1-2-4 Filter. Yamaha MX88, MOX6, CP40, MOXF6, MOXF8, CP4, MOX8Synthesizer, MX61, MOX8, MX49
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Voice Parameters
EG Time Key Follow
Sensitivity Center
Key
Determines the central note or pitch for the EG Time Key Follow.
When the Center Key note is played, the Pitch EG behaves according to its actual settings.
D
C
F
G
+63
+30
E
-40
B
A
Figure 9: Pitch EG Time Key Follow and Center Key
A: Center Key
B: Slower Speed
C: Faster Speed
D: Lower range
E: Higher range
F: Positive value
G: Negative value
1-2-4 Filter
A filter is a circuit or processor that modifies tone by blocking or passing a specific frequency range of the sound.
Filters work by allowing portions of the signal lower or higher than a given frequency to pass, and cutting the remainder of the signal. This given frequency is referred to as the Cutoff
Frequency. You can produce a relatively brighter or darker sound depending on how you set the Cutoff Frequency.
By adjusting the Resonance (which boosts the level of the signal in the area of the Cutoff
Frequency), you can produce a distinctive "peaky" tone, making the sound brighter and harder.
On the tone generator block of the Electronic Musical Instrument, the sound signal output from the Pitch unit is processed by the Filter unit.
Cutoff Frequency Determines the Cutoff Frequency for the Filter, or the central frequency around which the Filter is applied.
The tonal characteristics of the Voice and function of the Cutoff Frequency
differ depending on which Filter Type is selected (see Chapter 1-2-5 Filter
13
Voice Parameters
Cutoff Velocity
Sensitivity
Resonance
Width
Resonance Velocity
Sensitivity
Gain
Cutoff Key Follow
Sensitivity
Determines how the Cutoff Frequency responds to Velocity, or the strength with which you play notes.
Positive values: The Cutoff Frequency rises the stronger you play the keyboard.
Negative values: The Cutoff Frequency rises the softer you play the keyboard.
0: The Cutoff Frequency does not change, regardless of the Velocity.
Resonance is used to set the amount of Resonance (harmonic emphasis) applied to the signal at the Cutoff Frequency.
This parameter can boost the level of the signal in the area of the Cutoff
Frequency. By emphasizing the overtones in this area, this can produce a distinctive "peaky" tone, making the sound brighter and harder.
This can be used in combination with the Cutoff Frequency parameter to add further character to the sound.
This parameter is available when an LPF, HPF, BPF (excluding the
BPFw), or BEF is selected as a Filter Type.
The Width parameter is used to adjust the width of the band of signal frequencies passed by the filter with the BPFw.
This parameter is available when a BPFw is selected as a Filter Type.
Determines the degree to which Resonance responds to Velocity, or the strength with which you play notes.
Positive values: The higher the Velocity, the greater the Resonance.
Negative values: The lower the Velocity, the greater the Resonance.
0: No change of the Resonance value.
Determines the Gain of the signal sent to the filter.
The lower the value, the lower the Gain. The tonal characteristics generated by the filter differ depending on the value set here.
Determines the degree to which the notes (specifically, their position or
Octave Range) affect the Cutoff Frequency of the selected Element, assuming C3 as the basic pitch.
Positive values: The Cutoff Frequency drops for lower notes and rises for higher notes.
Negative values: The Cutoff Frequency rises for lower notes and drops for higher notes.
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Cutoff Key Follow
Center Key
This indicates the central note for Cutoff Key Follow.
E F
G
D
+
A B
–
C
Voice Parameters
Distance
HPF Cutoff
Frequency
HPF Cutoff Key
Follow Sensitivity
HPF Cutoff Key
Follow Sensitivity
Center Key
Figure 10: Cutoff Key Follow and Center Key
A: Lower range
B: Center Key = C3
C: Higher range
D: Amount of Cutoff Frequency change
E: When Cutoff Key Follow Sensitivity = 100
F: Large
G: Small
Determines the Distance between the two Cutoff Frequencies of the Dual
Filter Types (which consist of two identical filters in parallel), and of the
LPF12+BPF6 type.
When any other Filter Type is selected, this parameter is not available.
Determines the central frequency for the Key Follow parameter of the HPF.
This parameter is only available for Filter Types LPF12+HPF12 and
LPF6+HPF6.
Determines the degree to which the notes (specifically, their position or
Octave Range) affect the Cutoff Frequency of the HPF.
Positive values: The Cutoff Frequency drops for lower notes and rises for higher notes.
Negative values: The Cutoff Frequency rises for lower notes and drops for higher notes.
This parameter is only available for Filter Types LPF12+HPF12 and
LPF6+HPF6.
This indicates the central note for HPF Key Follow Sensitivity.
15
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Table of contents
- 4 Voice Parameters
- 4 Basic Terms
- 4 1-1-1 Definitions
- 5 Synthesis Parameters
- 5 1-2-1 Oscillator
- 8 1-2-2 Pitch
- 9 1-2-3 Pitch EG (Pitch Envelope Generator)
- 13 1-2-4 Filter
- 16 1-2-5 Filter Type
- 22 1-2-6 Filter EG (Envelope Generator)
- 26 1-2-7 Filter Scale
- 27 1-2-8 Amplitude
- 31 1-2-9 Amplitude EG (Envelope Generator)
- 33 1-2-10 Amplitude Scale
- 34 1-2-11 LFO (Low-Frequency Oscillator)
- 41 Operational Parameters
- 41 1-3-1 General
- 41 1-3-2 Play Mode
- 42 1-3-3 Portamento
- 43 1-3-4 Micro Tuning List
- 44 1-3-5 Arpeggio
- 47 1-3-6 Controller Set
- 48 1-3-7 Effect
- 50 1-3-8 EQ (Equalizer)
- 52 Effects
- 52 Basic Terms
- 52 2-1-1 Definisions
- 52 Effect Types
- 52 2-2-1 Reverb
- 52 2-2-2 Delay
- 53 2-2-3 Chorus
- 53 2-2-4 Flanger
- 53 2-2-5 Phaser
- 54 2-2-6 Tremolo & Rotary
- 54 2-2-7 Distortion
- 54 2-2-8 Compressor
- 54 2-2-9 Wah
- 55 2-2-10 Lo-Fi
- 55 2-2-11 Tech
- 55 2-2-12 Vocoder
- 55 2-2-13 Misc
- 56 Effect Parameters
- 56 2-3-1 A
- 56 2-3-2 B
- 56 2-3-3 C
- 57 2-3-4 D
- 58 2-3-5 E
- 59 2-3-6 F
- 60 2-3-7 G
- 60 2-3-8 H
- 60 2-3-9 I
- 61 2-3-10 L
- 62 2-3-11 M
- 63 2-3-12 N
- 63 2-3-13 O
- 63 2-3-14 P
- 64 2-3-15 R
- 64 2-3-16 S
- 65 2-3-17 T
- 65 2-3-18 V
- 65 2-3-19 W
- 66 Overview
- 66 3-1-1 About MIDI
- 66 3-1-2 MIDI channels
- 67 3-1-3 MIDI ports
- 67 3-1-4 MIDI messages
- 68 Channel Messages
- 68 3-2-1 Note On/Off
- 68 3-2-2 Pitch Bend
- 68 3-2-3 Program Change
- 68 3-2-4 Control Change
- 71 3-2-5 Channel Mode message
- 71 3-2-6 Channel After Touch
- 71 3-2-7 Polyphonic After Touch
- 72 System Messages
- 72 3-3-1 System Exclusive Messages
- 72 3-3-2 System Common Message
- 72 3-3-3 System Realtime Messages