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THRESHOLD
Active
EQUALIZATION
Side Chain
Low Mid
10
SOURCE NR
-6
0 20
In
Eq
Out dB
-12
High
Side
Chain
OUTPUT
CHANNEL
To get an understanding of the crossover controls try the following example. While still in the Side Chain mode, listen to just one frequency band, by turning down the levels in the other two. Alter the
Crossover frequencies to see how they affect each band. Note that the
Mid-band is affected by both upper and lower Crossovers.
Now switch between EQ In and EQ Out to hear the effect of adding this Low-level detail to the main signal to create spectrally processed audio.
Some General Techniques
The settings given in the following section are intended as a starting point, from which new users should be able to: x
Develop a feel for how best to use the processor on a particular track.
x
Get some interesting and worthwhile results instantly.
Low Mid
SECTION 4
FRONT-PANEL CONTROLS
Controls
The controls on the Spectral Processor affect the operation of the signal processing section and are used to control when (in terms of signal level) processing effects begin and end and where (in terms of frequency) the effects will be heard. The Model 740 Spectral
Processor has two channels of processing that may be used independently or as a stereo pair. Each channel is divided into four sections: THRESHOLD, EQUALIZATION, SOURCE NR, and
OUTPUT.
THRESHOLD
Active
EQUALIZATION
Side Chain
10
SOURCE NR
-6
OUTPUT
0 20
In
Eq
Out dB
-12
High
Side
Chain
THRESHOLD Section
The THRESHOLD control is used to control the level at which processing effects begin.
THRESHOLD
Active
The threshold may be set from -60 dB to -40 dB below 0 VU. A setting of -50 dB means that signals below -50 dB will be boosted by 20 dB, signals above -50 dB will receive progressively less boost, reaching unity gain at around -10 dB. Turning the control in a clockwise direction raises the threshold, i.e. more of the signal will be fully boosted and the
Spectral Processor will have more effect on the sound.
Above the threshold control is a 5-LED meter.
Normally, the threshold control should be adjusted so that the center green LED is lit most often.
20
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Table of contents
- 5 Introduction
- 5 Low-level Processing - a new idea
- 6 The Gain Elements
- 6 Combining Fixed and Sliding Bands
- 6 Multi-level Processing
- 6 Three-band EQUALIZATION Control
- 7 Source Noise Reduction
- 9 Specifications
- 13 Installation
- 14 Power Connections
- 15 Audio Connections
- 15 For Balanced Systems
- 15 For Unbalanced Systems
- 16 Operating level
- 17 Controls
- 17 Threshold Section
- 18 Equalization Section
- 18 Crossover Control
- 19 Equalization Mode Switch
- 19 Source NR Section
- 19 Filter Switches
- 20 Output Level Control
- 21 Stereo Link Switch
- 21 Power LED
- 23 Some General Techniques
- 24 “Extending” the frequency response
- 25 Emphasizing Mid-Range Frequencies
- 26 Bringing Out Ambience
- 27 Using the Source NR Section
- 28 Using the Side Chain Output
- 30 Safety Notices
- 37 Sheets for recording control settings