1-3-4 Micro Tuning List. Yamaha MX88, MOX6, CP40, MOXF6, MOXF8, CP4, MOX8Synthesizer, MX61, MOX8, MX49

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1-3-4 Micro Tuning List. Yamaha MX88, MOX6, CP40, MOXF6, MOXF8, CP4, MOX8Synthesizer, MX61, MOX8, MX49 | Manualzz

Voice Parameters

1-3-4 Micro Tuning List

Equal Temperament The "compromise" tuning used for most of the last 200 years of Western music, and found on most electronic keyboards.

Each half step is exactly 1/12 of an octave, and music can be played in any key with equal ease. However, none of the intervals are perfectly in tune.

Pure Major This tuning is designed so that most of the intervals (especially the major third and perfect fifth) in the major scale are pure.

This means that other intervals will be correspondingly out of tune.

You need to specify the key (C - B) you will be playing in as the Micro

Tuning Root parameter.

Pure Minor

Werckmeist

The same as Pure Major, but designed for minor scales.

You need to specify the key (C - B) you will be playing in as the Micro

Tuning Root parameter.

Andreas Werckmeister, a contemporary of Bach, designed this tuning so that keyboard instruments could be played in any key.

Each key has a unique character.

You need to specify the key (C - B) you will be playing in as the Micro

Tuning Root parameter.

Kimberger

Vallot&Yng

1/4 shift

1/4 tone

1/8 tone

Indian

Arabic

Johann Philipp Kirnberger, an 18th century composer, created this tempered scale to allow performances in any key.

You need to specify the key (C - B) you will be playing in as the Micro

Tuning Root parameter.

Francescatonio Vallotti and Thomas Young (both mid-1700s) devised this adjustment to the Pythagorean tuning, in which the first six fifths are lowered by the same amount.

You need to specify the key (C - B) you will be playing in as the Micro

Tuning Root parameter.

The normal equal-tempered scale, shifted up 50 cents.

Twenty-four equally-spaced notes per octave.

Play twenty-four notes to move one octave.

Forty-eight equally-spaced notes per octave.

Play forty-eight notes to move one octave.

Usually observed in Indian music.

White keys only.

Usually observed in Arabic music.

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