Tascam 388 Studio 8 Operation & Maintenance Manual

TASCAM
TEAC Professional Division
388
STUDIO 8
COPERATION/MAINTENANCE ) 5700070800
The guarantee provided for the Studio B has
several restrictions, The Studio 8 will perform
property only If it is adjusted properly and we
guarantee that such adjustment is possible. Set-
up 15 not covered by Warranty. If your attempts
at internal adjustments are unsuccessful, we will
charge you for readjustments,
Recording 15 an art as well as a science. As
a result, your finished product may be judged
more by artistic criteria than technical perform:
ang, Art 1$ the province of the artist and
TASCAM can make no guarantee that the
Stucio 8, by itself, will assure the quality af
your work,
Your skill as a technician and your abilities as
an artist will be significant factors in the results
you achieve,
Understanding what is going on inside your
equipment will help improve your sound, Think
of this manual as a reference book. You won't
need 10 memorize it to get started, but try to
find the time to read it thoroughly at east once.
That way, you will be familiar with its contents,
end if you need answers, you'll know where to
find them,
“(© Copyright 1985, TEAC Corporation”
All rights reserved under international and Pan
American copyright conventions.
This book may not be reproduced in whole or
In part, by mimeograph or any othe means,
without permission.
TABLE OF CONTENTS
Introduction
TRE MR BE si TE es me vee 3
The Recorder .........e ee re vn. 6
Recording the Basic Track
SEtUD .....e oeeraareraroaró dera 7
Recording.............. a ad ta aa au 9
Da EEE SEE 9
COPADO aaa MN es ANT eaTs 11
Ping-ponging, Collapsing, or Bouncing
Tricks Cross E 12
Punch-inand Insert Editing ............. 13
The Actual Punch-in. . ooo sev ive heen ns 14
Remote Punch-infout using the
RC-30P Pedal .......... cine 14
Work Methods
PGO EEE TE TEE EEE 15
Apparent and Absolute Values .......... 18
How to Use Your Equalizer ............ 18
A Word of Mixing Advice .............. 20
Common Sense: Care and Maintenance ,.. 21
Apolcatons: Ea eya ari ‚ 23
Electronic Music Studio ,.........eeo e .. 24
Video/Film Production ............... 25
Features and Controls ,................ 26
A(CCESSOMIES 2.112222 204 0484 4 ua 4 aa au ue 39
Voltage Conversion .............eesrsca 43
Note for U.K. Customers ,.............. 43
SPORT and 44
PIETER AAA 46
Block Diagram ,..........es-s0ncarana. a7
Level Diagrams , ......... e eeresroeas . 49
MAINTENANCE ............ ccc... 1-1
WARNING: |
TO PREVENT FIRE OR SHOCK
HAZARD, DO NOT EXPOSE THIS
— CAUTION
CAUTION: TO REDUCE THE RISK IF ELECTAIC SFACK,
DO NOT REMOVE COVER {UR BACK). ND USER-SERVICE-
ABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED
SERVICE PERSONNEL.
{ APPLIANCE TO RAIN OR
MOISTURE.
THs Mpa aratus hes a whoa! number lacated
of the rear panel, Please record 1he
Model number and ferial number and
retain ther "or vous ‘eco di |
P—
Madel rember
Serial number
A
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The lightning flash with arrowhead symbol within an equilateral
triangle, is intended to alert the user to the presence of uninsulated
"e angerous voltage” within the product's enclosure, that may be of
sullicient magnitude to constitute a risk of electric shock to persons,
The exclamation point within an equilateral triangle is intended tn |
alert the user of the presence of important operating and mainte.
nance (servicing) instructions in the literature accompanying the
appliance,
INTRODUCTION
Your Studio B is a complete eight track pro-
duction system. It contains a full function 8 x 8
x 2 mixer with 8 channe! monitoring; combined
with an eight track recorder/reproducer with
full servo control, remote capability, and
SMPTE/EBU/computer interface, It is an ideal
"turn key” production facility for off-line audio
for video, jingles, commercial radio and tele-
vision spots, and music.
As a complete system, your Studio B virtually
eliminates the time consuming and confusing
“patching” normally associated with multi-track
audio production. The most frequently used
functions are engaged automatically and many
complex operations are internally wired to
reduce work by reducing the number of steps
necessary to get things done,
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THE MIXER
The Studio 8 mixer was designed to provide
the maximum flexibility and performance. The
tremendous number of features and controls
available on your mixer can make it seem com-
plicated and intimidating, But all mixers share
some fundamental principles that are not diffi
cult to understand, This understanding, parti-
cularly when combined with some experience,
will ensure that your Studio 8 will be a power-
ful creative tool that is ¿lso easy to uso.
Your mixer is a system, a group of individual
elements working together 5 a unified whole,
All audio systems have thrz2 things in common:
Input, Process, and Output. In audio produc-
tion systems, the Input consists of стела!
signals from microphones, instruments, № Ба,
turntables, tape recorders, etc. These sicrais are
Processed electronically to balance their levels
and tonal qualities, The resulting signcis are then
converted into sound, Output by amplifiers,
speakers, and headphones,
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A mixer functions as a traffic control center
for audio signals on the move. It takes multiple
inputs, processes them for level and tone, and
sends, or routes, them to multiple outputs. So
the mixer controls "where signals go to and
come from, and “how much” signal goes there, /
Large systems may be broken down into
subsystems — each of which is a system in its
own right, Your Studio B mixer is actually
made up of several of these subsystems, known
as submixers, each of which possesses the
system requirements of Input, Process, and
Output.
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The largest of these is the Main Mix. It
receives signals from multiple inputs and routes
them through the input channels to the program
busses, submixers, outputs, and the recorder,
The Main Mix is used in conjunction with the
recorder to cut basic tracks, overdub, ping-pong,
punch-in, and remix. The Main Mix system
could also be used as a sound reinforcement
mixer, or as an electronic music mixer.
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The Monitor Mix takes its signal from the
program busses or the recorders playback.
These signals are automatically routed through
individual level and pan controls, Monitor mixes
are used so that the talent can hear previously
recorded and new material while recording or
rehearsing overdubs. The Monitor Mix is heard
through the headphone jacks, or via an amphfier
and speakers getting their signals from the stereo
MONITOR OUTputs on the back panel,
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The Effect and Auxiliary submixer signals
come from the Main Mix system, Let's assume
that you have a digital delay, reverb, or another
signal processor that you want to use on some
of your material. If you only want the pro-
cessor's effect on one channel, you could plug
your instrument or microphone into the pro-
cessor and plug the output of the processor into
the LINE INput of the mixer, You could also
use the Studio 8's chanenl ACCESS jacks, con-
necting the processor to the appropriate input
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channel. But suppose that you want to use the
processor on more than one input channel
simultaneously, Your Studio 8 is able to send
signals of any combination of input channels
to the EFFect and AUXiliary Output on the
back panel. These outputs can then be con-
nected to your signal processor, and the pro-
cessor's outputis) can be connected to the
EFFect ATN (return), PGM BUSS INputs, or
Stereo Buss Inputs.
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THE RECORDER
A recorder's job is pretty easy to understand,
It records. Of course, it also plays. Your Studio
B's recorder uses quarter-inch tape on seven
inch reels to record, or play up to eight tracks
of sound, Your Studio B has much in common
with other reel-to-reel multitrack recorders,
But it also differs in several important ways:
sophisticated features combine the advantages
of cassette and open reel recorders; and inter-
face connections for SMPTE (Society of Motion
Picture and Television Engineersjand EBU
(European Broadcast Union} time code syn-
chronizers and editing systems are provided,
The Studio 8 combines the flexibility of an
open reel recorder with the convenience of a
cassette recorder, Its “LOAD feature insures
that the tape, once it has been threaded, will
never accidently run off the reels, no matter
what transport function is in use. Thus, the
convenience and speed of the cassette 15
achieved while the flexibility and fidelity
of the open reel is retained.
The Accessory interface jack on the back
panel of the Studio 8 is the gateway to the
world of synchronization and computer trans-
port control, SMPTE/EBU time codes are used
to synchronize multiple video/film and audio
machines during the editing process. These codes
are also being used by the manufactures of elec-
tronic musical instruments in conjunction with
MID! (Musical Instrument Digital Interface)
to synchronize the operations of sequencers,
computers, drum machines, signal processors,
and synthesizers during multitrack recording.
SMPTE/EBU controllers can be used to con:
trol the transport functions of your Studio 8.
The optional TASCAM AQ-65 is a multifunc-
tion Auto Locater/Tape Transport Controller
that also utilizes the Accessory jack.
The Studio 8 dbx system virtually eliminates
unwanted tape noise. The dbx system can be
turned off if you are working with, or audi-
tioning, tapes using Dolby" or similar noise
reduction systems. À separate dbx defeat switch
is provided for track eight so that SMPTE/
EBU and FSK (Frequency Shift Key) synchro-
nizing codes can be recorded there. These
codes and some older model drum machines can
create tracking errors in the dbx system.
Your Studio 8 can be remotely controlled, |f
you are sitting in front of your instrument and
not the Studio B, the tape transport controls,
Play, Stop, Fast Forward, Rewind, and Record
can be located up to sixteen feet away from the
recorder using the optional RC-71. Punch-in
and Funch-out can be engaged using the optional
RC-30P footpedal, which gives you an “extra
hand” in the recording process.
The Pitch Control allows you to adjust the
speed, and thereby the pitch, of the Studio 8
by as much as 15% plus or minus. This has a
variety of uses from coping with a singer who
thinks the world is a semi-tone sharp, 10 cutting
a few seconds from your program. As an ex-
ample, suppose your thirty second commercial
runs 31.5 seconds. À pitch adjustment can be
made to make the material fit the time con-
straints,
The Studio B Memory functions are not only
canvenient, they handle your tape very gently.
The MEMORY and RTZ {Return To Zero)
functions work with the recorder’s tape trans-
port 10 minimize the strain placed on your tape
by fast forward, rewinds, and searches. You can
also use the REPEAT, CUE, and ARTZ functions
to create a playback loop that will repeat until
vou turn it off.
*“Dolby'"" and the double-D symbol are trade-
marks of Dolby Laboratories Licensing Corpo-
ration,
RECORDING THE BASIC TRACKS
SETUP
1. Lift the cover for the tape compartment,
Thread a new tape onto the recorder as shown
in the illustration below. Use only EIA center
[small hub) 7 inch reels for both the supply
and take-up reels, Tape must be the 1 mil
variety, 1800 feet {549 meters) in length, Load
Function will not work properly with tapes of
different lengths or thick ness.
2. With the power off, plug your instrument
or microphone into the MIC or LINE iNput of
channel 1 in the Studio 8's mixer section.
3. Plug your stereo headphones into one of
the two headphone jacks on the front panel
of the Studio 8. Never plug mono headphones/
earphones into either of these jacks. Never use
“¥* cords to connect multiple headphones to
either of these jacks. You will damage the
circuits if you do.
4, Turn the power on, The switch is on the
back panel.
— 5. Make sure the dbx is on. Its switches are
on the top panel and its LEDs will show you its
status.
G. Press the LOAD button on the top panel.
The tape will run to a point past the leader,
When it stops, press the RESET button,
7. Set the INPUT Selector Switch inchannel 1
to the MIC position {left} if using the MIC In-
put, Set it to the LINE position (center) if using
an instrument and the LINE Input.
NOTE: Instruments with low output levels
such as electric guitars and basses should use a
direct box to boost their signal to a sufficient
level to use the line input.
8. Play your instrument or speak into your
microphone watching the OL indicator light.
Adjust the volume of your instrument or, if
„=.
using the MIC input, turn the TRIM up (clock-
wise] until the OL flashes: then, back off the
TRIM, turn it counterclockwise slightly until
the OL stops flashing,
9. Set your EQ controls to a 12 o'clock posi-
tion, You will feel detents when the controls
are in this position,
10. Adjust the Fader in channel 1 to the
shaded area between 7 and 8.
11. Make sure the AUX PRE/POST selector
switch is in the POST (up) position.
12. Adjust AUX and EFF rotary controls
to their off positions, fully left (counterciock-
wise).
13, Press the ASSIGN switch marked 1-2 to
the on position (down), Rotate the PAN control
in channel 1 fully left (counterclockwisel.
Make sure the other ASSIGN switches are off
(up).
14. Press the switch marked STEREC in the
recorder section of the Studio B. It's in the
lower right hand corner of the top panel,
15, Adjust the ODD PGM MASTER Fader
to the shaded area between 7 and 8. Press the
number 1 switch in the REC FUNCTION
section. The LED near the number 1 switch will
start blinking,
16, Make sure the MON switch (PGM/CUE) is
in the CUE position (up).
17. Make sure the METER switeh (AUX-
EFF/LR] isin the LA position {up}.
18. The three position rotary switch next to
the PITCH CONTral in the recorder section
should be in the FiXed {center] position,
19. You may find it easier to work in mono,
if so, press the MONO switch that is located
above the STEREO MASTER Fader on the top
panel.
20. Adjust the STEREO MASTER Fader to
the shaded area between 7 and 8.
21. Put headphones on,
22. Adjust the MONITOR PAN control
number 1 fully left (counterclockwise). Adjust
the MONITOR GAIN control fully right fclock-
wise), Play your instrument or speak into the
microphone and readjust the TRIM or the in-
strument volume until the TRK/PGM Meter
number 1 registers a reading between -3 and 0.
Use the Fader in channel 1 also, if necessary.
23. Adjust the MONITOR/PHONES control
toa level that is comfortable,
SETUP
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INITIAL SETUP OF THE RECORDER SECTION
Switch Setting Indicator
PGM/CUE CUE (up) position. LED off in CUE, -
(PGM — down — position
during Ping-pong.)
(turns on in PGM.)
REC FUNCTION
track(s) to be recorded,
On (down) position for the |
| mode.
LED(s) stay on showing Record
INSERT
Off (up) position,
{On — down — position
during Punch-in.)
LED off in the up position.
{turns on in the dawn position.)
RECORDING
1. Make sure that REC FUNCTION switch
number 1 is down with its LED blinking. All
other REC FUNCTION switches should be
in the up position. Their LEDs will be off.
2. While playing your instrument or speaking
into the microphone, make any EQ adjustments
vou feel are necessary. Refer to "Work Methods”
for more information on EQ.
3, When your instrument or voice sounds the
way you'd like, press REC and PLAY buttons
in the recorders transport section. The REC
FUNCTION LED will stay on continuous
ly and the red LED above the REC button
will be on.
4. Play your instrument or, if using a micro-
phone, slowly count to nineteen using only the
odd numbers, pausing for a full count between
each number. You will need these pauses for the
upcoming overdubbing.
5. When finished, press the RTZ button in
the transport section. Since RESET has been
pressed, in step 6 of setup, the tape will return
to the zero position (00:00) and stop.
6. Press the number 1 REC FUNCTION
switch, turning it off (up). Its LED will go out.
7. Press PLAY and listen to your track, Re-
adjust MONITOR/PHONES level if necessary.
You've completed your first track. If you're
not satisfied with the results, repeat the process,
If your results are satisfactory, it's time to move
on to overdubbing.
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OVERDUBBING
You will use the same setup as you did for
recording your basic track with the following
changes;
1. Connect the new source, instrument or
microphone to the appropriate channel 1 input.
You can continue to use channel 1 because the
channel's ASSIGN switches make it possible to
route any channel's signal to any track of the
recorder.
2. Make sure ASSIGN switch 1-7 is still
down (on) in channel 1. Adjust channel 1%
PAN fully right, clockwise.
3, Press down REC FUNCTION 2. lts LED
will blink. Make sure all other REC FUNC-
TION switches are off (up) with their LEDs
off.
4, Press PLAY and listen to your first track
through headphones, Make any necessary ad-
justments to MONITOR 1 GAIN and PAN con-
trols. Adjust the MONITOR/PHONES level for
comfort,
5, Raise the EVEN PGM MASTERS Fader
to the shaded area between 7 and &.
6. Play your instrument or speak into the
microphone. If you counted on track 1, you
will also count on track 2. The objective is to
use only the even numbers to twenty, placing
them in the pauses between the odd numbers
used on track 1,
7. Adjust MONITOR GAIN 2 so that your
instrument or voice and track 1 are at the
proper balance in the headphones.
8. Adjust the channel Fader 1, while watching
TRK/PGM Meter 7, It should read close to O.
9. Rewind the tape by pressing the RTZ
button, It should stop at 00:00.
10. Press REC and PLAY at the same time.
7 4,14
OVERDUBBING
3,13
REC FUNCTION 2 LED will stop blinking
and stay on continuously.
11, Play your instrument or count the even
numbers to twenty, When finished, press STOP
and RTZ.
12. Press ASSIGN 1-2, turning it off (up),
13, Press REC FUNCTION 2 switch, turning
ti off up}. Its LED will go off.
14, You can now listen to both tracks. Press
MONO, releasing the mono mode. Adjust MON I-
TOR PAN for 1 and 2 to the desired location
Adjust MONITRO GAIN for 1 and 2 to the
desired level.
Tracks 3 through 8 can be recorded using
similar procedures as track 1 and 2, The differ-
ences, of course, are that the PGM ASSIGN
switches and REC FUNCTION switches will
correspond to the desired recorder tracks, PAN
controls in any channels of the mixer will be
rotated to match the ODD (3,5, and 7) or EVEN
(4,6, and 2) tracks. MONITOR GAIN and PAN
controls for playback will also change to be
consistent with track locations.
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REMIX
When your multitrack master is finished, you
will want to convert it to & stereo master, You
will need another tape recorder for this process,
A two track recorder whose quality is compara:
ble to the Studio B is required (TASCAM models
22-2, 32, or equivalent). You don’t want to
step down in quality just because your stepping
down in quantity {number of tracks).
1. Connect the XLR or RCA STEREO QUT.
puts of your Studio 8 to the Line level inputs
of your mastering recorder,
2.Set the INPUT Selector switches of your
Studio 8 to the RMX {right} position.
3. Press the ASSIGN switches marked L-R in
each of your channels,
4, Adjust the STERECQ MASTER Fader to the
7 to B position,
5. The METER switch (AUX-EFF/LR} should
be in the LA position {up}, and the MONO
switch in the up position.
6. Make sure all REC FUNCTION switches
are off (up).
7, Press RTZ to rewind the tape,
8. PLAY the tape, adjusting the MONITOR/
PHONES, channel Faders, and STEREO MÁS-
TER Fader for level. STEREC Meters should
register between -3 and D.
9. Adjust channel PAN controls as desired,
REMIX ra
10. Press RTZ to rewind your tape. Put a
fresh tape on your mastering deck. Run off
fifteen seconds of tape to get past the leader on
your mastering recorder. Reset the master’s
counter and press its zero return, if it has it,
11. Play the tape on your Studio 8. Adjust
the levels on your master, using its meters as a
reference. The meters should register -3 to O,
12, Press RTZ to rewind the Studio 8, Put the
master deck into its record mode or record!
pause mode, Record mode usually entails
pressing the Record and Play buttons at the
same time.
13. When the master is rolling (release pause
if it's in record/pause model, press PLAY on the
Studio B,
14, When finished, stop both recorders.
Rewind and play the tape on the master, Listen
to the results, if you're not satisfied, make notes
of changes you'd like to make and repeat the
Remix, making the desired changes.
While the Remix is progressing, you can
monitor the proceedings using headphones, as
in our example, or a speaker system. You can
hear you mix through speakers by connecting
the MONITOR OUTputs (L and R} to the
auxiliary or tape inputs on your stereo receiver
or amplifier.
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PING-PONGING, COLLAPSING, or BOUNCING TRACKS
The recording capability of-your Studio B is
not limited to eight tracks. As you progress with
your recording, you may reach a point where
you need more than eight tracks. At this point,
the recording technique variously called Ping.
pong, Collapsing, or Bouncing can expand the
capability of your recording equipment. The
technique allows you to combine up to seven
tracks onto the remaining blank track. You
may even record additional new material while
bouncing tracks.
For the sake of an example, we'll collapse
material recorded on tracks 1 through 4 to track
8 of the Studio B.
1. Set the MON switch {(PGM/CUE) to the
PGM setting (down).
2. Set the METER switch to the L/R position
{up}.
3, Press ASSIGN switch 7—8 in channels 1, 2,
3, and 4, Rotate the PAN control in each of
these channels fully right, clockwise.
4, Set the INPUT Selector switch in channels
1 through 4 to the RMX position (right).
5, Press REC FUNCTION switch number
8. Its LED should flash, All other REC FUNC-
TION switches should be off.
6. Adjust the EVEN PGM MASTERS and
STEREO MASTER Faders to the 7 to B posi-
tion.
7. Press the RESET button and PLAY your
PING-PONGING
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tape, watching the TRK 8 Meter. Levels should
register between —3 and 0. Adjust channel!
Faders 1 — 4 so that their signal levels are
balanced.
B. Make any EQ adjustments you feel are
necessary in the individual channels. Make sure
you don't boost the signal level too much with
the EQ controls. ;
9. Adjust MONITOR GAIN number 8. All
other MONITOR GAIN controls can be turned
off {rotated fully counterclockwise).
10, Press the MONO button to the on posi-
tion (down).
11. Press the ATZ button to rewind your tape
to 00:00.
12. Press REC and PLAY. The tracks vou
have selected are now being ping-ponged to
track 8.
13. When finished, STOP the recorder and
turn off (up) the REC FUNCTION switch num-
ber 8,
14, Press the RTZ button to rewind to zero,
00:00.
15, Reset the MON switch (?GM/CUE] to the
CUE position (up).
16, Play the tape and listen to the results of
your track bounce. If you hear something that
you don't like you can repeat the process.
Make sure you have the results you want before
you record new material on tracks 1 through 4.
Recording new material there will erase the old,
13 7,16 12
It 1s possible to add new parts while ping:
ponging. Any mixer channel that is not being
used in the Remix input mode can be used to
add a new part.
1. Set up the controls for the channel{s) that
you want to use for the new material in the
same way that vou did for recording basic
tracks. If you followed our example for ping-
PUNCH-IN AND INSERT EDITING
The artistic process doesn’t end when the
recording begins, Many times, a way to improve
your program will become apparent as it is being
recorded. Punch-in gives you a way to add those
last minute ideas to your recording. Punch-in
can also be used to correct a mistake that made
its way onto the tape,
Punch-in erases old ‘material and puts new
material in its place. This change is permanent,
so it's wise to rehearse your Pinch-in until you
are confident that it can be performed correctly.
We will give you the rehearsal procedure first,
1. PLAY the tape to within several seconds of
the desired edit/punch-in paint.
2. Press the RESET button.
3. Set the MON switch (PGM/CUE! to the
CUE position (up).
4, Your new material will be coming from one
of the Input channels of your mixer, Press
6 589
REHEARSING
THE PUNCH-IN
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ponging, you could use channels 5, 6, and 7
for new material, Route the new channels to
program buss 8 by pressing ASSIGN 7-8 and
rotating the PAN fully right in each channel,
2. Rehearse the new parts while listening to
the previously recorded tracks. Use this rehearsal
to set levels for the new material.
3. Perform the remainder of the Ping-ponging
procedure,
the appropriate ASSIGN switches and adjust
Faders and PAN controls.
5. During this rehearsal, all REC FUNC.
TION switches should be off (up).
6. PLAY your tape. The reference tracks
should be heard through your headphones via
the MONITOR section. Adjust the levels of the
tracks using the MONITOR GAIN controls,
7. Rewind the tape by pressing the RTZ
button, and PLAY it again.
8. When you reach your edit point, press the
REC FUNCTION switch for the track to be
edited. You will now be able to hear the new
material through your headphones,
9. When the point comes to punch-out, end
the edit, press the REC FUNCTION switch
again, This will return the MONITOR to the
tape signal.
10, Repeat the process until you are com-
fortable with it,
THE ACTUAL PUNCH-IN
1. The INSERT switch should be in the on
position (down). lts LED will be on, The MON
switch (PGM/CUE) rémains in the CUE posi-
tion.
2, Press the appropriate REC FUNCTION
switch,
3. Make sure all
switches are off (up).
other REC FUNCTION
4, Press PLAY,
5. Just before you reach the edit point, press
REC.
6. Perform the new material, When you reach
the point that you'd like to end the edit, punch-
out, press STOP, PLAY, or REW. turning off the
record mode,
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REMOTE PUNCH-IN/QUT USING THE RC-
30P PEDAL
Rehearse in the same way as your did before,
When you're ready to go...
1) Start the recorder rolling by pressing
PLAY. The REC FUNCTION switeh should be
on, with its LED blinking.
2) When the Punch-in point arrives, step on
— 14 —
the RC-30P pedal. This will start the Recording
process,
3) When the Punch-out point arrives, step on
the RC-30P pedal again, This will stop the
Recording process,
WORK METHODS
As we mentioned on the first page of this
manual, recording is an art as well as a science.
Art has a special and intangible quality that sets
it apart. In order to create art, the artist must
have the proper tools, and command of the
techniques of those tools, Your Studio 8 is
the tool. The command of the techniques will
involve some practice and some thought on your
part,
The following paragraphs are here to provide
you with information, suggestions, and some
perspectives regarding the recording process and
your Studio 8, There are three fundamental
notions upon which these suggestions are based:
Planning, Apparent and Absolute Values, and
Common Sense. We'll talk in some detail about
Planning as well as Apparent and Absolute
Values; we hope that you bring Common Sense
to all your endeavors.
PLANNING
Planning is an obvious necessity when con-
sidering how many tracks your recording will
require, when you intend to ping-pong, remix,
ete, Track sheets are handy sketch pads that will
aid you in the planning of your recording
process,
RECORDING [58]
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Plan your recording environment. You will
need a room that is quiet and has sufficient
electrical power. If there are appliances or air
conditioners plugged into the same circuits as
your Studio B, they will probably cause hum,
clicks, or other noises when their motors come
on. Once you have your location picked out,
—15—
you will need to make it ready. You will find
a lot more helpful material in the "Multitrack
Primer” available from TASCAM.
The condition of the AC circuit that you
intend to use with your Studio 8 is very im-
portant. Noise and other circuit problems can
be both annoying and dangerous, There are a
couple of inexpensive tools that you should have
in your tool box: An AC Outlet Tester, AC
Adapter/Ground Lifts, and an AC Neon Lamp
Tester (better yet, a Volt/Ohm Meter).
E
A
Outlet Tester
LEDs —
Volt/Ohm Meter
AC Adapter
The AC Qutlet Tester is very easy to use, just
plug it into the outlet and its LEDs will signal
whether or not the circuit is properly wired,
If it isn't, do not under any circumstances use
that outlet, Faulty wiring in an AC circuit is
potentially hazardous.
AC Adapter/Ground Lifts are used when plug-
ging three prong plugs into two prong outlets and
when reversing two prong plugs in order to
reverse polarity. Your Studio 8 uses a two prong
AC connector and will present no grounding
problems by itself. These adapters are also useful
as ground lifts. A ground lift is used in the event
that a "ground loop” is created within the
wiring of all the elements of your system. A
ground loop will create a hum or buzz that will
not go away no matter what remedy is used.
Ground lifts should only be used as a last resort,
since failure to have equipment properly ground-
ed can create safety problems.
A Neon Lamp Tester, or Volt/Ohm Meter can
be used to check the grounding of individual
instruments and amplifiers, Guitar and bass
amps are particularly vulnerable to grounding
and shock problems when the guitarist or bassist
is also using a microphone, Check the grounding
by putting one of the tester or meter probes on
the metal chassis of the amplifier, or the strings
of the guitar or bass and touching the other
probe of the microphone. If the lamp or meter
registers the possibility of a shock, reverse the
ground of the amplifier by using the amplifier’s
polarity switch or reversing its AC plug. If the
amp has a three prong plug and doesn’t provide
a polarity switch, which is rare, use one of your
AC Adapter/Ground Lifts to reverse the plug,
Should you be using Direct boxes? Micro:
phones and magnetic picups (the kind used on
electric guitars and basses} have very low signal
levels, As a result, they are very susceptible to
the effects of radio frequency noise, Using
cables that are over ten feet in length makes
this problem more severe. Direct boxes can be
used to improve the quality of your input signal,
Remember, keep cables as short as possible to
do the job. While electric guitars are usually
‘close miked” at the amplifier, electric basses
often use direct boxes. Electronic instruments
(synthesizers, drum machines, etc.), dependent
upon their audio signal level, are usually plugged
into the line-level inputs of à mixer. Plan to have
the necessary equipment on hand for the session.
All your instruments should be properly
adjusted. Does your guitar need new strings? |s
the piano in tune? How about your microphones
and their cables — do they all work properly?
Your equipment needs to be in top condition
when recording day rolls around.
— 18 —
Do you intend to use timing codes of some
sort: SMPTE/EBU, FSK, or some other data
code? These codes should be recorded first
onto track B without dbx, dbx encoding and
decoding can make some codes unreadable,
The codes themselves also cause tracking errors
in the dbx. Codes should not be put through
your mixer system, record them directly from
the PGM BUSS IN number 8. If code is recorded
through the mixer while other material is being
recorded, the code signals may “leak” onto the
other busses. If they leak in this way, reduce
their signal level, or record them separately.
A metronome or “click” track may be recorded
using dbx with other program material,
All your wiring should be neat. When cables
that carry similar signals (input, output, effects,
etc.) are grouped together, there is less danger
of creating a noise source. Don’t bundled any
cables too tightly or bundle AC power cables
with your audio cables, If you use cable ties
to group your cables, make sure they are loosely
grouped. It follows that cables that carry dif-
ferent kinds of signals should be kept away
from one another. A neat arrangement of cables
also keeps them from being damaged by equip-
ment or talent. Damaged cables are the root of
many problems during recording, Always have
spare cables on hand,
If you intend to use effects devices with your
Studio B, then a rack-mount cabinet is a wise
investment. The “rack” should have metal rails,
these help ground the chassis of the effects and/
or power amps together, decreasing the potential
for a noise problem related to grounding.
If you intend to use any optional equipment
with your Studio 8 such as the AQ-65 Auto
Locator or a SMPTE controller, be sure you
understand their operation. The use of optional
equipment often changes the operating pro-
cedures necessary to accomplish basic tasks.
Plan ahead and learn how your equipment works
during leisure time instead of under pressure
during a session,
Understanding the inner workings and signal
flow through your Studio 8 will help you
maximize the features and functions of the
unit, find problems quickly, and perhaps, come
up with a new application, To help vou in this
understanding, we have provided you with three
types of illustrations: the first is a line drawing
of the unit: the second is a pictogram that
shows the features and controls placed in the
proper sequence of signal flow; the third is a
block diagram, which is similar to the pictogram
using a different set of symbols to represent the
features and controls. Learning to read a block
diagram can be a tremendous help in your
future dealings with audio equipment. An
experienced studio engineer can usually operate
even the most sophisticated equipment with
only a block diagram as a reference.
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— 17 —
APPARENT AND ABSOLUTE VALUES
Your ear and your Studio 8 perceive the same
program material in very different ways. The
ear deals in apparent, subjective values, while
your mixer and recorder in the Studio 8 deal
in absolute, objective values. This difference
leads to the fundamental rule; On the way in,
to your recorder by way of the mixer, trust the
machines meters and OL indicators; On the
way out, to the ear by way of loudspeakers/
headphones, trust what you hear. Remember
too, until your ears reach the level of perception
achieved by experienced audio engineers, trust
your meters and LEDs whenever in doubt,
The Meters of your Studio 8 show both the
average program level with the needle of the
meter and the peak program level and transients
by means of peak LEDs built into the Meters.
OL indicators in your mixer's channels also
show signal levels that are too high, Percussive
Instruments and synthesizers are very difficult
to mix and record properly, Believe your Meters
and LEDs when you're recording these instru-
ments. Their apparent loudness is not usually
greater than other instruments, but their peak
transient signal level, particularly at the
beginning (attack) of a note, is much higher than
the average program level, Keep your levels
under control when you mix or record these
instruments, If their levels reach your tape or
amplifiers without being trimmed, they will
cause your sound quality to go down,
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18
HOW TO USE YOUR EQUALIZER
EQ controls are used to change the timbre of
a signal in an individual channel of your mixer,
There are three controls in your equalizer, each
of which has two distinct functions: to cut or
boost, and to determine "a precise frequency
to be affected. The term frequency roughly
corresponds to the term pitch. The higher the
frequency number, the higher the pitch. The
human ear is an amazing instrument that can
pickup an extremely broad range of sounds.
The following is a very simple and subjective
explanation of the characteristics of the various
frequency ranges.
20 to 60 Hz: The lowest frequencies the ear
can perceive exist here, Notes in this range are
felt more than heard, Too much boost in this
range will muddy the sound quality.
60 to 500 Hz: This is where the fundamental
pitches of many instruments exist. This area is
vary sensitive to equalization. Too much cut in
this area can make your music sound thin and
lifeless. Too much boost will make the music
sound a little dull and muffled.
500 Hz to 2.5 kHz: This area is usually called
the “mid-range.” There is a lot going on in
this range and too much boost can cause the
music to become harsh or hard to listen to, The
experience known as “listener fatigue” is usually
caused by too much emphasis in this frequency
range.
2.5 kHz to 6 kHz: This area contributes to
the clarity and “presence” of the program.
Material in this range is often perceived as being
louder than its measurable signal level would
suggest. A slight boost in the upper frequencies
in this range (5 kHz) can make the music sound
brighter. Be careful! Listener fatigue can happen
here too,
6 kHz to 15 kHz: Brilliance, clarity, and the
metallic sheen of bells and cross modulated
synthesizer patches are found in this range.
The ring of acoustic guitars and pianos can be
accentuated in this area, Overtones, harmonics,
are what you're working with, rather than
fundamental pitches. The warning for this area
has to do with noise. There is a lot of it up here
and too much boost will bring out any noises
present in your material,
The ability to favorably change one signal
may result in an unfavorable alteration in
another. Boosting the bass frequency range in
arder to emphasize a kick drum may adversely
affect a cymbal using the same channel of the
mixer, EQ controls tend to be over used rather
than under utilized. If the sound is acceptable
as it comes into the mixer, then don't EQ it.
And don't over adjust any control. Be careful,
only make the adjustments that are absolutely
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necessary, Less is definitely more when con-
sidering EQ.
The Studio 8 equalizer is a three band sweep-
type. It offers the ability to select a precise
frequency and cut or boost it by plus or minus
15dB. The treble control covers frequencies
trom 2.5 kHz to 15 kHz. The mid-range control
operates between 500 Hz and 5 kHz. The bass
control is adjustable for frequencies from 50 Hz
to 1 kHz. As you can see, there is some overlap
in the frequency ranges.
Your EQ controls work in an interactive way.
The tone or timbre of the sound in a channel
can be altered to bring about a similar change
by using any of the three EQ controls, How 50?
Suppose you want to change the “balance” of
the material by accentuating the bass. Before
you reach for the 50 Hz 10 1 kHz control and
start boosting the bass, consider using either or
both of the other twe cantrols to “roll off”
some of the mids and highs. These three controls
epitomize the teamwork approach to problem
solving. Always consider all three options when
an EQ adjustment is necessary.
If you've decided that the signal definitely
needs some EQ adjustment and you have looked
at the frequency range chart and determined
which of the three controls you wish to use,
you now must determine the precise frequency
within the control's range, To do this, turn the
GAIN, the center (upper) of the two concentric
knobs to an exaggerated position almost all the
way up (clockwise), Then slowly sweep the
frequency range by turning the outside flower)
portion af the concentric knob from its mini-
mum (fully left) to its maximum {fully right}
in à clockwise motion. As the control is turned,
you will hear the change in the signal's content.
When the desired frequency is isolated, reset
the GAIN control for the necessary amount
of boost or cut. Avoid making these changes
during a recording. The sweeping action can
create undesirable tonal effects,
A WORD OF MIXING ADVICE
All finished tapes must be balanced for level.
Do all the instruments and voices blend together
in a way that is appealing? Are the bass and
drums so loud that the singer is “lost in the
mix"? Your signal levels will affect the entire
recording and mastering process, including the
EQ process. So make sure that your levels are
properly adjusted when mixing for recording,
You can't fix it if you can’t find it,
If your mixer's faders end up looking like
this, then you're overloading your outputs.
Pull down the input channel faders and raise
the program master faders.
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Your mix will not be distorted, but will have a
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COMMON SENSE: CARE AND MAINTE-
NANCE
Even though the heads used in your Studio B
are constructed of very durable materials, they
will show excessive wear much faster if they
are not treated properly. If you follow the
procedures listed here, you will get the most
out of you Studio 8.
CLEANING
You need some head cleaner (TEAC HC
veries/TZ-261), some cleaner for the rubber
components (TEAC RC Series/TZ-261), and
some cotton swabs. Cleaning procedures should
be performed before each session, after each
session, and whenever your waiting for the
drummer to return from a break. Do it! You
won't regret it.
Here's why;
1. Dirt or oxide build-up on the heads will
force the tape away from the head gaps that
do the recording and playing back. A very small
distance is all that's required to produce a
noticeable reduction in the record and playback
quality. All the money you've spent, and all
the engineering expertise expended by TASCAM
on your Studio 8 can be wasted by a minuscula
bit of dirt or oxide on the heads. Wipe it off
with head cleaner.
2. Tape and the oxide on tape act like very fine
sandpaper. They slowly grind down the tape
path on your recorder, If you don’t clean off
these abrasives regularly, the wear will be
quicker and it will be uneven. Uneven wear on
the heads can be compensated for, to a certain
degree, by various adjustments. Eventually
uneven wear will create notches that will cause
your tape to "skew" and skip around on the
tape head. This skew will cause the tape to
wear unevenly, which will cause more uneven
wear on the tape heads. . . A very nasty business,
Eventually the only solution is the replacement
of the tape heads and tape guides. This is very
expensive, particularly when you add the cost
of ruined tapes, sessions, and lost time. Being
conscientious can more than double the life
expectancy of your tape heads and guides,
— 921] =
Cleaning
As we mentioned, this should be done every
chance you get. Using TEAC HC Series/TZ-261
and a cotton swab, clean the heads, capstan,
and tape guides until the swab comes off clean.
Wipe off any excess cleaning fluid with a dry
swab.
Clean the pinch roller at least once each day
the recorder is used. Use TEAC RC Series/
TZ-261 rubber cleaner,
1. Open the tape compartment door.
2. Press PLAY, move tension arms so that
capstan spins, and hold a cotton swab that has
been lightly moistened with rubber cleaner
capstan shaft. This will prevent the swab from
becoming tangled in the mechanism.
3. Clean it until there is no visible residue
coming off anto the swab.
4, Using a clean cotton swab, wipe off all the
excess rubber cleaner from the pinch roller.
Make certain that there is no foreign matter
remaining on either the pinch roller or the
capstan shaft.
9, Clean the capstan by lightly pressing a
cotton swab moistened with head cleaning fluid
onto the shaft. Clean thoroughly and wipe off
excess fluid,
Rec/Repro Head
Erase Head
DEMAGNETIZING (DEGAUSSING)
A little magnetism rubs off onto the heads
every time a tape passes over them, It takes a
very small amount of the magnetism to have
a noticeable effect on performance quality,
Playing a tape ten times will deposit ‚2 Gauss
on the heads. Gauss is the unit used to mesure
magnetism. As little as .7 Gauss will cause
erasure of the high frequencies on the tapes
that pass by it. If you don’t want your tapes
erased, then demagnetize regularly with the
TEAC E-3 Degausser,
Degaussing is always done with the Studio
8's power OFF, If you try it with the electronics
on, the current pulses produced by the degausser
will appear to the heads as an audio signal.
These pulses are around 10,000 Gauss, and they
will seriously damage the Studio B's electronics
and meters. Turn off your Studio B and turn on
the degausser at least three feet away from the
Studio 8,
If you are not using the TEAC E-3, be certain
that your degausser has either a plastic tip cover
or plastic tape covering the tip. Make sure that
no metal ever touches the tape heads as it will
scar them beyond repair.
Slowly move the demagnetizer into the tape
path. Move the degausser up and down, touching
lightly the heads and all the metal parts in the
tape path. Slowly move it away again to at least
a one-meter (three-foot) distance before turning
it off.
Be sure to concentrate while you are de-
gaussing. If you are not wide awake during
this procedure, you can permanently damage
the heads of your recorder. The demagnetizer
will put a permanent magnetic charge onto
the heads if it is turned off or on while near
them. This charge cannot be removed. Your
head is a goner, So perform these functions with
the respect, attention to detail, and regularity
they deserve and your Studio B will respond
with the excellent performance both you and
TASCAM expect,
CAUTION: Do NOT use paint thinner, benzine,
alcohol, or other solvents that are not designed
for the purpose at hand, These foreign sub-
stances will damage your Studio 8.
— 97.
TAPE HANDLING AND STORAGE
Tapes should be stored in a dust-free environ-
ment that won't be subjected to extreme heat or
cold, Your tapes are a magnetic storage medium
and can be damaged by things that generate
magnetism, Electric motors, the kind found in
vacuum cleaners and other appliances, will
damage tape if they get too close to it, The
transformers in your power amps and instru-
ment amplifiers can also cause this kind of
damage. Make copies of your tapes so that if
one is lost or damaged, you will have a spare,
A phenomenon known as "print through” can
occur if your tapes are wound onto their reels
too tightly before they are stored, Never fast
forward or rewind a tape for its entire length
before storing it. Reel to reel tapes should be
stored "tails out.” If tapes are stored for a
long time, a tails out (the end is the first thing
to come off the reel} reel will insure that any
print through will appear as “post echo,” which
is usually masked by the sound on tape,
APPLICATIONS
The following are intended only to serve as
examples. They are not the only way to do
things. As you become more familiar with your
Studio B, you will find alternate methods which
will better suit your needs. The basic recording
setup was covered in detail in the operational
chapters of this manual, so we will show the
diagram without toxt,
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ELECTRONIC MUSIC STUDIO
When setting up a system of this type, the
first thing to do is to put the speakers and
amplifiers in their proper positions. Then wire
each system. Make sure the Studio B faders
are down and the power on all units is off,
When all systems are wired and your mics
and instruments are connected, begin turning
on the system, Turn on electronic instruments
first, followed by your Studio B, then monitor
and headphone amplifiers.
With the faders still down, set all EQ controls
to their center, flat position. Set the channel
input selectors to the appropriate positions,
LINE on all synthesizer channels and MIC on
any microphone channels. Press the appropriate
ASSIGN and REC FUNCTION switches, and
raise the PGM MASTERS and STEREO MASTER
Faders toc the shaded area between 7 and В,
Play instruments and begin setting the channel
levels by slowly raising the faders. If the levels
of any of these channels is too high, as
indicated by the meters or OL LEDs, and the
channel fader must be kept below the 5 setting,
then use the TRIM control ora less sensitive
microphone, or turn down the volume controls
on your instruments. Remember to watch your
levels on percussive, cross modulated, highly
resonant, and fast attack patches, Drum machine
levels should also be watched closely.
Adjust any AUX or EFF mixes in the same
way: first, adjusting the channel levels and
Masters, watching any overload indicators an
your effects or cue system equipment: then
adjusting the EFFECT RTN GAIN controls.
Any effects devices connected to the ACCESS
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Front Panel
Mics
SEND/RCV jacks in the channels should be in the headphones or speakers. Begin raising the
closely watched. Particularly distortion/over- indivisual channel MONITOR GAIN controls
drive units, since your channel OL indicator and adjust them for a pleasing balance, Set
is located before the ACCESS point. MONITOR PAN controls as desired for stereo
imaging and readjust the Monitor Master control
Setting the levels for the control room moni- for a comfortable volume level at the monitor
tor speakers is a simple procedure, Set the speakers, Be aware that any “open” micro-
STEREO MASTER Faders to the 7 to 8 position phones in the room may cause feedback, 2 how!-
and adjust the Monitor Master control {MONI- ing sound. Turn off or reposition any micro-
TOR/PHOMES) for a comfortable listening level phones that cause feedback.
VIDEO/FILM PRODUCTION —_— . POS He Pr
The Studio 8 fulfills all the audio needs of 7 Dialogue One
the video/film production or off-line sweetening 3. Dialogue Two
facility. All popular brands and models of VCRs 4, Dialogue Three
and VTRs will interface directly with the Studio 8. Ambiance
8. Plugin compatibility with SMPTE/EBU 6. Effects One
controllers and synchronizers made by Adams 7. Effects Two
Smith, Audio Kinetics, Timeline, Cypher, B. Time Code
Convergence, ISC, Videomedia, and many
others further enhances the Studio 8's capa- Or a possible track layout for eventual multilingual
bilities in the video environment. release
The Studio 8 motors are under servo con- TRACK
trol so that SMPTE controllers can tell the 1. Narration — English
transport to go directly to cue points and 2. Music Left
the transport can respond with a high degree 3, Music Right
of accuracy. The ACCESSORY jack also outputs 4. Effects
a tachometer signal whose frequency is inter- 5. Ambience
preted by SMPTE/EBU controllers so that it 6. Narration — Spanish
knows the position of the tape even in fast- 7. Narration — Japanese
forward and high speed rewinds. A guard band 8, Time Code
is not necessary when recording time code on
track 8 as long as time code levels are recorded
Multitrack masters are easily created for
video/film through conventional overdub and
insert techniques or all eight Studio 8 tracks
may be recorded simultaneously. Isolated feeds
of the individual audio elements will later enable
maximum creativity in mixdown, since each
source is under independent control. High
quality multitrack audio can be achieved on one
machine without the necessity of transferring
audio from mono or two-track master machines.
The following are only two examples of track fast] © -©
allocation using the Studio 8 in a video/film DANI М |
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1. Guide (production) Track ATE TT
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FEATURES AND CONTROLS
O POWER 5
The POWER switch is on the back panel. The ado “ciñe ag
AC value of your Studio В should be checked o HT]
tor compatibility with your country's AC. Lug
See the Voltage Conversion section of this |"
manual,
MAIN MIX SYSTEM =
6 MIC IN Connectors |
Located on the back panel, these XLR ¿[a
connectors accept balanced microphone or line Plo
signals. High impedance, unbalanced micro- o -- a
phone signals may be connected here using a || on,
standard quarter-inch to XLR adapter/trans- 1
former. ya,
Pin assignment is as follows: Pin 3 is high, pin CL
2 low and pin 1, shield. Que a
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© LINE IN Connectors
Located on the back panel, these quartér-
inch phone jacks accept unbalanced, line level
signals. Electronic instruments and audio
equipment producing line level signals can be
connected here,
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O INPUT Selector
These are found on the top panel, at <he
top of each channel of your Studio 8's mixer,
The switch has three settings:
MIC: Allows the signal present at the MIC
INput on the back panel to enter the mixer
channel.
LINE: Allows the signal present at the LINE
IN connector on the back panel to enter the
mixer channel,
RMX: Allows the playback signal from the
recorder to enter the mixer channel. Track one
of the recorder goes to channel one of the
mixer; track two to channel two, etc,
O TRIM and OL Indicator
The OL indicator lets you know that the
signal is too hot, Use the TRIM to adjust the in-
coming MIC signal to a level that does not re-
gister, continuously, on the OL indicator, The
OL is located after the EQ section so that if a
signal 1s boosted to the point of overload by an
EQ contro! it will register an the OL indicator.
O EQualizar
The EQ system in your Studio B is a three-
band sweep-type parametric system. It allows
vou to select the specific frequency range you
wish to affect and the degree to which it will
be affected, plus or minus 15 dB. The high
frequency control has a range variable from
25kHz to 15 kHz. The mid-range operates
between 500 Hz to 5 kHz. The bass control
has a range from 50 Hz to 1 kHz,
© ACCESS SEND and ACCESS RCV
This access point allows you to add signal
processing to an individual channel without
affecting the signal in any other channel.
ACCESS SEND may also be used as an extra
send for a cue mix, or recorder send, since
the mixer channel's signal also continues to
flow through the rest of the mixer if the
ACCESS RCV is not connected. Using ACCESS
RCV routes all the channel's input signal into
the effect loop.
— Y] —
O Input Channel Fader
This linear, slide, fader varies the amount of
signal going to the PAN control, the EFF
submix, the ASSIGN switches, the STEREO
MASTER Faders, and the AUX submix if it is
switched to the POST position.
OPAN
This control allows you to create stereo
mixes by sending your channel's signal in
continuously variable degrees to the left (ODD
busses) or right (EVEN busses} sides of the mix.
UD ASSIGN Switches
These four switches are used to send (assign)
a signal to any one, or any combination of all
eight PGM Busses. The signal is also sent to the
PGM MASTERS Faders, the PGM OUTputs, the
inputs of the MONITOR submix, and the tracks
of the recorder. These switches work in con-
junction with your PAN controls, which decide
how much signal goes to the left {QDD) or
right (EVEN) busses.
D L/R ASSIGN Switches
These are dual purpose switches. They send
{assign} your channel's signal to the STERED
MASTER Fader and the Stereo Buss. This is
the normal condition for Remix. They can also
be used as a solo-in-place switch, By pressing
down a L/R switch if the channel is assigned
to one of the PGM Busses (1-8), the channel
whose L/A switch is pressed will be the only
signal present in the Stereo Buss, the PHONES,
and the MONITOR OUT (5).
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© PGM BUSS IN
These connectors are on the back panel. You
can connect the line-level outputs of another
tape recorder, mixer, or effects devices with
level controls at this point, These inputs are
after the PAN, Channel Fader, EFF submix,
AUX submix, and ASSIGN switches. Signals
from these inputs are routed to the PGM MAS-
TERS Faders, MONITOR submix, and PGM
OUTputs. They will be recorded, along with
any signals from the eight channels of your
mixer by the Studio 8's recorder.
D FGM MASTERS Faders
Located after the ASSIGN switches, the two
PGM MASTERS Fäders each adjust the level of
four PGM Busses {ODD 1, 3, 5, and 7: EVEN
2, 4, 6, and 8). From this point the signal flows
to the PGM OUTputs, MONITOR submix, and
to the recorder.
O PGM OUTputs
These RCA connectors are located on the
back panel. Should you want to record on a
different machine or use the Studio 8 as a
submixer, these outputs supply the access,
They provide a line-level signal.
(DSTEREO BUSS IN
These RCA connectors allow input to the
STEREO Buss system at a point prior to the
STEREO MASTER Fader. They will accept a
line level signal and can be utilized by recorders,
submixers, or effects devices with level controls.
Before signal from these inputs reaches the
STEREO MASTER Fader, it is joined by signals
from the EFF RTN inputs that have also passed
through the EFF RTM GAIN and PAN controls,
OO STEREO MASTER Fader
This linear, slide fader adjusts the level of
both the right and left side of the Stereo Buss,
It receives its signal from the L/R ASSIGN
switch and sends the signal to the MONO
switch and the STEREO OUTouts. When the
Stereo Buss is used, the signal is automatically
switched to the MONITOR/PHONES control.
D MONO Switch
This switch combines the left and right sides
of the Stereo Buss into a mono mix. It makes
the same, combined signal available to both
(Land A) STEREO CUTputs.
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D STEREO OUTputs
There are two pairs of these outputs on the
back panal. The pair utilizing the XLR con-
nectors provides a balanced +4 dBm signal, The
other pair uses RCA connectors and provides an
unbalanced -10 dBV signal.
D BALANCED/UNBALANCED Switch
This switch located on the back panel affects
only the XLA STEREO OUTputs. It allows
the outputs to provide either a balanced or
unbalanced line-level signal.
In the balanced position, pin 3 is high, pin 2 is
low and pin 1, shield. In the unbalanced position,
the pin out changes as follows: Pin 3 high, pin
2 and pin 1 shield,
AUX SUBMIX
& PRE/POST Switch
This switch determines whether the AUX
submix gets its signal from the input channel
before (PRE) or after (POST) it passes through
the EQualizer, ACCESS SEND/ RCV, and
Channel Fader.
& AUX
This rotary control adjusts the level of the
signal that will be passed along to the AUX
MASTER contro! and the AUX OUT.
© AUX MASTER
This rotary control adjusts the level of the
summed AUX signals from all the input channels
of your mixer. It determines the amount of the
signal that will be present at the AUX OUTIs),
E AUX OUT
There are two of these located on the back
panel, The quarter-inch connector provides a
0 dBu signal. The RCA connector provides a
line-level 10 dBY) signal.
ED AUX BUSS IN
This input allows a line-level signal to enter
the mixer. A signal entering here will then go
to the AUX MASTER control. When using the
Studio B's mixer as the master in a stacked
configuration, this input accepts the AUX
sends fram the submixer and allows the Studio
Bs AUX MASTER to control the complete
AUX system of both mixers.
EFFECT SUBMIX SYSTEM
© EFF
This rotary control determines the level of
signal that will be admitted from the input
channel into the Effect submix. The signal
originates at a pont in the channel after the
Channel Fader and before the PAN control
and is then routed to the EFF MASTER con-
trol,
© EFF MASTER
This rotary control determines the level of
the summed signal from all of the channel's
EFF controls. The signal then goes to the EFF
OUTputs on the back panel.
(5 EFF QUT
There are two of these on the back panel.
The quarter-inch jack provides a O deu signal.
The RCA connector provides a line-level
{-10 dBV} signal. From here the signal goes
to the effects/signal processors. It can be re-
turned to the mixer at several points: EFF RTN
(0dBu), AUX BUSS IN (-10dBV}, PGM
BUSS IN (-10dBV), or STEREO BUSS IN
{-10 dBW).
O EFF ATN
These are the normal points at which the
Effect Mix signal is returned to the mixer from
the signal processorís). From these inputs, the
signal is routed to the EFF RTN GAIN and
PAN controls,
¢) EFF RTN GAIN and PAN (1 and 2)
These controls determine the level (GAIN)
and the left-to-right placement (PAN) of the
returning Effect submix signal before it joins
the Stereo Buss and is sent to the STEREO
MASTER Fader,
© EFF BUSS IN
This input is located before the EFF
MASTER control in the signal flow sequence.
It allows the effect outputs of a submixer used
with the Studio B to enter, so that the EFF
MASTER can control the total effect submix
of both mixers. Do not return your effects
loop signal that originated from the EFF OUT
at this input, it will cause an audio ground
loop (feedback),
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MONITOR SUBMIX AND PHONES SECTION
O MONITOR GAIN and PAN
There are eight sets of these contrals on the
top panel, one for each PGM Buss or recorder
Track. They control the level (GAIN} and
left-to-right placement {PAN} of the signal
that is then sent to the STEREO MASTER
Fader, MONO switch, STEREO QUT(s), MONI-
TOR OUT(s), PHONES jacks, and STEREO
L/R Meters,
© MONITOR/PHONES Select Switches
There are three of these on the top panel
near the recorder's transport controls. They
are marked: STEREO, AUX, and EFF. They
determine what signal will be heard in the
headphones and be sent to the MONITOR
QUT(s).
Monitor Source with MONITOR/PHONES Selector in STEREO"
O MONITOR/PHONES Level Control
This rotary control determines the signal
level (volume) that is sent to the PHONES
Jacks and MONITOR OUTIs).
O MONITOR OUTÍs)
These RCA connectors provide a line-level
signal and are normally used with a stereo
amplifier/receiver and monitor loudspeakers,
O PHONES Jackis)
There are two of these located on the front
panel of the Studio 8. These are stereo head-
phone jacks. NEVER! use mono headphones
with these connectors.
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ASSIGN CUE/PGM REC FUNCTION INSERT Transport Monitor Source
L/A Switch Switch Switch Mode
Switch
РОМ (в | = — = PGM
| PLAY TAPE""
| REC PGM
óntal On ia) Other modes
than PLAY and {no sound}
REC
Off (a) CUE O) Ofi O) — PGM
PLAY, REC ~~ TAPE
= Other modes
of (no) than PLAY and {no sound]
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LED stays on LED flashes with | LEDstayson | |
in PGM the transport REC in the down
position, off; and stays an position.
with the REC an,
NOTES:
* Positions other than STEREO have nothing to do with the setting of the switches shown in the chart.
** does not include TAPE signal in RMX {Remix) mode {they pertain to "PGM").
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METERS SECTION
METER Select Switch
This two position switch is located on the
top panel above the STEREO MASTER Fader,
MONO, and ACCESS SEND/RCY. lt only
affects the Stereo Meters; it switches them to
either AUX/EFF or L/R {Stereo Buss),
E) STEREO L/AUX and STEREO R/EFF
Meters
These Meters register both the average pro-
gram level (with the needle) and the occurance
of peak or transient material {Peak indicator
lights).
£ TRK/PGM Meters 1—B
These Meters register program level of the
Program Busses or the Tracks of the recorder,
on PLAY or during Remix. They have a switch-
ing logic so that they always display the appro-
priate signal. This switching also takes place
during Insert Editing/Punch-in,
RECORDER/REPRODUCER
E REW
Pressing this button rewinds the tape at
high speed. If the LOAD function is engaged,
the tape will not rewind off the reels. The tape
will rewind to the Load position and stop. If
a CUE position is in Memory and the STC is
engaged, the tape will stop there,
@ F. FWD
Pressing this button winds the tape forward
at high speed. If the LOAD function is engaged,
the tape will stop before it winds off the reel.
If a CUE position is in Memory and the STC
is engaged, the tape will stop there,
O STOP
Pressing the STOP button stops the tape's
-motion no matter what mode the transport
is in.
— 32 —
O PLAY
Pressing this button starts the tape rolling
forward at playback speed, Pressing this button
in conjunction with REC and any number of
REC FUNCTION switches puts the machine
into Record mode,
® REC
Because this is such an important function
{Recording}, the REC button, by itself, does
nothing, It must be used in conjunction with
the REC FUNCTION buttons. Its operation is
also affected by the status of the INSERT
switch, If a REC FUNCTION switch is on, and
the Studio B is in Play mode, pressing the REC
button will start the Recording process on the
track(s) designated by the REC FUNCTION
switches, |
If no REC FUNCTION switches have been
pressed, pressing REC and PLAY simultaneous-
ly will cause the tape to roll forward and the
LED above the -REC button will blink, This
means the recorder is in the Record-ready
mode, but no recording is taking place. Pressing
a REC FUNCTION switch while the recorder
is in Record-ready mode will start recording
on the track designated. See the Punch-in
procedure for more on this.
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O REC FUNCTION (1-8)
Pressing any of these eight switches makes
the corresponding track of the recorder ready
to record, If the transport is already in the
Record-ready mode, recording will begin when
the REC button is pressed.
A track cannot be recorded unless the REC
FUNCTION switch designating it is on, A
track is therefore, “safe” as long as its cor-
responding switch is off as illustrated in the
chart.
Sw Setting
LED Co nditvan |
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On | On On | On | On | Fecerdinain
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O INSERT
This switch has no effect unless the MON
PGM/CUE switch is in the CUE position with
its LED off. Pressing INSERT to the on posi-
tion allows the Studio B to automatically
switch from tape to source signals during a
punch-in and back to the tape signal at punch-
out,
When a tape is played with the INSERT
function on, only the tape signals will be heard,
regardless of the REC FUNCTION settings.
On the other hand, the off position of the
INSERT lets you use the REC FUNCTION
switches to go between tape and input signals
while playing a tape. This is useful for rehearsing
punch-ins.
O MON PGM/CUE
Pressing this switch to the PGM position
causes the MONITOR mix to receive the signal
present at the MIC, LINE, and PGM INPUTS,
whether the recorder is in PLAY or REC, This
switch takes priority over the INSERT switch.
When in the PGM position you will not be
able to monitor the Insert function, This is
considered the normal position for Remix and
when using the mixer independently.
When the MON PGM/CUE switch is in the
CUE position, the INSERT switch becomes
effective. This is considered the normal posi
tion for recroding basic tracks and overdubbing.
If any L/R switches are down, you will only be
able to hear those channels in the stereo buss,
{& TAPE LIFTER
This lever retracts the tape lifters so that
the tape will contact the heads during F.FWD
or REW, allowing the monitoring of the sound
on tape to find slate tones or specific program
material. When using the TAPE LIFTER in
this way, be cautious, a high frequency signal
will be sent through your electronics when the
recorder is in F.FWD or REW mode. Adjust
your levels accordingly. Turn your levels down
significantly before using the TAPE LIFTER
function.
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O PITCH CONTrof
This knob allows you to adjust the speed of
the Studio 8 by plus or minus 15% in either
PLAY or REC, You can use this speed control
to accommodate minor changes necessary in
the length or relative pitch of your program
material, If you're making a 30 second radio
commercial and it runs a little long, you can
speed it up enough to drop out the extra
seconds. When tape runs faster than the speed
at which it was recorded, the material on it will
raise in pitch. This can sometimes be used in a
creative way to save parts that are a little out-
of-tune, or to create sound effects such as flang-
ing. !f you record with the PITCH CONTrol
at 115 maximum or minimum settings, you will
NOT have the ability to make further adjust-
ment in that direction upon playback.
O VARI/FIX/EXT
This three position switch controls the status
of the PITCH CONTrol function. In the VARI
position, the PITCH CONTral knob will func-
tion and an LED will indicate that it is on.
In the FIX position the PITCH CONTrol will
be locked off, it will not function. In the EXT
position, the transport speed of the recorder
will be controlled by a device plugged into
the ACCESSORY jack on the back panel,
SMPTE Controllers and Synchronizers will
normally be used with this function.
€) dbx 1—4 and dbx 5-8
These are the on/off switches for the dbx
noise reduction system in your Studio В. The
numbers correspond to the recorder’s tracks,
dbx 1—4 turns the system on or off for tracks
1-4, while dbx 5—8 performs the same function
for tracks 5-8. You are given an additional
switch found on the back panel that will defeat
(turn off) the dbx for track 8.
@ dbx DEFEAT TRK 8 {On the back panel)
This switch overrides dbx 5-8. It will turn
off the dbx on track 8 (with the switch in the
“ON” position) even if dbx 5-8 is on. This
can be used to record FSK (Frequency Shift
Key) or SMPTE time code data on track 8. It is
also useful when recording some older model
drum machines whose signal level is unpredict-
able and thereby, difficult for the dbx to handle
effectively.
MEMORY. TRANSPORT CONTROLS
& TRT Counter Display {MIN — SEC) and
RESET
The Counter Display is a four digit flores
cent readout that indicates tape location in
minutes and seconds (Tape Run Time). The
counter measures linear tape footage, then
computes the elapsed time based on 7 1/2 ips
{15 em/s) speed, Even if the tape is wound at
high speed in either direction, the counter
will indicate the correct location. The maximum
time displayed by the counter is 59 minutes
and 59 seconds. A minus sign {—) appears if
the tape is located at a point before the Zero
location, The RESET button will clear the dis-
play, causing it to read 00:00, RESET will
NOT erase a CUE position that is in Memory,
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O RTZ (Return Toa Zero)
Pressing this button will cause the tape to
roll (in either F.FWD or REW] to the Zero
position (00:00) where it will stop. If PLAY has
also been pressed, the tape will begin to PLAY
when it reaches Zero. If REPEAT is also en-
gaged, a playback loop will be created,
O STC (Search To Cue)
Pressing this button will cause the tape to
roll tin either F.FWD or REW) to the CUE
position that has been entered in the Studio 8's
Memory by using the CUE button, The tape
will stop when it reaches the CUE point, If
PLAY is also engaged, the tape will begin to
PLAY when it reaches the CUE point. If STC
is pressed and no CUE point has been entered
into Memory, the tape will REWind to the
LOAD start point. If the LOAD function is
not in use, the tape will run to the end of the
tape,
S CUE
This button is used to establish the CUE
point in the Studio 8 Memory system. It can
be used while the tape is stopped or rolling.
RESET does NOT cancel CUE, A CUE point can
be used to automate the punch-out process. If it
is carefully placed at the desired punch-out
point, the transport will stop, or REWind if
REPEAT is used, The Record Mode is turned off
in the process.
O CHECK
Pressing this button will display the CUE
position in minutes and seconds on the Counter.
© REPEAT
Pressing this button will cause the tape to
Return To Zero when it reaches the CUE
point and then PLAY again; repeating the pro-
gram material continuously from Zero to CUE
until the REPEAT function is turned off.
This is very useful for rehearsing punch-ins or
remixes. Pressing any transport control except
PLAY and RTZ turns off the REPEAT function,
© LOAD
This feature insures that your tape will never
run off the reels at either end. When LOAD is
engaged the tape will stop, no matter what
transport mode it is in, before reaching either
the beginning or end of the tape. The Memory
calculates the tape length and the transport's
relative position within that length, The basis
for these calculations is forty minutes of play-
ing time using 1800 feet {549 m) 7-inch reels of
1 mil. tape. If you use 5-inch reels, which is NOT
recommended, or a nonstandard tape thick-
ness, the LOAD function will not work prop-
erly. See the operations section of the manual
(“Set Up”) for more on this feature, Pressing
LOAD a second time disengages the function
(turns it off), We advise using the LOAD func-
tion whenever you are warking with the Studio
В,
— 35 —
OTHER FUNCTIONS
© TAPE OUT {s)
These outputs qet their signals directly from
the recorder/reproducer without going through
either the RMX switch or MONITOR section
of the Studic B. These outputs are useful when
you are using a different mixer or another
tape recorder with the program material from
the Studio B's recorder/reproducer,
@ PUNCH IN/OUT REMOTE Connector
This jack is found on the front panel and is
to be used with the RC-30P Remote Punch-in
footpedal. See the Punch-in section of this
(® ACCESSORY Jack
This 38-pin connector will accept input from
the TASCAM AQ-65 Auto Locator or a SMPTE!
EBU Controller/Synchronizer. Controllers and
Synchronizers made by Adams Smith, Audio
Kinetics, Timeline, Cypher, Convergence, 1SC,
Videomedia, and others will work with the
Studio B via the ACCESSORY connector. The
AC-E5 Auto Locator, when Used with the
Studio B, offers ten point memory, programm-
able duration pre-roll, two point repeat, and
complete duplication of all transport control
functions.
manual for mare on this, o
@ REMOTE Control Connector
This twelve-pin connector accepts the cable/ DO
connector from the RC-71 Remote Control
Unit. It allows all transport functions, REW,
F.FWD, STOP, PLAY, and REC, to be con: 1
trolled from up to 5 meters (sixteen feet) away ©
from the Studio 8. 9 © ©
— == o E
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"ACCESSORY" Connector and Signals
Blmm {3 3161
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MALCO 354-38 pin plug lor ELCO 8016 Series)
x,
F3mm 11916 1
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at L level
B FF IN Inpuds FF grgral at |
| bevel,
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0 ta Terminal
E STdF IM Inputs STOP нота! а?
Level
F HÉC IN Ingats AEC signal a8
Level.
H LIFTER CONT IN puts LIFTER shift
cancellation g:gnal at
| level,
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к UPDON OUT Blatpuls tae runring
control val al Hor
Level
L | CP OUT Outputs ор вп же
| | tor signal (6 Hr |
| pulte al 7.5 не |
M PLAY TALLY OUT | OQutputs gpen<ollee |
| tor Lge (Low level
| durée PLAY made}
N FF TALLY OUT Outputs epenzeltes-
tér 44931 [Lew level
| during FF mode )
Р REW TALLY OUT | Dutputsogen<elle
> | tor signal (Low level
during НЕМ mode}
A STOP TALLY OUT Outputs open colles-
tor gal {Low level
during STOP mere ]
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LOW IN Heduces tipe towrd
16 “Laos” dutirg
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vi HEW COMMAND QUT Outouts ogeñ co!
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lewd when BREW 11
pretsed |
x FF COMMAND OUT | Dutputs cpen cal
lector signal [Low
level when В, РМО а
presced |
Y PLAY COMMAND OUT Outputs apen-¢ol
lectar tsgnal (Low
eve! when PLAY 1g
Oretsed
Z STOP COMMAND OUT Dutputs pen cal
fectar ngnal {Lam
| level when STOP
| rmEprened|
AA REC COMMAND OUT | Outzuesapen col
lectar 35a {Low
devel when REC is
precio]
BE ATZ IN Inputs RTZ tignal an
L level
Cr ETC IN lapuee STC npratar Lórvel
00 |
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FF ET Ds
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КК EXT FREQ IN Inguty tpeed central |
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extermal red cón:
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Infernal: LOW el
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| External: HIGH level |
| [1-0 Y er moral |
HN open termina!
PP +15 Viupaly OUT Mavimum: 50 mA
voltage
AR O Y terminal
55 +5 Y supply OUT Minenum: 50 mA
wil | tage
TF Mainurt GND
“ACCESSORY Connector Pins and External Signal Connections
Typical External Unit
“ACCESSORY” CONNECTOR PINS
15 Y or 16 y
: | (FATF) A
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{EXT FREQ]: KK
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J Y es MORE AT
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ddr
{FLAY TALLYI: M
¡STOP TALLY: A
¡NEW TALLY): P
{FF TALLY]: NM
(SHOT OFF TALLY): T
(HEC TALLY): S
(FEW COMMAND QUT): Ww
[FFF COMMAND OUT]: X
¡PLAY COMMAND CUT): Y
{STF COMMAND QUT): 2
(AEC COMMAND OUT): AA
т сны чин EEE ETE EEE EEE EEE EEE EEE EEE EE EE
(F OUT, 6 Hr AT 7.5 ips
DURING PLAY): L
LEDO OUT К
Y
A =
a
— 48 —
я
TTL EQUINALENT
+h
ACCESSORIES
AC-55 Auto Locator
The AC-65 is a programmable multipoint
locatar that allows computer-precision transport
control from a distance. It features among other
capabilities; ten digit keys for writing cue times
into memory, pre-roll (19sec. max.), two-point
repeat (between TAPE TIME and LOCATE
TIME points) and a duplication of the Studio
8's transport control.
SPECIFICATIONS
Description Auto locator
Function
Transport: PLAY STOP, F. FWD, REW,
spooling and RECORD
(Spooling does not function
with the Studio 6.)
Cue programming
and location: Ten-point (0 — 9) memory,
cue point setting with ten
digit keys
. RTZ, Return-To-Zero
Counters: 2-Tape Time, Locate Time
5 digit, hour, minute and
second read-out, with RESET
button
Others
Connecting
Cable: 8 m, 34-core shielded, with
38 pin (MALCO 354 or
ELCO 8016 Series)
Dimensions 432 x 88 x 125 mm
WxHxD) (17 x 3-7/16" x 4-15/16")
Weight 5 kg (11 Ibs), including cable
iit -
|
i]
i
A 1% bE 1
и
RC-30P Remote Pedal
The RC-30P is a durable footswitch that con-
nects to the PUNCH IN/OUT REMOTE jack
on the front panel of the Studio 8. This permits
“hands free’ entry and exit from the record
mode,
RC-71 Remote Control Unit
TACA EE
This unit makes remote control of the transport
functions possible, It plugs into a multipin
connector on the rear of the Studio 8.
E-3 Demagnetizar
The E-3 is essential for eliminating the residua!
magnetism that builds up on the heads, as well
as other metal parts along the tape path, De:
magnetization is part of regular recorder main-
tenance, and the TEAC E-3 is the right tool
for the job.
E-2A Bulk Eraser
The E-2ZA allows you to erase cassettes, as well
as / and 10” reels of tape, quickly and com-
pletely. It comes with a pilot light and integral
circuit breaker to protect against overheating,
TASCAM Cables
Cable, because of its inherent capacitance and
resistance, is an active component in an audio
system. There are vast differences in cable design
and performance that have significant effect on
the sound quality you'll get from your equip-
ment. TASCAM Professional Audio Cables are
the best available.
Qur cables feature very low capacitance {under
15 picofarads/foot} so they don't act as low-pass
filters and roll off high frequencies. The capaci-
tance is also consistent; it doesn't change when
the cable 15 bent or compressed. You don't get
noise or degraded results when the cable has
been used a while. Our cable's long-term stabili-
ty is provided by a special insulator that is as
flexible as foam core dielectrics, but far more
resistant to extreme cold or heat, and it doesn't
let the center strands migrate. It also avoids the
possibility of shearing the center conductor
when the cable is crushed, so that cable does
not suddenly fail.
Rather than loosely braided shield or spiral
wrapped shield that can open up, we use bare
copper braided shield with 97 % coverage. This
excludes electrostatic noise (buzz) and RF! (CB
interference, etc.). We also use a 7-strand center
conductor: 4 pure copper strands for minimum
resistance and 3 copper weld stainless steel
strands for strength. The multiple strands in-
crease flexibility and strength while offering less
resistance at ultra high. frequencies due to in-
creased surface area for the “skin effect.” This
improves transient response,
— 40 —
The outer PVC insulating jacket resists abrasion,
and is tightly fitted to the shield so it will not
elongate. The connectors are special, too, Their
nickel-plated brass center pins are a bit longer
than most to establish good contact in all RCA
jacks. The cadmium-plated steel outer shell
includes a gentle ridge' which burnishes the
mating jack when the connector is twisted to
ensure good contact. For maximum RF shield-
ing, the braid is terminated inside the shell and
2-radian soldered, not just spot soldered, for
maximum strength. The plugs are clad with an
oval jacket of molded plastic to further increase
strength and make the ends easier to handle.
TASCAM cable is available in lengths from 6
inches to 20 feet, or in color-coded sets of 8
for fast channel or function Identification.
TASCAM cable is also available in 500 foot
spools,
If TASCAM professional cables are not available
in your area, please try to find the next best
cables. It really does make a difference in system
performance. |
TZ-261 Cleaning Kit (Except U.S.)
HC Series Head Cleaner & RC Series Rubber
Cleaner (U.S. Only)
Using the right chemicals is important because
strong solvents can dissolve the binder that holds
the head laminations together. Isopropyl alcohol
can leave a residue and is not always adequate
for cleaning desposits from modern tape formu-
lations. Beware of rubbing alcohol; while it is
isoproplyl, it also contains oil and water that
leave a heavy film on the heads. TEAC HC head
cleaner is formulated to clean tape heads, tape
guides, and capstans without leaving a film or
damaning head integrity.
Since pinch rollers are made of special rubber
compound, not metal, a different solvent is
needed for cleaning them. Even a mild solvent
like alcohol can cause drying and cracking of
pinch rollers. TEAC RC rubber cleaner con-
tains no alcohol. Its special solvents wipe off
tape oxide, and other chemicals in RC actually
rejuvenate the rubber, This increases its resilency
and enhances its ability to pull tape without
slippage. HC and RC can be purchased with
swabs in a tape recorder cleaning kit (part
2TRC.).
M-1B Line Mixer
The M-1B is an B-in, 2-0ut line mixer that pro-
vides you with an easy and practical way of
creating an independent mix such as cue or
monitor mixes. Rack mountable (19 ELA).
MX-80 Mixer
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This is an B-in, 2-out mic/liné mixer useful as
a fully functional, ingenious submixer for ob-
taining an extra mic or line mix. Versatility
of your system will be considerably enhanced.
Rack mountable (19 EIA).
MH-40B Headphone Amp
The MH-40B is a headphone distribution ampli-
fier that can be used to feed four sets of studio
cue headphones and can be mounted in a 19”
ElA rack.
PE-40 Parametric EQ
OE
The PE-40 is a 4-channel, 4-band parametric
equalizer providing precise control over the
frequency characteristics of any line level
program. Rack mountable {19 EIA},
GE-208 Graphic EG
The GE-20B is a 2-channel, 10-band graphic
equalizer offering an easy means of controlling
the tonal balance between channels. Hack
mountable (19 EIA}.
PB-64 Patch Bay
When your system begins to expand beyond the
basic, sorting.out where things go can take much
time away from the recording process. This
accessory will allow you to speed things up and
get back to what you really want tó do, Sixty-
four RCA pins on a panel, So you can bring all
those jacks to where you are. It will get you off
the floor and back to recording. Connect all
your inputs and outputs to the back, and you
can reroute your signals with short jumpers
quickly.
PB-32 Normalled Patch Bays
The PB-32 patch bay is today's simplest and
most effective way to deal with the ever-
increasing tangle of wires necessary for the
recording and signa! processing you want to do.
Instead of leaning over, walking around, or
turning consoles, racks, recorders and other
equipment, you can bring all these confusing
cable ends to one single spot in your rack, or
next to your mixer, and get them under control,
You can label inputs and outputs an the PB-32,
and wan't have to guess anymore at what you
might be plugging in. À few cords can save
endless hours of searching around on the floor
behind your console and, as the whole process
of patching is made simpler, you'll probably
find more flexibility in your recording setup.
The PB-32 comes in four versions, The PB-32P
is equipped with 1/4" phone jacks only, the
PB-32R with RCA jacks only, the PB-32H with
1/4” phone jacks on one side and RCA jacks
on the other, and the PB-32W with 1/4" phone
jacks for 6 channels and RCA jacks for the re-
maining 10 channels.
Model name Typo of jidks Internal circuit connection
(FRONT! IREAR]
1/4" oh k Upper — ||“ TV
"phone jack O —— — + — ——— = ===
PB-32P {front and rear)
Lower | | ms
Upper — Y Ea TTT
RCA Jack NE He =
PB-32R [front and rear)
Lower “9 Aol UT
1/4" phone fack (front) Upper — [| Ya ~~ TT
FB:32H RCA jack (rear)
| Lower | | o
Leftmost 12 jacks (same as PB-32P)
Upper (VS TUTO TV
1/4" phonejack | Wa
(leftmost 12 jacks,
front and rear) ~~ ( nn.
Lower | | |
PB-32W Rightmost 20 Jacks {same as PB-32R}
Upper (Opp O——-——————=--
RCA jack
(Aghtmost20jacks, | се
front and rear)
Lower WET UT =
— 47 _
VOLTAGE CONVERSION
This unit is adjusted to operate on the electric
voltage specified on the unit, power cord tag, or
packing carton,
NOTE: This voltage conversion is not possible
on. models sold in the U.S.A, Canada, UK,
Australia or Europe,
For general export units, if it is necessary 10
change the voltage requirements of the Studio 8
to match your area, use the following pro-
cedures. ALWAYS DISCONECT THE POWER
LINE CORD BEFORE MAKING THESE
CHANGES.
1. Remove the top panel of the meter section
and locate the voltage selector as shown in
Illustration,
2. Using a regular (slot blade} screwdriver, turn
the selector so that the set mark indicates
the numerals corresponding the voltage
requirements of your area.
NOTE FOR U.K. CUSTOMERS
U.K. CUSTOMERS ONLY:
Due to the vareity of plugs being used in the
U.K., this unit is sold without an AC plug. Please
request your dealer to install the correct plug to
match the mains power outlet where your unit
will be used as per these instructions,
IMPORTANT
The wires E this mains lead? ‘are “coloured in
| accordance with the f e codo:
Er
BLUE: -" “NEUTRAL ——
| BROWN:
+ NEUTRAL" №:
Live; .- 2
ER mee ba a nn e
— As the colours of the, wires Inthe « mains lead of
“this apparatus : may) /inot correspond with - the
coloured ; marking Henitylwrss iin in
Tbe
get
The wire) wn Coils IL su SE
‘nected to!
bu-con- п
На a th the
e ed На BRO. 0 Ne :7
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This product is manufactured 10 comply with the
| radio interference of EEC directive '82/499/EEC.”
| >
|
La
SPECIFICATIONS
MECHANICAL CHARACTERISTICS
Tape
Track Format
Reel Size (max)
Head Configuration
Motors
Tape Speed 51
Piteh Contral
Fatt Wind Time
Dimensions (WxHxD)
Weight (net)
1/4 inch, 1 mil
A-track, Behannel
a
1 Erase, 1 Record/Re-
produce
1 FG servo DC capstan
motor
2 DC servo reel motors
7-1/2 ips 19 ems) 1 %
deviation
+15 %
Less than 100 seconds for 7"
reel, 1,800 feet
837 x 220 x 641 mm
(32-15/16" x B-11/16' x
254/16")
38 kg (83.6 Ibs|
ELECTRICAL CHARACTERISTICS
MIXER SECTION
MIC Input
Input Impedance
Mic Impedance
Nominal Input Level
Minimum Input Level
Maximum Input Level
LINE Input
Input Impedance
Nominal Input Level
Maximum Input Level
BUSS Input
(PGM/STEREO/AUX/
EFFECT)
Input Impedance
Nominal Input Level
Maximum Input Level
EFFECT RETURN
Input Impedance
Nominal Input Level
Maximum Input Level
ACCESS ACV
Input Impedance
Nominal Input Level
Maximum Input Level
POM/MONITOR Output
Output Impedance
Nominal Load Impedance
Minimum Load Impedance
Nominal Output Level
Maximum Output Level
STEREO Output
XLA
Output Impedance
Nominal Load Impedance
Minimum Load Impedance
Nominal Qutput Levsl
XLA, balanced
2.4 k ohms
Less than 600 ohms
-60 dBY (1 my
-70 dBV (0.3 mv)
Odev (0.3 V]
1/4" phone,
unbalanced
50 k ohms
-10 d8V (0.3 V}
+14 dBY (5 v)
AICA
22 k ohms
-10 de Y (0.3 Y)
+14 dB (5 Y)
1/4" phone
22 k ohms
0 dBu (0.775 V)
+16 dBu (5 Y)
1/4" phone
10 k ohms
-10dBY {0.3 V)
+14 dBV (5 V)
RCA
100 ehms
10 k ohms
2 k ohms
-10dBY {0.3 V)
+14 dBV {5 V}
XLR & RCA
100 ohms
10 k ohms
2 K Ohms
+4 dBm 11.2 V)
— 44 —
Maximum Output Level
ACA
Output Impedanco
Nominal Load Impedance
Minimum Load Impadance
Nominal Output Level
Maximum Output Level
EFFECT/AUX Output
ACA
Output Impédance
Nominal Lead Impedance
Minimum Load Impedance
Nominal Output Level
Maximum Quiput Level
1/4"
Output Impedance
Nominal Load Impedance
Minimum Load Impédance
Nominal Output Level
Maximum Output Level
ACCESS SEND
Output Impedance
Nominal Load Impédance
Minimum Load Impedance
Nominal Qutput Level
Maximum Output Level
HEADPHONES Qutput
Nominal Load Impedance
Maximum Output Power
Equalizer
Type
Frequencies
Boost/Cut Range
Input Overload Indicator
Meter Peak Indicator
RECORDER SECTION
Tape Out
Output Impedance
Nominal Load Impedance
Minimum Load Impedance
Nominal Output Level
Maximum Output Level
Bias Frequency
Equalization
Record Level Calibration
Noise Reduction
Power Consumption
+24 dBm (17 YI
100 ohms
10 kohms
Z k ohms
10 dBY {0.3 V)
+14 dBV (5 V)
RCA & 1/4" phone
100 ohms
10 k ohms
2 k ohms
-10 dev (0.3 V)
+14 dBY (5 Y)
100 ohms
10 k ohms
2 k ohms
0 dBu {0.775 VV)
+22 dBu 110 Y)
1/4" phone
100 ohms
10 k ohms
2 kK ohms
-10d8Y (0.3 V}
+14 dBV (5 V}
1/4" stereophone
B ohms, stereophone
100 mW + 100 my,
8 ohms
Iband, peak/din,
weepable
Low/Mid;: 50 Hz to 1 кН:
Mid: 500 Hz to 5 kHz
Mid/High: 2.5 kHz to
15 kHz
115 dB
Activates at 25 dB above
nominal
Activates at 18 dB above
nominal
RCA
100 ohms
10k ohms
2 K ohms
«10 0BV (0,3 Y)
+14 d8V (5 V]
100 kHz
3,180 ys + 50 us
(NAB/DIN/AEC)
250 nWb/m
(0 VU reference)
B-Channel, dbx |,
dual process
120 VW
Power Requirements
USA/CANADA 120 Y AC, 60 Hz
EUROPE 220 Y AC, 50 Hr
UK/AUSTRALIA 240 Y AC, 50 Hz
GENERAL EXPORT 190/120/220/240 М АС,
50/60 Hz
TYPICAL PERFORMANCE CHARACTERISTICS
MIXER SECTION
Frequency Response
Line to PGM Out
Line to STEREO Out
Signal-to-Noiso Ratio
20 Hz — 30 kHz! dB
20 Hz — 30 kHz! 5 dB
IHF A WTD/UNWTD
{20 — 20 kHz)
1 Mic to PGM Out 10 dB/68 dB
B Mic to PGM Out 60 de/58 de
1 Line ta PGM Out 80 dB,76 de
B Lino to PGM Out 17 dB/73 dB
Total Harmonic Distortion
1 Mic to PGM Out 7! 0.03 %
1 Lino to PGM Out 2) 0.03%
Crosstalk 4 -60 dB
RECORDER SECTION
Yow and Flutter 5! 0.05 % (NAB weighted)
20.10 % peak (DIN/IEC/
ANSI weighted)
Frequency Response {Record /Aeproduce) 6!
30 Hz — 15 kHz, £3 dB
EXTERNAL DIMENSIONS
831 mm [247 13/167)
64 1 mm 178"
1/4}
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" 837 mm 432" 18/16]
Sp
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Signal-to-Noise Ratio 3: 8 [HF A WTD/UNWTD
{20 — 20 kHz)
95 08/90 dB with dbx
59 d 8/56 dB without dbz
Total Harmonic Distortion 4). 6)
05%, 0 VU, with dbx
1.0 %, D VU, without dbx
‚3.0 %, 15dB above 0 YU,
with dbx
Adjacent Channel Crosstalk?) 6)
75 dB, 0 VU, with dbx
55 dB, O YU, without
dbx
Eräsure3), 6) 70 dB at 1 kHz
Test Conditions:
(1) 50 dB above nominal input level, 1 kHz, with 30 kHz
LPF.
Nominal input level, 1 kHz, with 30 kHz LPF,
Referenced to 3 % THD level.
1 kHz,
(5) TEAC Test Tope YTT-2003.
(6) TEAC Test Tape Y TT-BO13,
In these specifications, 0dBY is referenced to 1.0 Volt
rm: 0 dBu/0 dBm is referenced to 0.775 Volt. Actual
voltage levels are also given in parenthesis.
Changes In Specifications and features may be made
without notice or obligation.
(2)
(3)
(4)
*dbx is a registered trademark of dbx Incorporated.
PICTOGRAM
q > = Ce
o о О ино déc Assi
: à a) (=D У Ep 10 48
9 7
LINE in (ED
EFFECT
Effect MASTER OUT
Dre
CB 10 dfÿ
AUX OUT
STORED К° a (O >.
BUSS
IN iad ©
E
я CE -10 env
CE -10eav
a— >
EFFECT Y GAIN o PAN 19 «вм
RTH
9 9d su
3 GAIN FAN
СЁ Гос! &
дух BUSS IN ÉD)
RECORD FUNCTION
Sw toh MONITOR y
LOGIC
CL
= PAN
MONITOR
aff
oad
ST GAIN
EFFECT
CUE™OM 2
A ат
he — 5007” 8
a e
Ogi
O Control Tare out
INSERT Dm _— —_— FE -10.0v
— AG —
Efectivo: Juna, 1985: 050154
MAINTENANCE
| CUSTOMER, MAKE LEAKAGE-CURRENT OR
INSTRUCTIONS FOR SERVICE PERSONNEL
BEFORE RETURNING APPLIANCE TO THE
RESISTANCE MEASUREMENTS TO DETERMINE
THAT EXPOSED PARTS ARE ACCEPTABLY
INSULATED FROM THE SUPPLY CIRCUIT,
NOTES
All resistores are 1/4 watts, 5%, unless marked
otherwise. Resistor values are in ohms (K=1,000-
ohms, M= 1,000,000 ohms).
Capacitor values are in microfarads, UFIPF =
picofarads).
A Parts marked wtih this sign are safety critical
components. They must always be replaced
with indentical components — refer to the TEAC
Parts List and ensure exact replacement.
0 dB is referenced to 1 Y in this manual unless
otherwise specified.
PC boards shown viewed from component side.
Because of the improvements made to the recent
production models, some parts of the circuit
diagram may no longer confirm to the actual
circuitry.
TABLE OF CONTENTS OF THE MAINTENANCE SECTION
1. CHECKS AND ADJUSTMENTS ....suv+ue nca ca ee ess ue de aa a eee eee sem m 0 1-3
-1, ESSENTIAL TEST EQUIPMENT REQUIRED ....,r.e.e.e-es0sesaeierera 1-3
1-2. REMOVAL OF THE MAIN PARTS 22.222200 04 44 a 44 4010 es 21000 0 1-4
1-2-1, Top Panel of the Deck Section ,.......0c -.ar0 area vere 0 00 1-4
2:2 Rel Motor 7: TILA A NECE AAN TRE „1-5
1-23: Capstan MOTION EEE EEE EEE ‚1-5
La: MECHANICAL ADJUETMENT a aaa AAC NARA eb sie eo 1-6
1-3-1. Capstan Thrust AdjUsStmMEeENt 400004000 00 WR KR wa KK a na En N V0 .. 1-6
12:72... Brake Mecharlisat vee eE CICESE na NAAA ata 1-6
Pa CNE CN mc rer rR MATE amena 1-6
1-3-4, Pinch Roller Pressure 111118100000 a 0 aa ae ae 1 a 0 14 AEREA 1-7
1-3-5. Reel Table Height Adjustment & ,. 0 vr vine ve cv mms kr HK 0 6 1 6 ae ee 0 1-8
1-3-8. Head Alignment .......e.e.ce.rresretrrecrorecorereactererrEEEA 1-8
1-97. Tape LersiDn rider ea ie A a E 1-9
8. Fast ind Spred LI ee ANNA AAA RANA 1-10
1-3-9, Wow and Flutter Check © ci chiieivdvn vei daw se ae dd Gf babes Oe 1-10
TE EEE BEE MEN 1-11
1-4. MIXER SECTION CHECK AND ADJUSTMENT 212220000440 e eee 00 1-12
14-1; MIS: IN ACCESS SENO: aaron esa EIA 1-12
1472: CINE IN—<ACCESS SEND +. vice crea ana mi pints sss oh 1-13
1-4-3, STEREQC BUSS INT-STEREO CUT
MONITOR OUT. ...ecrrrrorerereraar em 1-13
1-4-4. EFFECT RTN-STEREO OUT........nnaaneeneavarneererrer ¡E . 1-13
1-4-5, BUSS IN AUX—AUX OUT
BLISS IN EFF- «EFFECT OUT rares 1-14
1-46: PRM BUSS IN—==PGM OUT iii ini an aise aay seems os 1-16
1-47; LINE IN-—PFGM-QUT iii E ANA 1-18
1-4-8. LINE INT AU OUT
ERFECISOU EN 000 O VIE Aaa RA 1-20
1-4-9. Frequency Responteé 1.202220 01 000000 a eue sa na ne sa as 1 01 ae 10000 1-22
Foe TE De. rea hara oR AR Br BF Ся 1-22
1-4-11.5/N Ratio ras NA E NT O DA steps 1-22
1-5. RECORDER/REPRODUCER SECTION ADJUSTMENT
1-5-1. Reproduce Level 122225500000 a aa a aan aa a a a ea a eu ae aa 6 1 1 41400 . 1-23
1-5-2. Reproduce Frequency Hesponse...........caacosanaacoss rare 1-23
1-5-3. Bias Tuning and Bias Trap Adjustment... ...eeee.ererorere daria mao 1-23
1-54. Recording Bias Adjustment .....2.e.e..exasrresra aaa e] . 1-23
1:55, Recording Laval =D UY . 1-24
1-55; Overall Frequency Response 20200 ad ana A ae 1-24
15-74; (vera: NAO: au No RENÉE LO EA ‚ 1-24
15-8: Overall: DIStOrtoON REKEN EEK EEE EEE EN OEM Bo eb 1-24
5-0; a irra comm ho a ea A AS SES ME MATAN IE re 1-25
1-5-10. Crosstalk Between Channels ...... o. .eerdararescacarenrerere rm. 1-25
1-5-11, Sync Crosstalk ........iesrerrecerereearo rana da a 1-25
1-5-12. Location of Electrical Adjustment ........ .svereacireeere meca 1-26
gr Br TL aH To pe CUL a EEN 1-28
1-6. DBX PCB ADJUSTMENT
1-6-1. Location of the DBX PCB Adjustment.....e.o oe srerirererererese 1-29
1-62. DBX Adjustment Connection. ....._.esre...a..aaaraaearararere acen: 1-30
1-6-3. VCA Symmetry Adjustment Waveform... civ ii in iii iin 1-30
0-4: Dee соски Sra ete tr eee eee ae qua EE A ET 1-31
165 ETI ET cies ora ete: a AU CHR A 1-32
2. MECHANICS — EXPLODED VIEWS AND PARTS LISTS .....erreevaroane. 2-1
2-1. EXPLODED VIEW-1 11.222444 004000 eee 0 ee ee 011000 0 aye nace A 2-1
2-2, EXPLODED VIEW:-2 ,...... e... .0rásisae nar Ereremameananhad 2-3
2.3, EXPLOJEO VIEW-3....11 10100 u sa eau eu mean ae nue au Aa U 0000000000 2-5
TA EYPLOBED VIEW nur manne mea ee a Tee RS Se ESS a 2-7
25 EXPIODED VIENS i yi RE A ETS ae ee 2-9
SE. EXPLODED VIENS caca EEE A 2 - 11
3. PC BOARD. AND PARTS LISTS i. vvvinu waive vias sie duis yas nn 3-1
del. REG ELAY BMP PEE REST cauca NAAA A at ue 3-1
SA, MER PCR ASS |... mmm ea Eee 3-2
3-3. MONITOR PCB ASSY 2er RR RR 3-3
34, INPUT PCB ASSY iii it tert tree ee ee eee, 3-3
3-5, BUSS PCB ASSY (Al... aus au ue aa an ae na au ana sa caen a ana aan 3-5
36. BUSS PCB ASSY(B) LL. 10444 area a a aa a a a aa a a ea ea a dada aa aa 3-5
3-7. — 3-19, 1/0 PCB_ASSYU]} — 1/0 PCB ASSY (13)... Lana unes 3-7
Z0. MOTHER PLB BESSY {Tiida inn vas bis ones alam 3-9
de: DUSS-FCUR DE Ir da EE 3-9
3:22, MOTHER PCB ASEYIY иорыеивыек иное swi sim ie bois wa 3-11
223, DFERATION PUB ARDY: ¿nou ENEE 3-11
CEE ANN RER NN AIR 3-12
4-25, REEL SERVO PCB ASSY LL, 2124 aa ae ea a a aa an an an ea ea aa ana 3-12
3-26. METER AMP PCB ASSY 11.200441 aa ea aa aa 4 a aa e aa a a aa aa a na à 3-13
3-27. CAP SERVO FCB ASSY 2ec.reee.eereraanen e eneenaiaeeoraca Da Э+ 13
3-38, — 3-29, SENSOR PCB ASSY (L), (R) ..............e severos ra. ae. 3-13
3-30. — 3-31, LED PCB ASSY (LL (R) 400000040440 RR Lea a Lan nan 3-13
3-32. PHONE JACK PCB :ASOY ¿verá vice ae. ee! e 3-14
3-33 MECHA JOINT ue A A Peri eN 3-14
F348, BAL- PCS ASS TY rem NERY EEE REE dl Mei aa 3-14
3:35, COUNTER a sowie pesmi vis 3-15
DO REDEE ea mE ELN a MM 3-15
3-37. DEFEAT SW PCB ASSY ities titties ieee ines anes 3-15
3-38. P.G. PCB ASSY iii i i RR RER RR . 3-15
3-39. BALANCE SW PCB ASSY .........eeeeesreserioacaceremorecvann 3-15
3-40. SHUT OFF PCB ASSY ........eereeceaeorednoarenrene aereo ra 3-15
3-41, ZONTROL:PCR ASEY a 156 ride... RR 3-15
S42. MONITOR: SW POR REN Haven teeta edi rennes 3-16
S03. DEN BW PCB BEY dad 3-16
3-44. HEAD CONNECT PCB ASEY cocina es veins a 3-16
3-45, BIAS PCB ABSY i, vvmaeasmse vv svi aav ssi evasion bo il Crees 3-16
GA0. TR PCEBEEY oppress i esi dare ee i a vee aces . 3-18
347.348. FUSE PCB ASSY Li iit a aa ad aa a ana aa aa 3-17
3-49. PHONE AMP PCB ASSY ,........ervedie ira venian eredecocronea 3-17
4. SCHEMATIC DIAGRAMS ..........recrerorororrenreserereaeeroren ao à 4-1
4-1, REC PLAY AMP PCB ............. ERROR ea a aan 4-1
42 DBX CR Ta das El e MENA Edel ano sa neeae Ena TR 4-2
43; MONITOR PER: sia iva sian oes on 4-3
боб: MAEA INPUT SECTION === bali a Panda a aa 4-4
Go, BASES A PB vim a AA E A a a es Е 4-5
O, BUSS 8 РЕВ carre a EAN da ha y mas 4-6
El MOTREMIIE POCO ows mwmpn mami om imma im ss asi ih ea „4-7
4-8. M.BUSS PCB, OPERATION PCB, ACCESSORY CONNECTOR. .......... 4-8
4-9. MOTHER (2) PCB LL...... 2221 ea aa aa a ea a ana ana aa ee rms ase. 4-9
4-10. POWER SUPPLY... iii eee ea ea aa aa 11 ea a au a au ne ea ana 4-10
4-11, RÉEL SERVO PCB, 4150 dé PLa sa 4iva scene una a mao a era ace: 4-11
4:12: METER AMP-POD 15 ina da de VE NE DA Lena arr ee at 4-12
A a TS . 4-13
+14. BALANCE AMP РОВ == aaa AAC a 4-14
ala CONTROL PCE epa amena ANA NINAS TA emir MC e 4-15
2:10. DIAS: FED N A e 4-16
417. HEAD ASSY MECHA JOINT PCB ............ ee eee0acoacadadocon, 4-17
4-18, MONITOR SW, DBX SW, PHONE AMP, I/O PCB (10).................. 4-18
4-19. DEFEAT SW PCB ........—._..eeeeenrercaróeeceaora acond, 4-19
A=20: VAL PCR RER Ken EHE BE . 4-20
1. CHECKS AND ADJUSTMENTS
1-1. ESSENTIAL TEST EQUIPMENT REQUIRED
Wow & Flutter Meter
Audio Oscillator
Digital Frequency Counter
Band-Pass-Filter
AF Level Meter
Distortion Meter
Oscilloscope
Atrenuator
Function Generator
Tools
Cleaning Fluid
Head Demagnetizer
Test Tapes
Extension Cards
Meguro Denpa Sokki K.K., Model MK-66BC (JAPAN),
or Mincom Division, 3M Co, Model 8155 (U.S.A)
Hewlett Packard, Mode! 204C or equivalent
Range: 0 Hz ~ 1 MHz; sensitivity; 0.1 Vrms;
imp.: > 1 MQ, < 25 pF
1 kHz narrow band pass type
Range; -80 dB ~ +40 dB; imp.: > 1 MZ, < 25 pF
lexample—HP 400GL)
General purpose (400 Hz, 1 kHz)
General purpose
General purpose
TEAC FG-1
Tape tension gauge: TENTELO Model T-2-H20-1 (preferred)
or Tension analyzer
Spring scale: 0~ 8 lbs (0 ~ 4 kg)
0- 2.7 lbs (0~ 1 ka)
Hex head Allen wrenches,
Plastic alignment tool
TEAC TZ-261 or equivalent
TEAC Spindle Qil TZ-255 or equivalent
TEAC E-3 or equivalent
Tape Speed/Wow-Flutter Test Tape
TEAC YTT-2003 [for tape speed 7-1/2 ips)
Reproduce Alignment Test Tape
TEAC YTT-1003 (for tape speed 7-1/2ips, NAB
Equalization 3180 + 50 psec.)
Reference fluxivity is 185 nWb/m; reference output
level is 2.6 dB lower compared with 250 nWb/m
fluxivity,
Calibration level under "Reproduce Calibration™
refers 0 VU as 250 nWb/m.
Blank Test Tape (Recording)
TEAC YTT-8013
For Rec/Play Amp PCB Ass'y and DBX PCB Assy
TEAC Part number 5200177300
For Bias PCB Assy and Power Supply PCB Assy
TEAC Part number 52001774-00
For input PCB Assy P701 ~ P708 (P104) and Buss В
Ass'y P7089 (P1017)
TEAC Part number 5200193700
For Input PCB Ass'y P901 — P908 (P105), Buss A PCB
Ass'y P909 (P102), Buss B PCB Ass'y P910 (P102) and
Monitor PCB Ass'y P911 (P115)
TEAC Part number 5200193900
1-3
1-2. REMOVAL OF THE MAIN PARTS
1-2-1. Top Panel of the Deck Section
1. See the illustration and remove the dust cover,
2. Remove the contral panel.
3, Remove the left and right escutcheons,
4. Remove the pinch roller cap and pinch roller.
5. Remove the housing base.
6. Remove the left and right tension rollers.
7. Now the top pane! can be removed.
Dust Cover
рн Pinch Roller Cap
8 =—— Pinch Roller
il
Escuteheon L
Tension Roller
Housing Base ~~ ;
Escutcheon A
Tension Roller
>
Le
Bottom Plate
me, Fig. 1:2-1, Top Panel Removing
1-2-2. Real Motor 1-2-3. Capstan Motor
*. After removing the top panel and bottom 1. Remove the Motor Pulley from the Capstan
plate, remove the reel table assembly as shown Motor,
in Fig. 1-2-2, and remove the four screws hold- 2, Remove the four screws (@) from the Motor
ing the reel motor. Bracket,
2. Finally, undo the wire running to the MECHA 3. Remove the four screws b) holding the Reel
JOINT PCB with the use of a soldering iron. Motor,
4, Unsalder the wire from the MECHA JOINT
PCB.
Feel Table
— Capstan Motor
Motor Bracket
a
> a —— Reel Motor | 8. —erw O)
nn 00
| Motor Pulley
E
o “Nu D-—— Sat Screw
Fig. 1-2-2. Reel Motor Removing Fig. 1-2-3. Capstan Matar Removing
1-3. MECHANICAL ADJUSTMENT
1-3-1, Capstan Thrust Clearance
1. There must be a clearance of 0.1 to 0.3 mm
between the capstan shaft and the trust
plate, Check to see that the clearance is
within this range. If not, loosen the two
screws on the flywheel, adjust the clearance,
and retighten the screws.
— —
Flywheel
A A —
; ss |
hrust Plat — — es |
X |
Adjust two screws with
1-3-2, Brake Mechanism
Note: Be sure that the power is turned off
prior to making any adjustments to the
brakes,
1. Screw (A} for the left brake (as viewed
from the front} must be adjusted so that
laver (C} is parallel to brake solenoid.
Screw (A) for the right brake must be ad-
justed so that there is a clearance {a} of
0.5 mm between lever (C} and lever (F).
See Fig. 1-3-2.
2. When there is contact at (al, position the
solenoid housing so that the gap at (f) (the
distance between the plunger and solenoid
washer) is 3 mm,
1-3-3. Brake Torque
Note: Before making any brake adjustments or
measurements, make sure that power is
off.
1, Mount an empty 7” reel onto either reel
table and attach a spring scale to the reel with
a string. See Fig. 1-3-3.
2. Smoothly pull the scale away from the reel
under test and note the torque value when the
reading on the scale is steady. The proper
torque values are given in the chart on the
Capstan Shaft Allen wrench 0.1 -0.3 mm next page.
Fig. 1-3-1
Spring Hanger (D) Lever (C) Lever (F}
(a) 0.5 mm
[9 Spring Hanger (D)
Е
Screw (A)
Forward
Direction
NN aÑo ¿a
Direction
Fig, 1-3-2
Reverse If} 3 mm
=
Brake %
Solenoid *
Adjust Solenoid
Position Serew
‚Follow steps 1 and 2 for each measuring con-
dition: i.e., (A) through (D) in Fia. 1-3-3.
1 the forward-direction torque is not correct,
change the hooking position of the spring
hanger {reference 1D) in Fig. 1-3-2) for the
corresponding brake requiring adjustment. If,
after the fonvard-direction torque has been
properly adjusted, the reverse-direction torque
is not correct, or the forward-direction
torque is still not correct, replace the brake
felt pad with a new one after cleaning the
inner side of the brake band with a cleaning
alcohol, and also check that the brake mech:
anism is properly aligned as explained in
Section 1-3-2, “Brake Mechanism", If neces-
sary, replace the entire reel table.
Radius
1-3-4. Pinch Roller Pressure
Note: Pinch roller pressure is supplied by the
pinch roller spring arm and it is most
important that the solenoid plunger be
fully bottomed before taking pressure
measurement,
1. Hold the right tension arm up with a rubber
band, string, etc.
2 Place the deck in the reproduce mode without
threading the tape. |
3. Attach a spring scale to the pinch roller as
shown in Fig. 1-3-4,
4. Pull the pinch roller away from the capstan
shaft until the pinch roller just stops rotating,
The scale should then be read 1.3 kg to 1.7 kg
(2.9 |bs to 3.74 Ibs).
5. If you get a reading other than what should
be indicated, make the necessary adjustments
through the adjust screws.
Adjust screws
pu=--50 gr
Pinch Roller Spring Scale
N
Fig. 1-3-4
| Forward direction 1,000 — 1,500 g-cm
(В) (С) _ (13.9 — 20.9 oz-inch)
Reverse direction (A) | 500 — 700 gem
(D) {Reference values) | {6.9 — 9.7 az-inch)
| Left/Right deviation Fr
Torque calculating formulas:
1. Torque (in gem or oz-Inch)
= Force or Weight {in g or oz) x Radius
(in cm or inch)
2. Conversion of g-cm to oz-inch:
g-cm x 0.0139 = oz-inch
1-3-5. Reel Table Height Adjustment
Reel height adjustment is required only if a ree!
motor has been replaced or if tape rubs exces.
sively against the reel flanges.
Adjustment is accomplished by loosening the
reel set screws and moving the reel table on the
motor shaft as shown in Fig. 1-3-5.
Remove the top panel of the unit for access to
the set screws {2) in the reel motor shaft. Reel
table should be adjusted using standard NAB 7"
réels, With a tape loaded on the machine, posi-
tion the reel table height for smooth tape travel,
Be sure to tighten the set screws after adjustment
is made.
Set Serews _f | Tape should
"Ен т wind evenly
== т ón reel
+ Reel Motor
Fig. 1-3-5
1-3-6. Head Alignment
There is no need for head height and tilt ad-
justments because the record/reproduce head of
the 388 is a semi-fixed type (erase head fully-
fixed),
Head Mounting (Record/Reproduce Head)
1. Refer to Fig. 1-3-6.
2. Mount head to head base using mounting
screw and mount tangency adjustment screw,
3. Mount azimuth adjustment screws.
Head Azimuth Adjustmsant
1. Connect the TAPE OUT jack for TRK ? of
the deck to the vertical input terminals of
an oscilloscope,
2, Connect the TAPE OUT jack for TRK 7 of
the deck to the horizontal input terminals of
the oscilloscope.
3. Connect an AF level meter to the TAPE OUT
jack(s).
4. Load the reproduce alignment test tape (YTT-
1003/400 Hz) to reproduce.
5. Slightly loosen the mounting screws which
hold record/reproduce head in place and
adjust the tangency using adjustment Screw,
for maximum output. When the maximum
output is attained, retighten both mounting
SCraws.,
6. Reproduce the 10-kHz signal on the test tape.
A picture showing phase relations between
both channels will be obtained on the oscillo-
scope as shown in Fig, 1-3-7.
7. Adjust the repro head azimuth screw until
the scope display shows less than 90 degree
out of phase at 10 kHz with the AF level
meter showing approximately maximum value
for both channels,
E
E o EE
ERÁSE HEAD REC/REPRO HEAD
(E) TANGENCY ADJ, SCREW
© AZIMUTH ADJ. SCREWS
(5) FIXED SCREW
à 5 6
Fig. 1-3-6
PE
1 2 3
Trace for Track Trace for Unequal
2 alone Track 7 levels,
alone One track
o the other
ti dominan,
If the lines are not the same length for
each track alone, it indicates that the ?
tracks are not putting out the same level.
Adjust with the scope controls.
If the playback head is not straight up and
down, you will see this kind of picture:
(A small misaligoment — (A larger error 1A big ong,
30" out of phase] OT outof phase) 180° out of phatel
7
Note: Some scopés show in
{Periect anmuth phaje diagonal pointing to
0°, in phase) the lel.
Fig. 1-3-7
1-3-7. Tape Tension
NOTES
a
Since these settings are precisely factory
adjusted, in general they should not be re-
adjusted, If it is specifically required, a
special meter is needed.
Tentelo meter; Model T2-H20-1 or T2-H15-UM,
For the reels mounted on both left and right
reel tables, use the same size ones.
‚Before all the following adjustments (A-1 ~
С-3), perform next instructions in order to
activate the relevant circuit.
3. Thread the tape to lift up both tension/
shut-off arms.
b. Set the POWER switch to ON.
c. Leave the deck as it is for 5 to 10 minutes.
A. IN PLAY MODE
1
Place a reel loading TEAC YTT-8013 test tape
on the left reel table and an empty reel on the
right reel table, then thread the tape.
B. IN FAST FORWARD MODE
1,
Load TEAC YTT-8013 test tape on the left
reel table and an empty reel on the right ree!
table, then thread the tape.
, Stop the left reel by hand and set the deck in
fast forward mode.
. Adjust R105 to obtain a BO q to 90 q (72.8 oz
~ 3,2 oz} value at point A (Obtain a BQ g or
2.8 oz value as far as possible),
IN REWIND MODE
Load TEAC YTT-8013 test tape on the
right reel table and the empty reel on the left
reel table, then thread the tape,
.Stop the right reel by hand and set the deck
in the rewind mode.
. Adjust R206 to obtain a 80g to 90g (2.8 oz
+ 3.2 oz) value at point B {Obtain a BO g or
2.8 oz as far as possible}.
Reel Servo Ajustment
REF, NO. | FUNCTION
2, Let the. tape run in fast froward mode until Fa anda ADENT —
both reels have nearly the same tape winding | ERR Po
diameter. | R105 F. F Tape Tension
3. During play, measure tape tension at points | R150 Fast Winding Speed
A and E. R212 Tension Arm Position (Right) |
4, Adjust R112 (for left tension arm) and R212 R206 Rewind Tape Tensión |
dor pat Rosia т Eg RE R103 Play Tape Tension (Back Tension) |
of the tension rollers aligns wi e = = — Tue
outer edge of the innertia and footage roollers Hele e Tae Tension (Tako)
as shown in Fig. 1-3-8.
5, Adjust R103 (for back tension at point B)
and R203 {for take-up tension at point A)
so that the specified tape tension of 40 9 +5 9 )
(1202 — 1.60z) for back tension and )— #212
509 =59 (1.6 0z~ 2.002) for take-up ten- Te}
sion are obtained. | © вн?
= == Tr
TN —— #206
`
%
\
} (0) — mos
a
di @))— mos
Tentelo-
meter (0) — R203
A — PI
po ©— um
ú e
, | , с Fig. 1-3-9
Tension = Innertia Roller Footage Roller Tension
Roller Roller
Fig. 1-3-8
1-3-8. Fast Winding Speed
1.
2.
Connect oscilloscope between TP1 test point
on the REEL SERVO PCB and ground.
Thread TEAC YTT-8013 test tape. In this
case, use of 7-inch reel is permitted provided
both left and right reels are the same size,
. During fast forward or rewind mode, adjust
R150 {see Fig, 1-3-9) so that wavelength
displayed on the oscilloscope becomes 2.5
msec. (Fig, 1-3-10). Adjustment should be
satisfied at any tape winding position,
4, Check that almost equal value of fast winding
speed is obtained between fast forward and
rewind modes.
JU U
fo ———
2, mee,
Fig, 1-3-10
1-
La Po
3-9, Wow-And-Fluttér Check
(Reproduce Method)
. Connect a Wow-and-Flutter to the deck as
shown in Fig. 1-3-11,
These meters will measure the ANS! peak
value or the NAB rms value depending on the
switch selection on the meter,
. Playback the TEAC YTT-1003 test tape.
.\f the peak or rms weighted value is to be
read, set the Wow-and-Flutter Meter for the
“Weighted” readings and also make sure that
the meter is properly calibrated.
. As the measured results may vary with respect
to the location on the tape at which the mea-
surement is taken, at least two locations — at
the beginning and near the end of the tape —
should be checked. There may also be slight
differences in absolute values measured
according to the brand of the meter being
used.
Values should be as shown;
[ DIN/EC/ANSI (peak valuel
NAB [rms value)
Weighted Weighted
20.10% 0.05 %
FECOUEACT CONTE
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Fig. 1-3-11
1-310. Tape Speed
1, Connect a digital frequency counter to any 6. Apply a +5 V (H} signal to MM terminal of
one of the TAPE OUT jacks. the ACCESSORY connector and apply 9.6
2, Set the speed knob to FIX. kHz rectangular pulses to KK terminal.
3. Reproduce the middle of the TEAC test tape 7. Play the middle of the tape and adjust the
YTT-2003 (3,000 Hz) and adjust the FIX EXT speed trimmer RBO7 on the CAP SERVO
speed trimmer RB15 on the CAP SERVO PCB PCB for a reading of 3,000 Hz.
until the frequency counter indicates a reading
of 3,000 Hz, COUNTER
4, Playing the tape at both the beginning and the a
end, check that the tape speed does not a Cs —e LC
vary any more than the limits prescribed in ace À 5 WOW/FLUTTER
the specifications, $0 that there is never a Adel — — LEN им
total deviation of more than 15 Hz between | E
the beginning and end. RÉlédités ComECTER LL. ос ,
5. Set the Speed Knob to EXT.
Fig. 1-3-12
CAP SERVO PCB
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Fig. 1-3-13
1-4. MIXER SECTION CHECK AND ADJUSTMENT
1-4-1. MIC IN —= ACCESS SEND 1-4-2. LINE IN — ACCESS SEND
1. Plug an AC voltmeter into the ACCESS
SEND jack,
2.Set the INPUT switch to MIC and the EQ
knobs to center position.
3. Apply a 1 kHz, -60 de (1 mV] signal to the
MIC IN XLA connector on the back panel,
4, Adjust the MIC TRIM for a -10 dev (0.3 Y)
reading on the voltmeter.
5, Check all remaining channels in the same
manner,
1. Apply a 1 kHz, 10 d8Y (0,3 Y) signal to the,
LINE IN jack.
2. Measure the level at ACCESS SEND jack.
It should be -10 dBVY 10.3 М).
3. Check that the Overload LED lights at 25 dB
+1 dB [BV to 6.3V) above nomina! level of
-10 dB V (0.3 V} at ASSESS SEND.
4, Confirm that the output signal is not dis-
torted,
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R101 TAK/PGM 1
R121 THK/PGM2 _
R141 TRK/PGM 3
R161 TRK/PGM 4
si 29 R181 TRK/PGM 5
irk irr E R201 TRK/PGM 6
TE (1 R221 TRK/PGM 7
RL vr BE ОТ, R241 TRK/PGM 8_
| R261 STEREO L/AUX
| A281 STEREO R/EFFECT
Fig. 1-4-1 Meter Adjustment
1-4-3. STEREO BUSS IN STEREO OUT
MONITOR QUT
1. Plug an AC voltmeter into the STEREO QUT
L (R) jack.
. Apply a 1 kHz, -10 dBY {0.3 V) signal to the
STEREO BUSS IN L{R} Jack,
. Set the METER switch to L/R.
.Set the MONITOR/PHONES
STEREO.
5. Adjust the STEREO MASTER fader for a
-10d8eY (0,3 Y) reading at the STEREO
OUT RCA jacks (at XLR connectors: +4 dB).
6. STEREO MASTER fader should then be in
the shaded area between 7 and 8.
Fld N
switch to
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7. Adjust the MONITOR/PHONES knob for a
-10 dBV reading at the MONITOR QUT jack,
8. Confirm that the STEREO YU meters in-
dicate O VU. If the VU meters do not indicate
0 VU, adjust the calibrating pots, R261 for
L channel and R281 for R channel, on the
METER AMP PCB. {Fig. 1-4-1, page 1-12}
1.4.4. EFFECT RTN—-STEREO OUT
1. Apply a 1kHz, OdBu (0,775 V) signal to
the EFFECT RTN 1/4" phone jack.
2. Turn the EFFECT ATN PAN knob fully
left and adjust the GAIN knob for a -10 day
(0.3 Y) reading at the STEREO OUT,
3, Turn the PAN fully right and check the level
at STEREO OUT R.
sae Ye
- 13
1-4-9. Fraquency Respanse
Set the input and output levels to nominal as
in previous paragraphs and connect an oscillator
to the input jack and a wide range {more than
100 kHz! level meter to the output jack,
Frequency response ranges are as follows:
MIC IN—=PGM OUT 20 Hz — 30 kHz а dB
Other Inputs = Other Qutputs
20 Hz — 30 kHz =, d8
1-4-10. T.H.D.
T.H.D. is also measured with the input and out-
put levels set to nominal as previously described.
Connect a low distortion oscillator to the input
jack, and a 30-kHz L.P.F. and a distortion
meter to the output jack, Set the oscillator
output to 1 kHz and read the distortion meter.
Specs are as follows:
1 MICIN —= PGM OUT 0.03 % or less
1 LINE IN — PGM OUT 0.03 % or less
1-4-11. 5/N Ratio
S/N ratio should be measured with the input and
outupt levels set to nominal as previously
described and a 150-ohm dummy load con-
nected to the MIC IN connector.
Specs are given in the table below.
___[ HFA | DIN
1MIC TO1PGM OUT | 70dB | 6968 |
8 Y MIC TO 1 PGM OUT | dB |
(150 N SOURCE) an | Ue
1LINE TO 1PGM OUT | BOdS 76 dB
8X LINE TOIPGM OUT | 77dB | 73dB
+ 22
1-5. ARECORDER/REPRODUCER SECTION
ADJUSTMENT
1-5-1. Reproduce Level
1) Connect a level meter to the TAPE OUT 1"
jack on the rear panel.
2) Reproduce a TEAC test tape YTT-1003,
400 Hz and adjust the trim pot R128 for
-12.6 dB (230 mV) reading on the level meter.
(If you use Reference Fluxivity 250 nWb/m
tape, adjust the trim for -10 dB reading.)
3) Connect the level meter to the remaining
channel outputs [2 to 8) and proceed to the
adjustment in the same manner by adjusting.
R128: forchannel 1,2,5,6
R228: for channel 3, 4,7,8
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1-5-1. Reproduce Level Calibration
1-5-2. Reproduce Frequency Response
1) Connect a level meter to the TAPE OUT 1”
jack on the rear panel,
2) Reproduce a test tape YTT-1003 and reads
the output level; it should be within the
following limits.
3) If the output level is out of the limits, adjust
the trim pot R124.
4) For the remaining channels [2 to 8), also
proceed the check and adjustment in the same
manner.
R124: channel 1,7,5,6
R224: channel 3,4,7,8
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Fig. 1-5-2. Reproduce Frequency Response
1-5-3, Bias Tuning and Bias Trap Adjustments
These adjustments have been made at the
factory and realignment will not be necessary
except for the following circumstances:
* When the REC/REPRO head, ERASE head
and/or Bias amplifier is replaced.
* When the MASTER BIAS unit is replaced.
Use the following procedures to adjust,
A.BIAS TUNING
1. Place all channel REC FUNCTION switches
to ON and set the tape deck into the RE-
CORD mode,
2. Connect a DC volt:meter between TPO1
[(TPO2, TPO3, TPO4) and TP11 {TP12, TP13,
TP14) by using an insulate screwdriver, adjust
L101 {L207, L301, L401} on the BIAS PCB
{1} and BIAS PCB (2) to obtain a minimum
reading on the DC meter. Be sure to use a
non-conductive screwdriver {i.e. wood, plastic,
etc.),
CAUTION: Do not try to obtain maximum
reading on the DC volt-meter,
which would occasion an extreme
amount of Bias Amp output load.
B. BIAS TRAP
1. Connect an “AC” level meter between TP]
and ground on the REC/PLAY AMP PCB.
2. Place all the REC FUNCTION switches to
ON and set the deck into the RECORD
mode,
3, Adjust L104/L204 to obtain a minimum
reading on the level meter.
1-5-4. Recording Bias Adjustment
1} Connect AC Voltmeter between TP 2and TPG
on the REC/PLAY AMP PCB.
2} Adjust trim pots on the BIAS PCB for a
150 mV reading on the AC Voltmenter.
Trim pots to be adjusted:
C103: channel 1,5
C203: channel 2,6
C303: channel 3, 7
C403: channel 4, 8
1-5-5. Recording Level
This alignment should be performed after
completion of the bias adjustment,
1} Connect test equipment as shown in Fig. 1-9-1.
Connect an AF signal generator to PGM BUSS
IN jacks.
Connect level meters to both TAPE OUT and
PGM OUT jacks.
[If two meters are not available, use one
meter alternately.)
2) Load the deck with a blank test tape Y T T-8013.
3) Adjust the signal generator to provide 400 Hz,
-10 dBY (0.3 Y) reference input.
4) Record reference input signal of 400 Hz,
-10 dB Y (0.3Y) and then playback the tape
just recorded; the playback output level at the
TAPE OUT jack should be -10 dBY (0.3 V).
If not, adjust the trim pot on the REC PLAY
PCB for the channel to be adjusted.
Trim pots to be adjusted:
R143; Channel 1, 2,5, 6
R243: Channel 3,4,7.8
1-5-6. Overall Frequency Response
1) Adjust the test set-up as mentioned under
“1.5.5 Recording Level” (Items 1 through 5).
2) Decrease the input signal level by 10 dB from
the reference level or set it to -20 В (0,1 Y).
3) Vary the input signal frequency over a range
of 30Hz to 16 kHz and record the fre.
quencies, and then reproduce the signals
just recorded. Measure the reproduced output
levels at the proper test frequencies, and
make sure that the frequency response is
within the specified limit shown,
4) If the specified frequency response cannot be
obtained by adjusting the REC EQ coil L103
and/or L203, readjust the Bias Level Setting
within its specified range by refering to
"1-54, Recording Bias Adjustment”, If the
bias level is readjusted, the recording level
adjustment will be upset, so repeat the
recording level adjustment again as described
in “1-5-5, Recording Level Adjustment'’.
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24
1-5-7, Overall S/N Ratio
1) Set and adjust the test set-up as mentioned
under ""1-5-6, Overall Frequency Response”.
2) Record the reference input signal, and then
remove the input plug and continue the re-
cording with no signal applied.
3) Reproduce both the reference signal and no
signal just recorded and read the level dif-
ference between the outputs.
4) The dirrerence (5/N) should be higher than
50d8B for each channel, when measured
through a 20 Hz to 20 kHz filter.
5) [f the S/N is out of the limit:
"Erase record/reproduce head and tape path
with a tape eraser.
* Check for normal erasing ratio.
* Readjust the bais traps.
* Recheck the S/N by using another test tape.
1-5-8. Overall Distortion
1) Set and adjust the test setup as mentioned
under “1-5-6. Overall Frequency Response”.
2) Vary the signal frequency of the reference in-
put signal to 1 kHz, and record and reproduce
the frequency.
3) Measure the distortion; it should be less than
1%.
4) If not:
* Readjust the bias voltage.
*Try to erase the erase head and record/re-
produce head or replace the headís).
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Fig. 1-53. Distortion Memuremant Set-Up
1-5-9. Erasing Ratio
1) Connect test equipment asshown in Fig, 1-5-1.
and adjust the controls and switches as men-
tioned under “1-5-6, Overall Frequency
Response”.
2) Adjust the signal generator to provide 1 kHz,
O de (1V) and record it. Playback the signal
just recorded and read and note the output
level,
3} Rewind the tape up to the beginning of the
tape just recorded, Remove the plug from the
PGM BUSS IN jack and then record no signal
on the tape just recorded with 1 kHz signal.
4} Rewind the tape just recorded with no
signal and reproduce it. Read the output level
with the level meter sensitivity increased.
5) Compare the output levels obtained in the
steps 2 and 4: the level difference should be
higher than 70 dB for each channel,
6) If not:
“Clean the tape transport path.
“Check the tape transport mechanism,
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Fig. 1-5-5. Eraie Ratio Test Set-Up
1-5-10. Crasstalk Between Channels
1)Set and adjust the test equipment as men-
tioned under *1-5-6, Overall Frequency
Response",
2) Record the reference signal of 1 kHz, -10 de
(0.3 Y) on the channel 1, Rewind the tape
just recorded and reproduce it. Measure the
leakage output levels to the adjacent channels
through a 1 kHz filter, and measure ratiols)
against the reference level,
3) The ratio should be higher than 55dB for
each channel.
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Fig. 1-5-6. Crontalk Measurement Set-Up
- 25
1-5-1171. Sync Crosstalk
This refers to the crosstalk between adjacent
tracks when a SYNC recording is made, In cther
words, it refers to the degree of leakage into an
adjacent track of a bias signal from a recording
track.
Measurement setting is made in the same manner
as mentioned under "1-5-6, Overall Frequen-
cy Response”,
Crosstalk between Track #1 and £2
1) Place the TRK#1 REC FUNCTION switch
in the "ON" position,
2) Apply 15kHz, -10d8 (0.3 Y) reference
signal to PGM BUSS IN jacks. Set the deck
to RECORD mode.
3) Check how much of the signal applied to the
track #1 leaks into the track #2, and read
the level difference against the reference
level.
4) Adjust R507 (Odd Track to Even Track) ог
R508 (Even Track to Odd Track) for mini-
mum reading.
5) Use the same method for measuring cross-
talk between other adjacent tracks, Adjust
R607 and/or RE08.
Crosstalk between Track #1 and #3
Put track #1 into record mode and, while
watching the level at TAPE OUT #3, adjust
R101 so that leakage into. track +3 becomes
minimum. Repeat adjustment for the remaining
tracks by referring to the table below.
RECORD Track TALE BO Ci Ad]. Pot |
| 1 — 3 5 R101
2 4 R102
q 5 | R203
4 6 | Reo4
5 E R205
6 B R206
7 5 R207 |
B i 6 | R208
$ 1 R103
4 2 R104
| 5 3. R105
6 À R106
1-6-2 DBX Adjustment Connection
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Fig. 1:6:2 RMS Symmetry Adi, & Level Adj.
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Fig. 1-6-4 VCA Symmetry Adj.
1-6-3 VCA Symmetry Adjustment Waveform
Fig. 1-6-5 RMS Symmetry Adjustment (Incorrect) Fig. 1-6-6 RMS Symmetry Adjustment {Correct}
1-6-4. Decoder
Apply Low signal to J111-2 to activate DBX
Decode mode,
A. RMS Symmetry Adjustment (Connection: Fig.
1-6-2)
1. Apply a 100 Hz, 300 mY signal to J110-1
terminal.
2, Adjust R135 to obtain a clean 200 Hz sine-
wave on TPO1 [see Figs. 1-6-5 & 1-6-6}.
B.VCA Symmetry Adjustment (Connection:
Fig. 1-6-4}
1. Apply a staircase wave signal to TPO1 , anda
traingle wave signal to the horizontal input
terminal on the oscilloscope.
2. Shortcircuit between J110-1 and J110-2,
3. Adjust R118 for a relatively straight hori-
zontal line display on the oscilloscope,
(Level deviation: 5 mV or less)
C. Decoding Level (Connection: Fig. 1-6-2)
1. Apply a 1kHz, 300 mV signal to J110-1
terminal.
2. Adjust R107 for a 300 mY reading at J110-5
terminal.
D.Frequency Response (Connection: Fig, 1-6-2)
1. Vary the signal frequency to 50 Hz {300 mV)
and then to 10 kHz {300 mV).
2. Read the output level at the J110-5 terminal
for each frequency. The output level should
be within the following limits with reference
to level at 1 kHz.
50 Hz; +5 de +1 dB (447 mY to 602 mV)
10 kHz: +9,4 dB +1 dB (793 mY to 997 mV)
E. Release Rate Check (Connection: Fig. 1-6-3)
1, Apply a 1 kHz tone burst wave signal with
8 cycles on and 128 cycles off,
2. Confirm that release rate is less than 750 mV
+10 %.
F. Decode Effect Check (Connection: Fig. 1-6-2)
. Apply a 1kHz, —20d8 signal to J110-1
terminal.
—
1
- 31
2, Confirm that the level at J110-5 terminal is
-300 dB +0.5d8B li.e., -20 dB against -10 de
(300 mV) reference level).
3. Apply a 1 kHz, 0 dB signal to J110-1 terminal.
4, Confirm that the level at J110-5 termina! is
+10 dB +0.5 dB {i.e., +20 dB against -10 dB
(300 mV) reference level).
G. Other Channels
Repeat procedures for channels 2 through
B using the following adjustment points and
input/output terminals,
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1-6-5. Encoder
Apply High signal to J111-2 to activate DBX
Encode mode,
A. RMS Symmetry Adjustment (Connection: Fig.
1-6-2)
1. Apply a 100 Hz, 300 mV signal to J111-3
terminal.
2. Check for clean 200 Hz sinewave at TPO (see
Fig.s 1-6-5 & 1-6-6).
B. VCA Symmetry Adjustment (Connection: Fig.
1-6-4)
1, Apply a staircase wave signal to TPO1, and a
traingle wave signal to the horizontal input
terminal on the oscilloscope.
2. Shortcircuit between J111-3 and J111-4.
3. Confirm that J110-5 supplies a relatively
straight horizontal line on the oscilloscope
(level deviation: 10 mV or less),
C. Encoding Level {Connection: Fig. 1-6-2)
1. Apply a 1 kHz, 300mY signal to J111-3
terminal.
2. Adjust R108 for a -10 dB reading at J110-3
terminal.
D.Frequency Response (Connection: Fig. 1-6-2)
1. Vary the signal frequency to 50 Hz {300 mV)
and then to 10 kHz {300 mV).
2. Read the output level at the J110-5 terminal
* for each frequency. The output level should
be within the following limits with reference
to level at 1 kHz.
50 Hz :-2.5 dB +1 de (213 mY to 240 mV)
10 kHz: -4.8 dB +1 dB [166 mY tc 186 mv)
E. Release Rate Check (Conenction: Fig. 1-6-3)
. Apply a 1 kHz tone burst wave signal with
8 cycles on and 128 cycles off,
2. Confirm that release rate is less than 750 mV
= 10 %.
wk
FE. Encode Effect Check (Connection: Fig, +-6-2)
Apply a 1kHz, -70dB signal to J111-3
terminal.
—
2 Confirm that the level at J110-3 terminal is
-40 dB +0.5 dB {i.e., -30 dB against -10 dB
(300 mV) reference level)
3, Apply a 1kHz, +10dB signal to J111-3
terminal,
4, Confirm that the leve! at J110-3 terminal is
0 dB +1 de (i.e., +10 dB against -10 dB
reference level).
G.Other Channels
Repeat procedures for channels 2 through 8
using the following adjustment points and
input/output terminals,
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2. MECHANICS — EXPLODED VIEWS AND PARTS LISTS
2-1. EXPLODED VIEW-1
EXPLODED VIEW-1
PARTS HARKED WITH *REQUIRE LONGER DELIVERY TIME,
REF. HO. PARTS Hô. DESCRIPTION REMARKS
y=] *5E04 569000 SCREW © | | |
1- 2 *5800711200 SIDE BOARD, SL
l- 4 *5800711000 SIDE FOARD,L
1- 4 * 5800705801 COVER ASS'Y, DUST
|- 5 *5800708201 PCE COVER ASSY
1- # “5800705600 SIDE SASH,L
1-7 5500700400 CAP ,PF ROLLER
1- 8 5014175100 PINCH ROLLER
1- 9 *5B00701300 — BASE, HOUSING
1-10 *5800701001 PANEL, TAPE TRANSPORT
1-11 *5800705700, SIDE SASH,F
1-12 5800700800 = CAP,T ROLLER |
1-13 5800700600 ROLLER AS55'Y TENSION |
1-14 *5E007111300 SIDE BOARD,SE
1-15 *5800711100 SIDE BOARD,R
1-16 *5800708000 FOOT
1-17 *5800707901 COVER, BOTTOM
1-21 *5780023015 SCREW, BIND;MIX1S(BLE HI)
1-22 “5780023008 SCREW, BIND M3IXB HI B
1-23 *5781713008 SCREW,CAP:MIXE (BLY MI)
1-24 457851315000 WASHER,POLY:S5XBXD.5T
1-25 * 5785313000 WASHER, POLY.: 3IX6X0.5T
1-26 #5780423006 SCREW, TRUSS:M3IX6 (BLE HI}
1=27 *578013400B SCREW,PAN SEMS A:MLXB
1-28 *5781703035 SCREW CAP:MIX35 (NI)
1-29 “5700154008 SCREW,PAN SEMS B:MLXB |
1-30 *5780143006 — SCREW, PAN SEMS B:MIX6
1-31 *5780104006 SCREW, PAN:MLXE
INCLUDED ACCESSORIES
REF. Hô, PARTS NO, DESCRIPTION REMARKS
“5700070700 | 388 OWNER'S MANUAL [J]
*5700070800 388 OWNER'S MANUAL [ALL EXCEPT J) |
*5085008300 REEL, 7 INCH
[J]: JAPAN (US) :U.5.A. [E):CAHADA |
[GE] :GENERAL EXPORT [E] : EUROPE
[UK] :.E. [A] : AUSTRALIA
2-2. EXPLODED VIEW-2
EXPLODED VIEW-2
PARTS MARKED WITH *REQUIRE LONGER DELIVERY TIME.
PARTS NO,
[UK]: U.K.
[A] : AUSTRALIA
REF. Hô. DESCRIPTION REMARKS
2-1 *5800707200 FRAME,SIDE:L
2-2 "5600707600 — PAD ASSY
2- 3 *5800708100. COVER, FRONT
2- 4 *5200175000 CONTROL PCR ASSY
2-5 "5800704100 BRACKET,CONTOL PCA:B
1= € *3500704000 — ARACKET,CONTROL:A
2-7 *S800704200 BRACKET,CONTROL PCB;C
2- В *SE00703900 BRACKET, JACK
2- 9 "5200176700 PHONE JACK PCB ASSY
2-10 A 5320036500 TRANSFORMER; [US,C]
& 5320036400 TRANSFORMER:[J]
A 5320036600 TRANSFORMER: [cE
ZA 5320036700 TRANSFORMER: [E,UK,A]
2-11 *5600705100 BRACKET, TRANSFORMER |
2-12 *SR00703200 BRACKET,CONTROL CHASSIS
2-13 2 5302101700 SW. , YOLTACE SELECT F5907G [GE]
2-14 *5200174500 FUSE PCB ASSY(2) [E,UK,A]
*5200185400 FUSE PCB ASSY(l) [GE] |
*5200174400 FUSE PCB ASSY(1)-A [J,US,C] |
215 Yacant |
2-16 *5800707100 FRAME, SIDE:R |
2-21 *5780134008 SCREW,PAN SEHS A:M4XB |
7-77 #5780133005 SCREN, PAN SEMS A,MIX6 |
2-23 +57831003006 SCREW,PAN TAP;MIX6 |
3-24 #5780024008 SCREW,BIND: M4X8 (BLE M1) |
2-25 *5780023006 SCREW,BIND;HIXG(BLE NI)
2-26 “5780143006 SCREW, PAN SEMS B:HIX6
2-27 «5781073006 SCREW, WASHER TAP:MIXE
7-28 * 5780133008 SCREW, PAN SEMS A:H3XB
2-29 *5780144008 — SCREW, PAN SEMS B:MáXO
2-30 *5780003006 SCREY, BIND:MIx6
[I] : JAPAN [US}:U.5.A. {C] : CANADA
[GE] :GENERAL EXPORT [E] : EUROPE
2-3. EXPLODED VIEW-3
EXPLODED VIEW=3
REF. №0.
DESCRIPTION
PARTS MARKED WITH “REQUIRE LONGER DELIVERY TINE,
PARTS HO, REMARKS
3- 1 *5200176900 RSP PCE ASSY
3= 2 *5200177000 DEX PCR ASSY |
E 3 "5200174300 BAL.AM? FCH ASSY |
3- 4 #5200174200 METER AMP PCB ASSY
I= 5 *54800704800 COVER,PCH
3- 6 *5800704400 BRACKET, MOTHER PCB:A
1- 7 *5800704700 PLATE, FCA CUIDE
1- В “3800704600 BRACKET,PCB:B
i= 0 *5800703000 STUD, REAR
1-10 *5800704500 BRACKET,PCH:A
3-11 *5800705400 BRACKET,PCE HOLDER:A
3-12 w5200177100 BIAS PCE ASSY{1l)
3-13 "5200180400 BIAS PCB ASSY(?)
3-14 * 5200174000 REEL SERVO PCB ASSY
3-15 *5200173900 FWR SPLY PCB ASSY
3-16 *5800704301 BRACKET,PCE HOLDER |
3-17 *5800705200 BRACKET MOTHER PCB:B |
3-18 *5800705300 BRACKET ,MOTHER PCB:C
3-19 #5200176100 MOTHER PCB ASSY(2)
3-20 Vacant
3-71 *5200177500 MOTHER PCR ASSY(I)
3-112 *5É00707500 FRAME, JOINT
3-27 *5800702500 — HOLDER,PCE:K
1-34 *5800707400 FRAME ,SIDE:M |
3-25 *5800703200 BRACKET ,CONTROL CHASSIS |
3-26 *5800708700 COVER ASS'Y METER
3-27 “5900287500 ESCUTCHEON WU
3-28 5296005000 METER,VU
1-29 *5800704900 BRACKET ,METER:S
3-30 *5210093700 PCB, METER
1-31 5225011400 | LED,SLPIS4B
1-12 * 5210111600 METER FCE
3-33 5225012900 LED,S5LC-26UR5
3-34 *5800705000 BRACKET ,METER:L
3-35 5296006600 METER, VU
3-36 "58005667200 ESCUTCHEON ASY, METER
3-41 *5781073006 SCREW,WASHER TAP:MIX6
3-42 «5783003006 | SCREW,FAN TAP-:KMIX6
1-53 “5783071006 SCREW,WASHER TAP:MIX6 |
add * 5780114008 SCREW, PAN SEME A, M4XB
3-45 *57801023006 SCREW, PAN; MIXE
3-46 *5781013006 | SCREW,PAN TAP-H3X6
3-4 *5786713000 CLIP,HARNESS
3-48 “5780143006 SCREW, PAN SEMS B:Mix6
3-40 *5780133006 SCREW, FAN SEMS A:Mixh
2-4, EXPLODED VIEW-4
EXPLODED YIEW-4
FARTS KO.
PARTS HARKED WITH *REQUIRE LONGER DELIVERY TIME.
REF. KO. DESCRIPTION REMARKS
4-1 5800611400 KNOB AS5Y, В
û- 2 5800662300 KHOB ASSY, С 2 SHAFT
4- 3 5800645801 KHOR, B
b= de 5800611700 ENOB ASSY, E
h= 5 58600611300 KNOB ASSY, A
b= 6 5800724700 KNOB, FADER: N{ORG)
b= 7 *5800702201 PANEL ASS'Y MIXER
4- B 5800611600 KNOB ASSY, D
4- 9 5800677200 KNOB,FADER H(OAC)
4-10 5800677300 KNOB, FADER I(ORG) |
4=11 *5800702600 BRACKET,FADER
é=12 5800702800 KNOB,LEVER
4=13 SEQDL29600 BUTTON, PUSH E{GRNK)
4-14 5800429200 BUTTON, PUSH A
4=15 5800429400 — BUTTON, PUSH C(YEL)
4=16 5800429100 BUTTON, PUSH B
4=17 5800429500 BUTTON, PUSH D{BLU}
4-18 *5200173800 MONITOR PCE ASSY
4=19 *5200173600 BUSS PCB ASSY(R)
4-20 #5200173400 BUSS PCR ASSYC(A)
4-21 *5200173200 INPUT PCB ASSY
4-22 *5800762300 SHAFT, SUPPORT; 5W
4-23 5284009700 SLIDE МА 10KA S601]
h=24 5284007900 SLIDE VR 10KAX& S6041
4-25 5284009800 SLIDE VR 10KAX2 56027
4-26 *52001 74800 M.BUSS PCB ASSY
h=77 Vacant
L=28 5800475501 | BUTTON, OFÉRATION:A
4-29 5800475901 BUTTON,OPERATION:B
4-30 5800476001 BUTTON ,OPERATION:G
4-31 5200476101 BUTTON ‚OPERATION :D
&=32 5300033900 SW. , PUSH 1-1
à=33 *5B00703400 — PANEL, CONTROL
4-34 "5800474300 | LEHS, COUNTER
4-35 *5200176500 COUNTER PCB ASSY
4-36 5800703500 BUTTON(A)
4-37 * 5200175800 OPERATION PCB ASSY
4-38 5500288100 KNOB,CUE
4-39 5800475100 SPEED MODE KNOB
4-40 “5800703600 | CHASSIS, CONTROL
4-61 *5581056000 SHAFT, A
4-42 5301455500 — 5H. ,HICRO 555GL11-F
&=43 *5800703500 SPRIKG,CUE
ETA *5800703700 LEVER,CUE
4-45 “5200176600 DBX SW PCB ASSY
4-66 *5200175200 PHONE AMF PCE ASSY
L=à7 *5200175800 HONITOR SW PCB ASSY
4=51 “5750421006 | SCREW,TAUSS:MIXÉC(BLK HI)
L-52 *5780133006 SCTEW,PAN SEMS A:M3X6
4-53 #5781012006 SCREW, PAN TAP:H2X6
4=5ú *5781013006 SCREW,PAN TAF:MIX6
4-55 +5780102010 SCREW, PAN:IMIZX10
d= 0 *5781014008 — SCREW,PAN TAP:MAXA
h=57 457851213000 WASHER, LOCK:M3
a] re a а
оба, ааа а
2-5. EXPLODED VIEW-5
DEA AAA
EXPLODED VIEW-5
PARTS MARKED WITH “REQUIRE LONGER DELIVERY TIME.
REF. Hô. PARTS Hô. DESCRIPTION REMARKS
5= 1 *58600702901 PANEL, REAR
5- 2 *5534878000 RIVET, PUSH
5— 3 “5500703100 HEATSIHK
§= 4 *5033291000 PLATE, INSULATOR
$= 5 “5200175500 TR PCB ASSY
= 6 *5033295000 TUBE, INSULATOR
5= 7 £,%5534661000 STRAIN RELIEF 65-1 [с]
É45534660000 BUSHING, CORD; 4N-4 |J,GE,E,A]
243317001700 BUSHING,CORD; AN-5 [US,UK]
5 8 A*53500083100 — CORD,AC ASS [A]
£*5128047000 CORD, AC [UE]
25350010800 CORD,AC UL SPT-1 [GE]
£:*5350008700 CORD,AC EUR [E]
245350012200 CORD,AC ESA [с]
245350010700 (CORD,AC UL SFT-2 [US]
245128027000 CORD, AC {1]
5- 4 *5200171600 1/0 PCB ASSY(1}
5-10 *5200171700 1/0 PCB ASSY(2)
5=11 *5200171800 1/0 PCB ASSY(3)
5=17 "5200171900 1/0 FCB ASSY(A)
5-13 *5200172600 1/0 PCR ASSY(11)
3-14 *5200172900 DEFEAT SW PCB ASSY
5-15 #5200175100 CAP SERVO PCB ASSY
5=16 *5É0070550D HOLDER,SERVO PCB
5=17 & 5100025100 SW. POWER SDE3S CLASS? [E,UK A]
& 5300025000
f 513000724900
5-18 5292007500
5292007600
245057910000
245267707500
5-19 5334017900
5-20 * 5800194101
5-21 #5210175400
5-22 "5554099100
5-27 *5200172000
5-24 * 5200172100
5-75 *5200172400
5-26 *5200172500
5-27 #5200172700
5-26 *5200172200
5-29 * 5200172300
5-30 * 5200173000
5-31 *5200172800
5-32 5334010100
5-33 * 5786705100
5-14 *5781813000
5-41 *5 780023006
5-42 “5780022604
5-43 *5780071006
5-48 *5780143006
= #57H0102608
[3]; JAPAN (US ]:U.5.A.
SW, POWER SDE35 TV3 M-15B [US,C,GE]
SW. PONER SDEJS M-15B [J]
CR, O.01MF+1200HM I00VAC [J,GE]
CR, 0,033MF+1200HH 1254 [€]
CR.,0.033+1200H TCA [051
C.,4700PF 250VAC [E,UK,A]
SOCKET, CONNECTOR 38P
BRACKET, CONNECTOR: C
REMOTE PCH
BRACKET, CONN
1/0 PCB ASSY(S)
1/0 PCR ASSY(6)
1/0 PCB ASSY(9)
1/0 FCB ASSYC10)
1/0 PCR ASSY(12)
1/0 PCB ASSY(?)
1/0 FCB ASSY(8B) _
BALANCE SW PCE ASSY
1/0 PCH ASSYCL3)
CONNECTOR SOCKET, 12P
LOG, GHD; SRA-21T-)
HUT M43
SCREW, BIND: MIXA(BLE NI)
SCREW,ATND;M?.6X6 (ALE NI)
SCREW, BIND MIXELALE MI)
SCREW, PAN SEMS B:MIX6
SCREW,PAN;M?.6XA
[C] : CANADA
[GE] :GENERAL EXPORT [E]:EUROFE
[VE]: ULA. [A] AUSTRALIA
2.6. EXPLODED VIEW-6
Г я
AN E
] BY
EXPLODED VIEW-6
PARTS HARKED WITH *REQUIRE LONGER DELIVERY TIME.
REF. NO, PARTS NO, DESCRIPTION REMARKS
B= 1 *2800701200 BRACKET, PANEL
b= 2 *5800701800 | SPRING,TA RETURN |
b- 3 *2800700900 SPRING, TA
f= 4 “5600699201 — ARM ASS'Y,TENSION:L
é- 5 5200176200 LED PCB ASSY(L)
6- 6 *5534850000 — CUSHION, STOPPER
6-7 *5800701700 SPRING,ARM
ó- В *SADOGYYIOO — SHAFT,TA |
b= 9 5800700400 CAP, PF ROLLER |
6-10 2800700000 ROLLER ASS'Y,Z |
6-11 *+5800677900 SHAFT,HOLLER
6-12 *5E00698900 BASE PLATE,TA;L
6-13 5200176000 SENSOR PCB ASSY(L)
6-14 *5800699700 | BRACKET,SENSOR:L
6-15 “5800698300 PLATE, HEAD BASE
5-16 5800698600 GUIDE, TAPE
6-17 *5800698400 GUIDE, A
6-18 * 5800698500 =— GUIDE,E
6-19 5378306100 HEAD ,ERASE(1/4" BCH)
6-70 5378306000 HEAD, REC/PLAYÍ!/4' ECH)
6-21 *5800698700 — STUD,HEAD BASE
6-22 *5800701600 STUD,PCH
6-23 *5200177200 FPCB ASS'Y ,HEAD CONNECT
5-26 *5800698800 — ARAKET, HEAD FCE
6-25 «5800695400 PLATE ASS'Y CAPSTAN BASE
6-26 *5E00702000 SPRING, PINCH ROLLER |
6-27 “5800695600 PLATE ASS'Y, LIFTER BASE
6-26 *5800702100 SPRING, LIFTER
5-29 *5800696800 ARM ASS'Y LINE
6-30 *5800696300 ARM ASS'Y,PINCH ROLLER
6-31 “5800697000 — PLATE, JOINT |
6-37 *5800697100 PLATE ARM |
6-33 5600018100 TABLE AS6Y, REEL |
6-34 “5524291000 = SPRINC,BRAKE
6-35 “5555979000 HOOK, SPRING
6-36 5800694E00 BAND ASS'Y BRAKE:L
6-37 5800695100 BAND ASS'Y,BRAKE:R
6-38 *5800695300 BRACKET ,BRAKE SOLENOID |
6-39 5313003100 SOLENOID, BRAKE |
6-40 *5500694400 BRACKET,BRAKE SOLENCID
6-41 5313003000 SOLENGID, PINCH ROLLER
6-42 *5545022000 PIN,SOLENOID
6-43 * 5800697401 SPRING, PRESSURE
6-44 * 5800697300 PLATE, PRESSURE BASE
6-45 *5800697200 PLATE,SLIDE |
6-46 *5800694500 ROD,JOINT |
6-47 “5800694600 ARM,CUE RETURN
6-48 *SE00701900 SPRING,CUE RETURN
6-49 *5800694700 PLATE,CUE STOPPER
6-50 5313003200 SOLENOID, LIFTER
6-51 “3800171000 ARACKET,SOLEMOILO |
6-52 “5600693900 | SHASSIS ASS'Y, MECHANISH |
6-53 «5012390000 = STOPPER OIL
6-56 3800698000 = SIAFT,CAPSTAN
6-55 3800697800 HOLDER ASSY, METAL
EXPLODED VIEW=6
PARTS HO.
DESCRIPTION
PARTS MARKED WITH *REQUIRE LONGER DELIVERY TIME.
REF. НО. REMARKS
6-56 #5800397100 WASHER, THRUST
6-57 5800698300 — BELT,CAPSTAN
6-58 5800397200 FLYWHEEL
6-59 5800497600 PLATE,CAPSTAN BEARINC
6-60 “5500697500 BRACKET,CAPSTAN THRUST
6-61 5170005700 — MOTOR, REEL;DC
6-67 5370005900 HOTOR,CAPSTAN;DC
6-61 *5800698100 — ABRACKET,MOTER
6-64 5800701100 — FULLEY, MOTER
6-65 *5800701500 — BRACKET CONTROL JOINT FCB
6-66 *5200175600 PCB ASS'Y ,MECHANISM JOINT
6-67 +5800699501 ARM ASS'Y TENSION;R
6-68 5200176300 LED PCR ASSYCR)
6-69 5200175900 SHUT OFF PCR ASSY
6-70 #5H00699600 — ARACKET, SENSOR;R
6-71 S200176100 SENSOR FCH ASSYCR)
6-7? sedo7007200 ROLLER ASS'Y, FOOTAGE
6-71 5800700500 DISK,TC
6-76 *5200176400 PCB ASS'Y,P.G.
6-75 *5800699000 BASE PLATE. TAR
6-81 *+*5780003004 SCREW, BIND;NIX4
6-82 *5760143008 SCREW, FAN SEMS BiH3XB
6-83 #5785105100 WASMNER, POLY. :5.2X16X0.75T
6-86 *5780002604 SCREW, BIND:M2.6X4
6-85 *5780133006 SCHEW, FAN SEMS A;MIX6
6-86 #5780002003 SCREW,BIHD;M2X3
6-87 *5785315000 WASHER, FOLY.,5X8X0. 5T
6-88 #5780023008 SCREW,BIND HIXE NI B
6-89 *5780073025 SCREW,BIND:MIXZ25(BLE NI)
5-90 “5785101000 WASHER,SPRINC:3
6-91 “57800723006 SCREW,BIND, MIXGCBLK HI}
6-97 “5780723006 SCREEN FLAT: MIXOCBLK NI)
6-93 “5707063006 SCREW, MEX:MIXG{FLAT) (BLK NI)
6-94 “STAGOLISOO E RING E=3
6-95 5785026200 — VASHER,FLAT:4X12X0.8T
6-96 *5 700133008 SCREH,FAN SEMS A:MIXB
6-97 *5 786303012 PIN,SPRIKG;3IX12
6-98 #5780144008B — SCREW,PAN SEMS BiMLXE
6-99 *SI7BOLYADOB SCREW, PAN SEMS A;MA4XB
6-100 “5786713000 = CLIP,HARHESS
6101 *5786011500 E RING,E-3
3. PC BOARDS AND PARTS LIST
3-1. REC/PLAY AMP PCB ASSY
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3-31. LED PCB ASSY (R)
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3-32. PHONE JACK PCB ASSY 3-34, BAL, PCB ASSY
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3.35. COUNTER PCB ASSY 3-41. CONTROL PCB ASSY
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REC/PLAY FCB ASSY
COIL, CHORE 2344
REF. NO. PARTS HO, DESCRIPTION REF. NO, FARTS MO. DESCRIPTION |
| +5200176900 - REC/PLAY PCB ASSY q101 Q201 5212008600 FET, 25K189BL |
* 5210176900 RECIFLAY PCH 910? 0202 4230774520 SI.TK,15C18146H 0,4 BO |
С101 2701 5263107670 Ci, POLY a JOFF 100% J WT 9103 9203 165165000 ST.TR.Z5A-9T0OGH 0.3 100
£102 10: 5263101320 C. ,POLY. 0.00270F LOGY J 910% 920% 5145149000 SI.TR.25A-970GR 0.3 100
£101 £203 5263105620 E, POLY. 3307F 100% J VI 9105 (205 5210779520 S1.TR.2ECIBISCR 0.4 40
| C1DS C20 5263100520 GC. POLY 0.001 5VF/100Ÿ 9106 9206 5230779570 51: TR: 2Z5CIALSCR 0.4 ED |
с105 620% 4172204000 C., CERAMIC 23PF/50V T 9107 9207 S145150000 S1.TR.25A-1015GR 0.4 EO |
C106 C206 5172204000 GC. , CERAHIC 22PF/50 т q108 0208 5145185000 SI.TR.260-655E 0,5 750 |
| C107 C207 260065850 C., ELEC. 1.2UF 30V M SMF 9109 9209 4240779710 SI.1TR,26C4654A КА 0,25 250 |
| слов C208 5263106420 €. POLY, 270PF 100v 2 МТ 9110 0210 5230779720 S1.TR.25CO45A EA 0.25 250 |
C109 C209 5263103120 C.,POLY. 0.0120F 100v J ql11 gi} 5230779720 SI,TA.25CI45A KA 0.25 250 |
C110 £210 57260165952 C. ,ELEC, 1O0UF/10 M USH 9112 9212 5230779720 SI.TA. 2509454 KA 0.25 750
| e111 Cm 5260066550 C. ELEC. &.7UF 15 M SHap 9113 0213 5230779720 SI.TR.25CO45A КА 0.25 250
| Cr12 cane 5260066550 C, ,ELEC, 4.708 35V M SMBP 9114 0315 5145185000 51.Тя, 250-6585 0,5 250 |
| £113 623) 5263107620 C..POLY. B20PF 100% J VT 9115 9215 5230779720 SLTR,26C9454 KA 0,25 250 |
CLI& C214 3260055650 C. LLEC. L.OGUFSOV M SMEP Q116 9216 5145149000 51.1R.,25A-970GE 0,3 100 |
C115 C215 352160056550 C. LLEC. &.7UF 15 M SHEP | R101 R201 5240023420 KR. CARBON 10 OHM |
Cli6 C216 5263168173 — EC. METAL 0.15UF/50V 1 VE | | R102 R202 5240030820 A. CARBON RIO 11K J FT
C117 C217 352631013320 C,, FOLY. 0.01510F 100V J | R10] R203 5240028220 Ra CARBON RID 1.0K J FT
| С116 с2 1 1260087040 Ca ELEC, LOUF 16% | RIOS Ai0s 57400278770 E. CARBON RIO 1.0K J FT
|
c11$ C219 5763101520 €. ‚POLY. O0.0027UF 100% | R105 R205 5260025420 RK. CARBON R20 68 1 FT
| C170 072720 526141075620 C.,POLY. &20PF 100% J VT | R106 R206 424005270210 Ba CARBON RIO 330 4 FT
C121 C221 5260162650 C. ELEC. lOUFISV H SH VT | | R107 R207 5240027020 E. CARBON 20 330 J FI
cl22? C222 260162540 C. ELEC. 1OUF 16% | R10B R208 260078670 KR. CARBON RID 1.5% J FI
C123 €223% 171917000 C. ,ELEC. O.270F 50V MH | R10% R209 57600276020 E. ,CARECN RIO 120 J FT
| с126 0226 5260163452 C.,ELEC. T2UF 157 | RL10 R110 5240020420 A. CARBON RI 8.1K J FI
| cizs c225 5760065650 C, ,ELEC, 1.0UEsOY M SHBP— | | miii nahi 5240028030 R. "CAREÓN R20 820 J FT
Cité C226 5260066550 C. ELEC. &.7UF 35V M SHRP | | mil? R312 5740025420 №, CARBON EZO 68 J FT
C117 C227 5260066550 C..ELEC. &.7UF 35 M SHEP | | R113 R713 5240025420 E, CARBON R20 68 1 FT
301 call 5173433000 C. CERAMIC 0,047UF 50v Z | | Rile mild 5740028620 A, CARBON RIO 1.38 J FI
| C102 C402 3171054500 C, ELEC,2200F léw USM F | R115 №215 5240029220 Ba CARBON RID 2.70 J FT
| €303 cand 5173054800 C..ELEC.2200F 16V USM F | | R116 R316 5740028820 A, CARBON RIO 1.8E J' FI
| CIOL Caps 5173435000 C., CERAMIC Ó,047UF 50YZ | R117 R217 5740030470 R. ,CAREON RX) B.2E J FT
Cl0% Cab 2260165257 Cu ELEC.&TUFS2%Y H USH VI R118 K2Z1H 5240024620 E. CARBON RD 37 J FT
C306 C406 5260165252 Cu ELEC,ATUF/25V M UGK VT | R115 R119 5240024620 A. CARBON RIO 33 J FT
C301 cóDI 5263102970 Ca, FOLY. 0.010UF 100% J | R120 R220 5160010610 E. CARBON RID 106 J FT
C403 CHOI 5263167023 с. METAL 0.018UF/S0V J VT | | R121 R221 5240011820 R. CAREON R20 33K J FT
C504 C604 5260066540 E, ¡ELEC. 6.716 35 MO SMBP | | R122 R122 5240032920 R. CARBON R20 240F J FT
C505 CEOS 5263101520 C, , POLYPAO 0.0027UF R121 R22) 5240026020 R. CAREON R20 B20 J FT
DIOL 6201 5224015020 | DIODE,1581337-77 | R124 #224 5150154000 — R, TRIMMER 10S
0102 D202 5224015020 DIODE,1861337-77 | RiZ5 mi25 5240029420 E. ,CAREON R20 3.36 J FT
0103 0203 5724540901 DIODE,ZENER RD6.2EBZ FR R126 R226 5240079870 — E, CARBON ELO 4.7K J FI
Dios 072705 5234015020 DIODE,1551337=27 | R127 R227 5240031020 E. CARBON R20 15% J FT
010% 020% 5224015020 DIODE, 1551337=-77 | R118 R22H 4150154000 K.,TRIMMER lOKE
D106 D706 a 4015070 DIODE, 155143777 R129 R119 5150025230 R, CARBON R20 1.08 J FT
D107 D207 5225015020 | DIDDE,1881337-77 | R130 R230 5240033020 R.,CARBON R20 100K J FT
D198 D208 5224015020 | DIODE,1851331-77 R131 R231 5240027620 R. CARBON RZ0 560 J FT
| 56109 [0209 5216015020 DICDE,155133T-77 | R132 R232 5240030820 R. CARBON REZO 126 J FT
| e110 D210 5214015020 DIDDE,1551337-77 R133 R133 5240028220 E. CARBON R20 1.08 J FT
| 6111 0211 5224539101 | DIOOE,ZEMER RD3,6E62 FA R13 R234 5240028220 RE, CARBON R30 1.0E J FT
D112 D212 5224015020 DIODE, 155133T=-77 | R135 A234 3240029820 К. CARBON K20 6.70 J FT
D113 D213 зо ЗОО] DIODE, TENER ED6E.ZEB7 FE R136 R136 5740030670 RK. CARBON R20 105 J FT
| D11$ DIS 5224015620 DIODE,155133T=77 E137 R237 5740033020 R., CARBON AJO 100% J FT .
| 2101 3201 5122377000 — CONNECTOR, SOCKET 1074-D6A R138 R218 5240025120 R,,CARBON RI0 56 J FT |
| 102 1101 5122175000 — CONNECTOR, SOCKET 1024-04A R139 R239 4240032220 A. CARBON R20 47% J FT |
3163 3203 5122377000 | CONSECTOR SOCKET 1024-06A R140 R240 5240031820 K.,CARBON R20 33% J FT |
J10% 320$ 5127172000 CONNECTOR , SOCKET J074-07A В) #251 5260031770 R. CARBON R20 18% J FT |
| 3105 5122375000 CONMECTOR, SOCKET 3074-04A R142 R242 5740042220 E, CARBON R20 47E J FT |
к101 к201 5250009800 — RELAY, PLAZA — DC74 | R143 R243 5150156000 VR. SOKB |
| K102 K202 5260010400 RELAY, HA62-245 26V Ri44 R244 5240028220 HR, CARBON R20 1.0K I FT |
L101 L201 5245021100" COIL, CHORE 170004 * YA R145 RIGS 5240011070 BR, ,CAREON RID 100K J FI
LIO? LIO? 516004400 COTE, TRAP + JH ElG6 EZL6 5240028420 В. ,САЙВОН RID 1.2K J FT
103 1203 5286073900 COIL, REC EQ R147 RI&T 4240031470 В. CARBON RID 22E J TFT
104 205 5 1 6 Cea da O CHO COTL, TRAP: 3MH RIGA RIGA 5240033820 К. CARBON RIO 1006 J FT
L301 Lé01 056665000 | R143 №249 4260076620 J- FT
KR. CARBON R10 770
1-18
DEX PCB ASSY
DESCRIPTION
REF. ND. PARTS NO,
RiSO A750 5240026620 BR, CARBON RIÓ 1,8 J FT
R151 R251 5240033020 RB. CARBON R20 1008 J FT
K15T R152 5240031870 RR. ‚CARBON RODÓ 33€ J FT
R153 R253 57400766720 KR. CARBON RIO 220 J FI
R154 R25% 5260029820 RR, ,CAREON RIO &.7K J FI
RLSS A755 5240031620 RE, CARBON RIO 27K J FT
E156 R256 52400310720 R, CARBON RIO 18% J FT
R157 R247 5200030070 RR. CARBON RIO 5,6 J FT
RISE R258 5240031020 RR. CARBON RIO I9K J FT
RISO R259 5140032210 A, , CARBON RIO LTE J FT
RICO ATEO 5240076620 — E.,CARBOS RIÓ 270 J FT
| R161 R2A1 5740076620 KE. CARBON E20 220 J FT
R162 R262 57400230620 FE. CARBON RIO MOK J FT
R163 R143 5740012270 E. ,CARBOS RM 47 Л FT
R16& R2Ak 5240031020 KE, CARBON RIO 15K J FT
R165 #265 5250031620 EK. CARRDN R20 27K JT FT
R166 BRIGG 4740031620 KR, CARBON RX 27% J FT
R1GT R167 5260029620 RR. CARBON R20 &4,7% J ET
RIGA RI68 5240010320 KR. CARBON RIO A.7E J FT
R169 R269 5240031220 Ra ‚CARBON RIO 18K J FT
R170 R270 5240030620 RB. ,CAREQN R20 10K IT FT
A171 271 5240028720 RR. CARBON RID 1.0% J FT
R172 R272 5240033020 RR. CARBON RIO 1005 J FT
R173 R273 5240010620 RR. CARBON R20 10 J FT
Rl7& R174 5181516000 R, CARBON RS 27E 3
R175 R275 4240029520 RR. ‚CARBON R20 4.7% J FT
R176 R176 57400327720 R.,CARBON R20 47% J FT
R177 R277 5250030620 íR.,CAREÓN RÍO 10K J FT
R178 RITA 5240012220 E. CARBON RIO &7K J FT
R175 R279 5240011620 HR. CARBON R20 27E J FT
R180 RIBO 5240032220 HR. CARBON RID 47% J FT
R181 R181 5240029020 RK. CARBON RIO 2.2% J FT
R182 R182 5240029420 KR. , CARBON RIO 3.0% J FT
R1BY R281 5260031520 Ra, CARBON BZÖ 23K J FT
R184 RIE4 5240032220 CO. CARBOM RID GIE J FT
RIES RIBS 5140025820 R.,CARBON R10 100 J FT
R301l Ré01 5, 5163576000 | H.,INCOMBUSTIBLE 1/66 100
H30Z2 RS07 5183578000 R., INCOMEUSTIBLE 1/4W 100
A303 A402 251863586000 Rı,INCOMEUSTIBLE 220 F25
RIDS ASDA 245183586000 RE. INCOMBUSTIELE 220 F215
R501 REO] 5240034020 HR. CARBON RIO 2706 J FT
R502 K602 5240032220 R., CARBON RI0 &7K J FT
R503 RED) 572400305620 RK, CARBON R20 10K J FT
R504 REDE 5240075870 HR. ‚CARBON RIO 100 J FT
RÍOS #4605 5240012220 ER, CARBON RI) 47E J FT
RSO6 RECO 5250032220 R.,CAREON RIO 47E J FT
R507 Ré07 5150157000 B,TRIMMER 100KB.TTL4R
АЗОВ Ré08 5150157000 — E.TAIMKER 100KE,TTL4K
R509 RE09 5240025820 RK, CARBON R20 100 J FT
R510 #610 5240028620 RA. ,CARBON RIO 1,9K J FT
2101 1201 5220516700 | 1C,WJH206300
0103 1202 5220416700 TE, NIMIDAJDD
0103 1203 2147064000 IC, NIHLS5%0D
Ulds U20= 5220019000 IC, TCLODLBP,
110% 1205 57926803300 FILTER,LOWPASS 19KHZ
REF. HO, PARTS NO, DESCRIPTION
“5200177000 DEX PCH ASSY
"5210177000 DEX PCB
C101 C201 2260162750 CC, ELEC, 10UF 3% M 544 VT
cLo2 C02 2263168021 C. ,METALIZED O0.12UF S0v J
2103: C203 3263168027 C. HETALIZED 0.170F s0V J
с104 C204 2263169113 C.,HETALTZED 1.0UF 50V J
C105 C205 2263106120 C.,POLY. Z00FF 100Y J УТ
с106 C206 3261102920 C.,FOLY.O.OLDUF 100Y J YT
C107 C207 5164105520 C.,FOLY, 100PF 100V J VI
С108 C208 4263105820 с. РОМ, LOOPF 100% 1 VI
6109 с209 2263102920 с. , POLY.0.0L0UF 106% J VT
С110 6210 2260162750 — C.,ELEC. 10UF 3%) M SH УТ
C111 C211 22631677231 ©, METALIZED O.068UF SOY
C112 C717 4263167723 CL, METALIZED O0.068UF SOY
ci13 C213 5263101720 С. РОМ. O.0033UF 1004 J
Cll&a 0214 5263101710 CC. POLY. O,003F 100V 2
C115 C715 5263107220 C, MOLY. StôrF 100 J
Cll C216 5263168023 CC. METALLIZED 0,1206 506 J
CI17 C717 5263101730 С. ‚РОМ. 0.0033UF 1004 J
C118 C718 2260160750 C, ELEC. 1UFSOY SM T=-M
| C119 C719 2260277050 C, ELEC, IOUF 354 E LL YT
clio C2720 4250162550 = C., ELEC. 1OUF 167 M SH VT
C121 4260165252 C.,ELEC. QJUF 25V M USH
cl} 3260165252 Ca ELEC.47UF/25V H USH VI
2133 C123 5260161550 CC. ,ELEC. 3.108 354
C301 Call 22601627750 — C.,ELEC, 10UF 3% M SM VT
C302 C407 1263168023 — C.,HETALIZED O.12UF 504 J
C30) C403 512613168022 Ce JHETALIZED 0, LZ2UF 50Y J
Clos CAS 263169113 Ce ,METALIZED 1,0UF SOY J
£3105 C405 3263106120 2 C., MOLY. 200PF 100V J NI
CI06 C406 5261102920 C.,POLY.O.DICUF 100 J NT
C307 C407 3763104420 CC. MOLY. 100PF 100V J YT
CI08 C403 5263105420 C., MOLY. 100PF 1004 J YT
C109 C409 2263102920 C.,FOLY O.CLOUF 100V J NT
CO c410 5260162750 C,,ELEC, 10UF 35V M SM VI
CIT Call 5263167723 C. ,METALIZED 0.0568UF 50V
C312 C412 4263167721 C. HETALEZED 0O,0480F 50V
CILI CH13 2263101720 C.,FOLY: 0.00330F 100v J
C114 СА 5263101720 €, POLY, 0,0033Ur iDOY J
C115 C&1% 5263107220 CC. POLY, SEOPF 100Y J
Cllé Célb 5263168023 C. METALIZED 0.12UF %0v J
CIL7 C417 5163101720 E. TOLY, 0.0017UF 100v J
CILA CL1A 2260150750 CC, ,TLEC, lUFS0V SH T-M
C31% C419 5260227050 C. ELEC, LOUF 15V K LL VI
CITO c470 2260167550 CC. ELEC. 10UF 16V M SH YT
C323 C423 5260161550 Co ELEC. 3,3UF 354
DIO] ool 3224015020 DIODE, 1551997=77
DIO 0401 >2/4015020 DIODE,155133T=17
JL10 5122177000 CONNECTOR, SOCKET I024-0D6A
Jill 41722375000 CONNECTOR, SOCKET 1074-04A
2117 5122375000 CONNECTOR, SOCKET 1074-04A
3210 9122377000 CONNECTOR, SOCKET I0Z4-06A
J211 9122378000 CONNECTOR , SOCKET 1074-074
J310 2122377000 CONNECTOR, SOCKET 3074-06A
Jill 5122373000 CONNECTOR SOCKET 3074-04A
J&10 517272377000 CONNECTOR,SOCKET I024-06A
JAL1 51223780090 CONNECTOR, SOCKET 3025-074A
Q101 Q201 5430778320 SI.TR.25CX120F 0.3 700
0102 9202 5230778220 S1.TR.25C2320F 0.1 200
0103 4701 5232007300 FET, 75E-364Y
QL0 0204 5210775600 51.TR.25CI478-B 0,4 30
Q10% 9205 5310775000 si.TR.75C1478-B 0.4 30
Q106 204 32307 73000 Sl. TH. 25C7878-B 0.4 30
0107 0207 5720774000 SIL.TR.7SCIA7A-8 0.4 30
QUIE 4708 5210775000 SIT. TR. 2ECIRTE-B D.& 30
3-19
REF, Hô. PARTS Hô. DESCRIFTION REF. №0. PARTS NO, DESCRIPTION
9109 9203 5230775000 S1.TR.25CZB7E-B 0.4 30 RIGA HILL 5240173000 RR, CARBON R25 100K JA
9110 0710 5230775000 SILTR.ISCIBTE-RE 0.4 30 R151 5240032220 A. ,CAREON RYO 47E J FI
4111 Q211 5210775000 SI.TA.2507878-2 0.4 30 A152 57400310670 8, ‚CARBON R20 10E J FT
9112 5730016620 2 SILTR.2SA9%3F 0.3 200 R153 5240019820 R.,CARBON RID 4.7% J FT
0113 730016520 — 5SI.TA,254999E 0.1 100 A154 4240031020 RK. CARBON R20 1006 J FT
9116 9215 523600166720 SI.TR.25A555F 0.3 200 A155 4240029820 A, ‚CARBON A20 &.7EK J FT
| 911% 021% 5210016610 GI.TR.Z5A999F 0,3 104 ElS6 AI 52400377270 RM. CARBON R20 47 JS FT
| QYOL 0401 5540776370 51.1h.2502320F 0,3 200 #157 R257 5340030620 RR. CARBON RIO 10K 2 FT
0302 Q402 4910778420 ST. TA.25C2120F 0.3 200 R198 RISB 240073870 E. CARBON RID 4.7K J FT
9303 403 5232007300 FET, £$E-164Y Rl159 R759 3465033020 RB. CARBON R20 100 J FT
0304 0405 5230770600 51,78. 25C7878-B 0,4 30 R160 R260 5240029820 A, ‚CARBON RIO 4,7E J ET
930% 7405 230775000 ET.TR, 25C7878-B 0,5 30 RIÓl #261 5740033720 A. ‚CARBON RIO 120K J FT
93106 (40% 5230775000 531.18. 25C2878-B 0.5 30 RIGA R766 5740097770 A. ‚CARBON R20 47 J FT
9307 Q407 5230775000 — S5I.TA.25C7678-B5 0.4 30 R169 R249 4740032230 A, ‚CARBON RIO 57 J FT
Q108 Quik 5330775000 51.TA, 2507878-E 0.4 30 RITO RITO 6240032270 A, CARBON R20 47K. J FT
| 030% Q405 7230775000 S1.TR.25CIB7H-B 0.4 30 R171 R271 5240037270 8, CARBON R20 &TR J FT
9310 6310 5730775000 SI.TR.ZSCI&7B-B 0.4 30 R171 RITZ 5250033020 Rs CARBON RÍO 100K J FT
0311 Q411 1410775000 2 SILTR.Z5CIATAE-B 0.4 30 №173 #27) 5250033020 RR. ‚CARBON RIO 100 J FT
9312 “230016620 ET.TA,254999F 0.3 200 R174 R274 52400377270 Rı ‚CARBON RIO 47K J FT
0313 5230016620 S5I.TR.ISA995F 0.3 200 Rl75 R275 240032220 A, ,CAREON R70 47E J FI
0314 qélé 1230016620 ST, TR. 23AY99E 0.3 700 RIDI AL01 5400332720 A.,CARBOH RID 120%
9315 0415 5230016420 S1.17R.25A999F 0.3 200 R302 #402 5240025820 RH, CARSON R20 100 J FT
R101 R201 5950013220 RR. CAREDN RIO 1208 J FT RIO 8403 27200031920 RR. ‚CARBON 820 36E J FT
R102 R202 5240025420 RR. CARBON RIO 100 J FT Rida R4D4 5740030070 KR. CARBON R20 5.68 J FT
R103 RIO] 5240041970 RL CARBON RID 36 J FT | 305 R405 5240031820 X, ‚CARBON R20 33 J FT
R104 RIDS 240030020 KR. ‚CARBON R20 5,66 J FT R106 RLOB 4740030620 RR. ‚CARBON RIO 10€ J FT
R105 R205 5540031520 RK. CARBON RID 33K J FT RIOT RLOT 2150156000 WR, SOKA
R106 R206 240030620 HR. CARBON R2D 10k J FT RIDE RADÓ 5150156000 VR, SCRE
RIOT R207 5150156000 — YE, SOEB RIO9 2409 5740030820 Rı, CARBON R20 12K J FT
| R10B #208 5150156000 — VE, SÓORF A310 8410 2740030820 R., CARBON RIOD 12K J FT
R109 R209 5240030870 в, CARBON R20 12% J FI | R311 Rall 5250024220 8. ‚CARBON RIO 22 J TT
R110 #210 5240010420 8, ‚CARBON RIO 12K J FI k3l2 RA17 520600724270 8, ‚CARKON RIÓ 22 J FT
R111 RI11 5240074220 RK. CARBON R20 22 J FT R113 R413 5240074220 RR. ‚CARBON RIO 22 J FT
x11? R211 530074220 RH. CARBON RZD 22 J FT RÁL4 Reid 5240024620 H.,CARBON M20 27 J FT
R113 R212 5940024210 E. CARBON R20 22 J FT RAILS R&LS 5140029670 A. CARBON RID 3.9% J FT
| R114 R214 5740024410 A. CARBON R20 27 J FT R316 R&LE 5240030620 RR. CARBON R20 10% J FT
| R11% R215 5710029620 RH. CARBON RIO 3.9K J FT R317 R&17 5260011420 E, CARBON RID SR J FT
R116 R214 5740030420 Ay CARBON R20 10K J FT R318 КАТА 5150094000 R.TRIMMER SOKA,TTILR AGUO
R117 R217 5150037520 RR. CARBON Н20 56K J FT K319 E419 5240010620 3. CARBON RIO 10K J FT
R118 R21E 5150094000 R.TRIMMER SOYB,TTLSR ASOD #320 R&Z0 5340031820 Rs ‚CARBON 820 33K J FT
R119 R219 “240030620 8, CARBON R20 10K J FT R321 R4Z1 4140025820 R.,CAREON RIO 100 J FI
R120 #220 740031520 A. ‚CARBON R20 3% J FT R322 R422 3240033020 R.,CARBON RIO 100€ J FT
R121 R221 5240025870 п, CARBON R20 100 J FT R123 R41) 17400325720 RK. CARBON R20 67 J FT
R122 R222 5240033070 RAR. CARBON X20 100€ J FT R324 RATA 5240033820 RR. ‚CARBON RIO 2200 J FT
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R178 R726 2400756720 RE. CARBON RIO 100 J FT | 2330 K530 5740031520 RR. ‚CARBON RIO 24K J FT |
|
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- 20
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| K154 2400330270 KR. ,CAREDY R20 100 1 FT | F125 5132 25696000 CONSECTOR PLUS 506-054 К
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- 21
PARTS HO.
5240033020
H. CARBON
REF. NO. DESCRIPTION
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R110 2240031920 8, ,CARRON RID 36 J FT
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R135 5240031420 RR. CARBON RIO 21K J FT
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R153 5240075820 E. CARBON RIO 100 J FT
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A157 5240026220 A, ‚CARBON R20 130 J FT
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R161 5760025620 R. CARBON RIO 106 J FT
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REF. КО. PARTS KO, DESCRIPTION
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R172? A173 5260031526 R. CARBON RLO 27€ |
| AL79 R184 5240031420 ®. CARBON R10 22€ |
| R185 R186 5260031820 RR. CARBON RIO 23K
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R191 A192 5240031320 RR. ‚CARBON R20 20K 1 FT |
RIGO 5240030520 KR. CARBON R10 10K
| 5101 53005164700 LEVER SW GLX IMAC
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|
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- 22
REF.
5
PARTS MO.
DESCRIFTION
CONNECTOR, PLUG JP
REF. NO. PARTE NO, DESCRIPTION
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R255 5240018220 R. CARBON R20 330K J FT
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25200173500 BUSS E PCE ASSY RI6D 5260078630 8, CARBON RID 1.5% J FT
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CS25 ChHé5 5172204000 ©. CERAMIC 22PF/50v T R&T RAGD 5250031420 E. ,CAREON RIC 22K
| CLI6 CLAk 5172204000 C,,CERAMIC 22PF/50Y т Rule REGS 5240032220 RR. CARBON RIO 47E J FT
| 9102 5103 4274015020 DIODE, 155143T=77 RG2S Ré45 5240013220 E. CARBÓN MIO 120%
| Flot 5316165100 CONNECTOR SOCKET IL-D=115 R&IT RLAT 52400330720 R., CARBON RIO 100% J FT
Р102 5336164800 CONNECTOR SOCKET IL-0-085 R&ZB R&L&E 5240025820 RB, CARBON R20 100 J FT
F103 4177459000 CONNECTOR, PLUG 3046-084 R RL79 KS49 3160031420 8, ‚CARBON RIO 217%
P10 4127147000 CONAECTOR, PLUG 5056-0434 VW uli 5232251670 51.,7R.75A1346 0.3 200
P105 51272460000 CONNECTOR, 504 6-09A-RE | UIDd2 5232251620 EI.TR.75A1346 D.3 200
Р104 5122146000 40-4 | vlc 6048937000 | 1C,MCI40498
1/0 PCB ASSY{H)
REF. NO, PARTS NO. DESCRIPTION REF, NO. PARTE KO, DESCRIPTION
1301 0321 5210407000 IC, TLOTICE «5200172300 1/0 PCR ASSY(R)
1341 1361 5270407000 — TC, TLOTICP «5210172300 I/O PCR (A)
vi81 vébl 5220407000 IC, TLOTICE Jl = Ph 53340541800 CONNECTOR, CANNON ;XLBY=-31
U42t U451 4220407000 IC,TLOTZCP
1/0 FCB ASSY{1) 1/0 PCA ASSY(S)
REF, NO, PARTS NO, DESCRIPTION REF. MO, PARTS NO. DESCRIPTION
“5200171600 1/0 PCH ASSY(1) “5200172400 1/0 PCR ASSY(9)
«5210171600 1/0 PCB (1) «5210172400 1/0 PCE (9)
J1 = JH 5310010500 — JACK, YER?1-5011 SINGLE F1 5330509400 FIN JACK, 16P
Cl = Ch 5173433000 = C. CERAMIC O.CIQUE 50V 2
1/0 FCE ASSY(?) 1/0 FCA ASSTYCIO)
REF, HO, PARTS NO, DESCRIPTION REF. HO, PARTS NO. DESCRIPTION
| «5200171700 1/0 PCR ASSYÍ?) 25200177500 1/0 PCB ASEYCIO)
| *5210171700 1/0 PCB (2) *5210172500 1/0 PCB (10)
Jl = JH 5330010500 — JACK, YCE?21-5011 SINGLE Pl 5330509500 — PIN JACK, ÉP
Cl = CA 5173531000 = C., CERAMIC 0.0100F Sov I
1/0 PCB ASSY(3) 1/0 PCH ASSY(11)
REF, NO. PARTS NO. DESCRIPTION REF. HO. PARTS NO, DESCRIPTION
a5700171£00 1/0 PCH ASSY(3) =5200172600 1/0 PCE ASSYLLL)
25710171800 1/0 PCE (3} 5210177600 1/0 PCB {113
J1 = J& 2310010600 JACK, YEBZL-S013 SINGLE JL = 14 5110010600 JACK YERI1=-30113 SIKGLE
cl - C& 3173433000 CL ,CERAMIC Q.Q10UF 3%0v Z
1/0 PCB ASEY(L) I/O PCB ASEY(12)}
| REF. MO, PARTS NO, DESCRIPTION REF. ЮО. PARTS MO. DESCRIPTION
+5200171900 1/0 FCB ASSY(4) «5200172700 1/0 PCE ASSYCIZ)
*5310171900 1/0 FCh (4) «4210172700 1/0 PCM (12)
31 = м 4930010600 JACK YEBZ1-5013 SINGLE Pl FP? 330509700 PIN JACK, 2F
cl = C4 5171431000 C., CERAMIC O.010UF 404 Z
1/0 PCB ASSY(S) 1/0 PER ASSYCIY)
nr NO, PARTS NO. DESCRIFTION REF. WO. PARTS MO, DESCRIPTION |
| «5200172000 | 1/0 FCH A55Y(5) «5200172800 1/0 PCH ASSY(13)
257101772000 1/0 PCE (5) «57101731800 1/0 PCB (13)
PL PI 5330509700 PIN JACK, 2P | 1 Jz 5134041400 CONNECTOR SOCKET, XLB3-31
|
1/0 FCR ASSY(6)
REF. HO. PARTS NO. DESCRIPTION
5200172100 1/0 PCE ASST(6G)
«5210177100 1/0 PCB (6)
Pl Р2 5330509700 FIN JACK, 2F
1/0 PCB ASSY(?)
REF. HO, PARTS MO. DESCRIFTICH
270017700 1/0 PCH ASSY(T)
| «9210172200 I/D PCB £7)
Л = Pú 533404 1800 — COMNECTOR CANKON:1LB3-31
24
MOTHER PCH ASSY(1)
M.EUSS PCH ASSY
REF, NO. PARTS NO, DESCRIPTION
*5200177500 MOTHER PCA ASSY(L)
*5210177500 — MOTHER PCBEL)
ctol 5160165252 C, ELEC.STMF/25V H UEM YT
ció 5260165252 C. ELEC.4TMF/29V H 154 VI
| 5101 5225013710 DICDE,DS1350 FAL FF
P1nl 5122358000 СОчЧЕСТОВ,М БР
F102 51722356000 CONKECTOW MH AP
P1033 4122158000 CONMECTOR,M GF
Р104 5122359000 COXMECTOR,H 7F
P1045 5122156000 CONNECTOR, M 4&F
F110 41727352000 COWNECTORE,M 6F
F111 3122356000 CONNECTOR, M 4P
E. P1132 5172156000 CONNECTOR,M 4P
| F113 5336126300 CONNECTOR PLUG,8B263-0212
| Pll 53341764600 CONNECTOR PLUC, 8263-0617
PILI 5334126600 — CONNECTOR PLUC, 6763-0812
FILE 53364126600 CONNECTOR PLUG 8263-0617
Fil? 5336126400 CONNECTOR PLUG ‚8262-0412
F116 5116176500 CONNECTOR PLUG, B263-0%12
P119 5336126200 CONNECTOR PLUG ‚2263-0217
Р120 5335617266500 CONNECTOR FLUG ‚8762-0817
F121 5336135400 CONNECTOR PLUG, 8163-0412
Р122 5336127200 CONNECTOR PLUG 8263-1212
P123 5122163000 CONNECTOK,M 11P
Pla 51723543000 CONNECTOR,M 11F
|
140 5336126400 CONNECTOR PLUG, 8763-0412
Plal 5336176300 CONNECTOR FLUG, 8763-0313
P142 5336135800 CONNECTOR PLUG, 0263-0817
Pisi 5336137600 CONNECTOR PLUG, B263-0617
plas 5336137400 CONNECTOR PLUG, BE263-0412
Р14 5 5336115300 CONNECTOR PLUG, AZ64=0313
PISE 5335137300 CONNECTOR PLUG, B163-0312
Р201 5122150000 CONNECTOR, HM &P
P207 5122446000 CONNECTOR, M 4P
Р203 5122356000 CONNECTOR ,M &P
P24 5122359000 CONNECTOR, H TP
Р210 5172158000 CONNECTOR ,M &P
P211 5122359000 CONNECTOR,M TP
p21] 5335135200 CONNECTOR PLUG, B263-0112
P218 2936135600 CONNECTOR PLUG, 8769-0617
P215 5336135600 = CONNECTOR PLUG 8762-0812
P216 5316134600 — CONNECTOR PLUS 8263-0612
F217 9336139400 CONKECTOR PLUG, B263-D412
PIOD S172354000 CONMECTOR,M IP
Fadl 4122155000 CONNECTOR. M JP
PIO? 5122160000 — CONNECTOR,M BP
F303 5122358000 CONNECTOR,M 6P
F054 5172155000 CONNECTOR, HM 3P
Р105 51222355000 CONNECTOR ,H JP
РЭО 5122356000 CONNECTOR HM GF
Fill 5122356000 CONNECTOR, H 4P
F313 5336127200 CONNECTOR PLUG 8243-02112
| THE 5116137500 — CONNECTOR PLUG 8263-0612
P315 4196137800 CONNECTOR PLUG, 8263-0812
Falk 5336137600 CONNLCTOR PLUG,B261-0612
PILI 5346137400 CONNECTOR PLUG, A7691-0517
FA10 5122352000 CONNECTOR ,H 6P
FALL 51272359000 CONNECTOR HM TP
Pal] 533146145200 CONNECTOR PLUG, 82623-0212
Polk 5315145600 CONNECTOR PLUG, 8243-0612
| pats 5336145600 — CONNECTOR PLUG, 8763-0812
Falk 2326145600 CONNECTOR PLUG, B2563-0612
pai? 43136145400 CONNECTOR PLUG, 8763-0417
ulol 5220413000 TIC, HIMIBMIZA,
ria? 3720420400 TC, NIMIYIMIDA
| REF. MO. PARTS NO. DESCRIPTION
«5200174600 “ECOS FOB ASSY
5310174600 H.BUSS PCB
FP?OL-P709 353351657100 CONNECTOR PLUG, IL=11F
Р901-Р911 5336166800 CONNECTOR PLUG, 1-08?
HITHER PCB ASSY(2)
REF. №0. PARTS NO. DESCRIPTION
«5700175100 MOTHER PCB ASSY(2)
#37101 741080 — MOTHER PCEHC7)
Pl 4127176000 CONNECTOR, PLUG 3P W
Р11 P12 5122347000 CONNICTOR, E SP
rl) 5122356000 (CONKECTOR,M AFP
Pla 31223187000 CONNECTOR,PLUG &F В
PLY 5122132000 CONMECTOR, PLUG BF 40-4
Р16 5123305000 CONNECTOR, PLUG 5045-08A R
PL? 5122111000 — CONNECTOR, PLUG 5045=-07A
PIB FIS 5127157000 CONMECTOR,M SP
FZ TP] 5122357000 — CONSECTOR,M SE
P20 Fil 5122357000 CONNECTOR,M SF
rll 5177156000 2 CONNECTOR, M 4F
rll 5127193000 2 CONNECTOR, PLUG 17P В
PIG 5134079700 CONNECTOR PLUG 5045-12
r25 P16 51772357000 CONNECTOR, M 3P
P27 FB 5122357000 CONNECTOR, M SF
P29 5122356000 CONNECTOR HM àF
rad 5122136000 CONNECTOR, PLUG 17P Y
FIL 5177309000 CONNICTOR, PLUG 504-174 À
Pa 5172456000 CONNECTOR, PLUG 5046-05A R
P11 5122148000 CONNECTOR, PLUG 3P 40-58
Pd 5122127000 CONNECTOR, PLUS IP 40-4
ps PS 4122357000 CONNECTOR,M %P
FA 51772356000 —CONNECTOR,M 4P
P7 4122110000 CONNECTOR,PLUG &F W
FA 5122303000 CONNECTOR, PLUC 5045-04A E
PY PLO 5127157000 CONNECTOR,M 5P
El AZ 5260012220 R.,CAREON R20 47% J Fi
Ri 5184565000 RR, CARBON JW 4.7 J FR
OPERATION PCB ASSY
PARTS NO.
DESCRIPTION
REF. КО.
“5200175800 OFERATION FCE ASSY
5210175800 OPERATION PCB
DI Dz 5225007100 LED,CL-9MCY CAN T-JA
a 5225007100 LED,GL-9NC7 CAN X-3R
De DS 3225007400 LED,CL=97PA7 RED Y=50
Dr 4225007900 LED,GL-9FPFRZ RED V-30
510 511 $300028100 — 5W.,PUSH SPHIZZA 2-1
512 5100028100 | 54,,FU5H SFHIZIA 2-2
só 57 5100028100 SW, PUSH SPH122A Z-7Z
58 BY 32300078100 5W.,TUSH SPALZZA 2-2
- 25
FÜR SPLY PCH ASSY
DESCRIPTION
REF. WO. PARTS MO. REF, NO. PARTS Hô. DESCRIPTION
“5200171500 PWR SPLY PCH ASSY R103 R103 5150154000 R., TRIMMER 10RE
* 5210173900 PWR SPLY MB | R104 R203 3240032020 R. CARBON RIO 19K J FT
C100 C101 My 57670103100 CC, CERAMIC O,01HF S00V FP R105 R20G 2150155000 R., TRIMMER 2CKB
с102 с103 4% 5247010300 C.,CERAMIC O.01MF 500V P АМН RID4 5240020620 RR, CARBON R10 10K
Clos ZA 5173086000 ©, ELEC, 2200UF 16V (SM) К107 #207 5240031420 RR. CARBON R10 2IK
Cl0% Cl06 5260162550 | C.,ELEC.10HF 16¥ RIOS R208 5240033020 R., CARBON R20 100K J FT
ciO7 COR 5261166723 GC, METALIZIED 0,010UF SOY R109 R209 5240029820 R., CARBON RIO 4.7 J FT
cl0% clita 5240162050 — C.,ELEC. 4,7MF 35V M SM Rilo R710 5740033020 WR. , CARBON RZ0 100K J FT
¢113 2113 5260165352 2 C.,ELEC. &TUF 35V K U5H Rill R211 32600206320 E, CARBON RID 10K
C114 6115 A 5260272710 C., ELEC. ATOQUE 254 * 5ME Rl1Z R212 5150154000 R., TRIMMER 10KB
cité A 5260272710 C.,ELEC. 4700UE 25V M SME | №113 #213 5240029820 RA. ,CARBON R1D &.7K
C117 CIA fi 5260271610 — C.,ELEC. 170008 50Y M SME Ells R214 $260033020 R.,CARBON R20 100K JI FT
C119 C120 du 5172212000 C, CERAMIC IODEF 500 8115 8715 22640028220 KR, ‚CARBON RIO 1.06 J FI
D100 plot 24 5224013200 DIODE,DS135D FR x115 R216 314001304620 RR. CARBON R10 10K
blo: 5103 9224013200 DIOCDE,DS135D FR R1L7 K217 3140031020 R, CARBON RIO 1008 J FT
DIOS 57740132700 DICDE,DS5135D FR R118 R214 240033020. RHR. .CAREBUN R20 100K J ET
5105 23104 5276008000 — SILICON STACÉ,DBASOC R119 R219 2250028220 E. CARBON R20 1.0K J FT
Pz Pi 2122376000. CONNECTOR, SOCKET 1076=054 R120 R220 2240033820 RR, CARBON R10 220K
ré FS 5122176000 CONNECTOR ,SOCKET 3024-05A R171 R221 47400338720 R.,CARBON R10 220%
Ph 4122375000 | CONNECTOR, SOCKET J024-04A R122 m222 5240031420 RR, CARBON RIO 22€
| Q100 2230779520 51.TR,25C1815GR 0.4 BD R123 #223 5240032220 RM. CARBON RIO L7E J FT
| 9101 2145150000 2 SI.TR.25A-1015CR 0.5 80 | R124 R224 5240030620 R, ,CAREQON R10 10K
R100 R101 2184960000 HR. ,CARMIN R25 15 E CF R125 R225 240031420 E. CARBON R10 22%
#102 5184965000 в. CARBON 835 24 KE CG FT R126 R226 5760010620 BR. , CARBON ALO 10K
£1073 5184944000 п. ‚CARBON 825 3.3K © FT R127 R227 5240074720 Ra, CARBON RIO 22 J FI
|
RÍO RÍOS 5740027620 R.,CARBON R20 S60 J FT | | RIZA R278 5740010620 R.,CAREON R10 10K
| u100 5220425400 IC,MS2I0LA, | R129 R329 5185190000 HR, METAL PLATE 0.22 IW
| As | #130 #230 5240034220 A. ‚CARBON R20 330K JI FT
R111 R211 5240029420 R.,CARBON R20 3.36 J FT
R132 #232 5241426602 Ma, METAL FILM LT 1/8 5.16 |
REEL SARVO PCB ASSY |
| R133 R23] 5241426602 R.,HETAL FILM LT 1/8 5.1% |
| REF. MO. PARTS Hô. DESCRIPTION RIGO Rlél 5240031620 — K.,CAREON RÍO 43 |
— R142 5240031420 RK. CARBON R10 27K
«52001 74000 REEL SERVI PCRASSY R141 5250025820 R, CARBON R20 100 J FT
*#5710174000 REEL SERVO PCB’ #144 5240027020 Я. CARBON R20 330 J FT
C100 C200 5263107220 €.,POLY. S&0PF 100V J VI
с101 c701 5263168523 C. METAL 0.33UF 50Y J YT RÍLS 5260035820 в, CARBON R10 220K
C102 C707 2363167923 ©. METAL 0. 1MF/S0V J VI №146 5240034620 KR. CARBON R10 470K J FT
R147 5240032020 Rı CARBON R20 39K J FT
C103 £203 5763167673 ©, METAL 0.0%6UF 50% J VT R14B 5240037620 в, CARBON R20 68E J FT
CL Cid 5262167923 CC. ‚METAL 0.1HF/50Y J YT R145 5240031420 RK. CARBON R10 2IK
C105 C205 5260165752 C. ELEC. 1OOHF/L0V H USM
е140 с141 5163107220 C.,FOLY. 56024 100% J VT R150 5150156000 — YA, SOEE |
C142 57263167373 C. METAL 0.03IUF 50V J VT R151 5240027820 N, ‚CARBON 820 680 J FT |
R151 5760029020 RK. CARBON R10 2.7K
£143 5160160550 C.,ELEC, O0.47HF SOV H BM R153 R144 4740029420 HM. CARBON R20 3,3K J FT
D100 D200 274015020 DIODE,15$13IT-77 R155 5241206600 RR. INCOME. &,7EfF1W J FR
D101 DIO 52724015020 DIODE, 155133T-77
DIO? 0202 5274015020 DIODE, 158133T=77 A156 5740031420 Ra CARBON RIO 27%
D103 5203 5224015020 DIODE,1551337=77 PL TF 5544750000 PIN, CONBINATION
TP) 5544750000 PIN, CONBIMATION
DIS DIOs 5774015070 DIODE,155133T-77 UTOD 0200 3720419500 | IC,LA6IS8,
105 2205 52724015570 — DIODE,155133T=77 Ulol 5220415500 = TC,LA6358,
Did D304 5325011200 | DICOE,051350 FR
Bis 27240150720 —DIODE,155133T=77 UIO? 0102 5232152010 5T.TA. 250400
J100 2101 5122374000 CONNECTOA, SOCKET 30724-05A | v1s0 5212250900 TR. ARRAY BA6251
| Vis] 2132252000 5I.TA.256 400
J107 J103 5122376000 CONNECTOR, SOCKET 1025-05A | Ul42? 3212515620 S1.TR.2SALSG 0.3 100
JL 5122175000 CONNECTOR, SOCKET 1076-04A Uls3 573212320720 EI.TA.25CI400
9100 9200 5330778320 SILTR.ISCINIOF 0.3 200 |
0140 5212008400 FET, , 25x3810 | Ulés 6048768000 — IC, MCIACÓ6BCE B5-16
Qusl S1551256005 = SI,1K,258-5907 230 & | 0145 9232252020 BI.TR.15C3400
9152 5145150000 SI.TR.215A-1015GR 0.5 BO
143 521077861420 SILTR.ISCIIIOF 0.3 200
R100 RIOD 5740031620 к. CARBON RIO 33K J FT
AIDL R201 942400131020" K,,CARBOS R20 39% J FT
R202 1500296520 RK. CARBON RIO 3,5E J FT
- 26
METER AMP PCH ASSY
| же. на. PARTS KO, DESCRIPTION | | REF. HO. PARTS MO, DESCRIFTION
"5200174200 METER AMP FCB ASSY E108 R128 5740013070 E. CARBON R20 100K J FT
“5210174200 METER AMP PCE R109 R129 5240035420 R.,CARBOM RIO 1,04 J FT
с191 cli 5260162750 C.,ELEC, lÓUF 35 MOSH VIT #110 RiJO 2240017020 A. ,CARBOM RID 330 J FT
gl? C122 260163552 = C,,ELEC. 22HF/35V M USK Y R111 E131 5240033020 KR. CARBON RIO 100% JT FI
£1031 €123 5360167650 — C.,ELEC. 1OMF25V 4 SM VT R141 R161 5150153000 HR. , TRIMMER SKB
clos cia 163167523 EG. METAL 0.1ME/504 J YT | R142 R1AZ 4240027820 R., CARBON RIO 680 3 FT
C141 CIAL 5760162750 OC. ELEC. LOUE 35V 4 SM VT | R1& R16] 52400230220 Rı CARBON RIO 6.BK J FT
Cl42 C142 52601435521 C., ELEC. 22MF/35V H USH V | Alek Rió 5240033020 R.,CARBON RIO 100K J FT
Cla) C14) 3260162650 C€., ELEC. 1OMFZ5Y HM 5M УТ R145 R16% 52400315720 RK, CARBON RID 76 J FT
clas Clik 5261167973 CC. ‚METAL D.1MF/50V J NT A146 Rlh6 5250032270 R.,CARBON RID 47% J FI
clar 2201 5260162750 C.,ELEC. LOUF 35% M SM NT R147 R1&7 240076270 RR. ‚CARBON R20 150 J FT
C182 C707 5260163552 C. ELEC, Z7MF/35V H USM Y R148 R1GH 1740033070 R.,CARBON R20 1006 J FT
C183 C103 4260162650 ©. ELEC. 1DHF2%Y HM SH УТ E149 R169 5240035820 RB. CARBON RID 1.08 J FT
Clas clon 5262167922 C. METAL 0,1HF/50V J VI | R150 R170 5240027020 R., CARBON RID 330 J FT |
6221 6241 526560162750 C., ELEC. 1OUF 35V M SM WT | R151 R171 5240033020 KR, CARBON R20 100K J FT
C222 C141 5260163552 CC, ELEC, 27MF/35Y M USH V | R1E1 R201 2150153000 R., TRIMMER SKE
£3113 £243 5360162650 — C.,ELEC. 10MF25V H SM УТ R182 R702 5250027620 8. ‚CARBON RIO 680 2 FT
C224 CI44 5263167923 C. METAL 0,1ME/SOV J VT R183 RIO] 5240030210 KR, CARBON R20 6.8K J FT
C216] C151 5260162750 C.,ELEC. 10UF 354 M EH YT A185 A205 5250033070 RR. CARBON RIO 100% J FI
C767 C767 5260161553 C. ELEC. 29MF/35V 4 USH Y RÍAS 8205 5140031520 RR. CARBON RIO 24K J FT
C263 C283 57260162650 — Ca, ELEC, 10MEZ5V M SM VT RIAS R106 5250032220 RR. , CARBON RID 47 J FI
C264 C84 9163167523 CC. ‚METAL O.1MF/50V J VT R187 R207 5240076220 RA. ,CARBOM RID 1% J FT
C301 5260162550 €. ELEC. 1OHF 16Y 188 #208 5240013020 Rı CARBON R20 1005 J FT
£302 2302 5260161452 CC. ELEC.22HF 23V 1189 R209 5240035420 R.,CARBON R20 1.08 J FI
DIOL 2107 52124015400 — DIODE, 160 R190 R210 5240027020 R.,CARBON R20 230 $ FT
DIOS 210 5125015400 —DIODE,TE60 R191 R211 5240033920 R.,CAREON R20 100K J FT
121 5122 3224015400 DIODE, 1X60 R1Z1 RI&1 4150153000 RR. TRIMMER 5KE
DITA Dlis 5224015400 DIODE, LED R222 R142 5260027820 RR. CARBON RIO 680 J FT
| DILI 0147 5224015600 DIODE, 1X60 R223 R24) 5240030220 E, CARBON RI0 6.8K J FT
0143 DIGA 5224015400 — DIODE,1K60 | #224 R244 240033020 RR. CARBON R20 100€ J FT
0161 0152 5224015400 DIODE, 1X60 R125 RILS 5240031520 Ra CARBON RIO 24x J FT
0163 015% 5224015400 DIODE, 1X60 R2126 #246 57240032220 E. ,CARBOM R20 47K J FI
5181 01567 5224015400 — TDIODE, 1E6O R227 R&T 5240026220 E. ,CAREON R20 190 J FT
DIR DIBS 5114015400 DIODE, 1X60 R228 RILE 5240033020 = KR; CARBON R2D 100E J FT
0201 5202 5224015400 DIODE, LRAD R229 R245 5160035420 Aa, CARBON RIO 1.04 J FT
D203 D204 224015400 DIODE, 1KAD #230 #250 5240027020 RA, ‚CARBON R20 330 $ FT
D221 D222 5224015400 DIODE, 1KAD R231 R251 5240033020 R., CARBON RID 100K J FT
| 02235224 5224015400 DIODE, 1RED R261 R2AL 5150153000 R., TRIMMER SEE
| D341 D242 5274015400 DIODE, 1KAD | A267 RIA? 3240027420 A. CARBON RID 470 FT
DL Dieu 57224015400 DIODE, 1K&D R263 RIA] 5260010220 R,. ,CAREON RID в. ЯК FT |
DIAL D767 5774015400 DIODE, 1X60 R164 RIB4 5240033020 B.,CARBON R20 100K J FT
02623 DIAL 972724015400 DIONE, TE6O R265 R285 4240031510 RR, ‚CARBON RIO 24K J FT
nisl nil 5224015400 DIODE, 1X&Q | 266 RI86 2240032220 RK. ‚CARBON RIO 47E J FT
0283 DZE4 5224015400 DICOE, 1K60 R267 RIB7 5740016210 E, CARBON A70 150 J FT
Р101 5122152000 CONKECTOR,PLUGC 9P R168 R2IBA 5240013020 E. ,CARECH R70 100€ J FT
FLO: 5122146000 CONNECTOR,FLUG AP R169 A289 5240015420 R.,CAREON RIO 1.04 J ET
Р103 5122150000 CONNECTOR, PLUG 5046-07A R270 #290 3240027020 RR. CARBON R3I0 330 J FT
F105 4122457000 CONNECTOR, PLUC 5S0LE-06A R R271 R2%1 2240033020 EK. CARBON R20 100K J FT
FLOS 5122206000 (CONNECTOR, FLUG 5SO46-06A B| 5101 9121 5220406700 — IC,ACASSEP, TI
Flin 5122145000 CONWECTOR,PLUG 50Gé-06A W 0102 0122 6048945000 — IC, HCLACADUECE
| P107 3336174600 CONNECTOR PLUG 5046-06A ulal Ul6l 5220406700 — TC, ECASSEP,TI
| PIOS 5122155000 — COMNECTOR, PLUG SP ий U162 6048955000 | TC,MClé044UBCF
Р10% Р110 51723187000 CONMECTOR,SOCKET 1024-11A | LB] 5220406700 TC, RC455BP,TI
9101 9121 5230779520 5I.TA:25C18150R 0.4 B80
QL41 0161 5230779520 BI.TR.2ZSCIBLSCR 0.4 AD
Q181 9201 5230779520 SI.TR.ISCLBISGR 0,4 EC
9221 quel 5210779570 SI, TE. 25CIB12CR 0,4 50
0261 0281 2230779520 SI.TA.25CIALSER 0.5 BO
R101 R171 2150153000 R., TRIMMER 5RB
R102 R122 5740027820 KR. CARBON R20 680 J FT
R103 R12) 5740030220 — R.,CARBON RIO 6.85 J FT |
R104 R124 5240033020 HW. ,CARBON RIO 100k J FT |
R105 R125 5740031520 A, ‚CARBON AZ20 24K J FT
| 8106 R12A 5740032270 E. CARBON A70 47E J FT |
| R107 R127 5740026220 A, ‚CARBON R20 1560 J FT
CAF SERVD FCE ASSY
SENSOR PCE ASSY(L)
- 28
| REF, MO. FARTS NO. DESCRIPTION REF, NO. PARTS NO, DESCRIPTION
*5200175100 CAP SERVO PCB ASSY | «5200176000 SENSOR PCB ASSY(L)
| «5710175100 CAP SERVO PCH | ‘5310176000 SENSOR PCBLLI
ceon 5763106220 C,,POLY. Z220PF 100V J VI ol 5228010100 PHOTO TRANSISTOR, FT-430F |
call 5172200000 C., CERAMIC 10PF/50v т Rl 5181476000 E,CAREON R25 560 1 ET
canl 5263166723 C., POLY. 0.010UF 3509 J YT
coo 5253100520 C.,FOLY. 0. 00160F 100% J
cana 5172200000 C. CERAMIC 1O0FF/SOV T SENSOR PCE ASSY(R)
CAOS CAOG 5260167050 — Ca ,ELEC: 4.7MF 35V 4 54 -
can? 2260161150 CL, ELEC,2.2MF 50V REF. HO, PARTS NO. DESCRIPTION
CcaoB 5260160550 CT. ELEC. 0,47KF SOY M SM — cee
«5200174100 SENSOR PCE ASSY(R)
caos 5163166723 C., METAL 0.010UF 50V J VT *5210176100 — SENSOR PEBÍA)
celo 5260163552 C.,ELEC. 22MP/15Y M USM Y la 5228010100 — PHOTO TRANSISTOR, PT-430F
cB11 5263100520 CC. POLY. 0.0010UF 100Y J Rl 5181476000 C,CARBON R25 540 J FT
CH12 5263167721 C. METAL 0.068UF S0V J VT
CB13 5171664000 C. MYLAR Q.022UF 509 J YT | og
cal 263100520 Ce, POLY. 0.0010UF 100v J LED PCA ASSYCL)
DEDO DED] 3224015070 DIODE,15511337=77 = A
| 892 Dé03 5224015020 DIODE, 155133177 REF. HO, PARTS NO. DESCRIPTION |
| PE2. 5122129000 CONNECTOR, PLUG 5045-054 U — :
| PEO! 5112127000 CONNECTOR, PLUG 3P L0=à «5200176200 LED PCH ASEYLL] |
| “5210176200 LED PCB(L) |
| PEO2 5122300000 CONMECTOR, PLUG 5045=01A E Dl 2275016300 LED GL-410 |
PED] 3122185000 CONNECTOR PLUG 50545-02a
| PROS 5122130000 CONNECTOR, PLUG 6P Y — —
| 90 5232008400 FET. ,25K181D
| QB01 4802 5230778320 SI.TR.2SC2320F 0.3 200 LED PCR ASSY(R)
0803 5210778320 = 5I.TAR.25C2320F 0.3 200 | REF. MO. PARTS Hô. DESCRIPTION
NEON 5240025620 K. CARBON R20 6.7 J FT | =
RADI 2340032270 R.,CARBON RIO 47% J FT | 5900176400 LED PCH ASSY(RD
Ао: 5250029620 К. , CARBON RIO &.7K J FT | "5710176300 LED PCH(K) |
RADY 5240030110 в, ‚CARBON RIO 6,28 J ET Di 4225016400 LED GL-410 |
| RADA 2340029820 RB, CARBON RIO 4.7K J FI ee |
REDS 5240932210 RK, CARSON RIOD 547É J FT
| RACE 5240030620 RB, ‚CARBON #20 106 J FI PHONE JACK PCB ASSY
RADY 2150154000 R.,TRIMHER 10KB ———
| RÉDË 5740026220 = E.,CAREOK R20 1,0K J FT | REF, MO. FARTS HO. DESCRIFTION |
‹ RADOS 5250012270 EK. CARBON R20 67 J FT 5500176700 PHONE JACK PCM ASSY |
RAL0 5240033020 KR. ,CARBON RIO 1006 J FT 3101756700 FHOKE JACK FCB
B11 5240027020 R.,CARBON RIO 330 J FT ло! 1107 5330010100 JACK, PHONE Эр
REI? 2240032220 K.,CARBON R20 47E J FT 4103 5320010600 JACK,YXB21-5013 SINGLE
REL] >240014220 KE. CARBON R10 310K J FT
RB14 7240021220 KR. METAL OXIGE 226 J FT
RAILS 2280137007 R.,TRIMMER 3KB MECHANISM JOINT PCB ASS'Y
REALS 5241011300 K,, METAL OXIDE ZUK J FT x
RB17 140030820 ER, ,CARBON RID 12K J FI REF. HO, PARTS NO. DESCRIPTION
RELE 5250028220 A. CARBON RIO 1.06 J FT ru
“E i
BLS 5241011400 R. METAL OXIDE 23K F X8 pits chil na
REZO 2260031420 H,, CAREON RI0 22K с100 CIOI 5173533000 CERAMIC O.0LOUF 50V
#621 А 3052747000 | R,METAL OXIDE 1.3,20 cios 5173433000 CERAMIC O0.010UF SOV
REIT RAZ) 5240029820 RK. ,CAREON RID 4.76 J FT Fl 5122147000 CONNECTOR ,PLUG 5046-044 4
RBIS 5240039820 A. ‚CARBON RIO 4.7 J FT
Pl 51272149000 CONNECTOR, PLUG 5046-064 W
1526 5260031420 R..cAnsos m0 226 © | | m DEFECTO COMNECRRE pila JE Ac-)
| ng E + LE =
| ueno 5220426600 16 UPCIO.IC | РА 5122151000 CONNECTOR, PLUC S5044=0BA Y
| vam 6048968000 IC,MC1406EBCE -
U£g2 VED] 2232252020 | SI.TH,25C3400
UALS 5232252020 SL.TR.25CAS00
USOS VEdE 3232251620 SI.TR.Z25Al186 0.3 200
U3O07 VANE 3231352030 SI.TR.25Ç3400
vans 5232252070 —S1.TA. 7501400
BAL.FCE ASSY
HEF. Bi, PARTS NO. DESCRIPTION REF. М0. PARTS HO. DESCRIFTION
*5700174300 BAL,AMP FCE ASEY A124 8225 5240031820 R, CARBON RIO 33K J FT
45210174300 BAL. AMP PCB R126 R226 4240031020 A: CARBON RIOD 156 I FT
C10 C200 5260162550 CC. ,ELEC.1ONF 16W R127 R22? 5250032020 A, ,CARECH A70 39 J FT
ciol col 5760162550 CC. ELEC.1OMF 1&Y R12B RIA 250031020 RH. ,CAREOM R20 15K J FT
clo C202 5172200000 C. CERAMIC 10PF/50v т 129 R229 2350032020 A, ‚CARBON R20 3% JI FT
C103 €203 5260067050 C. ELEC. 10HKF 16V #130 R230 5240032220 RA. CARBON RID 47€ J FT |
clos Cans 5172204000 C., CERAMIC 22PF/50Y YT | R13L 6201 A S1B3S7B000 в, INCOMBUSTIBLE 1/44 100
6105 C2035 5172704000 | C, CERAMIC 22PF/50V T Uloo L'200 5220416600 | IC,KJHI051D-D
| Clé CIG6 4260162550 C.,ELEC.10MF 1&V ulol 5210526500 2 IC HS220F
| €107 €207 51772200000 À C.,CERAMIC 1OPE/SOV T |
| C108 C03 5260067050 C€., ELEC. LOMF 16V
Cl109 C109 5172204000 ©. CERAMIC J2PF/50V T COUNTER PCS ASSY
Clio C2lo 5172206000 C. CERAMIC 22PF/50YV т — mn —
Clll C211 4260162550 CC. ,ELEC.10MF 16Y | REF. MO, PARTS NO. DESCRIFTION
Cll? C2132 5172200000 C., CERAMIC 10PF/50Y T : " a
* 5200176500 COUNTER PCR ASSY
C113 £211 5260162550 — Ca, ELEC.,LOMF 16% #5110176500 COUNTER PCB
C114 C214 5260162550 C, ELEC. IONF 16V и 5725012000 LED,CL=3ESOBA
2300 CIO! 5260165352 = C, ELEC.$7HF 35%
C305 C305 5173534000 C. , CERAMIC O,01KF 50Y ——
100-103 4274015000 —DIODE,155137
REHOTE PCH ASSY
0700-1703 5226015000 DIODE, 155133 — FF
PAOD 122375000 CONNECTOR, SOCKET 3024-03A REF. Hô, FARTS NO. DESCRIPTION
2301 5122374000 CONNECTOR, SOCKET 1024-D7A ——— -
Ро; 5122179000 CONNECTOR, SOCKET 3024-0ВА #5100175500 REMOTE PCB ASSY
PIDO 5122377000 CONNECTOR, SOCKET 3075-00A 5210175400 REMOTE FCB
| J1 5334010100 SOCKET ,12PF CONN
| POS 5122376000 CONNECTOR, SOCKET 3074-03A
P305 5127374000 CONNECTOR, SOCKET 23024-D3A
QUIO Q200 5230779720 — SI, TR. 2509454 EA 0.25 350 |
9101 9201 5230017920 SI. TR.ISATIAA 0.25 180 DEFEAT 5W PCB ASSY
9102 9202 5230773800 SILTR.ISCIGSS-Y 0.9 100 —
| REY. NG. FARTS MO, DESCRIFTION
9103 9203 5230014000 SI.TR.25A1020-Y 0.9 100 - = =
QL0S 4206 4230779720 —4I.TR.25C9554 KA 0.25 250 | 25200172900 DEFEAT SW PCB ASSY
Q105 2035 5210017920 2 SI.TR.2BATIIA 0.25 180 | 25710172900 DEFEAT SW PCH
Q106 9206 5230773800 SI.TA.25C2655-Y 0.9 100 51 5300909300 SW, SLIDE &=2 М
9107 Q207 5220014000 SI.TR.ISAL020-Y 0.9% 100
R100 RICQ 5240028270 RR. ,CARBON R20 1.06 J FT
R101 R201 3240031420 RA, ‚CARBON RIO 22K J FT Р.С PCE ASSY
R102 R202 2240031120 8, CARBON RIO 16K J FI -
E103 R203 5250032220 A. ‚CARBON RIO 47K J FT REF. MNO, PARTS NO, DESCRIFTION
El0s R204 5240031020 —B:,CARBON EÍÓ 156 J FT E el
25200174400 Р.С PCH ASSY
RIOS R205 3240031020 8, ‚CARBON RIO 13K J FT «5710176400 P.G PCB
R106 RI06 5240029820 RB, CARBON R20 4.7K J FI uy ou? 5228010200 FHOTO INTERRUPT.GPIS0S(B)
E107 #207 52500268320 RA. CARBON RIO 1.06 J FT
E108 RIDA MA 5183546000 Ra , CARBON F25 4,7 MONFLAM >> D rb
R109 R209 5740029870 RH. , CARBON R20 4.7K J FI
BALANCE 5W PCB ASSY
R110 R210 52340028220 A, , CARBON RIO 1.0X J FI
R111 Rll 25183546000 A, ‚CAREON RIS 4.7 NONFLAM REF. НО, PARTS MNO. DESCRIPTION
R112 R212 5240040670 RR. CARBON R20 10€ J FT
Rill R21) 5740030620 RR. CARBON R20 10€ J FT | *S700171000 BALANCE SW FCB ASSY
R114 R214 5240030620 RR. CARBON RIO 10€ J FT | “5210175000 BALANCE 5W FCE
51 5300909300 64, SLIDE &=2 M
R115 R215 5240031020 RR, CARBON R20 19% J FT
R116 R2LÉ 5240031020 RK, CARBON RI0 1%% J FT
RLL7 MALT 52400729820 R.,CARBON RID 4,7E J FT
E116 RZ1A 2240028220 RR. CARBON RI0 1.0K J FT SHUT OFF PCB ASSY
E119 R219 (5181546000 KR. CARBON F215 4.7 NONFLAM
{ REF, NG, FARTS NO, DESCRIFTION
k120 R210 5240029870 RB. ,CARBOM RIO &.7К J FT | —
R121 Ril 5260028220 RR. ‚CARBON R70 1.08 J FT 25200175900 SHUT OFF PCB ASSY
R122 R227 5183546000 В. CARBON F25 4.7 MONFLAM | «5210175900 SHUT OFF FCE
| Kl23 R223 5183554000 KR, CARBON R25 10 MONFLAH ul 5128009600 SPI-108,PHOTO TR
R124 A224 5183554000 RA, CARBON 25 10 NONFLAM
|
3-29
CONTROL PCH ASSY
3-30
REF. №0. PARTS MO, DESCRIPTION REF. №0. FARTS NO, DESCRIPTION
25700175000 CONTROL PCE ASSY Ralf Ré27 5240028220 — C.,CARBON R20 1.0K J FT
*5210175000 CONTROL PLA | Ralf R429 5240028220 C.,CARBOS RZO 1.0k J FT
cano 4260166052 €, ELEC. DOOMF/16V K USH | R&30 R531 3240028220 ©. CARBON RID 1.CK $ FI
Cabot 5260166792 CC. ELEC, TIOUF6.3V M USM Ra MAJA 5240026220 C., CARBON R20 1% J FT
can? 5260162050 C.,ELEC. 4.74F 35 H SM H&3é 8435 5250076220 C.,CAREON RZ0 150 J FT |
C403 C4D4 5172200000 €.,CERAMIC LOPF/S0V T A436 REIT 5250026210 C.,CARBON R70 150 J FT
Cs10 360166057 = C,, ELEC. 100HF/16W M USM RAJA A439 53400262720 €. ‚CARBON 2720 150 J FT
C411 CL 5173433000 C.,CERAMIC 0.D10UF 50V Z RALO 5260029820 C.,CARBON KIO 4.7K J FT
04171 C414 2171433000 0. ‚CERAMIC 0,010UF 50V Z Auki RAÑO 5740029870 E, CARBON RID 4.7 1 FT
| Cals 5263100520 C.,POLYST. 0.0010UF 104V 1443 “240029820 A, CARBON RIO 4.70 J FI
D&O D401 5274015020 DIODE, 155133T-77 | v400 5230205500 LSI M5LZ764E
D4072 0403 4914015070 DIODE,1551337-77 | U401 5220038200 TC, M7415373F
DADA DADS 5724015020 DIODE,1551337-77 U402 6048934000 IC, MCL4013BCP |
A] 5224015070 DIGDE,1561331-77 UAB) 5220805700 IC, HSLEQI9P-6
D407 D408 5224013200 DIODE, 051350 FR | 0404 USOS 5220506200 151 MSL&243P
D&05 DS10 5224013200 DIODE, DE135D FA ADE 20606200 LEI MSLE24IP
D411 D412 5214015020 DIODE,185133T-77 V407 USDÉ 6048105000 TA. ARRAY, MS4519P
Dala 5274015020 DIODE,155133T=77 VADO 5232250900 TR. ARRAY BA6251
Dalt Deló 5224015020 DIONE, 155133T-77 [ 410 VATI 52642110600 RESISTOR ARRAY, &.7EXR
PAÑO 5122131000 CONNECTOR, PLUG 5045-07A W W412 5742110600 RESISTOR ARRAY ‚4, 7KX8
PAO! 5122304000 CONMECTOR, PLUG S045-074 E U415 6048732000 TIC,MCISDIIECA
F402 5122130000 CONNECTOR, PLUG EP W U4ló 5732252070 ST. TR.75C1400 |
P402 5122127000. CONNECTOR, PLUG 3P 0417 U41B 5232251620 ST.TR.25AL346 0.1 200
PC 5122132000 CONNMECTOR, PLUG BP U419 ULTO 5232251620 SI.TR.ZSA1Y46 0.3 200
paps 5122128000 CONNECTOR, PLUG 4P 0421 0622 5232252020 5Т, ТЕ, 75632600
r406 5172188000 CONNECTOR, FLUG 5SO4S-074 B| 423 UL7A 5232251020 S1.TR.75C3400
PLOT 5127101000 CONNECTOR, FLUG 5055-04A KR ETA 1537757070 SI.TR.ISCIL00
P08 41223105000 CONNECTOR,PLUG 5045-08A R YL 00 5347001300 OSC,CEMAMIC KAB-6.0M
РАО 5122138000 CONNECTOR, FLUG 304 5-14А М |
F410 51722185000 CONNECTOR,PLUG 4F B
| РАД 2122103000. CONNECTOR, PLUG 50453-06A À MONITOR SW PCR ASSY
| Pall 4336107700 CONNECTOR, PLUG 30&5-07A Ÿ : E L
Pall 5127300000 CONNECTOR,PLUS 5045-03A K REF. KO. FARTS HO. CESCRIFTION
PAIL 5122126000 — CONMECTOR, PLUG JP W — —
PAIS 5122299000 CONNECTOR, PLUG 5045-024 R “4700176500 MONITOR БЫ PCBASSY
“5710176800 MONITOR 5W FCB
Falk 5122183000 CONNECTOR,PLUG 5045-01F В F101 5122146000 (CONNECTOR, PLUG 3P
P417 2177185000 — COMNECTOR, PLUG 5045-O08A B F102 51771468000 CONNECTOR PLUG SP
00 3730778220 51.TR.25C2320F 0.3 200 4101-3103 4100041500 | PUSH 5W 3GANG 2-2 5UM33
AOL 0402 5231755400 SI1.TR.25D794-~Q 10 60
03 5231755400 SI.TR.ISD794~Q 10 60 = 1
CADA 514511290600 5I.TR.258-507 30 В DEX SW PCM ASSY
0405 2310778320 GI.TR.2ECI320F 0.1 200 -
005 0407 1230016620 ST.TR.2GA995F 0.1 200 REF. NO, PARTS NO. DESCRIPTION
DADE QL09 5230016620 SI.TE.25A999F 0.3 200 | = ,[
Qs10 ell 521001566520 SI.TRE.ISA999F 0.2 200 “5200176600 | DRX 5WU PCA ASSY |
*5210176600 DBX 54 FCB
RADO 5740028420 — K.,CARBON R10 1.76 . FI Didi 2102 5225007100 | LED,GL-ÿNG2 CRN
R&Ql Ré02 4250012220 BR. CARBON R20 47E J FT P1Q1 5122147000 COMNECTOR,PLUC 3046-05A W
R403 5240023020 KR. CARBON RI0 100% J FI R101 #102 5240027520 KR. CARBON 470 J) FI
RADA 5240035220 RH. CARBON R20 820% J FT |
RADS А 5241261600 Ru, CARBON; IW 67 NONFLAMME | 5101 5102 5300040800 — FUSH 5 7-2 SUN2LZA
RADE 5240031420 A, CARBON RÍO 23K -
RO? 5740026620 RA. CARBON R20 210 J FT
RADE 52400728220 8, CARBON R20 1.06 J FI HEAD CONNECT PCR ASS'Y
R405 RalD 5160075020 8. ‚CARBON RIO 47 J FI
| Kéll 5250025020 —E.,CARBON R20 47 J FT RÉF. MNO. PARTS НО, DESCRIPTION
E412 Hä13 5250027020 Ra CARBON RIO 330 J FY *L700177200 FCB ASE'Y, HEAD CONNECT
R413 4140027020 | RH, CARBON RIO 330 J FT *5310177100 HEAD CONNECT PCE
Râlé A417 5180062000 RA. ‚CARBON R5Q0 150 J FE 2001 2002 5332015300 10 SOCKET, 16P
A418 51860042000 в, CARBON R50 150 J FR
RLIS ELIO 5240031420 в, CARBON R10 2IK | а. - =
A421 5240031420 RR. , CARBON RÍO 27K
Ré22 5340078220 OR, CARBON RID 1.0K J FI
RAZA 5240031420 BR. ,CARBON RÍO 22K
RAIL 4144700000 A. ‚FILM 14 1K RSX]
LE “240029470 ©, ‚CARBON RIO 3,3E J FT
BIAS PCB ASSY(1) & BIAS PCE ASSY(2)
REF. NO, PARTS NO. DESCRIPTION
+5200177100 BIAS PCB ASSY(1) |
+*5200180400 BIAS PCB ASSY(2)
=5210177101 BIAS PCH
C101 £201 5260167750 | C.,ELEC. lOUF3SV H SH VI
| €102 €202 5260160750 C.,ELEC, 1UFSOV SH T-N |
| 6103 6303 5267205900 €. ,TRIMMER L80PF
о сны Ci 5760161550 с, , РКС. 3.3UF OV |
| 610% 620% 5260162050 E,,ELEC, 4,7UF 35V |
| c1o6 c206 5263104120 C., POLYPRO.D.013UF |
cio CADI 5260162750 C.,ELEC. IOUF15V H 5M УТ
2302 Cé&07 5260160750 C. ELEC. lUFSOV 5H T-H
C301 C403 5767205900 C,,TRIMMER LÉÔPF
cI04 CADA 5260161550 ©, , ELEC. 3.3UY Sov
C305 C405 5260162050 C,,ELEC, 4.7UF 35
C106 C406 3263105120 = 2. FOLYFRO,.0,033UF
CADA 260161550 CL, ELEC. 3,3UF SOY
[BIAS {1} PCR ASST)
0101 D201 2224015020 | DIODE,1551337-77
0102 0202 5224015020 DIODE,15€133T-77
DIO! 5703 5224015020 — DIODE,155133T-77
DIO DZD4 5224544501 —DIODE,ZENER ROLBERJ FR
0301 0401 5224015020 DIODE, l55133T-77
DIO? 040? 5224015020 DIODE,155133T-77
0303 1403 5224015020 DIODE, 155133T-77
E A 4214544401 DIODE, TENER RDIBERÍ FA
Jiol 5127276000 CONNECTOR, SOCKET 1074-05A
J201 SIZ2376000 CONNECTOR, SOCKET JOZ4-054A
J301 S122376000 CONNECTOR, SOCKET 1074-054
JAM 5122376000 CONNECTOR, SOCKET 3024-05A
1501 5122375000 CONNECTOR, SOCKET 3024-044
L101 L201 5286074700 — COIL,CHOYE 1.5
1102 1202 2286011500 COIL,CHORE 20008
301 1401 5286024700 COIL,CHOXE 1.EMH
Lio: Lanz 286011500 COIL, CHOKE J0OUH
| R101 Q201 230779770 El: TA: 2509454 KA 0,25 750
| 0107 Q707 3047675000 — SI.TR.I5C-1%145 0.64 300
0301 0401 5210779770 Sl. TR, 25C9454A KA 0.75 750
1 0107 quo? 1042625000 SI. TR.75C-13185 0,4 200
| RIO1 №201 5240010620 E. ,CARBON RÍO 10%
R102 RIO 5240026620 8. CARBON R20 220 J FT
| R103 R103 5240010820 8, CARBON R20 12K J FI
| #105 RIO 572400304720 RR. CARBON R10 10K
| R105 K205 5240010620 A, CARBON RIO 10K |
| в105 K206 5240027610 RR. CARBON R70 560 J FT |
R107 R107 $240033020 RR; CARBON RZ0 100K J FI |
| R108 RIO 5183552000 R.,CARECH F295 8,2 HONFLAM
| E135 R235 2250029820 A. ‚CARBON RIO &.7K J FT
K170 RZ270 2740030670 = R,, CARBON RIO LOK
R301 401 2240010620 В, CARBON R10 1OK
RIO) R407 2240026620 8. CARBON R20 220 J FT
RIO3 8403 5240010820 RK, CARBON R20 12K J FT
RIOS RADA 5240030670 RAR. ‚CARBON RIO 10K
| R302 F403 3240030620 K., CANBOK RIO LOF
| R106 F404 4740027620 R.,CARBDX RID 560 J FI
R307 R407 4260033020 R.,CAREON R20 100K J FT
| RYDE ECE 5163552000 A: CARBON R25 6,7 MONFLAH
IFOI TP11 4544750000 | PIN,CONMBINATION
HOY TR12 5544750000 PIN, CONBINATION
IPOJ TR13 5544750000 PIN, CONBINATION
TFDS TPiL 5544750000 PIN, CONBINATION
ULD1L 0201 5792204401 BIAS AMP HODULE
riot 10601 4292204401 BIAS AMP HODULE
viol 5292041300 BIAS OSC MODULE
[BIAS PCB (1) only]
TR FCB ASSY
REF. №0, TARTS NO. DESCRIPTION
25200175500 TR PCE ASSY
5210175500 TR PCH
cl Ci 2260162150 CL. ELEC.&,. TMF 30V
e Ch 5260162150 CC. ELEC. kd THF 50V |
9? A 5145129000 SI.TR.25E-507 10 8
91 A 5145188000 SI.TR.250-313E 30 &
33 © A 5145188000 — SI.TR.250-311E 30 В
95 fi 5145182000 — SI.TR.25D-113E 30 В
ul A 5770424800 IC, LTBOS
uz My 5220425700 16; L7824
FUSE PCB ASSY(1)} [J,US,C,GE]
| REF. HO, FARTS NO, DESCRIPTION
|
«4200174500 FUSE PCA ASSYCI)-A [J,US,C]
45200185400 FUSE PCB ASSY(L) [GE]
=5210174400 FUSE FCHC1)
4041237000 HOLDER FUSE PCB
| F1
FI Fi
FS
F5
A 5302101700
* 5107071500
/A 5307021000
ZA 5107020400
A 5307021400
5W, ,YOLACE SELECT F5%07C
FUSE, TIAZS0V UL
FUSE, T2A250V UL
FUSE, TIA2S0V UL
FUSE, TIAZS0V UL
[GE only]
FUSE PCB ASST(2) [EUR,UX,A]
REF. НО, TARTS HO, DESCRIPTION
“5200174500 FUSE PCB ASSY(2)
"5210174500 FUSE rCE(?)
5142087000 HOLDER, FUSE:FCA
| Fi A 5142191000 FUSE, 3, LSA-250V T:HIKI
Im F A 5142189000 FUSE,2A-250V OLVIS UT) |
| |
| Fa 5142187000 FUSE,1.2%A=2%0v CT) |
| FS 5162191000 FUSE, 3.15A-250V T;MIKI |
W
| |
YE AMP PCB ASSY
| RET. KO. PARTS NO. DESCRIFTION
25700186100 YR AMP PCH ASSY
| 25710186180 VR AMP PCB
RIOI-R10& 2260167550 RB, TRIMMER 47OKE(R}
R20)-R208 5260162550 R., TRIMMER 47OF{B}
PHONE AMP TCR ASSY
| ner, MO. PARTS HO. DESCRIPTION
5200175200 PHONE AHP PCR ASSY
«5210175200 PHONE AMP FCB
101 €201 5260162550 — C.,ELEC.10UF 16%
C10? C202 5760166052 — C.,ELEC. 100UF/L6V H USH
cl1Ó3 C701 S>60166052 C.,ELEC, 100UF/16% MUS
C104 0704 5174070000 (CC. ,ELEC.SM 470UF/6,3W
C105 C105 5241167523 CC. ,METALIZED; 0.047UF SOY
C106 C706 5160163452 C.,ELEC. 22UF 25Y
C107 C107 5760163452 ©, ELEC. 2207 254
tito 5172970000 C., ELEC. 1000UF 16%
Diol 5225007900 LED,GL-9FRI RED V-50
Р101 5122201000 (CONNECTOR, PLUG 5046-03А В |
rio: 4155146000 — CONNECTOR, PLUG IP 40-4
F103 5177654000 CONNECTOR, PLUG 5046-0JA R
F1L04 336174100 CONNECTOR PLUG SO046-03A Y
F105 4173146000 CONNECTOR, PLUG 5P 40-4
R101 5782411100 1SIUVR 16, 1OKAXZ -
R102 R202 5140012420 R.,CARBON R20 SEX J FT
RIOS RÍOJ 740031420 A, CARBON R10 22K
RIOS RÍOS 4240033020 A, CARBON R20 100% J FT
El0S R205 5740018210 RK. , CARBON R20 1,0 J FI
| в106 №206 5340021020 R.,CARBOW R20 1,0 J FT
1 RIO7 RIO? 240032220 R.,CARBON R20 47K J FT
RIDE RIOE 6740031020 в, CARBON RIO 1006 J FT
R10% R205 5740023420 KE.,CARBON #20 10 J тт
R110 #210 5350025500 RE. , CARBON R20 100 J FT
R120 5181566000 E. CARBON F25 11 HONFLAM
R301 54872015200 151UVYA 16, 10KB
5101 4301705100 ROTARY SW 2-3 — 5AU1023
viol 102 5048649000 1C,KJMIB6D
u103 5210406700 | IC,KC455BFP,TI
| 104 22205411000 IC, NJM7BHMOGA,
=
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1-4-5, BUSS IN AUX— AUX OUT
BUSS IN EFF —EFFECT QUT
1. Apply a 1 kHz, -10 deY {0.3 V} signal toc the
BUSS IN AUX (EFF) jack, (EFF QUT),
2, Set the METER switch to AUX/EFF.
3. Set the MONITOR/PHONES switch to AUX
(EFF). TOR OUT,
4. Adjust the MASTER AUX (EFF) knob for a
ей CEA
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-10 d8V (0.3 V) reading at the AUX OUT
5. Confirm that the AUX (EFFECT) VU meter
indicates O YU and check the level at MONI-
il EE TEE
A
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1-4-6. РОМ BUSS IN—PGM QUT
1. Depress the REC FUNCTION switches to ON. | _
2. Apply a 1 kHz, -10 d8V (0.3 Y) signal to Ne CEA
PGM BUSS IN jack. Pe
3. Adjust the PGM MASTER fader fora -10 dev [FREI | 4 B—— |
(0.3 Y] reading at the PGM OUT. MT |
4. PGM MASTER fader should then be in the is: y |
shaded area between 7 and B. as x в
5. Confirm that the PGM VU meters indicate © [75 ||| CT
O VU, If the VU meters not indicate O YU, |} — | e HU не 1
adjust calibrating pot R101 for PGM 1. EA je <A ti
6. Connect the level meter to the remaining | os | NENE CAL
channel outputs (PGM 2 to 8) and proceed ¡EHH Е
to adjustment in the same manner, by ad- a It E
justing: (Fig. 1-4-1, on page 1-12) RER LL =
R121: for PGM 2, R141: for PGM 3 2 (AL [HHH |
R161: for PGM 4, R181: for PGM 5 > Bt |
R201: for PGM 6, R221: for PGM 7 a a O TO
R241: for PGM B, #—> | fl 1 | |
7. The PEAK level LED should light up at mp. ore Cd LT
18dB +1 de (2.2 V to 2.8 V} above nominal ~— ` PORTO
level of -10 d8V (0.3 V) at STEREO BUSS — — —— =
IN. = : =
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1-4-7. LINE IN —PGM OUT
1.
With a 1 kHz, -10dBY (0.3 Y) signal con-
nected to the LINE IN jack, set the INPUT
switch to LINE.
. Set the input PAN to position L/ODD (fully
CCW].
. Depress the ASSIGN 1 and L switches to on,
. Adjust the Input Fader for a -10dBY (0.3 М)
reading at PGM QUT 1 and STEREO OUT
jacks.
. Input Fader should then be in the shaded area
between 7 and B.
6. Confirm that the VU meters indicate O YU,
7. The remaining channels 2 to 8 should also
be checked in the same manner, with the
РАМ knob turned fully CW for assignment to
EVEN PGM busses,
8. Set the PAN kncb to the center position.
Output level at each ASSIGNed PGM busses
should be -12,5 dB +1 dB.
Ei Eig
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1-4-8. LINE IN AUX OUT
E EFFECT QUT
1. Apply a 1 kHz, -10 deY (0.3 Y) signal to the
LINE IN jack.
2.5et the INPUT switch to LINE and the AUX
switch to PRE,
3. Adjust the AUX and EFF knobs for a-10 dBV
{0.3 V} at the AUX OUT and EFFECT OUT
jacks.
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1-56-12, Location of Electrical Adjustment
REC PLAY PCB (Ch 1, 3) REC PLAY PCB [Ch4, 7)
REC PLAY PCB (СН 2, 4) REC PLAY PCB (Ch 6, 8)
EEE | mr E
| RE
DEX PCB {Ch 1,2, 3, 4) DEX PCB (Ch b, 6,7, 8) BIAS PCB (1) РОУ
BIAS PCB (2) REEL SE
REC PLAY PCB
COI [od ©
| 1 110 |
TPZ | RSOT | LIO3 LIO4 | LIOZ RIZO Riga TP2 | RET [203 L204 L302 R228 Reza
TPG RX8 Ral TP] TPG RECA R243 TPI
a JOE
R101 R103 R104 RIOS R 106 RZO7
В 138 HZ03 H 204 R205 R206 R204
VR PCB |
САР SERVO PCB
FUSE PCB
[ER SUPPLY PCH
RYO FCB
REC PLAY PCB
| REF. NO. | FUNCTION —
R124/R224 | Reproduce EQ
R 128/6778 Reproduce Level
R143/R243 Recording Level
R507/H607 Crosstalk {Odd to Even)
A508/A608 Crosstalk (Even to Odd)
| L102/L202 "Bias Trap {Tape Out)
| L103/L203 | Record EQ J
| L104/L204 Blas Trap
DBX PCB (for Adjustment Location see pogo 1- 29}
REF. NO, FUNCTION |
— R107/A207/R307/R408 Decoding Level
| R108/A208/R308/R408 | Encoding Level
| R118/R218/R318/R418 | VCA Symmstry
| R135/R235/R335/R435 | RMS Symmetry
BIAS PCB (1) 8: (7)
REEL SERVO PCB
Г
|| @))— azi
== ——— TP}
(3)) nue
ТР?
(©) rave
| (©) ros
@)— A103
À (@))— rezos
= ТР!
| ©) rise
BIAS PCH
REF.ND. | FUNCTION |
_C103/C203/C303/C403 | Recording Bias |
L101/0201/0301/0401 Bias Tuning |
REEL SERVD PCB
REF.NO. | FUNCTION ————
A112 — Tension Arm Position [Left] as
R105 | В.Е. Tape Tension
R150 Fast Winding Speed _ ;
| R212 Tension Arm Position (Right)
| R208 Rewind Tape Tension
_R103 Play Tape Tension (Back Tension]
| R203 Play Tape Tension (Take up)
CAP SERVO PCB {for Adjustment Location sea
poge 1 - 9)
| REF. NO. FUNCTION
RED? | Tape Speed (EXT)
RBIS | Tape Speed {FIX}
U
1-5-13. Service Chart
To : i
Jus WHAT IS IT SIGNAL SOURCE | WHAT TEST WHAT |S THE RE- | POINT TO WHAT READING T
STEP CALLED AND AMOUNT GEAR TO USE CORDER DOING? ADJUST ADJUST FOR
1 Meproduce Head | TEAC Y TT+1003 | VYTYVM and Choil- | Rearoduce mode, Rapro head Adjust far maximum
Allgament Playback Align. loscapa with vert. | a2/muih edijust-| output and for guta.
ment Test Tape | Cal and horizontal | Ing vere, of tracks 2 and 7 tesi
inputs connected | than 90° out of phat
19 TAPE QUT {az 10 kHz}
tracks 7 and 7,
2* | Reproduce Level | 400 Hz signal on Y TY connected | Same as above Trim pot -12,5 dE 10.73 Y) o:
TEAC ¥TT-1003 to TAPE QUT H178/A228 YTVM
playback Allgne jack
ment Test Tape |
a REPRO EQ 16 kHz signal an Same 83 abova Sama ay above Trim pat Same os above
the tapa. R124/R224
4" LINE INPUT 400 Hz signet ot Same ay above Record made, Input Fader | Adjust to read Ô VU
Laval -10 dB from eselll- | an VU meters or
lator connected | -10 dB at PGM
to LINE IN [ack OUT,
- Blas Trap Ad: Ha Input signal Y TY connected | Record mode, no Inductor Adjust Inductor for
Justment to Blas Trap test | input signal L101 minimum output at |
paint TP-1, nega- | Trap teat point TP=1,
tiva [end to
ground, positive
| lead to test point,
a" Bios Level Ad: Same es above Y TM connected | Same as above Trim copacitor | While recarging odju
justment. | between TPZ & | C103/C203/ | trim pot until YTVF
о I ТР С. u | C303/C403 indicates 160 mV,
a A
7" Record Level 400 Hr signal at VTVM connected | Record mode. Trim pot sat fo -10 dB (0.3 Y
¡-10dB (O YUon | to TAPEQUT | A143/A243 | ot TAPE OUT [acks ¢
| YU meteri] con- lack ar uss WJ Q VLU on VU maters
rected to LINE mater:
|M |sck
| a" Аесога /Ав- 20 Hr to 16 kHz Some as above Sama og above aK inductor Same as above
produce Fre- signal at =20 dB L103
| quency Авт connected to |
ponce. | Input terminals |
9* Overall Signal | Ma input signa! WTVM connected sima Bi above Check for 50 de
to-Nalte Aatio | 19 TAPE QUT jack | Potter A a
REPEAT STEFF MARKED WITH AN ASTERISK FOR EACH CHANNEL, THE ADJUSTMENT NUMBERS ARE THE SAME BU
THE CIRCUIT BOARD LOCATION, INPUT/QUTPUT TERMINAL NUMBERS, YU METERS ETC, WILL BE DIFF 3
DEPENDING ON THE CHANNEL. | RECO
1 _ в
~ |
1-6. DBX PCB ADJUSTMENT
NOTES:
*This section adjustment is not usually needed
unless an adjustoris) have been changed or a
components) on the DBX PC board have
sustained damage, since the DBX PC board has
bean precisely adjusted in the factory.
"Turm the deck OFF to prevent accidental
damage when removing or replacing DBX PC
board.
1, Apply +12 Y to J117-2 and -12 V to J112-4
on the DBX PCB,
2. Apply Low signal to J211-1 and J411-1
to turn DBX on.
3. Set all trim pots to the center position.
1-6-1. Location of the DBX PCB Adjustments
=— И —
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Adjustment Point
[ REF. NO. — FUNCTION
R107/R207/R307/R408 | Decoding Level
| R108/R208/R308/R408 Encoding Laval
| _R118/R218/R318/R418 | VCASymmetry |
|_R135/R235/R335/R435 | RMSSymmetry |
| )
с с | |
CD CD GE R403 RAT R433 |
R333 RSOT R308
«+310
I
УЗИ +410
E | 4 | в
ВЫ В
Fig. 1-6-1 DBX PCB Adjustment Paint
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Bescheinigung des Herstellers/Importeurs
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Der Dautschen Bundespoast wurde das fnverkéhrbringen
dioses Gerátes angerelgl und die Berechtigung zur Uber-
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