Yamaha MG06 6 Channel Stereo Mixer Owner's Manual

P.O.BOX1, Hamamatsu Japan www.yamahaproaudio.com

*All specifications are subject to change without notice. *All trademarks and registered trademarks are property of their respective owners.

LPA631

ZvotEo

Printed in Japan

MG06 MG10 MG12 MG16 MG20

MG06X MG10XU MG12XU MG16XU MG20XU

01

Road Tough. Studio Ready.

For more than a century, Yamaha has been building a legacy of superior craftsmanship and innovation exemplified in all of our products, from an unrivalled catalog of world-class musical instruments to touring-grade professional audio. Now in its third incarnation, the MG Series embodies this pursuit of design excellence, and incorporates some of the same technologies developed for use in high-end professional consoles, including studio-quality preamps, powerful digital processing, and a rugged, reliable construction.

With an intuitive, easy-to-use interface, the MG Series boasts an extensive lineup of compact mixing consoles with models ranging from six to twenty channels, suitable for a diverse range of users and applications. For installed, recording, or live music settings, the solid construction and flexible design of these consoles lets you shape your sound with confidence, continually delivering peak performance and a level of sound quality and reliability unrivalled in its class.

02

Head of the class

Yamaha has always strived to provide sound engineers with the purest possible signal instead of added processing or color to give it a “signature” sound, and the MG Series is no exception. Embracing this philosophy of transparent sound, these mixing consoles deliver a level of sonic purity and sound quality that is unmatched in their class.

D-PRE Discrete Class-A Mic Preamps

This is where it all starts. Everything you do as a sound engineer is dependent on the quality of your preamps, which determines the direction your mix will take, and ultimately how good it is going to sound. MG Series mixing consoles feature Yamaha’s studio-grade discrete class-A D-PRE preamps, which utilize an inverted Darlington circuit comprising two cascading transistors in a configuration that provides more power with lower impedance. Delivering fat, natural sounding bass and smooth, soaring highs, with very low distortion, D-PRE preamps possess an impressively wide frequency range that allow them to handle signal from any audio source without overly amplifying any specific elements of the sound. Having such a pure sonic platform to build on will ultimately save you time and effort by eliminating the need for excessive

EQing or additional effects processing in order to “fix” your mix.

IN

IN

Inverted

Darlington circuit

HOT Cold

OUT

03

High Quality Sound Op-amp

The head amp determines sound quality, and op-amp integrated circuits are one of the most important parts in the head amp circuit. MG Series mixers feature new, high-quality, custommade MG01 op-amps that we developed in cooperation with the semiconductor manufacturer. Although many other Op-amps prioritize electrical design and efficiency, we worked directly with the semiconductor manufacturer to focus on sound quality first. MG01 op-amps feature redesigned circuitry in which even the internal components and wiring have been optimized, and use materials such as high-quality silicon wafers and copper wire to achieve superb resolution.

Switchable Phantom Power & PAD Switch

With phantom power, MG Series consoles allow you to take full advantage of the greater frequency response and high sound quality of condenser microphones. The input channel with PAD switch accepts MIC to line level of inputs, PAD

Switch attenuates high input signals that often accompany mic’ed instruments during performance, avoiding the clipping that can seriously affect your mix.

04

05

Our mixer. Your sound.

When was the last time you heard guitar without EQ or a completely unprocessed vocal on one of your favorite songs? Probably never. Yamaha mixers are famous for their flat response and sonic purity, but it often takes more than a perfectly-captured instrumental performance or vocal to achieve a professional-sounding mix. Equipped with some of the same state-of-the-art functionality featured on Yamaha’s high-end consoles, the MG Series gives you the tools you need to produce high quality sound that is uniquely your own.

1-knob Compressors

Compression plays an essential role in just about any recording or sound reinforcement environment by altering the level of dynamics of an audio signal when you need livelier guitars, punchier bass lines, a tighter snare, or a cleaner vocal sound. However, it can take countless hours to master the complexities of even the most basic outboard compression units and use them effectively. Originally a Yamaha innovation,

1-knob compressors are now an industry standard that gives you instant access to optimized compression settings via a single rotary control.

EQ and High-pass Filters

There’s nothing more useful than reliable equalization when you need nuanced management of your tone.

The MG Series benefits from Yamaha’s unparalleled experience in designing pro audio gear, featuring

3-band equalizers on all mono channels for precise control of your sound. High-pass filter allows you to eliminate unwanted low-frequency noise, for a smoother, cleaner mix.

AUX / Effect Sends / Group

MG Series mixers feature up to AUX sends for expanding your sound reinforcement or recording setup, allowing you to incorporate additional effects, output to external recording devices, or feed to an monitoring system. Master send controls are also provided. The MG06 / 06X and MG10 / 10XU have a single stereo bus. All other models additionally feature one or two stereo group buses and outputs that can be used for convenient channel grouping. Assign switches for the stereo and group buses are located next to each channel fader.

Built-in SPX Digital Effects

For musical and non-musical applications alike, effects processing adds polish and professionalism to the mix. The MG X / XU models features Yamaha’s acclaimed SPX digital multi-effect processor, offering a comprehensive suite of 24 editable digital effects perfect for enhancing your mix, whether adding depth to a speaking engagement or breathing new color and atmosphere into a live band performance. In particular, the high-quality reverb and delay expand the spatial quality of the sound with remarkable realism and naturalness. You can even connect an optional FC5 foot switch for effect on / off control. (MG10XU /

12XU / 16XU / 20XU)

A variety of input / output connectors

All models feature high-quality Neutrik™ balanced XLR connectors on mono microphone/line channels and XLR equipped stereo channels. Each of the mono inputs is equipped with combo jack and accepts both MIC and LINE level signals.

Two of the stereo inputs are equipped with XLR and two phone connectors with XLR accepting MIC level signals while two phone connectors accepting LINE level signals and can be used either mono or stereo. (except for 10ch model) The function of another two stereo channel vary depending on model:

With 20ch model, XLR accepts MIC level signal and two RCA connectors accepts LINE level signals and can be used either mono or stereo. With 16ch and 12ch models, two phone connectors accept LINE level signals as stereo. Additionally, each of the stereo channel features 2TR in (RCA connectors) and can be used as independent input from external audio sources such as CDs. 10ch is equipped with additional stereo channel with a pair of phone jack that accepts LINE levels. With XU models, any incoming source that are sent via USB can be assigned to one of the stereo channel.

In addition to the main stereo outputs (XLR L/R, TRS phone L/

R), MG Series mixing consoles are equipped with a comprehensive suite of output connectors, including GROUP OUT

(TRS phone), AUX/FX OUT (TRS phone), MONITOR OUT (TRS phone L/R), and HEADPHONE OUT (stereo phone) connectors, allowing master outputs to be chosen to suit specific applications such as monitoring or mastering.

LED level metering

Easy-to-read LED level metering allows output levels to be monitored with precision.

[MG10XU / MG12XU / MG16XU / MG20XU]

No. Program

1 REV HALL 1

2 REV HALL 2

3 REV ROOM 1

4 REV ROOM 2

5 REV STAGE 1

6 REV STAGE 2

7 REV PLATE

8 DRUM AMB

Parameter

Reverb Time

Reverb Time

Reverb Time

Reverb Time

Reverb Time

Reverb Time

Reverb Time

Reverb Time

No. Program

9 EARLY REF

10 GATE REV

11 SINGLE DLY

12 DELAY

13 VOCAL ECHO

14 KARAOKE

15 PHASER

16 FLANGER

Parameter

Room Size

Room Size

Delay Time

Delay Time

Delay Time

Delay Time

LFO* Freq

LFO* Freq

No. Program

17 CHORUS 1

18 CHORUS 2

19 SYMPHONIC

20 TREMOLO

21 AUTO WAH

22 RADIO VOICE

23 DISTORTION

24 PITCH CHANGE

MG06X features six SPX effects (REVERB HALL / ROOM / PLATE, DELAY SHORT / LONG / VO.ECHO), which are not editable.

* “LFO” stands for Low Frequency Oscillator. An LFO is normally used to periodically modulate another signal, using different waveform shapes and modulation speeds.

Parameter

LFO* Freq

LFO* Freq

LFO* Freq

LFO* Freq

LFO* Freq

Cutoff Offset

Drive

Pitch

06

Built to last

For gigging, recording, and installed applications alike, your console can be subjected to a wide range of environmental conditions and hazards. Excessive humidity, unstable power supplies, and the rigors of road travel in general can take a serious toll on a mixing console, often causing expensive, time-consuming repairs, and reducing its lifespan. The MG Series has been redesigned with an emphasis on durability, incorporating practical features that offer greater flexibility while ensuring peak performance for many years to come.

Metal Chassis

Built to last, MG Series mixers feature a rugged, impact-resistant, powder-coated metal chassis, offering an unrivalled level of durability. With a sleek design contoured for optimal convection cooling, the internal layout separates the power supply from the analog circuitry for superior noise reduction, and further extends the life of the components inside. To further ensure reliable performance, knob control placement above the surface of the chassis diverts any impact or pressure on the knobs to the chassis itself and not the circuit board or components underneath.

Internal Universal Power Supply

(MG12 / 16 / 20 / 12XU / 16XU / 20XU)

Thanks to a highly-efficient internal universal power supply, MG Series consoles offer worry-free operation in any region around the globe—even in environments prone to potentially damaging power fluctuations. An internal power supply also simplifies rack mounting of the console for installed applications, eliminating the need for a bulky adapter or additional connections.

07

Rack Mount Kit Included

(MG16 / 20 / 16XU / 20XU)

Easily adaptable to a diverse range of installed and portable applications, the 16- and 20- channel models of the MG Series included rack ears, giving you the option of a rack-mounted or desk-top configuration.

Extremely durable, their sleek design makes safe, stable placement of your console hassle-free, keeping setup time and effort to a minimum.

XLR connector

The main stereo outputs feature XLR type connectors that lock to prevent accidental disconnection. Rugged and dependable, these professional connectors ensure providing stable signal transmission even in the most demanding environments.

Options

Rack Mount Kit

RK-MG12

(MG12 / MG12XU)

Mic Stand Adaptor

BMS-10A

(MG06 / MG06X / MG10 / MG10XU)

Foot Switch

FC5

(MG10XU / MG12XU / MG16XU / MG20XU)

08

Create, record… listen

The MG Series features the same digital connectivity that is used to streamline the recording process on Yamaha’s professional-level mixing consoles. Take advantage of stateof-the-art digital technology that makes it easier than ever to plug-in, play, record, and then listen to your creations.

09

24-bit /192kHz 2-in /2-out USB Audio Interface Function

MG Series mixing consoles feature flexible digital connectivity for quick and easy highresolution playback of digital content. Simply connect to your PC via USB, or to your iPhone / iPad (2 or later) using Apple’s Camera Connection Kit / Lightning to USB

Camera Adapter. The USB protocol uses asynchronous data transfer. Audio data is transferred based on highly precise audio clock signal from the MG, for high quality recording and playback. You can view the latest operating environment at the Yamaha

Pro Audio website (URL below).

http//www.yamahaproaudio.com/mg_xu/

* Apple, iPhone, iPad, Camera Connection Kit, and Lightning to USB Camera Adapter are trademarks of Apple Inc., registered in the U.S. and other countries.

All other product and company names are ™ and/or ® of their respective holders. All rights reserved.

Cubase AI

(MG10XU MG12XU MG16XU MG20XU)

MG X / XU models are bundled with Downloadable Steinberg’s Cubase AI software.

As one of the most advanced, comprehensive DAW suites available, Steinberg’s

Cubase has led the charge, providing users with a powerful and flexible platform for music production. Cubase AI offers these same core technologies and interface that have won Cubase worldwide acclaim.

10

11

MG06 MG10 MG12 MG16 MG20

MG06X MG10XU MG12XU MG16XU MG20XU

The new MG Series offers a comprehensive lineup of consoles suitable for a wide range of mixing environment. The versatile lineup includes variety of channel configurations, as well as models equipped with SPX effects processors and USB audio interface geared towards live performance and recording, perfect for any application from monitor mixes to seminars to front of house sound reinforcement in smaller venues.

Application Application

12

XU models

For a more precise control and enhancement of your sound, XU models of the MG Series come equipped with a suite of Yamaha’s renowned SPX effects. Featuring high-resolution Chorus,

Flanger, Distortions, Reverb and Delay, all with editable parameters, these are the same multieffects processors used on Yamaha’s high-end mixing consoles, giving you the tools you need to elevate your mixes to a higher plane.

MG10XU MG12XU

MG16XU MG20XU

13

10-Channel Mixing Console

Max. 4 Mic / 10 Line Inputs (4 mono + 3 stereo)

1 Stereo Bus 1 AUX (incl. FX)

“D-PRE” mic preamps with an inverted Darlington circuit

1-Knob compressors

High-grade effects: SPX with 24 programs

24-bit / 192kHz 2in / 2out USB Audio functions

Works with the iPad (2 or later) through the Apple iPad Camera

Connection Kit / Lightning to USB Camera Adapter

Includes Cubase AI DAW software download version

PAD switch on mono inputs +48V phantom power

XLR balanced outputs Metal chassis



2 GROUP Buses + 1 Stereo Bus 2 AUX (incl. FX)


1-Knob compressors


24-bit / 192kHz 2in / 2out USB Audio functions



Includes Cubase Al DAW software download version


XLR balanced outputs Internal universal power supply for world-wide use

Optional Rack Mount Kit RK-MG12 Available Metal chassis





1-Knob compressors


24-bit/192kHz 2in/2out USB Audio functions



Includes Cubase Al DAW software download version



Rack Mount Kit Included Metal chassis





1-Knob compressors


24-bit/192kHz 2in/2out USB Audio functions



Includes Cubase AI DAW software download version




14

15

Standard Models

The third generation of the acclaimed MG Series, these compact mixing consoles focus on delivering high quality sound for a diverse range of mixing environments. With the same mic preamps as our high-end professional mixers, the MG Series provides serious sound with the reliability and performance this series is renowned for.

MG10 MG12

MG16 MG20



1 Stereo Bus 1 AUX (incl. FX)


1-Knob compressors PAD switch on mono inputs

+48V phantom power XLR balanced outputs

Metal chassis







Internal universal power supply for world-wide use

Optional Rack Mount Kit RK-MG12 Available Metal chassis

















16

MG06 / MG06X

MG06 MG06X

17



1 Stereo Bus


XLR balanced outputs


Metal chassis



1 Stereo Bus



XLR balanced outputs PAD switch on mono inputs

+48V phantom power Metal chassis

18

19

MG Series Specifications

General Specifications

Frequency Response Input to STEREO OUT

Total harmonic distortion

(THD+N)

Input to STEREO OUT

Hum&Noise *1

(20 Hz to 20 kHz)

Crosstalk(1 kHz) *2

Equivalent Input Noise

Residual Output Noise

Input channels

Output channels

Mono[MIC/LINE]

Mono/Stereo[MIC/LINE]

Stereo[LINE]

STEREO OUT

MONITOR OUT

PHONES

AUX SEND

GROUP OUT

Bus

PAD (Mono)

HPF (Mono, Mono/Stereo)

COMP (Mono)

Input Channel Function EQ

MG20XU / MG20 MG16XU / MG16 MG12XU / MG12

+0.5 dB/-1.5 dB (20 Hz to 48 kHz) , refer to the nominal output level @ 1 kHz, GAIN knob: Min

0.03 % @ +14dBu (20 Hz to 20kHz), GAIN knob: Min

0.005 % @ +24dBu (1kHz), GAIN knob: Min

12

4

0

4

4

Stereo: 1, GROUP: 4,

AUX: 4 (MG20XU: incl. FX)

-128 dBu (Mono Input Channel, Rs: 150 Ω , GAIN knob: Max)

-102 dBu (STEREO OUT, STEREO master fader: Min)

-78 dB

8

2

1

2

2

1

4

4



26 dB

80 Hz, 12 dB/oct (Mono/Stereo: MIC only)

4

2

2

2

2



1-knob compressor (Gain/Threshold/Ratio) Threshold: +22 dBu to -8 dBu, Ratio: 1:1 to 4:1,

Output level: 0 dB to 7 dB Attack time: approx. 25 msec, Release time: approx. 300 msec

HIGH: Gain: +15 dB/-15 dB, Frequency: 10 kHz shelving

MID: Gain: +15 dB/-15 dB, Frequency: Mono 250 Hz – 5 kHz peaking

Stereo 2.5 kHz peaking

MID: Gain: +15 dB/-15 dB,

Frequency: 2.5 kHz peaking

LOW: Gain: +15 dB/-15 dB, Frequency: 100 Hz shelving

LED turns on when post EQ signal reaches 3 dB below clipping

2x12 -segment LED meter [PEAK, +10, +6, +3, 0, -3, -6, -10, -15, -20, -25, -30 dB] Level Meter

Internal Digital Effect

(XU Models)

PEAK LED (Mono)

Pre Monitor LEVEL

SPX algorithm

USB Audio

(XU Models)

Phantom Power Voltage

Power Requirements

Power Consumption

2 IN / 2 OUT

Dimensions (W x H x D)

Net Weight

24 programs, PARAMETER control:1, FOOT SW:1 (FX RTN CH on/off)

36 W

444 mm x 130 mm x 500 m

(17.5" x 5.1" x 19.7")

USB Audio Class 2.0 compliant

Sampling Frequency: Max 192 kHz, Bit Depth: 24-bit

+48 V

AC 100 – 240 V, 50 / 60 Hz

30 W

444 mm x 130 mm x 500 mm

(17.5" x 5.1" x 19.7")

22 W

308 mm x 118 mm x 422 mm

(9.6" x 2.8" x 11.6")

MG20XU:7.1kg (15.7 lbs.)

MG20: 6.9kg (15.2 lbs.)

MG16XU:6.8 kg (15.0 lbs.)

MG16: 6.6 kg (14.6 lbs.)

MG12XU:4.2 kg (9.3 lbs.)

MG12:4.0 kg (8.8 lbs.)

Included Accessory

Owner’s Manual, Technical Specifications, AC power cord, Cubase AI Download Information (XU Models)

Rack-mount kit (MG20XU, MG20, MG16XU, MG16)

Optional Accessory

Operating Temperature

Rack-mount kit: RK-MG12 (for MG12XU, MG12), Foot Switch: FC5 (XU Models)

0 to +40˚C

0 dBu = 0.775 Vrms Output impedance of signal generator (Rs) = 150 Ω

All level controls are nominal if not specified.

*1 Noise is measured with A-weighting filter. *2 Crosstalk is measured with 1 kHz band pass filter.

Frequency Response Input to STEREO OUT

Total harmonic distortion

(THD+N)

Input to STEREO OUT

Hum&Noise *1

(20 Hz to 20 kHz)

Crosstalk(1 kHz) *2

Input channels

Equivalent Input Noise

Residual Output Noise

Output channels

Bus

PAD (Mono)

HPF (Mono)

COMP

Input Channel Function

EQ HIGH

EQ MID

EQ LOW

PEAK LED (Mono)

Level Meter

Post STEREO

LEVEL knob

Internal Digital Effect SPX algorithm

MG10XU / MG10


MG06X / MG06






-128 dBu (Mono Input Channel, Rs: 150 Ω , GAIN knob: Max)

-102 dBu (STEREO OUT, STEREO LEVEL knob: Min)

-83 dB -88 dB

10 channels: Mono [MIC/LINE]: 4, Stereo[LINE]: 3 6 channels: Mono [MIC/LINE]: 2, Stereo[LINE]: 2

STEREO OUT: 2, PHONES: 1,

MONITOR OUT: 1, AUX[FX] SEND: 1

Stereo: 1, AUX[FX], 1

26 dB

80 Hz, 12 dB/oct

STEREO OUT: 2, PHONES: 1

Stereo: 1

26 dB

80 Hz, 12 dB/oct

1-knob compressor Threshold: +22 dBu to -8 dBu,

Ratio: 1:1 to 4:1, Output level: 0 dB to 7 dB

Attack time: approx. 25 msec,

Release time: approx. 300 msec

Gain: +15 dB/-15 dB, Frequency: 10 kHz shelving

Gain: +15 dB/-15 dB, Frequency: 2.5kHz peaking

Gain: +15 dB/-15 dB, Frequency: 100 Hz shelving

LED turns on when post EQ signal reaches

3 dB below clipping

——

(Mono) Gain: +15 dB/-15 dB, Frequency: 10 kHz shelving

——

(Mono) Gain: +15 dB/-15 dB, Frequency: 100 Hz shelving

LED turns on when post EQ signal reaches

3 dB below clipping

2 x 7 -segment LED meter

[PEAK, +10, +6, 0, -6, -10, -20 dB]

2 x 7 -segment LED meter

[PEAK, +6, +3, 0, -3, -10, -20 dB]

24 programs (MG10XU) 6 programs (MG06X)

USB Audio

(MG10XU)

Phantom Power Voltage

2 IN / 2 OUT

USB Audio Class 2.0 compliant

Sampling Frequency: Max 192 kHz, Bit Depth: 24-bit (MG10XU)

+48 V

——

+48 V

Power Supply adaptor

PA-10 (AC 38 VCT, 0.62A, Cable length = 3.6 m) or equivalent recommended by Yamaha

PA-130 (DC12 V/1.0 A, Cable length = 1.8 m), 120 V, 60 Hz

MU18 (DC12 V/1.5 A, Cable length = 1.5 m), 100 V-240 V,

50 Hz/60 Hz or equivalent recommended by Yamaha

Power Consumption

Dimensions (W×H×D)

Net Weight

Included Accessory

Optional Accessory

Operating Temperature

22.9 W

244 mm x 71 mm x 294 mm (9.6"x 2.8"x 11.6")

MG10XU: 2.1 kg (4.63 lbs.), MG10: 1.9 kg (4.19 lbs.)

12 W

149 mm x 62 mm x 202 mm (5.9"x 2.4"x 7.9")

MG06X: 0.9 kg (1.98 lbs.), MG06: 0.9 kg (1.98 lbs.)

AC Adaptor, Owner’s Manual,

Cubase AI Download Information (MG10XU), Technical Specifications

AC Adaptor, Owner’s Manual,

Technical Specifications

Mic Stand Adaptor: BMS-10A, Foot Switch: FC5 (MG10XU)

0 to +40˚C

0 dBu = 0.775 Vrms Output impedance of signal generator (Rs) = 150 Ω

All level knobs are nominal if not specified.

*1 Noise is measured with A-weighting filter. *2 Crosstalk is measured with 1 kHz band pass filter.

20

21

MG20 / MG20XU Analog Input Characteristics

Input

Jacks

MIC/LINE

1 – 12

PAD

26 dB

OFF

ON

GAIN Trim

Position

+64 dB

+20 dB

+38 dB

-6 dB

Actual Load

Impedance

3k Ω

For Use With

Nominal

Sensitivity *1

-80 dBu

(0.077 mV)

50-600 Ω

Mics/Lines

-36 dBu

(12. 3 mV)

-54 dBu

(1.55 mV)

-10 dBu

(245 mV)

Input level

Nominal

-60 dBu

(0.775 mV)

-16 dBu

(122.8 mV)

-34 dBu

(15.46 mV)

+10 dBu

(2.451 V)

MIC

13/14 –

19/20

LINE

13/14 –

15/16

LINE

17/18 –

19/20

–

–

–

+64 dB

+20 dB

+38 dB

-6 dB

+38 dB

-6 dB

3k Ω

10k Ω

10k Ω

50-600 Ω

Mic

600 Ω

Lines

600 Ω

Lines

-80 dBu

(0.077 mV)

-36 dBu

(12. 3 mV)

-54 dBu

(1.55 mV)

-10 dBu

(245 mV)

-54 dBu

(1.55 mV)

-10 dBu

(245 mV)

-60 dBu

(0.775 mV)

-16 dBu

(122.8 mV)

-34 dBu

(15.46 mV)

+10 dBu

(2.451 V)

-34 dBu

(15.46 mV)

+10 dBu

(2.451 V)

Max. before clip

-40 dBu

(7.75 mV)

+4 dBu

(1.228 V)

-14 dBu

(154.6 mV)

+30 dBu

(24.51 V)

-40 dBu

(7.75 mV)

+4 dBu

(1.228 V)

-14 dBu

(154.6 mV)

+30 dBu

(24.51 V)

-14 dBu

(154.6 mV)

+30 dBu

(24.51 V)

Connector

Combo jack*2

(Balanced)

XLR-3-31 *3

(Balanced)

Phone jack *5

(Unbalanced)

RCA Pin

(Unbalanced)

MG20 / MG20XU Analog Output Characteristics

Output Terminals

Actual

Source

Impedance

For Use With

Nominal

Nominal

Output level

Max. before clip

STEREO OUT [L, R]

MONITOR OUT [L, R]

GROUP OUT [1 - 4]

AUX SEND [1 - 4]

PHONES

75 Ω

150 Ω

110 Ω

600 Ω Lines

10k Ω Lines

40 Ω Phones

Connector

+4 dBu

(1.228 V)

+24 dBu

(12.28 V)

XLR-3-32 *3

Phone jack *4

(Balanced)

+4 dBu

(1.228 V)

+20 dBu

(7.750 V)

Phone jack *4

(Impedance Balanced)

3 mW + 3 mW 100 mW + 100 mW Stereo phone jack


Input level

Input

Jacks

PAD

26 dB

GAIN Trim

Position

Actual

Load

Impedance

For Use

With

Nominal

Sensitivity *1 Nominal

MIC/LINE

1 – 8

MIC

9/10,

11/12

LINE

9/10,

11/12

OFF

ON

–

–

+64 dB

+20 dB

+38 dB

-6 dB

+64 dB

+20 dB

+38 dB

-6 dB

3k Ω

3k Ω

10k Ω

50-600 Ω

Mics/Lines

-80 dBu

(0.077 mV)

-36 dBu

(12. 3 mV)

-54 dBu

(1.55 mV)

50-600

Mic

600 Ω

Lines

Ω

-10 dBu

(245 mV)

-80 dBu

(0.077 mV)

-36 dBu

(12. 3 mV)

-54 dBu

(1.55 mV)

-10 dBu

(245 mV)

-60 dBu

(0.775 mV)

-16 dBu

(122.8 mV)

-34 dBu

(15.46 mV)

+10 dBu

(2.451 V)

-60 dBu

(0.775 mV)

-16 dBu

(122.8 mV)

-34 dBu

(15.46 mV)

+10 dBu

(2.451 V)

LINE

13/14 –

15/16

– – 10k Ω

600 Ω

Lines

-30 dBu

(24.5 mV)

-10 dBu

(245 mV)

Max. before clip

-40 dBu

(7.75 mV)

+4 dBu

(1.228 V)

-14 dBu

(154.6 mV)

+30 dBu

(24.51 V)

-40 dBu

(7.75 mV)

+4 dBu

(1.228 V)

-14 dBu

(154.6 mV)

+30 dBu

(24.51 V)

Connector

Combo jack *2

(Balanced)

XLR-3-31 *3

(Balanced)

Phone jack *5

(Unbalanced)

+10 dBu

(2.45 V)

Phone jack *5

RCA Pin

(Unbalanced)


Output Terminals

STEREO OUT [L, R]

MONITOR OUT [L, R]

GROUP OUT [1 - 4]

AUX SEND [1 - 4]

PHONES

Actual

Source

Impedance

75 Ω

150 Ω

110 Ω

For Use With

Nominal

600 Ω Lines

10k Ω Lines

40 Ω Phones

Output level

Connector

Nominal Max. before clip

+4 dBu

(1.228 V)

+24 dBu

(12.28 V)

XLR-3-32 *3

Phone jack *5

(Balanced)

+4 dBu

(1.228 V)

+20 dBu

(7.750 V)

Phone jack *4


3 mW + 3 mW 100 mW + 100 mW Stereo phone jack

Digital Input / Output Characteristics (XU Models)

Output Terminals Data Length

USB

Format

USB Audio

Class 2.0

16 / 24bit

Fs

44.1 kHz, 48 kHz, 88.2 kHz,

96 kHz, 176.4kHz, 192 kHz

Connector

USB Standard-B

0dBu is referenced to 0.775Vrms.

*1 Sensitivity is the lowest level that will produce an output of +4dBu (1.228V) or the nominal output level when

the unit is set to maximum gain. (All level controls are maximum position.)

*2 1&Sleeve = GND, 2&Tip = HOT, 3&Ring = COLD

*3 1 = GND, 2 = HOT, 3 = COLD

*4 Tip = HOT, Ring = COLD, Sleeve = GND

*5 Tip = Signal, Sleeve = GND


Input

Jacks

MIC/LINE

1 – 4

PAD

26 dB

OFF

ON

GAIN Trim

Position

+64 dB

+20 dB

+38 dB

Actual Load

Impedance

3k Ω

For Use With

Nominal

Sensitivity *1

-80 dBu

(0.077 mV)

50-600 Ω

Mics/Lines

-36 dBu

(12.3 mV)

-54 dBu

(1.55 mV)

Input level

Nominal

-60 dBu

(0.775 mV)

-16 dBu

(122.8 mV)

-34 dBu

(15.46 mV)

-6 dB

-10 dBu

(245 mV)

+10 dBu

(2.451 V)

MIC

5/6, 7/8

LINE

5/6, 7/8

–

–

+64 dB

+20 dB

+38 dB

-6 dB

3k Ω

10k Ω

50-600 Ω

Mic

600 Ω

Lines

-80 dBu

(0.077 mV)

-36 dBu

(12. 3 mV)

-54 dBu

(1.55 mV)

-10 dBu

(245 mV)

-60 dBu

(0.775 mV)

-16 dBu

(122.8 mV)

-34 dBu

(15.46 mV)

+10 dBu

(2.451 V)

Max. before clip

-40 dBu

(7.75 mV)

+4 dBu

(1.228V)

-14 dBu

(154.6 mV)

+30 dBu

(24.51 V)

-40 dBu

(7.75 mV)

+4 dBu

(1.228 V)

-14 dBu

(154.6 mV)

+30 dBu

(24.51 V)

Connector

Combo jack*2

(Balanced)

XLR-3-31 *3

(Balanced)

Phone jack *5

(Unbalanced)

LINE

9/10

– – 10k Ω

600 Ω

Lines

-30 dBu

(24.5 mV)

-10 dBu

(245 mV)

+10 dBu

(2.45 V)

Phone jack *5

RCA Pin

(Unbalanced)


Output Terminals

Actual

Source

Impedance

For Use With

Nominal

Nominal

Output level

Max. before clip

STEREO OUT [L, R]

MONITOR OUT [L, R]

GROUP OUT [1, 2]

AUX SEND [1, 2]

PHONES

75 Ω

150 Ω

110 Ω

600 Ω Lines

10k Ω Lines

40 Ω Phones

+4 dBu

(1.228 V)

+4 dBu

(1.228 V)

3 mW + 3 mW

Connector

+24 dBu

(12.28 V)

XLR-3-32 *3

Phone jack *4

(Balanced)

+20 dBu

(7.750 V)

Phone jack *4


100 mW + 100 mW Stereo phone jack


Input

Jacks

MIC/LINE

PAD

26 dB

OFF

GAIN Trim

Position

+64 dB

+20 dB

Actual Load

Impedance

3k Ω

For Use With

Nominal

Sensitivity *1

-72 dBu

(0.195 mV)

-28 dBu

(30.9 mV)

Input level

Nominal

-60 dBu

(0.775 mV)

-16 dBu

(122.8 mV)

1 – 4

50-600 Ω

Mics/Lines

-46 dBu

(3.884 mV)

-34 dBu

(15.46 mV)

ON

+38 dB

-6 dB

-2 dBu

(615.6 mV)

+10 dBu

(2.451 V)

LINE

5/6, 7/8　

– – 10k Ω

600 Ω

Lines

-22 dBu

(61.56 mV)

-10 dBu

(245.1 mV)

LINE 9/10

Max. before clip

-40 dBu

(7.75 mV)

+4 dBu

(1.228V)

-14 dBu

(154.6 mV)

+30 dBu

(24.51 V)

+10 dBu

(2.451 V)

Connector

Combo jack *2

(Balanced)

Phone jack *5 RCA Pin

(Unbalanced)

Phone jack *5

(Unbalanced)


Output Terminals

Actual

Source

Impedance

For Use With

Nominal

Nominal

Output level

Max. before clip

STEREO OUT [L, R]

MONITOR OUT [L, R]

AUX[FX] SEND

75 Ω

150 Ω

600 Ω Lines

+20 dB

10k Ω Lines

+4 dBu

(1.228 V)

+4 dBu

(1.228 V)

Connector

+24 dBu

(12.28 V)

XLR-3-32 *3

Phone jack *5

(Balanced)

+20 dBu

(7.750 V)

Phone jack *4


100 mW + 100 mW Stereo phone jack PHONES 110 Ω 40 Ω Phones 3 mW + 3 mW

MG06 / MG06X Analog Input Characteristics

Input

Jacks

MIC/LINE

1/L, 2/R

PAD

26 dB

OFF

ON

GAIN Trim

Position

+64 dB

+20 dB

+38 dB

Actual Load

Impedance

For Use With

Nominal Sensitivity *1

-72 dBu

(0.195 mV)

3k Ω

50-600 Ω

Mics/Lines

-28 dBu

(30.9 mV)

-46 dBu

(3.884 mV)

Input level

Nominal

-60 dBu

(0.775 mV)

-16 dBu

(122.8 mV)

-34 dBu

(15.46 mV)

Max. before clip

-46 dBu

(3.884 mV)

-2 dBu

(615.6 mV)

-20 dBu

(77.5 mV)

Connector

Combo jack *2

(Balanced)

-6 dB

-2 dBu

(615.6 mV)

+10 dBu

(2.451 V)

+24 dBu

(12.283 V)

LINE

3/4, 5/6

– – 10k Ω

600 Ω

Lines

-22 dBu

(61.56 mV)

-10 dBu

(245.1 mV)

+4 dBu

(1.228 V)

Phone jack *5

(Unbalanced)

MG06 / MG06X Analog Output Characteristics

Output Terminals

STEREO OUT [L, R]

PHONES

Actual Source

Impedance

75 Ω

33 Ω

For Use With

Nominal

Nominal

Output level

Max. before clip

Connector

10k Ω Lines

+4 dBu

(1.228 V)

+18 dBu

(6.156 V)

XLR-3-32 *3

Phone jack *4

(Balanced)

40 Ω Phones 2.4 mW + 2.4 mW 24 mW + 24 mW Stereo phone jack

Channel Strip

(MG20XU)

Mono

Input

Channel

Stereo

Input

Channel

Stereo / USB

Input

Channel

Master &

Effects

Section

22

23

Block & Level Diagram

MG06X / MG06

MG10XU / MG10

MG12XU / MG12

24

25

Block & Level Diagram

MG16 XU / MG16

MG20XU / MG20

26

Yamaha MG06 6 Channel Stereo Mixer Owner's Manual

Road Tough. Studio Ready.

Head of the class

D-PRE Discrete Class-A Mic Preamps

High Quality Sound Op-amp

Switchable Phantom Power & PAD Switch

Our mixer. Your sound.

1-knob Compressors

EQ and High-pass Filters

AUX / Effect Sends / Group

Built-in SPX Digital Effects

A variety of input / output connectors

LED level metering

Built to last

Metal Chassis

Internal Universal Power Supply

Rack Mount Kit Included

XLR connector

Options

Create, record… listen

24-bit /192kHz 2-in /2-out USB Audio Interface Function

Cubase AI

Application Application

XU models

Standard Models

MG06 / MG06X

MG Series Specifications

General Specifications

Channel Strip

Block & Level Diagram

Block & Level Diagram

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