4

Data5

Data6

Data7

Data8

Data9

Data10

Data11

Data12

Data13

Data14

Data15

Data16

Data20

Data21

Data22

Data23

Data24

Data25

Data26

Data27

Data28

Data29

Data30

Data31

Data32

Data36

Data37

Data38

Data39

Data40

Data41

Data42

Data43

Data44

Data45

Data46

Data47

Data48

For Data33~Data48, only bit 6 and bit 5 are used.

Specific individual pixels of the bitmap data can also be received. In this case, other pixels will retain their previous state.

DISPLAY DATA parameter changes can be transmitted continuously from a specified location.

MU100 MIDI

45


< Table 1 - 8 >

MIDI Parameter Change table (MULTI PART)


(H)

08 nn 00

(H)

1

(H)

00 - 40 ELEMENT RESERVE nn 01 nn 02 nn 03 nn 04 nn 05 nn 06 nn 07 nn 08 nn 09 nn 0A

1

1

29

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1 nn 1B nn 1C nn 1D nn 1E nn 1F nn 20 nn 21 nn 22 nn 23 nn 24 nn 25 nn 26 nn 27 nn 28

TOTAL SIZE nn 0B nn 0C nn 0D nn 0E nn 0F nn 10 nn 11 nn 12 nn 13 nn 14 nn 15 nn 16 nn 17 nn 18 nn 19 nn 1A

1

1

1

1

1

2

1

1

1

00 - 7F

00 - 7F

00 - 7F

00-1F, 7F

00 - 01

00 - 02

00 - 05

28 - 58

00 - 0F

00 - 0F

00 - 7F

00 - 7F

28 - 58

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

28 - 58

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

BANK SELECT MSB

BANK SELECT LSB

PROGRAM NUMBER

Rcv CHANNEL

[XG]

Description

0...64

0...127

0...127

1...128

A1...A16, B1...B16, OFF

Default value

(H) part10, 26 = 0 other parts =2 part10,26 = 7F other parts = 0

00

00

Part No.

MONO/POLY MODE

SAME NOTE NUMBER

KEY ON ASSIGN

PART MODE

MONO , POLY

SINGLE, MULTI, INST(for DRUM)

01

01

NOTE SHIFT

DETUNE

NORMAL, DRUM, DRUMS1...4

Part10 = 2, Part26 = 4 other parts = 0

-24...0...+24 [semitones]

-12.8...0...+12.7 [Hz]

1st bit3-0

→ bit7-4

2nd bit3-0

→ bit3-0

0...127

VOLUME

VELOCITY SENSE DEPTH

VELOCITY SENSE OFFSET

PAN

NOTE LIMIT LOW

NOTE LIMIT HIGH

DRY LEVEL

CHORUS SEND

REVERB SEND

VARIATION SEND

VIBRATO RATE

VIBRATO DEPTH

VIBRATO DELAY

0...127

0...127

RND, L63...C...R63

C-2...G8

C-2...G8

0...127

0...127

0...127

0...127

-64...0...+63

-64...0...+63

-64...0...+63

LOW PASS FILTER CUTOFF FREQUENCY -64...0...+63

40

08 00

64

40

40

40

00

7F

7F

00

28

00

40

40

40

40

LOW PASS FILTER RESONANCE -64...0...+63

EG ATTACK TIME -64...0...+63

EG DECAY TIME

EG RELEASE TIME

-64...0...+63

-64...0...+63

40

40

40

40

MW PITCH CONTROL -24...0...+24 [semitones]

MW LOW PASS FILTER CONTROL -9600...0...+9450[cent]

MW AMPLITUDE CONTROL

MW LFO PMOD DEPTH

-100...0...+100 [%]

0...127

MW LFO FMOD DEPTH

MW LFO AMOD DEPTH

0...127

0...127

BEND PITCH CONTROL -24...0...+24 [semitones]

BEND LOW PASS FILTER CONTROL -9600...0...+9450 [cent]

BEND AMPLITUDE CONTROL

BEND LFO PMOD DEPTH

BEND LFO FMOD DEPTH

BEND LFO AMOD DEPTH

-100...0...+100 [%]

0...127

0...127

0...127

40

40

40

0A

00

00

42

40

40

00

00

00 nn 30 nn 31 nn 32 nn 33 nn 34 nn 35 nn 36 nn 37 nn 38

1

1

1

1

1

1

1

1

1

00 - 01

00 - 01

00 - 01

00 - 01

00 - 01

00 - 01

00 - 01

00 - 01

00 - 01

Rcv PITCH BEND

Rcv CH AFTER TOUCH (CAT)

Rcv PROGRAM CHANGE

Rcv CONTROL CHANGE

OFF, ON

OFF, ON

OFF, ON

OFF, ON

Rcv POLY AFTER TOUCH (PAT) OFF, ON

Rcv NOTE MESSAGE OFF, ON

Rcv RPN

Rcv NRPN

Rcv MODURATION

OFF, ON

OFF, ON

OFF, ON

01

01

01

01

01

01

01

XGmode = 01, GMmode = 00

01

46

MU100 MIDI

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 01

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

01 - 7F

01 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 5F

28 - 58

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 5F

28 - 58

00 - 7F

00 - 7F

00 - 7F

00 - 7F

28 - 58

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

28 - 58

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 01

00 - 01

00 - 01

00 - 01

00 - 01

00 - 01

00 - 01

00 - 01 nn 62 nn 63 nn 64 nn 65 nn 66 nn 67 nn 68 nn 69 nn 6A nn 6B nn 6C nn 6D nn 6E

TOTAL SIZE

1

1

1

1

1

1

1

1

1

1

1

3F

1

1 nn 54 nn 55 nn 56 nn 57 nn 58 nn 59 nn 5A nn 5B nn 5C nn 5D nn 5E nn 5F nn 60 nn 61 nn 49 nn 4A nn 4B nn 4C nn 4D nn 4E nn 4F nn 50 nn 51 nn 52 nn 53 nn 39 nn 3A nn 3B nn 3C nn 3D nn 3E nn 3F nn 40 nn 41 nn 42 nn 43 nn 44 nn 45 nn 46 nn 47 nn 48

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

Rcv VOLUME

Rcv PAN

Rcv EXPRESSION

Rcv HOLD1

Rcv PORTAMENTO

Rcv SOSTENUTO

Rcv SOFT PEDAL

Rcv BANK SELECT

SCALE TUNING C

SCALE TUNING C#

SCALE TUNING D

SCALE TUNING D#

SCALE TUNING E

SCALE TUNING F

SCALE TUNING F#

SCALE TUNING G

OFF, ON

OFF, ON

OFF, ON

OFF, ON

OFF, ON

OFF, ON

OFF, ON

OFF, ON

-64...0...+63 [cent]

-64...0...+63 [cent]

-64...0...+63 [cent]

-64...0...+63 [cent]

-64...0...+63 [cent]

-64...0...+63 [cent]

-64...0...+63 [cent]

-64...0...+63 [cent]

SCALE TUNING G#

SCALE TUNING A

SCALE TUNING A#

SCALE TUNING B

-64...0...+63 [cent]

-64...0...+63 [cent]

-64...0...+63 [cent]

-64...0...+63 [cent]

CAT PITCH CONTROL -24...0...+24 [semitones]

CAT LOW PASS FILTER CONTROL -9600...0...+9450[cent]

CAT AMPLITUDE CONTROL

CAT LFO PMOD DEPTH

-100...0...+100 [%]

0...127

CAT LFO FMOD DEPTH

CAT LFO AMOD DEPTH

PAT PITCH CONTROL

0...127

0...127

-24...0...+24 [semitones]

PAT LOW PASS FILTER CONTROL -9600...0...+9450 [cent]

PAT AMPLITUDE CONTROL -100...0...+100 [%]

PAT LFO PMOD DEPTH

PAT LFO FMOD DEPTH

PAT LFO AMOD DEPTH

AC1 CONTROLLER NUMBER

0...127

0...127

0...127

0...95

AC1 PITCH CONTROL -24...0...+24 [semitones]

AC1 LOW PASS FILTER CONTROL -9600...0...+9450 [cent]

AC1 AMPLITUDE CONTROL

AC1 LFO PMOD DEPTH

-100...0...+100 [%]

0...127

AC1 LFO FMOD DEPTH

AC1 LFO AMOD DEPTH


AC2 PITCH CONTROL

0...127

0...127

0...95

-24...0...+24 [semitones]

AC2 LOW PASS FILTER CONTROL -9600...0...+9450 [cent]

AC2 AMPLITUDE CONTROL -100...0...+100 [%]

AC2 LFO PMOD DEPTH

AC2 LFO FMOD DEPTH

AC2 LFO AMOD DEPTH

PORTAMENTO SWITCH

PORTAMENTO TIME

PITCH EG INITIAL LEVEL

PITCH EG ATTACK TIME

PITCH EG RELEASE LEVEL

PITCH EG RELEASE TIME

VELOCITY LIMIT LOW

VELOCITY LIMIT HIGH

0...127

0...127

0...127

OFF, ON

0...127

-64...0...+63

-64...0...+63

-64...0...+63

-64...0...+63

1...127

1...127


40

40

00

40

40

40

00

00

00

00

40

01

7F

40

40

40

40

40

00

00

00

00

10

00

00

11

40

40

40

40

00

40

40

40

40

00

00

40

40

40

40

40

40

40

40

40

01

01

01

01

01

01

01

XGmode = 01, GMmode = 00

MU100 MIDI

47

MIDI data format nn 70 nn 71 nn 72 nn 73

TOTAL SIZE nn 74 nn 75 nn 76 nn 77 nn 78 nn 79 nn 7A nn 7B nn 7C nn 7D nn 7E nn 7F

TOTAL SIZE

1

1

1

1

1

1

1

1

1

1

1

1

0C

1

1

1

1

4

00 - 7F

00 - 7F

04 - 28

1C - 3A

NOT USED

NOT USED

EQ BASS GAIN

EQ TREBLE GAIN

NOT USED

NOT USED

EQ BASS FREQUENCY

EQ TREBLE FREQUENCY

NOT USED

NOT USED

NOT USED

NOT USED

NOT USED

NOT USED

NOT USED

NOT USED

-12 - +12 [dB]

-12 - +12 [dB]

32...2.0k [Hz]

500...16.0k [Hz]

0A nn 20 nn 21

TOTAL SIZE

1

1

2 nn = PART NUMBER

00 - 7F HIGH PASS FILTER CUTOFF FREQUENCY -64...0...+63

NOT USED

In the case of a DRUM PART, the following parameters will have no effect.

• BANK SELECT LSB

• MONO/POLY MODE

• SCALE TUNING

• PORTAMENTO

• PITCH EG

• FILTER MODURATION DEPTH (FMOD DEPTH)

• AMPLITUDE MODURATION DEPTH (AMOD DEPTH)

< Table 1 - 9 >

MIDI Parameter Change table (A/D PART)


(H)

10 0n 00

01

02

03

04

05

06

07

08

09

0A

0B

0C

0D

0E

0F

10

11

12

13

14

(H)

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

(H)

00 - 01

00 - 7F

00 - 7F

00 - 7F

00-1F, 7F

00 - 7F

01 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

INPUT GAIN

BANK SELECT MSB

BANK SELECT LSB

PROGRAM NUMBER

Rcv CHANNEL

NOT USED

NOT USED

NOT USED

NOT USED

NOT USED

NOT USED

VOLUME

NOT USED

NOT USED

PAN

NOT USED

NOT USED

DRY LEVEL

CHORUS SEND

REVERB SEND

VARIATION SEND

TOTAL SIZE 15

[XG]

Description

MIC , LINE

0...127

0...127

1...128

A1...A16, B1...B16, OFF

0...127

L63...C...R63

0...127

0...127

0...127

0...127

--

--

40

40

--

--

--

--

--

--

0C

36

--

--

--

--

40

--

40

--

--

7F

00

00

00

--

--

--

00

--

--

--

--

00

00

7F

--

Default value

(H)

00

00

48

MU100 MIDI

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

31

1

1

1

1

1

1

1

1

4C

4D

4E

4F

48

49

4A

4B

44

45

46

47

40

41

42

43

10 0n 30

31

32

33

34

35

36

37

3C

3D

3E

3F

38

39

3A

3B

5C

5D

5E

5F

58

59

5A

5B

60

TOTAL SIZE

54

55

56

57

50

51

52

53 n: A/D Part number (0 - 1)

00 - 01

00 - 01

00 - 01

00 - 01

00 - 01

00 - 01

00 - 01

00 - 5F

00 - 5F

< Table 1 - 10 >

MIDI Parameter Change table (A/D System)


(H)

11 00 00

TOTAL SIZE

(H)

1

1

(H)

00 - 01 A/D1, 2 MONO/STEREO MODE

NOT USED

NOT USED

Rcv PROGRAM CHANGE

Rcv CONTROL CHANGE

NOT USED

MUTE

NOT USED

NOT USED

NOT USED

Rcv VOLUME

Rcv PAN

Rcv EXPRESSION

NOT USED

NOT USED

NOT USED

NOT USED

Rcv BANK SELECT

NOT USED

NOT USED

NOT USED

NOT USED

NOT USED

NOT USED

NOT USED

NOT USED

NOT USED

NOT USED

NOT USED

NOT USED

NOT USED

NOT USED

NOT USED

NOT USED

NOT USED

NOT USED

NOT USED

NOT USED

NOT USED

NOT USED

NOT USED

NOT USED


NOT USED

NOT USED

NOT USED

NOT USED

NOT USED

NOT USED


OFF , ON

OFF , ON

OFF , ON

OFF , ON

OFF , ON

OFF , ON

OFF , ON

0...95

0...95

[XG]

Description

MONO/STEREO


--

--

--

--

--

--

--

--

--

--

--

--

--

--

00

--

--

--

--

--

--

01

01

01

--

--

--

01

--

--

00

01

--

--

--

--

11

--

--

--

10

--

--

--

--

--

--

--

--

Default value

(H)

00

MU100 MIDI

49


< Table 1 - 11 >

MIDI Parameter Change table (DRUM SETUP)


(H)

3n rr 00

01

02

03

04

05

06

07

08

09

0A

0B

0C

0D

0E

0F

TOTAL SIZE

(H)

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

10

(H)

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 01

00 - 01

00 - 01

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

PITCH COARSE

PITCH FINE

LEVEL

ALTERNATE GROUP

PAN

REVERB SEND

CHORUS SEND

VARIATION SEND

KEY ASSIGN

Rcv NOTE OFF

Rcv NOTE ON

[XG]

Description

-64...0...+63

-64...0...+63 [cent]

0...127

OFF, 1...127

RND, L63...C...R63

0...127

0...127

0...127

SINGLE, MULTI

OFF, ON

OFF, ON

LOW PASS FILTER CUTOFF FREQUENCY -64...0...63

LOW PASS FILTER RESONANCE

EG ATTACK RATE

EG DECAY1 RATE

EG DECAY2 RATE

-64...0...63

-64...0...63

-64...0...63

-64...0...63

3n rr

28

29

2A

2B

2C

2D

TOTAL SIZE

24

25

26

27

20

21

22

23

1

1

0E

1

1

1

1

1

1

1

1

1

1

1

1

00 - 7F

00 - 7F

04 - 28

1C - 3A

EQ BASS GAIN

EQ TREBLE GAIN

NOT USED

NOT USED

EQ BASS FREQUENCY

EQ TREBLE FREQUENCY

NOT USED

NOT USED

NOT USED

NOT USED

NOT USED

NOT USED

NOT USED

NOT USED

-12 - +12 [dB]

-12 - +12 [dB]

32...2.0k [Hz]

500...16.0k [Hz]

--

--

--

--

--

--

0C

36

--

--

--

--

40

40

Default value

(H)

40

40

˝ depend on the note

40

40

40

40

˝

˝

˝

7F

00 depend on the note

01

40

3n rr 50

51

TOTAL SIZE

3n rr 60

61

TOTAL SIZE

1

1

2

1

1

2 n:Drum Setup Number (0 - 3) rr:note number (0D - 5B)

00 - 7F

30 - 50

30 - 50

HIGH PASS FILTER CUTOFF FREQUENCY -64...0...63

NOT USED

VELOCITY SENSE PITCH

VELOCITY SENSE LPF CUTOFF

-16...0...16

-16...0...16

˝

40

-depend on the note

In the following cases, the MU100 will initialize all Drum Setups.

XG SYSTEM ON received

GM SYSTEM ON received

DRUM SETUP RESET received (when in XG mode)

[Note]

When a part to which a Drum Setup is assigned receives a program change, the assigned Drum Setup will be initialized.

If the same Drum Setup is assigned to two or more parts, changes in Drum Setup parameters (including program changes) will apply to all parts to which it is assigned.

50

MU100 MIDI


< Table 1 - 12 >

MIDI Parameter Change table (PLUGIN BOARD)


(H)

70 tt nn

TOTAL SIZE

(H)

1

1

(H)

00 - 0F, 7F Part Assign

71 tt mm

TOTAL SIZE

1

1

00 - 0F, 7F Note Filter tt = Board type (00: PLG100-VL, 02: PLG100-DX...) nn = Serial Number mm = part number (00 - 0F)

Receives data only when a supported plug-in board is installed.

[XG]

Description

Part1...16, OFF

A1...A16, OFF

Default value

(H)

00

7F

< Table 2 - 1 >

Parmeter Bass Address

Model ID = 49 [MU native]

Parameter Description

Adress

(H) (M) (L)

MU100 SYSTEM 00 00 00 System

REMOTE SWITCH 0A 00 00 Remote Switch

MU80

INTERNAL

30 00 00 #1 Common

: :

PERFORMANCE 30 63 00 #100 Common

31 00 00 #1 Part1

: :

31 63 00 #100 Part1

32 00 00 #1 Part2

: :

32 63 00 #100 Part2

33 00 00 #1 Part3

: :

33 63 00 #100 Part3

34 00 00 #1 Part4

: :

34 63 00 #100 Part4

Remarks


Receives bulk dump only

< Table 2 - 2 >

MIDI Parameter Change table (MU100 SYSTEM)


(H)

00 00 00

01

02

03

04

05

06

07

08

09

TOTAL SIZE

(H)

1

1

1

1

1

1

1

1

1

1

0A

(H)

00 - 01

00 - 01

00 - 01

00 - 01

00 - 01

00 - 04

00 - 0F

28 - 58

00 - 07

00 - 07

MUTE LOCK

AD LOCK

EQ LOCK

Rcv GM EXCLUSIVE MESSAGE

Rcv BANK SELECT

BULK OUT INTERVAL TIME

PERFORMANCE SYSTEM CHANNEL 1...16

PERFORMANCE SYSTEM TRANSPOSE -24...0...+24 [semitone]

LCD CONTRAST

[MU native]

Description

OFF , ON

OFF , ON

OFF , ON

OFF , ON

OFF , ON

50, 100, 150, 200, 300

1...8

MULTI PORT NUMBER for MIDI OUT 1...8

00 00 10

TOTAL SIZE

1

1

00 - 01 DRUM EDIT Rcv NOTE OFF, ON

MU80 Performance Common INT

Address (H)

30 pp 00 pp 20 pp 70

Parameter

System

Effect

EQ pp:Performance#

00

40

01

00

00

01

01

02

Default value

(H)

00

00

01

00 00 12

TOTAL SIZE

1

1

00 - 01 VOICE MAP MU basic, MU100 Native 01

MU100 MIDI

51


30 pp 20 pp 21 pp 22 pp 23 pp 24 pp 25 pp 26 pp 27 pp 28 pp 29 pp 2A pp 2B pp 2C pp 2D pp 2E pp 2F pp 30 pp 31 pp 32 pp 33 pp 34 pp 35 pp 36 pp 37 pp 38 pp 39 pp 3A pp 3B pp 3C pp 3D

52

< Table 2 - 3 >

MIDI Parameter Change table(REMOTE SWITCH)


(H)

0A 00 00

01

02

03

04

05

06

07

08

09

0A

0B

0C

0D

0E

(H)

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

(H)

00-01

00-01

00-01

00-01

00-01

00-01

00-01

00-01

00-01

00-01

00-01

00-01

00-01

00-01

00-01

PLAY SWITCH

UTIL SWITCH

MODE SWITCH

EDIT SWITCH

EFFECT SWITCH

EQ SWITCH

MUTE/SOLO SWITCH

ENTER SWITCH

EXIT SWITCH

PART- SWITCH

SELECT- SWITCH

VALUE- SWITCH

PART+ SWITCH

SELECT+ SWITCH

VALUE+ SWITCH

TOTAL SIZE 0F

< Table 2 - 4 >

MIDI Parameter Change table (MU80, MU50 INTERNAL PERFORMANCE)


(H)

30 pp 00 pp pp 0D pp

0C

0E pp 0F

(H)

0C

01

01

01

01

(H)

20 - 7F

00 - 7F

01 - 7F

00 - 60

00 - 01

PERFORMANCE NAME

PERFORMANCE VOLUME

PERFORMANCE PAN

AC1 CC NUMBER

A/D INPUT

TOTAL SIZE 10

2

2

1

1

1

1

2

1

1

1

1

2

1

2

1

1

1

1

1

1

2

2

2

00-7F

00-7F

00-7F

00-7F

00-7F

00-7F

00-7F

01-7F

00-7F

00-7F

00-7F

00-7F

00-7F

00-7F

01-7F

00-7F

00-7F

00-7F

00-7F

00-7F

00-7F

00-7F

00-7F

00-7F

00-7F

00-7F

00-7F

00-7F

00-7F

00-7F

[MU native]

Description

OFF, ON

OFF, ON

OFF, ON

OFF, ON

OFF, ON

OFF, ON

OFF, ON

OFF, ON

OFF, ON

OFF, ON

OFF, ON

OFF, ON

OFF, ON

OFF, ON

OFF, ON

--

--

--

--

--

--

--

--

--

--

--

--

--

--

--

Default value

(H)

[MU native]


(H)

32...127 (ASCII CHARACTER) depends on performance number

0...127

˝

L63...C...R63 (1...64...127)

˝

0...95, CAT (96)

˝

OFF, ON

˝

REVERB TYPE MSB

REVERB TYPE LSB

REVERB PARAMETER 1

REVERB PARAMETER 2

REVERB PARAMETER 3

REVERB PARAMETER 4

REVERB PARAMETER 5

REVERB RETURN

REVERB PAN

CHORUS TYPE MSB

CHORUS TYPE LSB

CHORUS PARMETER 1

CHORUS PARMETER 2

CHORUS PARMETER 3

CHORUS PARMETER 4

CHORUS PARMETER 5

CHORUS RETURN

CHORUS PAN


VARIATION TYPE MSB

VARIATION TYPE LSB

VARIATION PARMETER 1 MSB

VARIATION PARMETER 1 LSB







VARIATION PARMETER 5 MSB refer to Effect Program List

˝

˝

˝

˝

˝

˝

˝

˝

˝

˝

˝

˝

˝

˝

˝

˝

-

∞Ω dB...0dB...+6dB (0...96...127) ˝

˝

L63...C...R63

˝ refer to Effect Program List

˝

˝

˝

˝

˝

˝

˝

˝

˝

˝

˝

˝

-

∞Ω dB...0dB...+6dB (0...96...127) ˝

˝

L63...C...R63

-

∞Ω dB...0dB...+6dB (0...96...127) ˝


˝

˝

˝

˝

˝

˝

˝

˝

˝

˝

˝

˝

˝

˝

˝

˝ depends on performance number

MU100 MIDI

pp 3E pp 3F pp 40 pp 41 pp 42 pp 43 pp 44 pp 45 pp 46 pp 47

2

1

1

1

1

1

1

1 pp 48 pp 49 pp 4A pp 4B pp 4C pp 4D pp 4E pp 4F pp 50

2

1

1

1

1

1

1

1

00-7F

00-7F

00-7F

00-7F

00-7F

00-7F

00-7F

00-7F

00-7F

00-7F

00-7F

00-7F

00-7F

01-7F

00-7F

00-7F

00-7F

00-01

00-7F



˝ ˝


˝

˝

˝


VARIATION RETURN

VARIATION PAN



˝ ˝

-

∞Ω dB...0dB...+6dB (0...96...127) ˝

L63...C...R63 (1...64...127)

˝

-

∞Ω dB...0dB...+6dB (0...96...127) ˝

-

∞Ω dB...0dB...+6dB (0...96...127) ˝

AC1 VARIATION CONTROL DEPTH 0...127

˝

VARIATION CONNECTION INSERTION , SYSTEM

VARATION PART Part1...4 (0...3)

˝

AD1, AD2 (64, 65)

OFF (127)

INSERTION EFFECT 1 TYPE MSB refer to Effect Program List

INSERTION EFFECT 1 TYPE LSB

˝

INSERTION EFFECT 1 PARAMETER1 ˝






INSERTION EFFECT 1 PART Part1...4 (0...3)

˝

˝

˝

˝

˝

˝

˝

˝

˝

AD1, AD2 (64, 65)

OFF (127)

TOTAL SIZE 31

(H)

30 pp 70 pp 71 pp 72 pp 73 pp 74 pp 75

TOTAL SIZE

1

1

1

06

(H)

1

1

1

3n pp 00

3n pp 01

3n pp 02

3n pp 03

3n pp 04

3n pp 05

3n pp 06

3n pp 07

3n pp 08

3n pp 09

3n pp 0A

3n pp 0B

3n pp 0C

3n pp 0D

3n pp 0E

3n pp 0F

3n pp 10

3n pp 11

3n pp 11

1

1

1

1

1

2

1

1

1

1

1

1

1

1

1

1

1

1

(H)

00 - 04

34 - 4C

34 - 4C

34 - 4C

34 - 4C

34 - 4C

00 - 7F

00 - 7F

00 - 7F

00, 01 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

28 - 58

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 0F

00 - 0F

EQ TYPE

EQ GAIN1

EQ GAIN2

EQ GAIN3

EQ GAIN4

EQ GAIN5

3n pp 13

3n pp 14

3n pp 15

3n pp 16

3n pp 17

3n pp 18

1

1

1

1

1

1

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F flat, jazz, pops, rock, concert

-12...0...+12 [dB]

-12...0...+12 [dB]

-12...0...+12 [dB]

-12...0...+12 [dB]

-12...0...+12 [dB]

˝

˝

˝

˝

˝

(H) depends on performance number

PROGRAM NUMBER 1...128

depends on performance number

BANK SELECT

VOLUME

PAN

DRY SEND LEVEL

CHORUS SEND

REVERB SEND

VARIATION SEND

NOTE SHIFT

0...127 (refer to XG voice map) ˝

0...127

˝

RND, L63...C...R63

˝

0...127

˝

0...127

˝

0...127

˝

0...127

˝

-24...0...+24 [semitones]

˝


˝

LOW PASS FILTER RESONANCE -64...0...+63

˝

EG ATTACK TIME -64...0...+63

˝

EG DECAY TIME -64...0...+63

˝

EG RELEASE TIME -64...0...+63

˝

VIBRATO RATE -64...0...+63

˝

VIBRATO DEPTH -64...0...+63

˝

VIBRATO DELAY -64...0...+63

˝

DETUNE

Rcv NOTE MESSAGE

-12.8...0...+12.7 [Hz]

1st bit3-0

→ bit7-4

2nd bit3-0

→ bit3-0

1st bit6: OFF, ON (0,1)

˝

MONO/POLY MODE

PORTAMENTO SWITCH



1st bit5: MONO, POLY (0,1)

* 1st bit4: OFF, ON (0,1)

0...127

0...127

˝

˝

˝



MW LFO PMOD DEPTH

MW LFO FMOD DEPTH

0...127

0...127

* 0...127

* 0...127

˝

˝

˝

MU100 MIDI

53


3n pp 19

3n pp 1A

3n pp 1B

3n pp 1C

3n pp 1D

3n pp 1E

3n pp 1F

3n pp 20

3n pp 21

3n pp 22

TOTAL SIZE

1

1

1

1

1

1

1

1

1

1

23

28 - 58

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

01 - 7F

01 - 7F

PITCH BEND CONTROL * -24...0...+24 [semitones]

AC1 LOW PASS FILTER CONTROL * -64...0...63

AC1 AMPLITUDE CONTROL * -100...0...+100 [%]

VELOCITY SENSE DEPTH 0...127


NOTE LIMIT LOW

NOTE LIMIT HIGH

PORTAMENTO TIME

VELOCITY LIMIT LOW

VELOCITY LIMIT HIGH

0...127

C-2...G8

C-2...G8

* 0...127

1...127

1...127

n: performance part number (01-04) pp: performance number (00-63)

Parameters marked by * will receive only the n=1 data as Common data, and will not receive the n = 2~4 data.

< Table 3 - 1 >

Parameter Base Address

Model ID = 59

Parameter Description

Adress

(H) (M) (L)

CURRENT 09 00 00 Part1

PERFORMANCE 09 01 00 Part2

INTERNAL

PERFORMANCE

09 02 00 Part3

09 03 00 Part4

0B 00 00 Common

0C 00 00 Insertion1 Effect

0C 01 00 Insertion2 Effect

30 00 00 #1 Part1

: :

30 63 00 #100 Part1

31 00 00 #1 Part2

: :

31 63 00 #100 Part2

32 00 00 #1 Part3

: :

32 63 00 #100 Part3

33 00 00 #1 Part4

: :

33 63 00 #100 Part4

40 00 00 #1 Common

: :

40 63 00 #100 Common

50 00 00 #1 Insertion1 Effect

: :



: :


60 00 00 #1 Plugin Board1

: :

60 63 00 #100 Plugin Board1

Remarks

Receives parameter change and parameter request only

Receives bulk dump and dump request only

˝

˝

˝

˝

˝

˝

˝

˝

˝

˝

Performance Common CUR

Address (H) Parameter

0B 00 00 System

00 20 Effect

00 70 EQ

Performance Common INT

Address (H) Parameter

40 pp 00 System pp 20 Effect pp 70 EQ pp:Performance#

54

MU100 MIDI


< Table 3 - 2 >

MIDI Parameter Change table (CURRENT PERFORMANCE)


(H)

09 0n 00

0n

0n 02

0n

0n 04

0n

0n 06

0n

0n 08

0n

0n 0A

0n

0n 0C

0n

0n 0E

0n

0n 10

0n

0n 12

0n

01

03

05

07

09

0B

0D

0F

11

13

(H)

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

2

(H)

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

28 - 58

00 - 01

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 0F

00 - 0F

PROGRAM NUMBER

NOT USED

VOLUME

PAN

DRY SEND LEVEL

CHORUS SEND

REVERB SEND

VARIATION SEND

NOTE SHIFT

Rcv NOTE MESSAGE (MUTE)



EG ATTACK TIME

EG DECAY TIME

EG RELEASE TIME

VIBRATO RATE

VIBRATO DEPTH

VIBRATO DELAY

[MU native]

Description

1...128

0...127

RND,L63...C...R63 (0, 1...64...127)

0...127

0...127

0...127

0...127

-24...0...+24 [semitones]

OFF , ON (0, 1)

-64...0...+63

-64...0...+63

-64...0...+63

-64...0...+63

-64...0...+63

-64...0...+63

-64...0...+63

0n

0n

0n

0n

0n

0n

0n

0n

0n

0n

0n

0n

0n

0n

0n

0n

14

15

16

17

18

19

1A

1B

1C

1D

1E

1F

20

21

22

23

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 01

00 - 7F

00 - 7F

00 - 7F

00 - 7F

01 - 7F

01 - 7F

00 - 7F

00 - 7F

04 - 28

1C - 3A

00 - 7F

DETUNE -12.8...0...+12.7[Hz]

1st bit3-0

→ bit7-4

2nd bit3-0

→ bit3-0

-64...0...+63 PITCH EG INITIAL LEVEL




MONO/POLY MODE



NOTE LIMIT LOW

NOTE LIMIT HIGH

VELOCITY LIMIT LOW

VELOCITY LIMIT HIGH

EQ BASS

EQ TREBLE

EQ BASS frequency

EQ TREBLE frequency

-64...0...+63

-64...0...+63

-64...0...+63

MONO , POLY (0, 1)

0...127

0...127

C-2...G8 (0...127)

C-2...G8 (0...127)

1...127

1...127

-64 ...0...+63 (-12 - +12 [dB])

-64 ...0...+63 (-12 - +12 [dB])

32...2.0k [Hz]

500...16.0k [Hz]

HIGH PASS FILTER CUTOFF FREQUENCY -64...0...+63

0n

0n

24

25

TOTAL SIZE

2

26

00 - 7F

00 - 7F

BANK SELECT MSB

BANK SELECT LSB

0...127

0...127

˝

˝

˝

˝

˝

˝

˝

˝

˝

˝

˝

˝

˝

˝

˝

˝

˝

˝

˝

˝

˝

˝

˝

˝

˝

˝

˝

˝

˝

˝

˝

˝

˝

˝

Default value


-depends on performance number n: performance part number

0B 00 00

0C

0D

0E

0F

10

11

12

13

14

15

16

17

TOTAL SIZE

01

01

01

01

01

18

01

01

01

01

0C

01

01

01

20 - 7F

00 - 7F

01 - 7F

00 - 60

00 - 01

00 - 7F

00 - 7F

28 - 58

00 - 7F

00 - 7F

00 - 7F

00 - 01

00 - 7F

(00-03)

PERFORMANCE NAME

PERFORMANCE VOLUME

PERFORMANCE PAN

AC1 CC NUMBER

A/D INPUT

MW LFO PMOD DEPTH

MW LFO FMOD DEPTH

BEND PITCH CONTROL


0...127

˝

L63...C...R63

˝

0...95, CAT

˝

OFF, ON

˝

0...127

˝

0...127

˝

-24..0..+24 [semitones]

˝

AC1 LOW PASS FILTER CONTROL -64 ...0...+63

˝

AC1 AMPLITUDE CONTROL -64 ...0...+63

˝

AC1 LFO FMOD DEPTH 0...127

˝

PORTAMENTO SWITCH OFF, ON (0, 1)

˝

PORTAMENTO TIME 0...127

˝

MU100 MIDI

55


2

2

1

1

1

1

2

1

1

1

1

2

1

2

1

1

1

1

1

1

2

2

1

1

1

1

1

1

1

2

2

3C

3D

3E

3F

38

39

3A

3B

34

35

36

37

30

31

32

33

0B 00 20

21

22

23

24

25

26

27

2C

2D

2E

2F

28

29

2A

2B

44

45

46

47

40

41

42

43

00-7F

00-7F

00-7F

00-7F

00-7F

00-7F

00-7F

00-7F

00-7F

01-7F

00-7F

00-7F

00-7F

00-7F

00-7F

00-7F

00-7F

00-7F

01-7F

00-7F

00-7F

00-7F

00-01

00-7F

01-7F

00-7F

00-7F

00-7F

00-7F

00-7F

00-7F

00-7F

00-7F

00-7F

00-7F

00-7F

00-7F

00-7F

00-7F

00-7F

TOTAL SIZE

0B 00 70

71

72

73

74

75

TOTAL SIZE

0C 00 00

01

02

03

04

05

06

07

08

09

2

2

2

2

2

1

1

06

1

1

1

1

28

00 - 04

34 - 4C

34 - 4C

34 - 4C

34 - 4C

34 - 4C

00-7F

00-7F

00-7F

00-7F

00-7F

00-7F

00-7F

00-7F

00-7F

00-7F

REVERB TYPE MSB

REVERB TYPE LSB

REVERB PARAMETER 1

REVERB PARAMETER 2

REVERB PARAMETER 3

REVERB PARAMETER 4

REVERB PARAMETER 5

REVERB RETURN

REVERB PAN

CHORUS TYPE MSB


VARIATION PART

˝

˝

˝

˝


˝

-

∞ dB...0dB...+6dB (0...96...127)

L63...C...R63

refer to Effect Program List

CHORUS TYPE LSB

CHORUS PARAMETER 1

˝

˝

CHORUS PARAMETER 2

CHORUS PARAMETER 3

˝

˝

CHORUS PARAMETER 4

CHORUS PARAMETER 5

CHORUS RETURN

CHORUS PAN


VARIATION TYPE MSB

˝

˝

-

∞ dB...0dB...+6dB (0...96...127)

L63...C...R63 (1...64...127)

-

∞ dB...0dB...+6dB (0...96...127) refer to Effect Program List

VARIATION TYPE LSB

˝


˝


˝


˝


˝


˝


˝


˝


˝


˝


˝

VARIATION PARAMETER 10 MSB ˝


VARIATION RETURN

˝

-

∞ dB...0dB...+6dB (0...96...127)

VARIATION PAN



L63...C...R63

-

∞ dB...0dB...+6dB (0...96...127)

-

∞ dB...0dB...+6dB (0...96...127)


INSERTION , SYSTEM

Part1...4 (0...3)

AD1, AD2 (64, 65)

OFF (127)

˝

˝

˝

˝

˝

˝

˝

˝

˝

˝

˝

˝

˝

˝

˝

˝

˝

˝

˝

˝

˝

˝

˝

˝

˝

˝

˝

˝

˝

˝

˝

˝

˝

˝

˝

˝

˝

˝


EQ TYPE

EQ GAIN1

EQ GAIN2

EQ GAIN3

EQ GAIN4

EQ GAIN5 flat, jazz, pops, rock, concert

-12...0...+12 [dB]

-12...0...+12 [dB]

-12...0...+12 [dB]

-12...0...+12 [dB]

-12...0...+12 [dB]

˝

˝

˝

˝




˝

INSERTION EFFECT 1 PARAMETER1 MSB ˝

INSERTION EFFECT 1 PARAMETER1 LSB ˝







˝

˝

˝

˝

˝

˝

˝

˝


56

MU100 MIDI


0A

0B

0C

0D

0E

2

2

1

00-7F

00-7F

00-7F

00-7F

00-7F






AD1, AD2 (64, 65)

OFF (127)

˝

˝

˝

˝

˝

TOTAL SIZE

0C 01 00

01

02

03

04

05

06

07

08

09

0A

0B

0C

0D

0E

0F

2

2

2

2

2

2

2

1

00-7F

00-7F

00-7F

00-7F

00-7F

00-7F

00-7F

00-7F

00-7F

00-7F

00-7F

00-7F

00-7F

00-7F

00-7F



˝














AD1, AD2 (64, 65)

OFF (127)

˝

˝

˝

˝

˝

˝

˝

˝

˝

˝

˝

˝

˝


TOTAL SIZE 0F

< Table 3 - 3 >

MIDI Parameter Change table (INTERNAL PERFORMANCE)


(H)

3n pp 00

3n pp 01

3n pp 02

3n pp 03

3n pp 04

3n pp 05

3n pp 06

3n pp 07

3n pp 08

3n pp 09

3n pp 0A

3n pp 0B

3n pp 0C

3n pp 0D

3n pp 0E

3n pp 0F

3n pp 10

3n pp 11

3n pp 12

3n pp 13

3n pp 14

3n pp 15

3n pp 16

3n pp 17

3n pp 18

3n pp 19

3n pp 1A

(H)

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

2

1

1

1

1

1

1

1

1

(H)

00 - 7F

00 - 7F

00 - 7F

“00,01-7F”

00 - 7F

00 - 7F

00 - 7F

00 - 7F

28 - 58

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 0F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

00 - 7F

PROGRAM NUMBER

BANK SELECT

VOLUME

PAN

DRY SEND LEVEL

CHORUS SEND

REVERB SEND

VARIATION SEND

NOTE SHIFT


EG ATTACK TIME

EG DECAY TIME

EG RELEASE TIME

VIBRATO RATE

VIBRATO DEPTH

VIBRATO DELAY

DETUNE

Rcv NOTE MESSAGE

MONO/POLY MODE







NOTE LIMIT LOW

NOTE LIMIT HIGH

[MU native]

Description

1...128

0...127

0...127

RND, L63...C...R63

0...127

0...127

0...127

0...127

-24...0...+24 [semitones]


-64...0...+63

-64...0...+63

-64...0...+63

-64...0...+63

-64...0...+63

-64...0...+63

-64...0...+63

-12.8...0...+12.7 [Hz]

1st bit3-0

→ bit7-4

2nd bit3-0

→ bit3-0

1st bit6: OFF, ON (0, 1)

1st bit5: MONO, POLY (0, 1)

0...127

0...127

0...127

0...127

0...127

0...127

C-2...G8

C-2...G8

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˝

˝

˝

˝

˝

˝

˝

˝

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˝

˝

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˝

˝

˝

˝

Default value


MU100 MIDI

57


40 pp 00 pp 0C pp 0D pp 0E pp 0F pp 10 pp 11 pp 12 pp 13 pp 14 pp 15 pp 16 pp 17

TOTAL SIZE

01

01

01

01

01

18

01

01

01

01

0C

01

01

01 pp 30 pp 31 pp 32 pp 33 pp 34 pp 35 pp 36 pp 37 pp 38 pp 39 pp 3A pp 3B pp 3C pp 3D pp 3E pp 3F

40 pp 20 pp 21 pp 22 pp 23 pp 24 pp 25 pp 26 pp 27 pp 28 pp 29 pp 2A pp 2B pp 2C pp 2D pp 2E pp 2F

1

1

1

1

2

1

1

1

1

2

2

2

2

2

2

2

1

2

1

1

1

1

1

1

3n pp 1B

3n pp 1C

3n pp 1D

3n pp 1E

3n pp 1F

3n pp 20

3n pp 21

TOTAL SIZE

1

1

1

22

1

1

1

1

01 - 7F

01 - 7F

00 - 7F

00 - 7F

04 - 28

1C - 3A

00 - 7F

3n pp 30

3n pp

TOTAL SIZE

2

2 n: performance part number pp:performance number

00 - 7F

00 - 7F

20 - 7F

00 - 7F

01 - 7F

00 - 60

00 - 01

00 - 7F

00 - 7F

28 - 58

00 - 7F

00 - 7F

00 - 7F

00 - 01

00 - 7F

00-7F

00-7F

00-7F

00-7F

00-7F

00-7F

00-7F

00-7F

00-7F

01-7F

00-7F

00-7F

00-7F

00-7F

00-7F

00-7F

01-7F

00-7F

00-7F

00-7F

00-7F

00-7F

00-7F

00-7F

00-7F

00-7F

00-7F

00-7F

00-7F

00-7F

00-7F

00-7F

58

VELOCITY LIMIT LOW

VELOCITY LIMIT HIGH

EQ BASS

EQ TREBLE

1...127

1...127

-64 ...0...+63 (-12 - +12 [dB])

-64 ...0...+63 (-12 - +12 [dB])

EQ BASS frequency

EQ TREBLE frequency

32...2.0k [Hz]

500...16.0k [Hz]

HIGH PASS FILTER CUTOFF FREQUENCY -64...0...+63

˝

˝

˝

˝

˝

˝

˝

BANK SELECT MSB

BANK SELECT LSB

0...127

0...127


(00-03)

(00-63)

PERFORMANCE NAME

PERFORMANCE VOLUME

PERFORMANCE PAN

AC1 CC NUMBER

A/D INPUT

MW LFO PMOD DEPTH

MW LFO FMOD DEPTH

BEND PITCH CONTROL

AC1 FILTER CONTROL

AC1 AMPLITUDE CONTROL

AC1 LFO FMOD DEPTH

PORTAMENTO SWITCH

PORTAMENTO TIME


0...127

˝

L63...C...R63 (1...64...127)

0...95, CAT

˝

˝

OFF, ON

˝

0...127

0...127

˝

˝

-24..0..+24 [semitones]

˝

-64 ...0...+63

-100...0...+100 [%]

˝

˝

0...127

˝

OFF, ON (0, 1)

0...127

˝

˝

REVERB TYPE MSB

REVERB TYPE LSB

REVERB PARAMETER 1

REVERB PARAMETER 2

REVERB PARAMETER 3

REVERB PARAMETER 4

REVERB PARAMETER 5

REVERB RETURN

REVERB PAN

CHORUS TYPE MSB

CHORUS TYPE LSB

CHORUS PARMETER 1

CHORUS PARMETER 2

CHORUS PARMETER 3

CHORUS PARMETER 4

CHORUS PARMETER 5

CHORUS RETURN

CHORUS PAN


VARIATION TYPE MSB

VARIATION TYPE LSB












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˝

˝

˝

˝


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˝

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˝

˝

-

∞ dB...0dB...+6dB (0...96...127)

L63...C...R63

refer to Effect Program List

˝

˝

˝

˝

˝

˝

-

∞ dB...0dB...+6dB (0...96...127)

L63...C...R63

-

∞ dB...0dB...+6dB (0...96...127) refer to Effect Program List

˝

˝

˝

˝

˝

˝

˝

˝

˝

˝

˝

˝

˝

˝

˝

˝

˝

˝

˝

˝

˝

˝

˝

˝

˝

˝

˝

˝

˝

˝


MU100 MIDI


VARIATION RETURN

VARIATION PAN



˝

-

∞ dB...0dB...+6dB (0...96...127)

L63...C...R63 (1...64...127)

-

∞ dB...0dB...+6dB (0...96...127)

-

∞ dB...0dB...+6dB (0...96...127)



VARATION PART

INSERTION, SYSTEM

Part1...4 (0...3)

AD1, AD2 (64, 65)

OFF (127)

˝

˝

˝

˝

˝

˝

˝

˝

MIDI data format pp 40 pp 41 pp 42 pp 43 pp 44 pp 45 pp 46 pp 47

1

1

1

1

1

1

1

00-7F

00-7F

01-7F

00-7F

00-7F

00-7F

00-01

00-7F

TOTAL SIZE

40 pp 70 pp 71 pp 72 pp 73 pp 74 pp 75

TOTAL SIZE

50 pp 00 pp 01 pp 02 pp 03 pp 04 pp 05 pp 06 pp 07 pp 08 pp 09 pp 0A pp 0B pp 0C pp 0D pp 0E

28

1

1

06

1

1

1

1

2

2

2

2

2

1

2

2

00 - 04

34 - 4C

34 - 4C

34 - 4C

34 - 4C

34 - 4C

00-7F

00-7F

00-7F

00-7F

00-7F

00-7F

00-7F

00-7F

00-7F

00-7F

00-7F

00-7F

00-7F

00-7F

00-7F

TOTAL SIZE

51 pp 00 pp 01 pp 02 pp 03 pp 04 pp 05 pp 06 pp 07 pp 08 pp 09 pp 0A pp 0B pp 0C pp 0D pp 0E

0F

2

2

2

2

2

2

2

1

00-7F

00-7F

00-7F

00-7F

00-7F

00-7F

00-7F

00-7F

00-7F

00-7F

00-7F

00-7F

00-7F

00-7F

00-7F

TOTAL SIZE 0F

60 pp 00

TOTAL SIZE

64

64 pp: performance number

00-7F

EQ TYPE

EQ GAIN1

EQ GAIN2

EQ GAIN3

EQ GAIN4

EQ GAIN5 flat, jazz, pops, rock, concert

-12...0...+12 [dB]

-12...0...+12 [dB]

-12...0...+12 [dB]

-12...0...+12 [dB]

-12...0...+12 [dB]

˝

˝

˝

˝




˝














AD1, AD2 (64, 65)

OFF (127)

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˝

˝

˝

˝

˝

˝

˝

˝

˝




˝














AD1, AD2 (64, 65)

OFF (127)

˝

˝

˝

˝

˝

˝

˝

˝

˝

˝

˝

˝

˝


PLUGIN BOARD 1 PARAMETER depends on Plugin Board

(00-63) depends on performance number

MU100 MIDI

59

MIDI implementation chart

MIDI implementation chart

60

MU100 MIDI

MIDI implementation chart o(120,126,127) o(121) x o(123-125) o x x x x x x x

MU100 MIDI

61

XG Voice List

(Normal voices)

Bank Select LSB=Bank number

Jazz Gtr 1

CleanGtr 1

Mute Gtr 1

Ovrdrive 1

Dist.Gtr 1

GtrHarmo 1

Aco.Bass 1

FngrBass 1

PickBass 1

Fretless 1

SlapBas1 1

SlapBas2 1

SynBass1 1

SynBass2 2

Violin 1

Viola 1

Cello 1

Contrabs 1

Trem.Str 1

Pizz.Str 1

Harp 1

Timpani 1

Strings1 1

Strings2 1

Syn Str1

Syn Str2

ChoirAah 1

2

2

VoiceOoh 1

SynVoice 1

Orch.Hit 2

Trumpet 1

Trombone 1

Tuba 1

Mute Trp 1

Fr. Horn 1

BrssSect 1

SynBrss1 2

SynBrss2 1

0

0

MU100

Basic

E

GrandPno 1

BritePno 1

El.Grand 2

HnkyTonk 2

E.Piano1 2

E.Piano2 2

Harpsi. 1

Clavi 2

Celesta 1

Glocken 1

MusicBox 2

Vibes 1

Marimba 1

Xylophon 1

TubulBel 1

Dulcimer 1

DrawOrgn 1

PercOrgn 1

RockOrgn 2

ChrchOrg 2

ReedOrgn 1

Acordion 2

Harmnica 1

TangoAcd 2

NylonGtr 1

SteelGtr 1

27

28

29

30

31

32

Bass 33

34

35

36

37

38

39

40

Strings 41

42

43

44

45

46

47

48

Ensemble 49

50

51

52

53

54

55

56

Brass 57

58

59

60

61

62

63

64

Bank Select MSB

Bank Select LSB

Instrument

Group

Pgm #

(1-128)

Piano 1

2

Chromatic 9

Percussion 10

3

4

5

6

7

8

11

12

13

14

15

16

Organ 17

18

19

20

21

22

23

24

Guitar 25

26

† JazzGtr# 2

† MuteGtr# 2

† Ovrdriv#

† DistGtr#

2

1

† AcoBass# 1

† FngrBa # 1

† Frtless# 1

† SlapBa1# 2

† SlapBa2# 2

† Violin # 1

† TremStr# 2

† Strngs1#

† Strngs2#

1

1

0

0

MU100

Native

E

† GrandP # 1

† BriteP # 1

† EPiano1# 2

† EPiano2# 1

† Clavi # 2

† DrawOrg# 2

† PercOrg# 2

† RockOrg# 2

† TangoAc# 2

† NylonGt# 1

† SteelGt# 1

† Trumpet# 1

† Trmbone# 1

† MuteTrp# 2

† BrssSec# 2

Key Scale Panning Stereo

0

1

0

3

E E

Single

0

6

E

† StBrtPno 2

† StDrawOr 2

S.Strngs 2

S.SlwStr 2

S.Choir

2

StBrsSec *** 2

MelloSBa 1

FrHrSolo 1

Continued on page 76

GrndPnoK 1

BritPnoK 1

ElGrPnoK 2

HnkyTnkK 2

El.Pno1K 1

El.Pno2K 1

Harpsi.K 1

Clavi K 1

Vibes K 1

MarimbaK 1

Slow

0

8

E

Slow Vln 1

SlwTrStr 1

Slow Str 1

LegatoSt 2

2 † Memory

Fast Decay

0

12

DstRthmG ** 2

Seq Bass 2

LoFi Hit *** 2

Quack Br 2

† ChoEPDcy 2

E

**

***

†

: Same as Bank 0

: MU80 Extension

: MU90 Extension

: MU100 Extension

E: Number of elements

62

Double Attack

0

14

Bright 1

0

16

Bright 2

0

17

Dark 1

0

18

Dark 2

0

19

Resonant

0

20

LFO-Cutoff Freq

0

21

E E E E E

† BrtSlpSp 2

Ch.Aahs2 2

Trumpet2 1

Tuba 2 1

NylonGt2 1

SteelGt2 1

† SfzStrgs 1

SfrzndBr ** 2

FingrDrk 2

SynBa1Dk 1

ClkSynBa 2

† Zephyr 2

Trmbone2 2

MildBrss *** 2

Soft Brs 2

MelloGrP 1

MelloEP1 2

MelloGtr 1

BriteTrp 2


SynBa2Dk 1

E E

† CsmicSlp 2

2 † TL66

† TradeWnd 2

FastResB 1

RezSynBr 2

† ResoBrtP 1

63

XG Voice List

(Normal voices)


ReedOrgn 1

Acordion 2

Harmnica 1

TangoAcd 2

NylonGtr 1

SteelGtr 1

Jazz Gtr 1

CleanGtr 1

Mute Gtr 1

Ovrdrive 1

Dist.Gtr 1

GtrHarmo 1

Aco.Bass 1

FngrBass 1

PickBass 1

Fretless 1

SlapBas1 1

SlapBas2 1

SynBass1 1

SynBass2 2

Violin 1

Viola 1

Cello 1

Contrabs 1

Trem.Str 1

Pizz.Str 1

Harp 1

Timpani 1

Strings1 1

Strings2 1

Syn Str1

Syn Str2

2

2

0

0

MU100

Basic

E

GrandPno 1

BritePno 1

El.Grand 2

HnkyTonk 2

E.Piano1 2

E.Piano2 2

Harpsi. 1

Clavi 2

Celesta 1

Glocken 1

MusicBox 2

Vibes 1

Marimba 1

Xylophon 1

TubulBel 1

Dulcimer 1

DrawOrgn 1

PercOrgn 1

RockOrgn 2

ChrchOrg 2

ChoirAah 1

VoiceOoh 1

SynVoice 1

Orch.Hit 2

Trumpet 1

Trombone 1

Tuba 1

Mute Trp 1

Fr. Horn 1

BrssSect 1

SynBrss1 2

SynBrss2 1

29

30

31

32

Bass 33

34

35

36

37

38

39

40

Strings 41

42

43

44

45

46

47

48

Ensemble 49

50

51

52

53

54

55

56

Brass 57

58

59

60

61

62

63

64

Bank Select MSB

Bank Select LSB

Instrument

Group

Pgm #

(1-128)

Piano

3

4

1

2

8

Chromatic 9

Percussion 10

5

6

7

11

12

13

14

15

16

Organ 17

18

19

20

21

22

23

24

Guitar 25

26

27

28

Vel-cutoff freq Attack

0

22

E

0

24

E

Release

0

25

E

† Wah Slap 2

2 † Zealot


Arco Str

DistGtr2 ** 2

AcidBass 1

2

PolyBrss 2

70sPcOr1 2

Harpsi.2 2

NylonGt3 2

Sweep

0

26

**

***

†

: Same as Bank 0

: MU80 Extension

: MU90 Extension

: MU100 Extension

E

Resonant Sweep

0

27

E

Reso Str

FlangeBa 2

ResoSlap 1

ResoBass *** 1

2

SynBrss3 2

ClaviWah 2


64

Muted

0

28

E

Complex-FEG

0

29

E

Detune 1

0

32

E

Detune 2

0

33

E

Detune 3

0

34

E

Octave 1

0

35

E

Octave 2

0

36

E

† SlwAttck

† AnalgSfz

MutePkBa 1

† MtdPulsB 1 1

2

† FngrBaDt 2

Fretles2 2

PunchThm 2

SmthSynB 2

MelChoir 2

Warm Trp 2

FrHorn 2 1

JumpBrss 2

† DtndBrtP 2

Det.CP80 2

Chor.EP1 2

Chor.EP2 2

DetDrwOr 2

DetPrcOr 2

ChurOrg3 2

† ReedOrDt 2

AccordIt 2

Harmo. 2 2

† NylnGtDt 2

† StlGtrDt 2

Jazz Amp 2

ChorusGt 2

† OdrvGtDt 2


Fretles4 2

DXLegend 2

60sDrOr2 2

† ChoGtrLt 2

Fretles3 2

DX Hard 2

60sDrOr1 2

Lite Org 2

PowerGt2 ** 2

Tp&TbSc2 *** 2

DrawOrg2 2

Clv Bass 2

† Pizz Oct 2

60sStrng 2

Syn Str3 ** 2

OrchHit2 2

Tp&TbSec 2

† Synth CP 2

Harpsi.3 2

Dulcimr2 2

70sDrOr1 2

ChurOrg2 2

12StrGtr 2

DistGtr3 ** 2

65

XG Voice List

(normal voices)


5th 1 5th 2 Bend

Jazz Gtr 1

CleanGtr 1

Mute Gtr 1

Ovrdrive 1

Dist.Gtr 1

GtrHarmo 1

Aco.Bass 1

FngrBass 1

PickBass 1

Fretless 1

SlapBas1 1

SlapBas2 1

SynBass1 1

SynBass2 2

Violin 1

Viola 1

Cello 1

Contrabs 1

Trem.Str 1

Pizz.Str 1

Harp 1

Timpani 1

Strings1 1

Strings2 1

Syn Str1

Syn Str2

ChoirAah 1

2

2

VoiceOoh 1

SynVoice 1

Orch.Hit 2

Trumpet 1

Trombone 1

Tuba 1

Mute Trp 1

Fr. Horn 1

BrssSect 1

SynBrss1 2

SynBrss2 1

0

0

MU100

Basic

E

GrandPno 1

BritePno 1

El.Grand 2

HnkyTonk 2

E.Piano1 2

E.Piano2 2

Harpsi. 1

Clavi 2

Celesta 1

Glocken 1

MusicBox 2

Vibes 1

Marimba 1

Xylophon 1

TubulBel 1

Dulcimer 1

DrawOrgn 1

PercOrgn 1

RockOrgn 2

ChrchOrg 2

ReedOrgn 1

Acordion 2

Harmnica 1

TangoAcd 2

NylonGtr 1

SteelGtr 1

27

28

29

30

31

32

Bass 33

34

35

36

37

38

39

40

Strings 41

42

43

44

45

46

47

48

Ensemble 49

50

51

52

53

54

55

56

Brass 57

58

59

60

61

62

63

64

Bank Select MSB

Bank Select LSB

Instrument

Group

Pgm #

(1-128)

Piano 1

2

Chromatic 9

Percussion 10

3

4

5

6

7

8

11

12

13

14

15

16

Organ 17

18

19

20

21

22

23

24

Guitar 25

26

0

37

E

0

38

E

0

39

E

PowerGt1 ** 2

HornOrch 2

60sDrOr3 2

PercOrg2 2

2

2


Dst.5ths **

Even Bar

† Monarchy 2

† WormHole 2

† Gasp 2

BrssFall ** 1

Tutti 1

0

40

E

Tutti 2

0

41

E

PianoStr 2

† SyPadPno 2

LayerCP1 2

HardEl.P 2

DX Phase

† ElHarpsi

† CsmcClav 2

2

2

16+2"2/3 2

NotreDam 2

Puff Org 2

† Wayside 2

Nyln&Stl 2

† OrganGtr 2

FunkGtr1 2

† Parallel 2

FeedbkGt 2

JazzRthm 2

Ba&DstEG 2

† PkB&MtGt 2

TechnoBa 2

ModulrBa 2

† Unison 2

† VlaDoubl 2

Susp.Str 2

† Sleep 2

YangChin 2

Orchestr 2

Warm Str 2

GrandPad *** 2

ChoirStr 2

SyVoice2 2

† Throne 2

† Backyard 2

BrssSec2 2

SyBrsSub *** 2

SynBrss4 2

† OctPlate 2

MuteStlG 2

FeedbkG2 2

† PckAcoBa 2

† Kik'n'Ba

DX Bass

2

2

Orchstr2 2

Kingdom 2

† SweepStr 2

† Dead Sea 2

Choral 2

Hi Brass 2

ChoirBrs 2

Dream 2

LayerCP2 2

DX+Analg 2

Stl&Body 2

**

***

†

: Same as Bank 0

: MU80 Extension

: MU90 Extension

: MU100 Extension


66

Tutti 3

0

42

E

Velocity Switch

0

43

E

Velocity Cross Fade Detune 4

0

45

0

48

E E

Tutti 4

0

52

E

Tutti 5

0

53

E

Tutti 6

0

54

E

† Roll&Hit

FunkGtr2 2

Gt.Pinch 2

RckRthm2 ** 2

† Blink Ba 2

FngrSlap 2

VeloSlap 2

2

VelGtHrm 2

† TwinDist 2

† NEP 2

† DXBa Brt 2

TremOrch 2

† SwpStOct 2

MelloBrs 2

† AnHrnRch 2

DXKotoEP 2 † ChoEP K 2

Velo.Str

VXUprght 2

FngBass2 2

2

AnVelBr1 2

AnVelBr2 2

VX El.P1

VX El.P2

HardVibe 2

2

2

Jazz Man 1

RckRthm1 ** 2


† Lento

† Bund

† DXMallet 2

2

2 † FkHrnOct 2 † FakeHorn 2

67

XG Voice List

(Normal voices)


Other Waves 1

Jazz Gtr 1

CleanGtr 1

Mute Gtr 1

Ovrdrive 1

Dist.Gtr 1

GtrHarmo 1

Aco.Bass 1

FngrBass 1

PickBass 1

Fretless 1

SlapBas1 1

SlapBas2 1

SynBass1 1

SynBass2 2

Violin 1

Viola 1

Cello 1

Contrabs 1

Trem.Str 1

Pizz.Str 1

Harp 1

Timpani 1

Strings1 1

Strings2 1

Syn Str1 2

Syn Str2 2

ChoirAah 1

0

0

MU100

Basic

E

GrandPno 1

BritePno 1

El.Grand 2

HnkyTonk 2

E.Piano1 2

E.Piano2 2

Harpsi. 1

Clavi 2

Celesta 1

Glocken 1

MusicBox 2

Vibes 1

Marimba 1

Xylophon 1

TubulBel 1

Dulcimer 1

DrawOrgn 1

PercOrgn 1

RockOrgn 2

ChrchOrg 2

ReedOrgn 1

Acordion 2

Harmnica 1

TangoAcd 2

NylonGtr 1

SteelGtr 1

VoiceOoh 1

SynVoice 1

Orch.Hit 2

Trumpet 1

Trombone 1

Tuba 1

Mute Trp

Fr. Horn

1

1

BrssSect 1

SynBrss1 2

SynBrss2 1

27

28

29

30

31

32

Bass 33

34

35

36

37

38

39

40

Strings 41

42

43

44

45

46

47

48

Ensemble 49

50

51

52

53

Bank Select MSB

Bank Select LSB

Instrument

Group

Pgm #

(1-128)

Piano 1

2

Chromatic 9

Percussion 10

3

4

5

6

7

8

11

12

13

14

15

16

Organ 17

18

19

20

21

22

23

24

Guitar 25

26

54

55

56

Brass 57

58

59

60

61

62

63

64

0

64

E

Other Waves 2 Other Waves 3 Other Waves 4 Other Waves 5

0

65

E

0

66

E

† SuperJzM 1

CleanGt2 ** 1

† Wrench 1

† ManhttnM 1

† Bite 1

AcoHarmo ** 1

† Boston 1

Jazzy Ba ** 1

† HardPick 1

† PwrFrtls 1

Slapper *** 1

Orbiter 2

X WireBa 2

† Cadenza

† Sonata

1

1

† Fear 1

† ConGrnd 1

† BrConGrd 1

60sEl.P1 1

† Shrakawa 2

† SynHrpsi 2

PulseClv 1

† FMCelsta 1

Orgel 2

SineMrmb 2

Organ Ba 1

JazOrgan *** 1

RotaryOr 2

OrgFlute 2

† SyReedDk 2

TngoAcd2 2

† EsGuitar

† Nashvlle

1

1

† SprStrng

70s Str

Syn Str4

† Hope 2

StrngAah ** 1

1

1

2

VoiceDoo ** 1

AnaVoice 1

Impact 2

Dark Trp *** 1

BrghtTrb *** 1

MuteTrp2 ** 1

† Syn Horn 1

† SprBrass 2

AnaBrss1 2

AnaBrss2 2


† SuperJzB 1

MidT.Gtr *** 1

† WrenchHv 1

† ManhttnB 1

† Bite Res 1

GtFeedbk 1

† BostnBrt 1

Mod.Bass 2

† HrdPikRs 2

† PwrFrtlR 1

Thum&Slp *** 2

Sqr.Bass 2

AtkPulse *** 1

† CadenzDk 1

† Fear Dtd 2

† SprStrSt 2

Strings3 1

Syn Str5 2

† Virgo 2

Male Aah ** 1

† Hmn

† Aspirate

BrssStab ** 2

1

1

DrkTpSft *** 1

MellowTb *** 1

† Bkstairs 1

† SprBrCut 1

† SynthThn 1

† Soft Cut 1

† ConGrndK 1

† BrConGrK 1

† Old EP 1

† OldEP Tn 2

PierceCl 2

† SmalOrgl 2

70sDrOr2 2

WarmJzOr *** 2

SloRotar 2

TrmOrgFl 2

† TightAcd 1

† EsGtrHrd 1

† NashvllR 1

† SuperJzD 2

MidTGtSt *** 1

† WrnchDbl 2

† ManhttnD 2

† Bite Dtd 2

GtrHrmo2 1

† Coolth

† Chase

† PkBass + 2

1

1

† TalkinBa

† GltzySlp

1

2

RubberBa 2

CS Light *** 1

† Apoclyps 2

† Triste

† Solitude

† Platinum

† Scroll

1

2

1

2

† DblConGr 2

† MIDIGrd3 2

† Tribecca 1

1 † Flips

† ClrClavi 1

CheezOrg 2

ClikOrgn *** 2

FstRotar 2

† TghtAcdD 2

† EsGtMllo 1

† Nashvl12 2

† WrlChoir 2

† AsprateD 2

DoublHit ** 2

† Soft Trp

† JJJ

1

1

† SprBrBlw 2

† SyncBrss 1

† AnaHornS 2

0

67

E

0

68

E

† EsGtrDcy 1

† SuperJzR 1

NasalGtr *** 1

† Tin 2

† ManhttnP 2

† Bite + 2

† Shimla 2

† Coolth B 1

† ChaseRes 1

† NoizFrtl

† FM Slap

Fish *** 1

MetlBass *** 1

2

1

† MIDIGrd1 2

† MIDIGrd4 2

† Diploid1 2

† FlipsDtd 2

† SwpClavi 1

DrawOrg3 2

† Grace 2

2 † GlaclRtr

† Basso

† Fate

2

1

† OctavPWM 2

† Scroll + 2

† Facula 2

BrStab80 ** 2

1 † Blow

† Pwrd Sfz 2

† SyncBrSt 2

† MIDIGrd2 2

† OldPiano 2

† Flops 1

1 † Flicks

† SynClavi 1

StdiumOr *** 1

† CrnGrace 2

† Thulium

† Taurus

Bass Hit *** 1

2 † Blow Dbl

1

2

† PwrSfzBr 2

† AnaHorn1 1

† DX JzGtr 1

NaslGtSt *** 2

† Burnout 2

† BlueBass 1

† FMSlpDtd 2

HardReso *** 1

† FrcOscBa 1

**

***

†

: Same as Bank 0

: MU80 Extension

: MU90 Extension

: MU100 Extension


68

Other Waves 6 Other Waves 7 Other Waves 8 Other Waves 9 Other Waves 10 Other Waves 11 Other Waves 12

0

69

0

70

0

71

0

72

0

73

0

74

0

75

E E E E E E E

† Bombay S 2

† Pluto

† Cubit +

1

2

† Brook St

2 † Leo

2

† FlopsDtd

† BrightDX

† GtrClavi 2

GospelOr *** 1

† Dusk 2

† PulsJazz 1

† Hammer B 1

2

1

6th Hit *** 1

† Tnr&Trp 2

† AnHrnOct 2

† Hammer M 1

2 † Bombay

† Wah Saw 1

† Cubit 1

† Brook

† Frost

BassHit+ *** 2

1

2

† Alto&Trp 2

† AnaHorn2 1

† Soho

† FliksDtd

† SprClavi

1

2

StdiumO2 *** 2

† DimClick 2

† DXJzGt D 2 † RghcastM 1

† HammerSt 2

† Stimuli 1

† KeelPwrd 2

† Brooklyn 1

† Kitayama 2

† HrdyPlk+ 2

ChapelOr *** 2

† Spoony 1

Euro Hit *** 1

† VagueBro 2

† Pluto +

† Keel

† RghcastN 1

† Hammer D 2

† Jaipur 2

2

1

† Diploid2 2

† BrtDXDtd 2

† HardyPlk 1

ClkGsplO *** 2

† FM Click 1

† SolPlexs 2

6thHit + *** 2

† BrssBros 2

† SawBrPwr 2


† FMChoGtr 2

† RunPulse 1

† PlnPulse 2

† Diploid3

† Turnpik1

† FMClavDb 2

2

2

† DimChors 2

† SprRotry 2

EuroHit+ *** 2

† Node 1

† PwrPulsB 1

† Nasal DX 1

† Cerritos 1

† Mellorgn 2

† BeepOrgn 1

† PeskyGtr 1

TalkPuls 1

PwrdPuls 1

Blowout 2

PhunkyDX 2

Turnpik2 2

Dawn 1

LoFiOrgn 2

FMChoGtS 2

69

XG Voice List

(Normal voices)


Other Waves 13 Other Waves 14 Other Waves 15 Other Waves 16 Other Waves 17

Jazz Gtr 1

CleanGtr 1

Mute Gtr 1

Ovrdrive 1

Dist.Gtr 1

GtrHarmo 1

Aco.Bass 1

FngrBass 1

PickBass 1

Fretless 1

SlapBas1 1

SlapBas2 1

SynBass1 1

SynBass2 2

Violin 1

Viola 1

Cello 1

Contrabs 1

Trem.Str 1

Pizz.Str 1

Harp 1

Timpani 1

Strings1 1

Strings2 1

Syn Str1 2

Syn Str2 2

ChoirAah 1

0

0

MU100

Basic

E

GrandPno 1

BritePno 1

El.Grand 2

HnkyTonk 2

E.Piano1 2

E.Piano2 2

Harpsi. 1

Clavi 2

Celesta 1

Glocken 1

MusicBox 2

Vibes 1

Marimba 1

Xylophon 1

TubulBel 1

Dulcimer 1

DrawOrgn 1

PercOrgn 1

RockOrgn 2

ChrchOrg 2

ReedOrgn 1

Acordion 2

Harmnica 1

TangoAcd 2

NylonGtr 1

SteelGtr 1

VoiceOoh 1

SynVoice 1

Orch.Hit 2

Trumpet 1

Trombone 1

Tuba 1

Mute Trp

Fr. Horn

1

1

BrssSect 1

SynBrss1 2

SynBrss2 1

27

28

29

30

31

32

Bass 33

34

35

36

37

38

39

40

Strings 41

42

43

44

45

46

47

48

Ensemble 49

50

51

52

53

Bank Select MSB

Bank Select LSB

Instrument

Group

Pgm #

(1-128)

Piano 1

2

Chromatic 9

Percussion 10

3

4

5

6

7

8

11

12

13

14

15

16

Organ 17

18

19

20

21

22

23

24

Guitar 25

26

54

55

56

Brass 57

58

59

60

61

62

63

64

0

76

E

0

77

E

0

78

E

† NaslDXDt 2

1 † Sunset

† Fuzzorgn 2

† Belief 2

† ClaviGtr

† Stainer 1

† Pwrd Saw 1

2

† StainAtk

† Din

† Soft DX

† FMO 1

† SnapOrgn 1

2

2

1


1

† SweepSqr 1

† Reso DX

0

79

E

0

80

E

† Stinks

† ShvrngDX 1

1 † SwpSqr + 2

† PiercnDX 2

**

***

†

: Same as Bank 0

: MU80 Extension

: MU90 Extension

: MU100 Extension


70


0

81

0

82

0

83

0

84

0

85

0

86

0

87

E E E E E E E

1

† Reso Sqr 1

† RattlnDX

† StnksRes 1

† ShvrnDX+ 1

† Zinc

† TinkerDX 1

2 † Dagger

† RatlnDX+ 2

1


† SweePWM 2

† TinkrDX+ 2

† Slow Wah 1 † SwPWM St 2

71

XG Voice List

(Normal voices)


Other Waves 25 Other Instrument 1 Other Instrument 2 Other Instrument 3 Other Instrument 4

0

96

0

97

0

98

0

99

Jazz Gtr 1

CleanGtr 1

Mute Gtr 1

Ovrdrive 1

Dist.Gtr 1

GtrHarmo 1

Aco.Bass 1

FngrBass 1

PickBass 1

Fretless 1

SlapBas1 1

SlapBas2 1

SynBass1 1

SynBass2 2

Violin 1

Viola 1

Cello 1

Contrabs 1

Trem.Str 1

Pizz.Str 1

Harp 1

Timpani 1

Strings1 1

Strings2 1

Syn Str1 2

Syn Str2 2

ChoirAah 1

0

0

MU100

Basic

E

GrandPno 1

BritePno 1

El.Grand 2

HnkyTonk 2

E.Piano1 2

E.Piano2 2

Harpsi. 1

Clavi 2

Celesta 1

Glocken 1

MusicBox 2

Vibes 1

Marimba 1

Xylophon 1

TubulBel 1

Dulcimer 1

DrawOrgn 1

PercOrgn 1

RockOrgn 2

ChrchOrg 2

ReedOrgn 1

Acordion 2

Harmnica 1

TangoAcd 2

NylonGtr 1

SteelGtr 1

VoiceOoh 1

SynVoice 1

Orch.Hit 2

Trumpet 1

Trombone 1

Tuba 1

Mute Trp

Fr. Horn

1

1

BrssSect 1

SynBrss1 2

SynBrss2 1

27

28

29

30

31

32

Bass 33

34

35

36

37

38

39

40

Strings 41

42

43

44

45

46

47

48

Ensemble 49

50

51

52

53

Bank Select MSB

Bank Select LSB

Instrument

Group

Pgm #

(1-128)

Piano 1

2

Chromatic 9

Percussion 10

3

4

5

6

7

8

11

12

13

14

15

16

Organ 17

18

19

20

21

22

23

24

Guitar 25

26

54

55

56

Brass 57

58

59

60

61

62

63

64

0

88

† Crook

E E E E

2

2

PdlSteel ** 1

Mu.DstGt ** 2

† WalkSyBa 1

SynFretl 2

Hammer 2

† Vln Harp 1

Balafon ** 2

ChrchBel 2

Cimbalom 2

Ukulele 1

Mandolin 2

VoiceHmn ** 1

1 FluglHrn **


† Cornet

† Dim&Cool 1

SmthFrtl 2

† VlnHrpDt 2

Balimba 2

Carillon 2

Santur 2

† MndlnEns 2

2

Log Drum

E

**

***

†

: Same as Bank 0

: MU80 Extension

: MU90 Extension

: MU100 Extension


72

Other Instrument 5 Other Instrument 6

0

100

0

101

E E E

† AcoBass# 1

† FngrBa # 1

† Frtless# 1

† SlapBa1# 2

† SlapBa2# 2

1 † Violin #

† TremStr# 2

† Strngs1#

† Strngs2#

1

1

† GrandP # 1

† BriteP # 1

† EPiano1# 2

† EPiano2# 1

† Clavi # 2

† DrawOrg# 2

† PercOrg# 2

† RockOrg# 2

† TangoAc# 2

† NylonGt# 1

† SteelGt# 1

† JazzGtr# 2

† MuteGtr# 2

† Ovrdriv#

† DistGtr#

2

1

† Trumpet# 1

† Trmbone# 1

† MuteTrp# 2

† BrssSec# 2


Capital Voices on

MU100 Native Map

0

126

Capital Voices on

MU Basic Map

0

127

E

73

XG Voice List

(Normal voices)


MODEL EXCLUSIVE VOICE

Timbre Timbre, Poly

ReedOrgn 1

Acordion 2

Harmnica 1

TangoAcd 2

NylonGtr 1

SteelGtr 1

Jazz Gtr 1

CleanGtr 1

Mute Gtr 1

Ovrdrive 1

Dist.Gtr 1

GtrHarmo 1

Aco.Bass 1

FngrBass 1

PickBass 1

Fretless 1

SlapBas1 1

SlapBas2 1

SynBass1 1

SynBass2 2

Violin 1

Viola 1

Cello 1

Contrabs 1

Trem.Str 1

Pizz.Str 1

Harp 1

Timpani 1

Strings1 1

Strings2 1

Syn Str1

Syn Str2

2

2

0

0

MU100

Basic

E

GrandPno 1

BritePno 1

El.Grand 2

HnkyTonk 2

E.Piano1 2

E.Piano2 2

Harpsi. 1

Clavi 2

Celesta 1

Glocken 1

MusicBox 2

Vibes 1

Marimba 1

Xylophon 1

TubulBel 1

Dulcimer 1

DrawOrgn 1

PercOrgn 1

RockOrgn 2

ChrchOrg 2

ChoirAah 1

VoiceOoh 1

SynVoice 1

Orch.Hit 2

Trumpet 1

Trombone 1

Tuba 1

Mute Trp 1

Fr. Horn 1

BrssSect 1

SynBrss1 2

SynBrss2 1

29

30

31

32

Bass 33

34

35

36

37

38

39

40

Strings 41

42

43

44

45

46

47

48

Ensemble 49

50

51

52

53

54

55

56

Brass 57

58

59

60

61

62

63

64

Bank Select MSB

Bank Select LSB

Instrument

Group

Pgm #

(1-128)

Piano 1

2

3

4

5

6

7

8

Chromatic 9

Percussion 10

11

12

13

14

15

16

Organ 17

18

19

20

21

22

23

24

Guitar 25

26

27

28

48

0

† MtdClavi

† Orimba

48

8

Timbre, Looped Timbre, Looped , Poly Phrase, Looped Phrase, Looped, Poly SFX, Timbre

48

16

48

24

48

48

48

56

48

64

E

1

2

E E

† Rage 1

† TnglCaos 1

† Incontnc 1

† IncntClk 1

† CheapOsc 1

† CheapOc+ 2

† NstOrSpl 2

† SprClick

† Boomout

† ChoirSpl

† Veld 2

† VaporVox 1

1

2

2

† VoxShoot 2

† SemiacOr 2


† Fuss

† VanAllen

† Divinity

† Paranoia

† Vexation 1

† CalcOrg1 1

† CalcOrg2 2

† CalcOrg3 2

† ChoCalcO 2

2 † Sodium

1

1

2

1

† Beeline

† BlineHrd

† Dwarf

† Byte

† Ping 1

† NastyCut 1

† NstyCtSt 2

† Xe

† OrganHit

† OrgnHit+ 2

1

1

† Soft Hit

† Vein

1

1

1

2

2

1

† Packet

† Jolly

† Jolly +

† Envy 1

† EnvyShrt 2

† Cough 1

† Remark

† Potala

2

2

1

1

2

† Fury 2

† Glocken+ 1

E E

† Reflex 1 2

† Reflex 2

† Prcesion

† RndmWalk 1

2

2

† RandmRun 1

E

† Insanity 2

† Habakkuk 2

E

† DstnFire 2

† BlowNoiz 1

† Fall 1

† Chaff 2

**

***

†

: No sound

: MU80 Extension

: MU90 Extension

: MU100 Extension


74

E

† Litning

† Oof

† Lust

† Lust St

† SoftHit+

† Cough +

† Ruin

† Ruin St

† Vein +

† Universe

† UnvrsSwp 2

2

1

† Xe +

† Daze

2

2

2

1

2

2

2

1

2

2

† Refusal

† Refusal+

† Lie

† Malice

† Doubt

† DoubtDbl 2

2

1

1

2

1

† Zipzap

SFX, Timbre, Poly

48

72

SFX, Phrase

48

80

E

SFX, Phrase, Poly Rhythm, Timbre Rhythm, Timbre, Poly Rhythm, Phrase, Poly

48

88

48

96

48

104

48

120

E

† Vodou

E E

† Satya 1

† Monastry 2

† Vinaya 2

† Prana

† Delight

2

2

† Puja 2

† Bent Tom 2

1 † Escape

† Zigzag

† Scud

† Hinayana 2

† Boot 2

2

2

2

† Anathema 2

† Germ 1 2

† Germ 2 2

2 † Malfnctn


† TinKettl

† K/S Anlg

† K/S Humd 2

2

2

† K/S Slap

† Rvr/Crsh

2

2

E

1

SFX

64

0

E

Shower 2

Thunder 1

Wind 1

Stream 2

Bubble 2

Feed ** 2

† Cave 2

Dog 1

Horse 1

Tweet 2 1

Kitty **

Growl **

Haunted **

1

1

2

Ghost 2

Maou ** 2

† Insects

† Bacteria

2

2

CuttngNz 1

CttngNz2 2

DstCutNz ** 2

Str Slap

B.Slide **

1

2

P.Scrape ** 1

Fl.KClik 1

49

50

51

52

53

54

55

56

41

42

43

44

45

46

47

48

57

58

59

60

61

62

63

64

33

34

35

36

37

38

39

40

28

29

30

31

32

Bank Select MSB

Bank Select LSB

Instrument

Group

Pgm #

(1-128)

1

2

3

4

5

6

7

8

9

10

11

12

13

22

23

24

25

26

27

14

15

16

17

18

19

20

21

75

XG Voice List

(Normal voices)


Bank Select MSB

Bank Select LSB

Instrument

Group

Pgm #

(1-128)

0

0

MU100

Basic

E

0

0

MU100

Native

† AltoSax#

† Oboe #

† Flute #

† PanFlut#

MetalPad 2

Halo Pad 2

SweepPad 2

Rain 2

SoundTrk 2

Crystal 2

Atmosphr 2

Bright 2

Goblins 2

Echoes 2

Sci-Fi 2

Sitar 1

Banjo 1

Shamisen 1

Koto 1

Kalimba 1

Bagpipe 2

Fiddle 1

Shanai 1

TnklBell 2

Agogo 2

SteelDrm 2

Woodblok 1

TaikoDrm 1

MelodTom 2

Syn Drum 1

RevCymbl 1

FretNoiz 2

BrthNoiz 2

Seashore 2

Tweet 2

Telphone 1

Helicptr 1

Applause 1

Gunshot 1

SprnoSax 1

Alto Sax 1

TenorSax 1

Bari.Sax 1

Oboe 2

Eng.Horn 1

Bassoon 1

Clarinet 1

Piccolo 1

Flute 1

Recorder 1

PanFlute 1

Bottle 2

Shakhchi 2

Whistle 1

Ocarina 1

SquareLd 2

Saw Ld 2

CaliopLd 2

Chiff Ld 2

CharanLd 2

Voice Ld

Fifth Ld

Bass&Ld 2

2

2

NewAgePd 2

Warm Pad 2

PolySyPd 2

ChoirPad 2

BowedPad 2

94

95

96

Synth Effects 97

98

99

100

101

102

103

104

Ethnic 105

106

107

108

109

110

111

112

Percussive 113

114

115

116

117

118

119

120

Sound Effects 121

122

123

124

125

126

127

128

Reed 65

66

67

68

69

Pipe

70

71

72

73

74

75

76

77

78

79

80

Synth Lead 81

82

83

84

85

86

87

88

Synth Pad 89

90

91

92

93

**

***

†

2

1

1

1

E

Key Scale Panning Stereo

0

1

0

3

E

Single

0

6

Slow

0

8

Fast Decay

0

12

E E E E

Continued from page 62

Echoes 2

† VgSprnSx 1

LMSquare 2

ThickSaw 2

† FifthLdS 2

2

SquarLd2 1

Saw Ld 2 1

SynDrCmp 2

: Same as Bank 0

: MU80 Extension

: MU90 Extension

: MU100 Extension


76

Double Attack

0

14

E

Bright 1

0

16

E

Bright 2

0

17

Big&Low 2

ThickPad 2

Popcorn 2

2 Echo Pan

Soft Pad

Dark 1

0

18

Dark 2

0

19

E E


E

Resonant

0

20

E

2 Sine Pad 2

TinyBell 2

WarmAtms 2

† ASax Lgt 1

Hollow 1

Dyna Saw 1

HollwRls 2

Shroud 2

2 Digi Saw 2

Shwimmer 2

Big Lead

LFO-Cutoff Freq

0

21

E

77

XG Voice List

(Normal voices)


Vel-cutoff freq Attack

Bank Select MSB

Bank Select LSB

Instrument

Group

Pgm #

(1-128)

0

0

MU100

Basic

E

0

22

E

0

24

E


Release

0

25

NewAgePd 2

Warm Pad 2

PolySyPd 2

ChoirPad 2

BowedPad 2

MetalPad 2

Halo Pad 2

SweepPad 2

Rain 2

SoundTrk 2

Crystal 2

Atmosphr 2

Bright 2

Goblins 2

Echoes 2

Sci-Fi 2

Sitar 1

Banjo 1

Shamisen 1

Koto 1

Kalimba 1

Bagpipe 2

Fiddle 1

Shanai 1

TnklBell 2

Agogo 2

SteelDrm 2

Woodblok 1

TaikoDrm 1

MelodTom 2

Syn Drum 1

RevCymbl 1

FretNoiz 2

BrthNoiz 2

Seashore 2

Tweet 2

Telphone 1

Helicptr 1

Applause 1

Gunshot 1

SprnoSax 1

Alto Sax 1

TenorSax 1

Bari.Sax 1

Oboe 2

Eng.Horn 1

Bassoon 1

Clarinet 1

Piccolo 1

Flute 1

Recorder 1

PanFlute 1

Bottle 2

Shakhchi 2

Whistle 1

Ocarina 1

SquareLd 2

Saw Ld 2

CaliopLd 2

Chiff Ld 2

CharanLd 2

Voice Ld 2

Fifth Ld 2

Bass&Ld 2

Synth Pad 89

90

91

92

93

94

95

96

Synth Effects 97

98

99

100

101

102

103

104

Ethnic 105

106

107

108

109

110

111

112

Percussive 113

114

115

116

117

118

119

120

Sound Effects 121

122

123

124

125

126

127

128

Reed 65

66

67

68

69

Pipe

70

71

72

73

74

75

76

77

78

79

80

Synth Lead 81

82

83

84

85

86

87

88

WaspySyn 2 HeavySyn 2

SynthAah 2

E

Sweep

0

26

Mondo *** 1

Converge 2

Prologue 2

RezzySaw *** 1


**

***

†

: Same as Bank 0

: MU80 Extension

: MU90 Extension

: MU100 Extension

E

Resonant Sweep

0

27

E

78

Muted

0

28

MuteBnjo 1

E

Complex-FEG

0

29

E

Detune 1

0

32

Detune 2

0

33

Detune 3

0

34

E E


DetSitar 2

DoublSaw *** 2

E

Octave 1

0

35

E

Octave 2

0

36

E

Dim Saw *** 2

Big Five 2

RndGlock 2

Sitar 2 2

2 Osc *** 2

Toy Lead *** 2

79

XG Voice List

(Normal voices)


5th 1

Bank Select MSB

Bank Select LSB

Instrument

Group

Pgm #

(1-128)

0

0

MU100

Basic

E

0

37

5th 2

0

38

E E


Bend

0

39

NewAgePd 2

Warm Pad 2

PolySyPd 2

ChoirPad 2

BowedPad 2

MetalPad 2

Halo Pad 2

SweepPad 2

Rain 2

SoundTrk 2

Crystal 2

Atmosphr 2

Bright 2

Goblins 2

Echoes 2

Sci-Fi 2

Sitar 1

Banjo 1

Shamisen 1

Koto 1

Kalimba 1

Bagpipe 2

Fiddle 1

Shanai 1

TnklBell 2

Agogo 2

SteelDrm 2

Woodblok 1

TaikoDrm 1

MelodTom 2

Syn Drum 1

RevCymbl 1

FretNoiz 2

BrthNoiz 2

Seashore 2

Tweet 2

Telphone 1

Helicptr 1

Applause 1

Gunshot 1

SprnoSax 1

Alto Sax 1

TenorSax 1

Bari.Sax 1

Oboe 2

Eng.Horn 1

Bassoon 1

Clarinet 1

Piccolo 1

Flute 1

Recorder 1

PanFlute 1

Bottle 2

Shakhchi 2

Whistle 1

Ocarina 1

SquareLd 2

Saw Ld 2

CaliopLd 2

Chiff Ld 2

CharanLd 2

Voice Ld 2

Fifth Ld 2

Bass&Ld 2

Synth Pad 89

90

91

92

93

94

95

96

Synth Effects 97

98

99

100

101

102

103

104

Ethnic 105

106

107

108

109

110

111

112

Percussive 113

114

115

116

117

118

119

120

Sound Effects 121

122

123

124

125

126

127

128

Reed 65

66

67

68

69

Pipe

70

71

72

73

74

75

76

77

78

79

80

Synth Lead 81

82

83

84

85

86

87

88

**

***

†

: Same as Bank 0

: MU80 Extension

: MU90 Extension

: MU100 Extension

E

Tutti 1

0

40

E

Tutti 2

0

41

E

ClearBel 2

SoftTenr 2

Dr.Lead 2

† Bhuj

† Tiu 2

GlockChi 2

2 Nylon EP

2

Sax Sect 2

BrthTnSx 2

† Syn&Clr

† Brthy Fl

2

2

PulseSaw 2

† Novice 2

2 † SaltLead

† Vishnu 2


80

Tutti 3

0

42

E

Velocity Switch

0

43

E

Velocity Cross Fade Detune 4

0

45

0

48

E E

Tutti 4


0

52

ClaviPad 2

VeloLead 2

HyprAlto 2

ChorBell 2

E

Tutti 5

0

53

E

Tutti 6

0

54

E

81

XG Voice List

(Normal voices)


91

92

93

94

95

96

Synth Effects 97

98

99

100

101

102

103

104

Ethnic 105

106

107

108

109

110

111

112

Percussive 113

114

115

116

117

118

119

120

Sound Effects 121

122

123

124

125

126

127

128

Reed 65

66

67

68

69

70

71

Pipe

72

73

74

75

76

77

78

79

80

Synth Lead 81

82

83

84

85

86

87

88

Synth Pad 89

90

Bank Select MSB

Bank Select LSB

Instrument

Group

Pgm #

(1-128)

0

0

MU100

Basic

Other Waves 1

0

64

E

Other Waves 2

0

65

E

Other Waves 3

0

66

E

PolySyPd 2

ChoirPad 2

BowedPad 2

MetalPad 2

Halo Pad 2

SweepPad 2

Rain 2

SoundTrk 2

Crystal 2

Atmosphr 2

Bright 2

Goblins 2

Echoes 2

Sci-Fi 2

Sitar 1

Banjo 1

Shamisen 1

Koto 1

Kalimba 1

Bagpipe 2

Fiddle 1

Shanai 1

TnklBell 2

Agogo 2

SteelDrm 2

Woodblok 1

TaikoDrm 1

MelodTom 2

Syn Drum 1

RevCymbl 1

FretNoiz 2

BrthNoiz 2

Seashore 2

Tweet 2

Telphone 1

Helicptr 1

Applause 1

Gunshot 1

SprnoSax 1

Alto Sax 1

TenorSax 1

Bari.Sax 1

Oboe 2

Eng.Horn 1

Bassoon 1

Clarinet 1

Piccolo 1

Flute 1

Recorder 1

PanFlute 1

Bottle 2

Shakhchi 2

Whistle 1

Ocarina 1

SquareLd 2

Saw Ld 2

CaliopLd 2

Chiff Ld 2

CharanLd 2

Voice Ld

Fifth Ld

Bass&Ld 2

2

2

NewAgePd 2

Warm Pad 2

SynMalet 1

NylnHarp 2

FantaBel 2

GobSynth 2

EchoBell 2

Starz 2

† Raga Syn 2

† El Banjo 1

† FM Koto 2

BigKalim ** 2

2 † Thistle

Shanai 2

† TcklBell

1

2

Mel Tom2

Ana Tom

Rev Cym2 ** 1

1

1


† Mdtation 1

† ASaxPwrd 1

1

† MdtatnRs

† FakeAlto

1

1 † FakeAlt+

TnrSax 2

† Heinz 1

† SprTenor 1

† HeinzUni 2

† SprTnr +

† Boehm 1

† Piplith 2

PanFlut2 ** 1

† BottlLgt 2

† Reverie

† Opalina

Mellow 2

Digger *** 1

2

1

† Boehm Br 2

† Home

† Meadow

1

1

SoloSine 2

† Dunce 2

† Pastoral 2

SineLead 1

† BrassSaw 1

2

2

Vent Syn ** 2

Rubby 2

DistLead 2

Vox Lead 2

Fat&Prky 2

Fantasy 2

Horn Pad 2

PolyPd80 2

Heaven 2

Glacier 2

Tine Pad

† Aries

PolarPad 2

2

2

HrmoRain 2

Ancestrl 2

PureLead 2

HardSync *** 1

WireLead 2

Br.Layer *** 2

Soft Wrl

† Libra

Lite Pad **

Pan Pad

Sweepy **

2

2

RotarStr 2

ClickPad 2

2

GlassPad 2

2

2

AfrcnWnd 2

Rave ** 2

† ElPrimtv 2

SynPluck *** 1

† Cypher 1 1

† Cant 2

Ana. Pad 2

Itopia 2

† SqrTwang 2

† Queever 2

Celstial 2

Carib 2

Fairy *** 2

SftCryst 2

Harp Vox 2

Creeper 2

Big Pan

Odin **

Real Tom

2

2

2

ElecPerc 2

Rock Tom

LoudGlok 2

AtmosPad 2

Ring Pad 2

SynPiano 2

2

Other Waves 4

0

67

E

Other Waves 5

0

68

E

SquarPad 2

CC Pad 2

† Monsoon 2

† Hermit 2

ChrstBel 2

Planet 2

Ritual 2

Creation 2

† FakeAltD 2

† SprTnrSt 2

† Shepherd 2

Pulse Ld *** 1

† SawRiver 2

† Cypher 2 1

† Mogul 1

Snow Pad *** 2

CosmicPd *** 2

† Io 2

VibeBell 2

† Lyra 2

ToHeaven 2

StarDust 2

† Tnr&Alto 2

SyncLead *** 1

† BrPulsDb 2

† Cypher 3 2

† Distance 2

**

***

†

: Same as Bank 0

: MU80 Extension

: MU90 Extension

: MU100 Extension


82


0

69

0

70

0

71

0

72

0

73

0

74

0

75

E E E E


E E E

2

AirBells 2

† DgBermda 2

Night 2

† Accent

† Hue

† Pisces

1

1

† Pixie 2

DigiBell 2

† Akasaka 2

MilkyWay ** 2

Reso&Pan 2

† ForcdOsc 1

1 † Saw Trp

† SprCyphr 2

† Sync B&L 1

Gamelmba 2

Puffy ** 2

† Alum

† StrtPuls

2

1

† Spiral 2

BellHarp 2

Glisten 2

† Brick 1

† StrghtSw 1

† Bounce

† Mimicry

† Query 2

† PWMania 1

2

2 † Cicada

† SyncLdDb 2

1 † Toad

2 † Parasite

† FMSlwSwp 2

† Mod Saw 1

2

83

XG Voice List

(Normal voices)


Bank Select MSB

Bank Select LSB

Instrument

Group

Pgm #

(1-128)

0

0

MU100

Basic

Other Waves 13 Other Waves 14 Other Waves 15 Other Waves 16 Other Waves 17

0

76

E

0

77

E

0

78

E

0

79

E


PolySyPd 2

ChoirPad 2

BowedPad 2

MetalPad 2

Halo Pad 2

SweepPad 2

Rain 2

SoundTrk 2

Crystal 2

Atmosphr 2

Bright 2

Goblins 2

Echoes 2

Sci-Fi 2

Sitar 1

Banjo 1

Shamisen 1

Koto 1

Kalimba 1

Bagpipe 2

Fiddle 1

Shanai 1

TnklBell 2

Agogo 2

SteelDrm 2

Woodblok 1

TaikoDrm 1

MelodTom 2

Syn Drum 1

RevCymbl 1

FretNoiz 2

BrthNoiz 2

Seashore 2

Tweet 2

Telphone 1

Helicptr 1

Applause 1

Gunshot 1

SprnoSax 1

Alto Sax 1

TenorSax 1

Bari.Sax 1

Oboe 2

Eng.Horn 1

Bassoon 1

Clarinet 1

Piccolo 1

Flute 1

Recorder 1

PanFlute 1

Bottle 2

Shakhchi 2

Whistle 1

Ocarina 1

SquareLd 2

Saw Ld 2

CaliopLd 2

Chiff Ld 2

CharanLd 2

Voice Ld

Fifth Ld

Bass&Ld 2

2

2

NewAgePd 2

Warm Pad 2

91

92

93

94

95

96

Synth Effects 97

98

99

100

101

102

103

104

Ethnic 105

106

107

108

109

110

111

112

Percussive 113

114

115

116

117

118

119

120

Sound Effects 121

122

123

124

125

126

127

128

Reed 65

66

67

68

69

70

71

Pipe

72

73

74

75

76

77

78

79

80

Synth Lead 81

82

83

84

85

86

87

88

Synth Pad 89

90

† OctvBeep 1

† Overdose 2

† Beacon

† Curse 2

† FatOctav 1

2

† PWMDecay 1 † SawDecay 1

0

80

E

**

***

†

: Same as Bank 0

: MU80 Extension

: MU90 Extension

: MU100 Extension


84


0

81

0

82

0

83

0

84

0

85

0

86

0

87

E E E E


E E E

85

XG Voice List

(Normal voices)


Bank Select MSB

Bank Select LSB

Instrument

Group

Pgm #

(1-128)

0

0

MU100

Basic

Other Waves 25 Other Instrument 1 Other Instrument 2 Other Instrument 3 Other Instrument 4

0

88

0

96

0

97

0

98

0

99

E E E E E


91

92

93

94

95

96

Synth Effects 97

98

99

100

101

102

103

104

Ethnic 105

106

107

108

109

110

111

112

Percussive 113

114

115

116

117

118

119

120

Sound Effects 121

122

123

124

125

126

127

128

Reed 65

66

67

68

69

70

71

Pipe

72

73

74

75

76

77

78

79

80

Synth Lead 81

82

83

84

85

86

87

88

Synth Pad 89

90

PolySyPd 2

ChoirPad 2

BowedPad 2

MetalPad 2

Halo Pad 2

SweepPad 2

Rain 2

SoundTrk 2

Crystal 2

Atmosphr 2

Bright 2

Goblins 2

Echoes 2

Sci-Fi 2

Sitar 1

Banjo 1

Shamisen 1

Koto 1

Kalimba 1

Bagpipe 2

Fiddle 1

Shanai 1

TnklBell 2

Agogo 2

SteelDrm 2

Woodblok 1

TaikoDrm 1

MelodTom 2

Syn Drum 1

RevCymbl 1

FretNoiz 2

BrthNoiz 2

Seashore 2

Tweet 2

Telphone 1

Helicptr 1

Applause 1

Gunshot 1

SprnoSax 1

Alto Sax 1

TenorSax 1

Bari.Sax 1

Oboe 2

Eng.Horn 1

Bassoon 1

Clarinet 1

Piccolo 1

Flute 1

Recorder 1

PanFlute 1

Bottle 2

Shakhchi 2

Whistle 1

Ocarina 1

SquareLd 2

Saw Ld 2

CaliopLd 2

Chiff Ld 2

CharanLd 2

Voice Ld

Fifth Ld

Bass&Ld 2

2

2

NewAgePd 2

Warm Pad 2

Dharma *** 2

Tamboura 2

Gopichnt 2

Kanoon 2

Hichriki 2

Altair 2

GlasPerc 2

RevSnar2 ** 1

Smokey 2

BelChoir 2

Tambra 2

Rabab 2

Tsugaru ** 2

Taisho-k 2

Pungi 1

Bonang 2

Atrigane ** 2

Tablas ** 2

Castanet 1

Gr.Cassa 1

RevSnar1 ** 1

Seq Ana.

BassClar ** 1

Kawala ** 2

2

Oud 2

Gamelan 2

ThaiBell 2

RevKick1 ** 1

S.Gamlan 2

RevConBD ** 1

**

***

†

: Same as Bank 0

: MU80 Extension

: MU90 Extension

: MU100 Extension


86

Other Instrument 5 Other Instrument 6

0

100

0

101

E E

Capital Voices on

MU100 Native Map

0

126

E

Capital Voices on

MU Basic Map

0

127

E


AsianBel 2

Rev Tom2 ** 1

Rama Cym 2

Rev Tom1 ** 1

† AltoSax#

† Oboe #

† Flute #

† PanFlut#

2

1

1

1

87

XG Voice List

(Normal voices)


MODEL EXCLUSIVE VOICE

Timbre Timbre, Poly

Bank Select MSB

Bank Select LSB

Instrument

Group

Pgm #

(1-128)

0

0

MU100

Basic

48

0

E

48

8

E

Timbre, Looped Timbre, Looped , Poly Phrase, Looped Phrase, Looped, Poly SFX, Timbre

48

16

48

24

48

48

48

56

48

64

E E E


SweepPad 2

Rain 2

SoundTrk 2

Crystal 2

Atmosphr 2

Bright 2

Goblins 2

Echoes 2

Sci-Fi 2

Sitar 1

Banjo 1

Shamisen 1

Koto 1

Kalimba 1

Bagpipe 2

Fiddle 1

Shanai 1

TnklBell 2

Agogo 2

SteelDrm 2

Woodblok 1

TaikoDrm 1

MelodTom 2

Syn Drum 1

RevCymbl 1

FretNoiz 2

BrthNoiz 2

Seashore 2

Tweet 2

Telphone 1

Helicptr 1

Applause 1

Gunshot 1

SprnoSax 1

Alto Sax 1

TenorSax 1

Bari.Sax 1

Oboe 2

Eng.Horn 1

Bassoon 1

Clarinet 1

Piccolo 1

Flute 1

Recorder 1

PanFlute 1

Bottle 2

Shakhchi 2

Whistle 1

Ocarina 1

SquareLd 2

Saw Ld 2

CaliopLd 2

Chiff Ld 2

CharanLd 2

Voice Ld

Fifth Ld

2

2

Bass&Ld 2

NewAgePd 2

Warm Pad 2

PolySyPd 2

ChoirPad 2

BowedPad 2

MetalPad 2

Halo Pad 2

96

Synth Effects 97

98

99

100

101

102

103

104

Ethnic 105

106

107

108

109

110

111

112

Percussive 113

114

115

116

117

118

119

120

Sound Effects 121

122

123

124

125

126

127

128

Reed 65

66

67

68

69

70

71

Pipe

78

79

Synth Lead

80

81

82

72

73

74

75

76

77

83

84

85

86

87

88

Synth Pad 89

90

91

92

93

94

95

E

**

***

†

: No sound

: MU80 Extension

: MU90 Extension

: MU100 Extension


88

SFX, Timbre, Poly

48

72

E

SFX, Phrase

48

80

E

SFX, Phrase, Poly Rhythm, Timbre Rhythm, Timbre, Poly Rhythm, Phrase, Poly

48

88

48

96

48

104

48

120

E E E E


Bank Select MSB

Bank Select LSB

Instrument

Group

Pgm #

(1-128)

SFX

64

0

E

Train 1

JetPlane 2

Starship 2

Burst 2

Coaster 2

Submarin 2

† Cnectvty

† Mystery

2

2

Laugh 1

Scream 1

Punch 1

Heart 1

Footstep 1

Applaus2 ** 1

MchinGun 1

LaserGun 2

Xplosion 2

Firework 2

† Fireball 2

PhonCall ** 1

DoorSqek 1

DoorSlam 1

ScratchC 1

ScratchS ** 2

WindChim 1

Telphon2 1

CarEIgnt 1

CarTSqel 1

Car Pass 1

CarCrash 1

Siren 2

118

119

120

121

122

123

124

125

110

111

112

113

114

115

116

117

126

127

128

102

103

104

105

106

107

108

109

94

95

96

97

98

99

100

101

86

87

88

89

90

91

92

93

78

79

80

81

82

83

84

85

70

71

72

73

74

75

76

77

65

66

67

68

69

89

TG300B Voice List

(Normal voices)

Bank Select LSB=000, MSB=Bank number

Bank Select MSB Bank 0 E

28

29

30

31

32

Bass 33

34

35

36

37

38

39

40

Strings 41

42

43

44

45

46

47

48

Ensemble 49

50

51

52

53

54

55

56

Brass 57

58

59

60

61

62

63

64

Instrument

Group

Piano 1

2

Pgm

#

3

4

5

6

7

8

Chromatic 9

Percussion 10

11

12

13

14

15

16

Organ 17

18

19

20

21

22

23

24

Guitar 25

26

27

GrandPno 1

BritePno 1

El.Grand 2

HnkyTonk 2

E.Piano1 2

E.Piano2 2

Harpsi. 1

Clavi 2

Celesta 1

Glocken 1

MusicBox 2

Vibes 1

Marimba 1

Xylophon 1

TubulBel 1

Dulcimer 1

DrawOrgn 1

PercOrgn 1

RockOrgn 2

ChrchOrg 2

ReedOrgn 1

Acordion 2

Harmnica 1

TangoAcd 2

NylonGtr 1

SteelGtr 1

Jazz Gtr 1

CleanGtr 1

Mute Gtr 1

Ovrdrive 1

Dist.Gtr 1

GtrHarmo 1

Aco.Bass 1

FngrBass 1

PickBass 1

Fretless 1

SlapBas1 1

SlapBas2 1

SynBass1 1

SynBass2 2

Violin 1

Viola 1

Cello 1

Contrabs 1

Trem.Str 1

Pizz.Str 1

Harp 1

Timpani 1

Strings1 1

Strings2 1

Syn Str1

Syn Str2

ChoirAah 1

VoiceDoo 1

2

2

SynVoice 1

Orch.Hit 2

Trumpet 1

Trombone 1

Tuba 1

Mute Trp

Fr. Horn

BrssSect 1

SynBrss1 2

1

2

SynBrss2 1

Bank 1 E Bank 2 E Bank 3 E

LayerCP1 2

HardVibe 2

Dulcimr2 2

70sDrOr1 2

70sPcOr1 2

Harmo. 2 2

MelloGtr 1

Mu.DstGt 2

DistGtr2 2

FngBass2 2

Fretles2 2

SynBa1Dk 1

ClkSynBa 2

Slow Str

70s Str

Syn Str4

OrchHit2 2

Trumpet2 1

Trmbone2 2

Tuba 2 1

FrHorn 2 2

PolyBrss 2

Soft Brs 2

1

1

2


ModulrBa 2

LayerCP2 2

DistGtr3 2

Jazzy Ba 1

Fretles3 2 Fretles4 2

Seq Bass 2

Bank 4 E Bank 5 E

SmthFrtl 2 SynFretl 2

Same as Bank 0 E: Number of elements

90

Bank 6 E Bank 7 E Bank 8 E Bank 9 E Bank 10 E Bank 11 E Bank 16 E

FastResB 1

X WireBa 2

Orchstr2

Warm Str

Susp.Str 2

2

2

MelChoir 2

BrssStab 2

Quack Br 2

Carillon 2

70sDrOr2 2

Nyln&Stl 2

FeedbGt2 2


TechnoBa 2

TremOrch 2

S.SlwStr 2

DoublHit ** 2

MutePkBa 1

ResoSlap 1

AcidBass 1

DX Bass 2

Slow Vln 1

SlwTrStr 1

Orchestr 2

LegatoSt 2

Syn Str3 2

S.Choir 2

SyVoice2 2

Impact 2

FluglHrn 1

FrHrSolo 1

BrssSec2 2

SynBrss3 2

SynBrss4 2

GrndPnoK 1

BritPnoK 1

ElGrPnoK 2

HnkyTnkK 2

Chor.EP1 2

Chor.EP2 2

Harpsi.3 2

Clavi K 1

Vibes K 1

MarimbaK 1

ChrchBel 2

Cimbalom 2

DetDrwOr 2

DetPrcOr 2

RotaryOr 2

ChurOrg2 2

AccordIt 2

Ukulele 1

12StrGtr 2

PdlSteel 1

ChorusGt 2

FunkGtr1 2

FeedbkGt 2

GtFeedbk 1

ChoirStr 2

MelloGrP 1

VX El.P1

VX El.P2

Harpsi.K 1

2

2

Balafon 2

60sDrOr1 2

SloRotar 2

ChurOrg3 2

NylonGt3 2

Mandolin 2

FunkGtr2 2

PowerGt1 2

AcoHarmo 1

ResoBass 1

RubberBa 2

S.Strngs 2

LoFi Hit 2

HornOrch 2

BrssFall 1

AnaBrss1 2

AnaBrss2 2

91


(Normal voices)


Bank Select MSB Bank 0 E

28

29

30

31

32

Bass 33

34

35

36

37

38

39

40

Strings 41

42

43

44

45

46

47

48

Ensemble 49

50

51

52

53

54

55

56

Brass 57

58

59

60

61

62

63

64

Instrument

Group

Piano 1

2

Pgm

#

3

4

5

6

7

8

Chromatic 9

Percussion 10

11

12

13

14

15

16

Organ 17

18

19

20

21

22

23

24

Guitar 25

26

27

ChrchOrg 2

ReedOrgn 1

Acordion 2

Harmnica 1

TangoAcd 2

NylonGtr 1

SteelGtr 1

Jazz Gtr 1

CleanGtr 1

Mute Gtr 1

Ovrdrive 1

Dist.Gtr 1

GtrHarmo 1

Aco.Bass 1

FngrBass 1

PickBass 1

Fretless 1

SlapBas1 1

SlapBas2 1

GrandPno 1

BritePno 1

El.Grand 2

HnkyTonk 2

E.Piano1 2

E.Piano2 2

Harpsi. 1

Clavi 2

Celesta 1

Glocken 1

MusicBox 2

Vibes 1

Marimba 1

Xylophon 1

TubulBel 1

Dulcimer 1

DrawOrgn 1

PercOrgn 1

RockOrgn 2

SynBass1 1

SynBass2 2

Violin 1

Viola 1

Cello 1

Contrabs 1

Trem.Str 1

Pizz.Str 1

Harp 1

Timpani 1

Strings1 1

Strings2 1

Syn Str1

Syn Str2

ChoirAah 1

VoiceOoh 1

2

2

SynVoice 1

Orch.Hit 2

Trumpet 1

Trombone 1

Tuba 1

Mute Trp 1

Fr. Horn 2

BrssSect 1

SynBrss1 2

SynBrss2 1

Bank 17 E Bank 18 E Bank 19 E

SynBa2Dk 1

AnVelBr2 2

PowerGt2 2

Balimba 2

60sDrOr2 2


MelloSB1 1

Dst.5ths 2

60sDrOr3 2

SmthSynB 2

Bank 24 E

Velo.Str 2

BriteTrp 2

OrgFlute 2

VelGtHrm 2

RckRthm1 2

60sEl.P1 1

DX Hard 2

Harpsi.2 2

Log Drum 2

CheezOrg 2

FstRotar 2

Bank 25 E

Warm Trp

RckRthm2 2

HardEl.P 2

2


92

Bank 26 E Bank 32 E Bank 33 E Bank 40 E Bank 126 E Bank 127 E

MelloEP1 2

Even Bar 2


Organ Ba 1

Requinto 1

Ch.Aahs2 2

El.Pno1K 1

El.Pno2K 1

DrawOrg2 2

PercOrg2 2

TrmOrgFl 2

NylonGt2 1

SteelGt2 1

Choir-4 2

Strngs-1 2

Strngs-2 2

Strngs-3 2

Strngs-4 2

E-Organ1 2

E-Organ2 2

E-Organ3 2

E-Organ4 2

E-Organ5 2

E-Organ6 2

E-Organ7 2

E-Organ8 2

E-Organ9 2

SoftTP-1 1

SoftTP-2 1

TP/TRB-1 1

TP/TRB-2 1

TP/TRB-3 1

TP/TRB-4 1

TP/TRB-5 2

TP/TRB-6 2

Sax-1 1

Sax-2 1

Sax-3 1

Sax-4 2

Brass-1 1

Brass-2 1

Brass-3 2

Brass-4 2

Brass-5 2

Orch-Hit 1

A-Piano1 2

A-Piano2 2

A-Piano3 2

A-Piano4 2

A-Piano5 1

A-Piano6 1

A-Piano7 1

E-Piano1 2

E-Piano2 2

E-Piano3 2

A-Guitr1 1

A-Guitr2 2

A-Guitr3 2

E-Guitr1 2

E-Guitr2 1

Slap-1 2

Slap-2 2

Slap-3 2

Slap-4 2

Slap-5 2

Slap-6 2

Slap-7 2

Slap-8 2

Finger-1 1

Finger-2 2

Picked-1 1

Picked-2 2

FretlsBs 1

A-Bass 2

Choir-1 1

Choir-2 1

Choir-3 2 newagepd 2 synharmo 2 choir pd bowed pd

2

2 soundtrk 2 atmosphr 2 syn warm 2 synfunny 1 synecho1 2 rain 2 synoboe 2 synecho2 2 synsolo 2 synrdorg 2 synbell 1 squareld 2 strsect1 2 strsect2 2 strsect3 2 pizz.str 1 violin 1 violin 2 cello 1 cello 2

1

1

2

1 contrabs 1 harp 1 1 harp 2 guitar 1

1

1 guitar 2 1 elecgtr1 2 elecgtr2 2 sitar 1 a.piano1 1 a.piano2 1 a.piano3 1 e.piano1 1 e.piano2 1 e.piano3 1 e.piano4 1 hnkytnk 2 e.organ1 2 e.organ2 2 e.organ3 1 e.organ4 1 pipeorg1 2 pipeorg2 2 pipeorg3 2 acordion 2 harpsi1 1 harpsi2 2 harpsi3 1 clavi1 1 clavi2 1 clavi3 1 celesta1 1 celesta2 1 synbras1 2 synbras2 2 synbras3 2 synbras4 2 synbass1 1 synbass2 1 synbass3 2 synbass4 1

93


(Normal voices)


Bank Select MSB

Instrument

Group

Pgm

#

Bank 0 E Bank 1 E Bank 2 E Bank 3 E Bank 4 E


Echoes 2

Sci-Fi 2

Sitar 1

Banjo 1

Shamisen 1

Koto 1

Kalimba 1

Bagpipe 2

Fiddle 1

Shanai 1

TnklBell 2

Agogo 2

SteelDrm 2

Woodblok 1

TaikoDrm 1

MelodTom 2

Syn Drum 1

RevCymbl 1

FretNoiz 2

BrthNoiz 2

Seashore 2

Tweet 2

Telphone 1

Helicptr 1

Applause 1

Gunshot 1

Chiff Ld 2

CharanLd 2

Voice Ld

Fifth Ld

2

2

Bass&Ld 2

NewAgePd 2

Warm Pad 2

PolySyPd 2

ChoirPad 2

BowedPad 2

MetalPad 2

Halo Pad 2

SweepPad 2

Rain 2

SoundTrk 2

Crystal 2

Atmosphr 2

Bright 2

Goblins 2

SprnoSax 1

Alto Sax 1

TnrSax 2 1

Bari.Sax 1

Oboe 2

Eng.Horn 1

Bassoon 1

Clarinet 1

Piccolo 1

Flute 1

Recorder 1

PanFlute 1

Bottle 2

Shakhchi 2

Whistle 1

Ocarina 1

SquareLd 2

Saw Ld 2

CaliopLd 2

103

104

Ethnic 105

106

107

108

109

110

111

112

Percussive 113

114

115

116

117

118

119

120

Sound Effects 121

122

123

124

125

126

127

128

Reed 65

66

67

68

69

70

71

72

Pipe 73

74

75

76

77

78

79

80

Synth Lead 81

82

83

84

85

86

87

88

Synth Pad 89

90

91

92

93

94

95

96

Synth Effects 97

98

99

100

101

102

Echo Pan 2

DetSitar 2

Str Slap 1

Thunder 1

Horse 1

DoorSqek 1

CarTSqel 1

Scream 1

LaserGun 2

Fat&Prky 2

Horn Pad 2

Pan Pad 2

AfrcnWnd 2

Prologue 2

SftCryst 2

NylnHarp 2

Creeper 2

Hollow 1

PulseSaw 2

PureLead 2

Big Five 2

Big&Low 2

Fantasy 2

ThickPad 2

PolyPd80 2

Heaven 2

Tine Pad 2

PolarPad 2

HrmoRain 2

Ancestrl 2

SynMalet 1

WarmAtms 2

GobSynth 2

SquarLd2 1

Saw Ld 2 1

Vent Syn 2

EchoBell 2

Starz 2

Sitar 2 2

MuteBnjo 1

Tsugaru 2

Shanai 2

Real Tom

1

2

Rev Cym2 1

CuttngNz 1

Fl.KClik 1

Shower 1

Dog 1

PhonCall 1

CarEIgnt 1

Laugh 1

MchinGun 1

Soft Pad 2

LoudGlok 2

HollwRls 2

2 Big Pan

SoloSine 2

Big Lead 2

DstCutNz 2

Stream 2

Kitty 1

ScratchC 1

CarCrash 1

Heart 1

RotarStr 2

RndGlock 2

2 Harp Vox

2 Echoes 2

Mellow 2

ThickSaw 2

CttngNz2 2

Wind 1

Tweet 2 1

DoorSlam 1

Car Pass 1

Punch 1

Xplosion 2

Bank 5 E

Reso&Pan 2

B.Slide 2

Bubble 2

Growl 1

WindChim 1

Siren 2

Footstep 1

GlockChi 2

2 Nylon EP

Shroud 2

VeloLead 2


94

Bank 6 E Bank 7 E Bank 8 E Bank 9 E Bank 10 E Bank 11 E Bank 16 E


Rave 2

VibeBell 2

Tambra 2

Rabab 2

Taisho-k 2

Pungi 1

Bonang 2

Atrigane 2

Castanet 1

Gr.Cassa 1

Mel Tom2

Ana Tom

RevSnar1 1

1

1

Starship 2

HyprAlto 2

BrthTnSx 2

BassClar 1

Kawala 2

SineLead 1

Dr.Lead 2

DistLead 2

Converge 2

ClaviPad 2

1

ChrstBel 2

ScratchS 2

JetPlane 2

Dyna Saw

ClearBel 2

AtmosPad 2

SynPiano 2

P.Scrape 1

Train 1

LMSquare 2

HeavySyn 2

Gamelan 2

Celstial 2

DigiBell 2

Altair 2

Rock Tom 2

ElecPerc 2

RevSnar2 1

Burst 2

Shwimmer 2

ChorBell 2

Tamboura 2

Gopichnt 2

Kanoon 2

Hichriki 2

Rama Cym 2

RevKick1 1

Coaster 2

WaspySyn 2

S.Gamlan 2

95


(Normal voices)


Bank Select MSB

Instrument

Group

Pgm

#

Bank 0 E Bank 17 E Bank 18 E Bank 19 E Bank 24 E


SweepPad 2

Rain 2

SoundTrk 2

Crystal 2

Atmosphr 2

Bright 2

Goblins 2

Echoes 2

Sci-Fi 2

Sitar 1

Banjo 1

Shamisen 1

Koto 1

Kalimba 1

Bagpipe 2

Fiddle 1

Shanai 1

TnklBell 2

Agogo 2

SteelDrm 2

Woodblok 1

TaikoDrm 1

MelodTom 2

Syn Drum 1

RevCymbl 1

FretNoiz 2

BrthNoiz 2

Seashore 2

Tweet 2

Telphone 1

Helicptr 1

Applause 1

Gunshot 1

SprnoSax 1

Alto Sax

TnrSax 2

1

1

Bari.Sax 1

Oboe 2

Eng.Horn 1

Bassoon 1

Clarinet 1

Piccolo 1

Flute 1

Recorder 1

PanFlute 1

Bottle 2

Shakhchi 2

Whistle 1

Ocarina 1

SquareLd 2

Saw Ld 2

CaliopLd 2

Chiff Ld 2

CharanLd 2

Voice Ld

Fifth Ld

2

2

Bass&Ld 2

NewAgePd 2

Warm Pad 2

PolySyPd 2

ChoirPad 2

BowedPad 2

MetalPad 2

Halo Pad 2

96

Synth Effects 97

98

99

100

101

102

103

104

Ethnic 105

106

107

108

109

110

111

112

Percussive 113

114

115

116

117

118

119

120

Sound Effects 121

122

123

124

125

126

127

128

Reed 65

66

67

68

69

70

71

72

Pipe 73

74

75

76

77

78

79

80

Synth Lead 81

82

83

84

85

86

87

88

Synth Pad 89

90

91

92

93

94

95

BellHarp 2 AirBells 2

RevConBD 1 Rev Tom1

Oud 2

1

Gamelmba 2

Bank 25

Rev Tom2

E

1


96

Bank 26 E Bank 32 E Bank 33 E Bank 40 E Bank 126 E Bank 127 E


Silence

Silence

Silence

Silence

Silence

Silence

Silence

Silence

Silence

Silence

Silence

Silence

Silence

Silence

Silence

Silence

Silence

Silence

Silence

Silence

Silence

Silence

Silence

Silence

Silence

Silence

Silence

Silence

Silence

Silence

Silence

Silence

Silence

Silence

Silence

Silence

Silence

Silence

Silence

Silence

Silence

Silence

Silence

Silence

Silence

Silence

Silence

Silence

Silence

Silence

Silence

Silence

Silence

Silence

Silence

Silence

Silence

Silence

Silence

Silence

Silence

Silence

Silence

Silence brssect1 1 brssect2 2 vibe1 1 vibe2 1 symallet 1 maletwin 2 glocken 2 tubulbel 1 xylophen 1 marimba 2 koto 1 sho 2 shakhchi 2 whistle1 2 whistle2 1 bottle 2 breath 2 timpani 1 melotom 1 deepsnar 1 e.perc1 1 e.perc2 1 taiko 1 taikorim 1 cymbal 2 castanet 1 triangle 1 orchehit 1 telphone 1 bird 1 jam 1 efctwatr 2 efctjngl 2 a.bass 1 a.bass 2 e.bass 1 e.bass 2 1 slapbas1 1 slapbas2 1 fretles1 1

1

1

1 fretles2 1 flute1 1 flute2 1 piccolo1 1 piccolo2 2 recorder 1 panpipes 2 sax1 2 sax2 1 sax3 1 sax4 1 clarint1 1 clarint2 1 oboe 1 eng.horn 1 bassoon 1 harmnica 1 trumpet1 1 trumpet2 1 trmbone1 2 trmbone2 2 fr.horn1 1 fr.horn2 2 tuba 2

97

About the 128 GM sounds

Group

Piano

Chromatic

Percussion

Organ

Guitar

Bass

Strings

Ensemble

Brass

Overdriven Guitar

Distortion Guitar

Guitar Harmonics

Acoustic Bass

Finger Bass

Pick Bass

Fretless Bass

Slap Bass 1

Slap Bass 2

Synth Bass 1

Synth Bass 2

Violin

Viola

Cello

Contrabass

Tremolo Strings

Pizzicato Strings

Orchestral Harp

Timpani

Strings 1

Strings 2

Synth Strings 1

Synth Strings 2

Choir Aahs

Voice Oohs

Synth Voice

Orchestra Hit

Trumpet

Trombone

Tuba

Muted Trumpet

French Horn

Brass Section

Synth Brass 1

Synth Brass 2

Instrument name

Grand Piano

Bright Piano

Electric Grand Piano

Honky-tonk Piano

Electric Piano 1

Electric Piano 2

Harpsichord

Clavi

Celesta

Glockenspiel

Music Box

Vibraphone

Marimba

Xylophone

Tubular Bells

Dulcimer

Drawbar Organ

Percussive Organ

Rock Organ

Church Organ

Reed Organ

Accordion

Hamonica

Tango Accordion

Nylon Guitar

Steel Guitar

Jazz Guitar

Clean Guitar

Muted Guitar

54

55

56

57

58

59

60

61

46

47

48

49

50

51

52

53

62

63

64

38

39

40

41

42

43

44

45

30

31

32

33

34

35

36

37

22

23

24

25

26

27

28

29

14

15

16

17

18

19

20

21

Pgm# (1-128)

1

2

3

4

5

8

9

6

7

10

11

12

13

98

Pizz.Str

Harp

Timpani

Strings1

Strings2

Syn Str1

Syn Str2

ChoirAah

VoiceOoh

SynVoice

Orch.Hit

Trumpet

Trombone

Tuba

Mute Trp

Fr. Horn

BrssSect

SynBrss1

SynBrss2

Ovrdrive

Dist.Gtr

GtrHarmo

Aco.Bass

FngrBass

PickBass

Fretless

SlapBas1

SlapBas2

SynBass1

SynBass2

Violin

Viola

Cello

Contrabs

Trem.Str

Xylophon

TubulBel

Dulcimer

DrawOrgn

PercOrgn

RockOrgn

ChrchOrg

ReedOrgn

Acordion

Harmnica

TangoAcd

NylonGtr

SteelGtr

Jazz Gtr

CleanGtr

Mute Gtr

Display

GrandPno

BritePno

El.Grand

HnkyTonk

E.Piano1

E.Piano2

Harpsi.

Clavi

Celesta

Glocken

MusicBox

Vibes

Marimba

Explanation of voice

Grand piano

Bright and crisp grand piano

Electric grand piano (CP80)

Ragtime-style piano

Electric piano

Electric piano with metallic resonance (DX)

Harpsichord

Clavi

Celesta

Glockenspiel

Music box

Vibraphone (metal bars with resonator tubes)

Marimba (wooden bars with resonator tubes)

Xylophone (wooden bars)

Tubular bells

Dulcimer (struck string instrument)

Drawbar organ

Electronic organ with strong attack

Rock-style organ

Pipe organ

Bright and light organ

Accordion

Harmonica

Tango accordion

Classical guitar

Fork guitar

Electric guitar (jazz)

Electric guitar

Muted guitar

Overdriven guitar

Distorted guitar

Harmonics

Upright bass

Electric bass (finger plucked)

Electric bass (played with a pick)

Fretless bass

Slapped bass

Slapped bass with soft attack

Synth bass with “sweep”

Synth bass

Violin

Viola

Cello

Contrabass

Strings played with tremolo

Strings played pizzicato

Harp

Timpani

Strings

Strings with gentle attack

Synth strings

Synth strings with gentle attack

Choir singing “aah”

Choir singing “ooh”

Vocoder-type chorus

Orchestra hit

Trumpet

Trombone

Tube

Muted trumpet

French horn

Brass section

Synth brass

Synth brass with gentle attack

Group

Reed

Pipe

Synth Lead

Synth Pad

Synth

Effects

Ethnic

Percussive

Sound

Effects

Halo Pad

Sweep Pad

Rain

Sound Track

Crystal

Atmosphere

Brightness

Goblins

Echoes

Sci-Fi

Sitar

Banjo

Shamisen

Koto

Kalimba

Bagpipe

Fiddle

Shanai

Tinkle Bell

Agogo

Steel Drums

Woodblock

Taiko Drum

Melodic Tom

Synth Drum

Reverse Cymbal

Fret Noise

Breath Noise

Seashore

Bird Tweet

Telephone Ring

Helicopter

Applause

Gunshot

Instrument name

Soprano Sax

Alto Sax

Tenor Sax

Baritone Sax

Oboe

English Horn

Bassoon

Clarinet

Piccolo

Flute

Recorder

Pan Flute

Blown Bottle

Shakuhachi

Whistle

Ocarina

Square Lead

Sawtooth Lead

Calliope Lead

Chiff Lead

Charang Lead

Voice Lead

Fifths Lead

Bass & Lead

New Age Pad

Warm Pad

Poly Synth Pad

Choir Pad

Bowed Pad

Metallic Pad

119

120

121

122

123

124

125

126

127

128

111

112

113

114

115

116

117

118

103

104

105

106

107

108

109

110

95

96

97

98

99

100

101

102

87

88

89

90

91

92

93

94

79

80

81

82

83

84

85

86

Pgm# (1-128)

65

66

67

68

69

70

71

72

73

74

75

76

77

78

Fiddle

Shanai

TnklBell

Agogo

SteelDrm

WoodBlok

TaikoDrm

MelodTom

Syn Drum

RevCymbl

FretNoiz

BrthNoiz

Seashore

Tweet

Telphone

Helicptr

Applause

Gunshot

Halo Pad

SweepPad

Rain

SoundTrk

Crystal

Atmosphr

Bright

Goblins

Echoes

Sci-Fi

Sitar

Banjo

Shamisen

Koto

Kalimba

Bagpipe

Whistle

Ocarina

SquareLd

Saw Ld

CaliopLd

Chiff Ld

CharanLd

Voice Ld

Fifth Ld

Bass&Ld

NewAgePd

Warm Pad

PolySyPd

ChoirPad

BowedPad

MetalPad

Display

SprnoSax

Alto Sax

TenorSax

Bari.Sax

Oboe

Eng.Horn

Bassoon

Clarinet

Piccolo

Flute

Recorder

PanFlute

Bottle

Shakhchi

Explanation of voice

Soprano sax

Alto sax

Tenor sax

Baritone sax

Oboe

English horn

Bassoon

Clarinet

Piccolo

Flute

Recorder

Pan flute

Blown bootle

Shakuhachi

Whistle

Ocarina

Analog synth lead (square wave)

Analog synth lead (sawtooth wave)

Pan flute-type lead

Synth brass-type lead

Distortion guitar-type lead

Chorus lead

Synth lead + perfect 4th below

Synth bass + synth lead

Bell + chorus

Pad with gentle attack

Synth brass-style pad

Chorus pad

Glass harp-style pad

Pad with hard synth strings

Pad with breath noise

Sweep pad with gentle attack

Warm and transparent synth sound

Analog synth pad + perfect 4th above

Music box, bell

Harp + strings

Synth chorus with strong attack and rapid decay

Sweep sound with gentle attack + murmuring

Pad with definite attack + release echo

Metallic synth pad

Sitar

Banjo

Shamisen

Koto

Kalimba

Bagpipe

Fiddle (violin)

Ethnic woodwind

Bell

Agogo

Steel drums

Woodblock

Japanese taiko drum

Melodic tom

Synth drum

Reversed cymbal

Fret noise

Breath noise

Waves

Birds chirping

Telephone ringing

Helicopter

Audience applauding

Gunshot

99

C/M Voice List synth brass 4 synth bass 1 synth bass 2 synth bass 3 synth bass 4 new age pad synth harmo choir pad bowed pad sound track atmosphere synth warm synth funny synth echo 1 rain synth oboe synth echo 2 synth solo synth reed organ synth bell square lead string section 1 string section 2 string section 3 pizzicato strings violin 1 violin 2 cello 1 cello 2 contrabass harp 1 harp 2 guitar 1 guitar 2 electric guitar 1 electric guitar 2 sitar

55

56

57

58

51

52

53

54

48

49

50

44

45

46

47

59

60

61

62

63

64

40

41

42

43

36

37

38

39

32

33

34

35

28

29

30

31

24

25

26

27

20

21

22

23

16

17

18

19

12

13

14

15

8

9

10

11

6

7

4

5 pgm# TYPE1 Part1 - 9

2

3

(1-128) (full name)

1 acoustic piano 1 acoustic piano 2 acoustic piano 3

(display) a.piano1

a.piano2

a.piano3

1

1

1

TYPE2 Part11 - 16

E (full name)

Acoustic Piano 1

Acoustic Piano 2

Acoustic Piano 3

(display)

A-Piano1

A-Piano2

A-Piano3

E

2

2

2 electric piano 1 electric piano 2 electric piano 3 electric piano 4 honky-tonk piano electric organ 1 electric organ 2 electric organ 3 e.piano1

e.piano2

e.piano3

e.piano4

hnkytnk e.organ1

e.organ2

e.organ3

1

1

1

1

2

2

2

1

Acoustic Piano 4

Acoustic Piano 5

Acoustic Piano 6

Acoustic Piano 7

Electric Piano 1

Electric Piano 2

Electric Piano 3

Acoustic Guitar 1

A-Piano4

A-Piano5

A-Piano6

A-Piano7

E-Piano1

E-Piano2

E-Piano3

A-Guitr1

2

1

2

2

1

1

2

1 electric organ 4 pipe organ 1 pipe organ 2 pipe organ 3 accordion harpsichord 1 harpsichord 2 harpsichord 3 clavi 1 clavi 2 clavi 3 celesta 1 celesta 2 synth brass 1 synth brass 2 synth brass 3 e.organ4

pipeorg1 pipeorg2 pipeorg3 acordion harpsi1 harpsi2 harpsi3 clavi1 clavi2 clavi3 celesta1 celesta2 synbras1 synbras2 synbras3

1

2

2

2

2

1

2

1

1

1

1

1

1

2

2

2

Acoustic Guitar 2

Acoustic Guitar 3

Electric Guitar 1

Electric Guitar 2

Slap Bass 1

Slap Bass 2

Slap Bass 3

Slap Bass 4

Slap Bass 5

Slap Bass 6

Slap Bass 7

Slap Bass 8

Finger Bass 1

Finger Bass 2

Picked Bass 1

Picked Bass 2

A-Guitr2

A-Guitr3

E-Guitr1

E-Guitr2

Slap-1

Slap-2

Slap-3

Slap-4

Slap-5

Slap-6

Slap-7

Slap-8

Finger-1

Finger-2

Picked-1

Picked-2

1

2

1

2

2

2

2

2

2

2

2

2

2

1

2

2 synbras4 synbass1 synbass2 synbass3 synbass4 1 Choir 3 newagepd 2 Choir 4 synharmo 2 Strings 1 choir pd 2 Strings 2 bowed pd 2 Strings 3 soundtrk 2 Strings 4 atmosphr 2 Electric Organ 1 syn warm 2 Electric Organ 2 synfunny 1 Electric Organ 3 synecho1 2 Electric Organ 4 rain synoboe

2

2

Electric Organ 5

Electric Organ 6 synecho2 2 Electric Organ 7 synsolo 2 Electric Organ 8 synrdorg synbell

2

1

Electric Organ 9

Soft Trumpet 1 squareld strsect1 strsect2 strsect3 pizz.str

violin 1 violin 2 cello 1 cello 2 contrabs harp 1 harp 2 guitar 1 guitar 2 elecgtr1 elecgtr2 sitar

2 Fretless Bass

1 Acoustic Bass

1 Choir 1

2 Choir 2

2

2

Soft Trumpet 2

2 Trumpet/Trombone 1 TP/TRB-1 1

Trumpet/Trombone 2





1 Sax 1

1 Sax 2

1 Sax 3

1 Sax 4

1 Brass 1

1 Brass 2

1 Brass 3

2 Brass 4

2 Brass 5

1 Orchestra Hit

FretlsBs

A-Bass

Choir-1

Choir-2

Choir-3

Choir-4

Strngs-1

Strngs-2

Strngs-3

Strngs-4

E-Organ1 2

E-Organ2 2

2

2

E-Organ3 2

E-Organ4 2

E-Organ5 2

E-Organ6 2

2

2

2

2

1

1

1

2

E-Organ7

E-Organ8

E-Organ9

SoftTP-1

SoftTP-2

TP/TRB-2

Sax-1

Sax-2

Sax-3

Sax-4

Brass-1

Brass-2

Brass-3

Brass-4

Brass-5

Orch-Hit

2

2

2

1

1

1

2

2

1

1

2

1

1

2

1

1

100

119

120

121

122

115

116

117

118

108

109

110

111

112

113

114

123

124

125

126

127

128

104

105

106

107

100

101

102

103

96

97

98

99

92

93

94

95

88

89

90

91

84

85

86

87

80

81

82

83

76

77

78

79

72

73

74

75

68

69

70

71 pgm# TYPE1 Part1 - 9

(1-128) (full name)

65 acoustic bass 1

66

67 acoustic bass 2 electric bass 1

(display) a.bass 1 a.bass 2 e.bass 1 electric bass 2 slap bass 1 slap bass 2 fretless bass 1 fretless bass 2 flute 1 flute 2 piccolo 1 e.bass 2 slapbas1 slapbas2 fretles1 fretles2 flute1 flute2 piccolo1 piccolo 2 recorder pan pipes sax 1 sax 2 sax 3 sax 4 clarinet 1 clarinet 2 oboe english horn bassoon harmonica trumpet 1 trumpet 2 trombone 1 piccolo2 recorder panpipes sax1 sax2 sax3 sax4 clarint1 clarint2 oboe eng.horn

bassoon harmnica trumpet1 trumpet2 trmbone1 trombone 2 frugel horn 1 frugel horn 2 tuba brass section 1 brass section 2 vibraphone 1 vibraphone 2 synth mallet mallet windbell glockenspiel tublar bells xylophone marimba koto sho shakuhachi whistle 1 whistle 2 bottle breath pipe timpani melodi tom deep snare electric percussion 1 electric percussion 2 taiko taiko rim cymbal castanet triangle orchestra hit telephone bird tweet one note jam effect water effect jungle shakhchi whistle1 whistle2 bottle breath timpani melotom deepsnar e.perc1

e.perc2

taiko taikorim cymbal castanet triangle trmbone2 fr.horn1

fr.horn2

tuba brssect1 brssect2 vibe1 vibe2 symallet maletwin glocken tubulbel xylophen marimba koto sho orchehit telphone bird jam efctwatr efctjngl

2 Silence

2 Silence

1 Silence

2 Silence

2 Silence

1 Silence

1 Silence

1 Silence

1 Silence

1 Silence

1 Silence

1 Silence

2 Silence

1 Silence

1 Silence

2 Silence

1 Silence

2 Silence

2 Silence

1 Silence

2 Silence

1 Silence

1 Silence

1 Silence

2 Silence

2 Silence

1 Silence

1 Silence

2 Silence

1 Silence

2 Silence

1 Silence

1 Silence

1 Silence

1 Silence

2 Silence

2 Silence

2 Silence

1 Silence

2 Silence

2 Silence

1 Silence

1 Silence

1 Silence

1 Silence

1 Silence

1 Silence

1 Silence

1 Silence

1 Silence

1 Silence

1 Silence

2 Silence

TYPE2 Part11 - 16

E (full name)

1 Silence

1 Silence

1 Silence

(display)

Silence

Silence

Silence

E

1 Silence

1 Silence

1 Silence

1 Silence

1 Silence

1 Silence

1 Silence

1 Silence

Silence

Silence

Silence

Silence

Silence

Silence

Silence

Silence

Silence

Silence

Silence

Silence

Silence

Silence

Silence

Silence

Silence

Silence

Silence

Silence

Silence

Silence

Silence

Silence

Silence

Silence

Silence

Silence

Silence

Silence

Silence

Silence

Silence

Silence

Silence

Silence

Silence

Silence

Silence

Silence

Silence

Silence

Silence

Silence

Silence

Silence

Silence

Silence

Silence

Silence

Silence

Silence

Silence

Silence

Silence

Silence

Silence

Silence

Silence

Silence

Silence

XG Drum Map

82

83

84

85

86

78

79

80

81

74

75

76

77

70

71

72

73

87

88

89

90

91

D# 5

E 5

F 5

F# 5

G 5

A 4

A# 4

B 4

C 5

C# 5

D 5

A# 3

B 3 O

C 4 O

C# 4

D 4 O

D# 4

E 4

F 4

F# 4

G 4

G# 4

30

31

32

33

34

26

27

28

29

22

23

24

25

18

19

20

21

Bank Select MSB

Bank Select LSB

Program#

Key Alternate

Note#

13

14

15

16

17

Note

C# -1

D -1

D# -1

E -1

F -1

Off Group

3

3

4

127

0

1

Standard Kit

Surdo Mute

Surdo Open

Hi Q

Whip Slap

Scratch H

4 F# -1

G -1

G# -1

A -1

A# -1

B -1

C 0

C# 0

D 0 O

D# 0

E 0 O

F 0

F# 0

O

G 0

G# 0

A 0

A# 0

Scratch L

Finger Snap

Click Noise

Metronome Click

Metronome Bell

Seq Click L

Seq Click H

Brush Tap

Brush Swirl

Brush Slap

Brush Tap Swirl

Snare Roll

Castanet

Snare Soft

Sticks

Kick Soft

Open Rim Shot

1

1

1

Chinese Cymbal

Ride Cymbal Cup

Tambourine

Splash Cymbal

Cowbell

Crash Cymbal 2

Vibraslap

Ride Cymbal 2

Bongo H

Bongo L

Conga H Mute

Conga H Open

Conga L

Timbale H

Timbale L

Agogo H

Agogo L

Cabasa

Kick Tight

Kick

Side Stick

Snare

Hand Clap

Snare Tight

Floor Tom L

Hi-Hat Closed

Floor Tom H

Hi-Hat Pedal

Low Tom

Hi-Hat Open

Mid Tom L

Mid Tom H

Crash Cymbal 1

High Tom

Ride Cymbal 1

64

65

66

67

60

61

62

63

68

69

56

57

58

59

52

53

54

55

47

48

49

50

51

43

44

45

46

39

40

41

42

35

36

37

38

C 3

C# 3

D 3

D# 3

E 3

F 3

F# 3

G 3

G# 3

A 3

E 2

F 2

F# 2

G 2

G# 2

A 2

A# 2

B 2

G 1

G# 1

A 1

A# 1

B 1

C 2

C# 2

D 2

D# 2

B 0

C 1

C# 1

D 1

D# 1

E 1

F 1

F# 1

2

2

Maracas

Samba Whistle H

Samba Whistle L

Guiro Short

Guiro Long

Claves

Wood Block H

Wood Block L

Cuica Mute

Cuica Open

Triangle Mute

Triangle Open

Shaker

Jingle Bells

Bell Tree

127

0

2

127

0

3

127

0

4

127

0

5

127

0

6

127

0

7

127

0

8

127

0

9

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1 Kick Tight Short

1 Kick Short

1

1 Snare Short

1

1 Snare Tight H

1

1

E

1

1

1

1

1

Standard Kit 2 E Dry Kit ***

Surdo Mute V ***

Surdo Open V ***

E

1

1

Bright Kit ***

Surdo Mute B ***

Surdo Open B ***

Hi Q B ***

Whip Slap B ***

Scratch H B ***

1

1

1

1

1

1

1

1

1

1

1

1 Snare Roll 2

Brush Tap V ***

Brush Swirl V ***

Brush Slap V ***

1

Brush Tap Swirl V ***

Snare Roll V ***

1

1

1

1

Scratch L B ***

Finger Snap B ***

Click Noise B ***

Metronome Click B ***

Metronome Bell B ***

Seq Click L B ***

Seq Click H B ***

Brush Tap B ***

Brush Swirl B ***

Brush Slap B ***

1

Brush Tap Swirl B ***

Snare Roll B ***

1

1

1

1

Snare Soft 2 1 Snare Dry Soft ***

1 Open Rim Shot H Short 1

1

Kick Dry Soft *** 1

Open Rim Shot Dry V *** 1

Castanet B ***

Snare Soft B ***

Sticks B ***

Kick Soft B ***

Open Rim Shot B ***

1

1

1

1

Kick Tight B ***

Kick B ***

Side Stick B ***

Snare B ***

1

1

Hand Clap B ***

Snare Tight B ***

Floor Tom L B ***

Hi-Hat Closed L B ***

1

1

Kick Dry Tight ***

Kick Dry Mute ***

1

Side Stick Dry ***

Snare Dry ***

1 Snare Dry Mute ***

Floor Tom L Short ***

Floor Tom H Short ***

Low Tom Short ***

Mid Tom L Short ***

Mid Tom H Short ***

Crash Cymbal 1 V ***

High Tom Short ***

Ride Cymbal 1 V ***

Chinese Cymbal V ***

Splash Cymbal V ***


Ride Cymbal 2 V ***

Bongo H V ***

Bongo L V ***

Conga H Mute V ***

Conga H Open V ***

Conga L V ***

Timbale H V ***

Timbale L V ***

Agogo H V ***

Agogo L V ***

Samba Whistle H V ***

Samba Whistle L V ***

Cuica Mute V ***

Cuica Open V ***

1

Tambourine B ***

Splash Cymbal B ***

1

Cowbell L ***

Crash Cymbal 2 B ***

1

1

1

1

Vibraslap B ***

Ride Cymbal 2 B ***

Bongo H B ***

Bongo L B ***

1

1

1

1

Conga H Mute B ***

Conga H Open B ***

Conga L B ***

Timbale H B ***

1

1

Timbale L B ***

Agogo H B ***

Agogo L B ***

Cabasa B ***

1

1

Maracas B ***

Samba Whistle H B ***

Samba Whistle L B ***

Guiro Short B ***

Guiro Long B ***

Claves B ***

Wood Block H B ***

Wood Block L B ***

1

1

Cuica Mute B ***

Cuica Open B ***

Triangle Mute B ***

Triangle Open B ***

Shaker B ***

Jingle Bells B ***

Bell Tree B ***

: Same as Standard Kit

: No sound

** ** : MU80 0 Extension

*** * : MU90 0 Extension

****: MU100 Extension

1

1

E

1

Skim Kit ****

Surdo Mute V ***

Surdo Open V ***

1

1

E

1

1

Slim Kit ****

Surdo Mute V ***

Surdo Open V ***

1

1

1

1

1

1

1

1

1

1

1

1

Brush Tap V ***

Brush Swirl V ***

Brush Slap V ***

Brush Tap Swirl L ****

Snare Roll V ***

1

1

Castanet Sk ****

Snare Dry Q ****

1

1

1

1

1

1

1

Brush Tap V ***

Brush Swirl V ***

Brush Slap V ***


Snare Roll V ***

Castanet H ****

Snare Rough Q ****

1

1

1

Kick Dry Soft HPF **** 1

Open Rim Shot Dry HPF **** 1

Sticks Q ****

Kick Soft Dark ****

Open Rim Shot Sl ****

E

1

Rogue Kit ****

Surdo Mute V ***

1 Surdo Open V ***

1

1

1

1

Brush Tap V ***

Brush Swirl V ***

Brush Slap V ***

1

1

1

1

Brush Tap Swirl L ***

Snare Roll V ***

Castanet H ****

Snare Brass Soft ****

1

1

Kick Soft 2 ****

Open Rim Shot 2 ****

E

1

Hob Kit ****

Surdo Mute V ***

1 Surdo Open V ***

1

1

1

1

1

1

1

1

Brush Tap V ***

Brush Swirl V ***

Brush Slap V ***


Snare Roll V ***

1

1

1

1

1

1

Castanet H **** 1

Snare Brass Soft H **** 1

Kick Soft 2 H **** 1

Open Rim Shot H Short 2 **** 1

E

1

1

Room Kit

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

Kick Dry Tight Q****

Kick Dry Mute HPF ****

Side Stick Dry Q ****

Snare Dry H ****

Hand Clap Sk ****

Snare Dry Mute Q ****

Floor Tom L Short Sk **** 1

Hi-Hat Closed H **** 1

1

1

1

1

1

1

Crash Cymbal 1 Q ****

High Tom Short Sk ****

Kick Tight Short L ****

Kick Short Dark ****

Side Stick Q ****

Snare Short HPF ****

Hand Clap Dark ****

Snare Tight Mute ****

Floor Tom L Tight ****

Hi-Hat Closed L Q ****

Floor Tom H Tight ****

Hi-Hat Pedal Q ****

Low Tom Tight ****

Hi-Hat Open Q ****

1

1

Mid Tom L Tight ****

Mid Tom H Tight ****

Crash Cymbal 1 L ****

High Tom Tight ****

Ride Cymbal 1 L ****

1

1

Kick Dark 2 ****

Kick Tight 4 ****

1

1

Kick Dark 2 H ****

Kick Tight 4 H ****

1

1 Kick Room **

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

Side Stick Tight ****

Snare Brass Hard ****

Floor Tom L Tight ****

Hi-Hat Closed 3 ****

Floor Tom H Tight ****

Hi-Hat Pedal 3 ****

Low Tom Tight ****

Hi-Hat Open 3 ****

Mid Tom L Tight ****

Mid Tom H Tight ****

Crash Cymbal 3 ****

High Tom Tight ****

Ride Cymbal 3 ****

1

1

1

1

1

1

1

1

1

1

1

1

1

Side Stick Tight H **** 1

Snare Snappy Short **** 1 Snare Snappy Short H **** 1

Snare Brass Hard H ****

Floor Tom L Tight H ****

Hi-Hat Closed 3 H ****

Floor Tom H Tight H **** 1

Hi-Hat Pedal 3 H ****

Low Tom Tight H ****

Hi-Hat Open 3 H ****

Mid Tom L Tight H ****

Mid Tom H Tight H ****

Crash Cymbal 3 H ****

High Tom Tight H ****

Ride Cymbal 3 H ****

1

1

1

1

1

1

1

1

1

1

1

Snare Snappy

Snare Tight Snappy

Tom Room 1

Tom Room 2

Tom Room 3

Tom Room 4

Tom Room 5

Tom Room 6

Tambourine Q ****

Splash Cymbal H ****

Cowbell HPF ****

1

1

1

Crash Cymbal 2 Dark **** 1

Chinese Cymbal L **** 1

Ride Cymbal Cup L **** 1

Splash Cymbal L Short **** 1

Cowbell Dark ****

Crash Cymbal 2 L ****

Ride Cymbal 2 Q ****

Bongo H HPF ****

Bongo L HPF **** 1

Conga H Mute HPF **** 1

1

1

Ride Cymbal 2 L****

Bongo H V ***

Bongo L V ***

Conga H Open HPF **** 1

Conga L HPF **** 1

Timbale H HPF ****

Timbale L HPF ****

Agogo H HPF ****

Agogo L HPF ****

Cabasa BPF ****

Conga H Mute V ***

Conga H Open V ***

1

1

Conga L H ****

Timbale H V ***

1

1

Timbale L V ***

Agogo H V ***

1

Agogo L V ***

1

1

1

1

1

1

1

1

1

1

1

1

Chinese Cymbal 2 **** 1

Ride Cymbal Cup 2 **** 1

Chinese Cymbal 2 H **** 1

Ride Cymbal Cup 2 H **** 1

Tambourine H **** 1

Splash Cymbal V ***

Cowbell Mid ****

Crash Cymbal 4 ****

1

1

1


Cowbell H ****


1

1

1

Ride Cymbal 4 Q ****

Bongo H V ***

Bongo L V ***

Conga H Mute 2 ****

Conga H Open 2 ****

Conga L 2 ****

Timbale H V ***

Timbale L V ***

Agogo H V ***

Agogo L V ***

1

1

1

1

1

1

1

1

1

1

Ride Cymbal 4 ****

Bongo H V ***

Bongo L V ***

Conga H Mute 2 H ****

Conga H Open 2 H ****

Conga L 2 H ****

Timbale H V ***

Timbale L V ***

Agogo H V ***

Agogo L V ***

1

1

1

1

1

1

1

1

1

1

Maracas L ****

Samba Whistle H BPF **** 1

Samba Whistle L BPF **** 1

1

1

1

1

1

1

1

Cuica Open H ****

1 Maracas Q ****



1 Cuica Open H ****

1

1

Maracas Q ****


1 Samba Whistle L V ***

1 Cuica Open H ****

1

1

1

1

Maracas Q ****



Cuica Open H **** 1

1

1

1


101

E

1

1

1

1

1

1

1

1

1

XG Drum Map

F 4

F# 4

G 4

G# 4

A 4

A# 4

B 4

C 5

C# 5

D 5

D# 5

E 5

F 5

C 4 O

C# 4

D 4 O

D# 4

E 4

84

85

86

87

80

81

82

83

88

89

76

77

78

79

72

73

74

75

90

91

F# 5

G 5

66

67

68

69

62

63

64

65

70

71

58

59

60

61

54

55

56

57

48

49

50

51

44

45

46

47

52

53

40

41

42

43

36

37

38

39

30

31

32

33

26

27

28

29

34

35

22

23

24

25

18

19

20

21

Bank Select MSB

Bank Select LSB

Program#

Key Alternate

Note#

13

Note

C# -1

Off Group

3

14

15

D -1

D# -1

3

16

17

E -1

F -1 4

127

0

1

Standard Kit

Surdo Mute

Surdo Open

Hi Q

Whip Slap

Scratch H

4

E 0 O

F 0

F# 0

O

G 0

G# 0

A 0

A# 0

B 0

F# -1

G -1

G# -1

A -1

A# -1

B -1

C 0

C# 0

D 0 O

D# 0

Scratch L

Finger Snap

Click Noise

Metronome Click

Metronome Bell

Seq Click L

Seq Click H

Brush Tap

Brush Swirl

Brush Slap

Brush Tap Swirl

Snare Roll

Castanet

Snare Soft

Sticks

Kick Soft

Open Rim Shot

Kick Tight

1

1

1

D 3

D# 3

E 3

F 3

F# 3

G 3

G# 3

A 3

A# 3

B 3 O

F# 2

G 2

G# 2

A 2

A# 2

B 2

C 3

C# 3

G# 1

A 1

A# 1

B 1

C 2

C# 2

D 2

D# 2

E 2

F 2

C 1

C# 1

D 1

D# 1

E 1

F 1

F# 1

G 1

Tambourine

Splash Cymbal

Cowbell

Crash Cymbal 2

Vibraslap

Ride Cymbal 2

Bongo H

Bongo L

Conga H Mute

Conga H Open

Conga L

Timbale H

Timbale L

Agogo H

Agogo L

Cabasa

Maracas

Samba Whistle H

Kick

Side Stick

Snare

Hand Clap

Snare Tight

Floor Tom L

Hi-Hat Closed

Floor Tom H

Hi-Hat Pedal

Low Tom

Hi-Hat Open

Mid Tom L

Mid Tom H

Crash Cymbal 1

High Tom

Ride Cymbal 1

Chinese Cymbal

Ride Cymbal Cup

2

2

Samba Whistle L

Guiro Short

Guiro Long

Claves

Wood Block H

Wood Block L

Cuica Mute

Cuica Open

Triangle Mute

Triangle Open

Shaker

Jingle Bells

Bell Tree

127

0

10

127

0

17

127

0

18

127

0

25

127

0

26

127

0

27

127

0

28

127

0

29

1

1

1

1

1

1

1

1

1

1

1

1

1


Cuica Mute V ***

Cuica Open V ***

1

1

1

1

E

1

Dark Room Kit *** E

Surdo Mute V *** 1

Surdo Open V *** 1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

Brush Tap V ***

Brush Swirl V ***

Brush Slap V ***


Snare Roll V ***

1

1 Kick Dark ***

Rock Kit

1

1

1

1

1

Snare Noisy

Kick Tight 2

1 Kick 2

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

Kick Room Gate ***

Snare Snappy 2 ***

1

1

Kick Gate

Snare Rock

Snare Tight Snappy 2 *** 1

Tom Room 1 Q *** 1

Snare Rock Rim

Tom Rock 1

Hi-Hat Closed Q ***

Room Tom 2 Q ***

1

1 Tom Rock 2

Hi-Hat Pedal Q ***

Room Tom 3 Q ***

Hi-Hat Open L ***

Tom Room 4 Dark ***

Tom Room 5 L Dark ***

Tom Room 6 L Dark ***

Ride Cymbal 1 V ***

1

1


1

1

1

1

1

1

1

1

Tom Rock 3

Tom Rock 4

Tom Rock 5

Tom Rock 6

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

Splash Cymbal V ***


Ride Cymbal 2 V ***

Bongo H V ***

Bongo L V ***

Conga H Mute V ***

Conga H Open V ***

Conga L V ***

Timbale H V ***

Timbale L V ***

Agogo H V ***

Agogo L V ***

1

1 Samba Whistle H V ***

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

: Same as Standard Kit

: No sound

** ** : MU80 0 Extension


****: MU100 Extension


Cuica Mute V ***

Cuica Open V ***

E Rock Kit 2 ***

Surdo Mute V ***

Surdo Open V ***

Brush Tap V ***

Brush Swirl V ***

Brush Slap V ***


Snare Roll V ***

1 Snare Noisy 5 ***

1 Kick Tight 3 ***

1 Kick 4 ***

1 Kick Gate 2 ***

1 Snare Rock 2 ***

1

1

Snare Rock Rim Q ***

Tom Rock 1 H ***

Hi-Hat Closed 2 ***

1 Tom Rock 2 H ***

1

Hi-Hat Pedal 2 *** 1

Tom Rock 3 L Short *** 1

1

1

1

1

1 Kick Gate Heavy

1 Snare Noisy 2

Snare Noisy 3

Tom Electro 1

Tom Electro 2

Tom Electro 3

1

1

Hi-Hat Open 2 *** 1



Tom Electro 4

Tom Electro 5

Tom Electro 6 1 Tom Rock 6 L Short *** 1

Ride Cymbal 1 V ***


1

1

Splash Cymbal V ***


Ride Cymbal 2 V ***

Bongo H V ***

Bongo L V ***

Conga H Mute V ***

Conga H Open V ***

Conga L V ***

Timbale H V ***

Timbale L V ***

Agogo H V ***

Agogo L V ***


1

1

1

1

1

1

1

1

1

1

1

1

1

E

1

1

Electro Kit

1

1

1

1

1

Reverse Cymbal

1

Hi Q 2

Snare Snappy Electro

1 Kick 3

1 Kick Gate

1

1

1

Scratch H 2

Scratch L 2


1 Kick Analog

Side Stick Analog

1 Snare Analog

1 Snare Analog 2

1 Tom Analog 1

Hi-Hat Closed Analog

1 Tom Analog 2

Hi-Hat Closed Analog 2

1 Tom Analog 3

Hi-Hat Open Analog

1 Tom Analog 4

1 Tom Analog 5

Crash Analog

1 Tom Analog 6

Cowbell Analog

Conga Analog H

Conga Analog M

Conga Analog L

Maracas 2

E Analog Kit

1 Reverse Cymbal

1 Hi Q 2

1 Snare Noisy 4

1 Kick Tight 2

1 Kick Analog Short

Claves 2

1 Scratch H 2

1 Scratch L 3

E Analog Kit 2 ***

Surdo Mute V ***

Surdo Open V ***

E

1

1

Dance Kit ***

Brush Tap V ***

1

Brush Swirl V ***

Brush Slap V ***

Reverse Cymbal ***

1

1

Snare Roll V ***

Hi Q 2 ***

Snare Analog 3 ***

1

1

1

1

1

1

1

Reverse Cymbal ***

Hi Q 2 ***

Snare Techno 3 ***

1 Kick Techno Soft *** 1 Kick Techno Q ***

Open Rim Shot Dry V *** 1 Rim Gate ***

1 Kick Techno Tight *** 1 Kick Techno L ***

1

1

Kick Techno ***

Side Stick Analog ***

1

1

Kick Techno 2 ***

Side Stick Analog ***

1

1

Kick Boon ***

Side Stick Dry ***

1

1

1

Snare Techno ***

Snare Techno 2 ***

Tom Analog 1 ***

1

1

1

Snare Clap ***

Snare Dry 2 ***

Tom Analog 1 ***

1

1

Hi-Hat Closed Analog *** 1

1

1

Tom Analog 2 *** 1

Hi-Hat Closed Analog 2 *** 1

1

1

Tom Analog 3 ***

Hi-Hat Open Analog ***

1

1

Tom Analog 4 ***

Tom Analog 5 ***

1

Crash Analog ***

Tom Analog 6 ***

1

1

1

1

1

1

Hi-Hat Closed 3 ***

Tom Analog 2 ***

1

1

Hi-Hat Closed Analog 2 *** 1

Tom Analog 3 ***

Hi-Hat Open 3 ***

Tom Analog 4 ***

Tom Analog 5 ***

Crash Analog ***

Tom Analog 6 ***

1

1

1

1

1

1

Ride Cymbal 1 V ***


1

1

2 Snare Dry Mute ***

1

1

Snare White ***


Hi-Hat Closed 2 H ***

Floor Tom H Short ***

Hi-Hat Pedal 2 H ***

Low Tom Short ***

Hi-Hat Open 2 L ***

Mid Tom L Short ***

Mid Tom H Short ***


High Tom Short ***

Ride Cymbal 1 V ***


Splash Cymbal V ***

1 Cowbell Analog ***


Ride Cymbal 2 V ***

Bongo H V ***

1

1

Bongo L V ***

Conga Analog H ***

1

Conga Analog M ***

Conga Analog L ***

Timbale H V ***

Timbale L V ***

Agogo H V ***

Agogo L V ***

1 Maracas 2 ***



1 Claves 2 ***

1

1

Scratch H 2 ***

Scratch L 3 ***

1

1

1

1

1

1

1

1

1

1

1

1

1

Cowbell Analog ***

1

1

1

1

1

1

Conga Analog H ***

Conga Analog M ***

Conga Analog L ***

Maracas 2 ***

Claves 2 ***

Scratch H 2 ***

Scratch L 3 ***

1

1

1

1

1

Splash Cymbal V ***


Ride Cymbal 2 V ***

Bongo H V ***

Bongo L V ***

Conga H Mute V ***

Conga H Open V ***

Conga L V ***

Timbale H V ***

Timbale L V ***

Agogo H V ***

Agogo L V ***


1


1

1

Cuica Mute V ***

Cuica Open V ***

E Hip Hop Kit ***

Surdo Mute V ***

Surdo Open V ***

1

1

1

Brush Tap V ***

Brush Swirl V ***

Brush Slap V ***


1

1

Snare Roll V ***

Open Rim Shot 2 Soft *** 1

1

1

1

1

1

1

Kick Dry Soft 2 ***

Open Rim Shot 2 ***

Kick Dim ***

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

E

1

1

1

1

102

XG Drum Map

84

85

86

87

80

81

82

83

88

89

76

77

78

79

72

73

74

75

90

91

F 4

F# 4

G 4

G# 4

A 4

A# 4

B 4

C 5

C# 5

D 5

D# 5

E 5

F 5

C 4 O

C# 4

D 4 O

D# 4

E 4

F# 5

G 5

66

67

68

69

62

63

64

65

70

71

58

59

60

61

54

55

56

57

48

49

50

51

44

45

46

47

52

53

40

41

42

43

36

37

38

39

D 3

D# 3

E 3

F 3

F# 3

G 3

G# 3

A 3

A# 3

B 3 O

F# 2

G 2

G# 2

A 2

A# 2

B 2

C 3

C# 3

G# 1

A 1

A# 1

B 1

C 2

C# 2

D 2

D# 2

E 2

F 2

C 1

C# 1

D 1

D# 1

E 1

F 1

F# 1

G 1

30

31

32

33

26

27

28

29

34

35

22

23

24

25

18

19

20

21

Bank Select MSB

Bank Select LSB

Program#

Key Alternate

Note#

13

Note

C# -1

Off

14

15

D -1

D# -1

16

17

E -1

F -1

127

0

30

Group

3

3

4

Jungle Kit ***

Surdo Mute V ***

Surdo Open V ***

4

E 0 O

F 0

F# 0

O

G 0

G# 0

A 0

A# 0

B 0

F# -1

G -1

G# -1

A -1

A# -1

B -1

C 0

C# 0

D 0 O

D# 0

Brush Tap V ***

Brush Swirl V ***

Brush Slap V ***


Snare Roll V ***

Rim Gate 2 ***

Kick Cough ***

Rim Gate 3 ***

Kick Zap ***

1

1

1

E

1

1

127

0

31

Apogee Kit ****

Surdo Mute V ***

Surdo Open V ***

1 Brush Tap V ***

1 Brush Swirl V ***

1 Brush Slap V ***

1 Reverse Cymbal ***

1

Hi Q 2 ***

1 Snare Analog 4 ****

1 Kick Techno 3 ****

1 Open Rim Shot L ****

1 Kick Techno 4 ****

127

0

32

E

1

Perigee Kit ****

Surdo Mute V ***

1 Surdo Open V ***

1

1

1

1

Brush Tap V ***

Brush Swirl V ***

Brush Slap V ***

Reverse Cymbal ***

1

1

Hi Q 2 ***

Snare Analog 4 H ****

1

1

Kick Techno 3 ****

1

Open Rim Shot L ****

Kick Techno 4 H ****

E

1

Jazz Kit E

1

1

1

1

1

1

1

1

1

1

127

0

33

127

0

34

Surdo Mute V ***

Surdo Open V ***

Jazz Kit 2 ***

Splash Cymbal V ***


Ride Cymbal 2 V ***

Bongo H V ***

Bongo L V ***

Conga H Mute V ***

Conga H Open V ***

Conga L V ***

Timbale H V ***

Timbale L V ***

Agogo H V ***

Agogo L V ***


Kick Dawn ***

Side Stick Dry ***

Snare Tin ***

Snare Can ***


Hi-Hat Pedal 2 Soft ***

Low Tom Short ***

Hi-Hat Open 2 Soft ***

Mid Tom L Short ***

Mid Tom H Short ***


High Tom Short ***

Ride Cymbal 1 V ***


1

1

1

1

1

Kick Techno Tight 2 ****

Side Stick Analog 2 ****

Snare Analog 5 ****

Clap Ambience ****

Snare Analog 6 ****

Tom Techno 1 ****

1

1

1

1

Crash Analog ***

Tom Techno 6 ****

1

1

1 Ride Cymbal Analog 1 **** 1

1

1

1

1

Kick Techno Tight 2 H **** 1

Side Stick Analog 2 H **** 1


Clap Ambience H ****


Tom Techno 1 H ****

Hi-Hat Closed 2 Soft *** 1

Floor Tom H Short *** 1

Hi-Hat Closed Analog 3 **** 1

Tom Techno 2 **** 1

Hi-Hat Closed Analog 3 H **** 1

Tom Techno 2 H **** 1

1

1

Hi-Hat Closed Analog 4 **** 1

Tom Techno 3 **** 1

Hi-Hat Closed Analog 4 H **** 1


1

1

1

Hi-Hat Open Analog 2 **** 1

Tom Techno 4 ****

Tom Techno 5 ****

1

1

Hi-Hat Open Analog 2 H **** 1


Tom Techno 5 H ****

Crash Analog H ****

Tom Techno 6 H ****

1

1

1

1

1

1

1

Ride Cymbal Analog 1 H **** 1

1

Ride Cymbal Cup Q **** 1

Chinese Cymbal H **** 1

Ride Cymbal Cup H **** 1

Kick Jazz

Tom Jazz 1 1

Tom Jazz 2 1

1 Kick Jazz L ***

Snare H ***

Snare Tight L ***

Tom Jazz 7 ***

Hi-Hat Closed L ***

Tom Jazz 3 1

Tom Jazz 4 1

Tom Jazz 8 ***

Hi-Hat Pedal L ***

Tom Jazz 9 ***

Hi-Hat Open L ***

Tom Jazz 5

Tom Jazz 6

1

1

Tom Jazz 10 ***

Tom Jazz 11 ***

Tom Jazz 12 ***

Ride Cymbal 1 V ***


Ride Cymbal Cup L ***

1

1

Splash Cymbal V ***

Cowbell Analog L ****


1 Ride Cymbal Analog 2 **** 1

1 Bongo H V ***

1 Bongo L V ***

1

1

1

1

Tambourine H ****


1

Cowbell Analog H ****


Ride Cymbal Analog 2 H **** 1

Bongo H V ***

Bongo L V ***

1

1

1

1

1

1

1

1

1

1

Conga Analog H Long **** 1

Conga Analog M Long **** 1

1 Conga Analog L Long **** 1

1 Timbale H V ***

1 Timbale L V ***

1

1

Agogo H V ***

Agogo L V ***

Maracas 2 ***


1

1

Timbale L V ***

Agogo H V ***

Agogo L V ***

1

1

Conga Analog H Long H **** 1

Conga Analog M Long H **** 1

Conga Analog L Long H **** 1

Timbale H V ***

Maracas 2 ***


1

1

1

1

1

1

Splash Cymbal V ***


Ride Cymbal 2 V ***

Bongo H V ***

Bongo L V ***

Conga H Mute V ***

Conga H Open V ***

Conga L V ***

Timbale H V ***

Timbale L V ***

Agogo H V ***

Agogo L V ***


Brush Tap V ***

Brush Swirl V ***

Brush Slap V ***


Snare Roll V ***

2

2


Cuica Mute V ***

Cuica Open V ***


Claves 2 ***

1 Scratch H 2 ***

1 Scratch L 3 ***


1 Claves 2 ***

1

1

Scratch H 2 ***

Scratch L 3 ***

1

1

1

1


Cuica Mute V ***

Cuica Open V ***

127

0

41

127

0

42

127

0

49

127

0

65

127

0

66

E

1

Brush Kit E

1

Brush Kit2 **** E Symphony Kit E

1

1

1

1

1

Brush Slap 2 1


Snare Roll V ***

Castanet H ****

Snare Dry Hard ****

1

1

1

1

Kick Release **** 1

Open Rim Shot Dry L **** 1

Kick Cloudy H ****

Kick Soft 2

1 Gran Cassa

Tramp Kit ****

Brush Tap V ***

Brush Swirl V ***

Brush Slap V ***

Reverse Cymbal ***

Snare Roll V ***

Hi Q 2 ***

Snare Techno 3 Q ****

Sticks Q ****

1 Kick Techno Q 2 ****

Rim Gate Lo-Fi ****

1 Kick Techno L Q ****

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1 Kick Small

1

1

Brush Slap 3 1

Kick Cloudy L ****

Side Stick B 2 ****

Brush Slap 3 Q ****

1

1

Gran Cassa Mute

1 Band Snare

1

1

Kick Techno 2 Gate **** 1 Kick Comp 1 H****

Side Stick Analog Q **** 1 Side Stick Dry L ****

Snare Clap *** 2 Snare Dry Mute L ****

1

1

1

1

1

1

1

1

1

Brush Tap 2 1

Tom Brush 1 1

1

1 Tom Brush 2 1

1

1 Tom Brush 3 1

1

1

1

Tom Brush 4 1

Tom Brush 5 1

Brush Snare Loud ****

Tom Brush 7 ****

Hi-Hat Closed 4 ****

Tom Brush 8 ****

Hi-Hat Pedal 4 ****

Tom Brush 9 ****

Hi-Hat Open 4 ****

Tom Brush 10 ****

Tom Brush 11 ****

Tom Brush 6 1

Crash Cymbal 4 ****

Tom Brush 12 ****

Ride Cymbal 1 H ****

1

1

1

1

1

1

1

1

1

1

1

1

Band Snare 2

Tom Jazz 1

Tom Jazz 2

Tom Jazz 3

Tom Jazz 4

Tom Jazz 5

Hand Cymbal

Tom Jazz 6

Ride Cymbal Cup 6 **** 1

1

1

1

1

1

1

1

1

Hand Cymbal Short 1

Hand Clap Dark ****

Snare Dry 2 Gate ****

Tom Analog 7 ****

Tom Analog 8 ****

Tom Analog 9 ****

Hi-Hat Open 3 Dark ****

Tom Analog 10 ****

Tom Analog 11 ****

Crash Analog Dark ****

Tom Analog 12 ****

Chinese Cymbal L ****

1

1

1

Hi-Hat Closed 3 Dark **** 1

1

Hi-Hat Closed Analog 2 L**** 1

1

1

1

1

1

1

Ride Cymbal 1 Dark **** 1

1

Ride Cymbal Cup Dark **** 1

Hand Clap Dark ****

Hip Snare Long ****

Floor Tom Tech L ****

Hi-Hat Closed Tech ****

Floor Tom Tech H ****

Hi-Hat Pedal Tech ****

Low Tom Tech ****

Hi-Hat Open 3 Dark ****

Mid Tom Tech L ****

Mid Tom Tech H ****

Crash Cymbal Dark ****

High Tom Tech ****

1

1

1

1

1

1

1

1

1

1

1

1

Ride Cymbal 1 Dark **** 1

Chinese Cymbal H2 **** 1

Ride Cymbal Cup Dark **** 1

1

1

1

1 Splash Cymbal V ***

Cowbell 2 ****

Ride Cymbal 6 ****

Conga H Mute V ***

Conga H Open V ***

Conga L 2 ****

Maracas Q ****

1

1

1

1

1

1

Hand Cymbal 2

Tambourine Dark ****

Splash Cymbal L Q ****

Cowbell Analog Q ***

1 Crash Cymbal 2 Q ****

1 Hand Cymbal 2 Short 1 Ride Cymbal 2 D ****

1

1

1

1

Tambourine Dark ****

Splash Cymbal L Q ****

Cowbell Lo-Fi ****


Bongo H V ***

Bongo L V ***

1 Ride Cymbal 2 V ***

1 Bongo H V ***

1 Bongo L V ***

Conga Analog H Long **** 1

Conga Analog M Long **** 1

Conga H Mute V ***

Conga H Open V ***

Conga Analog L Long **** 1

Timbale H V *** 1

Conga L 2 ****

Timbale H V ***

Timbale L V ***

Agogo H V ***

1

1

Timbale L V ***

Agogo H V ***

Agogo L V ***

Maracas 2 ***


1

1

1

Agogo L V ***

Maracas Q ****


1

1

1

1

1

1

1

1

1

1

1

1

1

Cuica Open H **** 1


Scratch H 2 ***

Scratch L 3 ***


1

1 Cuica Open H *** 1

E Amber Kit ****

Surdo Mute V ***

Surdo Open V ***

1 Brush Tap V ***

1 Brush Swirl V ***

1 Brush Slap V ***

1 Brush Tap Swirl L ***

1 Snare Roll V ***

1

1 Open Rim Shot 3 Soft **** 1

1

1

Sticks Q ****

KickDrySoft3 ****

1

1

1 Open Rim Shot Dry **** 1

1 Kick Comp 1 L**** 1

1

1

1

1

1

E

1

1

103

XG Drum Map

84

85

86

87

80

81

82

83

88

89

76

77

78

79

72

73

74

75

90

91

F 4

F# 4

G 4

G# 4

A 4

A# 4

B 4

C 5

C# 5

D 5

D# 5

E 5

F 5

C 4 O

C# 4

D 4 O

D# 4

E 4

F# 5

G 5

66

67

68

69

62

63

64

65

70

71

58

59

60

61

54

55

56

57

48

49

50

51

44

45

46

47

52

53

40

41

42

43

36

37

38

39

30

31

32

33

26

27

28

29

34

35

22

23

24

25

18

19

20

21

Bank Select MSB

Bank Select LSB

Program#

Key Alternate

Note#

13

Note

C# -1

Off

14

15

D -1

D# -1

16

17

E -1

F -1

127

0

1

Group

3

3

4

Standard Kit

Surdo Mute

Surdo Open

Hi Q

Whip Slap

Scratch H

4

E 0 O

F 0

F# 0

O

G 0

G# 0

A 0

A# 0

B 0

F# -1

G -1

G# -1

A -1

A# -1

B -1

C 0

C# 0

D 0 O

D# 0

Scratch L

Finger Snap

Click Noise

Metronome Click

Metronome Bell

Seq Click L

Seq Click H

Brush Tap

Brush Swirl

Brush Slap

Brush Tap Swirl

Snare Roll

Castanet

Snare Soft

Sticks

Kick Soft

Open Rim Shot

Kick Tight

1

1

1

D 3

D# 3

E 3

F 3

F# 3

G 3

G# 3

A 3

A# 3

B 3 O

F# 2

G 2

G# 2

A 2

A# 2

B 2

C 3

C# 3

G# 1

A 1

A# 1

B 1

C 2

C# 2

D 2

D# 2

E 2

F 2

C 1

C# 1

D 1

D# 1

E 1

F 1

F# 1

G 1

Tambourine

Splash Cymbal

Cowbell

Crash Cymbal 2

Vibraslap

Ride Cymbal 2

Bongo H

Bongo L

Conga H Mute

Conga H Open

Conga L

Timbale H

Timbale L

Agogo H

Agogo L

Cabasa

Maracas

Samba Whistle H

Kick

Side Stick

Snare

Hand Clap

Snare Tight

Floor Tom L

Hi-Hat Closed

Floor Tom H

Hi-Hat Pedal

Low Tom

Hi-Hat Open

Mid Tom L

Mid Tom H

Crash Cymbal 1

High Tom

Ride Cymbal 1

Chinese Cymbal

Ride Cymbal Cup

2

2

Samba Whistle L

Guiro Short

Guiro Long

Claves

Wood Block H

Wood Block L

Cuica Mute

Cuica Open

Triangle Mute

Triangle Open

Shaker

Jingle Bells

Bell Tree

1 Tambourine Dark **** 1

1 Tech Splash Cymbal **** 1

1

1

Cowbell Lo-Fi ****


1

1

1

1

1

1

1

1

1

1

1

1

1

1

Ride Cymbal 5 ****

Bongo H V ***

Bongo L V ***

Conga H Mute V ***

Conga H Open V ***

Conga L 2 ****

Timbale H V ***

Timbale L V ***

Agogo H V ***

Agogo L V ***

Ride Cymbal 2#

Cowbell#

Crash Cymbal 2#

1

1

1

1

1

1

1

1

1

1

Conga H Mute#

Conga H Open#

Conga L#

1 Maracas Q ****


1

1

1

1

1

1


1

1

1

1

1

1

1 Cuica Open H ***

1

1

1

E

1

1

1

1

1

127

0

67

Surdo Mute V ***

Surdo Open V ***

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

Coffin Kit ****

Brush Tap V ***

Brush Swirl V ***

Brush Slap V ***


Snare Roll V ***

Rim Gate 4 ****

Sticks Q ****

Kick Cough L ****

Rim Gate 5 ****

Kick Comp 2 L ****

127

0

127

Standard Kit

E

1

1

MU100 Native**** E

1

1

1

1

Kick Comp 2 H ****

Side Stick Dry L ****

Snare Tin L ****

Hand Clap Dark ****

1

1

1

1

Side Stick#

Snare#

1

1

Snare Can L ****

Floor Tom Tech L ****

1

1

1 Hi-Hat Closed Tech **** 1

1 Floor Tom Tech H ****

1 Hi-Hat Pedal Tech ****

1

1

1

1

Low Tom Tech **** 1

Hi-Hat Open 3 Dark **** 1

Snare Tight#

Hi-Hat Closed#

Hi-Hat Pedal#

Hi-Hat Open#

1

1

1

1

Mid Tom Tech L ****

Mid Tom Tech H ****

1

1

Crash Cymbal Dark 2 **** 1

High Tom Tech **** 1

Crash Cymbal 1#

Ride Cymbal 1# 1 Ride Cymbal Hard 2 **** 1

1 Chinese Cymbal Q **** 1

1 Ride Cymbal Cup 5 **** 1

Chinese Cymbal#

Ride Cymbal Cup#

1

1

1

1

1

1

1

Castanet#

Snare Soft#

1

1

1

Open Rim Shot#

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

: Same as Standard Kit ** ** : MU80 0 Extension


: No sound ****: MU100 Extension

127

0

128

Standard Kit

MU Basic**** E


104

A 4

A# 4

B 4

C 5

C# 5

D 5

A 3

A# 3

B 3 O

C 4 O

C# 4

D 4 O

D# 4

E 4

F 4

F# 4

G 4

G# 4

B 2

C 3

C# 3

D 3

D# 3

E 3

F 3

F# 3

G 3

G# 3

D# 2

E 2

F 2

F# 2

G 2

G# 2

A 2

A# 2

F 1

F# 1

G 1

G# 1

A 1

A# 1

B 1

C 2

C# 2

D 2

A 0

A# 0

B 0

C 1

C# 1

D 1

D# 1

E 1

Bank Select MSB

Bank Select LSB

Program#

Key Alternate

Note#

13

Note

C# -1

Off

14 D -1

Group

3

3

D# -1

E -1

F -1

F# -1

G -1

G# -1

A -1

A# -1

B -1

C 0

C# 0

D 0 O

D# 0

E 0 O

F 0

F# 0

O

G 0

G# 0

4

4

45

46

47

48

41

42

43

44

49

50

37

38

39

40

33

34

35

36

27

28

29

30

23

24

25

26

31

32

19

20

21

22

15

16

17

18

1

1

1

126

0

1

SFX Kit 1 E

126

0

2

SFX Kit 2

Insects ****

Bacteria ****

Cutting Noise 1 Phone Call **

Cutting Noise 2 2 Door Squeak

Distorted Cutting Noise ** 2 Door Slam

String Slap

Bass Slide **

Pick Scrape **

1 Scratch Cut

2 Scratch H 3

1 Wind Chime

Telephone Ring 2

2

2

D# 5

E

F

G

5

5

F# 5

5

2

2

Thunder

Wind

Stream

Bubble

Feed **

Cave ****

Dog

Horse

Bird Tweet 2

Shower

Flute Key Click

Kitty **

Growl **

Haunted **

Ghost

Maou **

81

82

83

84

77

78

79

80

85

86

73

74

75

76

69

70

71

72

87

88

89

90

91

63

64

65

66

59

60

61

62

67

68

55

56

57

58

51

52

53

54

1 Scream

1 Punch

2 Heart Beat

2 Foot Steps

2 Applause 2 **

2

1 Machine Gun

1 Laser Gun

1 Explosion

1 Car Engine Ignition

Car Tires Squeal

Car Passing

Car Crash

Siren

Train

Jet Plane

Starship

Burst

Roller Coaster

Submarine

Connectivity ****

Mystery ****

2 Laugh

1 Firework

1 Fireball ****

2

2

2

126

0

17

126

0

18

126

0

19

126

0

33

126

0

34

E Techno Kit K/S **** E Techno Kit Hi **** E Techno Kit Lo **** E Sakura Kit **** E Small Latin Kit **** E

2

2

1

2

2

1

1

1

1

1

Hi Pitch Slap L ****

1

1

Heavy Techno Kick 1 **** 1 Hyper Tom H 1 **** 1 Hyper Tom L 1 ****

1

1

2

1

1

Heavy Techno Kick 2 **** 1

Psychedelic Kick ****

Gate Tekno Kick ****

Rap Kick ****

1

1

1



Future Kick ****

Asian Kick ****

Imbalance Kick ****

Justice Kick ****

1

1

1

1

Asian Tom H ****

Lo-Fi Tom H ****

Hyper Tom H 2 ****

Flanged Tom H ****

Minimal Tom H ****

Vox Drum H ****

Android Walk 1 H ****

Android Walk 2 H ****

1 Asian Tom L ****

1

1

1

1

1

Lo-Fi Tom L ****

1 Hyper Tom L 2 ****

Flanged Tom L ****

1 Minimal Tom L ****

Vox Drum L ****

Android Walk 1 L ****

Android Walk 2 L ****

Electro Blip H **** 1 Electro Blip L ****

Wood Percussions H **** 1 Wood Percussions L **** 1

1

1

1

1

1

1

1

1

1

1

Minimal Kick **** 1 Wood Door Open H **** 1

Reso Noise Burst H **** 1

LFO Metal Attack H **** 1

Steel Conga H **** 1

Wood Door Open L ****

Reso Noise Burst L ****

LFO Metal Attack L ****

Steel Conga L ****

1

1

1

1

Dora ****

Tsuzumi Pon ****

Tsuzumi Pu ****

Tsuzumi Ta ****

Tsuzumi Chon ****

Tsuzumi Tsu ****

Shimetaiko Ten ****

Shimetaiko Tsu ****

Yagura Open ****

Ohdaiko Rim ****

1

1

1

1

1

1

1

1

1

1

Oriental Tambourine **** 1

Latin Cymbal Short ****

Claves SL 1 ****

Claves SL 2 ****

Claves SL 3 ****

Claves SL 4 ****

Claves SL 5 ****

Muted Percussion SL 1 **** 1

Muted Percussion SL 2 ****

Muted Percussion SL 3 ****

1

1

1

1

1

1

1

1

Muted Percussion SL 4 **** 1

Pandiero **** 1

Oriental Drum 1 ****



Oriental Rim 1 ****

1

1

1

1

Surdo Mute SL 1 ****

Surdo Mute SL 2 ****

Surdo Open SL ****

Surdo Rim SL ****

1

1

1

1

1

1

Radio Snare ****

1

1

Cold Dry Snare 1 ****

Slap Snare ****

2

1



2

2

2

2

2

2

2

Lo-Fi Metal Snare ****

1 Hi Pitch Slap H ****

1

1

1

1

1

1

1

Rate Down Snare H **** 1 Rate Down Snare L **** 1

Pop Ambient H ****

Tunnel Ambient H ****

1 Pop Ambient L ****

1 Tunnel Ambient L ****

Ambient Cow Bell H **** 1

Chink Hat H ****

Coal Mine 1 H ****

Coal Mine 2 H ****

Hammer Hit 1 H ****

Hammer Hit 2 H ****

Hammer Hit 3 H ****

Insensible Hah H ****

Robot 1 H ****

Insensible Fuh H ****

1

1

1

1

1

1

1

1

1

Ambient Cow Bell L ****

Chink Hat L ****

Coal Mine 1 L ****

Coal Mine 2 L ****

Hammer Hit 1 L ****

Hammer Hit 2 L ****

Hammer Hit 3 L ****

Insensible Hah L ****

Robot 1 L ****

Insensible Fuh L ****

1

1

1

Oriental Rim 2 ****

Oriental Rim 3 ****

Vibraslap H ****

Gun Shot Slap H ****

Punch Snare H ****

Bomb Snare H ****

1

1

1

1

Vibraslap L ****

Gun Shot Slap L ****

Punch Snare L ****

Bomb Snare L ****

1

1

1

1

Space Tambourine H **** 1 Space Tambourine L **** 1

Oriental Rim 4 **** 1

Oriental Metal Rim 1 **** 1

TimbaleL Drum ****

TimbaleH Drum ****

Oriental Metal Rim 2 **** 1 TimbaleL Rim ****

Oriental Metal Rim 3 **** 1 TimbaleH Rim ****

Oriental Metal Rim 4 **** 1 Timbale Paila 1 ****

Oriental Metal Rim 5 **** 1 Timbale Paila 2 ****

1 Robot 2 H **** 1 Robot 2 L **** 1

Rude Loop Cymbal H **** 1 Rude Loop Cymbal L **** 1

Noise Burst H ****

Fizzer H ****

1

1

Noise Burst L ****

Fizzer L ****

1

1

Lo-Fi Shaker H ****

Temple Gong H ****

1

1

Lo-Fi Shaker L ****

Temple Gong L ****

1

1

1

1

1

1

1

1

1

1

1

1

1

Tamborim Mute ****

Tamborim Open ****

1

1

1

1

1

1

1

1

105

TG300B Drum Map

Program#

Note# Note assign

85

86

87

88

81

82

83

84

77

78

79

80

73

74

75

76

69

70

71

72

65

66

67

68

61

62

63

64

57

58

59

60

101

102

103

104

97

98

99

100

105

106

107

108

93

94

95

96

89

90

91

92

53

54

55

56

49

50

51

52

45

46

47

48

41

42

43

44

37

38

39

40

33

34

35

36

29

30

31

32

25

26

27

28

A 4

A# 4

B 4

C 5

C# 5

D 5

D# 5

E 5

C# 4

D 4

D# 4

E 4

F 4

F# 4

G 4

G# 4

F 3

F# 3

G 3

G# 3

A 3

A# 3

B 3

C 4

A 2

A# 2

B 2

C 3

C# 3

D 3

D# 3

E 3

C# 6

D 6

D# 6

E 6

F 6

F# 6

G 6

G# 6

F 5

F# 5

G 5

G# 5

A 5

A# 5

B 5

C 6

A 6

A# 6

B 6

C 7

C# 2

D 2

D# 2

E 2

F 2

F# 2

G 2

G# 2

F 1

F# 1

G 1

G# 1

A 1

A# 1

B 1

C 2

A 0

A# 0

B 0

C 1

C# 1

D 1

D# 1

E 1

C# 0

D 0

D# 0

E 0

F 0

F# 0

G 0

G# 0

7

7

1

1

1

6

6

3

3

2

2

4

4

5

5

1

E

9

Room Kit E

17

Power Kit E Electro Kit

25

E Analog Kit

26

E Jazz Kit

33

E Brush Kit

41

E Orchestra Kit

49

E SFX Set

57

E C/M Kit

128

E

Ride Cymbal 2

Bongo H

Bongo L

Conga H Mute

Conga H Open

Conga L

Timbale H

Timbale L

Agogo H

Agogo L

Cabasa

Maracas

Samba Whistle H TG 1

Samba Whistle L TG 1

1

1

1

1

1

1

1

1

1

1

1

1

Guiro Short TG

Guiro Long TG

Claves

Wood Block H

Wood Block L

Cuica Mute TG

Cuica Open TG

Triangle Mute TG

Triangle Open TG

Shaker

Jingle Bells

Bell Tree

Castanet TG

Surdo Mute TG

Surdo Open TG

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

Floor Tom H

Hi-Hat Pedal

Low Tom

Hi-Hat Open

Mid Tom L

Mid Tom H

Crash Cymbal 1

High Tom

Ride Cymbal 1

Chinese Cymbal

Ride Cymbal Cup

Tambourine

Splash Cymbal

Cowbell

Crash Cymbal 2

Vibraslap

Snare Roll TG

Finger Snap TG

Hi Q TG

Whip Slap TG

Scratch H TG

Scratch L TG

Sticks TG

Click Noise TG

1

1

1

1

1

1

1

1

Metronome Click TG

Metronome Bell TG

1

1

Kick Tight

Kick

Side Stick

Snare

Hand Clap

Snare Tight

Floor Tom L

Hi-Hat Closed

1

1 Kick Room

1

1

1

1

1

1

Tom Room 1

1 Kick Power

Snare Power

1

1

Kick Electro TG

Snare Electro TG

1 Tom Room 1

Snare Power 2

1 Tom Electro 1

1

1

Kick Analog

Side Stick Analog

Snare Analog

1

1

1

1

1

1

1

1

1

1

Tom Room 2

1

1

Tom Room 3

1 Tom Room 2 1 Tom Electro 2


1

1

Tom Room 4

Tom Room 5

1

1 Tom Room 6

1

1

Tom Room 4

Tom Room 5

1

1

Tom Electro 4

Tom Electro 5


Reverse Cymbal TG 1

1

1

1

Tom Analog 1

Hi-Hat Closed Analog

Tom Analog 2

Hi-Hat Closed Analog 2

1 Tom Analog 3

Hi-Hat Open Analog

1

1

1

Tom Analog 4

Tom Analog 5

Crash Analog

Tom Analog 6

Cowbell Analog

Conga Analog H

Conga Analog M

Conga Analog L

Maracas 2

Claves 2

1

1

1

Kick Tight Jazz TG

Kick Jazz

1

1

Kick Tight Jazz TG

Kick Small

1

1

Kick Orchestra

Gran Cassa Orchestra

1 Band Snare TG Brush Tap TG

Brush Slap TG

Brush Swirl TG

1

1

Castanet TG 2

Band Snare TG

1 Tom Jazz 1 1 Tom Jazz 1

1

1 Tom Jazz 2

1

1 Tom Jazz 2

1 Timpani F

Timpani F#

1 Timpani G

Timpani G#

1 Tom Jazz 3

1

1

1

Tom Jazz 4

Tom Jazz 5

1

1 Tom Jazz 6

1 Tom Jazz 3

1

1

1

Tom Jazz 4

Tom Jazz 5

Tom Jazz 6

1

1

1

1

Timpani A

Timpani A#

Timpani B

Timpani C

Timpani C#

Timpani D

Timpani D#

Timpani E

Timpani F'

1

1

1

1

1

1

Hi-Hat Closed Orchestra

Hi-Hat Pedal Orchestra

Hi-Hat Open Orchestra

Ride Cymbal 1 Orchestra

Hand Cymbal H TG

Hand Cymbal L TG

1

1

1

1

Applause

1

1

1

1

1

1

Kick Tight CM

Kick CM

Side Stick CM

Snare CM 1

1

1

1

1

Hi Q TG

Whip Slap TG

1

1

Scratch H TG

Scratch L TG

Sticks TG

Click Noise TG

1

1

1

1

Hand Clap CM

Snare Electro CM

Floor Tom L CM

Hi-Hat Closed CM

1

1

Floor Tom H CM

Hi-Hat Open Short CM

1

1

Metronome Click TG

Metronome Bell TG

1

1

Low Tom CM

Hi-Hat Open CM

1

1

Flute Key Click

Laugh

1 Scream

Punch

Heartbeat

Footsteps

1

Guitar Fret Noise

Cutting Noise H

Cutting Noise L

String Slap

Footsteps

Applause

1 Door Squeak

Door Slam

2

1

Mid Tom L CM

Mid Tom H CM

1

1

Crash Cymbal CM

High Tom CM

1

1

1

1

1

1

Ride Cymbal CM

Tambourine CM

1

1 Cowbell CM

Scratch Cut

Wind Chime

Ignition

Squeal

Exhaust

Crash

Siren

Train

1

1 Bongo H CM

1

1

Bongo L CM

Conga H Mute CM

1

1

Conga H Open CM

Conga L CM

1

1

Timbale H CM

Timbale L CM

Jet Plane

Helicopter

Starship

Gunshot

Machine Gun

Laser Gun

Explosion

Dog

1

1

Agogo H CM

Agogo L CM

2

1

Cabasa CM

Maracas CM

2

1

Samba Whistle H TG CM

Samba Whistle L TG CM

1

1

1

2

Vibraslap CM 1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

Horse

Bird Tweet

Shower

Thunder

Wind

Seashore

Stream

Bubble

2

1

Claves CM

Laugh

1

2

Scream

Punch

2

1

Heartbeat

Footsteps

1

2

Footsteps

Applause

1

1

1

1

1

1

1

1

1

2

2

Door Squeak

Door Slam

Scratch Cut

Wind Chime

Ignition

Squeal

1

1

1

1

1

1

1

1

Exhaust

Crash

Siren

Train

Jet Plane

Helicopter

Starship

Gunshot

1

2

2

1

2

1

2

1

Machine Gun

Laser Gun

Explosion

Dog

Horse

Bird Tweet

Shower

Thunder

Wind

Seashore

Stream

Bubble

1

2

2

1

2

2

1

2

2

1

: Same as Standard Kit : No sound

106

C/M Drum Map

Note# Note

F

F#

G

G#

A

A#

B

C

C

C#

D

D#

E

G

G#

A

A#

B

D

D#

E

F

F#

A

A#

B

C

C#

C#

D

D#

E

F

F#

G

G#

G#

A

A#

B

C

D#

E

F

F#

G

A#

B

C

C#

D

F

F#

G

G#

A

A

A#

B

C

C#

D

D#

E

E

F

F#

G

G#

B

C

C#

D

D#

101

102

103

104

105

106

107

108

96

97

98

99

100

91

92

93

94

95

86

87

88

89

90

81

82

83

84

85

78

79

80

73

74

75

76

77

68

69

70

71

72

63

64

65

66

67

58

59

60

61

62

53

54

55

56

57

50

51

52

45

46

47

48

49

40

41

42

43

44

35

36

37

38

39

6

6

6

6

7

6

6

6

6

6

6

6

6

5

5

5

5

5

5

5

5

5

5

4

5

4

4

5

4

4

4

4

4

4

4

4

3

3

3

3

4

3

3

3

3

3

3

3

2

2

3

2

2

2

2

2

2

2

2

1

2

1

1

2

1

1

1

1

1

1

1

0

1

1 assign

2

2

3

3

4

4

5

5

6

6

1

1

1

Kick Tight CM

Kick CM

Side Stick CM

Snare CM

Hand Clap CM

Snare Electro CM

Floor Tom L CM

Hi-Hat Closed CM

Floor Tom H CM

Hi-Hat Open Short CM

Low Tom CM

Hi-Hat Open CM

Mid Tom L CM

Mid Tom H CM

Crash Cymbal CM

High Tom CM

Ride Cymbal CM

Tambourine CM

Cowbell CM

Bongo H CM

Bongo L CM

Conga H Mute CM

Conga H Open CM

Conga L CM

Timbale H CM

Timbale L CM

Agogo H CM

Agogo L CM

Cabasa CM

Maracas CM

Samba Whistle H TG CM

Samba Whistle L TG CM

Vibraslap CM

Siren

Train

Jet Plane

Helicopter

Starship

Gunshot

Machine Gun

Laser Gun

Explosion

Dog

Horse

Bird Tweet

Shower

Thunder

Wind

Seashore

Stream

Bubble

Claves CM

Laugh

Scream

Punch

Heartbeat

Footsteps

Footsteps

Applause

Door Squeak

Door Slam

Scratch Cut

Wind Chime

Ignition

Squeal

Exhaust

Crash

: No sound

2

2

1

1

2

1

2

2

2

2

1

1

1

2

1

2

1

2

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

E

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

107

Performance List

(Internal Performance List 1 MSB=002, LSB=000)

BA

BA

BA

LD

BA

BA

BA

BA

BA

BA

LD

LD

LD

LD

LD

LD

VH

VH

VH

SE

SE

BA

BA

BA

VH

VH

VH

VH

VH

VH

VH

VH

VH

VH

VH

VH

VH

VH

VH

VH

KS

RD

KS

KS

LD

KS

KS

VH

Category

PD

GT

KS

KS

BA

ET

KS

KS

KS

KS

EN

LD

RD

SE

GT

GT

GT

GT

GT

GT

GT

BA

BA

BA

PF

PC

SE

SE

SE

GT

GT

GT

GT

LD

LD

LD

BA

BA

BA

BA

BA

BA

BA

BA

BA

BA

BA

BA

BA

BA

BA

BA

60

61

62

63

56

57

58

59

52

53

54

55

48

49

50

51

44

45

46

47

40

41

42

43

36

37

38

39

32

33

34

35

28

29

30

31

24

25

26

27

20

21

22

23

16

17

18

19

12

13

14

15

8

9

10

11

Pgm#

1

2

3

6

7

4

5

92

93

94

95

88

89

90

91

96

97

98

99

100

84

85

86

87

80

81

82

83

76

77

78

79

72

73

74

75

68

69

70

71

64

65

66

67

New Slap

RockPigs

BuzzSaw

ZubZub

OsciLead

SqrLead

Bigger

AnaSquid

SharpSyn

AnaWave

AnaWurl

FngerBass

Upright

Fnground

Birdland

FlageoBs

Duet Chorus

Female Solo

Heavy Chorus

Flange Voice

Open3Harmony

A Woman&Mans

FemaleChorus

Mr.Bassman

MovieVoice

DonaldVoice

SpaceZoo

StoneHng

Whizzer

SimpleBa

ClavBass

SuperBas

Performance Name

Emperors

GuitarShop

Dune

Box Bass Man

Fat Boy

Mod-Sitar

Good Day

Red Beard

It's Cool

Swing Jazz

Mountn Voice

VL-Horn

Moody Sax

Midnight

Wood Winds

Bamboo

Blues

VA-Leed

Brass

Ophelia

2-Oct Unison

Silent Voice

Male Chorus

WhiteChrisms

DetuneChorus

FlangeDetune

Big Chorus

Oct Unison

D.TonicChors

TremoloChors

SteamBas

WhelkBas

AttackSyn

Q.Klav

DinoPerc

Formula

SpcHorse

Jason

Suedhead

Spanish

JazzGtr!

JazzyGtr

L7 Pluck

WetPluck

Comp Gtr

FunkyGtr

DampBass

Fretles!

Frtles!2

ThumBass

RockBass

WarmBass

BassCab

AcidBas!

SqrBass!

BoppaBas

BuzzrBas

TekBass

TranzBas

Chamlion

ParaSynB

Thin Gtr

Carlos

Destiny

Gonzo

Old Mini

ResoSqr

WurliLd

Comment

Play boldly. Try moving MW and AT.

Distortion guitar. Don't worry about VL=Mono. Be careful not to overdo AT.

Impressionist music.

VL synth bass.

Vintage analog synth.

Sitar. MW changes the tone.

Analog-like synth.

Shakuhachi in the wilderness. Try moving PB.

Classy jazz with both hands.

Bass and melody for swing jazz.

Distant howling with PB, growling with AT.

The definitive VL sound. AT controls the noisy sound. Try moving PB and AT.

Gentle evening sax.

A night on the town. AT controls downward bending.

A pastoral sound.

Superb left-hand technique.

Blues. Everything depends on how you use AT.

Solo synth.

Ideal if you use AT for vibrato.

Good for lonely melodies.

Male/female unison. Good for scat singing. (Chromatic harmony)

Great for Christmas eve or Gospel singing. (Vocoder harmony)

Male chorus. (Vocoder harmony)

Try singing "White Christmas" with this. (Chordal harmony)

Doubling for the main vocal. (Detune harmony)

Flanger detuning. (Detune harmony)

VH number one wide chorus. (Chordal harmony)

Unison with bass voice. (Chromatic harmony)

Interesting to sing diatonically. PCM will not sound. (Vocoder harmony)

Mixed chorus with tremolo. Vocal sound will not be heard unless you play the keyboard. (Vocoder harmony)

Harmonizes a third above. (Chordal harmony)

Female solo vocal. No harmony is added. (Chromatic harmony)

Chorus centered on bass (Chordal harmony)

Flanger is applied. Vocal sound will not be heard unless you play the keyboard. (Vocoder harmony)

Two-person harmony on pedal bass. (Chordal harmony)

Male chorus with one female singer. (Chordal harmony)

Female chorus with falsetto mixed in. Vocal sound will not be heard unless you play the keyboard. (Vocoder harmony)

Try with sound effect-like voices. Likewise for the backup. (Chromatic harmony)

Try using a sound-effect-like voice. The same for backing. (Chromatic harmony)

Sing like a child. No harmony is added. (Vocoder harmony)

Try moving PB and AT in various.

MW produces a sustained sound.

Long sustaining synth tone similar to bass guitar harmonics.

Straight ahead synth bass with some distortion.

Bass sound with both electric/acoustic and synthesizer qualities. If you use foot contorller you can get "clavinet" style overtones.

DX7 style slapped bass.

New type slap bass with punchy power.

Organ-type synth lead sound. AT produces a neighing effect.

Play with lots of MW filter control.

Biting analogue synth sound. MW filter control.

Octave synth lead sound.

Nice Square lead tone. Lowering FC (#4) opens filter.

Big analog sound - velocity controls filter and volume

Analogue synth type sound with MW filter control.

Slightly mode unstable velocity sensitive sound.

Analogue synth type sound.

Velocity sensitive sound somewhat like a Wurlitzer EP passed through a resonant filter.

Vigorous finger bass sound.

Simulation of accoustic bass.

Finger bass with particular sound of rear pick up.

Midway between an analog synth and an electric bass sound. The high range produces harmonics.

Harmonics of a fingerd electric bass

Damped Pluck-Bass with a dry speaker sound

Fretless bass usable for either rhythm or melody.

Another fretless bass, good for melody play.

Thumped Bass

Heavy overdrive rock bass sound.

Warm electric Precision bass sound. Use foot controller to make sound brighter.

Slightly distorted electric bass with Resonator simulation of speaker cabinet tone.

Bass sound for acid jazz.

Square wave synth bass.

Synth bass with sub-octave undertone.

FM style, bright and buzzy electronic keyboard bass. For fast tempo trance, acid, house, and techno style sequenced basslines.

Synth bass with sub-octave undertone.

TB303 style synth bass. For fast tempo trance, acid, house, and techno style sequenced basslines.

Dry Synthbass.

Strong, up-front synth bass, ideal for 70's Jazz-Funk. If you like that sort of thing.

Use lots of Pitch Bend (Embouchure) for finger slides. Gives greater tonal variety.

Synth bass. Velocity controls tonal change.

Synth bass sound with strong attack.

Deeply funky clav sound. Try with Phasing on in Chorus section, or alter low and upper mid with Equaliser in modifier section. Altering the Aural Exciter parameters will also have a big effect.

Use with different combinations of MW and PB to produce complex noise percussion.

Engine-like sound effect.

While applying MW, add AT to create a neighing sound.

Use the MW to turn this into a strongly noisy sound effect.

Sound effect. Make liberal use of Modulation Wheel.

Spanish type acoustic guitar.

Electric guitar suitable mainly for jazz.

Velocity dynamic jazz style sustaining guitar lead.

A classic pluck sound.

A guitar sound that readily accepts effects such as flanging.

Compressed. clean electric strat guitar sound.

Snappy "70's style" funk guitar, for rhythm and comping

Clean uncompressed electric guitar with "thin gauge" new strings, good for country, R&B, lead solos etc.

Overdrive guitar, front pick up type.

Distortion guitar by using of hard attacked synth lead. Control change 13 for feedback effect.

Velocity controlled. Pitch Wheel down controls noise effect.

A classic analog synth solo sound.

Lowering FC (#4) opens filter.

Dark, reed electric piano style synth lead.

PF : piano CP : chromatic percussion OR : organ, accordion, harmonica GT : guitar BA : bass ST : strings EN : ensemble BR : brass

RD : reed PI : pipe LD : synth lead PD : synth pad FX : synth effects ET : ethnics PC : percussive SE : sound effects CO : combinations

KS : keyboard splits SC : synth comp VH : Harmony Effect

108


Category

FX

FX

FX

FX

PF

PF

PF

PF

SC

BR

LD

LD

LD

LD

LD

LD

EN

EN

EN

EN

BR

BR

BR

BR

BA

BA

BA

BA

BA

EN

EN

EN

OR

OR

GT

GT

GT

GT

GT

GT

SC

SC

OR

OR

OR

OR

OR

OR

PD

PD

PD

PD

PD

SC

SC

SC

PF

PF

PF

PF

PF

PF

PD

PD

SE

SE

KS

CO

CO

CO

ET

FX

BA

BA

BA

KS

RD

ET

ET

SE

FX

FX

SE

SC

OR

OR

OR

OR

OR

OR

OR

OR

PF

CP

SC

SC

SC

SC

SC

SC

(Internal Performance List 2 MSB=002, LSB=000)

57

58

59

60

53

54

55

56

49

50

51

52

45

46

47

48

41

42

43

44

37

38

39

40

33

34

35

36

29

30

31

32

25

26

27

28

21

22

23

24

17

18

19

20

13

14

15

16

Pgm#

1

2

3

4

9

10

11

12

7

8

5

6

90

91

92

93

86

87

88

89

81

82

83

84

85

77

78

79

80

94

95

96

97

98

99

100

73

74

75

76

69

70

71

72

65

66

67

68

61

62

63

64

Rich 12-string Guitar

Pedal Steel Wheeler

Chorus Guitar

Hip Bais

Rezzy Bass

Fuzzline

Bassline 1

Bassline 2

Pink Bass MW

Vienna Strings

Orchestra Plus

Litepad

Mello Strings

Ooh Choir

Compu Vox

Cutting Brass

Tijuana Brass

CS80 Mind

Fat Ensemble

Beat Hit

Analog Brass

Mono Wire Lead

Vintage Lead

Sticky Lead

Saww Lead

Fat Glide

Early Lead

Dreamer

Slow Sweep

Flower

High Light

Performance Name

Concert Grand

Midi & Grand

60s Piano

CP Pad

Rhody Phaze

Rich DX EP

Grand Pad

Pictures II

Movie Pad II

Hmu Choirer

Polypad

Blonk Y

Dark Pad

Analog SQ 1

Analog SQ 2

Xen

Short SQ

Fat Poly

Backyard Organ

Rock Organ

Stereo Field Organ

Drawbars 1 AT

Drawbars 2 MW

Full Church

Old Rock Organ

Progressive Organ

12-string Fantasy

Wah Guitar

FM Jazz EG

DX Lover

Clav Western

TX802 EP

Chorus DX EP

EP Velo SW

Cool Vibes

Poly Syn

Tech Chord 2

Hi Pass SQ 1

Eight Oscis

HPF Flight

Acid Hook

Fat Comp

70s Rock Organ

Click Organ MW

Nice Organ

Sacral Organ

Baroque Feel

Plain Pipe

French Accordion

Lambada Accordion

Lately Bass

FM Slap

Frankfurt Bass

Pizza Time

Soprano Sax

Banjo Man

Kanoonics

Devil's House

Alien

Sea View

Phat & Funky

Horn & Strings

Clavorgue

1950's Jazz

Asian Beat

Sweepy Line

Blue & Blue

Going UP

MU Creation

Comment

Rich full-concert grand piano that simulates even the resonances.

Grand piano + electric piano.

Vintage stage electric piano with a slight distortion effect.

Layer with a pad that takes advantage of the character of the Yamaha CP80.

Electric piano with phase effect.

Electric piano sound of the classic DX7.

Warm and dark synth pad. Two-octave layer.

Spacy synth pad with a unique feel of pitch rise.

Vintage synth-type pad.

Synth pad featuring human voice.

Good old analog synth pad.

Combination of analog sound and voice pad. Aftertouch controls the filter.

Dark-feeling pad suitable for pop.

Analog synth with decay, suitable for sequenced phrases.

Short decay analog synth, suitable for sequenced phrases.

Unique hit sound in which each key plays a chord.

Analog synth with extremely short decay, suitable for sequenced phrases.

Thick synth sound suitable for dance.

Jazzy organ suitable for backing.

The ultimate rock organ, with distortion and rotary speaker effect.

Organ with stereo feel.

Drawbar organ of the 70's. Aftertouch changes the rotary speed.

Sentimental organ. MW changes the rotary speed.

Church pipe organ.

Electric organ of the 60's.

Organ typical of progressive rock. MW applies a rotary speaker effect.

12 string guitar sound. Continue pressing, and a pad will be added.

Funky electric guitar with auto-wah.

Jazz guitar typical of FM tone generators.

Acoustic 12 string guitar.

Pedal steel guitar. Try using the pitch bend wheel.

Electric guitar with chorus.

Synth bass with wah. MW controls the filter.

Synth bass with strong resonance, suitable for sequenced techno phrases.

Synth bass with distortion. MW controls the filter.

Synth bass suitable for dance or techno.

Synth bass with short decay.

Synth bass with distortion and portamento.

String ensemble with an acoustic feel.

Orchestral sound with added timpani at strong velocities.

Light-feeling synth pad.

The strings sound of a legendary instrument.

Chorus, with effects used to create a feel of spaciousness.

Use on sequenced phrases. MW controls the auto-pan speed.

Sharp brass section.

Soft brass section of the 60's.

Brass of Yamaha's famous analog synthesizer, the CS80.

Warm analog synth-like pad.

Hit sound, effective when used in an intro.

Analog brass with strong sense of attack.

Mild synth lead.

Old-style analog solo synth.

Synth lead in which velocity creates unique tonal change in the attack.

Percussive synth lead with detune.

Thick-sounding synth lead.

Mild synth lead with attack. MW controls the filter.

Soft-attack synth sound with a feel of sweep. MW controls the filter.

Synth sound in which the filter changes slowly.

Layered harp and chorus.

Synth sound that layers various sounds.

Rich electric piano that blends tasty DX-type sounds.

Old-style clavi-type sound.

FM-type electric piano. A versatile sound usable in a variety of styles.

DX electric piano with chorus.

Old-style electric piano with tonal change controlled by velocity.

Percussive vibraphone with reverb.

The classic analog poly synthesizer.

Dance sound with layered minor third and fifth. MW controls the filter.

Synth sound using a high pass filter.

Thick-sounding synth brass .

Light-feeling synth lead suitable for sequenced phrases.

Percussive synth sound. Also usable as synth bass.

Versatile comping sound that can be played either as brass or lead.

Rock organ of the 70's.

Electronic organ with key-click sound. MW changes the rotary speed.

Bright-feeling organ of the 80's.

Full digital organ. MW changes the rotary speed.

Solemn pipe organ with layered strings.

Simple-feeling pipe organ.

Accordion with a French touch.

Accordion suitable for tango or lambada.

Synth bass typical of FM tone generators (4 operator).

Slap bass typical of FM tone generators.

Synth bass with deep resonance, suitable for sequenced phrases.

Split ensemble strings and pizzicato.

Soprano sax that simulates even the breathing.

Banjo sound suitable for Dixie style.

Percussive-feeling canoon (an instrument with tone similar to a Japanese Koto).

Sound effect evoking a devil's lair. Play strongly in the C3 region to hear demon voices and screams.

A mysterious space creature appears. For strong velocities you will hear groaning.

Pretend that you are on a deep-sea voyage.

Split with strings and wah guitar.

Versatile strings with horn added.

A blend of clavi and organ.

Split with vintage wood bass and piano.

Asiatic percussion with mysterious sense of pitch. Play strongly to sound a drum.

Percussive synth with a feeling of resonance.

Transparent pad.

Ambient-type sound with unique feeling of ascent.

Avant-garde sound effect expressed by a diverse variety of sounds.

With the factory settings, the internal performances will be occupied by the above sounds.



KS : keyboard splits SC : synth comp

109


FX

BR

BA

SC

GT

OR

CO

RD

PF

OR

GT

BA

KS

EN

PF

SC

CO

SC

KS

OR

FX

SL

OR

EN

SC

RD

FX

KS

GT

EN

LD

OR

FX

SL

CO

PD

FX

BR

OR

GT

PD

SC

ST

GT

OR

LD

PF

BR

Category

FX

PF

BR

FX

FX

KS

BA

OR

SL

SC

EN

PF

LD

SE

PD

OR

SC

PD

FX

ET

PF

PF

SC

KS

BA

EN

BR

PF

SC

FX

CP

SC

FX

KS

KS

KS

PF

BA

PD

SC

ET

BR

FX

BR

BR

EN

PD

OR

SL

FX

PF

KS

60

61

62

63

56

57

58

59

52

53

54

55

48

49

50

51

44

45

46

47

40

41

42

43

36

37

38

39

32

33

34

35

28

29

30

31

24

25

26

27

20

21

22

23

16

17

18

19

12

13

14

15

8

9

10

11

Pgm#

1

2

3

6

7

4

5

92

93

94

95

88

89

90

91

96

97

98

99

100

84

85

86

87

80

81

82

83

76

77

78

79

72

73

74

75

68

69

70

71

64

65

66

67

(Preset Performance List MSB=001, LSB=000)

Groovin' Baritone

Alien Peace

Hit House

6-string Guitar

Phase Strings

Hyper Shaku8

Early Bird

Orchestral Suite

Fat Hook

R&B Gig

Deep Harp

Almost Heaven

Digi Bizzar

Euro Accordion

2 Octaves Strings

New House Piano

Crisp Organ

Warm Amp

Flangi Baze

1st Violin

Deep Choir

Old Clavi

Dance Chord

White Train

Power Synth Brass

Deep Port

Floor Tack

Rich Nylon Guitar

Solemn Organ

Piano & Strings

Rich Bass Clarinet

Slap Switch

Hi Strings

Performance Name

Heavens Door

Stereo Grand

Saw Classic

Analog Age

VoxBell

Two Flutish

Super Bass

70s Organ AT

Touch Line

Rave Mecca

Superstrings

Old EP

Sync SynQ

Fancy Pad

Dikk Tekk

Laser Harp

Feedback EG

Full Organ

Dyno Lead

CP70 On Stage

Super Brass

Ethnograph

Tecspiration

Vox Pop

Dark Pad

Sparkle Pad

Jump-off

Overdrive OR

Ricky Guitar

Euro Hook

Soft Sweep

Draw Organ MW

Porta Line MW

Crypt

Easy Seven

Guitar & Sax

Gut EP

SQ2003 Wheel

Fanta Pad

Dance Comp

AfricanGrand

Trombonist

Orion

Remix Brass

Specter EP

Tech Chord 1

Bass + Piano/Brass

SQ-Bass

Rich Strings

Hybrid Brass

Phaze Clavi

Toy SQ

MUtopia

Float Pad

Tiny Pipe

Sweet Wine

Pad Swell

Aquarius 90

Perc Shamisen

Clav-babe

Sweepy Plant

Door Bell

FAT*SQ

Lo-Fi Loop

Volksmusik

Jfunk Jammin

Alpen Echo

Comment

Warm effect sound. MW controls the filter.

Grand piano with a stereo-sampled feel.

Analog sawtooth wave brass. Delay effect.

Warm and transparent analog synth pad. Aftertouch controls the filter.

Mixture of synth voice and bell.

Left hand plays pad, right hand plays pan-flute.

Electric bass with superb low range and thickness.

Organ of the 70's. Aftertouch controls rotary speed.

Sawtooth wave with fuzz. Move the filter and use for techno sequences.

Dance sound for chording. MW controls the filter.

Warm analog synth strings. MW controls the filter.

Vintage electric piano of yesteryear.

Synth grand typical of analog synthesizers.

Atmospheric pad. Aftertouch control the filter.

Good for hard sequenced phrases. MW controls the filter.

Synth with deep phasing.

Distortion guitar with realistic feedback.

Bright electric organ. MW controls filter.

Classic analog lead. Portamento is effective.

The famous Yamaha electric grand.

Powerful straight-ahead brass section. MW controls the filter.

Impressionistic new-age sound collage.

Analog techno sound with fuzz.

Tight synth chorus. Good for rapid passages.

Dark synth pad. MW controls the filter.

Sparkling pad. MW causes a surprising change.

Legendary synth brass.

Organ with overdrive.

Clean electric guitar for lead parts.

Thick analog sound for percussive sequences.

Baritone sax.

Gorgeous digital synth using two completely different elements.

Novel split with four brass shots.

Acoustic guitar with steel strings.

Analog synth strings with phaser applied. MW control the filter.

Synth-type shakuhachi with unique blown feel.

Organ with symphonic effect applied. Good for dance music.

Orchestral combination of strings, horn and bell.

Ultimate synth for Euro-sound.

Split with piano/strings and organ.

Clear harmonic. Great for solos.

Pad with memorable bell sound.

Radical digital synth sound. For electronic music.

Accordion with a European flavor.

Bright analog strings. Two-octave layer.

Piano for a new music scene.

Percussive electric organ.

Electric guitar that simulates even the warm character of a guitar amp.

Simulation of a monophonic analog bass. MW control the filter.

Split between a string ensemble and a solo violin.

Mixed chorus with long reverb.

Old clavi with dynamic wah.

Thick analog synth for chord backing of dance music.

Hypnotic pad. Aftertouch controls the filter.

Powerful synth brass.

Thick synth bass with sustain. Portamento is applied.

Synth suitable for dance music chording. MW controls the filter.

Rich acoustic guitar with nylon strings.

Solemn pipe organ.

Layered acoustic piano and stereo strings.

Richly expressive bass clarinet for soloists.

Slap bass with velocity split.

Hybrid strings that mix acoustic and synth.

Spacious pad. MW controls the tone.

Drawbar organ. MW changes the rotary speed.

A simple synth lead. MW controls the filter.

An effect sound that takes advantage of portamento. Raise MW to make the sound change even more.

Classic FM electric piano. Layered with synth strings.

Split sound with soft-feeling guitar and breathy tenor sax.

Layered DX electric piano and acoustic guitar. MW adds a pad.

Fuzz synth with powerful filter modulation. MW controls the filter.

Spacy synth pad with a "sizzling" feel.

Rhythm synth sound suitable for chord sequences.

Pitched African percussion.

Expressive brass sound suitable for solos.

Mysterious sound effect. MW controls the filter.

Velocity split between strings/brass section and brass fall.

Electric piano. Move MW to play various types of sound.

Dance sound with layered minor third and fifth. MW controls the filter.

Split between a velocity-split piano and brass, and bass.

Synth bass suitable for techno/dance sequences.

Strings. Velocity will affect the attack and depth.

Punchy brass that combines acoustic and synth.

Analog clavi. MW controls the phaser effect.

Analog sound with cross delay for typed-in sequences.

Futuristic-sounding pad. Aftertouch controls the filter.

Warm-feeling pad. MW controls the filter.

Small pipe organ.

Synth sound suitable for electronic music.

Bright-sounding synth pad with filter change.

Underwater sound effect that mixes voice and struck glass.

Percussive shamisen.

Synth clavi with distinctive auto-wah.

Ambient-type sound with distinctive sweep and modulation.

Music box with bell-like sound.

Thick synth lead with just a touch of portamento.

"Lo-fi" percussion loop sound.

Split between accordion and brass ensemble.

Split between a solid electric piano and bass.

Split between a tuba and trumpet. MW controls the delay effect.



KS : keyboard splits SC : synth comp

110

V319080 810CRIT5.2-01A0 M.D.G., EMI Division, C Yamaha Corporation 1998, Printed in Japan

Yamaha MU100 Owner Manual

TONE GENERATOR

SOUND LIST & MIDI DATA

TABLE OF CONTENTS

EFFECT

MIDI

VOICE

3

A/D Input Preset

Effect Type List

REVERB

CHORUS

VARIATION

INSERTION1,2

Effect LSB/MSB List

REVERB TYPE

CHORUS TYPE

VARIATION TYPE (MSB=0 - 63)

VARIATION TYPE (MSB=64 - 127)

INSERTION TYPE

UNIQUE INSERTION EFFECT (HARMONY) TYPE

Effect Parameter List

Note

Effect Data Assign Table

MIDI data format

1. Channel messages

2. System exclusive messages

3. Realtime messages

MIDI implementation chart

Related manuals

Yamaha

SW1000XG

Yamaha

MU100R

Yamaha

MU90R

Yamaha

MU100R

Yamaha

CLP-990

Yamaha

MU100B

Yamaha

MU100

Yamaha

B2000

Yamaha

MU2000

Yamaha

MU90R

Table of contents