Roland MV-30, STUDIO M Quick Start Manual

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Roland MV-30, STUDIO M Quick Start Manual | Manualzz

Quick Start

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&&&@&

Thank you

for

purchasing

the

Roland MV-3O Studio-M

Music Production System.

The MV-3O is a complete music production system consisting of a sequencer, sound source, compu-mixer, and tape synchronizer-all contained within

a

single, easy-touse package.

lf you are using the MV-3O for the first time, please be sure to read through this manual: it explains the basic functions and operations of the unit, as well as the process of creating a song.

Make sure

that

the following items are included with your MV-3O.

AC adaptor

1

O,uick

Start

Owner's Manual

1

1

System/Sample data disk

Audio cable Cassette tape Stand

Copyright g) Roland Corporation 1990

Unauthorized reproduction of this manual, in whole or in part, is prohibited.

3

aat

-

lmportant Notes

1.

Power Supply

&When using an AC adaptor, be sure that it is one supplied by the manufacturer. Use of any other power adaptor could result in damage, malfunction, or electric shock.

&When making any connections devices, always turn off the with other power to all equipment first; this will help prevent damage or malfunction.

&Do not use this unit on the same power circuit with any device that will generate line noise, such as a motor or variable lighting system.

&Please use the AC Adaptor of appropriate voltage (12o,22O, or 24o) depending on the voltage system in your contury.

&Avoid damaging the power cord; do not step on it, place heavy objects on it etc.

&When disconnecting the AC adaptor from the outlet, grasp the plug itself; never pull on the cord.

&lf

the unit is to remain unused for a long period of time, unplug the power cord.

2.

Placement

&Do not subject the unit

to

temperature extremes (eg. direct sunlight in an enclosed vehicle). Avoid using or storing the unit in dusty or humid areas or areas that are subject to high vibration levels.

&Using the unit near power amplifiers (or other equipment containing large transformers) may induce hum.

&Observe the following when using the unit's disk drive. For further details, refer to "Disk

Handling".

-Do not place the unit near devices that produce a strong magnetic field(eg. loudspeakers).

-lnstall the unit on a solid, Ievel surface.

-Do not move the unit or subiect it to vibration while it is operating.

&Do not expose this unit

to

temperature extremes (eg. direct sunlight in an enclosed vehicle can deform or discolor the unit) or install it near devices that radiate heat.

&lnstall the unit on a solid, level surface in an area free from vibration. lf the unit must be installed at an angle, be sure that the angle of installation falls within the to lerance range

(With stand: upward; 27 degrees, downward

13 degrees. Without stand: upward; 20 degrees, downward; 20 degrees)

.aa

4

&Avoid using the drive in areas of high humidity

(eg. condensation). High levels of moisture can adversely affect the operation of the drive and /or damage disks.When the unit has been transpoded, allow it to warm to room temperature before operating.

@To inserl a disk, push it firmly into the drive.

To remove a disk, press the eject button firmly. Do not use excessive force to remove a disk which is lodged in the drive.

&Never remove a disk from the drive while it is operating; damage could result to both the disk and the drive.

&Before powering up or powring down, remove any disk from the drive.

3.

Maintenance

&For everyday cleaning wipe the unit with a soft, dry cloth (or one that has been slightly dampened with water). To remove stubborn dirt, use a mild neutral detergent. Afterwards, be sure to wipe the unit thoroughly with a soft, dry cloth.

&Never use benzene, thinners, alcohol or solvents of any kind, to avoid the risk of disc oloration and

/ or deformation.

4.

Additional Precautions

&Protect the unit from strong impact.

&A small amount of noise may be heard from the display, and thus should be considered nomal.

&Do not allow objects or liquids of any kind to penetrate the unit. ln the event of such an occurrence, discontinue use immediately.

Contact qualified service personnel as possible.

as soon

&should a malfunction occur (or if you suspect there is a problem) discontinue use immed iately. Contact qualified service presonnel as soon as possible.

Disk Handling

s*$

The MV-30 uses 3.5 inch 2DD dual side double density double track micro type disks to store the

System Program, songs you create, and timbre data parameters.

1.

lnserting a disk

With the disk label facing upward and the shutter (the metal cover) pointing away from you, hold the disk level and gently insert it into the disk drive until you hear it click into place.

* Be sure to insert the disk all the way,

2.

Ejecting a disk

Press the eject button of the disk drive and the disk will pop out.

x If the disk becomes stuck, do not use force to remove

it

this drive indicator is lit!

3.

Disk write protection

Floppy disks have a write-protect tab that prevents data from accidentally being erased.

To prohibit writing (to protect the disk)

Move the protect tab outward (to the PROTECT position).

To permit writing (when you wish to write dataf

Move the protect tab inward (to the WRITE position).

4.

Disk handling

back side write permit protect tab write prohibit

Floppy disks contain a plastic disc coated with magnetic particles. Observe the following when handling disks:

- Never touch the magnetic surface of a disk (do not open the metal shutter).

-

Do not use disks in dusty locations.

-

Do not subject disks to temperature extremes (eg. direct sunlight in an enclosed vehicle). Recommended temperature range:1O to SO"C.

-

Do not expose floppy disks to strong magnetic fields such as those generated by loudspeakers.

Never remove a disk from the disk drive while it is operating (the drive's LED is lit); doing so could result in damage to both the disk and the drive.

Remove any disk from the drive before turning the units power on or off.

All important data should be copied onto backup disks. This provides a complete duplicate of the data, should the original disks be lost or damaged.

Affix disk labels firmly. Should the label come loose while a disk is in the drive, it may be difficult to remove the disk.

5

a.a

r..

6

@&&es lntroduction lmPortant

Notes

Disk Handling

{.SteP and Connections

2.starting

uP

the

SYstem

+CoPYing

the SYste- Dj"k

.PlaYing

the

Demo Song=

;;;i" P-ro""dure for

Greating

a

Song

6,Record Your

own

song

T.Realtime

recording

i.nealtime Track

Becording i]nl"lii-" Pattern Recordins

3.View the data

-'-

recording

i.it"Ptime Track Recording z.6iJPtime Patten Recording

fO.fltafe finishing to'"ht" l9l!"'o'9 l{.Save the

data

l2.Turning off the

Power

{t

20

25

31

32

37

41

l.Setup and Gonnections

Before setting

@ up and connecting the MV-30, turn off the power to all of your equipment.

Place the MV-30 on the stand.

@@@

-

Connect the included AC adaptor to the MV-30, and then plug it into an AC ouflet.

x By looping the AC adaptor cable around the cable hook, you can prevent the plug from accidentally being disconnected.

@

Ca

Normally you will connect the MIX OUT jacks of the

MV_30 to an amp/speaker system.

* lf you will be working in mono, use the L(MONO) jack.

{'lf you wish to process the sound using an external

* in the Owner,s Manual

I

The audio cable included has an

RGA effects uni! use the DIREGT ouT jacks. (-p.3_31

and a phone plug adaptor.

U#ffi

Phono plug phone plug

7 4..

( Rear ooo toa

INPUT phone plug

ffit

Ewhen

connecting to a monitor amp

(Front panel) tr -ts [= tr

Phono plug

- r

-

----r

H

|

when connecting to a stereo or radio cassette player when using headphones

x Please use stereo headphones x Sound of 8

1

50 ohms impedance.

will be output from the output jacks even if you use headphones

... I

Connect your MlDl keyboard to the MV-30 when recording or playing

RpS.

MlDl

cable

EE

T-r

oo

m

THRU

6

MIDI

OUT

^

6

E

T

2.Starting up the System

@@&

After the MV-30's power is turned on, it must load its System Program from the included System Disk before it is able to function. This is known as "starting up the system".

-l

o

Before you turn the power on, check the following points:

-

Have all connections been made correctly?

-

ls the disk drive empty?

-

Are the volume levels on all amplifiers turned down?

@ Turn on the MV-30.

Rear panel press on

G) lnsert the System Disk into the disk drive until it clicks into place.

Be sure that the disk is oriented correctly.

The System Program will automatically be loaded. When startup is completed, the following display will appear.

{F1.3;r

E;c'rr'l

---

II.

i tll i tf,l

I 1t{E r'E

1

Fl. F

i.ttrr,

1

!

Fl. P i EFrcr 2

f,

F{.

FiErrr-r J

#'ilffil fiTHtTh#frHiE*-

@ Turn on the power to the other equipment connected to the MV-30.

I ...

r-*lf necessary, use the LCD CONTRAST knob (located

on the

rear panel)

to

adjust

the

contrast

of

the display.

\\

LCD

CONTRAST ffi

Message

The sequencer status

)

Meaiure

@

Display

Parameter

Cursor

Use the cursor keys to move the cursor (the reversed or highlighted area in the display).

r"rt( upward

A v

dowlqard the

CUfSOf

),,nn*

V

...

10

(This procedure is used for changing parameter values and selecting timbres.) Select the parameter you wish to modify.

To modify a value, you can either rotate the VALUE dial or use the numeric keys.

VALUE

tr

n

tr tr

Enter the number

"46"

*

To enter a negative number

("-"), hold the SFItril keY and press the fol key.

When you press

E - E -

tE:NTFill, for example, the number "46" will be entered.

(After entering a number, you must press fEllTFl to finalize it.)

S.Gopying the System Disk

&e& Et

Disks can be damaged or will eventually just wear out after extended use and may eventually become unreadable

Since the System Disk is crucial to the operation of the MV-30, make a backup copy or two. Use a copy for everyday use, and keep the original System Disk in a safe place.

* Please use a 2-DD type floppy disk (3.5 inch dual side doubte density double track microtype diskf such as a Roland MF2-DD.

Be awave that all data disk will be erased.

that was previously stored on this copy

* You can use this same copy procedure to duplicate other MV-SO disks x lf you wish to copy a dlsk ber after you have created a song r€fitGrtthat the Gopy operation will erase all this data from internat memory.

* Do not remove the Disk from the disk drive until the display reads'tlnsert Destination Disk/lnsert Destination Disk,,.

o

@

E

t-il]

O lnsert the System Disk with the protect tab set to PROTECT position (source disk) into the disk drive and press the forsx I key.

€)

Press the

[F5--](Page) key.

The menu will change.

G) Press the [F+l(DskCopy) key.

The Disk Copy and warning display will appear.

: r{

l'll]Rt'l I t'.lri

l

J f'

--r,:'Lr

HErLlr I l

E:{EtrLt+_.g

1rli.E

.=I l

'

[li

t]E,p,J' t,rlr-r'-I d.=L.=.

I ns.ert-. E;,=r_rr.re

tli

s.k

TilEEilIIH

:

@ Press the [fl](Execute) key.

The MV-30 will begin reading data from the disk.

O

When the display reads "lnsert Destination Disk", remove the System Disk, insert the copy destination disk with the protect tab set to WRITE position, and press ffil(Execute) key.

After the disk has been formatted for

the

MV-30, the

System

Program will be written onto it.

@ wnen the display reads "lnsert source Disk", remove the disk, and insert the copy source (System) disk.

O

Repeat steps 4, 5 and 6 (disk swapping) until the display reads "Complete", indicating that the disk copy operation has been completed. Note that this entire process may take several minutes.

@ Press tFtAY-l to return to the opening display.

1l ...

4.Playing the Demo Songs

The System Disk contains several demo songs. Here's how to load and play them.

1.

Load the demo songs

O

Mat<e sure that the System Disk (preferably a copy) is inserted into the disk drive.

@ Press the [DISK] key.

The Disk Menu (1) display will appear.

@ Press

the

n l(Load Song) key.

The Load Song display will appear. select the song you wish to load, and the song number into which it will be loaded.

o

@ ln this example we will load song "Above & Beyond" as the first song. The display should indicate that the loading destination is song number

1, and that the song to be loaded is "Above & Beyond,,.

We can now execute the load operation.

@ Press the ffi-l(Load) key.

The display will read "Now Loading!", and then briefly, "Complete,,.

Song "Above & Beyond" has now been loaded into song number 1, and the sound source settings (timbre data) to play that song have also been loaded.

...

12

'&&&

2.Play the demo song

You can play the song from any display, but in this example, we will select the Compu Mixer display for playback. Listen to the playback while watching the movement of the screen (display) faders.

-

O

Press the [eOMFUrittx

I mode key (upper right-hand portion of the panel).

€)

Press the

[F7T]

key. Playback will begin.

o

l'^l

STAFTTSTOP

[F/E-l

rlnffi Fr{f{ilItl}fi lttrilEtrrtffi

iHH

@ Use the VOLUME control to adjust the overall level.

The upper right portion

of

the screen

will

display PLAY during playback and STOP when playback is stop or complete.

@

To stop playback, press

The the

WTI

key once again.

"M:"

display indicates the current song position (measure number). When sure, the the song position passes the beginning of a mea-

M:

display will increase by one (e.9.,

"M:1*,

M:2

M:3* "')

To return

to

the beginning of the song

To return to the beginning of the song, hold the lSrlFr-l key and press the I

(r

key.

To rewind

Each time you press the [Tf-]key, the

M:

display will decrease by one measure. lf you press and hold the key, the measure numbers will change continuously.

To fast-forward

Each time you press the

[IFl

key, the

M:

display will advance by one measure. lf you press and hold the key, the measure numbers will change continuously.

Playback from the middle of a song

Select the point in the song where playback is

l=Fl

key). Hold the tcTFtl key and press to begin.

(Kl

key,

[FlEl

key. The display will read "MlDl Update". When "MlDl Update" display dissappears, press

[FiT-]

key to begin playback.

xThe MlDl Update function ensures that the sound source will respond correctty to the song data at the selected starting point

#

START/STOP o

MEAS DEC

l-sHfi-l+[<<

I

B r

STAFT,/STOP g:!

+l >zr

l

START/STOP o

13

cor^

To modify the tempo (during playback)

To change playback tempo, hold t=Vatue

I

dial.

the rrEMPol key and rotate the

To use the faders

to

adiust the volume

of

each

track

ln the demo song, fader movements are recorded in

The volume the mixer track' of each track is being controlled by this data so even

if

you move the panel faders by hand, they

will

not affect the volume. You must perform one of the following procedures before you can gain control with the panel faders'

To manually control a specific

track

(D lf INT Level is not displayed in the message area, press

[nl

key.

€)

Press the

[eoMEl

keY.

G) Press the track key of the track you wish to control (the LED will go out).

@ Move the fader to control the volume'

To manuallY control all

track

0

tt

,,truf

Level" is not displayed in the message area, press

fnl

key.

O

Press 15s [cOMP-U] keY.

€)

Use the faders to control the track volume levels'

To manually control a specific track

To manually control all track

,!;

tr

2/1a

,!i,

1i",

E

u

BHrrHetrackkev

I-I

to make LED go out

HqH

lft.'iiherader

;ilJ,

+

T

MODE o

tr

Press

the

comPul key

1/9 2/1A 3/11 4/12 oooo

trtrtrtr

EEEB,

U U U

E-1fl3i?0*

X MODE

COMPU MANUAL o

)gi

-

trF"

(J

V

PrESS thE tMANUAil key

TEMPO o

L_J

+

ro)

\_-/

E

COMPU o

D

E

MANUAL o

D

t.)

14

3.

Playback the second song

Next we will load and playback the second demo song.

o

Make sure that the System Disk is inserted into the disk drive.

@ Press the iDIS-Kl key.

The Disk Menu (1) display will appear.

o

Press the frt-l(LD Song) key.

The Load Song display will appear. Select the song you wish to load, and the song number into which it will be loaded.

ln this example we will load song "Papa John" as the second song.

@ Press the

[r.l

key.

The cursor will move to

f-_l,

to select the loading destination song number.

o

Rotate the VALUE dial so that the display shows

fI.

Song number 2 is now selected as the loading destination.

@

o

Press 16s

f7l

key.

The cursor will move to the song selection area.

Rotate the VALUE dial so that the

-

)

position displays "Papa John".

,#

:

: I '-r!

,t

,r-E lEl

P=re

I

Er;s.=.

i

f

lr."rut

Irr l1 r]r t-.

t-+

.J'rJ'r

.3n

l

pll

D fr t_:i

'ir r-rrEI 5'rrrE=

lll]il+*r+e

,lrrgs,frr

r.rriri.r

Iti=k

231':f r'

[-"+ Fl. S,=,rtL

f-trLl=.

lf

.e=. hH

11.

Er'r

El-r.=t l]l. i

!;,:'rt

a t.

HH

F_ri:

1uJ?:

@ Press the [n'l(Load) key.

The display will read "Now Loading!", and then briefly, "Complete".

Song "Papa John" has now been loaded into song position number 2, and the sound source settings (timbre data) to play that song have also been loaded.

Preparations have been automatically made for playing song number 2.

O Playback song 2 in the same way you did for song

1.

x ln this way you can load up number notes. to 2(} songs into the MV-3O, but the total of notes in all songs cannot be more than approximately 5OTOOO lf you attempt to load a song that will not fit into memory, loading will be aborted.

o

@

f'r-_]

A

(o)

V o

15 ost

4. How to hear the

RPS

(Realtime Phrase Sequence| demo song

The RPS (Realtime Phrase Sequence)functlon play patterns in realtime in response to Note messages received at MlDl lN. By playing just single note on your MlDl keyboard, or by a single strike on a MlDl pad, you can play an entire Pattern. Up to 20 keys can be assiged to call Patterns.

The included disk contains an "MV-30

RPS Demo" song that uses the RPS function. Here's how to hear the demo.

O Make sure that your MlDl keyboard is connected correctly.

MlDl cable

EE

-Otr

I:E

o

Set the MlDl transmit channel of your keyboard to "1".

o

Refer to steps

0-G)

of "Playback the second song" on page 15, and load

"MV-30

RPS Demo" as song number 2.

@

Press the [Ptavl key. The Play page will appear.

o

Press 16s tr[l(RPS) key, The Realtime Phrase SEQ page will appear.

o

Press the

fITfl

key. The "MV-30 RPS Demo" will begin playign. Use the master volume slider to adjust the volume.

G) Press C2 on your MlDl keyboard (the key two octaves below middle C). A

Pattern will be called and played.

Press individual keys above C2, and listen to the Patterns that are played by each keY.

@ To stop playback, press the

[F7E]

key.

x lf you are using MlDl pads instead of a MtDl keyboard, set the illlDI transmit channel to

"1", and

SEQ the note numbers page, modify alt before playback.

of

"Mode" each pad settinEs to C2rD2rE2rF2r--- Alsor of "Loop" to

"lShot", ln the and

Realtime Phrase

"Quickl" to 'Quickl' o tr

STAFT/STOP o

START,/STOP o

...

16

@@@

5.

How to hear the tape sync demo song

The MV-30 has a built-in Tape Sync

II

function, which allows it to record and playback in synchronization with audio tape or video tape. The disk and cassette tape included with the MV-30 contain demo song for synchronized playback. The left channel of the cassette tape contains the vocal, and

-

the right channel contains the sync signal.

To connect the MV-30 with your cassette deck, you will need a cable with phono plug on both ends.

O wtake connection as shown in the diagram.

€)

Refer to steps

O-€)

in "Playback the second song" on the page1S, and load "confusion" as the second song.

@ Press

the l-prTl

key and

press

l>7lT1. The MV-30 witt standby for playback.

x Since the Sync Mode of this has been set to actually start playback when you press r.Tape", the MV-3O will not

,rT)

but will for a tape sync signal.

@ lnsert the included cassette into your cassette tape deck, and playback side

A. (Noise reduction on your tape deck should be turned off.)

The MV-30 will begin playing back in synchoniztion with the tape.

* lt is also possible to synchronize from the middle of the song.

x lf synchronization problems occur, increase the playback level of the tape.

xThe audio cassette included for demonstration purposes contains only two tracks of information.

..Grosstalk,, may occurr and the tape sync signal may be heard through left channel during playback. This is normal and should not cause concern.

@ To exit from the tape sync stadby condition, press a>7]T). The MV-30 will exit play standby mode.

tr o

START,/STOP o

STAFT,/STOP o

17...

5.

Basic Procedure

for

Greating a Song

The basic procedure for creating a song is as follows:

Turn on the power

and

start

up

the

system.

lf you are not

satisfied

with

the timbre, edit the

timbre

data.

Edit

the

song,

Save

the

song

to

disk.

lf you want to

save the timbre data, save

it to

disk as well.

Turn

the

power off

, x

"Editing" refers to the process by which you modify song or timbre data to achieve the desired result.

6.Record your own song

ess

E

There are two ways to record:

Realtime Recording

Realtime recording allows you

to

record your music just as you would with your performance a tape recorder is captured as you play. This

method has the following advantages: x lt is faster than entering notes one by one.

* Musically expressive dynamics and nuances are

* faithfully recorded.

lt is easy to enter continuous data such as pitch bender movements.

Steptime recording

Steptime (Step) recording allows you to create a song by entering notes one by one. This method has these advantages: x !t is possible to create a song even if you are not a x x skilled keyboard player.

Difficult phrases can be recorded accurately.

Greating mechanical-sounding rhyrthms is easy.

Regardless of the recording method you use, you must first select the song number you wish to record.

The MV-30 can hold up to 20 songs. lf you have already loaded a song, select an unused song number.

Procedure

(O

Press the [SorlTselEcr] key and a popup window will appear'

O lf, tor example, you wish to record song number 3, press numeric key then press the ferl-Ten

I keY.

E

and

@ Press l=v"].

The cursor will move to the Name area.

@ Use the numeric keys or the VALUE dial to enter the name.

Please refer to "Entering a Name" (-'p.1

-

6 in the Owner's Manual).

SONG SELEC o tr tr

f^;e-l

V

6)

O Press

the

EXIT-I keY.

The song you will be recording has now been selected.

p7g5s

TFt

Dial and l(LD Timb| key after pressing tE[sF key. Select Bank 1 with Value then press tFIl(Loadf key. You can create a song with the Standard

Setup sound.

Now use either of the recording methods (Realtime or Steptime) to record your song'

The procedure for realtime recording is explained on the following pages, and the procedure for step recording begins on Page 32.

19

...

7.

Realtime recording

l:,"H.l"Xl:'"kevboard

1.

Realtime Track Recording

This example will explain how to use your MlDl keyboard to record in realtime.

o

Check that your MlDl keyboard is connected correctly (-p.B)

@

Press the TRACK

[F-refivtrl

keY.

The realtime recording display will appear.

Tr'.r'=k

T i

E t

I l'1=

1

J= l2E

FiEll

l'1od+

!"r!!-I'l

H

[ +:+++-+:*:

I---l

]

i i

Track 1 is automatically selected as the recording track, so that is the one we will use.

l.Tracks 9-16 are for external sound sources

Manual l.

@ Raise all faders and the master volume (VOLUME).

(-p.2-3

in the Owner's

Olf

the song you wish

to

record is not in 414

time-

Press 15s [FI](REC PRM) keY.

tll'rErlne1iz*

HEr,J ['lEEsr-rr E

Move the cursor to New Measure Beat, and modify the time signature.

(example)

S/q"""tnree

quarter notes per measure

(example)

6/g"""six

eighth notes per measure

Rehearsal

O

Press the

[Ridl

key.

The MV-30 will enter the recording standby mode (the [FEcl key, track key 1 and

[FiTl

key LEDs will flash), and the metronome will begin to beeP.

o

@

...

20

Olf

you can not hear the metronom

Adjust the metronome volume using the knob on the rear panel.

*

lf you're using headphones, see owner's manua! Page 3-41

-

Olf

you wish

to

adiust the metronome

tempo-

Hold tTEI[flo-] key and rotate the VALUE dial to make the necessary adjustment.

x lf you are recording an especially difficult songr you may wish to record at a slower tempo than normal. (You can increase the tempo during play.

backf. Unlike tape recorders, sequencers can playback recorded any tempo without affecting the pitch.

music at

O Practice your song in time with the metronome.

Olf

you wish

to

select a different timbre

Move the cursor to Timbre, and rotate the VALUE dial to select a timbre. Play the keyboard to hear the new timbre.

@ Press the IFFdI key once again, and you will exit the recording standby mode.

o tr

e&&

-|

TEMPO

o

D

-r

16)

\__/

O

Press the Intrc'l key to enter the recording standby mode.

O Press the

fFlil

key, wait until the two-measure count-in ends, and then play your MlDl keYboard.

The BEAT indicator will blink red on the first beat, and green on the others.

@ When you finish playing, press the

[F/fl

key.

Recording will stoP.

o

tIiJ

STARTTSTOP

r;7--l

START,/SIOP

MEAS DEC

O

While holding the [SHlFl key, press the

[Tl

key to return to the beginning of the song

€)

Press the

[F/fl

key to start the playback.

when the end of the song is reached, playback will automatically stop.

lf you wish to stop playback in the middle of the song, press the

lFTEl

key.

Olf

you wish

to

adiust the

temPo-

It is possible the song

at

to adjust the tempo during playback. lf you recorded

a

slow tempo, you may wish

to

increase

it to

an appropriate value while listening to the playback.

While holding the l=iev[o-l key, use the VALUE dial to make the adjustment.

TEMPO o 8.9

21

...

lfam-e ttre track

lt is often convenient to assign a name such as

..Melody,', ..Bass,,, or

..Drums,, to each track.

0

Press 16s [F3](TRK PRM) keY'

oPressthetFlkeyandthecursorwillmovetothetracknamearea.

G) Use the numeric keys or

Please refer to the VALUE dial

,,Entering a

Name,, to enter a name'

(-p.1

_6

in the owner,s Manual).

@ Press the ttrxrTl key to close the popup window' I

EXr=l

[EHnil+B

o

@

MEAS DEC

OTo re-record the

Hold

the

beginning

tSHfl

of key and the tractt' press

Press the

the

tFtrc

tT|l

I

key key and

to

return record

to

the the track again. Your newly recorded song will replace the previously recorded data.

Even when playing with a metronome' errors in timing can occur' ln such cases, it is sometimes desirable to use the Quantize function toshiftthetimingofallnotestothenearest..quantizationinterval''.

This

will

tighten up your playing and make

it

more metrically accurate.geaware,however,thatsubtleshiftsinrhythmandtiming aree|ementsofpersonalexpressionandthatindiscriminateuseof quantization can destroy such expressions' Use quantization only when aPProPriate.

PressthelFr](RECPRM)key.MovethecursortoQuantize,anduse the VALUE diar

to

serect

the

desired quantization interval.

For

example,ifyouselectl/16,a\.1ll6thnoteswillbeshiftedtothe

nearest 16th note interval' notes, quarter notes etc')

All notes longer than 1/16ths (eg'' eighth will be shifted to their relative positions within the measure as well'

0uanttze

15)

\_/

Timing as

PlaYed

Timing as recorded

'o'o'o'F

-B

. rq

n,B

- $co"d beat

*

.F

I

.F .F t'ira ueat

__-

.F rB rF

--

L:11Tl

::*.^

Select one of the following quantization

1/2 J

r'utr not" intervals

1/8 ) eishth note

1

/

4 .i

Q'"tt"' not"

1/12

J7j

",n*n note triore j/B

,J

, , ouu*", notetriplet 1/16 ,N sixteenth note

...

22

olf

you wish to select a different timbre whire recording lf you select a different timbre and played back together while recording, your selection will be recorded with the notes and other data you recorded.

6&s

-

O

A tew measures before you want the timbre to change, press the key.

[r5](p.chg)

O

Use the VALUE dial or the numeric keys to select the desired timbre (sound).

@ nt the moment you want the timbre to change, press the E(CHG/REC)key.

The serection (program change data) wiil be recorded.

If, after song the new timbre has been selected, you return to the beginning and begin playback, you of the will hear the timbre you just selected. This because the sound source is is still using the last-selected timbre. To prevent this, insert using a timbre number (program change) at the beginning the following procedure.

of the song,

t--.. I

/<\

PChg#

I t=_-]

MEAS

DEC

[-snrrr-l+B

o

r----l

t.cr

[S',f,?i

0

White holding the

[snrrfl

key, press the

F1.l

key to of the song, and press the TRACK tMrendscOpe I key.

return to the beginning

O Press the tirrrSl key, and then press the frdl(p.Chg) key.

G) Move the cursor to the Value item at the right side of the display, and enter the timbre number.

For example, if you are using Timbre

1

(A. piano), enter ,,1,,.

@ Press the TRACK IHEA-raMEl key to return to the previous display.

While listening to the part you recorded on track

1, record on track of recording new tracks while listening to previously recorded

"overdubbing".

2 using another timbre. This method tracks is called

,,multitrack recording,, or

OTips

for

multitrack recording

It is common practice to record tracks in the following and melody. Recording defines the structure of the song.

order: drums, bass, accompaniment the drums and bass first establishes the rhythmic feel and also

.*M

*-

Drums Bass Accompaniment

Melody

Multitrack recording allows you to create a song by playing all the parts by yoursel{

@

,^\ varue

Y,

o

Track r----------r

IREAI

I lrrve

I

23 ctt

Make sure that the LED of the TRACK tFmfrlMEl key is lit. lf not, press the key so that the LED lights.

tl)

Move the cursor to Track, and rotate the VALUE dial to select 2.

Track 2 is now selected.

€)

Move the cursor to Timbre, and rotate the VALUE dial to select the desired timbre.

@ While holding the fSHItrfl key, press

the

(-l

of the song.

key to return to the beginning o

-

. lRilLl rrack

Irrvrel

/<\

(U

Track

\

/'^ \

-,/

) rimnre

(U

\__-/

)

ril"ilffi

o o

Press the [D7T-l key, and play along with track

1.

Press the

[FiTl

key once again to stop playback.

@ While holding the fSFfFTl key, press the

fAil

key to return to the beginning of the song.

O Press the fn-trdl key to enter the recording standby mode.

€)

Press the [F7T-] key, wait until the two-measure count-in ends, and then play your MlDl keyboard.

Record the new part while listening to track

1.

G) Wnen you finish playing, press the

DlA)

key once again.

Recording will stop.

Refer to "Playback" (page 21)to hear your newly recorded track, and assign a name to it.

STABT,/STOP o

START,/STOP o

L t>/a

I

'

MEAS DEC

t.Htrr l+[<<

I o

EA

Il

STARTTSTOP

t}l--l

STABTTSTOP

f-lr--l

...

24

2.

Realtime Pattern Recording

-Enter a rhythm pattern-

Next we will record the rhythm part on track 3. Although it is possible to record the rhythm part using the same methods as explained in the previous pages, in this example we will create several rhythm patterns ol 1-2 measures each, and then arrange them in a rhythm track. Since the rhythm track in most songs consists of a limited number of patterns which are repeated many times (with occasional fill-in patterns of 4 or B measures), patterns are an efficient way to create a rhythm track.

x Tracks in which data is recorded patterns have been arranged directly are called

(as in the previous

"pattern trackst,.

pagesf are called

,,standard tracks,'. Tracks in which

O trlat<e sure that your MlDl keyboard is connected correctly (-p.B).

O lvtat<e sure that the LED of the TRACK m-trtrLTfM-fl] key is lit. lf not, press the key so that the LED lights.

€)

Move the cursor to Track, and rotate the VALUE dial to select 3. Track 3 is now selected.

@ Press the PATTERN lneAlrttr,ti.l key.

The pattern realtime recording display will appear, and

a

popup window will open.

Track

Track o

F.".]

lrrMEl o o

Pattern lEEA.l

lrrMEl

T

F

:

Fat-.t-.errr

Llize

IE=AIEEEE i

Timhr'e

i

* lf you have selected the track which has alrsady had a pattern, a popup window will not open.

O

This message asks you whether you wish to create a new pattern or not.

Press

the

Ft l(Create) key.

A new pattern has now been created and selected.

@ Move the cursor to Timbre, press the numeric keys (in this order)fil,

[9], and then press

the

ENTE.RI key.

fI,

and

The [trnY](Rhythm) timbres have now been selected.

O

Witfr the Rhythm timbres, each note of the keyboard has a different sound.

Play the keyboard to hear the sounds assigned to the various notes.

tr@g

25

...

t-

OTo check the timbre names assigned

to

each

Press the name) in

[Trvref,ffil key, press numeric keys and then press the rEN-rEE-l key. MOve the third line of the display. Play to see the name of the timbre assigned

E, fI,

the cursor

to

* and

*

l=91,

(key a note on your keyboard to it. Press the PATTERN fITEAtTlMEl key to return to the previous display'

f

Tii'rLirE""E'Jif-."-'

---- - iffiJ;I'r'iT'n

*ffirfiln

,,rr=

! i

Er-,r-rrre

I

I'ledia

It'{T

l.{ttrtb+r'

'=,ii,=l

F

tt

1

-

I

- - - -""t t'lU-.1-Eii.=.+-.1

"Ef,f,'El

Eerll flt,trr

Et

E;i ng I e,t

[,1t]+-e

Ur' Ei

-------rtt-

i

,

]

F'i t-.'=l'r l::'1.3r'=.E

El

Olf

you wish

to

make a pattern

two or

more measures

!ong-

The length of a newly created pattern is initially set to one measure, but you may increase this cursor

-E-

to

two or more measures. Move the to Pattern size, and modify the length of the pattern (you can set pattern length in units of one measure)'

Olf

you wish

to

record in other ltnan

4/4 time-

Move

{

the cursor

FTF,l.{" to Beat, and modify the time signature'

FiEtsl+.ii;iE

-F:Er::

)

" ---

"" -

r::L{i4FIE+'E""ffi

Tr'.=,=k

FTRI-I

['1e.3=.r-tr'e

Tir,'r.c'.1=

1-iB

1

.

I o

ffi;

eo,r

I

tr@ f*'*l

o eunffn

FiSEI

Patternr,r,

O

(ex.)

3/4"""three

quarter notes per measure

(ex.)

6/8"""six

eighth notes per measure

...

26

?+{S r

Olf

you want the notes

to

fall precisely on the

beat-

You can have notes fall precisely on the beat, even if the actual input timing

is

inaccurate. For example,

the

smallest rhythmic interval in the following example is a 16th note, so you would select a Quantize setting of 1/16.

Closed hi hat

Snare drum

Closedhi natW snaredrum'l f l ) [ I tKicklbassdrum)

Kick(bassdrum)+

....f f /R ,R ,F .1rR .F ,c $ .F ,c .F ,F .F

.F

i

First beat

Second beat

Third beat

Fourth beat lf quantization issetto 1,/16(,F),att 1/16th noteswill beshifted to the nearest sixteenth note interval. Other note values will shifted to the nearest relative position.

be

Select from the following quantization settings.

1/?

1/4

1/6

) t::-/

)

);t

half note quarter note quarter note triplet

1/8

1/12

1/16

) eighth note

.-19

eighth note triplet

1/24.-.

1/32...

a

N sixteenth note 1/64...

aaa

\3/

N a) sixteenth note tri plet thirty second note sixty fourth note

Press the l-rI(REC PRM) key, move the cursor to Quantize, and use the VALUE dial to select the quantization setting.

When you have finished, press the fEXT-l key to close the popup window.

t--_l

/<-\

ouantize €,

t-.dl

while recording a pattern, it will continue repeating until you stop recording.

Notes you record on each pass will be added to those previously recorded this allows you to build patterns while the rhythm is playing. Follow the example.

First well record the kick (bass drum).

O Press the [Frc'] key.

ln time with the metronome, play the note

c2

(the

c

two octaves below middle C). You should hear the kick (bass drum) sound.

o

@

27

...

START,/STOP

€)

Press the tFTT-l key, and after letting the pattern play back once, play c2 to enter the bass drum sound on the appropriate beats in the pattern. (The

BEAT indicator will blink red on the downbeat, and green on following beats.)

On the second and subsequent passes, you should hear the kick sound that you recorded.

Next well enter the snare drum.

@ Play the note D2 (the D above C2), and you will hear the snare sound. Enter the snare sound while listening to the bass drum.

Next well enter the closed hi-hat sound.

@ Play the note F#2 (the F sharp above C2), hat. Enter and you will hear the closed hithe closed hi-hat sound while listening to the kick and snare.

ln this way you can build up a rhythm pattern with many different sounds.

Suppose that of the three notes you just input, the Snare note was incorrect.

Here's how to delete just the incorrect note.

@' Press 15s [[ET'] key.

@" Press the snare key (D2) on you keyboard'

The snare data will be erased as long aS you continue pressing the key. By pressing two keys, you can erase the data

of all

keys between those two keYs.

@"' Press the fEXtrl keY.

Re-record the snare notes to finish the pattern.

€)

Press the

tFTEl

key once again, and recording will stop.

@ While holding the tSHlffl key, press the

[Tf ]

key to return to the beginning of the pattern.

x lf you start recording again, the new data will be added to the existing data.

START,/STOP

l.-r--l

MEAS

DEC

l-snrrT-l+B

It

is often convenient to assign pattern.

a

name such as "lntro" or "Fill ln"

to

each

This will be helpful when you later arrange these patterns in a rhythm track.

O

Press 16s

ltil(Set

Name) keY.

€)

Use the numeric keys or the VALUE dial to enter the name'

Please refer to "Entering a Name"

(-p.1-6 in the Owner's Manual).

Entering a Name

...

28

S{FC

-

You wish can continually add new instruments to a pattern without erasing previously recorded parts. lf you to re-record the entire pattern, it must be erase first.

O

Press the fDELI key.

A popup window will ask for confirmation.

€)

Press [n l(Clear) key.

When excution ends, the display will show "Complete,,.

Next we will record another rhythm pattern.

Make sure that the LED of the PATTERN [R-EAITME-] key is lit. If not, press the key so that the LED lights.

(O

Press the [f,s ](Create) key.

A popup window will open.

{

F'TF,[.{- HE.II+-.

ii;iE

F:Er:r

l

I

@

o

Use the numeric keys or the VALUE dial to enter a name for the new pattern.

Please refer to "Entering a Name"

(-p.l

-

6 in the Owner,s Manual).

Press the frtl(Create) key.

A new pattern has now been created and selected.

Record the pattern as explained in the previous pages.

Entering a Name

l-'Tl

29

;st

you may have now created several patterns. These patterns were recorded in the track you specified in step G)

of

"Preparations before recording" on Page 25 (track

3

in this example). Before these patterns can be played back as song however, they must be assigned to locations within the track.

Here is how to do just that:

Track

1

Track 2

))

Track 3

Patem 2

Patem 3

Paltern l

Patte.n

l

)

Paltern

ln

1

Pattern 2

t:llnn n1......

Pattern 3

These tracks were recorded in realtime. (Standard type)

This track was created

+- by arranging patterns (Pattefn type) in it.

Procedure

O

Press the TRACK lMleno:-eopEl kev.

O

Press the [I[s"l key.

A popup window will oPen.

@ Select the assignment destination (the starting point for the pattern)and the pattern you wish to assign.

For example, if you wish to assign pattern 1

"lntro" to the first beat of measure 1, make settings as shown below.

o

r,.*

[$'#?l

tr

1-

1-

Ei

()

Press 16s Fi-l(lnsert) key, and the pattern will be assigned in the track.

Repeat steps

O-@

to assign the various patterns to the track. A pattern can be assigned as many times as you wish. When you have finished, press the TRACK fREALaMtrl key, and playback the track from the beginning. You should assign a name to this track as well.

ln this example, we created the rhythm track using a variety of patterns with percussion sounds. lt is also possible, however, to record directly onto a track in realtime. You can also create patterns using any of the MV-30 internal timbres.

E o

Trackm

...

30

&'e&

I

3. View the data

The Microscope function recorded in a track. Let's of the MV-30 allows you to view individual events (data) that you have take a look at the data that was recorded in a standard track (data that was recorded in realtime).

O Press the TRACK

fFilL-fMil

key, move the cursor to TRACK, and select

1'

O

While holding the l=SHrtrrl key, press the

[Tl

key to return to the beginning of measure 1.

MEAS

DEC

[-sr+rrl+B

o

G) Press the TRACK [tr,'[cnnOSeOPe'] key.

The Microscope display will appear' r,rrr,

[$'&?]

(}

Move the cursor to the location, in the below diagram. Rotate the VALUE dial and data will appear in the display.

The daia of one line is called "event"' ln sequencers such as the MV-30s, data length, and loudness of that indicates a note is called "note event"' the pitch,

How data position is exPressed

To select another

Select the track

( lili

Tr

':t-

track

and scroll the data

I by event

ETfiEI

Tr' r,1

iiloJ"-in.'"r*t-inJ

rotate the value dial)

73rd clock of beat 4 of measure

4 () :96 clocks)

Musical notation and sequencer data

The following are examples showing how scores would appear when converted as actual data for the lvlv-3o.

@@@o

CLK

O

Beat l cLK a 240

8eat123456

Measure

1

0

L

2

2

I 5.|'ti rl'1

1

T-l

J L When converted as MV-30 \,/

-'

T

-i

:c[K--ch--Note

E

No.-ueI---Ga!q

16

14 rrr-

46 i E4 6? 7s

1!

19

;;;-B iETT? BE

I?

24 1 E4 69 79

48 i G4 67 77

1B lJ

7? 1 F4 65 ?A 15

END

============= data

U

**" converted as tMV-30 data

;

rl;li'"?

E.'ifr--.n-l*or*

No.

-uer---cF iEi- a i E4 64 az

__----------- EUn

19 rL?

2a xThere are other types of event in addition to note event Please refer to fire page

* Data in a pattern can be viewed in the same the PATTERN tilirceFo=EFEl key.

way. ln step O, select the track whbh

6-15 of tre ()wner's Manual' contains the pattern, and

31

press

...

g,

ste)p

rgcording

Record data events one bv one

1.

Steptime Track Recording

ln step recording, you can either use your MlDl keyboard to specify the pitch and velocity, or enter all data using the numeric keYs

Mark measure numbers on your sheet music lf you will be entering a song from printed sheet music, the recording process will be easier if you number the measures in pencil. Some songs include repeat marks, and jump from one section of the song to another. Before you begin step recording, it is a good idea to number the measures in the order that they will be

PlaYed.

Abbreviations and symbols used in printed music

A wide variety of abbreviations and symbols are used in printed music' For your reference, a list of these is given in the Owner's Manual

('p.6-18

).

...

32

&&&

select the song number you wish to record 1+p.'lg), and make preparations for recording.

O lt you will be using a MlDl keyboard for step recording, make sure that it is connected correctly (-p.8).

€)

Press the TRACK [Frnr-rrMfl key.

You will enter the track realtime recording display.

@ setect the recording track. Move the cursor dial to select the desired track.

to Track, and use the VALUE

*Tracks 9-16 are

Manualf.

for external sound sources 1-p.2-3of the owner,s

@ Select a timbre. Move the cursor to Timbre, and use the VALUE dial to select the desired timbre. lf a MlDl keyboard is connected, play the keyboard to hear the selected timbre.

o o

Raise all faders and the master volume (VOLUME).

Press the TRACK [HlrcnoSeOpil key.

You will enter the Microscope display.

O

while holding the fsnrFTl key, press the

trll

key to return to the beginning of the song.

G) Press the [ned] key.

You will enter the Step Recording display.

O

Specify the time signature.

Move the cursor to New Measure Beat, and set the time signature of the song you will be recording.

(example) +/l......four quarter notes per measure

(example) 3/4......hhree quarter notes per measure

(example) 0/8......six eighth notes per measure

Track

MEAS

DEC t-sr,rrl+[3 o

@

/^ \ ru)

\ /

New Meas Beal

3.?

rrr

Now we will enter notes one by one, using the following recording procedure.

Step 2 select length of note or rest

Enter the next note

@ Select the length (valuef of the note or rest.

O Move the cursor to SteP.

Q) While holding the [SHnr ] key, press a numeric key. The note values entered by each key are printed on the line above each key.

trtr8

For example, to enter a step time of 48, hold fsrt-ntrTl and press

td()

).

*To enter a rest, press the corresponding note value key.

For example, to enter an eighth res! press numeric key

6.1

*To enter dotted notes, or other note values that are not printed on any of the keys, use the numeric keys to enter a corresponding numeric code {without pressing the fst{-lFTl key}. Refer to the followinE chart

Note value

).

)

),

)

), x

.t

Steo time/

Nunieric kev

384

288

192 g

128

144

96H

64

V)

72

48H

Note rralr ra

f

x

F s

Step time/

Numeric kev

32tr

36

24ts

16H

18

124

8

6m

3m

OTenuto or staccato

The "Gate:%o" item in the display indicates the actual length of time (gate time)that the note will sound, expressed as a percentage of the step time value. Notes you enter will automatically be given the gate time specified here.

For example, when eighth notes played

("Step:48" and "Gate:8o%o") are back, the notes will be held for

BO%o of an eighth notes value. lf you decrease the percentage, the notes will be staccato. lf you increase the percentage, the notes will be tenuto.

...

34

:= : :=:

@ Enter the contents of the note

Olf

you are using a

MIDI keyboard

for input-

After completing step 1, pray the

MIDI keyboard. first note of your song on the when you release the key, the note number and loudness (velocity) will be entered. At the same time, the gate time specified by the "Gate:%o" in the popup window will automatically be entered. You can now enter the next note.

Olf

you are using the numeric keys

for input-

Enter the pitch (note number| of the note

After completing step

1,

O

Press the ENTER key.

The cursor will move to the note number area, and an initial number will be displayed.

note

O Enter the pitch.

To enter the pitch (as a number from 0-122), use the numeric keys directly.

To enter hold the the pitch as a key name and octave

fsHml

key while you enter the data.

number (such as c4), lnput by number

trtrtr

(Enter notes by specifying a note number 0 127)

Enter note numbers in the usual way lf you press

E - E *

IENTEFI, the resulting nore will r"

@

1 note number lnput by key name

(Enter notes by specifying a key name C

Gg)

.&es

while holding isl[FTr will be [cT(6O1.

":' key name

35 tto

Refer

to the Note Number (Key Name) chart

cf3D$3

F{3G*3A+3

5

For example, this note is G#4 (68).

Enter the Velocity Gode (loudness)

With the cursor at Note No;

O Press

the

rllTEn I keY.

The cursor will move to Vel (velocity), and an initial velocity value will be displayed.

O

Use the numeric keys or the VALUE dial to enter a velocity code from 1-127.

(Higher values result in a louder sound.)

Enter the Note Value (gate time)

With the cursor located at Vel;

O Press the fEJl-NTEfl key.

A value calculated from the

"Step:"

and "Gate:%o" settings will be entered.

O lf you wish to modify the gate time, use the numeric keys or the VALUE dial.

Finalize

With the cursor located at Gate;

Press the [eNTEF-l keY.

The position will advance by the selected

"Step:"

length, and you can now enter the next note.

...

36

@Enter a

Rest

Press the

[Fl

or l=rz I(REST) keY.

The position will advance by the selected

"Step:"

length.

x The MV-3O does not contain actua! "rest data". The advanced bY the length of the rest.

position is simply

OTo Enter a Ghord when you are using a MlDl keyboard for input, the chords you play will be entered as

You PlaY them.

when you are using the numeric keys for input, after selecting the gate time, hold the fsxfFfl key and press the tENr-trf,] key. You can then enter the next note at the same location as the first note.

OTo Enter a Tie

Press the note

tFl--l

or l=n-l(TlE) key and the duration of the previous will be extended by the length of the "step" displayed for that note. The gate time will be lengthened accordingly.

OTo iump

to

the next measure

Hold the tSuTTlkey and press the

[Flkey

or just press [Fsl(Nxt

Meas) key, and you will jump to the beginning of the next measure.

* To move backward (step by stepl, deleting previously entered data, the press

ti(l

or TFil(StpBackf key. The data you back over will be deleted.

&&e

-

MEAS INC

ro'E

t=[Frl

+

CNiEE-l

START/STOP o

r;7.-t

0r

Fr-_]

MEAS INC

t-srFil +[>>l

0r

t-*-l

2. Steptime Pattern Recording

It is also possible to record a pattern in steptime. Press the PATTERN l=MleRoJrepil key, and then press the fn-Eel or trdl(Step) key. Record a pattern in steptime the same way. Then assign the pattern in the track.

(-p

30)

37

...

9.

Recording volume changes with the compu-mixer

As song playback progresses, you can adjust the volume of each track, and have these changes recorded. This lets you create crescendo, diminuendo, fade-in, and fade-out effects.

o ffi;t

luxl

O

Wfren the song you just recorded is selected, press the

IeOMPUM]f,] key.

The compu-mixer display will appear.

it

:

Ef'+-'=

1

I#f,ilr#ttr+trilH,H

@ tt tne Message area does not display "lNT Level", press ttral(lNT Lvl) key.

@ While holding the fSrltril key, press the

Kl

key to return to the beginning of the song.

@ Now let's rehearse.

press the

TMANUAL-I key, and then the

l>7Tl

key to start the song playback. Move the faders listening to the song. Press the

[FlT-]

key once again, and playback will stop.

@ While holding the lSntrrl key, press the

Kl

key to return to the beginning of the song.

G) Press 15s fREc-l key.

The mixer mode will automatically be set to "COMPU", and you will enter the recording standby mode.

O Press the track keys for the tracks you wish to control (the LED will light red).

x Tracks whose LEDs are noi lit can be controlled manually, but volume changes will not be recorded. Tracks whose LEDs are lit green contain volume change data, and will be controlled by this data; their volumes cannot be controlled manually.

@ Move the faders to appropriate levels.

€)

Press the

[FiE]

key, and recording will begin.

Move the faders as the song progresses.

@ Press the

[D7Tl

key once again, and recording will stop.

I I -9-

-9-

trmtrtr

UThe

LED lioht red.

HhqH

U U

lUoyq the Fader

;J[HK

+

utr

...

38

STARTTSTOP

t}lil

STARTTSTOP

|-ljl

MEAS

DEC

t-sr'.=--l+

MANUAL o

[<<

]

START/STOP o

START,/STOP o

I >/' )

MEAS

DEC

tCr{Frl+

o

[<<l

@

.&&@ rrl

Playback

O

Wnite holding the fs+tnr I key, press

the {l

key to return to the beginning of the song.

O

Press the

[FiT]

key to start playback.

Fader movements will be displayed on the screen.

To stop in the middle of the song, press the

[D7Tl

key.

View the data

O

While holding the fsHlFTl key, press the

Kl

key to return to the beginning of the song.

O

Press the TRACK ftrltlGoscopel key.

The Microscope display will appear.

€)

Move the cursor to the right of Track, and use the VALUE dial to select "M".

The mixer track is now selected.

MEAS DEC

t-sHrrr l+[<<l

START,/STOP o

MEAS

DEC

[Enrrr-l+B

Track trrr6\

= ut

[, l t:I

;

-{

'.r

-EEIIIIEETTT

Ih{T

Le',.,e1

Il.lT L*r.'eI

@ Move the cursor to the location in the diagram, and rotate the VALUE dial.

The data you recorded will be displayed.

Display data of only one track

Data of all tracks will be displayed together. lf you only wish to view the data of a single track, use the following procedure:

0

Press the fF?l(View) key.

O

Set "select" to "lNT Lvl".

€)

Move the cursor to Track/CH, and select the track you wish to view.

@ Press

the eXrl

key, and only

the

data

of

the selected track

will

be displayed.

To return to the previous display, select "All" in step

€)

and

@.

,A\

Y' f--=

L 'n-'

Select

6\,

\- -/

,-6\

Track/CH

\],

lE,(.l

39

...

1(),

Make finishing touches

to the song

You have now completed the recording process, but if necessary, you can use one of the many editing functions to add finishing touches to the song. Some of the frequently used editing functions are listed below.

When vouwant to

"

Edit the timbre you are playing

Function narne

Timbre edit l;;l

Procedure

3-48

4-23

4-54

Edit individual data events of a song

Microscope r"oco llqe]

Edit individual data events of a pattern

Delete data from tracks or patterns

Combine the data of two tracks

Ouantize all the data in a track or pattern

Pattern microscope

Erase

Merge

0uantize

Delete measure

"o-rru*r lll..+:] rFAcK l;;l >

[

PATTERN

-l

- feruiis I rnnc< l.*]-@

-l!!t!l

rnac<[1

PATTEBN eo

Tl ?' rnac<i*"1-6-lin-*l

4-88

4-61

4-90

4-62

4-68

4-91

4-70

Delete several measures lnseft several blank measures

Copy data from a track to a pattern lnsert measure

Move a specific type of data from a track into another track

Raise or lower (in semi tone steps) the pitch of notes in a track or pattern lncrease or decrease the velocity of all data in a track or pattern

Lengthen or shorten the gate times of all data in a track or pattern

Move all data of a track fonruard or backward in time

Extract

Transpose

Change velocity

Change gate time

Shift clock

Copy data from a track to a track

CopyT-T

CopyT

,P

I'-

1RACK Forl>l i/ l> ENIE3 rnnc<[., ']-@

-llrt"l rnnc<

1."" earrenN

[."

TBACK ED]

PATTERN EOI

IHAUr rD

PATTEBN ED,r

-

irt

fil-

FNTFR

- E-. .

Fs [2.

FNTFF

-

@z

T i5 \ tNItF rnac<@- ,-_-E-tqr=l rnac<[*"] -E-f'lrEal

PATTERN

4-71

4-73

4-74

4-90

4 -15

4-97

4-76

4-98

4-78

4-63

4-94

Copy data from a pattern to a pattern

Copy data from a pattern to a track

CopyP-P

CopyP-T

PATTERN l.,f]-B - aa,l1."l rnac<f*-l-@

-

i erurea

I

4-92

4-66

Partially re-record a track

Punch rn,/ out recordinq rancr

@

-

[-icl

3-28

Record pan (stereo position) changes for each track

Compu mix recording

Record volume changes for each track

Edit the effectors you are playing

Record effect settings and changes

[',:r ]

-

'.

t-'l

4-21

3-31

3-26

Chorus edit

Reverb edit

Effect change recordinq z

.2

7 SHiLt

-

Fr

''o - ,, or

TRACKE- r- - , l-al-l*,t*L;, - .u

,

4-3

4-4

3-30

To use these functions, please refer to the Owner's Manual.

...

40

lT.Save the data

&&& r-

You have now created a complete song using the MV-30.

After you complete a song, always remember to save the data to disk.

Use a new disk to store your song data.

1,

Format a disk

Newly purchased disks, or disks used by another device, must be formatted by the MV-30 before they can be used to store MV-30 data. When you format a disk, however, be aware that all data that was previously stored on that disk will be erased.

*When purchasing new disks, ask for

'(MF2-DO" disksf, disks (3.5 inch dual sided, double density, double track micro

0

Eject the disk that is now in the disk drive.

Never press the eject button while this drive indicator is lit!

o

lnsert

the

New Disk

with the

protect

tab set to

PROTECT position into the disk drive.

o

Press the [DtsKl key.

The Disk Menu (1) display will appear.

@ Press the frs l(Page) key, and then press

the

rs--l(Format) key.

O

Use the numeric keys or the VALUE dial to assign a label name (disk name).

Please refer to "Entering a Name"

(-p.1 -G

in the Owner's Manual).

@ Press the tFll(Sys Disk) key.

A popup window will open.

O

Press the [n](Format) key. lf you decide to cancel without formatting, press

the

EXr I key.

When formatting is finished, the display will read "Complete".

o

B

@

t-=T_l

Entering

t--

I a Name

t=-_l

41 ttc

2.

Save

Next we will save your song to the newly formatted disk. NOTE: lf you turn the MV-3O's power off without saving to disk, your song will be lost.

tO Press the fDr]SKl key.

O Press the frsl(SVSong) key.

@ Rotate the VALUE dial

to

select the song you created. (lf you have not named your song, screen. Press you should do so now. You can name the song in this

[F

key to move the cursor to the song name area.)

@ Press the

f1

l(Save) key.

We will save the timbre data together with the song data.

G) Press the l-rll(Save) key to save the data.

When the process is finished, the display will read "Complete". The song data and timbre data have now been saved.

o

@

t-r,

SelecttherrrnC) t-'r_l t-'r--l

...

42

l2.Turning

off

the power

@.@&

Follow this procedure when powering down: x when you turn off preserve, save the power to the MV-3o, att song and timbre data will be the data to disk (+p.42f before turning the power off.

lost lf you have songs you wish to

-

0

Turn off your amplifier system.

@ Press the MV-30's eject button and remove the disk from the drive.

€)

Turn off the power switch located on the rear panel of the MV-30.

@ Turn off the power to your connected MIDI keyboard.

well done! Your MV-30 is eagerly awaiting your next work session!

43

).)

l2.Turning

off

the Power

@'@e@

Follow this procedure when powering down:

* When you turn off the power to the MV-3O, all song and timbre data will be lost. lf you have songs you wish to preserve, save the data to disk

(-p.42f before turning the power off,

-

O

Turn off your amplifier system.

O

Press the MV-30's eject button and remove the disk from the drive.

O

Turn off the power switch located on the rear panel of the MV-30.

()

Turn off the power to your connected MlDl keyboard.

Well done! Your MV-30 is eagerly awaiting your next work session!

43

)..

Roland

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