Sony DTC-ZE700 Operating instructions
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Below you will find brief product information for Sony DTC-ZE700. Sony DTC-ZE700 is a digital audio tape deck that offers a range of features to enhance your listening experience. With its high-density linear converters, SBM (Super Bit Mapping) function, and Serial Copy Management System, the DTC-ZE700 produces clear, elegant sound quality and theoretically zero cross distortion. It supports three sampling frequencies (48 kHz, 44.1 kHz, 32 kHz), recording and playback in long-play mode, and analog recording at 44.1 kHz. The DTC-ZE700 also allows for the writing of sub codes, such as Start IDs, program numbers, and others, to the tape, making it easy to locate tracks quickly. Additionally, the see-through cassette compartment lid provides a view of tape operations during playback and recording.
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3-858-189-21(1)
Digital Audio
Tape Deck
Operating Instructions
F
DTC-ZE700
1996 by Sony Corporation
3858 -189-21(1)
2
WARNING
To prevent fire or shock hazard, do not expose the unit to rain or moisture.
To avoid electrical shock, do not open the cabinet. Refer servicing to qualified personnel only.
For the customers in the
United States
This symbol is intended to alert the user to the presence of uninsulated
“dangerous voltage” within the product’s enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons.
This symbol is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the appliance.
Owner’s Record
The model and serial numbers are located on the rear of the unit.
Record the serial number in the space provided below. Refer to them whenever you call upon your Sony dealer regarding this product.
Model No. DTC-ZE700
Serial No.
INFORMATION
This equipment has been tested and found to comply with the limits for a
Class B digital device, pursuant to Part
15 of the FCC Rules.
These limits are designed to provide reasonable protection against harmful interference in a residential installation.
This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation.
If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures:
— Reorient or relocate the receiving antenna.
— Increase the separation between the equipment and receiver.
— Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.
— Consult the dealer or an experienced radio/TV technician for help.
CAUTION
You are cautioned that any changes or modifications not expressly approved in this manual could void your authority to operate this equipment.
For the customers in
Canada
CAUTION
TO PREVENT ELECTRIC SHOCK,
DO NOT USE THIS POLARIZED AC
PLUG WITH AN EXTENSION
CORD, RECEPTACLE OR OTHER
OUTLET UNLESS THE BLADES
CAN BE FULLY INSERTED TO
PREVENT BLADE EXPOSURE.
Pour les utilisateurs au
Canada
ATTENTION
POUR PREVENIR LES CHOCS
ELECTRIQUES, NE PAS UTILISER
CETTE FICHE POLARISEE AVEC
UN PROLONGATEUR, UNE PRISE
DE COURANT OU UNE AUTRE
SORTIE DE COURANT, SAUF SI LES
LAMES PEUVENT ETRE INSEREES
A FOND SANS EN LAISSER
AUCUNE PARTIE A DECOUVERT.
Welcome!
Thank you for purchasing the Sony
Digital Audio Tape Deck. Before operating the unit, please read this manual thoroughly and retain it for future reference.
The DTC-ZE700 has the following features:
• High-density linear converters
A pulse A/D converter that produces clear, elegant sound quality and theoretically zero cross distortion, and a pulse D/A converter with a newly developed digital filter and a full feedforward format that reduces quantizing noise in the audible bandwidth, thus expanding the range of spatial expression.
• SBM (Super Bit Mapping) function
(see page 21)
• The Serial Copy Management System
(see page 22)
• Three sampling frequencies (48 kHz,
44.1 kHz, 32 kHz)
• Recording and playback in long-play mode.
• Analog recording at 44.1 kHz
• Sub codes
Start IDs, program numbers and other sub codes written to the tape allow you to locate tracks quickly.
• See-through cassette compartment lid
A see-through cassette compartment lid that allows you to view tape operations during playback and recording.
About This Manual
The instructions in this manual are for
DTC-ZE700.
Conventions
Instructions in this manual describe the controls on the deck.
The following icons are used in this manual:
z
Indicates useful information or tips that make a task easier.
Z
Indicates a task that requires use of the remote.
3858 -189-21(1)
T
ABLE OF CONTENTS
Getting Started
Unpacking 4
Hooking Up the System 4
Recording on a DAT
6
Playing a DAT
8
Recording Operations
Things You Should Know Before Recording 9
Adjusting the Recording Level for Analog Recording 10
Locating the End of the Recorded Portion (End Search) 10
Setting the Recording Mode 11
Using the SBM (Super Bit Mapping) Function 11
Inserting a Sound-Muted Section While Recording (Record Muting) 12
Recording Using a Timer (Timer Recording) 12
Playback Operations
About the Display 13
Locating a Track (AMS/Direct Access) 14
Playing Tracks Repeatedly (Repeat Play) 14
Playback Using a Timer (Timer Playing) 15
Writing Sub Codes
About Sub Codes 15
Writing Start IDs During Recording 15
Writing Start IDs During Playback 16
Adjusting the Position of an Existing Start ID 17
Erasing Start IDs 17
Renumbering the Program Numbers Automatically (Renumbering) 18
Additional Information
Precautions 18
Cleaning 19
Display Messages 19
Troubleshooting 20
Specifications 21
SBM (Super Bit Mapping) Function 21
Guide to the Serial Copy Management System 22
Index
24
3-
858
-189-21(1)
3
4
Unpacking
Check that you have received the following supplied items:
• Pin-plug audio connecting cords (2)
• Remote commander (remote) RM-D757 (1)
• Size-AA (R6) batteries (2)
• Operating instructions (1)
• Warranty card (Canadian model only) (1)
Inserting batteries into the remote
Insert two size-AA(R6) batteries, matching the + and – on the batteries with the markings inside the battery compartment.
Hooking Up the System
This section describes how to hook up your deck to an amplifier, CD player, MD deck, or other audio components. Be sure to turn off the power to each component before making the connections.
ANALOG IN/OUT
IN OUT
L L
R R
DIGITAL IN/OUT
COAXIAL
IN
OPTICAL
IN OUT
ANALOG
OUT
ANALOG
IN
Amplifier etc.
to a wall outlet
DIGITAL
OPTICAL IN
CD player, DAT deck, or MD deck, etc.
z
When to replace the batteries
With normal use, batteries should last for about 6 months. When the remote no longer operates the deck, replace both batteries.
Notes
• Do not leave the remote near an extremely hot or humid place.
• Do not drop any foreign matter into the remote casing, particularly when replacing the batteries.
• Do not expose the remote sensor to direct sunlight or illumination as doing so may cause malfunction.
• When not using the remote for an extended period of time, remove the batteries to avoid possible damage from battery leakage and corrosion.
DIGITAL
COAXIAL OUT
CD player, DAT deck, or MD deck, etc.
ç
: Signal flow
DIGITAL
OPTICAL OUT
CD player, DAT deck, or MD deck, etc.
What cords will I need?
• Audio connecting cords (supplied) (2)
White
(L)
Red
(R)
White
(L)
Red
(R)
• Optical cables (POC-15 etc.) (not supplied) (2)
• Coaxial digital connecting cable (VMC-10G etc.)
(not supplied) (1)
3858 -189-21(1)
Getting Started
Hookups
p Connecting the deck to an amplifier
Use the supplied audio connecting cords to connect the deck to an amplifier. Be sure to match each color-coded plug to the appropriate jack: red (right) to red and white (left) to white. To prevent hum and noise, be sure the connections are firmly made.
L
DAT deck
ANALOG IN/OUT
IN OUT
L
R R
ç
L
Amplifier
LINE IN/OUT
OUT IN
L
R R
Ç z
When recording with a microphone
Connecting the analog output jakcs on the stereo microphone amplifier to the ANALOG IN jacks of the deck.
p Connecting the deck to a digital audio component
A digital audio signal from a digital audio component such as a digital amplifier, DAT deck,
CD player, MD deck or BS tuner can be recorded on the DAT deck by connecting the digital output connectors on the component to the digital input connectors (DIGITAL OPTICAL IN or DIGITAL
COAXIAL IN) on the deck.
A digital audio signal from the deck can be recorded by connecting the digital output connector
(DIGITAL OPTICAL OUT) on the deck to the digital input connector on a digital audio component such as a digital amplifier, DAT deck or MD deck.
Use optical cables (POC-15A or equivalent) (not supplied) or a coaxial digital connecting cable
(VMC-10G or equivalent) (not supplied).
• Connection with optical cables
DAT deck
DIGITAL IN/OUT
COAXIAL
IN
OPTICAL
IN OUT
Digital audio component
OPTICAL
IN OUT
ç
Ç
• Connection with coaxial digital connecting cable
DAT deck
DIGITAL IN/OUT
COAXIAL
IN
OPTICAL
IN OUT
Digital audio component
COAXIAL
OUT
Ç
Note
If “PROHIBIT” appears in the display, recording through the digital jack is not possible.
In this case, set the INPUT switch to ANALOG and record the program source through the ANALOG IN jacks.
Connecting the AC power cord
Connect the AC power cord to a wall outlet.
Where do I go next?
Now you’re ready to use your deck.
For basic operations, go to pages 6 to 8; for advanced operations, go to the sections starting from page 9.
3858 -189-21(1)
5
6
Recording on a DAT
3 4 5 7
MODE
RESET
POWER g
REC
TIMER
OFF PLAY AUTO
START ID
RENUMBER REHEARSAL WRITE ERASE
MARGIN
RESET
OPEN/CLOSE
§
≠
AMS
±
ANALOG
OPTICAL
COAXIAL
INPUT REC MODE
STANDARD
48 kHz
44.1 kHz
LONG
0 )
SBM
ON
OFF
REC MUTE
R p · P r
REC
3
REC LEVEL
5
4
•
•
•
L
6
•
R
7
2
1
0
PHONES
8
9
10
PHONE LEVEL
0 10
2
See pages 4 and 5 for hookup information.
8 6
1
Turn on the amplifier and play the program source you want to record.
2
Press POWER.
3
Press OPEN/CLOSE
§ and insert a cassette.
Window side up
OPEN/CLOSE
§ b b
OPEN/CLOSE
§
4
Insert the cassette beyond the silver bar.
Close the cassette holder by pressing
OPEN/CLOSE
§.
Set INPUT to the corresponding input connector.
To record through
ANALOG IN
DIGITAL OPTICAL IN
DIGITAL COAXIAL IN
Set INPUT to
ANALOG
OPTICAL
COAXIAL
3858 -189-21(1)
Basic Operations
z
If “UNLOCK” appears in the display
The program source is not connected to the deck properly or is not turned on.
Make sure that the program source is properly connected or turned on.
5
Locate the position where you want to start recording.
To record from the beginning of the tape
Press
0 to rewind the tape to its beginning.
To record from the end of the recorded portion
1 Press 0 to rewind the tape to its beginning.
2 Press
).
The deck locates the end of the recorded portion on the tape and stops automatically.
6
Press r REC.
The deck becomes ready to record.
7
When recording the analog input signal, adjust the recording level with REC LEVEL.
The recommended recording level is 3. For details, refer to
“Adjusting the Recording Level for Analog Recording” on page 10.
8
Press P or ·.
Recording starts.
9
Start playing the program source.
When the tape reaches the end, the deck rewinds it automatically to its beginning and stops (Auto Rewind).
To
Stop recording
Pause recording
Take out the cassette
Press
p
P. Press the button again to resume recording.
OPEN/CLOSE § after stopping recording
To prevent accidental erasure
Slide the record-protect tab to the left as shown in the illustration below.
Recording is impossible (the hole is open).
Recording is possible (the hole is closed).
3858 -189-21(1)
7
8
Basic Operations
Playing a DAT
3
MODE
RESET
POWER g
REC
TIMER
OFF PLAY AUTO RENUMBER
START ID
REHEARSAL WRITE ERASE
MARGIN
RESET
OPEN/CLOSE
§
≠
AMS
±
ANALOG
OPTICAL
COAXIAL
INPUT REC MODE
STANDARD
48 kHz
44.1 kHz
LONG
0 )
SBM
ON
OFF
REC MUTE
R p
·
P r
REC
3
REC LEVEL
5
4
• •
•
L
6
•
R
7
2
1
0
PHONES
8
9
10
PHONE LEVEL
0 10
2
See pages 4 and 5 for hookup information.
4
z
To use headphones
Connect them to the PHONES jack. Use PHONE LEVEL to adjust the volume.
1
Turn on the amplifier and set the source selector to the position for DAT.
2
Press POWER.
3
Press OPEN/CLOSE § and insert a cassette.
Window side up
OPEN/CLOSE
§ b b
OPEN/CLOSE
§
4
Insert the cassette beyond the silver bar.
Close the cassette holder by pressing
OPEN/CLOSE
§.
Press
·.
The deck starts playing. Adjust the volume on the amplifier.
To
Stop playing
Go to the next track
Go to the preceding track
Fast-forward or rewind
Fast-forward or rewind while monitoring the sound
Take out the cassette
Press
p
±
≠
) or 0 when the deck is stopped
) or 0 during playback. Release the button to resume normal playback.
OPEN/CLOSE § after stopping playing
3858 -189-21(1)
Recording Operations Recording Operations
For basic recording operations, see pages 6 and 7.
Things You Should Know
Before Recording
The difference between a blank section and a sound-muted section
The deck distinguishes between two kinds of silent sections, which are respectively called a “blank section” or “sound-muted section”.
Blank section
This is a section on which no signal has ever been recorded.
a) b) a) b) a) b) a) b)
Blank section
,,
a): Recording b): Track
Sound-muted section
This is a section on which a signal has been recorded but at a level that is not audible.
a) b) b) b) b)
Sound-muted
,,
section a): Recording b): Track
Important
Make sure no blank sections are created while you are recording. The existence of blank sections within recorded material will make search operations using the ≠/± buttons impossible or destroy the continuity of the absolute time codes.
z
If you press the
r REC button while in a blank
section
The deck automatically rewinds the tape to the beginning of the blank section and changes to recording pause (except during Timer Recording).
Absolute time codes
Absolute time codes indicate the elapsed time from the beginning of the tape. These codes are automatically recorded. Note that once recorded, absolute time codes cannot be re-written.
For accurate recording of absolute time codes
• If the tape is blank, make sure to start recording from the beginning of the tape.
• Use Record Muting (see page 12) to insert spaces between tracks. Do not advance the tape with the
· or ) button.
• To start recording from the middle of a tape, use End
Search (see page 10) to locate the end of the recorded portion. This will prevent the creation of blank sections.
If “EMPHASIS” appears in the display
The deck is recording a digital signal with emphasis (in the higher frequencies). The recording will also contain the same emphasis.
If the deck is left in recording pause for more than 10 minutes
Recording pause will be released automatically, the deck will stop and “SOURCE” will appear in the display.
To resume recording, press r REC. The deck will change to recording pause.
When using a new tape
Before you record on a new tape, we recommend that you fast forward the whole tape and then rewind to the beginning to make the tape reel smoothly.
3858 -189-21(1)
9
10
Recording Operations
Adjusting the Recording Level for Analog Recording
Before you start recording an analog source through
ANALOG IN, set INPUT to ANALOG and adjust the recording level.
MODE
RESET
POWER g TIMER
REC OFF PLAY AUTO
START ID
RENUMBER REHEARSAL WRITE ERASE
MARGIN
RESET
OPEN/CLOSE
§
≠
AMS
±
ANALOG
OPTICAL
COAXIAL
INPUT REC MODE
STANDARD
48 kHz
44.1 kHz
LONG
0 )
SBM
ON
OFF
REC MUTE
R p · P r
REC
3
REC LEVEL
4
• 5 •
L
6
R
7
2
1 9
8
0 10
PHONES PHONE LEVEL
0 10
MARGIN RESET
· P
REC LEVEL
1
Do steps 1 to 6 of “Recording on a DAT” on pages
6 and 7.
2
Play the portion of the program source with the strongest signal level.
3
While monitoring the sound, turn REC LEVEL to adjust the recording level so that the peak level meters are at maximum level without entering the
OVER (red) range.
MARGIN indication
1.0
Maximum level
Remains unlit
The segments of the peak level meters corresponding to the maximum signal strength remain lit longer than normal.
The MARGIN indication shows the margin between maximum signal strength and 0 dB, changing each time a stronger signal.
If the level exceeds 0 dB
The segments under “OVER” light up, and “0.0 dB” flashes in the display. If these segments light steadily, sound distortion may occur. To avoid this, keep the recording level between –12 dB and 0 dB.
To reset the margin indication
Press MARGIN RESET. The margin indication changes to “- - dB”.
4
Stop playing the program source.
5
To start recording, press P or ·, then start playing the program source.
Locating the End of the
Recorded Portion (End Search)
End Search detects a blank section longer than 9 seconds, then automatically rewinds the tape to the end of the recorded portion, then stops.
Use End Search to start recording from the end of the recorded portion without creating a blank section on the tape.
MODE
RESET
POWER g TIMER
REC OFF PLAY AUTO
START ID
RENUMBER REHEARSAL WRITE ERASE
MARGIN
RESET
OPEN/CLOSE
§
≠
AMS
±
ANALOG
OPTICAL
COAXIAL
INPUT REC MODE
STANDARD
48 kHz
44.1 kHz
LONG
0 )
SBM
ON
OFF
REC MUTE
R p · P r
REC
3
REC LEVEL
4
• 5 •
L
6
R
7
2
1
0
PHONES
8
9
10
PHONE LEVEL
0 10
0 / )
1
With the deck stopped, press
0 to rewind the tape to the beginning .
2
Press ).
The deck locates the end of the recorded portion, then stops.
The deck stops at the beginning of any blank section that is 9 seconds or longer, or fast-forwards to the end of the tape if the tape is blank.
z
If you press the
r REC button while in a blank
section
The deck automatically rewinds the tape to the beginning of the blank section and changes to recording pause. “BLANK” and “WAIT” appear in the display while the deck is searching for the beginning of the blank section.
Notes
• End Search does not operate if you press the ) button while in a blank section.
• If the tape is blank, the deck merely fast-forwards to the end of the tape.
3-
858
-189-21(1)
Recording Operations
Setting the Recording Mode
You can select either of two recording modes— standard or long—in the following cases:
• When recording an analog input signal with the
INPUT switch set to ANALOG
• When recording a digital input signal with a sampling frequency of 32 kHz with the INPUT switch set to OPTICAL or COAXIAL
MODE
RESET
POWER g
REC
TIMER
OFF PLAY AUTO
START ID
RENUMBER REHEARSAL WRITE ERASE
MARGIN
RESET
OPEN/CLOSE
§
≠
AMS
±
ANALOG
OPTICAL
COAXIAL
INPUT REC MODE
STANDARD
48 kHz
44.1 kHz
LONG
0 )
SBM
ON
OFF
REC MUTE
R p · P r
REC
2
3
REC LEVEL
5
4
• •
L
6
R
7
8
1
0
PHONES
9
10
PHONE LEVEL
0 10 z
The counter in long-play mode
The displayed tape running time, absolute time and remaining time on the tape are for standard-play mode. Double the time to obtain the corresponding times for long-play mode.
Note
Do not change the INPUT or REC MODE setting while recording. This may cause an error in the “PGM TIME”
(playing time of the track) display.
REC MODE
Set REC MODE to select the recording mode.
The following table shows the selectable recording modes and corresponding REC MODE position and sampling frequency for various input signals.
Input signal
Analog
Digital (32 kHz)
REC MODE position
STANDARD
(48 kHz)
STANDARD
(44.1 kHz)
LONG
STANDARD
(48 kHz)
STANDARD
(44.1 kHz)
LONG
Digital (44.1 kHz) STANDARD
(48 kHz)
STANDARD
(44.1 kHz)
LONG
Digital (48 kHz) STANDARD
(48 kHz)
STANDARD
(44.1 kHz)
LONG
Recording mode
Standard play
(48 kHz)
Standard play
(44.1 kHz)
Long play (32 kHz)
Standard play
(32 kHz)
Long play (32 kHz)
Standard play
(44.1 kHz)
(Standard play only)
Standard play
(48 kHz)
(Standard play only)
The recording time in long-play mode (the REC MODE switch set to LONG) is twice as long as standard-play mode.
Using the SBM (Super Bit
Mapping) Function
You can use the SBM function to record on analog input signal only when the INPUT switch is set to
ANALOG and the REC MODE switch to STANDARD
(either 48 kHz or 44.1 kHz). For details on the SBM function, see “SBM (Super Bit Mapping) Function” on page 21.
MODE
RESET
POWER g TIMER
REC OFF PLAY AUTO RENUMBER
START ID
REHEARSAL WRITE ERASE
MARGIN
RESET
OPEN/CLOSE
§
≠
AMS
±
ANALOG
OPTICAL
COAXIAL
INPUT REC MODE
STANDARD
48 kHz
44.1 kHz
LONG
0 )
SBM
ON
OFF
REC MUTE
R p · P r
REC
2
3
REC LEVEL
5
4
•
•
L
6
R
7
8
1
0
PHONES
9
10
PHONE LEVEL
0 10
SBM
Set SBM to ON.
“SBM” appears in the display during recording using the SBM function.
To turn the SBM function off
Set SBM to OFF.
3858 -189-21(1)
11
Recording Operations
12
Inserting a Sound-Muted
Section While Recording
(Record Muting)
Use Record Muting to insert a space of about 4 seconds between tracks. This is recommended if you plan to copy the DAT tape to an analog audio cassette tape since the spaces will allow you to use automatic search functions to locate the beginning of each track.
When you start recording from the beginning of a blank tape and want to insert a space before the first track, be sure to create a sound-muted section using
Record Muting only. Do not advance the tape with the
) or · button since this will create a blank section on the tape (see page 9).
Recording Using a Timer
(Timer Recording)
By connecting a timer (not supplied) to the deck, you can start and stop recording operations at specified times. For further information, refer to the instructions that came with the timer.
MODE
RESET
POWER g
REC
TIMER
OFF PLAY AUTO
START ID
RENUMBER REHEARSAL WRITE ERASE
MARGIN
RESET
OPEN/CLOSE
§
≠
AMS
±
ANALOG
OPTICAL
COAXIAL
INPUT REC MODE
STANDARD
48 kHz
44.1 kHz
LONG
0 )
SBM
ON
OFF
REC MUTE
R p · P r
REC
3
REC LEVEL
4
• 5 •
L
6
R
7
2
1
0
PHONES
8
9
10
PHONE LEVEL
0 10
MODE
RESET
POWER g TIMER
REC OFF PLAY AUTO RENUMBER
START ID
REHEARSAL WRITE ERASE
MARGIN
RESET
OPEN/CLOSE
§
≠
AMS
±
ANALOG
OPTICAL
COAXIAL
INPUT REC MODE
STANDARD
48 kHz
44.1 kHz
LONG
0 )
SBM
ON
OFF
REC MUTE
R p · P r
REC
2
3
REC LEVEL
5
4
•
•
L
6
R
7
8
1
0
PHONES
9
10
PHONE LEVEL
0 10
REC MUTE
R · P
1
Press REC MUTE
R where you want to insert a space while the deck is recording or in recording pause.
The deck creates a sound-muted section as “REC” flashes in the display.
After the sound-muted section is completed,
“REC” lights up and the deck changes to recording pause.
To insert a blank space longer than 4 seconds
Hold down REC MUTE R as long as you want. When you release the button, the sound-muted section ends and the deck changes to recording pause. If you keep the button pressed longer than 4 seconds, “REC” will begin to flash more quickly and the time elapsed after pressing the REC MUTE
R button is shown in the display.
When you release the REC MUTE R button, P in the display stays on and the deck changes to recording pause.
2
Press P or · to resume recording.
The deck starts recording again.
Note
If you do not create a sound-muted section at the beginning of a tape, you may not be able to move or erase a start ID
(see page 15) that is recorded within 2 seconds from the beginning of the tape.
TIMER
p
1
Do steps 1 to 7 of “Recording on a DAT” on pages
6 and 7.
2
• To specify the time for the start of recording, press p.
• To specify the time for the end of recording, do steps 8 and 9 of “Recording on a DAT” on page
7.
• To specify the time for the start and end of recording, press p.
3
Set TIMER on the deck to REC.
4
Set the timer as required.
• When you have set the time for the start of recording, the deck turns off. When the specified time arrives, the deck turns on and after about 10 seconds starts recording.
• When you have set the time for the end of recording, the deck continues recording, then when the specified time arrives, the deck stops recording and turns off.
• When you have set the time for both the start and end of recording, the deck turns off. When the starting time arrives, the deck turns on and after about 10 seconds, recording starts. When the ending time arrives, the deck stops recording and turns off.
5
After using the timer, set TIMER on the deck to
OFF.
Notes
• If the TIMER switch is left at the REC position, the deck will automatically start recording when you turn on the deck next time.
• During Timer Recording (i.e., when the TIMER switch is set to the REC position), Auto Rewind (see page 14) will not function even if the tape ends during recording. This is to prevent previously recorded material from being recorded over.
3-
858
-189-21(1)
Playback Operations Playback Operations
For basic playback operations, see page 8.
About the Display
You can use the display to show the following types of time information:
• absolute time
• playing time of the track
• remaining time on the tape
• tape running time
MODE
RESET
POWER g
TIMER
REC OFF PLAY AUTO
START ID
RENUMBER REHEARSAL WRITE ERASE
MARGIN
RESET
OPEN/CLOSE
§
≠
AMS
±
ANALOG
OPTICAL
COAXIAL
INPUT REC MODE
STANDARD
48 kHz
44.1 kHz
LONG
0 )
SBM
ON
OFF
REC MUTE
R p · P r
REC
3
REC LEVEL
4
• 5 •
L
6
R
7
2
1 9
8
0 10
PHONES PHONE LEVEL
0 10
MODE RESET
Showing the absolute time, playing time of the track, remaining time on the tape, and tape running time.
Press MODE (or COUNTER MODE on the remote).
Each time you press the button, the displayed information changes as follows.
Notes
• When playing certain types of premastered tapes, “BB” may appear momentarily in the display at the beginning of the tape.
• The playing time of the track does not appear in the following cases
— When you start playing from the middle of the track
— During rewinding
• In standard-play mode, the remaining time on the tape appears about 16 seconds after you start playing.
• The displayed remaining time may vary somewhat from the actual remaining time, depending on the tape.
If “EMPHASIS” appears in the display
The deck is playing an audio signal recorded with emphasis (in the higher frequencies). The deck, however, plays the signal while automatically deemphasizing it (with attenuation proportional to the degree of emphasis).
Absolute time
ABS TIME
8 20
m s
Playing time of the track
Press
√
PGM TIME
3 15
m s
Press
√
Remaining time on the tape
REMAINING
1 00
h m
In the case of premastered DAT, the remaining time is to the end of the recorded portion.
Press
√
Tape running time
5 19
m s
Press
To reset the tape running time
Press RESET (or COUNTER RESET on the remote).
13
3858 -189-21(1)
Playback Operations
14
Locating a Track (AMS*/Direct
Access)
You can locate the tracks in a number of ways, but only after you have recorded start IDs on the tape (see pages
15 to 18). To use Direct Access, program numbers must be recorded on the tape (see pages 15 and 18).
MODE
RESET
POWER g
REC
TIMER
OFF PLAY AUTO
START ID
RENUMBER REHEARSAL WRITE ERASE
MARGIN
RESET
OPEN/CLOSE
§
≠
AMS
±
ANALOG
OPTICAL
COAXIAL
INPUT REC MODE
STANDARD
48 kHz
44.1 kHz
LONG
0 )
SBM
ON
OFF
REC MUTE
R p · P r
REC
2
3
REC LEVEL
5
4
• •
L
6
R
7
8
1 9
0 10
PHONES PHONE LEVEL
0 10
Playing Tracks Repeatedly
(Repeat Play)
Z
You can play a specific track or all the tracks on the tape repeatedly.
REPEAT
OPEN/
CLOSE
6
REPEAT
COUNTER
MODE RESET
1 2 3
≠ / ± ·
To locate
Press
The beginning of the next or succeeding tracks
(AMS)
± as many times as you want while playing. For example, to locate the second track ahead, press twice.
The beginning of the current track(AMS)
≠ once while playing
The beginning of preceding tracks (AMS)
By specifying the program number of a track (Direct Access)
Z
≠ as many times as you want while playing. For example, to locate the second track behind, press three times.
1 Enter the program number of the track with the number buttons.
2 Press ( (or · on the deck).
* AMS = Automatic Music Sensor.
z
If you enter the wrong program number during
Direct Access
Z
If you haven’t pressed the
( (or · on the deck) button, press CLEAR on the remote, then enter the correct number. If you have already pressed the ( (or
· on the deck) button, pressing the CLEAR button will not erase the wrong program number. Stop the deck and reenter the program number.
z
If the deck detects a blank section of 9 seconds or more, or the end of the tape
The deck rewinds the tape automatically to its beginning and stops (Auto Rewind).
z
You can make the deck start playing automatically from the beginning of the tape after rewinding
Press · while holding down 0.
Playing all tracks repeatedly
Press REPEAT repeatedly while playing a track until
“REPEAT” appears in the display. The deck will then play back all tracks until it detects the end of the last track, which may be:
— a blank section of 9 seconds or more
— the end of the tape
When the deck detects either of the above, it rewinds the tape to beginning and plays back all tracks again.
The deck repeats this cycle up to 5 times, then automatically stops.
To stop playing all tracks repeatedly
Press REPEAT repeatedly until “REPEAT” disappears.
Note
Repeat Play of all tracks is canceled when you take out the cassette.
Playing a track repeatedly
Press REPEAT repeatedly while playing the track that you want until “REPEAT 1” appears in the display.
The deck will then play back the track until its end, which may be:
—the next start ID
—a blank section of 9 seconds or more
—the end of the tape
When the deck detects any of the above, it rewinds the tape and starts playing from the start ID of the same track again. The deck repeats this cycle up to 5 times, then automatically stops.
To stop playing a track repeatedly
Press REPEAT repeatedly until “REPEAT 1” disappears.
Note
Repeat Play of a single track is canceled when you take out the cassette.
3858 -189-21(1)
Playback Operations
Playback Using a Timer
(Timer Playing)
By connecting a timer (not supplied) to the deck, you can start and stop playback operations at specified times. For further information, refer to the instructions that came with the timer.
MODE
RESET
POWER g TIMER
REC OFF PLAY AUTO
START ID
RENUMBER REHEARSAL WRITE ERASE
MARGIN
RESET
OPEN/CLOSE
§
≠
AMS
±
ANALOG
OPTICAL
COAXIAL
INPUT REC MODE
STANDARD
48 kHz
44.1 kHz
LONG
0 )
SBM
ON
OFF
REC MUTE
R p · P r
REC
3
REC LEVEL
4
• 5 •
L
6
R
7
2
1
0
PHONES
8
9
10
PHONE LEVEL
0 10
TIMER
1
• To specify the time for the start of playing, do steps 1 to 3 of “Playing a DAT” on page 8.
• To specify the time for the end of playing, do steps 1 to 4 of “Playing a DAT” on page 8.
• To specify the time for the start and end of playing, do steps 1 to 3 of “Playing a DAT” on page 8.
2
Set TIMER on the deck to PLAY.
3
Set the timer as required.
• When you have set the time for the start of playback, the deck turns off. When the specified time arrives, the deck turns on and after about 10 seconds starts playing.
• When you have set the time for the end of playback, the deck continues playing, then when the specified time arrives, the deck stops playing and turns off.
• When you have set the time for both the start and end of playback, the deck turns on. When the starting time arrives, the deck turns on and after about 10 seconds, playback starts. When the ending time arrives, the deck stops playing and turns off.
4
After using the timer, set TIMER on the deck to
OFF.
About Sub Codes
In the DAT format, sub codes (i.e., control codes such as start IDs and program numbers) can be written on the tape along with the audio signal. These sub codes allow you to use AMS (see page 14) or Direct Access
(see page 14). Since sub codes are written on the tape separately from the audio signal, they have no effect on the audio signal.
Track Track Track
,,
Start ID
,,
,
,
Start IDs
Start IDs indicate the start of a track, and therefore allow you to locate the position of a track precisely.
The start IDs are 9 seconds in length (18 seconds in long-play mode) to enable easy detection during fastforwarding or rewinding.
Program numbers
Program numbers serve as track numbers. Occupying the same position as start IDs, a program numbers allow you to locate specific tracks.
Notes
• The p and P buttons do not work during the writing of sub codes.
• Writing and erasing of start IDs and renumbering of program numbers are impossible if the record-protect hole on the DAT cassette is open (see page 7).
Writing Start IDs During
Recording
You can write start IDs either manually or automatically anytime during recording.
MODE
RESET
POWER g
REC
TIMER
OFF PLAY AUTO
START ID
RENUMBER REHEARSAL WRITE ERASE
MARGIN
RESET
OPEN/CLOSE
§
≠
AMS
±
ANALOG
OPTICAL
COAXIAL
INPUT REC MODE
STANDARD
48 kHz
44.1 kHz
LONG
0 )
SBM
ON
OFF
REC MUTE
R p · P r
REC
3
REC LEVEL
4
• 5 •
L
6
R
7
2
1
0
PHONES
8
9
10
PHONE LEVEL
0 10
START ID
AUTO
START ID
WRITE
· P
(Continued)
15
3858 -189-21(1)
16
Writing Sub Codes
Manual Writing of Start IDs During
Recording
Press START ID WRITE.
“ID WRITE” appears in the display for a few seconds and the start ID is written on the tape at the selected position. “START ID” flashes in the display during this time.
Start ID
ID WRI TE
START ID
Note
The interval between start IDs must be more than 18 seconds
(36 seconds in long-play mode). If the interval is less than 18 seconds (or 36 seconds), the deck may fail to detect the second start ID during playback.
Writing the Start IDs Automatically During
Recording
Do the following procedure to automatically write program numbers along with start IDs at the same position.
• When recording an analog signal with the INPUT switch at ANALOG
A start ID and program number are written whenever the input signal rises above a given level after remaining at a muted or low level for 3 seconds or more.
• When recording a digital signal with the INPUT switch at OPTICAL or COAXIAL
A start ID and program number are written whenever a new track is detected while recording a digital signal through the COAXIAL IN or OPTICAL IN jack from a digital source such as CD player or another DAT deck.
Start IDs and program numbers are not written, however, for tracks that are less than 18 seconds in length.
1
Do steps 1 to 7 of “Recording on a DAT” on pages
6 and 7.
The deck changes to recording pause.
2
Press START ID AUTO repeatedly until “AUTO” appears in the display.
3
If you are recording from the end of the recorded portion, use the number buttons on the remote to specify the program number after the last one recorded.
Example: When program number 5 is the last program number recorded on the tape.
REC
·
∏
AUTO
PGM NO.
6
The next program number
If the last program number on the tape appears in the display, you don’t have to specify the next program number. If you are recording from the beginning of a blank tape, program number “1” appears in the display. If you forget program numbering at this time, you can add them later
(see “Renumbering the Program Numbers
Automatically (Renumbering)” on page 18).
4
To start recording, press P or ·, then start playing the program source.
Start IDs are written on the tape automatically during recording.
“ID WRITE” appears for a few seconds whenever a sub codes (a start ID and program number) are being written.
z
During digital recording from a CD player
Start recording on your deck first, then press the (
PLAY button on the CD player while it is stopped. If you place your deck into recording pause and the CD into play pause before you start recording, the start ID and program number of the first track on the CD may not be correctly written to the tape.
Note
During automatic start ID writing the positioning of some start IDs may be inaccurately or inappropriately positioned away from the beginning of the track. If this happens, you can reposition or erase the start IDs later (see “Accurate
Positioning of Start IDs (Rehearsal)” and “Erasing Start IDs” on page 17).
Writing Start IDs During
Playback
You can write start IDs during playback.
MODE
RESET
POWER g TIMER
REC OFF PLAY AUTO RENUMBER
START ID
REHEARSAL WRITE ERASE
MARGIN
RESET
OPEN/CLOSE
§
≠
AMS
±
ANALOG
OPTICAL
COAXIAL
INPUT REC MODE
STANDARD
48 kHz
44.1 kHz
LONG
0 )
SBM
ON
OFF
REC MUTE
R p · P r
REC
2
3
REC LEVEL
5
4
• •
L
6
R
7
8
1
0
PHONES
9
10
PHONE LEVEL
0 10
START ID
REHEARSAL
START ID
WRITE
0 / )
Press START ID WRITE.
“ID WRITE” appears in the display for a few seconds and the start ID is written on the tape at the selected position. “START ID” flashes in the display during this time.
3-
858
-189-21(1)
Writing Sub Codes
Accurate Positioning of Start IDs
(Rehearsal)
1
During playback, press START ID REHEARSAL when you arrive at the proper position.
“REHRSL” appears, “START ID” flashes in the display and Rehearsal repeats a 3-second portion starting from the selected position. Note that the repeated portion will play back 8 times, with the remaining number of times appearing to the right of the “REHRSL”. After 8 times, the deck automatically stops.
2
Press
0 or ) to move the beginning of the repeated portion.
Each time you press the
0 or ) button, the beginning of the repeated portion shifts backwards or forwards in 0.3-second increments, up to a maximum extent of about 2 seconds (4 seconds in long-play mode) in either direction.
Position where the START
ID REHEARSAL button is pressed in step 1.
↓
3 seconds
Repeated portion
Adjusting the Position of an
Existing Start ID
You can adjust the position of previously recorded start IDs.
MODE
RESET
POWER g TIMER
REC OFF PLAY AUTO
START ID
RENUMBER REHEARSAL WRITE ERASE
MARGIN
RESET
OPEN/CLOSE
§
≠
AMS
±
ANALOG
OPTICAL
COAXIAL
INPUT REC MODE
STANDARD
48 kHz
44.1 kHz
LONG
0 )
SBM
ON
OFF
REC MUTE
R p · P r
REC
3
REC LEVEL
4
• 5 •
L
6
R
7
2
1
0
PHONES
8
9
10
PHONE LEVEL
0 10
START ID REHEARSAL
1
During playback, press START ID REHEARSAL when the existing start ID you want to reposition is displayed.
The deck rewinds to the beginning of start ID and
Rehearsal repeats a 3-second portion is displayed.
2
Do steps 1 to 3 of “Accurate Positioning of Start
IDs (Rehearsal)” on this page.
You can move the start ID to a maximum extent of about 2 seconds (4 seconds in long-play mode) in either direction from its original position.
Movement with each press of
)
0.3 sec
Movement with each press of
0
0.3 sec
Note
Start IDs written within 10 seconds from the end of the tape may be difficult or impossible to move.
Erasing Start IDs
You can erase any start ID.
The time in the display shows the shift in position from the time the START ID REHEARSAL button was pressed.
After pressing
) twice
0 6
S
START ID
After pressing
0 twice
.
S
START ID
3
Press START ID WRITE.
“ID WRITE” appears in the display for a few seconds and the start ID is written on the tape at the selected position. “START ID” flashes in the display during this time.
MODE
RESET
POWER g
REC
TIMER
OFF PLAY AUTO
START ID
RENUMBER REHEARSAL WRITE ERASE
MARGIN
RESET
OPEN/CLOSE
§
≠
AMS
±
ANALOG
OPTICAL
COAXIAL
INPUT REC MODE
STANDARD
48 kHz
44.1 kHz
LONG
0 )
SBM
ON
OFF
REC MUTE
R p · P r
REC
3
REC LEVEL
4
• 5 •
L
6
R
7
2
1 9
8
0 10
PHONES PHONE LEVEL
0 10
START ID ERASE
Press START ID ERASE when the start ID you want to erase is displayed.
“(ERASE)” appears in the display as the deck rewinds to the beginning of the start ID, then “ID ERASE” appears as the deck erases the start ID.
• It takes 9 seconds to erase a start ID.
• Program numbers are erased together with start IDs.
3858 -189-21(1)
17
18
Writing Sub Codes Additional Information
Renumbering the Program
Numbers Automatically
(Renumbering)
Renumbering searches for each start ID from the beginning of the tape and assigns a new program number to each one starting with 1. Use Renumbering in the following cases:
• When you’ve added a start ID while playing the tape.
• When a program number is missing due to an erased start ID.
• When you began recording from the middle of the tape and wrote a program number that already exists, or when one of the the start IDs has no program number.
MODE
RESET
POWER g
REC
TIMER
OFF PLAY AUTO RENUMBER
START ID
REHEARSAL WRITE ERASE
MARGIN
RESET
OPEN/CLOSE
§
≠
AMS
±
ANALOG
OPTICAL
COAXIAL
INPUT REC MODE
STANDARD
48 kHz
44.1 kHz
LONG
0 )
SBM
ON
OFF
REC MUTE
R p · P r
REC
2
3
REC LEVEL
5
4
• •
L
6
R
7
8
1
0
PHONES
9
10
PHONE LEVEL
0 10
START ID RENUMBER
Press START ID RENUMBER while the deck is playing or stopped.
“RENUMBER” flashes in the display and the tape is automatically rewound to its beginning. The deck then starts searching for start IDs from the beginning of the tape and assigns a new consecutive program number to each track. When the deck detects a start ID, the deck plays the track from the start ID for 2 seconds, then writes a new program number on the tape.
During this time, “RENUMBER” lights up and
“START ID” flashes.
After Renumbering is finished, the deck rewinds the tape automatically to its beginning, then stops.
Note
Renumbering may not function correctly when:
• A blank section exists on the tape.
• The interval between two start IDs is less than 18 seconds
(36 seconds in long-play mode).
• A start ID exists within 10 seconds from the end of the tape.
Precautions
On safety
• Do not disassemble the cabinet as this may result in an electric shock. Refer servicing to qualified personnel only.
• Should any solid object or liquid fall into the cabinet, unplug the AC power cord before operating the unit any further.
On power sources
• Before operating the unit, check that its operating voltage is identical with your local power supply. The operating voltage is indicated on the nameplate at the rear of the unit.
• The unit is not disconnected from the AC power source
(mains) as long as it is connected to the wall outlet, even if the unit itself has been turned off.
• If you are not going to use the unit for a long time, be sure to disconnect the AC power cord (mains lead) from the wall outlet. To disconnect the cord, grasp the plug itself; never pull the cord.
• AC power cord must be changed only at the qualified service shop.
On operation
If the unit is brought directly from a cold place to a warm place, or is placed in a very damp room, moisture may condense inside the unit, “CAUTION” may appear in the display, and the unit may not operate. If this happens, remove the cassette and leave the unit turned on for about an hour until the moisture evaporates.
On placement
• Place the unit in a location with adequate ventilation to prevent heat build-up.
• Do not place the unit:
— on a soft surface such as a rug that might block the ventilation holes on the bottom.
— near heat sources.
— in direct sunlight.
— in an inclined position.
— in a place subject to excessive dust or mechanical shock.
On the tapes
• After using a tape, put it into its case and keep it where it will not be subject to sunlight, high temperature, moisture or dust.
• The DAT cassette shell is designed to keep out dust. Do not open the case to expose the tape.
• The hole at the back of the cassette is the detector slot. Do not cover this slot.
3-
858
-189-21(1)
Additional Information
Regarding tapes of over 120 minutes
Do not use thin-tape cassettes (with a playing time of over
120 minutes) to record important material since such cassettes are subject to the following problems:
— Improper threading of the tape after repeated AMS, rewinding, fast-forwarding, or cueing operations.
— Incorrect writing and erasing of start IDs.
— Sound distortion.
If you have any questions or problems concerning your unit, please consult your nearest Sony dealer.
Cleaning
Cleaning the cabinet, panel and controls
Use a soft cloth slightly moistened with a mild detergent solution. Do not use any type of abrasive pad, scouring powder or solvent such as alcohol or benzine.
Cleaning the head and tape path
• Prolonged operation will cause contamination of the head. To obtain the best possible recording and playback sound, we recommend that you use the
Sony DT-10CL cleaning cassette (not supplied) to clean the head after every ten hours or so of operation.
• Clean the head with the cleaning cassette when the deck has not been used for a long period of time.
Contamination of the head may cause sound dropout during playback.
Using the cleaning cassette
1 Insert the cleaning cassette as you would a normal DAT cassette.
2 Press ·. After 10 seconds, press p.
Do not press the r REC or ) button for cleaning.
3 Remove the cleaning cassette without rewinding it. You should rewind the cleaning cassette only when it has reached the end.
Notes on cleaning
• After 10 hours of operation, “CLEANING” appears in the display for about ten seconds when you turn on the deck.
It is recommended that you clean the head and tape path periodically, using this message as a guide.
• Due to the shortness of the cleaning cassette, the counter will not show the actual running time and remaining time of the cassette.
Display Messages
The following table explains the various messages that appear in the display.
Message
BLANK
CAUTION
CLEANING
(ERASE)
ID ERASE
ID WRITE
NO TAPE
PROHIBIT
PROTECT
REHRSL
SOURCE
TAPE END
TAPE TOP
UNLOCK
WAIT
(WRITE)
Meaning
The deck is searching for the beginning of the blank section on the tape.
A safety mechanism is operating because of condensation or other reasons.
Cleaning the head and tape path is recommended. After about 10 hours of deck use, this message appears for about 10 seconds whenever you turn on the deck .
The deck is searching for the beginning of the start ID to be erased.
A start ID is being erased.
A start ID or program number is being written.
A cassette is not inserted into the deck.
The program source you are about to record cannot be recorded through the digital input jacks or connectors. For more information, see “Guide to the Serial Copy Management
System” (see pages 22 and 23).
The record-protect hole on the cassette is open and recording on the tape cannot be done.
Rehearsal is on.
The deck has been in recording pause for about 10 minutes, or you've pressed the r REC button while no cassette is in the deck or the cassette is record-protected.
The tape has come to the end of the recorded portion.
The tape has reached its beginning.
No digital signal is being input to the jack or connector that you selected with the INPUT switch.
The deck is searching for the beginning of the blank section on the tape.
This appears when the START ID WRITE button is pressed.
3858 -189-21(1)
19
20
Additional Information
Troubleshooting
If you’ve experienced any of the following difficulties while using the deck, use this section as a guide to remedy the problem. Should any problem persist, consult your nearest Sony dealer.
The cassette holder does not close.
/ Check that the cassette is inserted correctly (see pages 6 and 8).
/ Insert the cassette beyond the silver bar (see pages 6 and
8).
The function buttons do not work.
/ The deck has just been turned on and will not operate for about 4 seconds. Wait 4 seconds (10 seconds when
“CLEANING” appears) before attempting any operation.
/ The P button is activated. Press P to cancel pause.
/ The tape has reached its end. Press 0 to rewind the tape.
No sound.
/ Make the proper connections (see pages 4 and 5).
/ The connected amplifier is not being operated properly.
Operate the amplifier as required for the respective deck operation. (Refer to the operating instructions of the amplifier.)
The deck does not record.
/ The record-protect hole on the cassette is open. Slide the record-protect tab to close the hole (see page 7).
/ The INPUT switch is incorrectly set. Set INPUT to the correct position.
/ The REC LEVEL control is set at 0. Turn REC LEVEL clockwise to raise the recording level (only during analog recording).
/ The signal input to the digital input jack or connector is protected against digital copying (only during digital recording). Input the signal through the analog input jack or connector.
The OPEN/CLOSE
§ button does not work.
/ The OPEN/CLOSE § button does not function during recording. Press p or P to stop recording first, then press OPEN/CLOSE §.
“CAUTION” appears and the deck cannot be operated.
/ A safety mechanism is operating because of condensation. Remove the cassette and leave the deck turned on for about an hour. Then turn the deck off, then on again (see page 18).
Sub codes writing is not possible.
/ The record-protect hole on the cassette is open. Slide the record-protect tab to close the hole (see page 7).
Start ID writing is not possible during recording.
/ The start ID cannot be written within 9 seconds (18 seconds in long-play mode) after the end of the previous start ID. Make sure at least 9 seconds (18 seconds in the long-play mode) has passed after the last start ID and before writing a new one.
Direct Access does not work.
/ The specified program number does not exist on the tape. Press START ID RENUMBER to renumber the program numbers.
/ The program numbers are out of order. Press START ID
RENUMBER to renumber the program numbers.
The deck begins rewinding the tape during playback.
/ Repeat Play is on. Press REPEAT on the remote repeatedly to turn off “REPEAT” or “REPEAT 1” in the display and cancel Repeat Play.
The tape operation buttons do not function while writing or erasing a start ID.
/ All buttons do not work during the 9 seconds the start ID is being written (18 seconds in long-play mode). Wait until the writing the start ID finishes before operation.
Absolute time codes writing is not possible.
/ Recording began within a blank section.
Rewind the tape to its beginning, or locate the end of the recorded portion with End Search before starting recording.
Tape transport is excessively loud during fast-forwarding or rewinding.
/ The noise is caused by the cassette and is not a mechanical problem.
The tape stops suddenly.
/ The cassette is defective or damaged.
Press OPEN/CLOSE § and replace the cassette with a new one.
When pressing
0 /) or ≠/±, the tape stops
momentarily before starting to move.
/ This is normal and is not a mechanical problem.
The deck cannot be operated with the remote (supplied).
/ The battery is weak. Change both batteries.
“SBM” does not appear in the display even though SBM is set to ON.
/ ”SBM” appears only during the recording of analog input signals with a sampling frequency of 48 kHz or
44.1 kHz, not during the recording of a digital input signal, or an analog input signal with a sampling frequency of 32 kHz, or during playback.
3858 -189-21(1)
Additional Information
Specifications
System
Tape
Recording head
Recording time
(when using DT-120)
Tape speed
Drum rotation
Track pitch
Sampling frequency
Number of channels
D/A conversion
(quantization)
Frequency response*
Digital audio tape
Rotary head
Standard: 120 minutes
Long-play: 240 minutes
Standard: 8.15 mm/s
Long-play: 4.075 mm/s
Standard: 2,000 rpm
Long-play: 1,000 rpm
13.6 µm (20.4 µm)
48 kHz, 44.1 kHz, 32 kHz
2 channels, stereo
Standard: 16 - bit linear
Long-play: 12 - bit non-linear
Signal-to-noise ratio*
Standard: 2 - 22,000 Hz (±0.5 dB)
Long-play: 2 - 14,500 Hz (±0.5 dB)
90 dB or more (Standard and long-play mode)
Dynamic range*
Total harmonic distortion*
Wow and flutter
90 dB or more (Standard and long-play mode)
Standard: 0.005% or less (1 kHz)
Long-play: 0.008% or less (1 kHz)
Below measurable limit (±0.001%
W.PEAK)
* During analog input with the SBM function off.
Input connectors
Connector
ANALOG
DIGITAL
OPTICAL
DIGITAL
COAXIAL
Jack type
Phono jacks
Optical connector
Phono jack
Input impedance
47 kilohms
—
Rated input level
–4 dBs
—
75 ohms
0.5 Vp-p
Output connectors
Connector
ANALOG
DIGITAL
OPTICAL
PHONES
Jack type Output impedance
Rated output level
Load impedance
Phono jacks
Optical connector
470 ohms
—
Stereo phone-plug jack
100 ohms
–4 dBs
(wavelength
660 nm)
10 kilohms or more
—
1.2 mW
32 ohms
General section
Power requirements
Power consumption
Dimensions
Weight
120 V AC, 60 Hz
30 W
Approx 430
×
106
×
325 mm (w/h/d)
(17
×
4 1 /
4
×
12 7 /
8
inches)
Approx 5.0 kg (11 lb 0.4 oz)
Supplied accessories
See page 4.
Design and specifications are subject to change without notice.
SBM (Super Bit Mapping)
Function
During analog recording, the SBM function lowers noise within the frequency band to which to the human ear is most receptive to noise, thereby, sharply expanding the auditory dynamic range of the recorded signal.
High-precision pulse A/D converter
The deck uses a pulse AD converter and decimation filter to convert an analog signal into a quantized 24-bit digital signal. The deck, like CD players, uses 16-bit quantization, and thus the 8-bit difference results in more precise quantization, more signal information and less quantizing noise than 16-bit quantization.
During conversion of the 24-bit data to a 16-bit recording signal, the SBM function boosts sound quality by reintegrating 4 bits of signal information that would normally be lost into the 16-bit signal.
21
3858 -189-21(1)
22
Additional Information
Applying the principle of human hearing
The SBM function applies the principle of human hearing in the reintegration of signal information. The auditory range of the human ear is generally considered to be 20 Hz to 20 kHz; hearing sensitivity, however, shows greater sensitivity to the range between 3 kHz and 4 kHz, and lower sensitivity to frequencies above and below this range. This principle applies also to quantizing noise as well. By reducing quantizing noise in this particular range, signals can be recorded to produce more expansive sound than is possible by a uniform reduction of noise over the entire audible range.
Noise-shaping filter
The SBM function uses a noise-shaping filter (see Fig.
A) with a frequency response similar to that of the human ear to reduce quantizing noise within the most sensitive frequency range, and to feed back the quantizing error (that is normally lost) back to the input signal, re-integrating the low-end bit information with the high-end bit information.
Fig. A
24-bit information input
/
Noise-shaping filter
/
16-bit SBM output
Fig. B shows the improvement in the quantizing noise level when the SBM switch is on (theoretical values).
Given a noise level of 0 dB when the SBM switch is off, the improvement in noise level for sampling frequencies lower than 3 kHz exceeds 10 dB when the
SBM is activated.
Fig. B
25
20
Noise level
(dB)
15
10
5
0
-5
-10
20 50 100 200 500 1k 2k
Sampling frequency (Hz)
5k 10k 15k
The SBM function operates only during recording. The improved sound produced by the SBM function, however, can be enjoyed during playback, regardless of the SBM switch position or the DAT deck being used.
SBM
ON
SBM
OFF
Guide to the Serial Copy
Management System
This deck uses the Serial Copy Management System, which allows only first-generation digital copies to be made of premastered software via the deck’s digital input jack. An outline of this system appears below:
1
You can record from digital program sources (CDs, premastered MDs or DATs) onto a DAT or recordable MD via digital input jack on the DAT or MD deck. You cannot, however, record from this recorded DAT or MD onto another DAT or recordable MD via the digital input jack on the DAT or MD deck.
Playing
DAT deck
CD player
MD deck
Digital output jack
Optical cable or coaxial digital connecting cable
Digital input jack
Recording
DAT deck or
MD deck
v
DAT or MD
Playing
Digital output jack
Optical cable or coaxial digital connecting cable
First-generation
DAT or MD recorded via digital-to-digital connection
v
DAT deck or
MD deck
Line (analog) output jack
Audio connecting cord
Digital input jack
Recording
Line (analog) input jack
DAT deck or
MD deck
3858 -189-21(1)
Additional Information
2
You can record the digital input signal of a digital satellite broadcast onto a DAT or recordable MD via the digital input jack on the DAT or MD deck which is capable of handling a sampling frequeny of 32 kHz or 48 kHz. You can then record the contents of this recorded DAT or MD
(first-generation) onto another DAT or recordable MD via digital input jack on the DAT or MD deck to create a second-generation digital copy. Subsequent recording from the second-generation copy onto another DAT or recordable MD is possible only through the analog input jack on the DAT or MD deck.
Playing
BS tuner
Digital output jack
Optical cable or coaxial digital connecting cable
Digital input jack
Recording
DAT deck or
MD deck
v
DAT or MD
First-generation
DAT or MD recorded via digital-to-digital connection
Playing v
DAT deck or
MD deck
Digital output jack
Optical cable or coaxial digital connecting cable
Digital input jack
Recording
DAT deck or
MD deck
v
DAT or MD
Secondgeneration DAT or MD recorded via digital-todigital connection
Playing v
DAT deck or
MD deck
Digital output jack
Line (analog) output jack
Optical cable or coaxial digital connecting cable
Audio connecting cord
Digital input jack
Recording
Line (analog) input jack
DAT deck or
MD deck
3
You can record a DAT or MD recorded via the DAT or MD deck’s analog input jack onto another DAT or MD via the
DAT or MD deck’s digital output jack. You cannot, however, make a second-generation DAT or MD copy via the DAT or MD deck’s digital output jack.
Playing
Tuner
Turntable
Cassette deck
DAT deck
CD player
Microphone amplifier
MD deck
Line (analog) output jack
Audio connecting cord
Recording
DAT or MD
Playing
DAT deck or
MD deck
v
Line (analog) input jack
DAT or MD recorded via analog-to-digital connection
v
DAT deck or
MD deck
Digital output jack
Optical cable or
Coaxial digital connecting cable
Recording
Digital input jack
DAT deck or
MD deck
DAT or MD
v
First-generation
DAT or MD recorded via digital-to-digital connection
Playing v
DAT deck or
MD deck
Digital output jack Line (analog) output jacks
Optical cable or coaxial digital connecting cable
Audio connecting cord
Digital input jack
Recording
Line (analog) input jacks
DAT deck or
MD deck
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3858 -189-21(1)
Index
Index
A
Absolute time 13
Absolute time codes 9
Adjusting the recording level
10
AMS (Automatic Music Sensor)
14
B
Batteries 4
Blank section 9, 10
C
Cleaning 19
Cleaning the head and tape path 19
D
E, F, G
Emphasis 9, 13
End Search 10
H
Direct Access 14
Display messages 19
Hooking up the system 4
I, J, K, L
Inserting batteries into the remote 4
M, N, O
Margin indication 10
P, Q
Playing a DAT 8
Playing time of the track 13
Program numbers 15, 18
R
Recording on a DAT 6
Record Muting 12
Record-protect tab 7
Rehearsal 16
Remaining time on the tape 13
Renumbering 18
Repeat Play
Playing a track repeatedly 14
Playing all tracks repeatedly
14
S
SBM function 11, 12
Serial Copy Management
System 22
Setting the recording mode 11
Sound-muted section 9, 12
Start ID
Accurate positioning of start
IDs 17
Adjusting the position of an existing start ID 17
Erasing start IDs 17
Manual writing of start IDs during recording 16
Writing the start IDs automatically during recording 16
Sub Codes 15
T, U, V, W, X, Y, Z
Tape running time 13
Timer Playing 15
Timer Recording 12
Names of controls
Buttons
CLEAR 14
COUNTER MODE 13
COUNTER RESET 13
MARGIN RESET 10
MODE 13
OPEN/CLOSE
§ 6 - 8 r REC 7
REC MUTE
R 12
REPEAT 14
RESET 13
START ID AUTO 15
START ID ERASE 17
START ID REHEARSAL 16, 17
START ID RENUMBER 18
START ID WRITE 15, 16 p 7, 8, 12
· 7, 8, 10, 12, 14, 15
0/) 7, 8, 10, 16
P 7, 10, 12, 15
≠/± 8, 14
Switches
INPUT 6
POWER 6, 8
REC MODE 11
SBM 11
TIMER 12, 15
Controls
PHONE LEVEL 8
REC LEVEL 10
Jacks
ANALOG IN 4, 6
ANALOG OUT 4
DIGITAL COAXIAL IN 4, 6
DIGITAL OPTICAL IN 4, 6
DIGITAL OPTICAL OUT 4
PHONES 8
Sony Corporation
Printed in Japan
24
3858 -189-21(1)
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Key Features
- High-density linear converters for clear, elegant sound quality and theoretically zero cross distortion
- SBM (Super Bit Mapping) function to expand the range of spatial expression
- Serial Copy Management System for easy copying of digital audio content
- Three sampling frequencies (48 kHz, 44.1 kHz, 32 kHz) for high-quality audio reproduction
- Recording and playback in long-play mode for extended recording time
- Analog recording at 44.1 kHz for compatibility with analog audio sources
- Sub code writing (Start IDs, program numbers) for quick and easy track location
- See-through cassette compartment lid for viewing of tape operations during playback and recording
Related manuals
Frequently Answers and Questions
How do I adjust the recording level for analog recording?
How do I insert a sound-muted section while recording?
How do I set the recording mode?
How do I write Start IDs during recording?
How do I locate a track?
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Table of contents
- 1 DTC-ZE700
- 3 TABLE OF CONTENTS
- 4 Unpacking
- 4 Hooking Up the System
- 6 Recording on a DAT
- 8 Playing a DAT
- 9 Things You Should Know Before Recording
- 10 Adjusting the Recording Level for Analog Recording
- 10 Locating the End of the Recorded Portion (End Search)
- 11 Setting the Recording Mode
- 11 Using the SBM (Super Bit Mapping) Function
- 12 Inserting a Sound-Muted Section While Recording (Record Muting)
- 12 Recording Using a Timer (Timer Recording)
- 13 About the Display
- 14 Locating a Track (AMS*/Direct Access)
- 14 Playing Tracks Repeatedly (Repeat Play) Z
- 15 Playback Using a Timer (Timer Playing)
- 15 About Sub Codes
- 16 Writing Start IDs During Playback
- 17 Adjusting the Position of an Existing Start ID
- 17 Erasing Start IDs
- 18 Renumbering the Program Numbers Automatically (Renumbering)
- 18 Precautions
- 19 Cleaning
- 19 Display Messages
- 20 Troubleshooting
- 21 Specifications
- 21 SBM (Super Bit Mapping) Function
- 22 Guide to the Serial Copy Management System
- 24 Index