广告
广告
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You can set it to another unit if you still want to print in Blocks, but without having the variable data flow respect the Block. This is useful if you want to add gaps (see below).
Add gap between blocks: This adds white space in between the Blocks. It is available when you have chosen to Fill over Blocks, or to fill over the Complete Job but still have Blocks (as explained above).
Gap size: This is available when you have selected Add gap between blocks. Define the gap size in Grid Rows, Sheets, Feet or Meters.
Marks and Margins
Click on Marks and Margins to add marks and margins to your output.
Note: You can also set marks and margins when you are not using step and repeat in your print job (when the Step and Repeat option at the top of the dialog is deselected).
Marks
Choose if you want to add Finishing Marks to your print job. Finishing marks are used to align the substrate for cutting. Select a set from the list or use [From Print Job] or any other
SmartName.
The list offers the marks that you made in 'Dynamic Marks' and, in case of an HP DFE, also the default marks 1 x LabelRow, 1 x Sheet or 2 x LabelRow.
Note: These marks are all visible when Step & Repeat is active, or from within PowerLayout.
When Step & Repeat is inactive, only 1 x Sheet is shown.
Note: If you are using a Step and Repeat template from the DFE, you can not add finishing marks here. The marks from the template will be applied.
Note: Second pass marks (also called "reinsertion marks") can not be controlled from
Automation Engine. Those can only be set on board the DFE ticket
Margins
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119.3.4 Transformation Tab
•
Vertical Scale: Use this to scale the print job vertically (in the length).
• Horizontal Scale: Use this to scale the print job horizontally (in the width).
• Rotation: Choose the rotation of the print job (None, 90˚ CW, 180˚ or 90˚ CCW).
Note: Rotation is disabled when Step and Repeat is enabled.
• Mirror: Choose whether or not to mirror the contents of the print job.
119.3.5 Color Management Tab
• Ink Set: Choose the set of process inks that will be generated by the RIP. The list depends on the press model.
• Use: Define if you want to use color management when RIP'ing the print job (to convert the file separations to the ink set used by the press), and what kind of color management.
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You can define each margin (
1, 2, 3 and 4) using the following:
• Gap (Length or Width): The size of a gap between one-ups.
• Gap (Length or Width) / 2: Half the size of a gap between one-ups. This is typically used for top and bottom margins, as the bottom margin of one sheet plus the top margin of the next sheet will be equal to one gap.
• Custom: a custom number (formulas are not allowed).
Note: If you selected a finishing mark which size you defined in the DFE's configuration tool, the corresponding margin will show up as Defined by Mark.
This means that the margin is automatically large enough to provide space for this finishing mark. For example, if you, on a HP DFE, selected the default mark 1 x LabelRow, which is set in the DFE configuration tool to need 8 mm of right margin, the right margin ( 4) will be set to
Defined by Mark and be 8 mm wide.
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Choose <None> if you don't want to use any color management settings for this conversion.
• When you do want use color management here, select a Color Strategy from the list (or use a SmartName).
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120. Process PDF Spreads
Action
The ticket parameters depend on what type of Action you selected first.
• Split Reader Spread: To create single pages from an incoming spread.
• Make Reader Spread: To create spread pages from incoming single pages.
• Make Printer Spread: To create spread pages that can be used to create an imposition mock-up from incoming single pages.
Settings for 'Split Reader Spread'
•
Spread Position:
• Reference Box: Select a page box to choose how much of the page to include in, or retrieve from a spread. For example select Crop Box to crop everything outside that box.
• Offset: Enter an exact offset distance from the above selected reference box. The offset distance will extend beyond the box boundaries. This parameter is commonly used when creating spreads of asymmetric files.
• Bleed Mode: Control the placement and size of bleeds. Choose from:
• Remove Bleed: Only the content of the reference box will be kept, any bleeds present in the input file will be removed.
• Bleed from Bleed Box: The bleed will be the Bleed Box but only if the reference box is the Trim Box.
• Bleed from Bleed Distance: This adds the specified bleed distance to the chosen reference box. A bleed distance will extend beyond the borders of the Trim Box and therefore will set the boundaries of the Media Box when output.
•
Spread Structure:
•
Flow Direction: Determine whether pages are arranged in numerical order from either left to right or right to left. '
Left to Right' means that page one will be on the left hand side of a two-page spread, with the second page on the right. '
Right to Left' means page one will be on the right hand side of the spread, with page two on the left hand side.
• First Spread Contains: This controls how pages will be organized in the output file:
•
Page 1 and 2
To divide a spread into single pages. If you use this mode in conjunction with the
, you can split spread pages in a file while leaving single pages
intact.
Note: Note: The reference page for this splitting action using 'Mixed Spreads' should be a spread page, not one of the single pages.
•
First page only
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If you place the first page of the file on the right-hand side of the first spread page; the left-hand side remains blank.
For files with an even number of pages, the last page will be also be placed on a spread page, on the left-hand side, with an accompanying blank page.
The left / right positioning of pages on spreads is determined by the selection made in the field Flow Direction. The description above assumes a left to right flow direction.
•
Last and First page
In this mode, the last and first page of the input file are placed side by side on the first spread page.
In a left to right flow direction setting, the last page will be on the left and the first page on the right of the first spread page output.
In “Split Reader Spread” mode the task simply reverses the make mode. A file with spread pages will have the spread pages split but the page on the left side of the first spread will be output as the last single page of the output file.
•
Even number of pages
Use this to prevent input files with an even number of pages from losing any pages while being split.
The parameter produces different results depending on which of these spread types it is combined with.
• Select ' Even Number of Pages' together with the spread type 'First Page Only' to split the output file. The left side of the first spread and the right side of the last spread will not be output.
• A combination of the Last and First Page spread type and the Even number of
Pages parameter will split a file successfully.
Note: This option is active only when the Action 'Split Reader Spread' is selected and with spread types 'First Page Only' and 'Last and First Page'.
•
Mixed Spreads:
Use this option when you need to define the Reference page for input files that have various paper sizes.
For example, if a file contains both an A4 page as page one and a two-page spread as page two, enter page two as the reference page and indicate that this page has two pages on it.
All the spread pages are correctly detected and split correctly while leaving the single pages intact.
• Auto Detect Spread Reference: To take the most frequently featured page size as the
Reference page.
• Reference Page Number: To specify an exact page as the Reference Page. Use the actual page number in the series of pages, not the page’s number label.
• Reference Page contains X One-Ups: Enter the number of single pages to be positioned on the Reference Page.
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Settings for 'Make Reader Spread'
Select this Action to create spread pages from incoming single pages.
The options Spread Position and Spread Structure are the same as when you selected the
Action 'Split Reader Spread'.
Settings for 'Make Printer Spread'
Select this Action to create spread pages that can be used to make an imposition mock-up from incoming single pages.
The options Spread Position and Spread Structure are largely the same as when you selected the Action 'Split Reader Spread'.
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121. Proof (FlexProof)
In the Device list, select the FlexRip - Proofer Output item
that you added in the Configure tool
.
121.1 General
•
Transformations
• Scale V / H: Enter a percentage to scale the design vertically and/or horizontally (the V-H as you see the file in an editor or viewer).
•
Rotate: Choose a rotation (counter clockwise).
• Select Fit On Paper to fit the design on the paper of the selected proofing Device.
•
: Choose if you want a positive or negative output file.
•
: Choose if you want mirroring or not.
• Original Size (incl. Margins): The ticket shows the original size of the input file, margins included.
• Output Size (incl. Margins): The size shown here is the real output size, which is the original size influenced by the scaling factors, distortions and the rotation.
• Marks: If you want you can add SmartMarks to your file. SmartMarks sets are created in an Esko editor.
• Dot Gain Compensation:
• Single Curve: Select a Dot Gain Compensation Curve (*.dgc).
• Automatic: Select a screen based Dot Gain Curve (*.scrdgc or *.icpro).
121.2 Inks
• All inks: Deselect ‘All Inks’ to open the Inks list where you can select specific inks.
Attention: In FlexProof tickets, when you want a composite (proofing) output, be aware that de-selecting the 'All Inks' option will then output (proof) each selected ink separately.
• In the column ' Merge Ink with', you can manually decide which inks should be merged in the output file. This is common when you use different rulings of a same ink.
To do this, click in the column ' Merge Ink with' on the row of a specific ink and choose the other ink from the list that pops up. Or click on the name of the column if you want this change for all inks.
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Alternatively, click ' Merge Similar Inks' to let the task propose such combinations automatically for inks with a same name but with a different ruling or angle. Click
Reset
Merge to reset these settings and force the proofing of each ink separately.
• Use technical inks in output. Select this to include the inks with Ink Type 'Technical'.
• Keep similar inks in their original separations. Select this when you are create separated proofs and, instead of merging similar inks to one separation, you want each ink to print separately. This should not be selected for a composite proof.
• Keep inks separated. Do not merge the inks (enabled when you choose 'Separate' as
121.3 Advanced
• Hold In Rip Queue: Select this to keep the task in the RIP-queue on hold until someone manually releases it. Learn more in the page about the tool
Queue Monitor
.
• CT Resampling:
• Don’t resample: No re-sampling is done. This avoids most pixel shifts.
• Resample to highest CT resolution from job: Select this to fix the remaining pixel shift problems, with the least up-scaling possible without data loss.
• Resample to automatic chosen resolution: Select this to reduce broken dot problems, by interpolating images to at least 1.000 ppi.
• Resample to output resolution: This is the slowest option, re-sampling all CT's to the output resolution.
121.4 Pre-RIP
This tab is only relevant when some objects in the file need to be simplified before they can be sent to the RIP. The task takes this decision automatically. And even when this is done, the options are best left to their default settings.
These are the special objects in a Normalized PDF that require such pre-processing:
• ‘Edge vignettes’: vignettes with alpha channels effects on the edge of the object.
• Barco Blends: blend objects in the legacy 'GRO' format.
• Warped CTs: warping done on external CTs.
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Pre-RIP'ing creates an image (CT) of these special objects because the RIP can not interpret them.
• Specify the CT Resolution for these new images.
• Custom: This default choice of 304.8 ppi guarantees the behavior of previous Esko applications. This option is independent of the output resolution.
• Output: This creates the CTs at the same resolution as the RIP output resolution, with a maximum of 1.000 ppi. This option provides an optimal RIP output, but may slow down pre-RIP'ing and may require more disk space.
• Automatic: This create the CTs at a resolution as close as possible to 300 ppi, depending on the RIP output resolution. The task calculates it in such a way that the RIP output resolution is an integer multiple of this CT resolution.
• Anti-aliasing: Anti-aliasing smoothens the staircase effect that you get when an image is created of lineart objects.
• Vignette Noise: Some vignettes or parts of vignettes will be converted to CTs. This happens when they overlap other objects with translucency or overprint. To reduce the banding effect, noise is applied on the CT, also known as 'grain'. The amount of noise can be specified here.
• Blend to CT: Select this to convert legacy Barco Graphics blend objects into a CT.
• Smooth Blend: Select this to set the amount steps in the blend objects to 255. When
'Convert Blend Objects to CT' is activated and 'Smooth Blend' also, the generated CT will ignore the original steps of the legacy (Barco Graphics) blend object. The amount of steps is set at the maximum of 255.
• Resolve Transparency: Doing this as a pre-RIP stage can speed up the RIP'ing. Only select this when needed.
• Convert Strokes: Select this if your output device requires you to do so.
121.5 Output
• Configuration Set: Select a configuration file. These files represent specific behavior of the selected output device. The list is filtered according the CMS license that the selected Dispatcher holds. For example: if it has a license for 4 channels, no multi-channel configurations will be visible here.
• Output Folder: Leave this empty to use the output path as defined in the Dispatcher
('EskoLink queue' – 'Output' tab). If your EskoLink queue has no output path defined, you can then define an output folder here.
• Output File: Leave this empty to get an output file name based on the input file. Edit this to overrule this standard behavior. Only plain characters are allowed. Unsupported characters
(symbols) will be replaced by an _ .
• Output Type: Choose between
•
Composite (Colored and Greyscale)
• Separate (Colored and Black & White)
• Colored: All inks are converted to CMYK values
• Greyscale: All inks are converted to grey values
• Black and White: If you want a Black & White proof.
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• Anti-Aliasing: Anti-Aliasing smoothens the staircase effect you get in the generated CTs of lineart objects that need pre-processing.
• Define the Number of Copies you need.
• Select ' Keep job files for relaunch purposes' to be able to proof files again without having to RIP them again.
Note: The files created for the proof (and the proof job on the Esko Proof Client) will then have to be cleaned up manually.
•
White Coloring
Attention: You only see this option if one of your Configuration Sets connects to
an Epson Stylus Pro WT7900 proofer. See an example in
.
When you use an extra white ink to print on foil (transparent or metallic), this option allows you to customize your white ink (for example, to get a cooler or warmer white).
Choose between:
• No Coloring: This uses the proofer's white ink to print objects in the white separation, without applying coloring to this ink.
• Custom values: This allows you to color the proofer's white ink manually. Enter the
CMYK values to add to the white inks.
• Values from Color Management: This uses a Color Strategy to color the proofer's white ink. This Color Strategy must have a white Extra Output Ink (called white) and map the white separation used in the file to this white output ink.
121.5.1 Example: Color Managing White Ink for an Epson WT7900
Proof
For example, you want to print a file with an ink 'cool white' on your Epson Stylus Pro
WT7900 proofer.
1. In Color Engine Pilot’s Designer book: a) Add your file’s white ink (here 'cool white'), b) Add a generic white ink. Name it 'white'.
2. Create a Color Strategy that will color manage your file’s white ink: a) Add your generic white ink as an Extra Output Ink,
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b) Map your file’s white ink (cool white) to your white output ink,
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c) Make sure Extra Output Ink and Ink Mapping are selected in your Color Strategy.
3. In the Proof (FlexProof) ticket, go to the Output tab and: a) select the Configuration Set corresponding to your Epson Stylus Pro WT7900 proofer, b) in White Coloring, select Values from Color Management.
4. In the ticket’s Color tab: a) select Manage Color, b) select Color Strategy, c) choose the Color Strategy with white ink mapping you created in Color Engine Pilot.
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121.6 Color
If you do want to
Manage Colors, then first select if this is for a
(simple) proof, or for
121.6.1 For Normal Proof
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• When you select to Manage Color for Normal Proof, the settings of the requested color management are by default defined by the Color Strategy that you selected from the list.
When Color Strategy is not selected, the color management settings are entered with profile settings.
• Then, Use the Document Profile as Source Profile if Available is set but as this document profile may not be available, a backup of the source profile must still be chosen.
Choose the Process you want to simulate on the proof here. This process can be a registered ICC profile or an Esko Profile.
There are some default Esko Profiles on the system, for example crom_offs (Cromalin
Offset). If you have measured an Esko Profile yourself, for example for your own Flexo press, you will be able to select it here.
•
Destination Profile
This is the profile for the proofer. Choose the proofer profile that describes the colors of your proofer here (for example the characteristics of your proofer).
Both Esko Proofer profiles and ICC profiles of proofers are available in this list.
Also defaults are listed, for example ddcw_glossy, a description for a Digital Cromalin/
WaterProof on glossy paper.
If you profiled your proofer using Color Engine Pilot, you will be able to select your proofer profiles here as well.
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Note:
The list of color strategies and destination profiles is filtered according to the CMS license that the dispatcher holds.
If the Dispatcher has no CMS license, only “preview” and “linear” can be selected as color strategies, whereas additional strategies are available with a 4-channel or multi-channel license.
•
Rendering intent
• Relative (no background): Choose this if you do not want any background simulation.
The white point of the source will be mapped on the white point of the destination process. This rendering intent takes into account the ability of the human eye to adapt to the surrounding white.
• Absolute (background): Choose this if you want background simulation and you want an exact color match, including the paper simulation.
• Perceptual: This will result in no background simulation (white of reference color space is mapped on white of destination color space). Choose this when you don't care too much about an exact color match but when want the pictures at least to look nice on your proofer. It will give a visually pleasing result. If the gamut of the source is wider than the proofer, the entire gamut is shrunk so that it fits inside the gamut of the proofer.
• Saturation: Choose this if you care especially about saturated colors. This rendering intent will map saturated colors on saturated colors.
•
Black Mapping
This option is only available if you choose an Esko destination profile. Black will be mapped onto black or, in other words, the black separation will only be printed with black ink.
In case you want to simulate a very dark black, which is darker than the black of your proofer, you might want to deselect this option. In this case all 4 proofer inks will be used to simulate the high density of the black.
•
Handling Unregistered Inks
Unregistered inks are inks that are not present in your color management database. They cannot be color managed which means that you cannot proof them accurately.
proofing.
Choose what to do in case some unregistered inks are still in the list of inks to be proofed:
• Deselect ' Generate an error if the job contains unregistered inks' if you want the task to end with a warning. All the inks you chose to include in the output will be proofed, but the unregistered inks will not be color accurate.
• Select ' Generate an error if the job contains unregistered inks' if you want the task to end in error.
In both cases, you will also see a message in the log.
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Note: When you select an Equinox source profile (or use a Color strategy with Equinox source profile) with ' Manage color toggle selected, this task will perform a default check. This check verifies if all the selected inks in the file are specified in the Equinox source profile. If they are not specified, the task will end in error with a message such as: "Proofing aborted because the following input inks are not found in the source profile: glue cut"
121.6.2 For Emulation Proof
Attention: You need an extra license to see this option.
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In this mode, CMS options can be set twice:
• In the top section of the tab, you set the color management options for emulating the conventional press on a digital press (conversion from the Source Profile to the Emulation
Profile).
• In the bottom section, you set the color management options for the output proofing device
(conversion from Emulation Profile to Destination Profile).
The preferred method is to use a Color Strategy for both conversions. Select the emulation
Color Strategy first, so that the list of color strategies for the output settings can be filtered to have the same source profile as the emulation profile selected in the emulation step.
Alternatively, you can manually select the source profile, emulation profile and destination profiles with their respective rendering intents.
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Tip:
If you select a multichannel printing profile in the Emulation Profile list (such as the sevenchannel IndiChrome Plus profile), you can use the button Output Inks... to enable or disable the additional inks (for example, indiChr Orange, indiChr Green, and indiChr Violet).
This allows you to use a profile like IndiChrome Plus to generate output without one or more of the additional inks (for example, without the IndiChrome Orange ink).
Handling Unregistered Inks
Unregistered inks are inks that are not present in your color management database. They cannot be color managed which means that you cannot proof them accurately.
Therefore, we recommend you
, especially for contract proofing.
Choose what to do in case some unregistered inks are still in the list of inks to be proofed:
• Deselect ' Generate an error if the job contains unregistered inks' if you want the task to end with a warning. All the inks you chose to include in the output will be proofed, but the unregistered inks will not be color accurate.
• Select ' Generate an error if the job contains unregistered inks' if you want the task to end in error.
In both cases, you will also see a message in the log.
Note: When you select an Equinox source profile (or use a Color strategy with Equinox source profile) with ' Manage color toggle selected, this task will perform a default check. This check verifies if all the selected inks in the file are specified in the Equinox source profile. If they are not specified, the task will end in error with a message such as: "Proofing aborted because the following input inks are not found in the source profile: glue cut"
121.7 Verification
Note: You can only set Verification options if you have chosen an Esko Proof Configuration
Set in the Output tab.
Print Verification Strip: To print a verification strip, select this option and fill in the options that become available.
Strip Preset: A certain number of presets come with your color database. They contain information about the strip and the measurement device to use, the tolerances in color difference, etc.
You can select a preset here, that will fill in the options below, or you can select Custom and fill the options in yourself. You can also start from a preset and change the other options (the
Strip Preset field will then show Custom).
Learn more about strip presets in the
FlexProof/E documentation
.
In Strip Type, choose between EskoStrip or Esko + Solid Color Strip. The 'Esko + Solid Color
Strips' contain the same patches as the 'EskoStrips', plus a 100% patch for every spot color present in the job. When printing a color managed strip, you should use an 'Esko + Solid Color
Strip'.
Learn more about available strips in the
FlexProof/E documentation
.
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Apply Color Management to Strip: If you selected Manage Color in the Color tab, the Apply
Color Management to Strip option is available. Select it if you want to color manage the strip.
Verify strip (with Verification tool): This option is available if you have a Verification license and if you are color managing your file. Choose what to use as a Reference for this verification:
• Choose ' Manually load reference values' if you want to verify the color managed strip against a standard (for example Ugra/Fogra) or a previous measurement.
You will need to load this standard manually in the Esko Verification tool.
• Choose ' Automatically load reference values from source profile' if you want to verify the color managed strip against the source ICC profile (set in the Color Strategy used or defined in the Color tab).
dE Formula: Choose the Delta E formula to use when verifying your strip. Choose dE CIE76,
dE CMC, dE 94 or dE 2000. If your company is already using one of those standards, we recommend that you choose the same one. If not, you should choose the most recent one: 'dE
2000'.
Click Edit Tolerances... to set custom tolerances for the measurements. You can fill in:
• General dE Limits: The 'Delta E' values that the color patches and paper should not exceed.
• Primary color dE Limits: The maximum 'Delta E' values allowed for CMYK colors.
• Hue difference Tolerance Limits: The maximum 'Delta H' values for CMYK, CMYKRGB and grayscale colors.
Note: 'Delta H' is the difference in hue between the expected color and the printed color.
•
Tone Value Tolerance Limits
Note: 'Delta T' is the difference in colorimetric tone value between the colors.
•
Chromaticness Tolerance Limits
Note: 'Delta F' is the difference in saturation (or "chroma") between the colors in your file and the printed colors.
If you selected a Strip Preset, the tolerances may be automatically defined.
The verification will pass if the Delta E values are within the tolerances, or fail if they are bigger.
Strip Layout: Learn more in the
Pack Proof documentation
.
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122. Proof for Contract Approval
This task is part of the Pack Proof product. Learn more in the
user guide of Pack Proof
. .
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123. Proof for Content Approval
This task is explained in the chapter on
Imaging Engine
. Find a direct link
here
.
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124. Proof IMP File (FlexProof)
This task is described in the separate document "Commercial Print (Page) workflows in
Automation Engine". Find it next to this "Complete Manual" on
https://www.esko.com/Support/
Product?id=Automation%20Engine
.
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125. Proof to File - Unscreened
This task is documented in the chapter on
Imaging Engine
. Find a direct link
here
.
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126. Publish Imposition on WebCenter
Chain
This task is described in the separate document "Commercial Print (Page) workflows in
Automation Engine". Find it next to this "Complete Manual" on
https://www.esko.com/Support/
Product?id=Automation%20Engine
.
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127. Publish On WebCenter
This task is documented in the chapter Integrating with WebCenter. Find a direct link
here
.
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128. Relocate Job
This task is documented in the
separate chapter on Jobs
. Find a direct link
here
.
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129. Remove Job
This task is documented in the
separate chapter on Jobs
. Find a direct link
here
.
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130. Remove Product
This task is documented in the
separate chapter on Products
. Find a direct link
here
.
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131. Resize PDF for Output
This task allows to resize a PDF's pages or its contents before output to a proofer or RIP.
Output Page Size:
• Select ' Resize to a specific page size' to adjust the PDF markup for a given paper size.
• Deselect it if you only want to adjust the page contents (page boxes, etc.).
This option affects which parameters you see in Page Size and Page Content:
131.1 Resizing to a Specific Page Size
When Resize to a specific page size is selected, you have these options:
1. In the Page Content area, select the Page Box to Use for positioning, scaling, etc.
2. Select how to Position this page box and its contents on the page:
• Don’t Fit: The file is placed “as is”.
• Center on Page: The file is centered in the selected page box.
• Scale to Fit (Reduce Only): The task scales the file down if necessary, so it fits in the selected page box.
• Scale to Fit (Reduce & Enlarge): The task scales the file up or down if necessary, so it fits in the selected page box.
• Scale to Fit (Disproportional): The task disproportionally scales the file up or down if necessary, so that it fits in the selected page box.
• Use Proportional Tiling: The task tiles the file over several pages as necessary, but make all tiles the same size.
• Gripper on Top: The task leaves space for the gripper at the top of the page.
• Gripper at the Bottom: The task leaves space for the gripper at the bottom of the page.
When selecting Use Proportional Tiling, you can enter the size of the Tile Overlap (where two tiles are partly on top of each other).
When selecting Gripper on Top / Bottom, enter the amount of space needed for the gripper in Gripper Size.
3. Mirror page mirrors the page contents and the page boxes horizontally.
4. If you want, use the Scale parameter to scale the artwork before placing it on the page.
5. If you want, enter a Horizontal and/or a Vertical Distortion to apply to the artwork before placing it on the page.
You can either enter the distorted output values (for example 97% or 103%), or the positive/ negative distortion values (for example -3% or +3%).
6. Select Clip on selected page box to clip away all artwork outside the page box that you selected in Page Box to Use.
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Note: The artwork outside the selected page box is not deleted, just clipped away by a clipping path (it is invisible but still present in the file).
7. Select Crop to fit if you want to crop your Page Box to the content of your original file.
8. In the Page Size area, select the page size you intend to print to in New Page Size.
This page size is used by the Scale and Position parameters.
• If you select a predefined page size, the option Orientation allows to select the orientation of the paper that you intend to use. Choose either Portrait or Landscape.
• If you select Custom as a page size, you will see a Page Width and a Page Height fields where you can enter the dimensions of the custom paper you intend to use.
9. Enter the Page Margins required by the output device.
The Page Margins value is used for the four sides of the page. These margins cannot be used for exposing.
131.2 Not Resizing to a Specific Page Size
If you don't select Resize to a specific page size, you can resize or reposition the PDF contents:
1. In the Page Content area, select the Page Box to Use for positioning, scaling, etc.
2. Select Center content on page if you want to center the page contents on the page.
3. Select Mirror page if you want to mirror the page contents horizontally.
4. If you want, use the option Scale to define a scaling to apply to the artwork before placing it on the page.
5. If you want, enter a Horizontal and/or a Vertical Distortion to apply to the artwork before placing it on the page.
You can either enter the distorted output values (for example 97% or 103%), or the positive/ negative distortion values (for example -3% or +3%).
6. In the Page Size area, use the option Set Orientation to alter the orientation of every page without resizing it. Choose between Keep, Portrait or Landscape.
7. Use the options Rescale page boxes and Rescale page size to define what happens when you scale the page contents: a) Select Rescale page boxes to scale the page boxes together with the contents.
Deselect it to only scale the page contents and not the page boxes.
b) Select Rescale page size to scale the page size together with the contents.
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Deselect it to only scale the page contents and not the page size.
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132. Resolve OPI
This task serves to replace the low-resolution images in a PDF with their high-resolution versions that the PDF links to via OPI comments.
Repository tab
• Add the location(s) of the external folder(s) that contain(s) the OPI-files.
• If necessary, add the location(s) of the excluded folders. These folders will not be searched.
Note: Use this option if all images can be found on the same volume and you want to exclude all folders containing low-resolution files.
• Select ' Update OPI links only' to only update the links to the high-resolution images and to not replace the links by embedding the high-resolution images.
Mapping tab
You can here specify a list of how file extensions should be mapped:
• Click Add and enter the original extension in the From field. If left blank, the extension in the To field will be applied to all linked files.
• In the To field, enter the new extension to give the linked files, or a comma-separated list of extensions to use as replacement for the original extension.
Note: If you enter multiple extensions, the task searches for a file matching one of them.
Use the backslash ( \ ) to preserve a character (for example to use a comma as part of an extension and not as a separator).
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133. Restore Job
This task is documented in the
separate chapter on Jobs
. Find a direct link
here
.
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134. RIP IMP File to Screened and
Unscreened Tiff File
This task is described in the separate document "Commercial Print (Page) workflows in
Automation Engine". Find it next to this "Complete Manual" on
https://www.esko.com/Support/
Product?id=Automation%20Engine
.
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135. RIP to CDI LEN File
This task requests a FlexRip/C to create LEN files for a CDI.
First select the Device you added in
the Configure tool
(a FlexRip/C) .
This task has five tabs:
• General (see the
same tab in the task 'RIP to Screened Tiff File'
)
• Inks (see the
same tab in the task 'RIP to Screened Tiff File'
)
• Advanced (see the
same tab in the task 'RIP to Screened Tiff File'
)
•
same tab in the task 'RIP to Screened Tiff File'
•
135.1 Output
Note: Parameters that have been specified in the Dispatcher Queue Settings are enforced in this ticket. Some are preceded by an icon of a Dispatcher: .
268
•
Configuration Set
• Name: Select a configuration file. These files contain specific behavior of the output device.
• Plate Size: The plate size of the above selected configuration set is shown.
•
Output File
• Path: Leave this empty to use the path as defined in the Dispatcher (EskoLink queue -
Output tab). If the EskoLink queue has no value for this path, you can define it here.
• Name: Leave this empty to get output file names based on the input file. The default output file name is [File]_[PageNrOfMultiPageFile]_[ShortInkName].
When changing this, be aware that only plain letters and numbers are allowed. Any unsupported characters (symbols) will be replaced by an _ .
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• Resolution of the output file:
• Perimeter: When a configuration set is chosen, this field is grayed out and shows the CDI's 'perimeter' that was set in the device queue (in
the Configure tool
). When no configuration is chosen, you can edit this field.
• Pixelclock: Choose the appropriate Pixelclock of your CDI. This field will most probably be fixed as it does read what CDI type your device queue was based on (in
the Configure tool
).
Note: CDIs with ‘VariablePLL’ will not show the Pixelclock field nor the Perimeter field.
• Actual resolution: This field shows the actual resolution that will be used by the RIP.
This is the combination of the requested resolution and the effect of the perimeter on that requested resolution.
Note: The FlexRip rounds off any non-integer number (see the task's log file).
• Compression: Choose the compression method for the output files.
The LZW compression is most commonly used. CCIT group compressions are more effective but take longer to generate (and to decompress on the receiving side).
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136. RIP to Screened and Unscreened DCS
File
Select a Device that was configured in
the Configure tool
.
This task has five tabs:
• General (see the
same tab in the task 'RIP to Screened Tiff File'
).
The ticket to RIP to an unscreened DCS file does not show the screening options.
•
• Advanced (see the
same tab in the task 'RIP to Screened Tiff File'
).
•
same tab in the task 'RIP to Screened Tiff File'
•
Note: Parameters that have been specified in the Dispatcher Queue Settings are enforced in this ticket. Some are preceded by an icon of a Dispatcher: .
136.1 Output
Note: Parameters that have been specified in the Dispatcher Queue Settings are enforced in this ticket. Some are preceded by an icon of a Dispatcher: .
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•
Configuration Set
•
Name: Select a configuration file. These files contain specific behavior of the output device.
• Plate Size: The plate size of the above selected configuration set is shown.
•
Output File
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• Path: Leave this empty to use the path as defined in the Dispatcher (EskoLink queue -
Output tab). If the EskoLink queue has no value for this path, you can define it here.
• Name: Leave this empty to get output file names based on the input file. The default output file name is [File]_[PageNrOfMultiPageFile]_[ShortInkName].
When changing this, be aware that only plain letters and numbers are allowed. Any unsupported characters (symbols) will be replaced by an _ .
• Select a Resolution for the output files.
Single File DCS: When selected, all separations are first RIP'ed to separate files and then included in a final single DCS file (in the end only one file is created). When not selected, a
DCS master file is created that refers to plate files, one for each separation.
• Compression: Choose the compression for the output TIFF files: Flate, LZW or CCITT Group.
The LZW compression is most commonly used. CCIT group compressions are more effective but take longer to generate (and to decompress on the receiving side).
• Preview: Define the type and resolution of the preview files:
• For Placement Only: To use in a DTP application.
• Proofable Preview: For composite printing from a DTP application.
136.2 Inks
• All inks: Deselect ‘All Inks’ to open the Inks list where you can select specific inks.
Attention: In FlexProof tickets, when you want a composite (proofing) output, be aware that de-selecting the 'All Inks' option will then output (proof) each selected ink separately.
• In the column ' Merge Ink with', you can manually decide which inks should be merged in the output file. This is common when you use different rulings of a same ink.
To do this, click in the column ' Merge Ink with' on the row of a specific ink and choose the other ink from the list that pops up. Or click on the name of the column if you want this change for all inks.
Alternatively, click ' Merge Similar Inks' to let the task propose such combinations automatically for inks with a same name but with a different ruling or angle. Click
Reset
Merge to reset these settings and force the proofing of each ink separately.
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• Use technical inks in output. Select this to include the inks with Ink Type 'Technical'.
• Keep similar inks in their original separations:
• Keep inks separated: When 'All inks' is selected, select this to avoid merged inks.
• Select ' Highlight modified values' to have all modified values highlighted and marked with an asterisk.
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137. RIP to Screened and Unscreened PDF
File
Select a Device that was configured in
the Configure tool
.
This task has five tabs:
• General (see the
same tab in the task 'RIP to Screened Tiff File'
). The ticket to RIP to unscreened PDF does not show the screening options.
• Inks (see the
same tab in the task 'RIP to Screened Tiff File'
)
• Advanced (see the
same tab in the task 'RIP to Screened Tiff File'
)
•
same tab in the task 'RIP to Screened Tiff File'
•
Note: The fields in gray are the presets that are defined in the Dispatcher Queue settings.
137.1 Output
Note: Parameters that have been specified in the Dispatcher Queue Settings are enforced in this ticket. Some are preceded by an icon of a Dispatcher: .
•
Configuration Set
• Name: Select a configuration file. These files contain specific behavior of the output device.
• Plate Size: The plate size of the above selected configuration set is shown.
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•
Output File
• Path: Leave this empty to use the path as defined in the Dispatcher (EskoLink queue -
Output tab). If the EskoLink queue has no value for this path, you can define it here.
• Name: Leave this empty to get output file names based on the input file. The default output file name is [File]_[PageNrOfMultiPageFile]_[ShortInkName].
When changing this, be aware that only plain letters and numbers are allowed. Any unsupported characters (symbols) will be replaced by an _ .
• Select a Resolution for the output files.
• Anti-Aliasing (option appears when RIP'ing to unscreened files): Anti-Aliasing smoothens the staircase effect you get in the image data generated from line-art objects that need preprocessing.
• PDF Version: Choose a version:
• PDF for Illustrator: Select this version if the PDF 1.4 file will be opened in Adobe
Illustrator CS2 or higher. Because Adobe Illustrator only supports an undocumented subset of PDF 1.4 features, some objects and/or color-spaces must be split up, transformed and/or pre-RIP'ed in order to correctly represent them in Illustrator.
•
PDF/X-1 a:2001 (ISO 15930-1)
•
PDF/X-3 - (ISO/DIS 15930-2)
• PDF 1.4 - Acrobat 5.0.
•
Single / Multi File
When selecting 'single file' output, all separations are first RIP'ed to separate files first and then included in the final PDF / PS file. When this option is not selected, the task creates a
Master file and also plate files that it refers to (one per separation).
•
Softproofing
When selected, the task writes a composite PDF file that combines the different separations in a single PDF page. This PDF file can be used for colored viewing in Acrobat.
The combination of 'Single file' with 'Softproofing', can lead to four situations:
• No soft-proofing, multi file: All separations are written in a different page, and all pages are written in a separate output file.
• No soft-proofing, single file: All separations are written in a different page, and all pages are combined in a single file.
• Soft-proofing, multi file: Separations are kept together per page, and all pages are written in a separate output file.
• Soft-proofing, single file: Separations are kept together per page, and all pages are combined in a single file.
• Compression: Choose a compression method.
•
Encoding
• Binary: The image data is represented as binary data. This results in compact files. Such files are not editable in a common ASCII editor. Nor can these files be transferred using a communication protocol that relies on control characters in the data stream itself.
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• Hex: This forces the output to remain editable with an ASCII editor. It can then also can be transferred using whatever communication protocol is available. The drawback is that hexadecimal image data can take up to twice as much size as binary data.
• ASCII 85: Encodes binary data in an ASCII base-85 representation. This encoding uses nearly all of the printable ASCII characters. The resulting expansion factor is 4:5, making this encoding more efficient than hexadecimal.
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138. RIP to Screened and Unscreened
PostScript File
Select a Device that was configured in
the Configure tool
.
This task has five tabs
• General (see the
same tab in the task 'RIP to Screened Tiff File'
). The ticket for unscreened output does not show any screening options.
• Inks (see the
same tab in the task 'RIP to Screened Tiff File'
)
• Advanced (see the
same tab in the task 'RIP to Screened Tiff File'
)
•
same tab in the task 'RIP to Screened Tiff File'
•
138.1 Output
Note: Parameters that have been specified in the Dispatcher Queue Settings are enforced in this ticket. Some are preceded by an icon of a Dispatcher: .
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•
Configuration Set
• Name: Select a configuration file. These files contain specific behavior of the output device.
• Plate Size: The plate size of the above selected configuration set is shown.
•
Output File
• Path: Leave this empty to use the path as defined in the Dispatcher (EskoLink queue -
Output tab). If the EskoLink queue has no value for this path, you can define it here.
• Name: Leave this empty to get output file names based on the input file. The default output file name is [File]_[PageNrOfMultiPageFile]_[ShortInkName].
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When changing this, be aware that only plain letters and numbers are allowed. Any unsupported characters (symbols) will be replaced by an _ .
• Select a Resolution for the output files.
• Anti-Aliasing (option appears when RIP'ing to unscreened files): Anti-Aliasing smoothens the staircase effect you get in the image data generated from line-art objects that need preprocessing.
•
Single / Multi File
When selecting 'single file' output, all separations are first RIP'ed to separate files first and then included in the final PDF / PS file. When this option is not selected, the task creates a
Master file and also plate files that it refers to (one per separation).
• Compression: Choose a compression method.
•
Encoding
• Binary: The image data is represented as binary data. This results in compact files. Such files are not editable in a common ASCII editor. Nor can these files be transferred using a communication protocol that relies on control characters in the data stream itself.
• Hex: This forces the output to remain editable with an ASCII editor. It can then also can be transferred using whatever communication protocol is available. The drawback is that hexadecimal image data can take up to twice as much size as binary data.
• ASCII 85: Encodes binary data in an ASCII base-85 representation. This encoding uses nearly all of the printable ASCII characters. The resulting expansion factor is 4:5, making this encoding more efficient than hexadecimal.
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139. RIP to Screened and Unscreened Tiff
File
Select a Device that was configured in
the Configure tool
.
Note: Options that are grayed out are values that were already defined in the Dispatcher queue settings.
139.1 General
278
•
Transformations
• Scale V / H: Enter a percentage to scale the design vertically and/or horizontally (the V-H orientation is the one that you see when the file is opened in an editor or viewer).
• Rotate: Choose a rotation (counterclockwise).
• Shrink: Use values from file: When the input file is a Plato file that has shrink values defined inside the PDFPLA file, it will show these values here. Deselect this option to edit and overrule those values.
Attention: If you use both scaling and shrink (distortion) options, then both these scaling values will be executed! For example: If your ticket requests a shrink
V 98% but also a Scale V 95%, then the output-size for V will be 98% of 95% (which is 93.1 %). So the file is first scaled and then distorted.
•
: Choose if you want a positive or negative output file.
•
: Choose if you want mirroring or not.
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• Original Size (incl. Margins): The ticket shows the original size of the input file, margins included.
• Output Size (incl. Margins): The size shown here is the real output size, which is the original size influenced by the scaling factors, distortions and the rotation.
• Marks: If you want you can add SmartMarks to your file. SmartMarks sets are created in an Esko editor.
• Screening (in tickets for screened output):
• Type: Choose the type of screening.
• Dotshape: Choose a dot shape. When dot shapes were defined in your input file, you can use those by choosing ' JOB → (Dotshape(s) as defined in File)'. This option will display in orange when the input file does not have any predefined dots (in its ink menu).
Attention: When a dot shape is displayed in orange, you can select it but the
RIP's default dot shape will be used instead.
•
Dot Gain Compensation
• Single Curve: Select a Dot Gain Compensation Curve (*.dgc).
• Automatic: Select a screen based Dot Gain Curve (*.scrdgc or *.icpro).
• Platemaking DGC: This displays the platemaking DGC (if any) defined in the FlexRip
Configurator tool.
Tip: The compensations are also applied to the SmartMarks. To prevent this, consider using specific inks or rulings for the inks used in your SmartMark objects.
139.2 Inks
• Inks on separate TIFF files: This option only appears when you're outputting to a merging device (as defined in the Configure tool). Select it to make sure that different inks end up on different films.
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• All inks: Deselect ‘All Inks’ to open the Inks list where you can select specific inks.
Attention: In FlexProof tickets, when you want a composite (proofing) output, be aware that de-selecting the 'All Inks' option will then output (proof) each selected ink separately.
• In the column ' Merge Ink with', you can manually decide which inks should be merged in the output file. This is common when you use different rulings of a same ink.
To do this, click in the column ' Merge Ink with' on the row of a specific ink and choose the other ink from the list that pops up. Or click on the name of the column if you want this change for all inks.
Alternatively, click ' Merge Similar Inks' to let the task propose such combinations automatically for inks with a same name but with a different ruling or angle. Click
Reset
Merge to reset these settings and force the proofing of each ink separately.
• Use technical inks in output. Select this to include the inks with Ink Type 'Technical'.
•
Keep similar inks in their original separations
•
Keep inks separated: When 'All inks' is selected, select this to avoid merged inks.
• Select ' Highlight modified values' to have all modified values highlighted and marked with an asterisk.
139.3 Advanced
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• Hold In RIP Queue: Select this to hold the task in the RIP-queue until someone manually releases this task.
• Yellow Ruling:
• Don't change Y ruling: The ruling of the yellow ink is not adapted.
• Change Y ruling: Choose from: -15%, -7%, 0% (no change), + 7% and +15%.
• Change Y ruling stochastic: Same as above but the dot shapes are also adapted to the
Monet dot.
•
CT Resampling:
• Don’t resample: No re-sampling is done. This avoids most pixel shifts.
• Resample to highest CT resolution from job: Select this to fix the remaining pixel shift problems, with the least up-scaling possible without data loss.
• Resample to automatic chosen resolution: Select this to reduce broken dot problems, by interpolating images to at least 1.000 ppi.
• Resample to output resolution: This is the slowest option, re-sampling all CT's to the output resolution.
139.4 Merge Queue
This tab appears when the configuration of the selected Device has the "Merge' function on
' Yes' (see its setting in the
Configure tool
).
Note: 'Merging' here means making an optimized layout of separations next to each other.
• Merge with other jobs: Select this to merge the separations that this ticket creates with separations from other files that were also RIP'ed for this FlexRip device.
• Hold in Merge Queue: This will ‘hold’ the separations in the merger database. This means they are ‘not to be considered for merging’. Use the tool "
Merger Monitor
" to see this database and to manually release entries that were put on hold.
• Force after: Separations that were put on hold can automatically be released again after a chosen time. This prevents having to wait too long before the ‘ Minimum Fill %’ has been reached. Learn more in
FlexRip - Screened Output
.
•
Priority: Define the priority that entries will have in the merger database. Entries with a high priority will be chosen sooner for merging with other entries.
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• Restriction: The separations will only merge with other separations of files that have received the same restriction value from this field. This value can be anything, whatever makes sense for your workflow. Some examples:
• fruit: The word 'fruit' could be used to make sure that these separations will only be merged with other separations that were also sent with that word 'fruit'. The goal could be that you wish to merge the separations of the 'banana', 'cherry' and 'apple' jobs all on the same film.
• Bob. The word 'Bob' could be operator Bob's restriction to only get films with separations of 'his own jobs'.
139.5 Pre-RIP
282
This tab is only relevant when some objects in the file need to be simplified before they can be sent to the RIP. The task takes this decision automatically. And even when this is done, the options are best left to their default settings.
These are the special objects in a Normalized PDF that require such pre-processing:
• ‘Edge vignettes’: vignettes with alpha channels effects on the edge of the object.
• Barco Blends: blend objects in the legacy 'GRO' format.
• Warped CTs: warping done on external CTs.
Pre-RIP'ing creates an image (CT) of these special objects because the RIP can not interpret them.
• Specify the CT Resolution for these new images.
• Custom: This default choice of 304.8 ppi guarantees the behavior of previous Esko applications. This option is independent of the output resolution.
• Output: This creates the CTs at the same resolution as the RIP output resolution, with a maximum of 1.000 ppi. This option provides an optimal RIP output, but may slow down pre-RIP'ing and may require more disk space.
• Automatic: This create the CTs at a resolution as close as possible to 300 ppi, depending on the RIP output resolution. The task calculates it in such a way that the RIP output resolution is an integer multiple of this CT resolution.
• Anti-aliasing: Anti-aliasing smoothens the staircase effect that you get when an image is created of lineart objects.
• Vignette Noise: Some vignettes or parts of vignettes will be converted to CTs. This happens when they overlap other objects with translucency or overprint. To reduce the banding
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139 effect, noise is applied on the CT, also known as 'grain'. The amount of noise can be specified here.
• Blend to CT: Select this to convert legacy Barco Graphics blend objects into a CT.
• Smooth Blend: Select this to set the amount steps in the blend objects to 255. When
'Convert Blend Objects to CT' is activated and 'Smooth Blend' also, the generated CT will ignore the original steps of the legacy (Barco Graphics) blend object. The amount of steps is set at the maximum of 255.
• Resolve Transparency: Doing this as a pre-RIP stage can speed up the RIP'ing. Only select this when needed.
• Convert Strokes: Select this if your output device requires you to do so.
139.6 Output
Note: Parameters that have been specified in the Dispatcher Queue Settings are enforced in this ticket. Some are preceded by an icon of a Dispatcher: .
•
Configuration Set
• Name: Select a configuration file. These files contain specific behavior of the output device.
• Plate Size: The plate size of the above selected configuration set is shown.
•
Output File
• Path: Leave this empty to use the path as defined in the Dispatcher (EskoLink queue -
Output tab). If the EskoLink queue has no value for this path, you can define it here.
• Name: Leave this empty to get output file names based on the input file. The default output file name is [File]_[PageNrOfMultiPageFile]_[ShortInkName].
When changing this, be aware that only plain letters and numbers are allowed. Any unsupported characters (symbols) will be replaced by an _ .
• Select a Resolution for the output files.
• Compression : Choose the compression for the output TIFF file. Which compression to use depends on the device you are creating the TIFF files for.
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The LZW compression is most commonly used. CCIT group compressions are more effective but take longer to generate (and to decompress on the receiving side).
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140. Router
This Workflow Control is documented in the chapter
"Workflows"
. Learn more in
Router
.
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141. Run ArtiosCAD Standard
This task creates an ArtiosCAD ARD design based on an existing standard.
This task is set up by an Esko Solution Architect.
To learn more, search for online articles on this topic in the
Esko Knowledge Base
.
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142. Run Script
This task is documented in the chapter
Using Scripts
. See
The Run Script Task
.
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143. Select File
This Workflow Control is documented in the chapter
"Workflows"
. Learn more in
Select File
.
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144
144. Select Mark File
This Workflow Control is documented in the chapter
Workflows
. See
Mark File and Select Marked
File
.
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145. Select Job
The Select Job workflow control is documented in the chapter
Workflows
. Find a direct link
here
.
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146. Select Product
The Select Product workflow control is documented in the chapter
Workflows
. Find a direct link
here
.
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147. Select Referenced File
This Workflow Control is documented in the chapter "Workflows". See
Select Referenced File
.
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148. Send E-mail
This task uses your E-mail server to send E-mails.
Your mail server must first be correctly configured in the
E-mail item in the Configure tool
.
The E-mail can contain:
• Custom text, typed in this ticket
• Any information that Automation Engine has, by using SmartNames,
• The task's input files.
1. Enter the E-mail address(es) you want the E-mail to be sent To.
When you work in a Job context that has customer information filled in, check if you can here use any of the customer E-mail addresses as a SmartName (category
Job
Information).
You can also use SmartNames to add the E-mail address of the Task Owner (category
Task
information). Learn more about SmartNames in
this chapter
.
Note:
• Multiple addresses in one field need to be separated by a semicolon " ; ".
• When you here use SmartNames, make sure they resolve to a valid E-mail address.
2. If you want, add extra E-mail address(es) in the Cc field (copy).
3. If you want, add extra E-mail address(es) in Bcc (blind copy). The recipients' E-mail address will not be displayed to the receiver.
4. Enter an E-mail Subject.
There are many SmartNames that can summarize the context of this message. An example:
Please check the attached file for job " [Job Name] ". Please mind its due date: [Job Due Date] - [Job Due Time] .
5. If you want, you can change the sender of the E-mail in From. By default the E-mail address of the Task Owner will be used.
Attention: This field requires a valid E-mail address, not just a name, alias or user name.
Note: This ability to send E-mails on behalf of the task owner (or whoever you here filled in) is subject to the configuration on your mail server. When in doubt, please consult your IT administrator.
6. Enter your Message.
Combine custom text with SmartNames to add a lot of variable information.
7. About text encoding: By default, this task uses the system's local encoding. If you notice unreadable characters when reading an Automation Engine E-mail in your E-mail program
(for example Asian characters), you best change the encoding to UTF-8.
This table shows how to enforce specific encodings:
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Add this to the Message field: to...
#set ($SubjectCharSet="utf-8")
#set ($ContentType="text/ plain;charset=utf-8")
set the encoding of the set the encoding of the and use plain text.
Subject to UTF-8.
Message to UTF-8
#set ($ContentType="text/ html;charset=utf-8")
set the encoding of the and use HTML.
Message to UTF-8
#set ($AttachmentsCharSet="utf-8") set the encoding of the file name of the
attachments to UTF-8.
8. If you want to include the task input files, select Attach input files.
Mind the size limits that your mail server has on attachments.
9. Select Ignore unresolved smart addressees if you want the task to continue when E-mail addresses created via SmartNames are not valid.
10.In the ticket's menu item 'Advanced', you can set public parameters if you want users to be able to fill in E-mail settings when they submit files from
Shuttle
.
Learn more in
Using Public Parameters in Workflows
.
11.Save your ticket. When you used many SmartNames, it will be valid for many situations and workflows.
Attention: Self-closing tags are not supported. For example <br/> or <address/
>. When setting up HTML E-mails, you have to use a separate opening tag and closing tag (example <address> </address>), or the empty variant (example: <br>).
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149. Send PostScript File to Device
This task sends a PostScript file to a PostScript device that was configured on the computer of the Automation Engine server.
Use the drop-down list to select the PostScript device you want to output to.
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150. Send To Nexus
This task is documented in the section on
Integrating with Nexus
. Find a direct link
here
.
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151. Set Priority
This Workflow Control is documented in the chapter
"Workflows"
. See
Set Priority
.
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152. Sort
This Workflow Control is documented in the chapter
"Workflows"
. See
Sort
.
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153. Split Pages
This task splits multi page PDFs into single page PDFs or PDFs with a specific range of pages.
The task also generates a RunList that contains references to all output PDFs.
• Output in: Select where you want to output the generated PDFs and the RunList.
• File Name: Enter the name of the generated RunList. By default, this is [File].jdf.
• Split Mode: Choose how you want to split the pages of the input file.
• Split Pages: This mode splits the PDF into individual single page files.
• Split In Groups: This mode splits the PDF into several files having the same number of pages. Enter this number in the field Group Size.
Note: If the task cannot output files having the same number of pages, the last output file will have less pages. For example if you ask a PDF with 10 pages to split into files of 4 pages, the task will create 2 PDFs with 4 pages and 1 PDF with only 2 pages.
• Extract Pages: This mode extracts only the pages that you specify in the field Page
Ranges. You can specify either single page numbers or page ranges with a hyphen, for example 1-3 to extract pages 1 to 3. You can add multiple numbers and ranges when you separate them by a comma, for 1-3,7,14-22.
• Output as one multi page document: Select this if you want to output all of the page ranges as one document.
• Output remaining pages: Select this if you also want to output the pages that you did not include in the field Page Ranges as one multi page PDF.
• Remaining Pages File Name: This is where you define the name of those remaining pages.
• Pages File name: Define the name of the output files here. You can use some SmartNames that are specific for this field: [Page Label] and [Page Number]. By default the
SmartName [Padded Page Number] is proposed.
Note: Padded page numbers help sorting files in alphabetical order. For example: a standard page number is 1 as in mango_1.pdf. Asking a padded page number results in mango_01.pdf. And when there are more than 99 pages, the padded page number result will be mango_001.pdf.
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• Copy XMP data: Enable this option to copy the XMP data of the input file into the output files.
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154. Split XML
This task is documented in the chapter
Integrating with External Systems
. Find a direct link
here
.
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155. Step & Repeat CAD based
This uses a CAD layout file as input file and places graphic files on the different designs in that
CAD layout.
This task supports MFG files (Artios Manufacturing files) and CFF2 files.
155.1 General
302
•
Output Format
• PDFPLA: In this format, the placed stations are referenced files, they are not embedded into the layout file. This keeps the layout file small but limits its use to applications that support such references: Esko editors, Esko RIPs or any next workflows steps in
Automation Engine that make use of this smart referencing.
Attention: If the input file of this task was a native PDF, this output mode will make the task end in error because a "PDFPLA can only contain references to normalized PDF".
• Normalized PDF (embed all): In this format, because all data is embedded, the PDF can be used to exchange this layout file to remote sites that also use tools that read this Esko
Normalized data. For example: off-site printers that also use an Esko RIP.
This file format is larger in Mb, however it is important to know that the technique of "PDF forms" is used: each station is only embedded once into the output file. For example if it contains 5 banana labels and 5 lemon labels, the size of the PDF will only be slightly larger than the size of 1 banana PDF plus 1 lemon PDF file.
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• PDF: This native PDF will have all data embedded and will also use "PDF forms" to optimize its size (as explained here above). Choose this output type PDF when you need to send this data to a non-Esko environment or device.
Attention: This output is only advised when the task input file is one or more native PDF(s). The advantage is then that there is no 'on the fly' normalization done on these native PDF stations ; they are untouched and are only placed into the layout native PDF.
This PDF has in its XMP also a description of the contents of its grids, their station names and amounts. Any distortion factor (here named "Shrink") will be calculated/executed in the PDF.
Note: Choosing this output type disables the options 'Screen Registration' and
' Include CAD info for Digital Flexo Suite'.
• Location Stations. Define the folder where the task can find the station files.
•
When CAD data of station and substituted file do not match, set the task status to:
• Provide info
• Generate a warning (the task will continue)
• Generate an error (the task will stop).
• Add SmartMarks by selecting a SmartMark set from the drop-down list. Or use a
SmartName to select it.
Select ' Load Mark Set in bottom layer' if you want to make sure the marks are positioned in the bottom layer, to make them appear 'behind' the graphics.
• Select ' Limit Bleed' to limit any bleed to a specific distance. The bleed mask is created by spreading the die shape.
Note: Learn more about what happens when bleed from panels overlaps in
Bleed Overlap Priority Decided by ArtiosCAD Artwork Panels
56.
155.2 Plate Setup
The sheet size is automatically extracted from the CAD template but neither
Artios MFG nor
CFF2 have a notion of 'plate'. As a result, the plate size and the position of the sheet on the plate have to be specified in the
Plate Setup tab.
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•
Use Sheet Size from Template: When not using the size from the template, enter own sizes (the unit is defined below).
• Fit Plate to Sheet: When the plate size needs to be different than the sheet size, deselect this option and manually enter the plate's size and its offset versus the sheet.
• Choose the matching icon for the origin of the plate.
• Define the Sheet Position on Plate by clicking or drag & dropping the red square (the sheet) to the right position on the blue square (the plate).
• If you want, enter horizontal and/or vertical Shrink values (in percentage). Learn more about when and how they are applied in
.
• Screen Registration: This is only relevant when you RIP this file on an Esko FlexRip (if you use Esko Imaging Engine, check if your version already supports this). When selected, the origin of the screening will be reset for each station on the layout. This guarantees that the exact same screening will be applied for each station. This is for example required when printing stamps. When not selected, screening will be done continuously throughout the complete layout.
Attention: This feature is ignored when you choose the output format (native) PDF.
155.3 CAD Options
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Both Mapping and CAD Style are options you can define in the Esko Editors.
• Mapping: When the CAD file is a CFF2 or DXF file, you here select the set of mapping rules.
These rules map line styles (cut, crease, bleed), layer names and color numbers onto
ArtiosCAD line types. These sets of mapping rules can be created in Esko PackEdge or Plato.
Learn more in the user documentation of these editors, more specifically in their section on placing files (PackEdge) or on importing CAD data (Plato).
• The CAD Style changes the appearance of the (imported) ArtiosCAD type lines. The styles you can select here were also created in PackEdge or Plato. Learn more in the their user documentation, more specifically in the section on placing ArtiosCAD files, and the option for "CAD Style".
• Include CAD info for Digital Flexo Suite:
If you are using the Esko
Digital Flexo Suite
(DFS), select this option to add the technical inks data into the header of the output file (this is usually the cut and crease lines). This data is then visible in the Esko Bitmap Viewer and also embedded in the LEN files created by an
Esko RIP.
The DFS can export this information into ACM files for an Esko Kongsberg cutting table. In
Esko PlatePatcher workflows, this information can be used to print onto the plastic sheet where the pieces of flexo plate are re-assembled. These technical lines can also represent text that is then added onto the (back of the) flexo plates, using a pen on the Kongsberg table.
Attention: This feature is ignored when you choose the output format (native) PDF.
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156. Step & Repeat Tabular
This task creates a step & repeat layout where the stations (one-ups) do not overlap ; their bounding boxes do not intersect.
In this ticket, data can be entered
• manually, entering numeric values.
• using SmartNames. These can be
• Formulas. For example [VPLATE]. The names of these formulas are similar to those used in Esko Plato.
• any other types of SmartNames. These can get their values from (job) parameters within
Automation Engine or they could retrieve these values from external databases, by doing
SQL queries. See an example in
. Learn more in
Database Query SmartNames
.
Note: Some ticket fields only accept SmartNames of the category 'Step and Repeat' whereas others also allow 'Global' SmartNames. Learn more in
SmartName Categories
.
Comparing this task to the 'Dynamic' version
Another tabular S&R task was created later than this one, mainly to serve workflows to digital presses. Here 's a summary comparing their unique features:
• This Step & Repeat Tabular task:
• The marks you can add need to be SmartMarks (created in PackEdge or Plato)
• Offers formulas to specify the layout
• Outputs various output formats.
Step & Repeat Tabular (Dynamic)
• The marks you can add need to be Dynamic Marks (created in the
Adobe Illustrator Plugin 'Dynamic Marks'
)
• Does not offer formulas to specify the layout
• Tailored for digital presses and/or VDP workflows
• Outputs Native PDF.
156.1 General
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•
Output Format
• PDFPLA: In this format, the placed stations are referenced files, they are not embedded into the layout file. This keeps the layout file small but limits its use to applications that support such references: Esko editors, Esko RIPs or any next workflows steps in
Automation Engine that make use of this smart referencing.
Attention: If the input file of this task was a native PDF, this output mode will make the task end in error because a "PDFPLA can only contain references to normalized PDF".
• Normalized PDF (embed all): In this format, because all data is embedded, the PDF can be used to exchange this layout file to remote sites that also use tools that read this Esko
Normalized data. For example: off-site printers that also use an Esko RIP.
This file format is larger in Mb, however it is important to know that the technique of "PDF forms" is used: each station is only embedded once into the output file. For example if it contains 5 banana labels and 5 lemon labels, the size of the PDF will only be slightly larger than the size of 1 banana PDF plus 1 lemon PDF file.
• PDF: This native PDF will have all data embedded and will also use "PDF forms" to optimize its size (as explained here above). Choose this output type PDF when you need to send this data to a non-Esko environment or device.
Attention: This output is only advised when the task input file is one or more native PDF(s). The advantage is then that there is no 'on the fly' normalization done on these native PDF stations ; they are untouched and are only placed into the layout native PDF.
This PDF has in its XMP also a description of the contents of its grids, their station names and amounts. Any distortion factor (here named "Shrink") will be calculated/executed in the PDF.
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Note: Choosing this output type disables the options 'Screen Registration' and
' Include CAD info for Digital Flexo Suite'.
• Origin: Define the point of origin from which the step & repeat is to be built.
(top left), (top right), (bottom left), (bottom right).
• Unit: Select a unit (mm or inch) to be used for all numeric fields in this task.
• SmartMarks: If you want to add marks to the step & repeat, select a SmartMarks set from the drop-down list or use a SmartName. Select ' Load Mark Set in bottom layer' if you want to make sure the marks are positioned in a newly created bottom layer, so that they appear 'behind' the graphics.
• Screen Registration: This is only relevant when you RIP this file on an Esko FlexRip (if you use Esko Imaging Engine, check if your version already supports this). When selected, the origin of the screening will be reset for each station on the layout. This guarantees that the exact same screening will be applied for each station. This is for example required when printing stamps. When not selected, screening will be done continuously throughout the complete layout.
Attention: This feature is ignored when you choose the output format (native) PDF.
• Include CAD info for Digital Flexo Suite:
If you are using the Esko
Digital Flexo Suite
(DFS), select this option to add the technical inks data into the header of the output file (this is usually the cut and crease lines). This data is then visible in the Esko Bitmap Viewer and also embedded in the LEN files created by an
Esko RIP.
The DFS can export this information into ACM files for an Esko Kongsberg cutting table. In
Esko PlatePatcher workflows, this information can be used to print onto the plastic sheet where the pieces of flexo plate are re-assembled. These technical lines can also represent text that is then added onto the (back of the) flexo plates, using a pen on the Kongsberg table.
Attention: This feature is ignored when you choose the output format (native) PDF.
•
Plate
Note: In the entry fields of this and the next tabs, click to open the SmartNames dialog.
Alternatively, right-click the field and directly choose a SmartName or formula from the offered lists.
• Size: Enter the horizontal and vertical plate size value, formula or SmartName. Learn more in
.
• Shrink: If you want, enter a shrink value, formula or SmartName. Learn more about when and how shrink is applied
•
Sheet
• Size: Enter the horizontal and vertical sheet size value, formula or SmartName. Learn more in
.
• Offset: Enter a value, formula or SmartName.
• Sheet Position on Plate: Position the sheet on plate by moving the sheet (inner) rectangle versus the plate (outer) rectangle.
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156.2 Grids
A tabular layout can be composed of one or multiple grids. When the layout contains two different graphics, there will be minimally two grids already. One graphic on its own can also be placed in multiple grids: for example one grid where its stations are not rotated and another grid where the stations are rotated 180 degrees.
Grid Columns
Tip: Right-click a table cell to discover several editing options.
The columns from left to right:
1. Grid number: Click the number to select the grid that you want to remove or edit.
2. File Name: The name of the one-up graphic repeated in this in this grid.
3.
Die Shape: You here define a die shape around each one-up in that grid. This will mask out any objects outside that shape. Click the field to choose between ' None' or
' Borders' (Trim Box).
Note: 'None' also means that these graphics will be excluded from the
4.
Bleed : The value you type in here spreads the Die Shape with a bleed of this distance.
The die shape is spread but die shapes will not overlap.
5.
Vertical offset to sheet : To define the top or bottom shift of the grid in relation to the sheet, depending on the setup of the
.
6.
Horizontal offset to sheet : To define the left or right shift of the grid in relation to the sheet, depending on the setup of the
.
7.
Vertical step: To define the vertical distance between two steps of the grid. The distance is calculated from the center point of the one-up to the center point of the next one-up.
8.
Horizontal step: To define the horizontal distance between two steps of the grid. The distance is calculated from the center point of the one-up to the center point of the next one-up.
9. Vertical count: To define the number of times you want to repeat the one-up vertically.
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10. Horizontal count: To define the number of times you want to repeat the one-up horizontally.
11. Angle: To define the angle to rotate the one-up when repeated.
12.Head Turn / Stagger: This column shows icons that illustrate the head turn or stagger that you defined for this grid (for example
Managing Grids
• Click Add Grid to add an extra grid at the bottom of the list.
Note: When this task has multiple input files, it automatically adds enough grids to have one for each input file (the ticket is automatically updated).
• To remove a grid, select it and click Remove Grid. There is no undo function.
• Select a grid and click Edit Grid to define advanced grid settings (staggering, head turns...).
on page 310.
Other Options
• Click Insert SmartNames... to choose and add SmartNames or formulas in the selected field.
•
Allow Multiple Inputs
Attention: This option is only available when you open a ticket from the
Tickets view
.
To use this option on your files, save your task ticket as a custom ticket first.
This option decides what the task should do when you launch it on multiple files.
• Select this option to generate one step & repeat file containing all of the input files. Each input file will be assigned to a different grid.
• Deselect this option to treat each input file separately. The task then generates a different step & repeat file for each input file.
156.2.1 Grid Settings
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• Station: These options are the same as defined in the main ticket dialog. You can choose where to define them.
• Geometry: These options are the same as defined in the main ticket dialog. You can choose where to define them.
•
HeadTurn/Stagger
• Head Turn: Choose if and how you want to rotate certain stations on this grid by 180 degrees.
•
Choose
(default).
(first button) to keep all stations as they are, without rotating them
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•
Choose (second button) to rotate stations in alternating rows by 180°.
•
Choose (third button) to rotate stations in alternating columns by 180°.
•
Choose (fourth button) to rotate stations both in alternating columns and in alternating rows by 180°.
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• Stagger: Choose if and how you want to stagger (move) certain stations on this grid horizontally or vertically.
•
Choose
(default).
(first button) to keep all stations as they are, without staggering them
•
Choose (second button) to define a vertical stagger for this grid.
•
Choose (third button) to define an horizontal stagger for this grid.
To define a horizontal or a vertical stagger:
1.
Choose or .
2. In , enter a stagger value. Choose a unit or define a percentage of the width or height of the station.
See this example of a 4 x 6 Step & Repeat with a 50% vertical stagger:
3. Restart after x Columns: You can choose to restart the staggering after a certain number of rows or columns. This means that:
• For vertical staggering: the top station of that column is positioned at the same height as the top station of the first column (it has the same vertical offset from the top of the sheet).
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See this example where the staggering restarts after 3 columns:
• For horizontal staggering: the first (left most) station of that row is positioned at the same horizontal offset as the first station of the first row.
• Select Continuous if you want to add extra stations to fill the blank space.
The example below is a 4 x 6 Step and Repeat (with staggering restarting after 3 columns), but the Continuous option added some stations vertically:
• Use Up & Down together with Restart after to go back in the other direction gradually instead of at once.
See this example where the staggering restarts after 3 columns, with the
Up &
Down option selected:
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156.3 Rules
You can modify the task's end status by setting up one or multiple smart rules.
We use an example to illustrate the options. Follow these steps to add a rule that prevents the creation of step & repeat files with more than 6 inks:
1. In the tab 'Rules', click 'Add' to open the 'Add Rule' dialog:
2. Define the 'Condition':
• What: Enter the parameter you want to check (a SmartName).
• Choose an 'expression' from the list.
• Enter the value for the parameter.
3. In Action, define what needs to happen when the Condition is met. Choose from:
• The
task finishes with a warning
• The task finishes with a warning (there's no output).
4. Click OK to confirm. The resulting rule shows up like this:
5. Add more rules if you want to. Their list will be checked from top to bottom.
Tip: You can choose to save tickets in which you switch off some rules and keep others active.
156.4 Formulas
Some of the fields work with formulas, a special set of parameters unique to this task.
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There are two kinds of formulas: Global formulas that define the whole step & repeat and Grid specific formulas that define individual grids.
Note: When a step & repeat contains two different graphics, there will be at least two grids.
Each grid has its own number.
Global formulas:
• VPLATEFIT: Vertical plate size that fits around a step & repeat sheet and SmartMarks.
• HPLATEFIT: Horizontal plate size that fits around a step & repeat sheet and SmartMarks.
• VPLATE: Vertical plate size.
• HPLATE: Horizontal plate size.
• VSHEETOFFSET: Vertical offset of the sheet relative to the Plate.
• HSHEETOFFSET: Horizontal offset of the sheet relative to the Plate.
• VSHEETFIT: Vertical sheet size that fits around the step & repeat.
• HSHEETFIT: Horizontal sheet size that fits around the step & repeat.
• VSHEET: Vertical sheet size.
• HSHEET: Horizontal sheet size.
• SHEETTOP: Top position of the sheet relative to the Plate.
• SHEETLEFT: Left position of the sheet relative to the Plate.
• SHEETBOTTOM: Bottom position of the sheet relative to the Plate.
• SHEETRIGHT: Right position of the sheet relative to the Plate.
• NROFINKS: Number of non-technical inks (Technical inks will not be printed).
• NROFGRIDS: Number of grids.
Grid specific formulas (x = the grid number):
• VLABELx: Vertical size of non-rotated station.
•
HLABELx: Horizontal size of non-rotated station.
• VSTEPx: Vertical step size, from center point to center point.
• HSTEPx: Horizontal step size, from center point to center point.
• VSIZEx: Vertical size of bounding box of rotated station.
• HSIZEx: Horizontal size of bounding box of rotated station.
• VCOUNTx: Number of vertical step & repeats in grid x.
• HCOUNTx: Number of horizontal step & repeats in grid x.
• ANGLE: Angle of the rotation.
• GRIDVSIZEx: Vertical size of the grid (top-bottom).
• GRIDHSIZEx: Horizontal size of the grid (left-right).
• TOPx: Top position of the grid relative to the sheet.
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• LEFTx: Left position of the grid relative to the sheet.
• BOTTOMx: Bottom position of the grid relative to the sheet.
• RIGHTx: Right position of the grid relative to the sheet.
• BLEEDx: Distance to spread the grid die shape with.
Example of a Grid defining an Automatic Fill
1. First we need to define a absolute size for sheet/plate:
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2. Now you can enter these grid settings:
Clarification of the formulas:
a. First you define the vertical (and horizontal ) count of the grid: the vertical count is the vertical size of the sheet divided by vertical size of the station: VSHEET / VLABEL1. For the horizontal count, use HSHEET / HLABEL1 .
b. Then you are able to define the vertical (and horizontal ) step: vertical step is the vertical sheet size divided by the vertical count: VSHEET / VCOUNT1. For the horizontal step, use HSHEET / HCOUNT1 .
c. Now for the vertical (and horizontal ) offset: you want to center the step & repeat on the sheet. You can do that by defining the vertical offset as half the vertical step minus the vertical size of the station: (VSTEP1-VLABEL1)/2. For the horizontal offset, use (HSTEP1-HLABEL1)/2 .
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156.5 Using Database Queries: an Example
Many fields in this task can be defined by SmartNames. And SmartNames can get their values by doing SQL queries to non-Esko databases. This means that your tabular Step & Repeat ticket can automatically get (some of) its values directly from this external source ; no need for an
Esko user to type them in again.
We use this simple example of a database describing your dies:
First we need to create these SmartNames, then we add them into the task ticket.
1. See this (old) example of how an SQL query SmartName is created to retrieve the value for vertical gap.
Attention: This page only summarizes how to do this. Learn more details in the chapter '
SmartNames
', specifically in '
Database Query SmartNames
'.
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In this example, we created these SmartNames:
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• DB_DrumH: Retrieves the value for the horizontal size of the drum.
• DB_DrumV: Retrieves the value for the vertical size of the drum.
• DB_GapH: Retrieves the value of the gap's horizontal size.
• DB_GapV: Retrieves the value of the gap's vertical size.
• DB_Teeth: Retrieves the number of cylinder teeth.
• DB_StepH: Retrieves the value of the die's horizontal step.
• DB_StepV: Retrieves the value of the die's vertical step.
2. Now use those SmartNames in a ticket of the Step & Repeat Tabular task. Use the Insert
SmartNames... button, or right-click, browse and select it.
The General tab can look like this:
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The Grids tab can look like this:
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157. Step & Repeat Tabular (Dynamic)
This dynamic version of the Step & Repeat Tabular task allows you full interactive control over the positioning of files, much like if you would do this in
PowerLayout
(an Esko plug-in for Adobe
Illustrator).
Attention: The Marks you add to this layout need to be 'Dynamic' marks. You can not add SmartMarks here (marks created in PackEdge or Plato).
Use this task when you do not use a template that was created with PowerLayout. If you do
want to use such a template, then use the task
Step & Repeat Template based (Dynamic)
on page
334.
The task outputs a native PDF file.
Caution: Make sure you define a specific name for the output file, this to avoid overwriting the (first) input file.
Task Options
Selecting one of the items in this list displays their available settings on the right. Almost all of these are identical to those in 'PowerLayout' (learn more in the
documentation of PowerLayout
.
As usual, many of these options can be set by using SmartNames.
• Job: Click these links to learn more about your options for the complete layout:
•
•
•
•
•
• Grid selection: Use
to Add or Remove grids.
Note: Grids are numbered sequentially. When there are 3 grids and you remove 'Grid 2', then ' Grid 3' will automatically be renamed to 'Grid 2'.
• Preview: The preview shows the position of all grids. The selected grid is highlighted in orange. Any others are displayed in blue.
157.1 Assignment of Input Files
How this task assigns the incoming files to a grid depends on the type of input:
• A single PDF file with only a single page: This triggers an automatic Grid Filling, i.e. every cell of the grid will be filled with the one-up input file.
• A single PDF file with multiple pages: The task creates only one grid with each page placed once, in a single cell, not repeated.
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Tip: Use an XML input file to also repeat these pages. For example: a PDF has 3 pages, each page contains a design variant / flavor of the design. The XML can then specify that it needs
1.000 bananas (page 1), 500 apples (page 2), etc. Learn more below
• Multiple PDF files: By default, the ticket automatically creates a grid for each PDF: the 1st input file will be placed in the first grid, etc.
Tip: Use the '
Sort
' workflow control to change this sequence of input files before entering this task.
Attention: There is an exception that is valid in a dynamic VDP workflow (where each input file only needs to be output once): When the input files follow the naming convention <SameFileName-Number>, they will be grouped together in a same grid.
For example, banana-001.pdf, banana-002.pdf , banana-003.pdf will be placed in a same grid.
•
An XML file for each grid. Learn more in the dedicated page
Specification of RunList XML in
on page 328.
157.2 Splitting Output, Blocks and Gaps
To limit the size of the output PDF file, this task also uses the technique of "PDF forms": Each input PDF file is only embedded once into the output file.
When used in a VDP context, where each station can contain a different graphic, this size can become huge and easily reach the computer’s processing power limit. Tasks handling such files require a lot of system memory and read/write operations, and this impacts the processing speed. Some RIPs also have problems processing huge PDFs.
This is why you can choose to split this output. The task then creates a set of smaller PDFs instead of a single large one.
Choose how you want to split the output file:
• No (Single File).
• Automatically. The task then calculates the number of sheets per file so that the output file sizes stay within reasonable limits.
• On Number of Sheets. This way, each output file except the first and last one contains the
Number of Sheets (pages) specified.
• On Block Size of Grid 1 (only valid for output to digital presses):
Note: Learn about the concept of Blocks and Gaps
.
A block with an optional gap must fit completely on sheets. This can be expressed by a formula: (block_rows + gap_rows) mod grid_rows = 0. The task will fail when this is not the case for the first grid.
Note: In formulas, 'mod' stands for the 'modulo' operation: the remainder (leftover) after division. For example "9 mod 3" results in 0, but "5 mod 2" results in 1. Learn more about
'mod' on
this wiki page
.
Use this mode when there is only one grid or if that condition is met for all grids. This feature assumes that if the user took care to enter specific values for rows and gaps, that he then likely will want to use those same numbers for splitting.
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When defining this choice via SmartNames, the resulting value must match one of these: OFF,
AUTO, SHEETS, BLOCK.
Blocks and Gaps: Concept and Examples
Note: Some example use cases:
• You need to print 10.000 labels and deliver them on reels of 500 labels. You then define a block of 500 a add a gap between those blocks (empty one-ups).
• You want those gaps to cover the complete circumference of the reel, to cover the labels underneath and so protect them from any damage. In case of VDP each label might even be unique.
Blocks are used to split jobs into fixed length segments and to control the filling order. They are defined per grid. Each grid can have different block settings:
• Block Length is a number of rows.
• Gap Length is a number of rows ("zero" = no gap).
• Grid Height is the number of rows in a grid.
A gap works as a separator. It is represented by one or more empty rows inserted between two blocks.
• If block length + gap length = grid height, then a gap will appear on each sheet on the same place.
• If block length + gap length mod grid height > 0, then the gap will be floating ; it will appear on different positions.
• If block length + gap length > grid height and block length + gap length mod grid height = 0, then a gap will appear on the same position on the sheet but not on each sheet.
Here are 3 examples of the above mentioned 3 cases:
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157.3 Sheet and Plate Options
The Sheet Size is the area where your one-up grids will be positioned within the Plate.
You can define:
• Plate Size: Define its horizontal and vertical size.
Note: The plate size will correspond to the Media Box of the generated step and repeat
PDF.
Caution: Take the printer's size limits into account when defining these values.
• Shrink: Shrink is used to compensate for plate distortion, later in the output process. Learn more about when and how shrink is applied
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• Sheet Size: This is the printable area on your plate.
Note: The sheet size will correspond to the Trim Box of the generated step and repeat PDF.
• Position on Plate: The blue square in the image represents the position of the sheet on the plate. You can click or drag this blue square to match the desired alignment.
• Offset: Use this to fine-tune the position. The values are calculated versus the light gray lines.
157.4 Filling Order
Note: We here refer to the one-up print items as 'items'.
These Filling Order options define how the items should be distributed over the grid. You can specify:
• a starting point
• whether the grid should be filled by row or by column
• gaps (empty stations on the grid).
Options:
• Scope Settings:
• Same Settings for all Grids: This applies all the settings in this tab to each grid in the layout. This automatically disables setting a filling order on grid level.
• Individual Settings for Each Grid: Select this to set the (different) filling order on grid level.
• Start Content Filling: Choose where the first print item is printed (the next options then decide how the other items will follow):
•
: Top left. When using a SmartName, its value should be TL .
•
: Top right. When using a SmartName, its value should be TR .
•
: Bottom left. When using a SmartName, its value should be BL .
•
: Bottom right. When using a SmartName, its value should be BR .
• Also specify whether the grid is to be filled 'by row' or 'by column' .
See the preview of your selected options on the right hand side.
• The
Printing direction marked with an arrow indicates the direction that the paper/ substrate flows through the press.
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• In that preview, a black dot shows the first record.
• Some examples:
• The distribution starts on top left, with vertical flow:
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• The distribution starts top right, with vertical flow:
• The distribution starts top left, with horizontal flow:
• Fill over: Choose if you want to distribute the items over the Complete Job or over Blocks.
Learn about the concept of blocks
.
• If you choose Blocks, the flow of variable data (the one-up variants) will run over blocks of a specified size, then run over the next block when the previous one is complete.
The preview also shows the blocks:
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Block Size: You can define their size as the complete 'Job' or an amount of Sheets or
Rows.
• When, in ' Fill over', you selected 'Complete Job', then the Block Size will be 1 Job by default.
You can set it to another unit if you still want to print in blocks, but without having the flow of (variable data) items respect the block. This is useful if you want to add gaps (see below).
• Gap between Blocks: This option is available if you have chosen to Fill over Blocks, or to fill over the Complete Job but still have blocks (as explained above).
This option adds white space in between the blocks.
Gap Size: Define the size of this gap.
157.5 Adding Marks
Use this tab to add Dynamic Marks to your layout.
Learn more about Dynamic Marks in the description of the task "
on page
12".
157.6 Setting specific Grid Options
• Specify the Cell Width and Cell Height for the one-up item ("cell").
• Set the grid Orientation and Clip Bleed.
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defines the initial Orientation of the one-ups in this grid. Their orientation within the layout can be changed further by the option Head Turn.
' Clip Bleed' creates a clipping mask around the one-up, to clip any bleed to the desired distance.
Note: Deselecting 'Clip Bleed' can cause one-ups to overlap. This can be useful in some special layouts.
Note: Learn more about what happens when bleed from panels overlaps in
Bleed Overlap Priority Decided by ArtiosCAD Artwork Panels
56.
Note: Learn more about bleed
in the manual of PowerLayout Standalone
.
•
Repeat
Define how many times you want to repeat the one-up (V & H) and define the gap between these repeats (V & H).
• If wanted, specify a Head Turn and /or Stagger.
Learn more about these options
.
• Specify the Position of this grid using the positioning tool and Offset distances.
Define the positioning reference for this grid: Attach to the Sheet or the Plate area.
In below example, the top center of the (bounding box of the) layout will be placed on the left bottom corner of the (bounding box of the) reference (that you defined in 'Attach to').
In ' Offset', you can still move the layout based on the above defined position. The direction of the offset (up, down, left or right) depends on the positioning, and is indicated by the arrows.
157.7 Specification of RunList XML in Dynamic Step &
Repeat
Dynamic Step & Repeat tasks can use XML files to specify their input files (one-ups) and how they should be placed on the layout. Such files typically come from external systems where production planning was decided. This page describes the format that such a "RunList" XML file needs to have.
Structure
The XML file may contain only an XML header and a single root element RunList. UTF-8 coding is needed to support non-ASCII characters in file paths.
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Note: While XML-files support UTF-8 encoding, all file names must follow the URL-encoding.
This means that all characters other than basic ASCII letters and numbers (A-Z, a-z, 0-9) and a few punctuation marks ('-', '_', '.' and '~'), must be percent-encoded (for example a space is noted as "%20"). Learn more about percent encoding in
http://en.wikipedia.org/wiki/Percentencoding)
.
<RunList>
The RunList element can be used only at the root level and the current file format supports only one RunList element per file.
This element is used as a container that holds together one or more nodes of
RunListItem
(which describe one-ups for a specific grid).
It also contains an attribute Version, specifying the version of the RunList format. At this moment only version 1.0 is supported.
Attention: Each grid in the Step & Repeat must have an own RunList item and because only one is allowed per file, this means that each grid must have its own XML file.
<RunListItem>
This element is used to contain a reference to the one-up file. It contains following mandatory elements:
Table: RunListItem for Step & Repeat Dynamic tasks
Element Format Description
FileName URL
File specification of one-up file. It must be a valid URL (absolute path).
Note: Special characters must be properly coded (see common XML rules).
FirstPage integer Index of the first physical page from the used page range. The first page in
PDF has index 1.
LastPage integer Index of the last physical page. Also this index starts from 1.
Example: Page range 1..1 means single page with index 1. Page range 1..2 means pages 1 and 2.
Repeats
integer Number of page range repetitions (value must be greater than 0).
Note: Page range 1..3 is repeated in this way: 1, 2, 3, 1, 2, 3, 1, 2, 3,...
Under these conditions a reserved value -1 is allowed:
• Only one RunListItem in RunList
• FirstPage must be same as LastPage.
In this case the task will calculate the number of repeats automatically to fill the complete grid.
Note: Note: This feature is intended for 'static' jobs (not Variable Data jobs).
Example
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This example shows a RunList with two one-ups to be used in a grid:
• The first one-up is presented by a range of three pages (1-3) from the file A.pdf and needs to be repeated two times.
• The second one-up is presented by a single page (1) from file B.pdf and needs to be repeated five times.
The final order of pages used as one-ups will be: A1, A2, A3, A1, A2, A3, B1, B1, B1, B1, B1
<?xml version="1.0" encoding="UTF-8" ?>
<RunList version="1.0">
<RunListItem>
<FileName>file://server/JobContainer/Item1/A.pdf</FileName>
<FirstPage>1</FirstPage>
<LastPage>3</LastPage>
<Repeats>2</Repeats>
</RunListItem>
<RunListItem>
<FileName>file://server/JobContainer/Item1/B.pdf</FileName>
<FirstPage>1</FirstPage>
<LastPage>1</LastPage>
<Repeats>5</Repeats>
</RunListItem>
</RunList>
Grid Filling with an XML RunList
If the task input file consists of a single XML file,
• with only one <RunListItem>,
• where both the <FirstPage> and the <LastPage> are the same,
• and where the number of repeats is set to "-1", then a special behavior is triggered, called Grid Filling. This means that every cell of the grid will be filled with the specified static one-up.
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158. Step & Repeat Template based
Concept
This task creates a step & repeat file based on an template layout that was made earlier. This mode makes it useful for all packaging print segments: labels, boxes, flexibles, etc. It is typically used to make an identical layout but now for variant graphics with a same size as those placed in the template.
Note: About the name of the output Step & Repeat file:
• When no name is specified, the output file name will be the name of the first task input file.
SmartNames based on this output file name will also follow that rule.
• When you choose the Output Format "PDF" and not "PDFPLA" (learn more below), the system will avoid that you ever overwrite your input file PDF name ; it will, in the output file name, automatically attach a suffix *_rep* to the name of your first input file.
• When you type in a specific output file name yourself, it will be honored, even when it then overwrites a file.
Tab 'General'
•
Output Format
• PDFPLA: In this format, the placed stations are referenced files, they are not embedded into the layout file. This keeps the layout file small but limits its use to applications that support such references: Esko editors, Esko RIPs or any next workflows steps in
Automation Engine that make use of this smart referencing.
Attention: If the input file of this task was a native PDF, this output mode will make the task end in error because a "PDFPLA can only contain references to normalized PDF".
• Normalized PDF (embed all): In this format, because all data is embedded, the PDF can be used to exchange this layout file to remote sites that also use tools that read this Esko
Normalized data. For example: off-site printers that also use an Esko RIP.
This file format is larger in Mb, however it is important to know that the technique of "PDF forms" is used: each station is only embedded once into the output file. For example if it contains 5 banana labels and 5 lemon labels, the size of the PDF will only be slightly larger than the size of 1 banana PDF plus 1 lemon PDF file.
• PDF: This native PDF will have all data embedded and will also use "PDF forms" to optimize its size (as explained here above). Choose this output type PDF when you need to send this data to a non-Esko environment or device.
Attention: This output is only advised when the task input file is one or more native PDF(s). The advantage is then that there is no 'on the fly' normalization done on these native PDF stations ; they are untouched and are only placed into the layout native PDF.
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This PDF has in its XMP also a description of the contents of its grids, their station names and amounts. Any distortion factor (here named "Shrink") will be calculated/executed in the PDF.
Note: Choosing this output type disables the options 'Screen Registration' and
' Include CAD info for Digital Flexo Suite'.
• Template: This can be:
• A PDFPLA file (any earlier made step & repeat file)
• A normalized PDF file that contains external references (representing the stations)
• A JDF file that contains "packaging stripping" info.
Note: When you define a template by using a SmartName, the below column "In
template" will only mention "All Stations in Template". This disables the possibility in this ticket to set custom station replacements. In case your workflow needs that, then consider using the
• Stations: This is where you decide which files will replace the template stations in the output file.
Before you can define the new station in this ticket, you first need to select an input file before opening the ticket. Then select the template (click the browse button and select it).
• The ticket reads the template and presents its stations (referenced files) in the column
In
template. The task input files are listed in the column Replace by.
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Changing or defining the "Replace by" stations: Click on any name of a file in the column ' Replace by' and you will see a list with these options:
• <do not substitute>: Select this to not replace it. See the below described option
Delete station(s) ... to decide what happens then.
• To replace it with the first task input file
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• To replace it with the second task input file
• Etc.
• Select.... After selecting a station in the Replace by column, this button allows you to browse to another file (that was not already an input file for this ticket). Alternatively, use
SmartNames.
• When the borders of a station file and substituted file do not fit, you can define how this affects the task status:
• Provide info. The task will end in status 'OK'. The task details and log file will mention which stations did not have the same borders.
• Generate a warning. Same info is given but the task ends in status 'Warning'.
• Generate an error. Same info is given but the task ends in status 'Error'. There is no output file.
• Delete station(s) in template file which have not been substituted.
• When this option is selected, the not-replaced stations will, in the output file, be empty
("delete").
• When this option is not selected, the not-replaced stations will, in the output file, be those from the template ("keep").
• You can add SmartMarks.
Attention: If you use a template that contains macros from the old Esko application
QuickStep, these macros will be lost. You need to replace these macros with
SmartMarks.
Tab 'Plate Setup'
The options are identical as described in
of the Step & Repeat CAD based task.
Tab 'CAD Options'
The options are identical as described in
of the Step & Repeat CAD based task.
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159. Step & Repeat Template based
(Dynamic)
Concept
Use this task to place one-ups (print items) into grids based on a PDF template.
In this task, the template containing the grids needs to be created in PowerLayout, an Esko plug-in for Adobe Illustrator. Learn more in the
manual of PowerLayout standalone
.
Selecting the template
In Task Options, in the item 'Job', select the desired Template that describes the grid(s).
When a template is selected, all other information in this task is automatically filled in with information from the template. You will be unable to change any of the information in the task.
Learn more about these options in
this page about the S&R Tabular (Dynamic) task
.
Attention: Filling Order is not applied globally. Therefore, when you specify the filling order for each grid separately, ensure that the number of grids in this ticket matches the number of grids in the template file.
Input Files
The order of the input files is especially important when you work with templates.
Tip: Use the '
Sort
' workflow control to change this sequence of input files before entering this task.
Learn more in
this page valid for both S&R Dynamic tasks
.
Split Output options
Learn more in
this page about the S&R Tabular (Dynamic) task
.
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160. Submit to CDI
This task is documented in the chapter
CDI Platemaking Workflow
. Find a direct link
here
.
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161. Submit to Gang Run
This task is documented in the chapter
Gang Run Printing for Sign & Display
. Find a direct link
here
.
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162. Submit to Kongsberg Table
This task is documented in the chapter
Kongsberg Production Workflow
. Find a direct link
here
.
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163. Submit to Plate Merger
This task is documented in the chapter
CDI Platemaking Workflow
. Find a direct link
here
.
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164. Submit XML to Gang Run
This task is documented in the chapter
Gang Run Printing for Sign & Display
. Find a direct link
here
.
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165. Synchronize ArtiosCAD Boards
This task synchronizes the boards in the ArtiosCAD database with those in the database of an external system.
This task is set up by an Esko Solution Architect.
For more information, search for online articles on this topic in the
Esko Knowledge Base
.
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166. Synchronize ArtiosCAD Companies
This task synchronizes the companies in the ArtiosCAD database with those in the database of an external system.
This task is set up by an Esko Solution Architect.
For more information, search for online articles on this topic in the
Esko Knowledge Base
.
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167. Track Edit Session
Automation Engine can track and log interactive editing actions in Esko editors. Define
in the
Configure tool
for which editors you want this automatic tracking.
When you open a file that resides in an active Job (folder) in an Esko editor, this task will automatically start logging many important editing actions. The task automatically stops when
someone closes the file in the editor.
This editing information can so also automatically
• be stored in the Task History.
• be made available by using Notifications, for example as an XML file to report to another system. You could also save all notifications locally in the Job folder or centrally and you can
do this in one or several files. Learn more
.
Note: This task cannot be launched interactively. It will start appearing when you
configured it
.
Keep in mind that the editor needs to be restarted to activate this setting.
Note: When editing files in ArtPro, the task only records the timings of opening and closing the file.
167.1 Viewing the Edit Session Information in the Pilot
In the Pilot, the task's Details already show what is logged. An example:
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Note: Notice in above screenshot how, when at the end the operator saved the file as *_BCK, that the tracking task closed and immediately started a new one, now for the file with that other name.
167.2 Storing the Editing Information System-Wide
How can these edit logs be stored automatically?
• Make sure the task is automatically archived into the tool
Task History
.
• Alternatively, use the
Notification tool
to create a rule specific for this task:
• Either you save all these XML logs inside the Job folder. The SmartNames you use in the output location allow you to choose if you want one (XML/TXT) log for each file or one per day or etc.
• Alternatively, you save all these XML logs per customer or even system-wide. In that case you just indicate an output path somewhere outside the Job folder.
Follow these steps to create such a rule:
1. Go to Configure > Notification > Rules
2. In the Tasks tab, select the task Track Edit Session.
3. Click Add. The Notification Rule Editor opens.
4. To get an XML, select the Action 'Create XML File in folder' .
5. Define the folder's Location and click OK.
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167.3 Which Edit Actions are Logged?
These types of edits are logged:
• Which user opens which file from which workstation?
• Start and stop time of this editing session
• Was the file saved or closed? When and with what name?
• All loading, saving, placing, exporting functions
• All changes to inks, layers, pages, page sizes
• All changes to (Esko) barcodes
• HIFI color conversions
• All trapping actions, PSFix actions, InkWizard actions
• Creating and replacing of external references
• Die object edits: adding, turning, flipping, rotating
• Writing of task notifications (when closing the edit session)
• Any loss of connection with the server.
An example:
*** Start interactive PackEdge 7.0 ***
Time 13/01/06 17:19
User wde@aeserver01
Automation Engine server AESERVER01
Loading file file://aeserver01/52355/
Prod/52355_YummieBeer_back.pdf
Remove layer OMBRE
Trap with local ticket Default
"Modified ink angle for C from 22 to 7 degrees"
"Created ink PANTONE 123 C (100 lpi, 7 degrees, dot ?, type
Normal)"
"Created ink C (170 lpi, 75 degrees, dot ?, type Normal)"
"Created ink ROUGE (170 lpi, 45 degrees, dot ?, type Normal)"
Placing file file://aeserver01/52355/
Prod/52355_YummieBeer_collar.pdf
Changed page margins to top 3.998, bottom 9.998, left 4.001,
right 66.001 mm
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Changed page size to width 110.0024 mm and height 73.99 mm
PS-Fix: modified 2 contour(s)
Applied Job inkmapping
"Modified ink angle for C from 7 to 75 degrees"
"Removed ink M (170 lpi, 15 degrees, dot ?, type Normal)"
Changed page margins to top 7.25, bottom 7.25, left 7.25, right
8.36 mm
Exporting file file://aeserver01/52355/
Prod/52355_YummieBeer_back.tif
Saving file file://aeserver01/52355/
Prod/52355_YummieBeer_back2.pdf
*** End interactive PackEdge 7.0 ***
Time 13/01/07 17:22
Notification:Wrote XML file:E:\wdedata\52355\Prod\Edits
\52355_YummieBeer_back.
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168. Trap with PowerTrapper
Learn about the concept of trapping in
This task uses the Esko technology "PowerTrapper". Its input file needs to be a native or normalized PDF.
The resulting trapping objects are created in a dedicated (new) layer.
The output of this task is a Normalized PDF file.
The task's many settings are spread over these tabs:
•
•
on page 349
•
•
on page 352
•
168.1 What is Trapping?
The trapping process is a safeguard against possible fluctuations in the printing process.
Minor discrepancies in registration and slight paper shifting can cause inks to misregister.
When two adjoining colored objects do not touch exactly, the printed result can show a white gap, as well as areas with a dark overlap:
'Trapping' these objects causes the objects to slightly overlap each other:
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In general, trapping is necessary when two adjoining color areas don’t share a common ink.
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Adding a fine area where they join, made of a color that contains components of both adjoining colors, can effectively 'trap' such areas.
168.2 Distance & Direction
1. Trapping: Choose between two modes:
• Normal Trapping: This selects adjoining color pairs, which are likely to cause registration problems like ugly light gaps, and unwanted halo effects. Lighter colors are generally trapped into darker colors to minimize the visual effect of the trap.
• Reverse Trapping: This mode avoids overprinting of inks. It prevents overprint of adjoining color areas by trapping these color pairs with a white knockout (erasing) trap.
The white knockout trap is put on top of the lighter of the two colors. This is useful to prepare a file for "Dry Offset" printing (example: printing on metal cans).
2. Trapping Distance: Enter the width of the traps. The default width is 0.2 mm (or its equivalent in
your chosen unit
).
Below, you can define specific distances when trapping Into black, Into spot color, Into
image or adding a Pull Back (see below).
3. Minimum Ink Difference
Trapping is applied to two adjoining colors, when either:
• The two colors each consist of at least one ink but they have no common inks.
• The two colors have common inks but there is a difference of at least the
Minimum Ink
Difference percentage for two or more inks making up these colors.
These differences in ink percentages must be in opposite directions.
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Note: An example: With the default minimum ink difference percentage of 10%, the following two colors are trapped:
• 1st color: C 5%, M 10%, Y 50%, K 15%
• 2nd color: C 5%, M 10%, Y 85%, K 5%
• => These colors have 2 inks that differ 10% or more: K is 10% different, Y is 35% different.
Increase the Minimum Ink Difference to trap colors that differ more ; lower it to trap colors that are similar.
4. Image Trapping
• Automatic: This determines the most suitable trap direction automatically. It compares the average lightness of the image with the lightness of the adjoining area, and then traps the lighter color into the darker one.
• Always Towards Image: This always traps line art under adjoining images.
• Always Towards Line Art: This always traps images under adjoining line art.
Select ' Trap images to images' if you want images to be trapped with each other.
5. Pull Back
When a color area is composed of multiple inks bordering to a very light background, you can ' pull back' ink to keep away all ink except the darkest ink. This prevents individual inks from that composed color to become visible in the background, typically due to registration errors during printing.
• Automatic: This creates pull backs on rich black or rich spot colors, when the color left in the pull back area is not very different from the composed color.
• Only Pull Back Rich Black: This only creates pull backs on rich black.
• Do Not Pull Back: This never creates any pull back.
There will be automatic pull back for the darkest color. Select ' Also pull back light inks' to create pull backs even when the pull back ink (i.e. the ink remaining in the pull back area) is visibly different from the composed color. Select ' Pull back images and gradients' to create pull backs on images and gradients.
6. Trap Decision
• Use Lightness: This uses the color luminance to define the trapping direction, except for opaque inks, where it uses the inks order.
• Trap direction: from brightest to darkest.
• Treat Spot Colors as Opaque: Color luminance is used only for CMYK. For opaque and spot inks, the trap direction is determined by the ink sequence.
• Trap direction for spot colors only: towards the separation that is listed the lowest in list of inks.
• Trap direction goes from the process to the spot color if the spot color is below the process color in the list of inks.
• Trap direction if the spot color is above the process color: from brightest to darkest.
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• Use Separation Order: The trapping direction is determined by the ink sequence for all inks, including CMYK.
• Trap direction: towards the separation listed the lowest in the list of inks.
• Use Reverse Separation Order: As above, but using the reverse ink sequence.
• Trap direction: towards the separation listed the highest in the list of inks.
7. Overshoot Mode: See some visual examples in the
PackEdge user manual
( Menu > Trapper
> PowerTrapper ).
• Automatic: The centerline behavior is according the rules determined in the color pair list.
• Never on Dark Areas: The centerline is forced not to get beyond the center of dark areas.
• Never: The centerline is forced not to get beyond the center of any area.
168.3 Color & Shape
• Trap Color Intensity: By default, the task uses the full color of the object to spread in the trap area (100% trap color intensity). You can create a trap of a lighter color by reducing this percentage.
• Image Trap Color: Choose how to trap your images:
•
Use Original Image Data: When the image is clipped, the task uses the underlying image data to create the trap. When there is no underlying image data (when the image is not clipped), an empty trap is created.
•
Extend Image Data: The task automatically extrapolates the image along its four edges to ensure that the trap looks as expected, even if there is no clipped image data outside the visible image.
•
Use an Approximate Flat Color: Instead of using existing or extrapolated image data in the trap, the task uses a solid color. A suitable color is determined by averaging the image's colors along its boundary with the object to trap.
•
Truncate Traps: Truncating the trap object avoids that it sticks out on another color.
Choose a mode:
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• On Center: When a portion of a trap comes too close to the contour of another object, it is limited to half the distance between the trapped object and the other object.
• On Edge: When a portion of a trap comes too close to the contour of another object, it is truncated on the other object's edge.
• End Caps: Choose the shape of the ends of an open trap:
• Square: The trap ends at a right angle to the adjoining object.
• Round: This rounds the ends of the trap. This is typically only used in combination with white knockout (' Reverse Trapping').
Note: We recommend that you do not to use 'Round End Caps' together with 'Truncate
Traps On Center', as this can generate some artefacts (the round caps are truncated).
• Object Dependent: The trap is a logical continuation of the contour of the spread object.
• Trap Corners: Choose how sharp corners should be handled:
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• Round: Corners end in a round cap.
• Beveled: Sharp corners are cut off.
• Mitered: If the distance from the base of the trap to the corner point is larger than the Miter Ratio multiplied by the trap distance, then the corner will be beveled, otherwise it will remain sharp.
The default miter ratio is 4. This means that if the length of the sharp corner is more than 4 times the Trapping Distance, the corner is cut off (beveled). If it is less than 4 times the Trapping Distance, the corner is left as it is.
• Truncate Traps: If you want to truncate traps into black differently, select Into black and choose the truncation mode ( On Center or On Edge).
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168.4 Processing
• Color Pairs:
Before creating trap objects, PowerTrapper scans the file for color pairs where this will be needed. A color pair can occur only once or it can occur many times. The task can trap all hits (occurrences) of a color pair in the same way or it can recalculate the trap direction for different hits.
• Each hit can have its own decision: This recalculates the trap direction for each hit of a color pair.
• Use the same decision for all hits: This traps all hits of the same color pair in the same direction.
• Use the same decision for objects smaller than: This uses the same trap direction for hits of a color pair belonging to small objects, and recalculates the trap direction for hits belonging to bigger objects.
Use the input field next to determine the maximum size of small objects.
• Objects:
To speed up the trapping, the task can safely ignore certain object types.
•
Only selected objects
•
Respect existing traps: If the file has already been trapped, select this option to keep the existing trap layer out of the trapping process.
• Ignore bitmaps: Select this to keep bitmap pixel data from being trapped. Bitmap data is contourized before trapping which may slow down trapping. Bitmaps with lots of small isolated islands typically take a longer time to trap.
Note: When you indicate an object type to ignore, it is ignored completely as if it did not exist in the file. Also, the ignored objects do not truncate trapping areas resulting from other objects below them.
• Small Gaps:
Some files contain very small unintentional gaps between neighboring objects. These gaps prevent trapping of these objects. Although it is better to clean up such files before trapping, PowerTrapper can ignore these gaps automatically.
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To use this option, select Close when smaller than and enter the maximum size small gaps can have.
Note: If you set a big gap size, trapping may become slower and some small parts may be ignored.
168.5 Rules
This tab allows to add rules that define custom trapping settings for specific trapping pairs.
PowerTrapper first traps the trapping pairs that match such a rule (according to that rule) and then traps the rest of the file according to the main trapping settings.
When to use Rules?
In most cases the general trapping settings entered in ' Distance &Direction' give you excellent results. You can refine them using rules.
Settings defined in rules overrule settings in the other tabs.
Note: This is an advanced feature. We recommend it for experienced users.
Some example cases to custom rules:
• To set a different trap distance for a specific spot ink. Sometimes you need a larger trap distance for spot inks if there is no other ink to help cover leaks on the press.
• To prevent trapping or ink pull back in specific cases. Depending on the type of the adjoining colors, trapping and/or pull back may be undesirable.
• To force a specific trap direction. When adjoining colors have a similar lightness level,
PowerTrapper selects an arbitrary direction. You can use a rule to make it always use a particular direction for a color pair.
• To specify a different shape and/or truncation mode for certain color pairs. For example, you can choose to use ' On Center' truncation when trapping under a 100% black line and
' On Edge' truncation on all other color pairs.
Creating a rule
1. Click Add.
2. In the dialog, use the 'From' and 'To' lists to specify trapping pair that you want to apply this rule to. Choose between '
Any Color, a particular ink (Process, Spot or Opaque), a particular object (
Image, Gradient or Empty Background) or the Registration Color.
Note: When trapping a particular ink, you can also define its 'Minimum Density' and if the
Color must be pure (no other separation in the color object).
3. Choose the contents of the rule.
Most options are described in the previous pages. Here are some specific settings within these rules:
• Direction Mode: Select 'Into Both Colors' to use bidirectional trapping. In that case, the trap goes half the trapping distance in each direction.
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• Horizontal/Vertical Distortion: Set the percentage of the trapping distance to be used in V/H direction.
See an example where the trap was generated with no vertical distortion (so 100%, i.e.
using the entered trap distance) and horizontal distortion set to 50% (i.e. half the trap
distance).
You can use the + or - buttons to add or remove criteria to your rule.
4. Click Add to confirm and add the rule.
5. After defining the rules, click OK to confirm this list of rules.
168.6 Output
• Trap layer only: Select this to output a PDF containing only the trap layer.
• Load trap color pairs if present: Select this to make the task use a TCP file that was created during a previous trapping action. The TCP file needs to have the same name as the input file and needs to be present next to the input file.
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169. Unzip
You can use this task to extract files from a zipped archive.
Automation Engine
Note: Many applications can create zip files, also the
in Automation Engine.
• Define what needs to happen If the files already exist at the destination location:
• Fail. The task will not unzip and will end in an error status.
• Overwrite the files and give a warning.
• Overwrite the files.
• Character Set:
When a zip file was generated with non-standard encoding, unzipping such a file with this
Unzip task can fail. The task's log file then mentions a ‘MALFORMED’ exception. You can solve this by specifying the character set that was used to create the file.
For the list of character sets and the correct naming to be used in this task ticket, we refer to
this page of the online java documentation
. When specifying a character set in this ticket, use the name as is listed on that page, in the column “Canonical Name for java.nio API”.
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170. Upload via FTP
This task is documented in the chapter
Integrating with External Systems
. Find a direct link
here
.
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171. Upload via SFTP
This task is documented in the chapter
Integrating with External Systems
. Find a direct link
here
.
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172. Upload To Cloud Storage
This task is documented in the chapter
Integrating with External Systems
. Find a direct link
here
.
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173. Verify Certification
This task is documented in the chapter
Quality Control tools
. Find a direct link
here
.
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174. Version PDF
When working with various versions of a single PDF, such as multiple language versions or versions containing minor differences, you can use this task to save on output material by:
• Combining a base file with multiple version files.
• Extracting separations or layers from the base file and replacing them by variants.
Combine Base with Version Files
By combining a base file (the input file) with a number of version files, you can create various flavours of the same file and save on output material.
For example: Your base file contains graphics and only the CMY separations. Your version files contain text in different languages in the black (K) separation. By combining the graphics in your base file with the various language versions, you only need to make the plates containing the separations for the graphics once.
Follow these steps:
1. In the Version Files table, click Add.
2. In the External File dialog, specify:
• The location of the Version Folder, which contains the version files.
• The name(s) of the Version File(s), including their file extension.
• The name of the Output File, which is a combination of the base file and a version file.
3. Choose what you want to do with the Version Input File (base file or input file):
• If you want it to remain in the same place, choose Leave.
• If you want it to be deleted, choose Delete.
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• If you want it to be moved to another folder, choose Move to and use the button to define the new location.
4. Select the desired Reference Page Box. Selecting the correct media box here can prevent errors, such as double time stamps in the text of a page mark.
5. Determine the Order of the Base File and the Version file.
6. Separation Isolation: Select 'Isolated' to use the PDF construct "Form Isolation" to combine the files, which will reduce the interaction between the content of the files. This is helpful when the files contain information for different separations, rather than artwork to be placed on top.
Note: You can use SmartNames and wild cards to specify folders or files.
Note: You cannot combine Normalized PDF files with other PDF files.
Extract Separations from Input file
This Action allows to extract a separation from the input file and map it to another separation.
This is done to limit the total number of separations for output.
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For example: Map a 'black' Pantone color that is used for text to 'K' (typically black in CMYK).
Extract Layers from Input file
This Action allows to extract layers from the input file and split the input file into a fixed master and a variant part. The variable ink is often black.
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You can also work with layers to extract the language layer from the input file and replace it with the corresponding translation(s).
Note: Work with wild cards to optimize your workflow: For example to only extract the language layer, use 'lang_*' if you know that all language versions follow this name rule. This will allow for the lang_EN, lang_FR and lang_ES layers to be automatically extracted from the base file.
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175. Wait
This task is documented in the chapter
Workflows
, in the section
Inserting Wait Points
.
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176. Wait for Action (Checkpoint)
This task is documented in the chapter
Workflows
, in the section
Building Workflows → Inserting
Wait Points
.
Find a direct link
here
.
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177. Wait for Files
This task is documented in the chapter
Workflows
, in the section
Inserting Wait Points
.
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178. Wait for Files (via JDF)
Use this task when you are working with a JDF RunList, and when the files referenced in the
RunList are not ready yet.
Send the JDF RunList to this task, and it will check at a regular interval if the files are already present. When it finds all the files, it ends in OK and passes them on to the next workflow task.
Example Workflow
1. The MIS system creates jobs via JDF, and sends the JDF RunList to your Automation Engine workflow.
2. The Wait for Files (via JDF) task checks if all the files referenced in the RunList are where they are supposed to be.
3. When the files are ready, the task finds them and passes them on to the next workflow task.
4. The rest of the workflow starts on the files.
Parameters
•
Look in Folder
By default, the tasks looks for the files at the location defined in the RunList. However, you can here define a custom location where the task should look for them.
Tip: For example, use the SmartName [URL of Folder of Input] if you know the files will be end up in the same folder as the RunList.
•
Stop waiting when time exceeds ...
Select this if you want the task to finish if the files referenced in the RunList haven't been found after a specified time.
If you don't select this parameter, the task will wait indefinitely (or until it finds the files).
•
Task ends in error when not all files were found
Select this if you want the task to finish with an Error state:
• When the time you set in the ' Stop waiting when time exceeds' parameter has passed,
• and when the task hasn't found the files referenced in the RunList at that specified time.
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179. Wait for Product Status
This task allows to hold a workflow until one or more Products have reached a certain status.
This task is documented in the chapter on
Products
. Find a direct link
here
.
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180. Zip
This task creates a zip file from the selected input file(s) or folder.
Choose the task's behavior in case the zip file already exists:
•
Generate an error
• Replace the zip file.
Learn more in
Automation Engine
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181. Outdated and Soon Outdated Tasks
181.1 Concept of (Soon) Outdated Tasks
Concept
Some task technology in Automation Engine can become outdated after many years. There are two possible reasons for this:
• the functionality is now available via a new and improved technology. For example a task based on a new trapping engine replaces the old ones.
• the functionality is no longer used in today's prepress environment. For example a task to normalize EPF files, an Esko file format that is not created any more.
Such tasks are first declared “ Soon Outdated” and later become “Outdated”.
Note: Before version 14.1, the term Deprecated was used for Soon Outdated tasks and the term Obsolete was used for Outdated tasks.
Soon Outdated
A task is named Soon Outdated as a warning that it will no longer be available in the next major version of the Automation Engine.
This gives you at least one year
• to replace this task by an alternative. This could be a newer task equivalent or a slightly different workflow. The alternative is mentioned in this documentation.
• to contact Esko support in case the proposed alternative is not valid for you.
Outdated
A Soon Outdated task becomes Outdated in the next major version: it is then no longer available in that software version.
• Customers who never used that task type will not see any tickets.
• Customers who had already created custom tickets of that task type will still see those tickets but notice that they no longer work.
A Gradual Process with Many Visual Reminders
This two step process gives you the time to switch from using the old technology to the new version or method.
The Pilot shows you in many places which task types are (to be Soon) Outdated.
• In the Tickets list:
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Also workflow tickets that contain outdated tasks will show a warning:
• In the task ticket itself, a colored top bar is added. A Soon Outdated task shows an orange bar and the link for
More Info brings you to the online help page that describes the
proposed alternative:
An Outdated task shows a red color bar and also a link with More Info:
• In the
Workflow Editor. Colored text indicates (soon) outdated workflow steps:
Transitions that depend on an outdated step are shown in grey. That part of the workflow
also does not work any more:
These (soon) outdated steps are also mentioned in the Validate Workflow dialog. When you there select such a warning, the corresponding step will also be highlighted in the workflow editor with an arrow.
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181.2 Expand Variable Data to PPML File (Soon
Outdated)
The Expand Variable Data to PPML File task will soon be outdated. Learn more about
outdated and soon outdated tasks in
Concept of (Soon) Outdated Tasks
on page 368.
This task was used in VDP workflows and used an older technology (the PPML file format).
Find a link below to its old documentation.
Alternative
Digital printing is a fast-evolving field, and the industry as whole is moving towards the PDF/VT file standard as a replacement for the older PPML standard. Esko is supporting this trend.
Esko recommends you to migrate to the Dynamic VDP workflow.
The Dynamic VDP workflow is based on PDF/VT and includes a DeskPack plug-in for authoring as well as an Automation Engine ticket for expansion.
181.2.1 Expand Variable Data to PPML File (Soon Outdated) - old documentation page
Note: Learn about the alternative for this task in the above page
The old documentation can still be found in older manuals of Automation Engine. To find it, go to
•
http://help.esko.com/products/Automation%20Engine
• then, in "Version", select a version older than version 14
• click on the link to the
Reference Guide
• go to The Tasks: an Overview > Deprecated and Obsolete Tasks > Expand Variable
Data to PPML File (Deprecated) .
181.3 Expand Variable Data to PPML File (DeskPack
Only) (Soon Outdated)
The Expand Variable Data to PPML File (DeskPack Only) task will soon be outdated. Learn
more about outdated and soon outdated tasks in
Concept of (Soon) Outdated Tasks
on page
368.
This task was used in VDP workflows started from Adobe Illustrator and used an older technology (the PPML file format).
This task was documented in the page describing the non-DeskPack version: Find a link in
Expand Variable Data to PPML File (Soon Outdated) - old documentation page
on page 370.
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Alternative
As mentioned in
Expand Variable Data to PPML File (Soon Outdated)
, the alternative here is also to use the Dynamic workflow tools. This Dynamic workflow is based on PDF/VT and includes a
DeskPack plug-in for authoring as well as an Automation Engine ticket for expansion.
181.3.1 Expand Variable Data to PPML File (DeskPack only) (Soon
Outdated) - old documentation page
This task is the version of
Expand variable Data to PPML file
that can be started from DeskPack.
181.4 Preflight via External Application (Soon Outdated)
In Automation Engine 16, this task was declared "soon outdated".
Learn more about (soon) outdated tasks in
Concept of (Soon) Outdated Tasks
on page 368.
Alternative
To preflight, please use the
Preflight with PitStop task
.
When you use another preflight product than PitStop you can use the
.
181.4.1 Preflight via External Application (Soon Outdated) - old documentation page
As mentioned in
, this task will soon be outdated.
Its documentation can still be found in older manuals of Automation Engine. Follow these steps to find it:
• Go to
http://www.esko.com/en/Support/Product?id=Automation%20Engine
.
• In "Version", select the version 14.1.
• Click on the link to the Complete Manual.
• Go to Reference Guide > The Tasks and Workflow Controls > Preflight via External
Application .
181.5 Print on Digital Press (PPML) (Soon Outdated)
This task will soon be outdated. Learn more about outdated and soon outdated tasks in
Concept of (Soon) Outdated Tasks
The Print on Digital Press (PPML) task was used to create variable print jobs on the DFE server using the format PPML.
Find a link below to its old documentation.
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Alternative
Digital printing is a fast-evolving field, and the industry as whole is moving towards the PDF/VT file standard as a replacement for the older PPML standard. Esko is supporting this trend.
Esko recommends you to migrate to the Dynamic VDP workflow.
The Dynamic VDP workflow is based on PDF/VT and includes a DeskPack plug-in for authoring as well as an Automation Engine ticket for expansion.
181.5.1 Print on Digital Press (PPML) (Soon Outdated) - old documentation page
Note: Learn about the alternative for this task in the above page
The old documentation can still be found in older manuals of Automation Engine. To find it, go to
•
http://help.esko.com/products/Automation%20Engine
• then, in "Version", select a version older than version 14
• click on the link to the
Reference Guide
• go to The Tasks: an Overview > Print on Digital Press (PPML) .
181.6 Process Remote Proofs (Soon Outdated)
In Automation Engine v16, this task was labeled 'Soon Outdated'.
Learn more about (soon) outdated tasks in
Concept of (Soon) Outdated Tasks
on page 368.
Alternative
For remote proofing, we recommend to create a self-contained PDF of the job and send it to the remote site. Automation Engine offers many methods of transfer (network copy, E-mail attachment,
Access Points
, ...).
Also, Automation Engine can transfer the file to Esko WebCenter which was designed to manage online approval cycles.
Also, Esko Pack Proof can be installed at the remote site(s) and configured with any necessary color information such as ink books and color strategies. Adding to that, an Automation Engine workflow can be configured at the remote site to automatically output the proof file when it arrives.
181.6.1 Process Remote Proofs (Soon Outdated) - old documentation page
As mentioned in
, this task will soon be outdated.
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Its documentation can still be found in the 14.1 manual of Automation Engine. Follow these steps to find it:
• Go to
http://www.esko.com/en/Support/Product?id=Automation%20Engine
.
• In "Version", select the version 14.1.
• Click on the link to the Complete Manual.
• Go to Reference Guide > The Tasks and Workflow Controls > Process Remote Proofs .
181.7 Rip to WS4000 Series (Soon Outdated)
The Rip to WS4000 Series task will soon be outdated. Learn more about outdated and soon
Concept of (Soon) Outdated Tasks
on page 368.
This task was a used to generate JLYT output for a HP Indigo WS4000 press.
Find a link below to its old documentation.
Alternative
Your alternative is to use the more recent
on page 226 task. This task links to the DFE that you configured in
Digital Press
.
181.7.1 Rip to WS4000 Series (Soon Outdated) - old documentation page
Note: Learn about the alternative for this task in the above page
The old documentation can still be found in older manuals of Automation Engine. To find it, go to
•
http://help.esko.com/products/Automation%20Engine
• then, in "Version", select a version older than version 14
• click on the link to the
Reference Guide
• In the search field, type WS4000. The result will show a link to the task's old documentation.
181.8 Send to Odystar (soon outdated)
Because all Odystar functionality is by now available within Automation Engine, the
will soon be outdated.
Learn more about (soon) outdated tasks in
Concept of (Soon) Outdated Tasks
on page 368.
Alternative
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Please use the functionality within Automation Engine.
181.8.1 Send to Odystar (soon outdated) - old documentation page
As mentioned
, this task will soon be outdated.
Its documentation can still be found in older manuals of Automation Engine. Follow these steps to find it:
• Go to
http://www.esko.com/en/Support/Product?id=Automation%20Engine
.
• In "Version", select the version 14.1.
• Click on the link to the Complete Manual.
• Go to User Guide > Integrating with other Esko applications > Integrating with
Odystar .
181.9 Tasks that became outdated in this version
In this version of Automation Engine, these tasks were removed because they became
Outdated (they were earlier announced as "Soon Outdated"):
• Add Parameters for Nesting
• Adjust PDF Screening
• Create Nested Layouts
• Export to GRS File
• Export to VRML File
• Fork
• Make Plate on CDI
• Image to MJM File (JDF)
• Trap - Prepare Trap Pairs
• Trap - Create Trap Layer
• Trap - Prepare and Create Trap Layer
Note: Find their documentation in earlier versions of the Automation Engine manual.
Note: Learn more about how and when tasks become outdated in
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