2-2-10 Lo-Fi. Yamaha MX88, MOX6, CP40, MOXF6, MOXF8, CP4, MOX8Synthesizer, MX61, MOX8, MX49

Effects

2-2-10 Lo-Fi

This Effect intentionally degrades the audio quality of the input signal via several methods such as lowering the sampling frequency.

LO-FI

NOISY

DIGITAL

TURNTABLE

Degrades the audio quality of the input signal to get a lo-fi sound.

Adds noise to the current sound.

Simulates the noise of an analog record.

2-2-11 Tech

This Effect changes the tonal characteristics radically by using a filter and modulation.

RING MODULATOR An effect that modifies the pitch by applying Amplitude Modulation to the frequency of the input.

DYNAMIC RING

MODULATOR

Dynamically controlled Ring Modulator.

DYNAMIC FILTER

AUTO SYNTH

ISOLATOR

SLICE

Dynamically controlled filter.

Processes the input signal into a synthesizer-type sound.

Controls the level of a specified frequency band of the input signal.

Slices the Amplitude EG of the Voice sound.

TECH MODULATION Adds a unique feeling of modulation similar to ring modulation.

2-2-12 Vocoder

This effect extracts characteristics from the microphone sound and applies it to the Voice played from the keyboard.

VOCODER This creates a distinctive, "robot voice" effect which is generated when you play the keyboard and sing or speak into the microphone at the same time.

2-2-13 Misc

This category includes the other effect types.

VCM EQ 501 This effect emulates the characteristics of analog equalizers used in the

1970s, recreating a warm, high-quality equalization.

PITCH CHANGE Changes the pitch of the input signal.

EARLY REFLECTION This effect isolates only the early reflection components of the Reverb.

Adds new harmonics to the input signal to make the sound stand out.

HARMONIC

ENHANCER

TALKING

MODULATOR

Adds a vowel sound to the input signal.

DAMPER

RESONANCE

NOISE

GATE+COMP+EQ

Simulates the Resonance produced when the damper pedal of a piano is pressed.

This effect combines Noise Gate, Compressor and 3-Band EQ, to provide optimum processing of the microphone input, especially vocals.

55