advertisement
V3.01E
1
This document covers
Firmware Ver.1.81
Table of contents
2
3
1. Image sensor & record formats
4
1. Image sensor & record formats
The AG-DVX200 is a professional camera recorder, featuring a large 4/3 image sensor, x13 optical zoom lens, and various record formats from SDTV and Full HD up to UHD (3840x2160) and 4K
(4096x2160) resolutions.
Total number of effective pixels in each record format
FHD 15.49 M pixels
UHD @59.94p/50.00p 8.71 M pixels
UHD @29.97p/25.00p 12.89 M pixels
4K @24.00p 13.35 M pixels
The 4/3 large imager allows you to create an attractive image expression with shallow depth of field.
5
1. Image sensor & record formats
1-1. Record modes
An Ultra High Definition (UHD: 3840x2160) image, (which has four times higher density resolution than FHD video) and 4K (4096x2160 at 24.00p) images, can be selected. It is also possible to select Full High Definition (FHD: 1920x1080) image for recording if required.
Resolution
4096x2160
Aspect ratio
17:9
Frame rate
24.00p
Bit rate
100Mbps
Video Audio
File extension
Long
GOP
LPCM
MP4,
MOV
3840x2160
1920x1080
1920x1080
1440x1080
1280x720
720x480
720x576
16:9
16:9
16:9
16:9/
4:3
59.94p, 50p
29.97p, 25p, 23.98p
59.94p, 50p
29.97p, 25p, 23.98p
59.94p, 50p
29.97p, 25p, 23.98p
59.94i, 50i
59.94p, 50p
59.94i, 50i
23.98p
59.94i, 50i
59.94p, 50p
59.94i
50i
150Mbps
100Mbps
200Mbps
100/50Mbps
50Mbps
25Mbps
21/17Mbps
21Mbps
5Mbps
8Mbps
9Mbps
ALL-
Intra
Long
GOP
Long
GOP
LPCM
AC3
MP4,
MOV
AVCHD
1-2. Recording in different codecs with dual memory card slots
Simultaneous recording with two different codecs is possible. It allows users to record high quality
UHD image for main recording while capturing light-weight FHD images for scenario checks etc.
Main recording
Sub recording
(50Mbps mode)
Sub recording
(8Mbps mode)
Format Bit rate A
[email protected] 100M
UHD@25p 100M
[email protected] 100M
200M
100M
Format
+
+
FHD@25p
+
+
-
+
+
-
- FHD@50p 200M
FHD@50p
100M
200M
+
+
-
-
FHD@25p 200M
+
-
[email protected] 200M
+
* UHD = 3840x2160, FHD = 1920x1080
* Unit of Bit rate = Mbps
-
File
MP4,
MOV
-
-
-
-
-
-
-
A or
Format
FHD@25p
FHD@50p
FHD@50p
FHD@25p
File
MOV
A
6
1. Image sensor & record formats
1-3. Image size comparison between 4K/UHD and HD formats
The UHD (3840x2160) image is four times sharper than an FHD 1080p image (nine times that of
720p). And the 4096x1080 resolution (referred to as
“4K” on AG-DVX200), which is often used for cinema shooting, has a slightly wider image aspect ratio of 17:9. In comparison to a UHD image, this is an extra 256 pixels in the horizontal direction.
Comparison between
4K/UHD and
FHD
Comparison between
4K/UHD and
720p
Record format
4K
UHD (Ultra HD)
FHD (Full HD)
Resolution
4096 x 2160
3840 x 2160
1920 x 1080
7
Aspect ratio
17:9
16:9
16:9
2. Preparation before
Shooting
8
2. Preparation before shooting
2-1. Major IN/OUT connecters
Image resolution of HDMI, SDI and VIDEO OUT signals vary and will depend on the system
settings. See 7-2. Output signal (P.66) for the details.
SDI output
(3G: 1080p
LEVEL-A ready)
Analog audio out
(Ø3.5mm stereo mini jack)
Level=
600Ω, 316mV
Wired remote terminals
USB3.0 HOST terminal
(Type-A connector)
For external storage device connection*
USB3.0 DEVICE terminal
(Type micro-B connector)
For connection between computers
HDMI2.0 output
(Type-A connector)
Visit the following website for information of tested external USB storage devices. http://pro-av.panasonic.net/en/products/ag-dvx200/index.html
9
2. Preparation before shooting
2-2. Record mode settings
Set the record file format type, frequency, etc. with MENU >
“SYSTEM MODE” where the following menu items are available.
MENU > SYSTEM MODE
- SYSTEM FREQ : 59.94Hz or 50.00Hz
- OUTPUT BITS : 4:2:2 8bit
(*)
- REC MODE : MOV, MP4 or AVCHD
- REC FORMAT : Choose a combination of the number of pixels and bitrate （see P.66）
* By choosing
“4:2:2 10bit” output mode, superb images can be recorded from the HDMI OUT or
SDI OUT using external recorders. When
“4:2:2 10bit” mode is chosen, built-in SD memory card recorder does not work.
2-3. Audio input settings
The AG-DVX200 can handle up to 2 channels of audio and record them.
1. Set
switches (A)
for audio source selection (built-in MIC / external)
2. When external input is chosen, set attenuation type (LINE, MIC) and phantom powering option with
switches (B)
. Input levels for LINE and MIC inputs can be set with MENU > AUDIO
SETUP.
3. Set record level adjustment (AUTO / MANUAL) with switches (C).
(A)
(B)
(C)
Audio record level can be set with the AUDIO LEVEL knob when
(C)
is set to MANU (MANUAL).
Audio level meter
10
AUDIO LEVEL CH1 / CH2 knob
2. Preparation before shooting
2-4. Record modes and required speed class of SD memory cards
SD memory cards require a higher writing speed when recording at high bitrates. The following table shows the minimum speed class necessary for each bitrate.
Record mode
Record bit rate Minimum required speed class
Speed class symbols
100Mbps or higher UHS Speed Class3 (*1)
MOV/MP4 UHS Speed Class1
50Mbps
Class10
AVCHD 5 to 28Mbps Class4
*1: If
“UHD 2160/59.94p 150M” or “UHD 2160/50.00p 150M” record mode is selected, your chosen SD memory card needs to meet or exceed 64GB SDXC, UHS Speed Class3 specifications. Only cards of this type can be used.
2-5. Mounting to Tripod
The AG-DVX200 has two different standard screw sizes, industrial standard
1/4-20UNC
size and broadcast equipment standard
3/8-16UNC
size.
Use screws shorter than 5.5mm in length, otherwise damage may occur to internal parts.
3/8-16UNC 1/4-20UNC
11
3. MENU settings
12
3. MENU settings
3-1. MENU items overview
MENU
SCENE FILE (Image related settings) [P.14]
SYSTEM MODE (Fundamental settings such as CODEC etc.)
USER SWITCH (Assign functions to USER buttons)
[P.16]
[P.17]
SWITCH SETTING (Gain, WB and other operation related settings) [P.20]
AUTO SWITCH SETTING (Function assignment for full auto mode) [P.24]
RECORDING SETUP (Recording related such as Pre-REC, TC set) [P.25]
AUDIO SETUP (Input gain and other audio related settings) [P.26]
OUTPUT SETUP (HDMI, SDI, EVF/LCD output related settings) [P.27]
DISPLAY SETTING (Selection of items to be shown on EVF etc.) [P.28]
OTHER FUNCTIONS (Media format, calendar setting ets.)
NETWORK SETUP (Wi-Fi related settings)
MAINTENANCE (Firmware version display etc.)
[P.30]
[P.31]
[P.31]
13
3. MENU settings
SCENE FILE
Note: Items marked will not function when OUTPUT BIT item is set to
“4:2:2 10bit”.
Menu item Description Value
(Factory default setting underlined)
SCENE1 - SCENE6 CUSTOMIZE SCENE Recall scene files.
SCENE FILE
Load / Save custom scene files to/from SD memory cards.
VFR MODE
Turn ON/OFF variable frame record mode.
LOAD / SAVE
ON / OFF
FRAME RATE
Adjust frame rate. Adjustable range is from 2fps to 120fps
60fps
SYNCHRO SCAN
MASTER DETAIL
DETAIL CORING
SKIN TONE DETAIL
V DETAIL LEVEL
KNEE APE LEVEL
RB GAIN CONTROL
SETTING
CHROMA LEVEL
CHROMA PHASE
Set shutter speed for synchro scan mode.
Adjust image contour correction level for entire image.
Adjust threshold level of image contour correction.
Adjust level of softness effect for a certain color tone (flesh tone).
Adjust image contour correction level for vertical direction.
Set KNEE compression level for a very bright part.
Adjust color balance for each white balance memory position
(A, B and PRST).
This item does not function when white balance mode is set to
“ATW”.
Adjust saturation of color.
Adjust tone of color.
Adjustable range varies depending on system frequency setting.
-31 - 0 - +31
0 - 1 - 60
ON / OFF
-7 - 0 - +7
0, 1, 2, 3, 4, 5
R GAIN: -30 - 0 - +30
B GAIN: -30 - 0 - +30
GAIN OFFSET: ON / OFF
MATRIX Recall color presets.
-70 - 0 - +30
-31 - 0 - +31
NORM1: Suitable for shooting outdoors or indoors under halogen lighting.
NORM2: Color is slightly more vivid than
“NORM1”.
FLUO: Suitable for shooting indoors under fluorescent lighting.
CINE-LIKE: Suitable for shooting with cinema-like image.
COLOR
CORRECTION
SETTING
MASTER PED
Adjust color tone and saturation. This has an effect on 16 different individual color phases.
Adjust master black level
-63 - 0 - +63
-150 - 0 - +150
14
3. MENU settings
SCENE FILE <continued>
Menu item
GAMMA MODE
BLACK GAMMA
BLACK GAMMA
RANGE
KNEE MODE
KNEE MASTER
POINT
KNEE MASTER
SLOPE
DRS
DRS EFFECT
AUTO IRIS
LEVEL
AUTO IRIS
LEVEL
EFFECT
V-Log L MODE
FLASH BAND
COMPENSATION
NR CONTROL
(v1.81 or later)
Description
Choose image contrast and gradation according to the scene.
Value
(Factory default setting underlined)
HD/ SD/ FILMLIKE1/ FILMLIKE2/
FILMLIKE3/ CINE-LIKE V/ CINE-LIKE D
See P.53 for details about differences
among the effects of these gamma modes.
Adjusts gamma characteristics in darker signal areas.
Set the upper limit of compression/expansion level of black gamma control.
Set operation mode of knee function (compress bright areas to avoid an overexposed image).
Sets the signal level where video image compression begins.
Adjusts slope angle when in
MANUAL KNEE mode.
Turn ON/OFF Dynamic
Range Stretcher (DRS) function.
-8 - 0 - +8
1: Set the limit at approx.20% of video level
2: Set the limit at approx.30% of video level
3: Set the limit at approx.40% of video level
AUTO / MANUAL / OFF
80.0 - 93.0 - 107.0
0 - 85 - 99
ON / OFF
Sets effect level of DRS
1 / 2 / 3
Better results of dynamic range stretcher can be expected when a higher number is chosen. However, noise level will also become higher.
ON / OFF
Turn ON/OFF automatic aperture level control.
Set the target brightness level in auto iris mode.
Turn ON/OFF the V-Log L mode to capture the image with wider latitude of 12 stops.
Turn ON/OFF the image compensation function, which allows removing flash-band effects from an image.
Sets noise reduction level.
Effect becomes stronger when value is increased, and image aliasing could be seen in exchange for that.
-50 - 0 - +50
ON / OFF
ON / OFF
-7 - 0 - +7
15
3. MENU settings
SYSTEM MODE
Note: Items marked will not function when OUTPUT BIT item is set to
“4:2:2 10bit”.
Menu item Description Value
(Factory default setting underlined)
SYSTEM FREQ Set system frequency 59.94Hz / 50.00Hz
OUTPUT BITS
Set image quality of signals from
HDMI and SDI outputs.
4:2:2(10bit) / 4:2:2(8bit)
REC MODE
REC FORMAT
OUTPUT FORMAT
ASPECT CONVERT
EXTENDED
SENSITIVITY
HIGH SENS. MODE
CAMERA NUMBER
SET
Set record file format. MOV / MP4 / AVCHD
Set image quality of video to be recorded. (resolution, frame rate, and bit-rate)
Set external output image quality when OUTPUT BITS is set to
“4:2:2(10bit)”.
Set image aspect ratio when
REC FORMAT is set to
SA 480/59.94i or SA 576/50.00i.
Expand adjustable range of gain
While this function is ON:
-6dB to 24dB (ISO250 to 8000)
While this function is OFF:
0dB to 24dB (ISO500 to 8000)
*HIGH SENS. MODE menu item is fixed to “HIGH SENS” while this feature is set to ON.
Available formats vary depending on the system frequency and REC mode settings.
Available formats vary depending on the system frequency setting. See
SIDE CROP / LETTERBOX /
SQUEEZE
ON / OFF
Set camera sensitivity mode.
HIGH SENS mode is suitable for shooting in dark environments.
NORMAL / HIGH SENS
“H.SENS” is indicated on the viewfinder while HIGH SENS mode is activated.
Set camera identification number. This number is used as a part of footage folder
’s title when MOV or MP4 file format is selected.
See P.62 for the footage folder
name structure.
0 - 16
16
3. MENU settings
USER SWITCH feature
44 features can quickly be recalled from 13 user assignable buttons. (9 of them are physical buttons and 4 are available as a part of the touch screen.)
USER 9
USER8
USER10
USER11
LCD screen
USER12
USER1
USER2
USER3
USER4
AWB
(Available since ver.1.65)
USER7
USER6
USER5
How to assign? MENU > USER SWITCH > Assign any function to any button.
* See next page for assignable functions including their details.
17
3. MENU settings
USER SWITCH
Note: Items marked will not function when OUTPUT BIT item is set to
“4:2:2 10bit”.
The following table shows all functions that can be assigned to the USER buttons.
Menu item Description
INHIBIT The USER button is disabled (nothing is assigned).
FOCUS ASSIST1,2
BACKLIGHT
SPOTLIGHT
Turn ON/OFF the FOCUS ASSIST function. See 4-2. Understanding
Focus assist features (P.34) for further details of this function.
Switch auto iris mode to backlight mode. The backlight mode can prevent underexposure when the lighting is illuminating from behind the subject.
Switch auto iris mode to Spotlight mode. The spotlight mode optimizes iris control behavior when the contrast around the subject is high (example: the subject is a spot light etc.)
Apply fade-in/out effect to video (black) and audio.
Apply fade-in/out effect to video (white) and audio.
Switch white balance mode to ATW (Auto Tracking White).
BLACK FADE
WHITE FADE
ATW
ATW LOCK
D.ZOOM
Fix the white balance aligned by ATW mode.
Use Digital Zoom (electronic image magnification) feature.
The magnification ratio can be chosen from x2, x5, x10, or can be toggled through them.
HISTOGRAM
Display distribution of brightness of the image for a quick check of exposure. The histogram chart consists of
“brightness” on the horizontal axis, and
“frequency of appearance” on the vertical axis. This chart’s position can be moved by touching the built-in LCD screen.
REC CHECK
Plays last 2 seconds of the last recorded clip on the SD memory card.
LAST SCN DEL
Delete the last clip from the SD memory card.
DRS
FRZ FRAME
SUPER GAIN
AREA
Turn ON/OFF the dynamic range stretcher function. The DRS works to minimize saturated blacks and overexposure. Its effect level can be adjusted using the
“DRS EFFECT” item of the SCENE FILE menu.
Turn ON/OFF freeze frame feature. A still image is on the screen while this feature is working.
Turn ON/OFF the Super Gain control. The gain value to be boosted can be set using the
“SUPER GAIN” item of the SWITCH SETTING menu.
[SUPER GAIN values that can be set]
- 30dB or 36dB when a displayed unit of gain is
“dB”.
- ISO16000 or ISO32000 when a displayed unit of gain is
“ISO”.
The following features can be enabled by touching (pointing) the subjects on the built-in LCD screen.
[Selectable items for AREA mode]
INH： No function is assigned.
FOCUS： Adjust the focus so that the pointed subject is in focus.
IRIS： Adjust the iris so that aperture level is appropriate for the pointed subject.
Y GET： Indicate Y level of the pointed subject.
FOCUS/IRIS： Adjust both focus and iris for the pointed subject.
FOCUS/YGET： Adjust focus and indicate Y level of the pointed subject.
FOCUS TRANS
Execute FOCUS TRANSITION (recalling focus position presets) function.
See 4-8. Understanding Focus transition (P.40) for further details.
18
3. MENU settings
USER SWITCH <continued>
Note: Items marked will not function when OUTPUT BIT item is set to
“4:2:2 10bit”.
The following table shows all functions that can be assigned to the USER buttons.
Menu item Description
CAPTURE
EVF/LCD DETAIL
IR REC
LEVEL GAUGE
BACK GROUND
FLASH BAND
PRE-REC
WFM
FAST ZOOM
EVF ON/OFF
A.IRIS LEVEL
Create a still image from camera image or recorded video.
Make focusing easier by enhancing the subject
’s edge on the viewfinder and built-in LCD monitor.
The level of this enhancement and the frequency can be set using the
“EVF/LCD PEAK LEVEL” and “EVF/LCD PEAK FREQ.” items of the
DISP menu.
Turn ON/OFF the Infrared shooting mode.
Display a level gauge on the viewfinder for the horizontal and vertical axis’. Inclinations can be indicated up to approx. 45 degrees in the horizontal, and up to approx. 10 degrees in the vertical directions.
Start or pause the recording in slot No.2 when the
“Background record function
” is enabled.
Turn ON/OFF the image compensation function, which allows removing flash-bands from the image.
Turn ON/OFF the pre-record mode. This mode allows the camera to start recording video and audio approx. 4 sec (in MOV/MP4 mode, 3 sec in the
AVCHD mode) before the REC/PAUSE button is pressed.
Display the Waveform or Vector scope on the built-in LCD monitor.
Open the
“WFM TYPE” item of the SWITCH SETTING menu to select the item (Waveform or Vector scope).
Increase servo zoom speed.
Note: When this feature is turned ON, motor
’s operation sound becomes louder, and may be audible and recorded.
Turn ON/OFF the EVF display.
Turn ON/OFF the level adjustment mode for auto iris.
ZEBRA
O.I.S
SCENE FILE
AUTO REC
AF AREA
VFR
FOCUS MACRO i. ZOOM
LOG VIEW ASSIST
LCD/EVF OUTPUT
Turn ON/OFF the ZEBRA indicator.
Turn ON/OFF the optical image stabilizer.
Save or load scene file data between an SD memory card and the camera.
Turn ON/OFF sending the embedded REC-Start/-Stop signal to external recorders connected via SDI OUT.
Adjust the size of window where auto focus (AF) is enabled via jog dial.
Turn ON/OFF variable frame rate mode.
Turn ON/OFF the macro mode. With macro mode ON, focus adjustable range at Wide-end is from 10cm to infinity. (With macro mode OFF, from
1meter to infinity.)
Turn ON/OFF the
“i.Zoom” mode which allows the camera to magnify the image (electronically) up to x20 at the Tele-end. This mode can only be enabled when resolution setting is 1920x1080 or lower.
Temporarily show the image based on Rec.709 color space when the
V-Log L mode is enabled.
Select the display device. (Always displayed on either Built-in LCD monitor or EVF, or automatically switched by the eyepiece sensor)
19
3. MENU settings
USER SWITCH <continued>
Note: Items marked will not function when OUTPUT BIT item is set to
“4:2:2 10bit”.
The following table shows all functions that can be assigned to the USER buttons.
Menu item Description
USB MODE
PUSH AUTO
SLOT SEL
AWB
MENU
Enable/disable the USB connection mode.
Focus mode becomes AUTO while keep pressing the button in MANUAL focus mode.
Select card slot to be recorded or playback.
Perform auto white balance adjustment.
Open MENU.
20
3. MENU settings
SWITCH SETTING
Menu item Description Value
(Factory default setting underlined)
IRIS RING
LOW GAIN
MID GAIN
HIGH GAIN
SUPER GAIN
O.I.S
HYBRID O.I.S
CUSTOM
O.I.S
BLUR
AMPLITUDE
BLUR FREQ
Set the IRIS control direction of the
IRIS ring.
DOWN OPEN / UP OPEN
Set GAIN value when the gain selector is set to
“L”.
Set GAIN value when the gain selector is set to
“M”.
GAIN/ISO DISPLAY = GAIN
0dB
– 24dB
GAIN/ISO DISPLAY = ISO
ISO500
– ISO8000
GAIN/ISO DISPLAY = GAIN
0dB
– 6dB - 24dB
GAIN/ISO DISPLAY = ISO
ISO500
– ISO8000
Set GAIN value when the gain selector is set to
“H”.
Set GAIN value in the SUPER GAIN mode, which is available as one of the user assignable functions.
GAIN/ISO DISPLAY = GAIN
0dB
– 12dB - 24dB
GAIN/ISO DISPLAY = ISO
ISO500
– ISO8000
GAIN/ISO DISPLAY = GAIN
30dB / 36dB
GAIN/ISO DISPLAY = ISO
ISO16000 / ISO32000
Turn ON/OFF optical image stabilizer. ON / OFF
Turn ON/OFF electrical image stabilizer which works in addition to the optical one.
OIS characteristic customization (Blur
Amplitude and Frequency) can be used when this item is set to ON.
Customize characteristic of amplitude swing for OIS.
Customize characteristic of frequency swing for OIS.
ON / OFF
ON / OFF
1 / 2 / 3 / 4 / 5
1 / 2 / 3
ATW SET
Assign Auto Tracking White (ATW) to any position of WHITE BAL selector.
ATW SPEED Set color transition speed of ATW
ATW
TARGET R
Fine-tune the ATW adjustment result
(to make it more/less Reddish).
ATW
TARGET B
Fine-tune the ATW adjustment result
(to make it more/less Blueish).
OFF / Ach / Bch / PRST
FAST / NORMAL / SLOW
---
---
WB PRESET
Set white balance mode when WHITE
BAL selector is set to PRST.
3200K / 5600K / VAR*
*VAR : Variable
WB VAR
MF ASSIST
Adjust color temperature of the image when WB PRESET is set to VAR
(variable) mode.
Focus mode is momentarily set to
“AUTO” immediately after manual focusing.
2000K
– 3200K – 15000K
ON / OFF
MF ASSIST
MODE
Choose the window for focus adjustment by MF ASSIST.
CENTER AREA: Detect the center part of the screen.
MULTI AREA: Detect the subject currently focused on.
FOCUS
ASSIST
Set focus assist type EXPAND / PEAKING / BOTH
21
3. MENU settings
SWITCH SETTING <continued>
Menu item Description
PEAKING
COLOR
PEAKING LEVEL
Set highlighting color for the peaking focus assist.
Set highlighting level of the peaking focus assist.
FOCUS RING
DRIVE
FOCUS MACRO
A.IRIS SPEED
AREA MODE
CUSTOM AF
AF SPEED
AF SENSITIVITY
AF AREA WIDTH
WFM
WFM TYPE
Value
(Factory default setting underlined)
Red / Blue / Yellow / White
Set the type of focus control by the focus ring.
Turn ON/OFF macro mode.
Set control speed in auto iris mode.
Choose the feature that works when tapping the subject on the built-in
LCD.
-7
– 0 – +7
SPEED(*) / COARSE / FINE / FINE(WIDE)
* Focus control speed varies in response to rotation speed of the focus ring.
ON / OFF
Focus adjustable range at wide-end is from
10cm to infinity with MACRO: ON. (from
1meter to infinity with MACRO: OFF).
FAST / NORMAL / SLOW
INH, FOCUS, IRIS, YGET, FOCUS/IRIS,
FOCUS/YGET
INH：No function is assigned.
FOCUS：Adjust the focus so that the pointed subject is in focus.
IRIS：Adjust the iris so that aperture level is appropriate for the pointed subject.
Y GET：Indicate Y level of the pointed subject.
FOCUS/IRIS：Adjust both focus and iris for the pointed subject.
FOCUS/YGET：Adjust focus and indicate Y level of the pointed subject.
AF characteristic customization (AF Speed and sensitivity) can be used when this item is set to ON.
Set speed of auto focus control.
Set sensitivity of auto focus control.
Set the size of window where auto focus is enabled.
Display the Waveform or
Vector scope.
ON / OFF
-5 - 0 - +5
0
– 5 - 10
Use the jog-dial to adjust this window size.
ON / OFF
Choose WFM display type. WAVE / VECTOR / WAVE/VECTOR
WFM POSITION Set WFM display position.
TOP/LEFT / TOP/RIGHT / BOTTOM/LEFT /
BOTTOM/RIGHT
ZEBRA
Set type of light indication
(Zebra or Spot meter).
ZEBRA1 / ZEBRA2 / MARKER / OFF
22
3. MENU settings
SWITCH SETTING <continued>
Note: Items marked will not function when OUTPUT BIT item is set to
“4:2:2 10bit”.
Menu item Description Value
(Factory default setting underlined)
ZEBRA MODE
Set the display period of
ZEBRA.
CONTINUE / MOMENT (5sec)
TYPE 1
TYPE 2
BARS TYPE Set the type of color bars.
TYPE 3
SUB REC BUTTON
FAST ZOOM
SUB ZOOM
DIGITAL ZOOM i. ZOOM
ZOOM/FOCUS
Use one of the REC buttons on the carrying handle.
Increase servo zoom speed.
Use one of the zoom levers on the carrying handle.
ACTIVE / INHIBIT
ON / OFF
Note: When this feature is turned ON, motor operation sound becomes louder,
and could be audible and recorded.
OFF / 1 / 2 / 3 / 4 / 5 / 6 / 7
* Zoom speed becomes faster as the number increases. x2 / x5 / x10 / TOGGLE
Set magnification ratio of the digital zoom.
Activate electronic image zoom feature, which can extend zoom ratio up to x20 while maintaining a certain image quality.
Set a way to operate ZOOM and FOCUS while under controlled from the AG ROP app. (see P.エラー! ブックマ
ークが定義されていません。)
23
ON / OFF
* Enabled when resolution setting is
1920x1080 or lower.
IP REMOTE / CAMERA
3. MENU settings
AUTO SWITCH SETTING
Whether to use the following features or not can be individually selected while in the automatic mode.
Using the automatic mode
AUTO/MANUAL selector
Slide the selector to switch between AUTO mode and MANUAL mode.
The A Symbol is indicated on the viewfinder / built-in LCD screen while the mode is AUTO.
Menu item Description Value
(Factory default setting underlined)
A.IRIS Auto iris ON / OFF
AGC
AGC LIMIT
Auto gain control
Set the upper limit of the amplifier while in AUTO mode.
ON / OFF
GAIN/ISO DISPLAY = GAIN
3 / 6 / 9 / 12 / 15 / 18 / 21 / 24dB
GAIN/ISO DISPLAY = ISO
ISO1000 / 2000 / 4000 / 8000
ON / OFF AUTO SHUTTER Auto shutter
AUTO SHUTTER
LIMIT
AUTO SLOW
SHTR
ATW
Set the upper limit of the shutter speed while in AUTO mode.
Set auto slow shutter mode
(ON or OFF) while in AUTO mode.
The auto slow shutter mode adjusts shutter speed (to make it slower) when light intensity is not sufficient.
Auto Tracking White
1/100, 1/120, 1/125, 1/250, OFF
(1/120: displayed in 59.94Hz mode only)
(1/125: displayed in 50.00Hz mode only)
ON / OFF
ON / OFF
AF Auto Focus ON / OFF
24
3. MENU settings
RECORDING SETUP
Note: Items marked will not function when OUTPUT BIT item is set to
“4:2:2 10bit”.
Menu item Description Value
(Factory default setting underlined)
MEDIA SELECT
Select the media slot for recording.
SD CARD1 / SD CARD2
2SLOT FUNC.
Set the record mode, which uses dual memory card slots.
OFF / RELAY / SIMULTANEOUS /
BACKGROUND / DUAL CODEC
DUAL CODEC REC
INTERVAL REC
PRE-REC
INFRARED REC
FOCUS
TRANSITION
FOCUS
TRANSITION TIME
FOCUS
TRANSITION REC
FOCUS
TRANSITION WAIT
TIME STAMP
Select the codec for sub recording. Available in DUAL
CODEC mode only.
Set record interval time (pause time) of time-lapse recording.
Turn ON/OFF the pre-record mode. This mode allows the camera to start recording the video and audio (approx. 4 sec in the MOV/MP4 mode, 3 sec in the AVCHD modes) before the
REC button is pressed.
Turn ON/OFF the infrared record mode, allowing image capture in dark locations.
Register positions for focus
transition function. (See P.40)
Set transition time from one position to another.
Execute the focus transition function as soon as REC button is pressed. This menu item selects which position to start with.
Set pause time until focus transition starts.
Allows recording of superimposed date and time on the image.
FHD 50Mbps / FHD 8Mbps
OFF / 1SEC / 10SEC / 30SEC /
1MUTE / 2MUTES
ON / OFF
ON / OFF
SET / OFF
Direct / 2
– 15sec / 20sec / 30sec /
45sec / 60sec / 90sec / FASTEST
1 / 2 / 3 / OFF
0sec / 5sec / 10sec
ON / OFF
DF MODE
TCG
TC PRESET
UB PRESET
Set timecode drop frame mode.
Set timecode count mode.
Set initial value of timecode.
Set value of users bit
DF / NDF
Enabled only when system frequency setting is 59.94Hz.
FREE RUN / REC RUN
--
--
Enabled only when record mode is
AVCHD.
EXT TC LINK
This item is for timecode synchronization for multi-camera recording
MASTER / SLAVE
25
3. MENU settings
AUDIO SETUP
Menu item
AUDIO LOW CUT CH1
AUDIO LOW CUT CH2
AUDIO ALC LINK
AUDIO ALC CH1
AUDIO ALC CH2
INPUT1 LINE LEVEL
INPUT2 LINE LEVEL
INPUT1 MIC LEVEL
INPUT2 MIC LEVEL
Description
Reduce the level of low frequency sound on audio channel 1.
Reduce the level of low frequency sound on audio channel 2.
Auto Level Control (ALC) effect links audio CH1 and
CH2.
When this item is set to
“ON”, ALC works on both
CH1 audio and CH2 audio.
Use Auto Level Control on audio channel 1.
Use Auto Level Control on audio channel 2.
Set audio level of audio channel 1. (LINE level)
Set audio level of audio channel 2. (LINE level)
Set audio level of audio channel 1. (MIC level)
Set audio level of audio channel 2. (MIC level)
Value
(Factory default setting underlined)
ON / OFF
ON / OFF
ON / OFF
Set the following switch and menu to use this feature.
- Set CH1 and CH2 to MANU
- Set both AUDIO ALC CH1 and CH2 menu items to
“ON”.
ON / OFF
ON / OFF
+4dBu / 0dBu
+4dBu / 0dBu
-40dB / -50dB / -60dB
-40dB / -50dB / -60dB
26
3. MENU settings
OUTPUT SETUP
Note: Items marked will not function when OUTPUT BIT item is set to
“4:2:2 10bit”.
Menu item Description Value
(Factory default setting underlined)
OUTPUT SEL
Select video and audio output.
HDMI / SDI / SDI+AV
RESOLUTION
Set resolution of output video signal.
SYSTEM /1080p /1080i /DOWN CONV.
The type of signal available on the output varies and will depend on REC format setting.
SDI REMOTE
Inserts the REC/PAUSE trigger signal on SDI OUT.
This allows the camera to control REC/PAUSE functions of external recorder via SDI OUT signal.
ON / OFF
REMOTE REC LINK
Set the way to control the remote REC/PAUSE of an external recorder.
ON: Remote REC/PAUSE can be performed with the REC button on the
AG-DVX200.
OFF: Remote REC/PAUSE can be performed with the user assignable buttons (AUTO REC function) on the
AG-DVX200.
SDI EDH
SDI AUDIO GAIN
CHG
EDH signal is embedded in the SDI stream. Enabled in
480i or 576i mode only.
Set the audio gain of SDI embedded audio signal.
ON / OFF
0dB / -6dB / -12dB
DOWN CONV.
HDMI UHD
OUTPUT LIMIT
HDMI TC OUTPUT
VOLUME
Set the display mode of a down converted image.
SIDE CROP / LETTERBOX /
SQUEEZE
Set the frame rate limit of
HDMI OUT while in
UHD 2160/59.94p 150M and
UHD 2160/50.00p 150M record modes.
System freq = 59.94Hz
59.94p: Output in 2160/59.94p
29.97p: Output in 2160/29.97p
System freq = 50.00Hz
50.00p: Output in 2160/50.00p
25.00p: Output in 2160/25.00p
Insert timecode signal on
HDMI OUT.
Headphone volume adjustments can be made with the built-in jog dial.
ON / OFF
ON / OFF
TEST TONE
VIDEO SETUP
LCD/EVF OUTPUT
Set the test tone level.
Set the pedestal setup level.
Enabled in 480i mode only.
Set the way to use the LCD and EVF monitors.
OFF / LEVEL1 (loud) / LEVEL2 (low)
0% / 7.5%A
AUTO / LCD / EVF
27
3. MENU settings
DISPLAY SETTING
Note: Items marked will not function when OUTPUT BIT item is set to
“4:2:2 10bit”.
Menu item Description Value
(Factory default setting underlined)
ZEBRA DETECT1
ZEBRA DETECT2
MARKER
GUIDE LINES
Set the zebra pattern
(right downward).
Set the zebra pattern
(right upward).
Display the spot meter marker.
Select and show the guide line pattern.
50% - 80% - 105%
50% - 100% - 105%
ON / OFF
SAFETY ZONE
Select and show the safety zone marker.
16:9 90% / 4:3 / 14:9 / 1.85:1 / 17:9 / 2:1
/ 2.35:1 / 2.39:1 / OFF
*The following items can be selected when SA 480i or 576i mode is selected and
“SIDE CROP” is selected for the
ASPECT CONV menu item.
4:3 90% / 4:3 / OFF
ON / OFF CENTER MARKER Show the center marker.
REC COUNTER
Set the counting method of record counter.
SHUTTER DISPLAY
CHG
GAIN/ISO DISPLAY
CHG
Set the unit of shutter speed to be displayed.
Set the unit of GAIN to be displayed.
ZOOM/FOCUS
VIDEO OUT OSC
DATE/TIME
Set the unit of zoom and focus to be displayed.
Show the EVF characters on an external video monitor.
Set the display format of date and time.
TOTAL / SCENE sec / deg
GAIN / ISO
NUMBER, mm/feet, mm/m, OFF
ON / OFF
OFF / TIME / DATE / DATE&TIME
DATE FORMAT
Set the display format of calendar.
Y/M/D, M/D/Y, D/M/Y
Default setting on each model
AG-DVX200PJ, PB : M/D/Y
AG-DVX200EJ, EN, ED : D/M/Y
AG-DVX200PX: YM/D
LEVEL GAUGE
HISTOGRAM
Show a level gauge to check the pitch and roll levels.
Display distribution of brightness of the image for a quick check of exposure.
The histogram chart consists of
“brightness” on the horizontal axis, and
“frequency of appearance” on the vertical axis. This chart
’s position can be moved by touching the built-in LCD screen.
ON / OFF
ON / OFF
28
3. MENU settings
DISPLAY SETTING <continued>
Menu item Description
AUDIO LEVEL
METER
Show audio level meter.
LENS STATUS
CARD&BATTERY
OTHER DISPLAY
LCD BACKLIGHT
LCD SET
EVF SETTING
Show the following item information.
Zoom, OIS, Iris, Gain,
ND filter position, focus position, white balance, shutter speed etc.
Show remaining time of SD card and battery.
Show the information other than the following.
USER buttons, Guide lines,
Safety zone, Center marker,
Date&time, Audio level meter,
Lens status, remaining time
(SD card and battery)
Set brightness of the built-in
LCD monitor.
Adjust image characteristics of the built-in LCD monitor.
Adjust image characteristics of the viewfinder.
EYE SENSOR
SELF SHOOT
EVF COLOR
EVF/LCD DETAIL
EVF/LCD PEAK
LEVEL
EVF/LCD PEAK
FREQ.
Set sensitivity of the proximity sensor on the viewfinder.
Set display mode of the built-in LCD monitor. Choose
“MIRROR” when performing self-portrait recording. (Image can be inverted horizontally.)
Turn OFF color image display on the Viewfinder.
Turn ON edge enhancement feature on the viewfinder and the built-in LCD monitor for easy focusing.
Set enhancement level in the
EVF/LCD DETAIL setting.
Set enhancement frequency in the EVF/LCD DETAIL setting.
Value
(Factory default setting underlined)
ON / OFF
ON / OFF
ON / OFF
ON / OFF
HIGH / LOW
COLOR, BRIGHTNESS, CONTRAST
COLOR, BRIGHTNESS, CONTRAST
-4 - +4
MIRROR / NORMAL
ON / OFF
ON / OFF
-3
– 0 - +3
HIGH / LOW
29
3. MENU settings
OTHER FUNCTIONS
Note: Items marked will not function when OUTPUT BIT item is set to
“4:2:2 10bit”.
Menu item Description Value
(Factory default setting underlined)
FORMAT MEDIA
MEDIA
STATUS
REC LAMP
CLOCK SET
TIME ZONE
ALERT SOUND
ECONOMY
(BATTERY)
ECONOMY
(AC)
SYSTEM FREQ
USB MODE
SD cards and external drives can be formatted.
Show remaining record time of
SD cards.
Set the tally lamp to be used during the recording.
Set the clock.
Set the time difference between the current location and Greenwich Mean Time
(GMT).
Set the beep alert volume, which occurs when touching the screen or starting/stopping recording.
Turn ON/OFF the economy mode, which automatically turns power OFF when no operation is detected for five minutes while the camera is battery-powered.
Turn ON/OFF the economy mode, which automatically turns power OFF when no operation is detected for 15 minutes while AC-powered.
Set system frequency.
Enable/disable the USB connection mode
---
---
FRONT / REAR / BOTH / OFF
---
---
ON / OFF
*It does not function under the following conditions.
-PRE-REC is activated
-While in USB connection mode
ON / OFF
*It does not function under the following conditions.
-PRE-REC is activated
-While in USB connection mode
59.94Hz / 50.00Hz
ON / OFF
USB MODE
SELECT
INITIAL SET
Set USB connection mode.
Restore the product to factory settings.
HOST / DEVICE
HOST: When connect to external storages.
DEVICE: When connect to PC/Mac.
ALL / SCENE / NO
SCENE: Initializes customized scene files only.
NUMBER RESET
COLOR TONE
Return the clip number to
“0001” when MOV/MP4 files or still pictures are recorded next time.
Set different color expression mode (available since firmware Ver.1.51)
Set the MENU language.
---
NATURAL / Ver.1.4
--- LANGUAGE
30
3. MENU settings
NETWORK SETUP
Menu item
USER ACCOUNT
Description
Set a user account information for the AG ROP iPad app.
WIRELESS SETUP
Wireless LAN setup
CONNECTION
HISTORY
NETWORK INITIAL
SETTING
Value
(Factory default setting underlined)
SET / OFF
Set a connection method.
DIRECT / SSID(SELECT) /
SSID(MANUAL)
Sub settings when “DIRECT” is chosen. (Choose it when connect an iPad to AG-DVX200 directly)
- SSID: Network ID of the camera.
- BAND: Frequency band to be used (2.4GHz / 5GHz)
- CHANNEL (2.4GHz): Channel when a Wi-Fi adaptor (2.4GHz) is used.
- CHANNEL (5GHz): Channel when a Wi-Fi adaptor (2.4GHz) is used.
- Password: Password to be entered at iPad to access the camera.
(Factory default: 01234567890123456789abcdef)
Choose
“SSID (SELECT)” when connect between an iPad and the camera via a Wi-Fi access point.
Choose
“SSID (MANUAL)” when connect between an iPad and the camera via a Wi-Fi access point while configuring settings manually.
-SSID: Network ID of the camera.
-SECURITY TYPE: Security protocol and certification program
(WPA2-AES / WPA-AES / WPA2-TKIP / WPA-TKIP / NONE)
- Password: Password to be entered to access the access point.
IP Address / Subnet Mask / Gateway
/ DHCP / MAC Address
Set network connection related items.
Display access log with Wi-Fi access points.
Initialize menu items under
NETWORK SETUP to factory default.
---
---
NETWORK SETUP
PASSWORD
Set password to allow / ban on changing NETWORK SETUP menu items.
Setup / Delete
MAINTENANCE
Menu item Value
(Factory default setting underlined)
VERSION
UPDATE
H METER
Description
Show the current firmware version.
Executes the firmware update.
Show the following operation hours and times (cumulative)
Operation, zoom lever, zoom motor, jog dial.
---
---
---
31
4. Understanding advanced features
32
4. Understanding advanced features
4-1. Monitoring 4K & UHD image
The AG-DVX200 is equipped with a HDMI 2.0 output port. It allows the camera to output stunning
UHD/59.94p or UHD/50.00p images in playback mode and camera through mode.
Note: Output image is down-converted to 1080p from UHD/59.94p and 50p once recording starts.
Acceptable video formats*
4K/24.00p
UHD/59.94p *
4K monitor TV
HDMI
2.0
ready
UHD/50.00p
UHD/29.97p
UHD/25.00p
UHD/23.98p
*
*In playback or camera through mode only.
(i.e. not recording mode).
When monitor TV and/or receiver devices are not HDMI 2.0 compliant, acceptable frame rate in the devices will usually be limited up to 29.97p at UHD. See user
’s guide of your device for performance specifications.
4K monitor TV
(BT-4LH310 etc.)
Supports HDMI
1.4
Acceptable video formats
4K/24.00p
UHD/29.97p
UHD/25.00p
UHD/23.98p
When viewing UHD/59.94p and 50.00p images with a device that does not support HDMI 2.0, but equipped with Four SDI input for UHD (like the Panasonic BT-4LH310), use HDMI2.0 to HD-SDI converter such as AJA HA5-4K.
Setting HDMI output
1. MENU > OUTPUT SETUP > OUTPUT SEL: HDMI (selectable SDI or HDMI)
2. MENU > OUTPUT SETUP > RESOLUTION: SYSTEM (output signal resolution follows the system setting)
* See 7-2. Output signal for more details.
33
4. Understanding advanced features
4-2. Understanding Focus assist features
The AG-DVX200 is equipped with following two focus assist features to make focusing easier when recording 4K/UHD higher resolution formats. Two different assist modes (EXPAND and PEAKING) can be individually recalled with USER assignable buttons (FOCUS ASSIST1 and FOCUS
ASSIST2 modes, available since firmware version 1.65).
How to use
1. Press the FOCUS ASSIST button located at the left side of the unit or assign the FOCUS
ASSIST function to any assignable USER buttons. (MENU > USER SWITCH > any USER button number : FOCUS ASSIST1 or FOCUS ASSIST2)
FOCUS ASSIST button
2. Choose assist type to be recalled with the USER button.
(MENU > SWITCH SETTING > FOCUS ASSIST1 or 2: EXPAND / PEAKING / BOTH)
EXPAND
Part of image can be magnified up to 10 times (x2, x5, x10).
The position to be magnified can be specified by tapping the touch screen).
Image magnification turns OFF when the
REC button is hit.
PEAKING
Adding colored highlights to in-focus edges.
Highlighting level can be adjusted and its color can also be selected from four different colors:
MENU
> SWITCH SETTING > PEAKING COLOR
(Parameter: Red, Blue, Yellow, White)
> SWITCH SETTING > PEAKING LEVEL:
(Parameter: -7
– 0 – +7)
34
4. Understanding advanced features
4-3. Understanding Dual memory card slots
Various recording modes are available with dual SD memory card slots.
BACKGROUND
Perform continuous recording to one SD card, even though the other SD card can start and stop recording as required.
This mode can be used with FHD 50M or AVCHD record format only.
Slot #1 Take1
Take2 Take3
Slot #2
Record
SIMUL
Record the same content onto two SD cards simultaneously. Even if recording stops on one card, recording on the other card continues.
This mode cannot be used if mounted SD card types (i.e. SDHC or SDXC) are different.
Slot #1
Record
Slot #2
Record
RELAY
Recording is taken over from one to another card (video and audio data are seamlessly record).
Suitable for long-time recordings
Slot #1 Record
Slot #2
Record
Using the Two-slot features
1. Set MENU > SYSTEM MODE > OUTPUT BITS: 4:2:2 (8bit).
2. MENU > RECORDING SETUP > 2SLOT FUNC: OFF / RELAY / SIMUL / BACKGROUND
NOTE: the two-slot features do not work under the following conditions.
- Variable frame rate record mode (VFR) is ON.
- Interval recording mode is ON.
- OUTPUT BITS setting is set
“4:2:2(10bit)
35
4. Understanding advanced features
4-4. Recording 4:2:2 10-bit image with external 4K recorders
Excellent image quality 10-bit 4:2:2 sampled images can be output from the HDMI port.
The following describes workflow know-how when using external recorders.
10-bit, 4:2:2 image, audio,
Timecode
External Recorders
(Example: Atomos SHOGUN)
For information of qualified recorders, and test reports, visit at http://pro-av.panasonic.net/en/products/ag-dvx200/index.html
How to connect and record
1. Connect an AG-DVX200 and a supported recorder with an HDMI2.0 cable.
2. Set menu items below on the AG-DVX200.
- SYSTEM MODE > OUTPUT BITS: 4:2:2(10bit)
- OUTPUT SETUP > OUTPUT SEL: HDMI
- OUTPUT SETUP > SDI REMOTE: ON
- OUTPUT SETUP > REMOTE REC LINK: OFF
- OUTPUT SETUP > HDMI TC OUTPUT: ON
3. Assign the
“AUTO REC” item to one of the assignable USER buttons. (see P.17)
4. The USER button can now be used as a REC/PAUSE button for the external recorder.
Two control methods when using external recorders
REC/PAUSE operation of external recorders can be performed with the REC button on the
AG-DVX200 when output sampling (OUTPUT BITS item) is set
“4:2:2(8bit)”, but it does not work when setting is
“4:2:2(10bit)” because internal recording of this sampling mode is not supported.
However, external recorder remote control can be performed by using an assignable USER button for the REC function even in 4:2:2 (10bit) mode. See following table for menu settings example by sampling type (8bit/10bit).
Output sampling 4:2:2 (10bit) 4:2:2 (8bit)
OUTPUT SETUP > OUTPUT SEL
OUTPUT SETUP > SDI REMOTE
OUTPUT SETUP > REMOTE REC LINK
OUTPUT SETUP > HDMI TC OUTPUT
HDMI
ON
OFF
ON
HDMI
ON
ON
ON
36
4. Understanding advanced features
4-5. Synchronizing timecode for multi-cam operation
The AG-DVX200 is equipped with a timecode IN/OUT terminal (common use for IN and OUT).
The following describes workflow know-how when using time code synchronization feature with two AG-DVX200 units.
TCG 01:20:00:50
Synchronize
TCG 01:20:00:50
Preparation
1. Connect TC PRESET IN/OUT terminals on both master and slave units with a BNC cable.
2. Make sure that the settings of following menu items are the same for both units.
MENU > SYSTEM MODE > REC FORMAT
MENU > SYSTEM MODE > REC MODE
MENU > RECORDING SETUP > DF MODE (59.94Hz system mode only)
Settings for master unit
3. Set MENU > RECORDING SETUP > TCG to
“FREE RUN”.
4. Set MENU > RECORDING SETUP > EXT TC LINK to
“MASTER” (now timecode signal is output from the TC PRESET IN/OUT terminal).
Settings for slave unit
5. Set MENU > RECORDING SETUP > EXT TC LINK to
“SLAVE” (now the TC PRESET
IN/OUT terminal switches to input mode, and TCG setting changes to FREE RUN automatically).
6. Press the RESET/TC SET button near the built-in LCD panel to synchronize timecode.
RESET/TC SET button
37
4. Understanding advanced features
4-6. Understanding user customizable image stabilizer
Much higher performance is required of image stabilizers for 4K/UHD cameras because even a small amount of shake can easily be seen when working in these resolutions. The AG-DVX200 is equipped with four times higher stabilization performance achieved through an expanded stabilization range. The stabilization characteristics can also be customized to meet professional requirements.
Customizing image stabilization characteristic
1. MENU > SWITCH SETTING > CUSTOM O.I.S : ON
2. MENU > SWITCH SETTING > Set
“BLUR AMPLITUDE” and “BLUR FREQ” as explained below.
BLUR AMPLITUDE adjustment
- Factory default setting = 3 (adjustable range: 1 - - - 3 - - - 5)
- Choose smaller values when motion of camera work is not so large (suitable for steady shots).
- Choose larger values when recording while moving.
- When increasing this value, OIS can compensate small to large shake levels but is not suitable for steady shots.
BLUR FREQUENCY adjustment
- Factory default setting = 2 (adjustable range: 1, 2, 3)
1: Image stabilizer actively responds from rapid camera shaking to slow shaking. This mode is suitable for steady shots.
2: Image stabilizer actively responds for relatively rapid shaking.
3: Image stabilizer effect weakens or strengthens dynamically. Effect level becomes stronger for rapid shaking, and becomes weaker for slow shaking making it suitable for scenes that frequently use panning.
38
4. Understanding advanced features
4-7. Understanding user customizable auto focus
The AG-DVX200 is equipped with customizable auto focus to meet professional requirements.
Customizing image stabilization characteristic
1. MENU > SWITCH SETTING > CUSTOM AF : ON
2. MENU > SWITCH SETTING > Set
“AF SPEED” and “AF SENSITIVITY” as explained below.
AF SPEED (focusing speed) adjustment
- Factory default setting = 0 (adjustable range: -5 - - - 0 - - - +5)
- Focusing speed increase as the value increases.
Note: When increasing the value of AF SPEED control, the motor operation sound becomes louder and may be recorded.
AF SENSITIVITY (focusing response) adjustment
- Factory default setting = 5 (adjustable range: 0 - - - 5 - - - 10)
- Focusing response becomes faster as the value increases. This makes it suitable to follow fast moving objects.
39
4. Understanding advanced features
4-8. Understanding Focus transition feature
A new focus transition feature allows users to easily adopt impressive camera work with racking focus (changing focus of the lens during a shot). This is even available in 4K/UHD mode, where this would normally be a challenging focus operation if performed manually.
EXIT
1 2 3
How to operate focus transition
1. Set focus mode to MANUAL.
2. Assign
“FOCUS TRANS” to one of the USER assignable buttons (MENU > USER SWITCH).
3. MENU > RECORDING SET UP > FOCUS TRANSITION > SET
4. Choose a preset number and adjust the focus ring. In following figures, focus is set to foreground and stored in preset 1, and set focus to the plant and stored in preset 2.
5. Press the USER button (
“FOCUS TRANS” is assigned) and press preset number buttons (1 to3) to recall the presets.
Focus transition feature will be canceled with following operations.
- Power OFF
- Switched to thumbnail mode
- Zooming
40
4. Understanding advanced features
4-9. Understanding Remote operation via AG ROP application for iPad
Remote control via Wi-Fi network is available by using an application for iPad.
Necessary equipment
AG-DVX200
(Ver.1.71 or higher)
Wi-Fi connection iPad
(iOS 7.1 or higher)
Wireless module
*1
Panasonic AJ-WM50
Panasonic AJ-WM30
ASUS USB-N53 (Ver. A1)
Panasonic
AG ROP app
*1 Contact your AG-DVX200 dealer for Panasonic AJ-WM50 and AJ-WM30 wireless adaptor.
A wireless adaptor ASUS USB-N53 Ver.A1 is also recommended as a qualified adaptor.
(Contact ASUS
’ dealer for inquiry)
Setting up equipment (overview)
1. Make sure that the version of an AG-DVX200 is 1.71 or higher. (MENU > MAINTENANCE > )
* Download the latest firmware at http://panasonic.biz/sav/pass_e
2. Install the Panasonic AG ROP app from App Store to the iPad.
3. Connect the Wi-Fi adaptor to an USB3.0 HOST port of the AG-DVX200.
4. Set Wi-Fi related settings on the AG-DVX200 and the iPad.
5. Connect the iPad to the AG-DVX200.
6. Open Panasonic AG ROP.
41
4. Understanding advanced features
Setup example: Operate an AG-DVX200 from an iPad directly connected.
Settings on AG-DVX200
1. Make sure that the version of an AG-DVX200 is 1.71 or higher. (MENU > MAINTENANCE >)
* Download the latest firmware at http://panasonic.biz/sav/pass_e
2. Set following USB related menu items to enable the USB3.0 port for AG ROP connection.
MENU > OTHER FUNCTIONS > USB MODE SELECT > HOST
MENU > OTHER FUNCTIONS > USB MODE > ON
3. Set network related menu items (MENU > NETWORK SETUP > ) below.
Menu
WIRELESS SETUP
Value
Choose
“DIRECT” and set followings
SSID: Enter SSID name (Default: DVX200)
BAND: Choose
“2.4GHz” or “5GHz” depends on
Wi-Fi adaptor type.
CHANNEL(2.4GH): Choose
“AUTO”
CHANNEL(5GH): Choose
“AUTO”
Password: Enter password
(Default: 01234567890123456789abcdef)
(Default: 192.168.0.1)
Wireless LAN
IP address
setup
Subnet mask
Gateway
DHCP
(Default: 255.255.255.0)
(Default: 192.168.0.254)
Choose
“SERVER”
Settings on iPad
1. Install the Panasonic AG ROP app from App Store.
2. Open
“Settings > Wi-Fi > ”, and choose an SSID of the AG-DVX200 (example: DVX200) to be connected.
3. Enter connection password (factory default: 01234567890123456789abcdef) to connect to the
AG-DVX200 via Wi-Fi network.
4. Open the AG ROP app and confirm that the connection status on the AG-DVX200 is shown as
(ready to be controlled from the app).
5. Control the AG-DVX200 using the app.
Connection status on AG-DVX200
No connection
Connected to a wireless LAN device (iPad, router etc.)
Connected to a wireless LAN device and under controlled from AG ROP app
* App Store is a service mark of Apple Inc.
* Apple, the Apple logo, and iPad are trademarks of Apple Inc., registered in the U.S. and other countries.
42
4. Understanding advanced features
Key features of AG ROP app
The AG ROP app consists of two main screens, a
“CTRL” screen for camera control and a
“THUMB” screen for clip browse and review.
CTRL (control) screen
THUMB (thumbnail) screen
Playback
* Clips recorded at 8Mbps can only be displayed and viewed.
43
5. Understanding scene file operations
44
5. Understanding scene file operations
The following six different scene presets come standard with the camera, and can be user customized if required.
5-1. SCENE FILE presets
SCENE #1 Basic setting
SCENE #2
Suitable for recording where the characteristics of fluorescent lamps are taken into consideration (example: shooting indoors).
Most of the parameters are equal to SCENE#1 but the MATRIX is adjusted for fluorescent lighting. This is not particularly necessary under the fluorescent lighting close to natural light color temperature.
But it is suitable for recording conditions where the color reproduction is poor due to blue-intense fluorescent lamps.
SCENE #3
Suitable for recording with richer color level and sharper contrast.
The picture will be showy with vivid colors and give a bright impression.
SCENE #4
Suitable for recording where the gradation is expanded in dark parts of the image (e.g. shooting a sunset scene).
This is effective if being used when dark parts are difficult to see or both bright and dark scenes need to be seen in detail when shooting at sunset, in a theater or at a wedding etc.
SCENE #5
Suitable for movie-like recording where importance is placed on contrast.
This has a Gamma curve that makes a movie-like picture using a video camera.
SCENE #6
Suitable for movie-like recording where importance is placed on the Dynamic
Range. This Gamma gives priority to the Dynamic (D) Range and maintains the gradation that ranges evenly from low to high level.
If the post-production editing or a kinescope is planned, this can be selected because recording in this mode will make such post-processing easier and smoother. Also, it will create a unique atmosphere which can sometimes be used as an effect.
45
5-2. Factory default settings
Item
MASTER DETAIL
DETAIL CORING
SKIN TONEDETAIL
V DETAIL LEVEL
KNEE APE LEVEL
CHROMA LEVEL
CHROMA PHASE
MATRIX
MASTER PED
GAMMA MODE
BLACK GAMMA
KNEEMASTER POINT
KNEEMASTER SLOPE
DRS EFFECT
Scn1
0
1
OFF
0
2
0
0
NORM1
0
HD
0
93.0
85
1
Scn2
0
1
OFF
0
2
0
0
FLUO
0
HD
0
93.0
85
1
* Setting values of each scene file can be overwritten as you like and saved.
A custom scene file, called “STILL-LIKE” that simulates LUMIX GH4’s tone is available at the following website. http://pro-av.panasonic.net/en/products/ag-dvx200/custom_scene.html
Following table shows parameters of the custom scene file.
Item Scn1 Scn2 Scn3 Scn4 Scn5 Scn6
MASTER DETAIL 0 0 +6 0 -8 -8
DETAIL CORING 1 1 1 1 1 1
SKIN TONEDETAIL
V DETAIL LEVEL
KNEE APE LEVEL
OFF
0
2
OFF
0
2
OFF
0
3
OFF
0
2
OFF
0
2
OFF
0
2
CHROMA LEVEL
CHROMA PHASE
MATRIX
MASTER PED
0
0
NORM1
0
0
0
FLUO
0
+4
+5
NORM2
0
0
0
NORM1
0
-10
0
CINELIKE
0
-10
0
CINELIKE
0
GAMMA MODE
BLACK GAMMA
KNEEMASTER POINT
KNEEMASTER SLOPE
DRS EFFECT
HD
0
93.0
85
1
HD
0
93.0
85
1
Scn3
+6
1
OFF
0
Scn4
0
1
OFF
0
Scn5
-8
1
OFF
0
Scn6
-8
1
OFF
0
3
+4
0
HD
2
0
0
HD
2
-10
2
-10
+5 0 0 0
NORM2 NORM1
CINELIKE CINELIKE
0 0
-3
93.0
85
1
+6
93.0
85
1
C.LIKE V
0
93.0
85
1
C.LIKE D
0
93.0
85
1
HD
-3
93.0
85
1
HD
+6
93.0
85
1
C.LIKE V
0
93.0
85
1
C.LIKE D
0
93.0
85
1
46
5. Understanding scene file operations
5-3. Expressing the texture of objects (detail enhancement)
When expressing the outline or surface texture of an object, faint reflection of light may be intensified or, to the contrary, the picture may look blurred. This is a phenomenon caused by the strength
/ weakness of Detail signal to intensify the video signal for the object’s outline.
Adjustment of Detail signal can make the object’s luster or texture look more natural.
MASTER DETAIL：+31 (UHD 2160/59.94p)
MASTER DETAIL：-31 (UHD 2160/59.94p)
47
5. Understanding scene file operations
5-4. Basic settings for Detail
MENU > SCENE FILE > (Factory default settings underlined)
[MASTER DETAIL] -31 - - - 0 - - - +31
Adjusts the level of overall Detail effect.
[DETAIL CORING] 0 - - - +1 - - - +60
Sets the level of signal (including noise) that suppresses the Detail effect.
[SKIN TONE DTL] ON / OFF
Sets the level of detail effect for a certain color (skin) tone.
[V DETAIL LEVEL］ -7 - - - 0 - - - +7
Sets the intensity of Detail level in the vertical direction.
[KNEE APE LEVEL］ 0 - - - 2 - - - 5
Sets the Detail level of high-luminance areas (very bright areas).
Detail control
This is an outline signal which is added to a video signal.
If the Detail level is increased, the edges of video signal will be intensified and outlines in the picture will look sharper. If the Detail level is decreased, the edges of video signal will be weakened and the picture will look softer with its outline enhancement suppressed.
Detail Signal
Luminance signal with
NO Detail signal added
Luminance signal with
Detail signal added
Detail Level: LOW Detail Level: HIGH
48
5. Understanding scene file operations
Detail coring control
Outline compensation can be performed by adjusting the Detail, and enhanced outlines enable clear representation of images. But at the same time it may make the picture look coarse. This occurs because added Detail will also work on low-level signals which includes noise.
Detail coring function can adjust the range of added Detail signal but also helps to reduce the noise introduced by the Detail circuits.
Noise is a low-level signal. So, when Detail coring is set to a higher level than noise signals, the
Detail signal will work only on higher-brightness signals, and not on the noise.
By using this control, the outline of an object can be enhanced and its texture will look the same while the effects of increased image coarseness are suppressed.
Concept of Detail Coring
Intensified noise components
If the amount of Detail is increased, noise components will also be intensified.
Detail Level: LOW Detail Level: HIGH
Detail will not be added to a signal of a level within a range set up by
Detail Coring.
Range set up by Detail Coring
49
5. Understanding scene file operations
Knee APE level control
When compressing highlight portions with KNEE control to avoid overexposed image (blown-out highlights), detail signal will also be compressed and it may cause softening in highlight areas.
This can be compensated by using KNEE APE LEVEL control.
Concept of detail compensation for highlight areas with Knee APE control
Detail signals added to highlight areas
Compressed gradations caused by Knee control, and detail signal (= detail enhance level is LOW).
Detail signal enhanced by Knee APE control.
MENU > SCENE FILE > (Factory default settings underlined)
[KNEE APE LEVEL］ 0 - - - 2 - - - 5
Sets enhancement level of detail signal for highlight areas
50
5. Understanding scene file operations
5-5.Expressing the gradation of a picture (Knee, Gamma)
Due to bright sunny weather or lighting, “blown-out highlights” can sometimes occur, where bright areas look completely white. This is a phenomenon caused by the luminance signals that are out of the camera’s Dynamic Range (processing range). In order to put such high-brightness input signals within the Dynamic Range, Knee function can be used to compress the gradation.
MENU > SCENE FILE > (Factory default settings underlined)
[KNEE MODE] AUTO / MANUAL / OFF
AUTO: Adjusts master point and slope automatically.
MANUAL: Knee master point and slope can be adjusted manually.
OFF: Do not use Knee controls.
[KNEE MASTER POINT] 80.0 - - - 93.0 - - - 107.0
Sets the position of Knee Point. (* Enabled when KNEE MODE is MANUAL)
[KNEE MASTER SLOPE] 0 - - - 85 - - - 99
Sets the slope of Knee. (* Enabled when KNEE MODE is MANUAL)
Output signal level
Knee point
109%
100%
90%
80%
Knee slope
Input brightness level
This is for explanation purposes only and may be different from actual measurements.
51
5. Understanding scene file operations
KNEE MASTER POINT: 107%
Highlight areas tend to be overexposed (no gradations visible) when value is increased.
KNEE MASTER POINT: 93.0%
KNEE MASTER POINT: 80.0%
Gradations in the highlight areas become visible when value is decreased.
52
5. Understanding scene file operations
Gamma settings
There are cases where the color and contrast, which look natural to the eye, are not fully reproduced in the captured image. An effective way to improve the gradation of the output signal is to select a suitable Gamma curve according to the scene conditions. The AG-DVX200 offers seven types of Gamma curves.
HD:
This is a video Gamma characteristic for HD (High Definition).
This Gamma complies with the standards defined by ARIB, EBU, SMPTE, etc. Use this for the purpose of normal HD shooting.
SD:
Gain is increased for dark areas more than HD Gamma.
This Gamma curve can be used for shooting in SD mode, or for HD shooting that needs the same Gamma as used in SD shooting.
FILMLIKE 1:
Compared with HD Gamma, this has the characteristics by which the gradation of the highlights can be reproduced better. Using this Gamma curve which gently slopes for the low-brightness area makes the picture look calm. Contrast becomes sharper and the gradation expression of the middle- and high-brightness areas (face, etc.) is extended.
FILMLIKE 2:
Compared with FILM LIKE 1, this has the characteristics by which the gradation of the highlights can be reproduced better.
FILMLIKE 3:
Compared with FILM LIKE 2, this has the characteristics by which the gradation of the highlights can be reproduced better.
CINE-LIKE V:
Video-use cine Gamma characteristics.
This is a Gamma curve to make a movie-like picture using a video camera. It creates a picture where more importance is placed on contrast than in normal video mode recording.
CINE-LIKE D:
Film-use cine Gamma characteristics.
This Gamma gives priority to the Dynamic Range and maintains the gradation that ranges evenly from low to high level. It creates a unique look which is sometimes used as an artistic effect.
53
5. Understanding scene file operations
HD SD
FILMLIKE1 FILMLIKE2
FILMLIKE3
CINE-LIKE V CINE LIKE D
54
5. Understanding scene file operations
Image comparison with different Gamma curves 1/4
HD
SD
55
5. Understanding scene file operations
Image comparison with different Gamma curves 2/4
FILMLIKE1
FILMLIKE2
56
5. Understanding scene file operations
Image comparison with different Gamma curves 3/4
FILMLIKE3
CINE-LIKE V
57
5. Understanding scene file operations
Image comparison with different Gamma curves 4/4
CINE-LIKE D
58
5. Understanding scene file operations
Black gamma and Black gamma range controls
Dark parts of the image (approx. 20% to 40% in video level) can be lifted or suppressed with these controls.
MENU > SCENE FILE > (Factory default settings underlined)
[BLACK GAMMA] -8 - - - 0 - - - +8
Sets gamma characteristic for dark part of the image.
[BLACK GAMMA RANGE] 1 , 2 , 3
Sets level to be lifted or suppressed.
1 : Adjust approx. 20% in video level.
2 : Adjust approx. 30% in video level.
3 : Adjust approx. 40% in video level.
BLACK GAMMA = +8, BLACK GAMMA RANGE= 1
BLACK GAMMA = +8, BLACK GAMMA RANGE= 2
Dark area is lifted.
59
6. After recording
60
6. After recording
6-1. Connecting to PC/Mac
Recorded clips can be transferred rapidly from the AG-DVX200 to PC/Mac over USB3.0 port.
USB3.0 cable
(Not supplied with AG-DVX200)
How to connect
1. Turn ON the power of the AG-DVX200.
2. Press
“THUMBNAIL” button to switch to Playback mode.
3. Set MENU > OTHER FUNCTIONS > USB MODE SELECT: DEVICE
4. Turn OFF the power of the AG-DVX200 and connect the AG-DVX200 and the PC/Mac with a
USB3.0 cable.
5. Turn ON the power and tap
“PC” on the touch screen to switch to the PC connection mode.
* The built-in LCD panel will turn OFF for 5 seconds straight after connection is established when battery powered (the LCD panel works again when tapped).
* Data cannot be written from PC/Mac to the mounted SD card.
6-2. File structure of SD memory card a) b) c) d)
Files stored: a) Still pictures in JPEG format. Up to 999 files can be stored. b) Video clips in MOV format. c) Video clips in MP4 format. d) Still pictures created from videos with the
AG-DVX200. e) Thumbnails (AVCHD clips) f) Video clips in AVCHD (MTS) format. g) For file management
e) f) g)
* Several kind of different files are stored under PRIVATE folder for AVCHD clips. Always copy the
PRIVATE folder as a file set. Copying *.MTS files only may cause clip to be unplayable.
61
6. After recording
6-3. Folder name structure for MOV/MP4 folders
Following information determines the folder names that stores clips in MOV/MP4 formats.
Example: When a folder is named as
“100RARH0”
The folder contains following video clips.
- Pixel count:
“3840x2160”
- Frame rate:
“59.94fps”
- Record format: MP4 LPCM progressive
(A) Pixel count
(B)
Framerate
(fps)
(C) Video format
Y: 1920 x 1080
R: 3840 x 2160
Q: 4096 x 2160
A: 59.94
B: 50
C: 29.97
D: 25
E: 24.00
F: 23.98
J: Interlace (MOV, LPCM)
K: Interlace (MP4, LPCM)
Q: Progressive (MOV, LPCM)
R: Progressive (MP4, LPCM)
X: Fast scan (MP4, LPCM)
Y: Fast scan (MOV, LPCM)
(D) Record setting
D: Sub recording at 50Mbps
E: Sub recording at 8Mbps
P: Main recording
H: Other than above
What is camera number?
This is to allow users to identify the camera by looking at recorded folders. Any number from 0 to
16 can be set with the following menu item.
MENU > SYSTEM MODE > CAMERA NUMBER SET: 0 to 16
62
7. Appendix
63
7. Appendix
7-1. Recording time in each video setting
How to read record format
MOV, MP4 FORMATS
Record format
4K 2160/24.00p 100M (incl. Fastscan mode)
UHD 2160/59.94p 150M
UHD 2160/29.97p 100M (incl. Fastscan mode)
UHD 2160/23.98p 100M (incl. Fastscan mode)
FHD 1080/59.94p All-I 200M
FHD 1080/59.94p 100M
FHD 1080/59.94p 50M
FHD 1080/29.97p All-I 200M
FHD 1080/23.98p All-I 200M
FHD 1080/29.97p 50M
FHD 1080/23.98p 50M
FHD 1080/59.94i 50M
UHD 2160/50.00p 150M
UHD 2160/25.00p 100M (incl. Fastscan mode)
FHD 1080/50.00p All-I 200M
FHD 1080/50.00p 100M
FHD 1080/50.00p 50M
FHD 1080/25.00p All-I 200M
FHD 1080/25.00p 50M
FHD 1080/50.00i 50M
System frequency
59.94Hz/50.00Hz
59.94Hz
50.00Hz
64
10m
10m
40m
40m
40m
----
20m
10m
Memory card capacity
16GB 64GB
20m 1h 20m
----
20m
55m
1h 20m
20m
10m
20m
40m
1h 20m
40m
1h 20m
2h 40m
20m
40m
10m
40m
40m
40m
40m
2h 40m
2h 40m
2h 40m
55m
1h 20m
40m
1h 20m
2h 40m
40m
2h 40m
2h 40m
7. Appendix
7-1. Recording time in each video setting (continued)
AVCHD
Record format
PS 1080/59.94p
PH 1080/59.94i
PH 1080/23.98p
HA 1080/59.94i
HE 1080/59.94i
PM 720/59.94p
SA 480/59.94i
PS 1080/50.00p
PH 1080/50.00i
HA 1080/50.00i
HE 1080/50.00i
PM 720/50.00p
SA 576/50.00i
System frequency
59.94Hz
50.00Hz
Memory card capacity
16GB 64GB
1h 20m 5h 20m
1h 30m 6h
1h 30m
2h
6h 40m
6h
8h 30m
27h 30m
4h 15m
4h
1h 20m
1h 30m
2h
6h 40m
4h 15m
4h
17h 10m
16h 30m
5h 20m
6h
8h 30m
27h 30m
17h 10m
16h 30m
65
7. Appendix
7-2. Output signal formats
1. System frequency: 59.94Hz, output bit depth: 4:2:2(8bit)
REC format
4K 24.00p
UHD 59.94p
UHD 29.97p
UHD 23.98p
FHD 59.94p
PS 59.94p
FHD 59.94i
PH 59.94i
HA 59.94i
HE 59.94i
FHD 29.97p
FHD 23.98p
PH 23.98p
PM 720p
SA 480i
Resolution setting
SYSTEM
1080p
SYSTEM
1080p
1080i
DOWN CONVERT
SYSTEM
1080p
1080i
DOWN CONVERT
SYSTEM
1080p
1080i
DOWN CONVERT
SYSTEM
1080p
1080i
DOWN CONVERT
SYSTEM
1080p
1080i
DOWN CONVERT
SYSTEM
1080p
1080i
DOWN CONVERT
SYSTEM
1080p
1080i
DOWN CONVERT
SYSTEM
1080p
1080i
DOWN CONVERT
SYSTEM
1080/59.94p
1080/59.94i
480/59.94p
1080/59.94i
1080/59.94p
1080/59.94i
480/59.94p
1080/29.97p
1080/59.94p
1080/59.94i
480/59.94p
1080/23.98p
1080/59.94p
1080/59.94i
480/59.94p
720/59.94p
1080/59.94p
1080/59.94i
480/59.94p
480/59.94p
HDMI OUT
2160/24.00p
SDI OUT
1080/24.00PsF
1080/24.00p 1080/24.00PsF
2160/59.94p
*1
1080/59.94p
1080/59.94p 1080/59.94p
1080/59.94i
480/59.94p
2160/29.97p
1080/59.94p
1080/59.94i
480/59.94i
1080/29.97PsF
1080/59.94p
1080/59.94i
480/59.94p
2160/23.98p
1080/59.94p
1080/59.94i
480/59.94p
1080/59.94p
1080/59.94i
480/59.94i
1080/23.98PsF
1080/59.94p
1080/59.94i
480/59.94i
1080/59.94p
1080/59.94p
1080/59.94i
480/59.94i
1080/59.94i
1080/59.94p
1080/59.94i
480/59.94i
1080/29.97PsF
1080/59.94p
1080/59.94i
480/59.94i
1080/23.98PsF
1080/59.94p
1080/59.94i
480/59.94i
720/59.94p
1080/59.94p
1080/59.94i
480/59.94i
480/59.94i
*1. Output format is
“4:2:0(8bit),2160/59.94p”, and becomes “4:2:2 8bit,1080/59.94p” while in record mode.
--
--
480/59.94i
--
--
--
480/59.94i
--
--
--
480/59.94i
--
--
--
480/59.94i
--
--
--
480/59.94i
480/59.94i
VIDEO OUT
--
--
--
--
--
480/59.94i
--
--
--
480/59.94i
--
--
--
480/59.94i
--
66
7. Appendix
7-2. Output signal formats (continued)
2. System frequency: 59.94Hz, output bit depth: 4:2:2(10bit)
format
4K 24.00p
UHD 29.97p
UHD 23.98p
FHD 59.94p
FHD 59.94i
FHD 29.97p
FHD 23.98p
Resolution setting
SYSTEM
1080p
SYSTEM
1080p
1080i
SYSTEM
1080p
1080i
SYSTEM
1080p
1080i
SYSTEM
1080p
1080i
SYSTEM
1080p
1080i
SYSTEM
1080p
1080i
HDMI OUT
2160/24.00p
1080/24.00p
2160/29.97p
1080/59.94p
1080/59.94i
2160/23.98p
1080/59.94p
1080/59.94i
1080/59.94p
1080/59.94p
1080/59.94i
1080/59.94i
1080/59.94p
1080/59.94i
1080/29.97p
1080/59.94p
1080/59.94i
1080/23.98p
1080/59.94p
1080/59.94i
SDI OUT
1080/24.00PsF
1080/24.00PsF
1080/29.97PsF
1080/59.94p
1080/59.94i
1080/23.98PsF
1080/59.94p
1080/59.94i
1080/59.94p
1080/59.94p
1080/59.94i
1080/59.94i
1080/59.94p
1080/59.94i
1080/29.97PsF
1080/59.94p
1080/59.94i
1080/23.98PsF
1080/59.94p
1080/59.94i
VIDEO OUT
--
--
--
--
--
--
--
--
--
--
--
--
--
--
--
--
--
--
--
--
67
7. Appendix
7-2. Output signal formats (continued)
3. System frequency: 50.00Hz, output bit depth: 4:2:2(8bit)
REC format
4K 24.00p
UHD 50.00p
UHD 25.00p
FHD 50.00p
PS 50.00p
FHD 50.00i
PH 50.00i
HA 50.00i
HE 50.00i
FHD 25.00p
PM 25.00p
Resolution setting
SYSTEM
1080p
SYSTEM
1080p
1080i
DOWN CONVERT
SYSTEM
1080p
1080i
DOWN CONVERT
SYSTEM
1080p
1080i
DOWN CONVERT
SYSTEM
1080p
1080i
DOWN CONVERT
SYSTEM
1080p
1080i
DOWN CONVERT
SYSTEM
1080p
1080i
DOWN CONVERT
SYSTEM
HDMI OUT
2160/24.00p
SDI OUT
1080/24.00PsF
1080/24.00p 1080/24.00PsF
2160/50.00p
*2
1080/50.00p
1080/50.00p 1080/50.00p
1080/50.00i
576/50.00p
1080/50.00i
576/50.00i
2160/25.00p
1080/50.00p
1080/50.00i
576/50.00p
1080/25.00PsF
1080/50.00p
1080/50.00i
576/50.00i
1080/50.00p
1080/50.00p
1080/50.00i
576/50.00p
1080/50.00i
1080/50.00p
1080/50.00i
576/50.00p
1080/50.00p
1080/50.00p
1080/50.00i
576/50.00i
1080/50.00i
1080/50.00p
1080/50.00i
576/50.00i
1080/25.00p
1080/50.00p
1080/50.00i
576/50.00p
720/50.00p
1080/50.00p
1080/50.00i
576/50.00p
576/50.00p
1080/25.00PsF
1080/50.00p
1080/50.00i
576/50.00i
720/50.00p
1080/50.00p
1080/50.00i
576/50.00i
576/50.00i
VIDEO OUT
--
--
--
--
--
576/50.00i
--
--
--
576/50.00i
--
--
--
576/50.00i
--
--
--
576/50.00i
--
--
--
576/50.00i
--
--
--
576/50.00i
576/50.00i
SA 576i
*2. Output format is
“4:2:0(8bit),2160/50.00p”, and becomes “4:2:2 8bit,1080/50.00p” while in record mode.
68
7. Appendix
7-2. Output signal formats (continued)
4. System frequency: 50.00Hz, output bit depth: 4:2:2(10bit)
Format
4K 24.00p
UHD 25.00p
FHD 50.00p
FHD 50.00i
FHD 25.00p
Resolution setting
SYSTEM
1080p
SYSTEM
1080p
1080i
SYSTEM
1080p
1080i
SYSTEM
1080p
1080i
SYSTEM
1080p
1080i
HDMI OUT
2160/24.00p
1080/24.00p
2160/25.00p
1080/50.00p
1080/50.00i
1080/50.00p
1080/50.00p
1080/50.00i
1080/50.00i
1080/50.00p
1080/50.00i
1080/25.00p
1080/50.00p
1080/50.00i
SDI OUT
1080/24.00PsF
1080/24.00PsF
1080/25.00PsF
1080/50.00p
1080/50.00i
1080/50.00p
1080/50.00p
1080/50.00i
1080/50.00i
1080/50.00p
1080/50.00i
1080/25.00PsF
1080/50.00p
1080/50.00i
VIDEO OUT
--
--
--
--
--
--
--
--
--
--
--
--
--
--
69
7. Appendix
7-3. Dimensions (mm)
70
7. Appendix
7-4. Accessories
Mic holder
Part#: SYA0021
Lens hood unit
Part#: SYK1069
Mic holder mounting screws (12mm in length)
Part#: XSB4+12FJK (2pcs.)
Shoulder belt
Part#: VFC4897
* Part number and design are subject to change without notice.
Eye cup
Part#: SMG0069
XLR IN cover
Part#: VJF1468 (1pc.)
71
7. Appendix
7-5. Revision history
Issued Revision history
Dec. 2015 First edition issued (contents available with firmware v1.25)
Feb. 2016
Following contents are added
- Introduction of AG ROP application for Apple iPad
- Details of NETWORK settings
Feb. 2016
Mar. 2016
Some minor changes have been made in FOCUS ASSIST function etc.
Amended an error of factory default value description of the
SKIN TONE DTL setting (page-47).
Incorrect: ON , Correct: OFF
June 2016 Added new features, functions available since firmware v1.71.
Document ver. v1.00E
V2.00E
V2.01E
V2.02E
V3.00E
V3.01E Sep. 2016 Added new features, functions available since firmware v1.81.
72
Panasonic Corporation
Download firmware, check frequently asked questions at https://panasonic.biz/cns/sav/pass_e
73
advertisement
* Your assessment is very important for improving the workof artificial intelligence, which forms the content of this project
Related manuals
advertisement