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KONA 3 Control Panel, Timecode Tab
Timecode Tab Screen Settings
Input
RP-188 Timecode —in RP-188 timecode (SMPTE 12M-2) there can be multiple timecode values in the data stream. Use this pull-down to select the one you wish to monitor. The selection will be displayed in the timecode value displayed to the right of the pull-down.
User Bits—for monitoring variable framerate timecode (for example, Varicam), you may wish to monitor the user bits embedded in the timecode. If you set this checkbox, KONA 3 will detect and interpret the user bits and display them next to the checkbox.
KONA 3 Control Panel, Timecode Tab, User Bits Checked
KONA 3 Installation and Operation Manual — Using The KONA 3 Control
75
Output
Use QuickTime Timecode—when checked, this directs KONA to output timecode from the QuickTime timecode track. When not checked, KONA uses the
Output Timecode Offset value plus the number of frames into the movie.
Note:
not all QuickTime applications use or support timecode tracks, so sometimes the QuickTime timecode is missing or not meaningful.
Output Timecode Offset (entry field and FPS pull-down)—this text entry field allows you to specify a timecode offset for use with Final Cut Pro (or any other value here as the “Output Timecode Offset” to ensure the timecode is synchronized.
Timecode Burn-in—this pulldown selects whether the timecode value is “burned-in” on video output from KONA 3. If set to
“OFF”, timecode will not be keyed over the video. If set to
“timecode”, then the timecode value will be keyed over the output video. This can be useful for synchronizing, choosing edit points, dailies, and many other purposes.
Note:
SMPTE RP 188/SMPTE 12M-2 defines a standard for the transmission of time code and control code in the ancillary data space of a digital television data stream. Time code information is transmitted in the ancillary data space as defined in
ANSI/SMPTE 291M. Multiple codes can be transmitted within a single digital video data stream. Other time information, such as real time clock, DTTR tape timer information, and other user-defined information, may also be carried in the ancillary time code packet instead of time code. The actual information transmitted through the interface is identified by the coding of a distributed binary bit. Equipment manufacturers can use the meta data for different purposes.
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Table of contents
- 9 Table of Contents
- 10 Features
- 10 Hardware
- 10 Broadcast-Quality Conversion
- 11 KONA 3 Audio
- 11 Dual Link
- 11 2K Workflow Support
- 12 Hardware-based Acceleration
- 12 Internal HD/SD Hardware Downstream Keyer
- 13 Software
- 13 KONA 3 Supports Final Cut Multi-cam Feature
- 13 What’s In The Box?
- 15 System Requirements
- 15 Minimum and Recommended System and Software Requirements
- 16 Understanding Disk Storage Methods
- 16 About RAIDs
- 17 Software For Striping
- 17 Storage Example: AJA KONA 3 and Xserve RAID
- 18 Storage Example: AJA KONA 3 for Dual Link HD and 2K resolutions
- 18 Storage capacity
- 19 Cable Connections
- 19 Using the Standard Cables
- 20 Using The Breakout Box
- 20 About BNC and Mini-Connectors
- 21 Connector Descriptions—Cables and K3-Box
- 21 8 Channel Digital AES/EBU Audio Inputs And Outputs
- 21 Analog 2 Channel Unbalanced Audio (Breakout Box only)
- 21 RS422 Machine Control
- 21 SDI Input and Outputs
- 22 Analog Monitor Out (Component HD or SD or SD Composite + Y/C)
- 22 Reference Video
- 23 In This Manual
- 25 KONA 3 And Your Workflow
- 26 Understanding Typical Workflows
- 27 PhotoJPEG
- 27 DV (DV25)
- 28 Uncompressed 8-bit 4:2:2 (SD or HD)
- 28 Uncompressed 10-bit
- 28 AJA Kona 10-bit Log RGB and RGB Codecs
- 29 AJA Kona 10-bit Log RGB and RGB Codecs as related to a 2K Workflow
- 29 Workflow General Notes
- 29 HD Offline Scenario
- 30 Mixing and Matching Formats in Final Cut
- 30 2K Workflows
- 32 AJA KONA 3 Workflow Support For RED
- 32 Workflow using RED proxy files
- 34 Final Cut Pro Log and Transfer
- 37 Final Cut Pro Easy Setup
- 37 the AJA DPXToQT Translator application
- 38 Final Cut Pro Easy Setup
- 39 Installation Overview
- 40 Unpacking
- 40 Shipping Box Contents
- 42 Installing the KONA 3 Card into a MacPro or G
- 44 Cabling the System
- 44 System Video/Audio Cable Connections
- 45 Typical System
- 47 Installing KONA 3 Software
- 47 Software Installation Procedure
- 51 Updating KONA 3 Firmware
- 53 Reverting to an Earlier Firmware Version
- 53 Genlock and Your System
- 55 Final Cut Pro
- 55 Using The KONA 3 Control Panel
- 56 Control Panel Basics
- 59 Input Tab Screen
- 60 Input Tab Screen Settings
- 61 Formats Tab Screen
- 62 Format Tab Screen Settings
- 67 Digital Out Tab Screen
- 70 Digital Out Tab Screen Settings
- 70 Analog Out Tab Screen
- 70 Analog Out Tab Screen Settings
- 71 Control Tab Screen
- 71 Control Tab Screen Settings
- 74 DS Keyer Tab Screen
- 77 Setup Tab Screen
- 77 Setup Tab Screen Settings
- 78 Codec Tab Screen
- 79 Codec Tab Screen Settings
- 82 Timecode Tab Screen Settings
- 84 2K Crop Tab Screen
- 86 Info Tab Screen
- 87 Saving Your Control Panel Presets
- 87 Who is Controlling KONA 3?
- 88 QuickTime Application—1st Priority
- 89 Mac Desktop Video—2nd Priority
- 90 KONA Control Panel—3rd Priority
- 90 Control Recommendations
- 91 Easy Setups for Typical Uses
- 91 Easy Setups Menu
- 93 Easy Setups For Use With KONA
- 93 Audio/Video Settings Menu
- 94 To Create A New Easy Setup
- 96 The Sequence Presets Window
- 101 Checking the System with a Simple Test Project of Bars and Tone
- 103 Using 8-bit Versus 10-bit Video
- 105 If You Run Into Problems
- 106 Updating Software
- 106 Support
- 107 Apple Resources