Programming the REMOTE jack for Incrementing Programs. Art Pro Audio Multiverb Alpha 2.0

Using this method of editing, you select the desired patch on the keyboard or foot pedal, and then select the desired PRESET on the MULTIVERB ALPHA 2.0 for that sound. You can do this while you are listening to the MULTIVERB ALPHA 2.0.

When used with a keyboard or other device which sends MIDI PROGRAM CHANGE messages, MPT editing is simplified. We will edit the MPT for MIDI numbers 2 and

3, to recall presets 96 and 1. Once again it is assumed the MULTIVERB ALPHA 2.0

has not had its MPT edited.

The keyboard/controller MIDI OUT must be connected to the MULTIVERB ALPHA 2.0's

MIDI IN jack. The MIDI channel on the MULTIVERB ALPHA 2.0 must be set to the same channel of the sending device, or the MULTIVERB ALPHA 2.0's OMNI mode must be ON.

-Make sure you are in EDIT Mode. (Press EDIT button if not)

-Press the MIDI button.

-Turn the Encoder until you see in the LCD:

MIDI PROG= 2 > MIDI PROG= 2

PRESET= 3_ > PRESET= 96_

-Select a patch on the keyboard or MIDI foot pedal so [MIDI PROG= 2] is displayed

(select either preset #1, 2 or 3). If the MPT has never been edited, [PRESET=

3_] should be in the lower half of the display.

*The patch that causes [MIDI PROG= 2] to appear in the display is usually the second or third patch of the lowest numbered bank if the keyboard has banks of patches.

-Use the Encoder to select preset 96.

-With the keyboard change the MIDI PROGram number to 3.

-Set the PRESET to = 1.

MIDI PROG= 3 > MIDI PROG= 3

PRESET= 4_ > PRESET= 1_

You may continue to program each of the keyboard's patches (say there are 64) in this manner assigning any preset # to the patch.

In the previous examples four of the MPT entries were edited. You may edit the entire MPT if desired.

INCREMENT PROGRAM

If you do not have access to a MIDI controller and you wish to change between

PRESETs easily, you may want to edit the MPT for incrementing through a sequence of presets. Example 3 illustrates how this is done.

The sequence programmed in Example 3 may be accessed from the front panel. A more useful way of using a programmed sequence is to access the sequence using the

REMOTE jack and a momentary footswitch. To access these presets we must program the REMOTE JACK to increment the programs. You can only increment up through the programs. Example 4 describes how program the REMOTE jack to sequence through the ten presets set up in Example 3 with a footswitch. Example five shows how to program the REMOTE jack for normal bypass operation.

EXAMPLE 3

Setting up a preset sequence including a bypass preset.

If you need to change between presets quickly without scanning or MIDI, this procedure will be to your advantage. As in the other examples, editing the MPT is

42

the key. In this example we will edit the MPT to sequence through ten presets.

Ten is not the limit. You may program a sequence of 127 presets if you wish.

These presets will be in the order: 60, 151, 96, 1, 151, 35, 1, 69, 100 and 61.

Notice that we repeated some presets and included preset 100 which is set up from the factory as a bypass preset (no effects stored in it). Remember you can assign any preset to a MIDI number including using a preset at multiple locations. Using an empty preset as a bypass enables you to select no effect eliminating the need

to bypass the unit from the front panel and then continuing on with an effect preset next in the chain. NOTE: If your Mix is set for only 100% EFX, no signal will pass through the MULTIVERB ALPHA 2.0.

-Make sure you are in EDIT Mode. (Press EDIT button if not)

-Press the MIDI button.

-Press the Value button, use the Encoder to change the display to:

MIDI PROG= 0 > MIDI PROG= 0

PRESET= 1_ > PRESET= 60_

-change between the upper and lower lines, changing the values as needed.

*MIDI program #'s will be 0 thru 9.

*follow the procedure in Example 1 if you're stuck!

EXAMPLE 4

Programming the REMOTE jack for Incrementing Programs

Program the REMOTE 1 jack on the rear panel so you may use a footswitch to increment through a desired set of presets, operate as a normal bypass jack, or trigger the Sampler. Remember, you may only increment up when using a footswitch and the sequence cycles through to the beginning.

-Make sure you are in EDIT Mode. (press EDIT button if not)

-Press the UTILITY button. Change the display to read [REMOTE SWITCH 1] in the top half and [= BYPASS ON/OFF] in the bottom half.

-Press the Value button.

-Use the ENCODER to change the number to 9.

*You have just programmed the MULTIVERB ALPHA 2.0 to sequence through the ten presets set in Example 3 when using a momentary footswitch plugged into the

REMOTE 1 jack.

REMOTE SWITCH 1

= INCR PROGS 9

NOTE: To change this to decrement presets, program the REMOTE 2 jack for decrement following the above example.

REMOTE SWITCH 2

= DECR PROGS 9

EXAMPLE 5

Adding Performance MIDI to an existing preset.

43

In this example we are going to add PM to preset 79, NEW BLUES GTR. The effect parameter we will control is: CHO:WIDTH, the width of the chorus. The intended controller will be MC 4, Foot Controller. Now when the MIDI controller is used, the width control will change from 50% to 100%.

-Recall preset 79.

-Press the EDIT button.

-Press the Preset button and use the Encoder to select preset 120. -Press the

Store button.

*You've just copied #79 to location 120.

-Press the ADD EFFECT and turn the Encoder until you see [ADD:MIDI CONTRL?].

-Press the ENTER button.

*You have just added a MIDI controller to the preset.

-Press the Param button four times.

-Press the Value button.

-Use the Encoder to select [CHO:LEVEL = 100%]

-Press the Value button again, DON'T CHANGE THIS VALUE.

-Press the Value button again.

-Use the Encoder to change the value to 50%.

-Press the Value button one more time!!!!

-DON"T CHANGE THE SETTING

-Press the STORE button.

*Press the EDIT Mode button to exit Edit Mode.

You now have edited a Factory Preset 79 for PM control of the chorus width. When you use the left pedal on the X-15 your chorus level will change from 50% to

100%. You may edit any existing preset to be controlled by PM. Remember to UNLOCK the preset to STORE your changes and then re-lock the presets.

EXAMPLE 6

Controlling the Overall Level of an ALPHA 2.0 Preset.

To control the level on each preset, you must add the two MIDI controllers set up like this TO EACH PRESET and control the Dry and Efx parameters of the Mix with one foot controller.

We will use Factory Preset 79 again for this example. If you have completed

Example 5, adding PM to a Factory Preset, copy Factory Preset 79 into location

121.

-Recall preset 79.

-Press the EDIT button.

-Press the Preset button and use the Encoder to select preset 121.

-Press the Store button.

*You've just copied #79 to location 121.

-Press the ADD EFFECT button and them turn the Encoder until you see [ADD:MIDI

CONTRL?].

-Press the ENTER button.

-Add another MIDI controller

-Press the Param button eight times.

-Press the Value button twice.

-Use the Encoder to select [MC 11:EXP. CTRL.]

-Press the Value button again, DON'T CHANGE THIS VALUE.

-Press the Value button again, DON'T CHANGE THIS VALUE EITHER.

-Press the Value button.

-Use the Encoder to select [MIX:EFX = 75%]

44

-Press the Value button once. .

-Use the Encoder to select [MC 11:EXP. CTRL.]

-Press the Value button again, DON'T CHANGE THIS VALUE.

-Press the Value button again, DON'T CHANGE THE VALUE.

-Press the Value button.

-Press the STORE button.

Now, when the right pedal on the X-15 is used, the output volume of the ALPHA 2.0

changes from 0 to 100%. You may change the amount of minimum and maximum level the foot pedal controls by setting the Low and High Values (3rd and 4th screen) when adding the MIDI controller.

45

APPENDIX C

MULTIVERB ALPHA 2.0 MIDI MESSAGES

The MULTIVERB ALPHA 2.0 responds to the following messages:

Program change:

Cxh ddh x = channel number 0h to Fh for channels 1 to 16 dd = program number 0h to 7Fh or 0 to 127

If the channel the MULTIVERB ALPHA 2.0 is set to is not off and the channel matches (either it is the same number or OMNI is on), then the unit will look up the preset in the MIDI Program Table (MPT) and recall the corresponding preset.

Channel Mode message for OMNI on/off

Bxh 7Ch 0h : OMNI Mode Off

Bxh 7Dh 0h : OMNI Mode On x = channel number, 0h to Fh for channels 1 to 16

If the channel matches the units's channel number, it will set the OMNI mode accordingly. The current OMNI mode does not affect this message, the channel must match regardless of current OMNI mode.

SYSTEM EXCLUSIVE MESSAGES message format: general: <System Exclusive Status> <ART ID> <channel>

<product ID> <message ID> <message...> <EOX> in hex: F0h 1Ah 0xh 06h <message ID> <message...> F7h

F0h - System Exclusive status byte.

1Ah - ART manufacturer's ID number.

0xh - channel number, 0 to 0Fh.

11h - MULTIVERB ALPHA 2.0 product id code.

F7h - End Of exclusive status byte.

Message ID values >= 40h are requests. A request is a message that when received by the MULTIVERB ALPHA 2.0 causes a message to be sent by the MULTIVERB ALPHA

2.0.

0x is the channel number, 0 to 15 (00h to 0Fh). To the user, the channel number is displayed as 1 to 16.

Internally, presets are numbered 0 to 199. When a preset number is displayed, it is shown as 1 to 200. Any messages that refer to the MULTIVERB ALPHA 2.0 preset number refer to the internal number, 0..199. Preset numbers are referenced in message with 2 data bytes, least significant 7 bits, then most significant bit in the lsb of the next byte. Example: preset 1 on the LCD is referenced with 00h

00h, and preset 200 is referenced with 47h, 01h.

When channel number is OFF and a front panel command for a dump is processed, the

MULTIVERB ALPHA 2.0 sends a message coded for channel 1 (the lowest channel number).

46

DETAILED DESCRIPTION OF MESSAGES

Set Bypass OFF: F0 1A 0x 11 03 00 00 F7

Set Bypass ON: F0 1A 0x 11 03 00 01 F7

This allows remotely setting the state of BYPASS in the MULTIVERB ALPHA 2.0

without affecting anything else in the unit.

Request DUMP all presets: F0 1A 0x 11 4B F7

LOAD all presets: F0 1A 0x 11 0B <many bytes> F7

Dumps all presets in preset number order. No compression of the data is done.

Request MPT table: F0 1A 0x 11 4C F7

Set MPT table: F0 1A 0x 11 0C <128 * 2 bytes> F7

For each MIDI program number there is a corresponding MULTIVERB ALPHA 2.0 preset number. Each entry (internally) is 0..199 and is sent as 2 bytes. First the least significant 7 bits, then the msb. This is done for each of the 128 MIDI program numbers.

When FX ON/OFF Enable is ON, you may use MIDI controller 84 to activate MIDI

Bypass.

If you find you require additional MIDI technical information, please contact or

Customer Service department at (716) 436-2720.

47

APPENDIX D

MIDI Implementation Chart

ART MULTIVERB ALPHA 2.0 model 471; Date: JANUARY 1992; VER 2.0

|--------------------------------------------------------------------|

| Function | Transmitted | Recognized | Remarks |

|--------------------|-------------|-------------|-------------------|

| Basic Default | X | 1-16 | note 1 |

| Channel Channel | X | 1-16 | |

|--------------------|-------------|-------------|-------------------|

| Default | X | Mode 1,3 | note 1 |

| Mode Messages | X | OMNI ON/OFF | |

| Altered | X | O | |

|--------------------|-------------|-------------|-------------------|

| Note | X | O | |

| Number True Voice | X | O | |

|--------------------|-------------|-------------|-------------------|

| Velocity Note ON | X | O | |

| Note OFF | X | O | |

|--------------------|-------------|-------------|-------------------|

| After Key's | X | O | |

| Touch Ch's | X | O | |

|--------------------|-------------|-------------|-------------------|

| Pitch Bender | X | O | |

|--------------------|-------------|-------------|-------------------|

| | O | O | effects on/off |

| | | | controllers send |

| Control | | | controller msgs |

| | | | when presets are |

| Change | | | recalled |

| | | | |

| | | | |

| | | | |

|--------------------|-------------|-------------|-------------------|

| Prog | X | 0-127 |assignable to any |

| Change True # | X | |preset |

|--------------------|-------------|-------------|-------------------|

| System Exclusive | O | O |See: manual |

|--------------------|-------------|-------------|-------------------|

| System :Song Pos | X | X | |

| :Song Sel | X | X | |

| Common :tune | X | X | |

|--------------------|-------------|-------------|-------------------|

| System :Clock | X | X | |

| Real Time:Commands | X | X | |

|--------------------|-------------|-------------|-------------------|

| Aux :Local ON/OFF | X | X | |

| Mes- :All Notes Off| X | X | |

| sages:Active Sense | X | X | |

| :Reset | X | O | |

|--------------------------------------------------------------------|

Notes:

1: Factory default is channel 1, OMNI ON. Current setting is

maintained in non-volatile RAM and does not change when the

MULTIVERB ALPHA 2.0 is powered on.

Mode 1: OMNI ON, POLY Mode 2: OMNI ON, MONO O: Yes

Mode 3: OMNI OFF, POLY Mode 3: OMNI OFF, MONO X: No

48

APPENDIX E

MIDI: CONTROLLERS & NUMBERS

CONTROLLER # CONTROLLER DESCRIPTION _

0 UNDEFINED

1

2

MOD WHEEL

BREATH CONTROLLER

3

4

5

6

7

UNDEFINED

FOOT CONTROLLER

PORTAMENTO TIME

DATA ENTRY (msb)

MAIN VOLUME

66

67

68

69

8

9

10

11

12-15

16-19

20-31

32-63

64

65

BALANCE

UNDEFINED

PAN

EXPRESSION CONTROLLER

UNDEFINED

GENERAL PURPOSE #'S 1-4

UNDEFINED

LSB FOR VALUES 0-31

DAMPER PEDAL (SUSTAIN)

PORTAMENTO

SOSTENUTO

SOFT PEDAL

UNDEFINED

HOLD 2

70-79

80-83

84-90

91

92

93

94

95

96

97

98

99

100

101

102-120

121-127

UNDEFINED (X-15 EFFECTS ON/OFF)

GENERAL PURPOSE #'S 5-8

UNDEFINED *84 DEFAULT BYPASS

EXTERNAL EFFECTS DEPTH

TREMOLO DEPTH

CHORUS DEPTH

CELESTE (DETUNE) DEPTH

PHASER DEPTH

DATA INCREMENT

DATA DECREMENT

NON-REGISTERED PARAMETER # LSB

NON-REGISTERED PARAMETER # MSB

REGISTERED PARAMETER # LSB

REGISTERED PARAMETER # MSB

UNDEFINED

RESERVED FOR CHANNEL MODE MESSAGES

CONTINUOUS CONTROLLERS:

PITCH BEND WHEEL CHANNEL PRESSURE POLY AFTER TOUCH

NOTE ON VELOCITY NOTE ON KEY # NOTE OFF VELOCITY

NOTE OFF KEY #

49

DEFAULT MIDI CONTROLLER NUMBERS

X-15 PAD # EFFECT MIDI CONTROLLER #

1 EXCITER 70

2 COMPRESSOR 71

3

4

5

6

7

DISTORTION

EQUALIZER

EXPANDER/NOISE GATE

REVERB

DELAY

72

73

74

75

76

8

9

10

PITCH TRANSPOSER

FLANGE/CHORUS

SPECIAL EFFECTS

77

78

79

50

APPENDIX F

DIAGRAMS

INSTRUMENT INTO MULTIVERB ALPHA 2.0 INTO TWO AMPLIFIERS

MULTIVERB ALPHA 2.0

LINE IN LINE OUT

LT LT RT

INSTRUMENT AMP 1 AMP 2

GUITAR INTO MULTIVERB ALPHA 2.0 CONTROLLED BY ART X-15

ART X-15

IN OUT THRU

> IN AUDIO

MIDI ALPHA 2.0 OUT

< OUT IN

GUITAR >

>

STEREO EFFECTS SEND AND RETURN WITH MULTIVERB ALPHA 2.0

ALPHA 2.0

LINE IN LINE OUT

LT RT LT RT

LT RT LT RT

EFFECT SEND EFFECT RETURN

OR OR

AUX OUT INPUT CHANNEL #,#

MIXER

51

APPENDIX G

USING THE MULTIVERB ALPHA 2.0 WITH AN X-15 ULTRAFOOT

When an ART X-15 ULTRAFOOT is used with the ALPHA 2.0, remote control of the parameters and the ability to turn on and off the effects themselves greatly extend the capabilities of the ALPHA

2.0. More than half of the ALPHA 2.0's factory presets are set up with MIDI controllers providing you instant access to the parameters with your X-15.

You do not need to reprogram the X-15 ULTRAFOOT for use with the

ALPHA 2.0. All programming and setup is done with the ALPHA 2.0.

Add a MIDI Controller to the ALPHA 2.0 preset and edit the parameters. The default settings allow for almost instantaneous use with both devices. Refer to the example in Appendix B, Adding

Performance MIDI to an Existing Preset.

To correctly hook up the two devices, two MIDI cables should be used (see the hookup diagram on the preceding page). Both the ALPHA

2.0 and X-15 "talk" to each other keeping their status' up to date.

When the X-15 is in Effect Mode, it will display which effects in the preset are active by lighting the associated pad's LED. If you add, delete, or change the status of an effect with the ALPHA 2.0, the X-15 will monitor and display (or not display if you remove or turn off an effect) the change.

All of the presets in the ALPHA 2.0 with MIDI controllers assigned to them are set to be controlled by MIDI Controllers (MC) 4 and 11.

On the X-15, the left expression controller is MC 4 and the right pedal is MC 11. When adding a MIDI controller to a preset in the

ALPHA 2.0 the default value for the MIDI controller (screen 2,

CONTROLLER IS) is MC 4, Foot Controller. To select another MIDI controller, use the Encoder to change the Value while editing this screen.

Every time a message is sent from the X-15 to the ALPHA 2.0, the

Alpha's LCD displays the message sent. Effects on and off messages and real time pedal values will be displayed, program change messages (preset changes) will not be displayed. For effects on and off messages to be displayed the X-15 must be in Effect Mode.

Anytime either foot controller is moved, the ALPHA 2.0 displays the parameter name and value.

To control the output level of any ALPHA 2.0 preset, assign two

MIDI controllers to the preset, use one pedal as the controller, and control the Dry and Efx parameters of the Mix. See Example 6 in

Appendix B for setting up a preset for level control.

52

ART MULTIVERB ALPHA 2.0 SPECIFICATIONS

Presets..................................................... 115

Memory Locations............................................. 90

Dynamic Range .....................................>90dB Typical

Equivalent Input Noise...................................-107dBv

Operating Level.......................................+16dBV max

Input Impedance...........................................1M ohm

Output Impedance..........................................1K ohm

Mechanical..................1.75"H X 19"W X 10"D, all steel case

Power Requirements.........105-125 Volts AC, 60Hz, Internal Fuse

140ma @ 117VAC, 16.4W

(Export unit configured for destination country.)

MIDI Receive Channel.......................1-16, OMNI (all), Off

MIDI Programs....................May be assigned to any Preset #

Connections................Stereo In/Out 1/4" phone, MIDI IN, OUT,

................THRU, 2.1mm (+)9 VDC OUTPUT

ART retains a policy of constant product improvement.

Specifications are subject to change without notice.

Designed and manufactured in the United States of America.

Applied Research & Technology, Inc.

215 Tremont Street

Rochester, New York 14608

(716) 436-2720

(716) 436-3942 (FAX) http://www.artroch.com

53

1 OPEN CHAMBER REV

LPF REV-3

EQL AES

1 controller: 4

2 CARNEGIE HALL

LPF R-DDL-S REV-3

EQL AES

(no controllers)

3 HOTEL BALLROOM

LPF REV-3

EQL AES

(no controllers)

4 AMBIENT TALK REV

REV-1

EQL

(no controllers)

5 DIG.GUITAR TUNER

TNR

(no analog)

(no controllers)

6 MULTI-SHIFTER

S-DDL-S D-PTR

(no analog)

(no controllers)

7 ULTRAHARMONITAR

D-PTR

(no analog)

(no controllers)

8 STUNNING PHASER

PSR

EQL

(no controllers)

9 TERMINAYTOR

S-DDL-L PSR

EQL

4 controllers: 11 4

10 AMBIENT SPACE

REV-3

EQL AES

(no controllers)

11 BIG CONCERT REV

LPF REV-3

EQL

2 controllers: 11 4

12 BRGHT VOCAL ROOM

REV-2

EQL

(no controllers)

13 SYMPHONY HALL

LPF REV-3

EQL AES

1 controller: 4

14 GLISTENING PLATE

LPF REV-3

EQL AES

(no controllers)

15 VOICED DBL VERB

LPF REV-3

EQL AES

(no controllers)

54

MULTIVERB ALPHA 2.0 PRESET LIST

16 VOCAL CHOIR REVB

R-DDL-S REV-3

EQL AES

(no controllers)

17 TIGHT VOICE VERB

REV-3

EQL

(no controllers)

18 VOCAL CLOSE ROOM

T-DDL-S REV-1

EQL

(no controllers)

19 VOCAL SHADOW DBL

CHO GAT-1

EQL

2 controllers: 11 4

20 SAMPLE W/REVERB

SMP-S REV-1

EQL

1 controller: 4

21 DEEP GATED SNARE

GAT-3

EQL AES

(no controllers)

22 BIG HAIR GATE

GAT-2

EQL AES

(no controllers)

23 CONCUSSION GATE

R-DDL-S GAT-2

EQL

(no controllers)

24 RAPID GATE REV

R-DDL-S GAT-3

EQL

(no controllers)

25 CONCERT 12 STRNG

LPF PTR REV-1

EQL

2 controllers: 11 4

26 MELLOW 12 STRING

PTR REV-1

EQL AES

2 controllers: 11 4

27 SPATIAL CHORUS

LPF CHO TRM

AES

3 controllers: 11 4

28 DOUBLE CANYONS

S-DDL-S CHO PAN

EQL

2 controllers: 11 4

29 SWEPT CHORUS

S-DDL-L FLA

EQL AES

2 controllers: 11 4

30 ASLEEP AT WHEEL

T-DDL-S REV-2

EQL AES

2 controllers: 11 4

31 INFINITE CHORUS

R-DDL-S REV-1 CHO

EQL

2 controllers: 11 4

32 NITE DREAM FLANG

R-DDL-S REV-1 FLA

EQL

3 controllers: 11 4

33 CHORAL DREAM

R-DDL-S REV-1 FLA

EQL

2 controllers: 11 4

34 FIRE ON ICE

FLA GAT-2

(no analog)

2 controllers: 11 4

35 ALIEN INVASION

S-DDL-L FLA MPN

EQL

3 controllers: 4 11

36 DIAMOND CUTTER

R-DDL-L REV-1 FLA

EQL

2 controllers: 11 4

37 ITS HAPPEN'N GTR

LPF R-DDL-S REV-1 CHO

AES

3 controllers: 11 4

38 RABBIT FOOD GTR

REV-1 FLA TRM

AES

2 controllers: 11 4

39 CHAMPAGNE CHORUS

R-DDL-L GAT-1 TRM

EQL

2 controllers: 11 4

40 WET BODY CHORUS

REV-1 CHO TRM

EQL

2 controllers: 11 4

41 GROOVY FLANGE

FLA GAT-1

AES

3 controllers: 11 4

42 INFINITE DREAM

R-DDL-S REV-1 CHO

EQL

2 controllers: 11 4

43 WATCHTOWER

REV-1 CHO

EQL AES

3 controllers: 11 4

44 NIGHT VOYAGER

R-DDL-S REV-1 FLA PAN

EQL AES

2 controllers: 11 4

45 SHADOW TONIGHT

CHO GAT-1

EQL AES

1 controller: 4

46 GHOST CHOIR

S-DDL-S FLA

EQL AES

2 controllers: 11 4

47 CARBIDE CUTTER

FLA GAT-1

EQL AES

2 controllers: 11 4

48 SPACE PHOBIA

REV-2 FLA TRM

(no analog)

2 controllers: 11 4

49 GRIND TO DEATH

T-DDL-S REV-2

EQL AES

2 controllers: 11 4

50 OCTAVE SWEEP X15

LPF PTR REV-1

EQL

2 controllers: 11

51 OCTAVE SWEEP DWN

LPF PTR REV-1

EQL

1 controller: 11

52 PEDAL SWEEP 5TH

LPF PTR REV-1

EQL

2 controllers: 4 11

53 PEDAL DELAY PAN

S-DDL-L MPN

EQL

1 controller: 11

54 X15 LO NOTE BEND

PTR REV-1

(no analog)

1 controller: 11

55 X15 HI NOTE BEND

PTR REV-1

(no analog)

1 controller: 11

56 RED ROCKS

S-DDL-S

EQL

2 controllers: 11 4

57 SLICK BASS GTR

FLA PAN

EQL

2 controllers: 11 4

58 FROG BASS GTR

S-DDL-S CHO PAN

AES

2 controllers: 11 4

59 SMOKEFILLED BASS

REV-1 CHO

EQL AES

2 controllers: 11 4

60 OMINOUS UNDRTONE

R-DDL-L PTR

(no analog)

(no controllers)

61 ORIENTAL DREAMS

R-DDL-S PTR

(no analog)

(no controllers)

62 PITCH MICRO SPIN

LPF R-DDL-S PTR

(no analog)

2 controllers: 11 4

63 WARPED STRINGS

LPF R-DDL-L PTR

(no analog)

1 controller: 4

64 HYPER FLANGE GTR

R-DDL-S FLA

AES

2 controllers: 11 4

65 BASSMENT THUNK

REV-1 CHO

EQL

(no controllers)

66 TRAVERS TRY THIS

S-DDL-L FLA TRM

AES

2 controllers: 11 4

67 FLANGED ALIVE

R-DDL-S FLA GAT-2

EQL

2 controllers: 11 4

68 DEEP DLY CHORUS

S-DDL-S CHO

EQL

2 controllers: 11 4

69 STRAT COUNTRY

S-DDL-S CHO TRM

EQL

2 controllers: 11 4

70 HOME-FUNKY GTR

R-DDL-S GAT-2 TRM

EQL

2 controllers: 11 4

71 FULL FAT RHYTHM

REV-1 CHO PAN

EQL AES

2 controllers: 11 4

72 OVERDOSE CHORUS

S-DDL-S CHO PAN

AES

2 controllers: 11 4

73 SWEEPING STRINGS

S-DDL-S CHO

EQL

2 controllers: 11 4

74 CLEAN DRUM VERB

LPF REV-1

EQL AES

(no controllers)

75 MEDIUM DRUM ROOM

LPF REV-3

EQL AES

(no controllers)

76 ROCK CONCERT KIT

LPF REV-3

EQL AES

(no controllers)

77 PERC DECAY

R-DDL-S PTR

EQL AES

1 controller: 4

78 TOMS IN THE HALL

REV-3

EQL

(no controllers)

79 NEW BLUES GTR

REV-1 CHO

EQL AES

(no controllers)

80 PURPLE GATE

LPF FLA GAT-2

EQL

2 controllers: 11 4

81 BOOM ROOM TOMB

LPF REV-2

EQL AES

(no controllers)

82 PHIL's TOMS!

LPF R-DDL-S GAT-3

EQL AES

(no controllers)

83 SNAREGATE REV

LPF GAT-3

EQL AES

(no controllers)

55

84 SPOKEN WORD

LPF REV-1

EQL AES

(no controllers)

85 VOCAL PLATE

R-DDL-S REV-3

AES

(no controllers)

86 WARM VOCAL ROOM

REV-3

EQL AES

(no controllers)

87 DOUBLE VOICE

R-DDL-S PTR

AES

(no controllers)

88 CHORUS/DLY VOCAL

CHO GAT-1

EQL AES

(no controllers)

89 IN FLIGHT VOCAL

LPF R-DDL-S REV-3

EQL AES

(no controllers)

90 DEJA VU VOCAL

GAT-3

EQL AES

(no controllers)

91 CLOUD NINETEEN

LPF R-DDL-S REV-3

EQL AES

(no controllers)

92 BREATH OF OXYGEN

LPF R-DDL-S REV-3

EQL AES

(no controllers)

93 THE EVIL ONES

R-DDL-S CHO

(no analog)

(no controllers)

94 120 BPM SLAP DLY

T-DDL-S REV-2

EQL AES

1 controller: 4

95 HORN/SAX BALLAD

T-DDL-S REV-2

EQL AES

3 controllers: 4 11

96 INYOURFACE KICK

T-DDL-S REV-2

EQL AES

(no controllers)

97 BOMBSCARE

R-DDL-S PTR

EQL AES

1 controller: 4

98 TUNNEL BOMB

R-DDL-S PTR

EQL AES

(no controllers)

99 SKIN TIGHTHEAD

LPF REV-2

EQL AES

(no controllers)

100 <BLANK TITLE>

(no digital)

(no analog)

(no controllers)

101 BIG RAP KICK

LPF REV-1

EQL AES

(no controllers)

102 COSMIC ARCHIVE

R-DDL-S GAT-2 PAN

EQL AES

(no controllers)

103 VARISPEED LESLIE

FLA TRM

AES

2 controllers: 11 4

104 SYNTH STACCATO

R-DDL-S CHO GAT-1

AES

1 controller: 4

105 CALISTO FLANGE

S-DDL-L FLA

EQL

(no controllers)

106 CRY BABY?

LPF

EQL

8 controllers: 11

107 SPATIAL FLANGE

FLA

EQL AES

2 controllers: 11 4

108 NIGHT STALKER

T-DDL-L REV-1

EQL AES

2 controllers: 11 4

109 GITARAE FUGANT

S-DDL-S D-PTR

(no analog)

(no controllers)

110 PHASED AGAIN

S-DDL-S PSR

EQL

2 controllers: 11 4

111 SPINNING PHASE

PSR MIDIPAN

EQL

1 controller: 4

112 SHIMMERPHASE

PSR TRM

EQL

1 controller: 4

113 X-15 FOOT PHASE

PSR

EQL

2 controllers: 11 4

114 OLD ORANGE

PSR

EQL

1 controller: 4

115 ORIENTAL SWEEP

D-PTR

AES

(no controllers)

56

How to Read the Preset Description

CHORUS

TRM

EQL

→

Analog Effects Line controllers: 11 4

2

→

MIDI Controller

Line

40 WET BODY

→

Title Line

REV-1 CHO

→

Digital Effects Line

The first line of the preset description tells you the name and location of each

Factory Preset on the first line. On the next line, which digital effects present in the preset are shown. Analog effects used for the preset are listed on the third line.

How many and which MIDI controllers are listed on the last line.

Table of Effect Abbreviations:

FIrst is the abbreviation found in the preset list. Next is the actual effect algorithm name. In brackets, how the algorithm name is displayed in the LCD. For a description of the algorithms and parameters, refer to the section

"Description of Algorithms".

AES = ACOUSTIC ENVIRONMENT SIMULATOR [ACU-

ENV-SIM], [AES]

CHO = CHORUS [CHORUS], [CHO]

D-PTR = DUAL PITCH TRANSPOSER [DUAL PTr],

[2PT]

EQL = EQUALIZER (SEVEN BAND EQUALIZER)

[EQUALIZER], [EQL]

FLA = FLANGER [FLANGER], [FLA]

GAT-1 = GATED REVERB-1 [GATE-VERB-1], [GAT]

GAT-2 = GATED REVERB-2 [GATE-VERB-2], [GAT]

GAT-3 = GATED REVERB-3 [GATE-VERB-3], [GAT]

LPF = LOW PASS FILTER [LOW-PASS], [LPF]

MPN = MIDI-PAN [MPN]

PAN = PANNER [PANNER], [PAN]

PSR = PHASER [PHASER], [PSR]

PTR = PITCH TRANSPOSER [PITCH-TRANS], [PTr]

R-DDL-S = REGEN-DDL-SHORT [REGEN-DDL-S],

[DDL]

R-DDL-L = REGEN-DDL-LONG [REGEN-DDL-L],

[DDL]

REV-1 = REVERB-1 [REVERB-1], [REV]

REV-2 = REVERB-2 [REVERB-2], [REV]

REV-3 = REVERB-3 [REVERB-3], [REV]

S-DDL-S = STEREO-DDL-SHORT [STREO-DDL-S],

[DDL]

S-DDL-L = STEREO-DDL-LONG [STREO-DDL-L],

[DDL]

SMP-S = SAMPLER-SHORT [SAMPLER-S], [SMP]

SMP-L = SAMPLER-LONG [SAMPLER-L], SMP

SMP+PTR = SAMPLER+PITCH TRANSPOSER

[SAMPLER+PTR], [SPT]

T-DDL-S = TAPPED-DDL-SHORT [TAP'D-DDL-S],

[DDL]

T-DDL-L = TAPPED-DDL-LONG [TAP'D-DDL-L],

[DDL]

TNR = GUITAR TUNER [TUNER], [TNR]

TRM = TREMOLO [TREMOLO], [TRM]

WARRANTY & SERVICE INFORMATION

LIMITED WARRANTY

Warranty service for this unit will be provided by Applied Research &

Technology, Inc. in accordance with the following warrant statement.

Applied Research & Technology, Inc.

warrants to the original purchaser that this product and the components thereof, will be free from defects in workmanship and materials for a period of one year from the date of purchase. Applied

Research & Technology, Inc. (ART) will, without charge, repair or replace, at its option, defective product or component parts upon prepaid delivery to the factory service department or authorized service center, accompanied by proof of purchase date in the form of a valid sales receipt.

EXCLUSIONS: This warranty does not apply in the event of misuse or abuse of the product or as a result of unauthorized alterations or repairs. This warranty is void if the serial number is altered, defaced, or removed.

ART reserves the right to make changes in design or make additions to or improvements upon this product without any obligation to install the same on products previously manufactured.

ART shall not be liable for any consequential damages, including without limitation damages resulting from loss of use. Some states do not allow limitation of incidental or consequential damages, so the above limitation or exclusion may not apply to you. This warranty gives you specific rights and you may also have other rights which vary from state to state.

For units purchased outside The United

States, service will be provided by an authorized distributor of Applied

Research & Technology, Inc.

SERVICE

The following information is provided for the unlikely event your unit requires service.

1) Be sure the unit is the cause of the problem. Check to make sure the unit has power supplied, all cables are connected correctly and the cables themselves are in working condition.

2) If you find the unit to be at fault, write down a description of the problem including how and when the problem occurs.

3) Call the factory for a Return

Authorization (RA) number.

4) Pack the unit in it's original carton or a reasonable substitute. The packing box is not recommended for a shipping carton. Put the packaged unit in another box for shipping. Print the RA number clearly under the address.

5) Include with your unit: a return shipping address (We cannot ship to a

P.O. Box), a copy of your purchase receipt, a daytime phone number, and the description of the problem.

6) Ship the unit to:

APPLIED RESEARCH & TECHNOLOGY, INC.

215 TREMONT STREET

ROCHESTER, NY 14608

ATTN: REPAIR DEPARTMENT

RA # ___________________

7) Contact our customer service department at (716) 436-2720 for your

Return Authorization number or questions regarding repairs. Customer Service hours are 9:00 AM to 4:00 PM Eastern

Time, Monday through Friday.

57