Esko Illustrator Screening User Manual
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Screening for Illustrator User Manual Screening for Illustrator Contents 1. Introduction.....................................................................................................................................................................................3 2. Screening for Illustrator overview........................................................................................................................................ 4 3. Screening for Illustrator workflow........................................................................................................................................ 5 4. Added features of the InkManager table..........................................................................................................................7 5. Export workflow............................................................................................................................................................................8 ii Screening for Illustrator 1. Introduction The current version of DeskPack for Adobe Illustrator can only handle 1 specific Ink parameter set per separation. To be able to apply specific DGC strategies, or to be able to have multiple lineatures and/or multiple angles or screening into a single separation this concept needs to be extended. The usage of these mixtures is very common in Packaging jobs. In addition to the ability to have different DGC strategies applied to different parts of a job, in specific cases it is necessary to exclude certain objects from DGC e.g. compensation might be necessary in specific halftone areas, but not in flat logo tints, since it might damage the integrity of the corporate color. The FlexRip has support for such concepts in case properly tagged objects are provided to the Rip. The EPF concept of tagging could be extended with ink property tagging. This document contains the following topics: • • • • Screening for Illustrator overview Screening for Illustrator workflow Added features of the InkManager table Export workflow 3 1 2 Screening for Illustrator 2. Screening for Illustrator overview InkManager allows you to set the technical parameters of the inks. Thanks to InkManager every ink can have its own type, ruling, angle and dotshape set. For some objects Screening for Illustrator allows you to make exceptions to these inks parameters. 4 Screening for Illustrator 3. Screening for Illustrator workflow The Screening for Illustrator workflow : 1. InkManager shows you the actual settings of all inks. 2. Select the objects of which you want to change the ink settings. 3. On the menu select “Window > Esko > Screening”. The 'Change Ink Options' dialog appears. The dialog shows you all inks that are used in the selected objects including their ruling, angle and dotshape. You can change the settings of these inks. You can either change one specific ink or set the value to all inks by using the “Apply To All” edit boxes. If several technical parameters of one ink correspond to the selection, the appropriate edits in the “Change Ink Options” are empty. 4. After applying the inks, the specific ink’s parameters are set to the object. 5. The variable inks are shown in the InkManager table. 5 3 3 Screening for Illustrator Note: Currently we do not have the possibility to apply DGCs per object or region. The best workaround would indeed be the (slight) adjustment of angles of a screen. This method is based on the fact that only a limited set of angles of screens is available in our FlexRip and that a "map to nearest" rule will be applied to choose the screen.This way 2 screens with a very small difference in angle, will eventually map to the same screen but with different DGCs applied to them. Job : object A with screen A and e.g. angle of 7.5 object B with screen A and e.g. angle of 8.5 Screens on rip: screen A with e.g. angles of 0, 7.5, 15,... DGC strategy (*.icpro): Angle of 7.5 --> dgc_1.dgc Angle of 8.5 --> dgc_2.dgc What will happen on the rip? 1. There is a DGC selection (based on the *.icpro file that was sent along): screen A with angle 7.5 will get dgc_1.dgc applied to it, screen A with angle 8.5 will get dgc_2.dgc applied to it 2. A screen will be chosen (and the DGC will be kept) screen A with angle 7.5 will stay screen A with angle 7.5 (and dgc_1.dgc) screen A with angle 8.5 will "jump" to the nearest available angle, thus becomes screen A with angle 7.5 (and dgc_2.dgc !) Result : Object A and object B will both be ripped with screen A and angle 7.5, but with different DGC's. 6 Screening for Illustrator 4. Added features of the InkManager table • Each ink can visualize all the technical parameters (ruling, angle, dotshape) it contains. Note that you are free to enter a name of your own choosing for dotshape • For each ink, each specific technical parameter can be selected and edited via the InkManager dialog (by double-clicking the specific ink). • You can select all the objects that use the specific ink, or specific ink parameters by the 'Select Art Using Ink' button 7 4 5 Screening for Illustrator 5. Export workflow When exporting to EG Native (both GRS and Normalized PDF file) the additional technical parameters of ink and objects tagged with these inks are exported as well. 8 ">
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