Chapter 16: DigiBase. Avid Pro Tools 9.0
Add to My manuals1248 Pages
Avid Digidesign Pro Tools 9.0 is a professional audio editing and recording software that provides a wide range of features for musicians, producers, and engineers. With its intuitive interface and powerful tools, Pro Tools 9.0 makes it easy to create, mix, and master high-quality audio productions.
advertisement
Chapter 16: DigiBase
DigiBase combines an intuitive, browser-style interface with an integrated databasing engine, optimized for Pro Tools data and media management.
DigiBase browsers provide extensive databasing tools for searching, sorting, auditioning, and importing of audio, MIDI, video, plug-in settings (.txf), and session files. Multiple browsers can be displayed and arranged, with custom display settings provided to optimize your work environment.
DigiBase Data Flow
The following figure shows the data flow of a
Pro Tools session and DigiBase browsers. Arrows show how files can be moved between the elements.
For information on dragging and dropping files from DigiBase browsers to your
Pro Tools session, see “Importing Files with
Workspace browser
Volume browsers Catalogs
Pro Tools session
Relink window
Data flow between a Pro Tools session and DigiBase browsers
Project browser
Task window
Chapter 16: DigiBase 273
DigiBase Browsers
DigiBase databases are accessed through DigiBase browsers . Browsers provide an intuitive user interface to DigiBase databases with many convenient features for various file management tasks (such as search and sort functions).
Browsers in Pro Tools are analogous to windows in your computer’s operating system, but are specifically designed for Pro Tools workflow.
Multiple browsers can be displayed simultaneously, and arranged independently with custom display settings for each.
Browsers let you search and sort audio files, video files, and sessions. Audio, video, and session files displayed in browsers can be dragged directly into the current Pro Tools session.
When offline items are needed, Pro Tools lets you find the correct matching files, then relink to online media.
There are three types of Pro Tools browsers available on all supported systems:
• The Workspace browser
• Volume browsers
• The Project browser
• Catalogs
Workspace Browser
The Workspace browser provides access to all your mounted volumes, as well as the folders and files they contain.
Using the Workspace browser, you can:
• Access all mounted volumes.
• Access all Catalogs.
• Search across multiple volumes and Catalogs simultaneously.
• Designate volumes for Record and Playback, Playback Only, or Transfer.
• Unmount volumes.
• View, manage, audition, and import individual items in any catalog or mounted volume.
• Update databases for entire volumes.
For detailed information about the Work-
space browser, see “Workspace Browser” on page 310.
Volume Browsers
Volume browsers provide file management for local and network volumes . Volumes are formatted partitions on a physical drive (hard drive).
Open a Volume browser by double-clicking a volume in the Workspace browser. Any changes made in Volume browsers (such as copying, deleting, or moving files and folders) is mirrored on the volumes themselves. Volumes include mounted hard drives, network storage, and removable media (such as CD-ROMs).
Using Volume browsers you can:
• View, manage, audition, and import individual items on the volume.
• Update a database for contents of the volume.
Project Browser
The Project browser provides powerful search and management tools for the files referenced in your current session, regardless of where they are stored. Using the Project browser, you can:
• Show all the media files associated with the current session, including any missing files.
• View, manage, audition, and spot individual items.
For detailed information about the Project
browser, see “Project Browser” on page 313.
274 Pro Tools Reference Guide
Catalogs
(Pro Tools and Pro Tools HD Only)
Catalogs provide the highest level of Pro Tools file management. Catalogs make it easy to organize files from multiple sources into libraries of favorite files. Catalogs can be sorted and searched, even when the files they reference are offline. Catalogs can also be shared.
Using Catalogs, you can:
• Collect and organize files from any combination of volumes.
• Create catalogs of complete volumes to view and search even if a volume is offline.
• View, manage, audition, and import individual items in the catalog.
• Update a database for contents of catalog.
For detailed information about Catalogs,
Task Window
The Task window is a utility for viewing and managing all of the background tasks that you initiate with Pro Tools. Use the Task window to monitor, pause, or cancel background tasks such as file copies, searches, indexing, and fade creation.
For detailed information about the Task
window, see “Task Window” on page 319.
Relink Window
The Relink window provides tools and features for relinking sessions and catalogs to media files.
Use Relink tools to search and reacquire missing files for use in the current session.
For detailed information about the Relink
window, see “Relink Window” on page 305.
Performance and Transfer
Volumes
DigiBase lets you view, manage, and import sessions and media from both Performance and
Transfer volumes.
Performance Volumes Are storage volumes (hard drives) that are suitable for playback and have been designated in the Workspace browser as
Record and Playback (R) or Playback Only (P) of media files in a Pro Tools session.
Transfer Volumes Are volumes that are not supported for media playback in Pro Tools (such as shared network volumes or CD-ROMs), or storage volumes (hard drives) that have been designated in the Workspace browser as Transfer (T) volumes. Transfer volumes cannot be used to record or play back media in a Pro Tools session.
Designated Transfer (T) volumes can be useful for transferring session and media files between different Pro Tools systems.
For more information on volume designations, see “Audio and Video Volume Designators” on page 311.
Chapter 16: DigiBase 275
Digidesign Databases
The information displayed in browsers is stored in individual databases. Pro Tools creates these databases automatically for all mounted volumes, including Transfer volumes, on your system drive.
Digidesign databases use three file types: volume.ddb Stores media and session file metadata for a particular volume.
catalog.ddb Stores media and session file metadata for a user defined Catalog. Cataloged media and session files are can reside on multiple volumes, including Transfer volumes.
Wavecache.wfm Stores waveform overviews for all audio files referenced by each session.
Volume Databases
For each volume (whether they be local hard drives, removable media, or shared network storage), a database file is created in a folder named Digidesign Databases, on the system drive.
On Mac, they are stored in the Library/
Application Support/Digidesign/Databases/
Volumes folder.
On Windows, these databases are stored in the
Program Files\Digidesign\Pro Tools\
Databases\Volumes folder.
If you delete the Digidesign Database folder, all existing database information is lost. To recreate a deleted Digidesign Database folder, re-index your storage volumes
(see “Indexing DigiBase Databases” on page 280).
Sharing Database Files
Database files can be shared among users. This is particularly useful for Transfer volumes, eliminating duplicate processing (indexing) time.
For example, shared volumes (such as network storage volumes) tend to be large, and indexing can be a time consuming task. To avoid duplicate effort, one user can manually index part or all of the shared volume just once, then email the database files to other users. Database files can be added by placing them within each user’s
Volumes folder. Periodic manual indexing then keeps all databases current.
Sharing Catalogs
(Pro Tools and Pro Tools HD Only)
Catalogs can be created for a particular project and then shared among multiple systems to help facilitate more efficient workflow. Catalogs are stored as database files on your system drive.
On Windows, Catalog database files are stored in the Program Files\Digidesign\Pro Tools\
Databases\Catalogs folder.
On Mac, Catalog database files are stored in the
Library/Application Support/ Digidesign/
Databases/Catalogs folder.
276 Pro Tools Reference Guide
Browser Windows and Tools
Browsers display all files in their database, including Pro Tools and non-Pro Tools files. Unknown file types can be shown, as well as aliases, and desktop folders.
Browser Back arrow
Search icon View Presets Preview controls
Title bar
Columns Browser menu
Toolbar
Column headers
Items List
Fixed pane
Show/Hide
Pane split
Scrolling pane
Basic browser tools, panes, and columns (Volume browser shown)
To maximize processing speed and protect vital components, DigiBase does not display all folders. For example, in Windows, DigiBase browsers do not display the Program Files, Windows,
Digidesign Databases, WU Temp, or System Volume Information folders; and on Mac, DigiBase browsers do not display the System, Applications, Library, or Digidesign Databases folders.
This excludes them from being indexed, searched, sorted, or affected in any way by DigiBase tasks. You should not store Pro Tools session or media files in any of these folders.
The main elements of a DigiBase browser include the following.
Title Bar Shows the browser type (Work-space,
Volume, Project or Catalog), and the name of its associated volume, session or catalog.
Toolbar Provides the Browser menu, Search icon,
View Presets (numbered 1–5), browser navigation tools, and preview tools.
Items List Displays the contents of a volume, folder, session, or Catalog database in rows.
Chapter 16: DigiBase 277
Columns Identifies the type of metadata displayed in the items list (such as file name and format) for volumes, folders, and files in the
Items List.
• Columns can be resized by dragging the column border, or rearranged by dragging the Column headers.
• Columns can be dragged to either of two available panes, the Fixed or Scrolling panes.
Each row of data in a browser represents an Item
(such as a file or folder). Data about each item is displayed in columns. Columns can be arranged and placed in either the Fixed pane or the Scrolling pane.
To open a Catalog browser:
1 Open the Workspace browser ( Window > Workspace ).
2 Click the Expand/Collapse icon next to the
Catalogs icon to show all Catalogs, if they are not already visible.
3 Double-click a Catalog.
To open another Volume or Catalog in a new browser window and leave the current Volume or
Catalog browser open:
„
Command-double-click (Mac) or Controldouble-click (Windows) the Volume or Catalog.
Opening Browsers
There are several ways to open, close, and navigate within browsers.
To open the Workspace browser:
„
Choose Window > Workspace .
To open a Volume browser:
1 Open the Workspace browser ( Window > Workspace ).
2 Double-click a volume or folder in the Items
List. A new Volume browser opens.
To open the Project browser:
1 Open a Pro Tools session.
2 Choose Window > Project .
Viewing the Contents of a Volume,
Folder, or Catalog
To expand or collapse the currently selected folder, do one of the following:
„
Click the Expand/Collapse icon next to the folder.
– or –
„
Select a volume, folder, or Catalog, and press the Right Arrow key to expand, or the left Arrow key to collapse.
To move up one browser level:
„ Click the Back arrow in the Browser toolbar.
To move up one browser level, press Command+Up Arrow key (Mac) or Control+Up
Arrow key (Windows).
278 Pro Tools Reference Guide
Moving Browsers to the
Foreground or Background
To bring all open browsers to the foreground:
„ Choose Window > Browsers > Bring to Front .
To bring all browsers to the foreground, press Option+J (Mac) or Alt+J (Windows).
To send all browsers to the background:
„ Choose Window > Browsers > Send to Back .
To send all browsers to the background, press Option+Shift+J (Mac) or Alt+Shift+J
(Windows).
All open browsers are moved to the background, bringing the other windows to the foreground.
Browsers remain open and accessible.
To bring an open browser to the foreground:
„ Choose Window > Browsers , and select an open browser from the submenu.
To cycle to the next or previous browser:
„
Press Control+Left/Right Arrow keys (Windows) or Command+Left/Right Arrow keys
(Mac).
Closing Browsers
To close all browsers:
„ Option-click (Mac) or Alt-click (Windows) the
Close box of any browser.
Because the Task window is a utility and not a browser, it remains open.
Working wIth Items in
Browsers
Opening Sessions
To open a Pro Tools session listed in a browser:
„ With no Pro Tools session currently open, double-click a Pro Tools session file in any DigiBase browser.
Opening AAF and OMF Sequences
(Pro Tools and Pro Tools HD Only)
AAF and OMF sequences can be opened from
DigiBase browsers.
You can also drag and drop AAF and OMF sequences from browsers into the current session.
To open an AAF or OMF sequence from a DigiBase browser:
1 Do one of the following:
• With no Pro Tools session currently open, double-click the AAF or OMF sequence in a browser.
– or –
• Drag the AAF or OMF sequence from a browser to the Timeline in an open session.
2 Configure the Import Session Data dialog.
3 Click OK .
Chapter 16: DigiBase 279
Creating and Opening Browser
Folders
Browsers let you create and manipulate folders
(file system sub-directories). All folders have Expand/Collapse icons to show their contents.
Dragging items onto a folder icon is the same as dragging into an open browser.
To create a new folder in a Volume browser or
Catalog:
1 Choose New Folder from the Browser menu.
2 Type a name for the folder, and click OK .
(Click Cancel to cancel the new folder.)
In Volume browsers, the folder is created on disk. In Catalogs, the folder is created in the Catalog only. The Items List updates as new items are added.
To open a folder in the current browser:
„
Double-click the folder, or click the Expand/Collapse icon for the item.
With the browser in the foreground and the folder selected, press Command+Down Arrow key (Mac) or Control+Down Arrow key
(Windows) to open a folder in the current browser.
To create and open a folder in its own new browser:
„ Command-double-click (Mac) or Controldouble-click (Windows) the folder. The previous
(parent) Browser window remains open.
With the browser in the foreground and the folder selected, press Control+Alt+Down
Arrow key (Windows) or Command+Option+Down Arrow key (Mac) to open a folder in its own new browser.
Scrolling and Moving Selections
To scroll the active pane up or down:
„
Press the Page Up or Page Down key.
To scroll to the top or bottom of the active pane:
„
Press Home (for the top) or End (for the bottom).
To move items up or down in the current browser:
1 Select items in a browser, and make sure that window is in the foreground.
2 Press the Up or Down Arrow key.
Text Entry in Browsers
Many text fields can be edited to replace or update data for an item.
To enter an edit to a text field and exit, and return to the previous display state:
„
Press Enter.
To revert to the previous text and cancel a text edit:
„
Press Esc.
For details on column editing, see “Column
Indexing DigiBase Databases
Indexing is the process of reading media files, extracting just the metadata for each file, then storing that data in an associated database so that it may be displayed in the columns of a browser. Once a volume or folder has been fully indexed, it can be searched very quickly because all of the metadata has already been sorted and organized.
280 Pro Tools Reference Guide
If a volume or folder has not been indexed, it is indexed automatically the first time it is opened in a DigiBase browser. Volumes or folders containing a lot of media files can take a long time to index. For this reason, you may want to manually index specific volumes or files prior to starting a project to help expedite workflow.
Indexing while Browsing
The first time you open a Volume browser for a volume or folder that has never been indexed,
Pro Tools automatically begins to fill the database for that level of the volume. Files and folders appear in the browser Items List, along with metadata in the columns for each item. Indexing continues until you either close the browser, or until that folder is completely indexed.
The next time you open that browser, metadata for items that have already been indexed is visible immediately. If the browser or folder was closed before indexing was complete, or if the contents of the folder have changed since the last time it was browsed, Pro Tools automatically updates the database the next time it is opened. This way, the database is always up to date for the folder you are browsing. (View the
Task Manager to see current activity.)
Indexing while Browsing saves time because it only fills the database for items on the level of the volume that you are currently browsing. For example, if you are browsing the root level of the volume, it indexes only the folders and files on the root level. If you open a folder, Pro Tools indexes just the items in that folder. As a result, a database is only indexed for the parts of the volume that you have browsed. However, searches are faster and more complete when a volume is already completely indexed.
Manual Indexing
Manual indexing fills in all missing data, and updates changed data for selected folders and all of their sub-folders.
To update the index for a folder and all sub-folders:
1 Select the item in a browser Items List.
2 Choose Update Database for Selected from the
Browser menu.
To update the index for an entire volume:
1 Select the volume to update in the Workspace browser.
2 Choose Update Database for Selected from the
Browser menu.
Last Indexed Date Display
The Last Indexed column shows the date that the index for that folder and all of its sub-folders was updated. Keep in mind that individual subfolders may have been updated more recently.
Automatic Updating for Pro Tools Actions
Whenever Pro Tools adds, deletes, or modifies a file on a volume or in a session, the appropriate database is immediately updated to reflect the change.
Changes that are made with Windows Explorer or the Mac Finder (such as copying or moving files) are not tracked by Pro Tools and are only indexed if the necessary folder is browsed or if a manual index is performed.
Chapter 16: DigiBase 281
The Browser Menu
All Browser windows provide a Browser menu in the upper right corner of their toolbar. The
Browser menu provides commands specific to each type of browser, as described below.
Browser menu icon
Not all browser commands are available in all browsers, as noted.
New Folder Creates a new folder on the current volume, or within the current Catalog. In Volume browsers, a new folder is created on disk.
Available in Catalog and Volume browsers only.
For more information, see “Creating and Opening Browser Folders” on page 280.
New Catalog Creates a new, empty Catalog.
Available in the Workspace browser only.
Create Catalog from Selection Creates a fully indexed catalog of the selected items.
Calculate Waveform Calculates the waveform displays for selected audio files, or all files contained in selected folders.
For more information, see “Waveforms” on page 295.
Update Database for Selected Updates the database for the currently selected volumes or folders. Available in Workspace and Volume browsers only.
Calculate Elastic Analysis Calculates Elastic Audio analysis data for all selected audio files. Analyzed files are indicated by a check mark to the left of the file name. Analyzed files where a tempo has been detected are also updated as tick-based, display their duration in Bars|Beats, and display their native tempo in the Tempo column.
Clear Elastic Analysis Clears Elastic Audio analysis data for all selected audio files. Files cleared of
Elastic Audio analysis data revert to sample timebase, display their duration in minutes and seconds, and do not report a tempo.
For more information, see “Elastic Audio
Select Offline Files Selects all files that are currently offline.
Select Transfer Files Selects all files identified as
Transfer files (files found on media that do not support playback).
Select Online Files Selects all files that are online.
Invert Selection Reverses (inverts) the current selection.
Reveal in Finder/Explorer Opens the corresponding parent window in the Finder (Mac) or
Explorer (Windows) for the currently selected file.
Reveal in Browser Opens the parent browser for the selected item. The selected item is highlighted in its parent browser.
Relink Offline Opens the Relink window. Available in the Project browsers only.
282 Pro Tools Reference Guide
Relink Selected Opens the Relink window, with all selected files from the current browser displayed and selected as Files to Match. Available in Catalogs and Project browsers only.
Copy and Relink Copies items currently selected in the Project browser to a chosen location, and relinks the session to the copies instead of the originals. Use this to easily move files from a
Transfer to a Performance volume. This command is also available in Catalogs to copy items and relink the current Catalog to the copies.
Duplicate Selected Creates a duplicate of the selected items in the same location.
Lock Selected Locks all selected items. Any files already locked remain so. Locking a folder locks all files and sub-folders it contains.
Unlock Selected Unlocks the selected items.
Delete Selected Deletes any selected item. In the
Workspace, Project, and Volume browsers, deleting an item deletes it from the disk. In Catalogs, you are asked whether you want to clear the items from the Catalog (leaving your disks unchanged) or delete the files referenced by the
Catalog items.
Unmount Lets you unmount any online volume.
Available in the Workspace browser only.
While Pro Tools is running, always use the
Unmount command in the Workspace browser menu to unmount the volume, or quit Pro Tools and then unmount the volume.
Auto-Preview Enables or disables automatic preview of files. When this option is enabled, selecting a file in the browser starts preview. The
Preview button updates to show that Auto-Preview is enabled. Additionally, the Preview button updates to show an Auto-Preview icon.
Loop Preview Previews the selected file by looping playback of the file. If multiple files are selected, only the first selected file previews.
When Loop Preview mode is enabled, the Preview button updates to show a Loop Preview
Mode icon.
Spacebar Toggles File Preview Enables or disables the Spacebar for starting and stopping preview. When this option is disabled, use the Preview button to start and stop preview. In this mode, the spacebar starts and stops session playback. This lets you play back the session and, with the Audio Files Conform to Session Tempo option enabled, preview the selected audio file in time with the session.
When a browser is front-most, Control+P
(Windows) or Command+P (Mac) starts and stops preview. Also, the Esc key stops preview.
Audio Files Conform to Session Tempo Conforms all tick-based audio files with Elastic Audio analysis, as well as REX and ACID files, to the session tempo. This option lets you play back the session and simultaneously preview the selected files in time with the session. This option is only available when a session is open.
For more information, see “Conforming Preview to the Session Tempo” on page 301.
When the Audio Files Conform to Session Tempo option is enabled, Pro Tools analyzes un-analyzed files on preview or import. Audio files that have been analyzed as tick-based can then be previewed at the session tempo and conform to the session tempo on import.
When the Audio Files Conform to Session Tempo option is disabled, any tick-based audio files with Elastic Audio analysis, and REX and ACID files preview and import at their native tempo.
Chapter 16: DigiBase 283
Additional DigiBase Commands in
Catalogs
(Pro Tools and Pro Tools HD Only)
In Catalogs, the following additional commands are available to manage Comments in selected items.
For more information on Comments, see
“Comments Fields” on page 288.
Copy Database Comments to Clip Names Copies an item’s Database comments to its Clip Name.
Copy File Comments to Clip Names (Mac Only)
Copies an item’s File Comments to its Clip
Name.
To move columns between panes:
„
Drag the column header to a different pane.
To show or hide the right-hand pane:
„
Click the Show/Hide icon in the lower right corner of the lefthand pane.
Browser Panes and Display
Browsers display an Items List consisting of various columns (such as file name, size, creation date, and sample rate). The Items List is split into two panes. Individual columns can be placed in either pane, and all columns can be shown or hidden, resized, reordered, and sorted.
Show/Hide Pane icon
Arranging and Resizing Columns
To rearrange columns in a pane:
„
Drag the column header to a new position.
To resize a column:
„
Drag the column header boundary to a new width.
Moving Columns Between Panes
Columns in browser can be placed in either pane. Move columns you frequently need to see into the left-hand pane. Columns that you use less often can be moved to the right-hand pane.
Showing and Hiding Columns
You can show or hide individual columns in DigiBase browsers to fit your workflow. The default column display includes the items you would use in most sessions.
284 Pro Tools Reference Guide
To show or hide individual columns:
„
Control-click (Mac), Start-click (Windows), or
Right-click a column label and select or deselect the column name from the pop-up menu.
To store a View Preset:
1 Open a browser, or the Relink window.
2 Arrange columns and views.
3 Command-click (Mac) or Control-click (Windows) one of the five View Preset buttons.
Showing and hiding columns
To show or hide all columns:
„
Control-click (Mac), Start-click (Windows), or
Right-click a column header and choose ALL or
NONE from the pop-up menu. (Only the Name and Clip Name columns remain when you choose NONE .)
To show the default set of columns:
„ Control-click (Mac), Start-click (Windows), or
Right-click a column header and choose DE-
FAULT from the pop-up menu.
View Presets
Pro Tools lets you save up to five preset views for each type of browser, and the Relink window.
Presets can be recalled by clicking a View Preset button. View Presets are specific to each type of browser.
Browser View preset buttons
To recall a saved preset:
„ Click the appropriate View Preset button.
About View Preset 1
Preset 1 becomes the default layout for other browsers of its type when they are opened for the first time.
Sorting Columns
Columns can be sorted in ascending or descending order, and multiple sorts can be applied (up to four levels).
To sort by columns:
„ Click the column title header.
It is often helpful to perform a secondary sort
(for example, to sort by tape and timestamp).
Chapter 16: DigiBase 285
To add a secondary sort:
„
Option-click (Mac) or Alt-click (Windows) the column title for the secondary sort criteria.
Primary Sort Secondary Sort
Performing a secondary sort
To toggle the current sort order between ascending and descending:
„ Click the Sort toggle arrow, at the top of the vertical scroll bars.
Column Data
In browsers, each row of data represents an item in a database (such as a file, session, or volume).
Each column displays specific data for an item, as follows.
Status The Status column is the first column on the left, and it displays the status of each item, as follows.
Status Icons and Display
Icon Text Status
T
√ none none
Black
Blue italics
Blue italics
Blue
Online
Offline
Transfer
Elastic Audio
Analysis
Calculated
Name Displays the name of the file, folder, volume, catalog, or session. This text field is editable in all browsers except Catalogs.
A Designates volumes for audio R (Record and
Playback), P (Playback only), or T (Transfer).
Available in the Workspace browser only.
V Designates volumes as video R (Record and
Playback), P (Playback only), or T (Transfer).
Available in the Workspace browser only.
For more information, see “Audio and
Video Volume Designators” on page 311.
Kind Displays whether the volume, folder, catalog, or file. For files, this column displays what kind of file it is: session file, audio file, video file, or other. This field cannot be edited. For audio files, this column also indicates whether the file is sample-based to tick-based.
Size Displays the size of a file in kilobytes. For folders, the total size of all files in the folder is displayed. This field cannot be edited.
Date Indexed Displays the last indexed date for the item. This field cannot be edited.
Capacity Displays the total capacity of a volume.
This field cannot be edited.
Free Displays the unused space on volumes.
This field cannot be edited.
Waveform Displays a graphical overview of an
audio file. See “Waveforms” on page 295 for
more information.
Duration Displays the duration of a file in absolute time (minutes and seconds), regardless of the time code format. For region groups, MIDI, tick-based Elastic Audio files, REX, and ACID files, Duration displays Bars and Beats. This field cannot be edited.
286 Pro Tools Reference Guide
File Comment Displays any embedded comments associated with the file. File comments are supported with BWF and SD II files, but are not supported with AIFF files. File Comments always remain with the file when copied, converted, or transferred. See “Comments Fields” on page 288 for more information.
When importing SD II files into Pro Tools
8.0.3 sessions or higher, they must be converted to a supported session file format
(.WAV or .AIF).
Database Comment Displays user comments stored with the database, with support for
Finder comments. Available in the Project browser and Catalogs only. See “Comments
Fields” on page 288 for more information.
Date Modified Displays the last modified date for the item. This field cannot be edited.
Date Created Displays the creation date of an item. This field cannot be edited.
Number of Channels Displays the number of channels in an audio file: mono, stereo, or 3–8 as appropriate for supported multichannel files.
This field cannot be edited.
Format Displays the audio file format: WAV,
WAV (ACID) for ACID files, WAV (BWF), AIFF,
MP3, or ReCycle for REX files. This field cannot be edited.
Sample Rate Displays an audio file’s sample rate. This field can be edited in browsers for
WAV and SDII files only. This can be useful when dealing with audio that has been pulled up or down, or to force a sample rate conversion to occur if that is necessary before importing a file that otherwise would not require conversion.
Bit Depth Displays an audio file’s bit depth. This field cannot be edited.
Tempo Displays the tempo associated with region group, MIDI, tick-based Elastic Audio files,
REX, and ACID files, and session files. This field cannot be edited.
Video Compression Displays the compression ratio of video files where applicable.
Frame Rate Displays the frame rate of video files where applicable.
Original Time Stamp Displays the original time stamp (time code location) of audio or video files.
User Time Stamp Displays the user time stamp, if any, of audio files only.
Path Displays the directory path to the item.
Unique ID Displays the unique ID for a Pro Tools file.
Tape This column displays the original Avid tape name if the item is an OMF file (audio or video). If an audio file was originally recorded in
Pro Tools, this field displays the name of the original session.
Video files originally recorded in Pro Tools with AVoption|XL do not display a tape name.
TC Rate This column displays the frame rate of the item if the item is an AAF sequence or an
OMF sequence or file: 24, 25, 29.97, 30, drop or non-drop. For sequences, the frame rate at the start of the sequence is displayed.
Channel Names Displays the channel name and number data embedded in multichannel audio files. You can edit the Channel name for mono
BWF files only. When editing the channel name, anything entered in parentheses is discarded. However, the channel number will always be preserved.
Chapter 16: DigiBase 287
Scene Displays scene number data embedded in audio files.
Take Displays take number data embedded in audio files.
Shoot Date Displays origination date and time information embedded in audio files. However, many field recorders do not populate the Shoot
Date field, relying instead on the file’s Creation
Date to indicate date of production. When
Pro Tools imports a field recorder file, it checks to see if the Shoot Date field is populated. If it is empty, Pro Tools copies the Creation Date of the original source file to the Shoot Date field of the new imported files. This field cannot be edited.
Sound Roll Displays sound roll number data
(This data is usually named “Tape” in BWF files, but is distinct from the date displayed in the DigiBase Tape column). This field cannot be edited.
Sound Roll TC Displays the starting time code of audio files. This field cannot be edited.
Sound Roll TC Rate Displays the frame rate information embedded in audio files: 24, 25,
29.97, 30, drop or non-drop. This field cannot be edited.
User Bits Displays text information embedded in audio files. This field can be used for user comments, or auto-generated info with certain field recorders.
Tape ID Displays tape ID information embedded in audio files. This field cannot be edited.
Project Displays the project name data embedded in audio files.
Circled Indicates if the status of a take is set to
“circled” ( No or Yes ) in audio files. This is usually for indicating which take should be used.
Plug-In Name Displays the name of the plug-in for Plug-In Settings files (.txf).
Plug-In Manufacturer Name Displays the plug-in manufacturer’s name for Plug-In Settings files
(.txf).
Link Path Displays the path to the file used for relinking. Available in the Relink window only.
Clip Name Displays the name of the file, or the
Avid clip name when the item is an AAF or OMF file. The Clip Name is what appears in the Timeline and Region List when a file is imported into a session. This field can be edited in Catalogs only, and can be generated using either of the
Copy Comments to Clip Name commands in
the Browser menu (see “Additional DigiBase
Commands in Catalogs” on page 284).
Comments Fields
Comments about individual files can be stored in the database, and embedded with the file’s metadata wrapper.
There are two types of comments fields: File
Comments and Database Comments.
File Comments
File Comments are stored with the metadata of the file itself. Not all file types support File Comments. Indexing stores File Comments in the database, allowing them to be searched and viewed even if the file is offline. File Comments can be edited in browsers, as long as the files or their parent media are not defined as read-only.
You can also add and edit File Comments to
Pro Tools Session files from the Project browser.
File Comments cannot be edited in Catalogs.
288 Pro Tools Reference Guide
Database Comments
(Catalogs and Project Browsers Only)
Database Comments in a Catalog are stored in the Catalog database. Database comments in the
Project browser are stored in the Session. Database Comments, which can be up to 256 characters in length, are searchable, cross-platform, and editable. For more information, see “Comments and Catalogs” on page 316.
Adding and Editing Comments
To add, view, or edit a Comment:
1 Click the Comments field. The field expands to display the entire contents of the field if necessary.
2 Enter or edit a comment.
3 Press Enter, or click outside the text box to close it.
To select multiple items:
„
Marquee-select a group of items, or Shift-click additional items. Command-click (Mac) or Control-click (Windows) to select multiple noncontinuous items.
To select all items listed:
„
Press Command-A (Mac) or Control-A (Windows).
To select all Transfer files in the current window:
„
Choose Select Transfer Files from the Browser menu.
To select all offline files:
„
Choose Select Offline Files from the Browser menu.
To select all online files:
„
Choose Select Online Files from the Browser menu.
To reverse the current selection:
„
Choose Invert Selected from the Browser menu.
Selecting Items
To select a single item in a browser:
„
Click the icon for an item. When selected, the item Name is highlighted.
You can also type the first letter, or the first few letters, of the item you want to select in the browser. For example, if you have a folder full of drum loops, and the one you are looking for is named “Ska Loop,” just type the letters S and K on your computer keyboard and the first item that starts with
“sk” will be highlighted in the list.
Moving, Copying, Duplicating, and Deleting Items
Moving, copying, duplicating, and deleting items in browsers follow the same rules and behavior as in the operating system. For example, moving a file to another volume copies the file, and Pro Tools warns you if an items is about to be overwritten or replaced. Dragging an item from a Catalog to a Volume browser always makes a new copy of the item.
Chapter 16: DigiBase 289
Moving Items
To move items:
„
Select one or more items and drag them to a new location. Moving to a new location on the same volume moves the item, while moving to a different volume copies the item.
You can drag items directly into the Timeline or Region List of the current session. See
“Importing Files with Drag and Drop” on page 328.
Copying Items
To copy and move items:
„ Select one or more items and Option-drag them to a new location.
Duplicating Items
To duplicate one or more items:
1 Select one or more items.
2 Choose Duplicate Selected from the Browser menu.
To Duplicate selected items in the Browser, press Command-D (Mac) or Control-D
(Windows).
Deleting Items and Folders
You can select and delete files and folders in all browsers. If a selected item resides on a readonly volume, it cannot be deleted.
For Catalogs, see “Deleting Catalog Items” on page 291 for additional information.
To delete one or more items:
1 Select one or more items.
2 Do one of the following:
• Press Delete.
– or –
• Choose Delete Selected from the Browser menu.
3 Pro Tools asks you to verify that you want to permanently delete selected files from disk.
Click Delete to proceed, or click Cancel to leave your files and disks unchanged.
To skip the warning dialog, hold down the
Option key while pressing Delete (or while choosing Delete Selected).
To delete locked files:
1 Select one or more items.
2 Press Command+Delete (Mac) or Control+Delete (Windows).
290 Pro Tools Reference Guide
Deleting Catalog Items
(Pro Tools and Pro Tools HD Only)
When you delete a folder or item from a Catalog, Pro Tools lets you choose whether to delete only the alias from the Catalog, or also delete the original files from the disk.
To delete an item from a Catalog.
1 Open a Catalog and select one or more items.
2 Do one of the following:
• Press Delete.
– or –
• Choose Delete Selected from the Browser menu.
3 When prompted, do one of the following:
• To remove the aliases for the selected items from the Catalog, click Aliases .
– or –
• To delete the selected items from disk (and remove their aliases from the Catalog), click Files.
Deleting Folders in Catalogs
Deleting a folder from a Catalog does not delete the folder on disk (even if you choose to delete all files from disk). Because Catalogs are “snapshots” of items, their aliases only include files that resided in the corresponding folder at the time the Catalog was created. To avoid potential data loss, folders are never deleted from disk, even though you might choose to delete Files instead of Aliases.
Searching Items
DigiBase provides powerful search capabilities so you can quickly search and find files.
The Workspace browser lets you search across multiple volumes and catalogs (if available). All other browsers let you search the currently displayed contents of that individual browser.
Performing a search filters the Items List or
Search Results pane to display only found items that match the search criteria.
The Relink window provides specialized search capabilities for finding and relinking missing
files. For more information, see “Linking and
Search Features for All Systems
All systems provide the following search capability:
• Search by item Name, Kind, and Date Modified.
• Results of a search are displayed in the Items
List, where they can immediately be selected for auditioning, copying, and other operations. In the Workspace browser, a separate
“Search Results” pane displays found items.
• Utilize search syntax modifiers, such as OR, wildcard characters, and greater than/less than. See “Search Modifiers” on page 293.
Chapter 16: DigiBase 291
• Search in Quick or Advanced Search mode.
Quick mode assumes (fills in) wildcard characters for faster data entry while searching. Advanced Search mode lets you specify wildcard characters for more precise searching. See
“Search Modes” on page 294 for more information.
• Search by any data column, such as Comments fields, sample rate, format, and tempo
• Save the results of a search as a new Catalog.
Starting a Search
To search the current browser:
1 Click the Search icon to display the Search pane.
Search icon
Search
Pane
Search icon and Search pane
You can also start a search by pressing
Command+F (Mac) or Control+F (Windows).
2 Do one of the following:
• Type text into the File Name field to search by name, or type a date, or select a kind from the Kind
Data for Searches” on page 293 for more in-
formation.
– or –
• Choose additional search criteria as needed. Press Tab to move to the next available search field, or Shift+Tab to move to the previous.
3 Click the Search button, or press Return (Mac) or Enter (Windows).
Searching begins, indicated by the spinning arrows in the toolbar, and by the Search button changing to Stop . The Results List (at the bottom of the browser) fills with items that match the search criteria. Items can be selected and auditioned as they are found.
To stop a search:
„
During a search, click the Stop button.
This stops the search routine, and the Stop button changes back to Search . Whatever results have already been found continue to be displayed, and all entries in search fields are retained.
To reset your search settings:
„ Click Reset to clear all criteria in search fields, and return to the main Browser view (all items).
The Search pane remains open.
To close the search pane and return to the complete Browser view:
„
Click the browser Search icon to toggle the
Search pane closed or open.
The search is stopped, the Search (and Search
Results pane) close, and the window returns to show the main Browser view.
292 Pro Tools Reference Guide
Entering Data for Searches
Field Formats and Searching
The following describe the types of data formats available (not all search fields are available on all systems).
Text Fields Allow direct entry of text. By default, the field is empty.
Pull-Down Menus Provide options for certain fields. For example, the Bit Depth pull-down provides choices for Any, 16-bit, or 24-bit.
Date and Time Accepts date and time entries in a variety of formats.
Time Code Uses standard Pro Tools time code entry shortcuts in hh:min:sec:frames.
Wildcard Characters (* and ?)
An asterisk (*) can be entered at the beginning or end of a text entry when you want to perform wildcard searches. For example, if you want to find all files with a name that ends with scratch , you could enter *scratch in the Search field. This finds files with names such as vocal.scratch
, and dialog2.scratch
.
A question mark (?) can be used for single-character wildcards. For example, a search on f?ee
finds free , and flee . A similar search on f*ee finds frendlee , flippee , flee , free , and so on.
Search Modifiers
Certain fields have small pull-down menus containing modifiers , which limit the search criteria entered in the field.
Modifiers include:
• Equal to (=)
• Not Equal to (
!=
)
• Less Than (<)
• Greater Than (>)
• Less Than or Equal to (<=)
• Greater Than or Equal To (>=)
• Range (<…>)
About Range-Limited When enabled, a second search field is added so that a range of two values can be entered (such as two dates). Pro Tools finds all items that fall between or are equal to those two values.
OR Searches
The Plus (+) and Minus (–) buttons add and delete OR rows to find results that match the criteria either in the top row or the additional rows.
To add and use OR rows in a search:
1 Click the (+) button to add an OR row identical to the upper row, but with no entries in the search fields.
2 To add an additional OR row, click the Plus (+) button again. (An empty OR row has no effect on the search.)
3 Enter search criteria.
For example, to find all files named either Dog or Bark:
• Type Dog in the first File Name field.
• Add an OR row.
• Type Bark in the second File Name field.
4 Click Search.
To remove OR rows:
„
Click the Minus (–) button to delete the bottom OR row.
Chapter 16: DigiBase 293
AND Searches
If you enter two or more words in a text field,
Pro Tools finds files that contain all of those words. For example, if you type Dog Bark , only files that contain both the words Dog and Bark are found.
To enable Advanced Search mode:
„
Click to enable the Advanced Search mode option.
Quotations Marks for Text Strings
Text enclosed in quotation marks is searched as one text string. For example, if you type “Dog
Bark” (with quotes), only items with Dog Bark anywhere in the File Name are considered a match.
Search Modes
DigiBase provides two different text searching environments:
Quick Search Mode Applies wildcards before and after each text string. For example, a Quick search for Dog finds Dogs , dog_bark , and howling_dogs .
Advanced Search Mode Does not automatically apply any wildcards. Therefore, an Advanced search on Dog finds Big Dog , but not Dogs (unless you manually add a wildcard, as described in
“Wildcard Characters (* and ?)” on page 293).
In addition, Advanced Search recognizes word breaks such as underscores and capitalization.
For example, an Advanced search on Dog also finds Big_Dog (Big-underscore-Dog) and BigDog , though it would not find BigDogs .
Advanced Search mode option, in Search pane
To return to Quick Search mode:
„
Click to deselect the Advanced Search mode.
Toggling search mode affects all DigiBase browsers.
About the Search Process
Searches are conducted in two passes, each indicated by Search Status displayed in the Search pane (and the Task window).
Searching Databases The existing databases are searched first. While this is the fastest search pass, this search pass can only be as accurate as the database (in other words, if the database is not completely up to date you might not find the files you want).
File System Search Pass This is the second pass of a search. This search is not as fast as the Database pass, but it is more thorough because it is not relying on the database, which may or may not be current.
Each pass is completed before the next pass begins.
294 Pro Tools Reference Guide
Saving Search Results as a
Catalog
(Pro Tools and Pro Tools HD Only)
To save the results of your search as a Catalog:
1 Choose Edit > Select All , or press Command+A
(Mac) or Control+A (Windows), to select all items in the Items List.
2 From the Browser menu, choose Create
Catalog .
For more information, see “Catalogs” on page 315.
The waveform overview is stored in the file, or in the Digidesign Databases folder on your system drive. For more information, see “Wave-
Cache” on page 295.
Summed Waveforms for Multichannel Files
Waveform displays for stereo and multichannel files are summed.
Waveforms
The Waveform column displays waveforms for audio files. Waveform display depends on the following:
• Waveforms are displayed if they have already been calculated and stored, either with the file metadata or in the global Waveform cache.
• When a file is imported into a session, a waveform is automatically calculated for it, if necessary.
Calculating Waveforms for Display
If an audio file item does not have a waveform, the waveform must be calculated to be visible in a browser Waveform display.
To calculate waveforms in a browser:
1 Select online audio files, or folders containing audio files, in a browser.
2 Choose Calculate Waveform from the Browser menu.
WaveCache
A global WaveCache file stores waveforms that cannot be written back to the sound file, such as read-only files, files on network and other readonly volumes, and interleaved files. WaveCache files are stored in the Digidesign Databases folder on your system drive.
Waveform displays in a browser
• Waveforms are gray if they have not been stored with the file metadata or in the global
Waveform cache.
Chapter 16: DigiBase 295
Elastic Audio Analysis
You can both calculate and clear Elastic Audio analysis for selected audio files in DigiBase browsers. Only AIFF and WAV files are supported for Elastic Audio analysis and processing.
Any other file format (such as MP3) must be converted to AIFF or WAV for Elastic Audio analysis and processing.
Even though the MP3 file formats are not directly supported by Elastic Audio, you can import them into a WAV- or AIFF-based session and then use the converted files on
Elastic Audio-enabled tracks. File formats that do not match the session are converted automatically on import.
For more information on Elastic Audio, see
To calculate Elastic Audio analysis:
1 In a browser, select the files you want to analyze.
2 Do one of the following:
• From the Browser menu, choose Calculate
Elastic Analysis .
• Right-click one of the selected files and choose Calculate Elastic Analysis from the pop-up menu.
• Preview the file with the Audio Files Conform to Session Tempo option enabled.
Analyzed files are indicated by a check mark to the left of the file name.
Analyzed files in which a regular tempo was detected are updated as tick-based, display their duration in Bars|Beats, and display their native tempo in the Tempo column.
Analyzed files in which no tempo was detected remain sample-based. These files typically contain only a single transient (such as a snare hit) or they are longer files without a readily identifiable regular tempo (such as entire songs).
On Mac, if you do not see the Elastic Audio
Analysis icon or the duration does not change to tick-based during the preview process, check the permissions for the folder in the Mac Finder. You must have write access of the directory for this feature to work.
To clear Elastic Audio analysis:
1 In a browser, select the files with Elastic Audio analysis that you want to clear.
2 Do one of the following:
• From the Browser menu, choose Clear Elastic Analysis .
– or –
• Right-click one of the selected files and choose Clear Elastic Analysis from the popup menu.
Files cleared of Elastic Audio analysis data revert to sample timebase, display their duration in minutes and seconds, and do not report a tempo.
296 Pro Tools Reference Guide
File Timebase and Elastic Audio
Analysis Icons
DigiBase browsers provide three icons to indicate whether a file has Elastic Audio analysis and the file’s timebase.
Elastic Audio
Analysis icon
Tick-based file icon
Sample-based file icon
Elastic Audio and Timebase icons in DigiBase browsers
Elastic Audio Analysis Icon Indicates that the file has Elastic Audio analysis data.
Sample-Based File Icon Indicates that the file is sample-based. The file’s duration is displayed in minutes and seconds.
Tick-Based File Icon Indicates that the file is tick-based. The file’s duration is displayed in
Bars|Beats and the file’s native tempo is displayed in the tempo column.
Previewing Audio in DigiBase
Audio files can be previewed in DigiBase browsers. Previewing follows the master Audition path as selected in the Output pane of the
I/O Setup (see “Audition Paths” on page 93).
The base level for previewing is determined by the Master Fader (or Auxiliary Input) level assigned to the Audition path. You can also adjust the Preview Volume in the browser.
To preview an audio file in a browser:
1 Select an audio file in a browser Items List.
Make sure the browser is the foreground (active) window.
2 Do one of the following:
• Click the Waveform Preview button (the speaker icon to the left of the waveform display). Click again to stop auditioning.
• If Spacebar Toggles File Preview is selected in the Browser menu, press the Spacebar. Press the Spacebar again to stop auditioning.
• Press Control+P (Windows) or Command+P (Mac) to start and stop previewing.
• Press the Esc key to stop previewing.
If the Auto-Preview option is enabled, previewing starts as soon as the file is selected in a browser.
To audition from a specific location within the file:
„
Click in the waveform display at the location.
Auditioning an audio file
Chapter 16: DigiBase 297
Interleaved Files
When previewed in DigiBase, interleaved audio files with more than two channels are summed to mono for auditioning.
Multi-Mono Files
Multi-mono files must be previewed one file at a time.
Split Stereo Files Preview Together
When selecting one of a pair of Split Stereo files, such as “Drums.L” and “Drums.R,” both files preview together. To preview only the selected channel of a split stereo pair, press the Shift key and start preview.
Some Pro Tools operations can cause temporary interruptions in DigiBase auditioning.
Preview Controls and
Indicators
Every DigiBase browser provides the following preview controls in the Toolbar: Preview, Volume, Meters, Audio Files Conform to Session
Tempo, and Elastic Audio Plug-In.
Preview button
Volume
Audio Files
Conform to
Session Tempo button
Elastic Audio
Plug-In selector
Meters
MIDI files can be previewed from the session Region List, but not from DigiBase
browsers. See “Previewing Regions in the
Preview controls in DigiBase browsers
Preview Button
The Preview button starts and stops preview of audio files selected in browsers. You can also
Right-click the Preview button to change the
Preview mode and set whether or not the spacebar toggles file preview.
DigiBase Browser, Preview button Right-click menu
Volume
The Volume control in DigiBase browsers lets you boost or attenuate the gain for previewing selected files.
298 Pro Tools Reference Guide
To change the volume for previewing in DigiBase browsers:
1 Click the Volume field to display the Volume fader.
2 Adjust the Volume fader (from –INF to
+12 dB).
DigiBase Browser, Preview Volume fader
Meters
The meters display the level of the audio and also provide clip indicators. For mono files, the mono signal is shown in both meters. For stereo files, the top and bottom meters show the left and right channels respectively. Greater than stereo multichannel files are displayed as summed mono in both meters.
The Clip LED lights when clipping occurs and clears automatically after 3 seconds.
Audio Files Conform to Session Tempo Button
The Audio Files Conform to Session Tempo button mirrors the corresponding Browser menu command. When enabled, all tick-based audio files with Elastic Audio analysis, as well as REX and ACID files, conform to the session tempo.
This lets you play back the session, and then simultaneously preview the selected files in time with the session. The Audio Files Conform to
Session Tempo button is only available when a session is open, otherwise it is disabled and grayed out.
When the Audio Files Conform to Session
Tempo button is enabled, Pro Tools analyzes any un-analyzed files on preview or import.
Tick-based audio files conform to the session tempo during preview and on import. Samplebased files, those where no tempo has been detected, always preview and import at their original speed and duration.
When the Audio Files Conform to Session
Tempo button is disabled, any tick-based audio files with Elastic Audio analysis, and REX and
ACID files preview at their native tempo.
For more information, see “Conforming
Preview to the Session Tempo” on page 301.
Elastic Audio Plug-In Selector
The Elastic Audio Plug-In selector lets you select any Real-Time Elastic Audio plug-in as the default plug-in for previewing and importing Elastic Audio. Changing the plug-in in any DigiBase browser also affects the Elastic Audio Default Plug-
In option in the Processing preferences.
For information on Elastic Audio plug-ins,
see “Elastic Audio Plug-Ins” on page 868.
Preview Modes
DigiBase browsers provide three Preview modes:
Normal Preview, Loop Preview, and Auto-Preview.
Normal Preview
Normal Preview simply plays the selected audio file and stops at the end of the file. Deselect
Loop Preview and Auto-Preview for Normal Preview mode.
Chapter 16: DigiBase 299
Loop Preview
Loop Preview plays the selected file by looping playback of the file. If multiple files are selected, only the first selected file previews. When Loop
Preview mode is enabled, the Preview button updates to show a Loop Preview Mode icon.
Control-click (Mac) or Start-click (Windows) the Preview button to toggle Loop Preview mode on and off.
To loop preview a file in a DigiBase browser:
1 Do one of the following:
• In the Browser menu, select Loop Preview .
The Browser Preview button updates to show the Loop Preview icon.
– or –
• Right-click the Preview button and select
Loop Preview.
DigiBase Preview button, Loop Preview mode
2 Select an audio file in a browser Items List.
Make sure the browser is the foreground (active) window.
3 Do one of the following:
• Click the Browser Preview button.
• Click the Waveform Preview button.
• If Spacebar Toggles File Preview is selected in the Browser menu, press the Spacebar.
To stop loop audition:
„
Do one of the following:
• Click the Browser Preview button again.
• If Spacebar Toggles File Preview is selected in the Browser menu, press the Spacebar again.
• Press Command+P (Mac) or Control+P
(Windows).
• Press the Esc key.
Auto-Preview
Auto-Preview plays the audio file as soon as it is selected. Additionally, the Preview button updates to show an Auto-Preview icon.
Command-click (Mac) or Control-click
(Windows) the Preview button to toggle
Auto-Preview mode on and off.
To automatically preview files when selected:
„
Do one of the following:
• From the Browser menu, select Auto-Preview . The Preview button updates to show that Auto-Preview is enabled.
• Right-click the Preview button and select
Auto-Preview.
DigiBase Preview button, Auto-Preview enabled
300 Pro Tools Reference Guide
Conforming Preview to the
Session Tempo
Pro Tools lets you preview Elastic Audio analyzed files at the session tempo. The selected default Elastic Audio plug-in is used for previewing
Elastic Audio analyzed audio files at the session tempo. Additionally, other tick-based files, such as REX and ACID files, can also be previewed at the session tempo and in time with playback.
Deselect the Spacebar Toggles File Preview option in the Browser menu to be able to start and stop session playback with the spacebar without starting and stopping auditioning in the browser. Use Command+P
(Mac) or Control+P (Windows) to start and stop preview in the front-most browser during session playback.
To preview files at the session tempo:
1 In the session, place the insertion point at the location where you want to preview the file in
DigiBase.
2 In a DigiBase browser, select the file you want to preview.
3 Do one of the following:
• Click the Audio Files Conform to Session
Tempo button. It highlights when enabled.
• From the Browser menu, select Audio Files
Conform to Session Tempo .
• Right-click the file you want to preview and select Audio Files Conform to Session Tempo from the pop-up menu.
4 Click the Preview button in the browser and the file plays at the session tempo.
Preview in Context
Pro Tools lets you preview audio files in DigiBase browsers while playing back a Pro Tools session. Tick-based audio files (those with tempo detected Elastic Audio analysis, as well as
REX and ACID files) can play back in tempo, and at the corresponding bar and beat location, with session playback. Tick-based audio files audition at the session tempo when the Audio Files
Conform to Session Tempo option is enabled.
The DAE Playback Buffer setting in the
Playback Engine dialog affects the amount of time it takes before preview starts. Preview takes longer to start with higher settings (which are necessary for sessions with a lot of tracks and edits). Use lower settings for more responsive preview start times. For
more information, see “DAE Playback Buffer Size” on page 69
Reserve Voices for Preview in Context
(Pro Tools HD Only)
Preview in context (previewing audio files in DigiBase during session playback) uses disk voices for playback. The number of voices required depends on the channel width of the selected Audition Paths on the Output page of the I/O Setup window. For example, if a stereo audition path selected in the I/O Setup requires 2 voices for preview in context, whereas a 5.1 audition path requires 6 voices. If one or more voices are not available for preview in context because they are in use by disk tracks (or routing for RTAS processing), the Preview button in DigiBase browsers will be unavailable during session playback.
Pro Tools provides an option to reserve voices for preview in context. The number of reserved voices is determined by the channel width of the selected Audition Paths in the I/O Setup.
Voices reserved for preview in context are unavailable for disk tracks.
Chapter 16: DigiBase 301
To reserve for voices for preview in context:
1 Choose Setup > Preferences .
2 Select the Operation tab.
3 Enable the Reserve Voices For Preview In Context option.
4 Click OK to close the Preferences dialog.
Linking and Relinking Files
A Pro Tools session is made up of references, or links , to audio files and other session media. Audio and video files must be stored on suitable
Performance volumes and be properly linked in order to be playable in the session.
The following types of files are not playable:
Transfer Files Files that are stored on volumes not suitable for playback, such as network volumes or CD-ROMs.
Missing Files Files that cannot be found where the session expects them, either because they have been moved, or because they are stored on volumes that are not currently mounted (offline volumes).
The process of reacquiring missing files is referred to as relinking . Relinking can involve certain sub-tasks, depending on the situation.
• Transfer files must first be copied to a suitable
Performance volume. The session is then relinked to the copies on the Performance volumes instead of the original Transfer files.
• Volumes may be searched for missing files and, when the files are found, Pro Tools relinks the session to the file's new location.
• Files that reside on offline volumes must first have their volumes mounted (brought online) before they can be relinked.
Catalogs have unique linking characteristics. See “Relinking and Aliases in Catalogs” on page 309.
Choosing When to Relink
Pro Tools lets you relink files while opening a session or after a session is already open, as follows:
‹ Relinking when opening a session ensures that the session opens with all media playable.
Automatic and manual relinking can be performed. See “Opening a Session with Missing
Files” on page 303.
‹ Relinking later (after a session is already open) is the fastest way to open the session, but all missing items remain offline and unplayable.
When items are needed, go to the Project browser to relink offline items. See “Missing
Files in an Open Session” on page 305.
Forcing a Relink
If you cannot relink to the original file, you can force a relink to another file. See “Force Relinking Files” on page 308.
Transfer Files
Unlike missing files, Transfer files are files that have been found but which reside on volumes unsuitable for playback, such as CD-ROMs or network drives. These volumes appear as Transfer volumes in the Workspace browser.
302 Pro Tools Reference Guide
Opening a Session with Transfer
Files
If a session finds files on a volume unsuitable for playback, a dialog appears prompting you to copy them to a suitable volume.
To copy Transfer files found when opening a session, do one of the following:
„
Click Yes to open the Copy and Relink dialog.
– or –
„
Click No to open the session with all Transfer files offline. When opened, the session’s Project browser indicates Transfer files with a “T” in their Status column.
Transfer Files in an Open Session
To make Transfer files playable in the current session:
1 Choose Window > Project .
2 Double click the Audio Files folder to display all of the audio files.
3 Choose Select Transfer Files from the Browser menu.
4 Choose Copy and Relink from the Browser menu.
5 Specify a location for the copied files on a valid Performance volume and click OK .
6 Repeat for video and fade files, as necessary.
Copy and Relink
The Copy and Relink command is a file management option in the Project browser and in DigiBase Catalogs.
Copy and Relink provides a convenient way to copy files and relink the session or Catalog to the copies rather than to the originals.
To copy items to a new location and Relink to the copies:
1 Do one of the following:
• Choose Window > Project .
– or –
• Open the appropriate Catalog.
2 Select the items you want to copy and relink.
You can select any media files (online, offline, and Transfer files).
3 Choose Copy and Relink Selected from the
Browser menu.
4 If the default location for the copies (the session’s Audio Files folder) is not appropriate, specify a different location and click Choose .
5 The files are copied to the chosen destination and the session or Catalog is relinked in the background.
Missing Files
Files are missing if they are not found in the same location as when the session was last saved. This could be because you moved the files or the session folder, or because the files are on a volume that is not currently mounted.
Opening a Session with Missing
Files
To open a session with missing files:
1 When you open a session, Pro Tools opens the session with all available media, then shows you how many files are missing (if any) and asks how you want to proceed. (If told that files are
unsuitable for playback, see “Transfer Files” on page 302.)
Chapter 16: DigiBase 303
Missing files warning when opening a session
2 Select one of the following:
• Skip All —or press Command+S (Mac) or
Control+S (Windows).
• Manually Find Relink —or press Command+M (Mac) or Control+M (Windows).
• Automatically Find Relink —or press Command+A (Mac) or Control+A (Windows).
3 Select Regenerate Missing Fades Without
Searching —or press Command+R (Mac) or Control+R (Windows)—to exclude fade files from the relink process and regenerate them instead.
4 Select Regenerate Missing Rendered Files Without Searching to exclude rendered Elastic Audio files from the relink process and regenerate them instead.
5 Click OK .
Skip All
Use the Skip All option to skip all missing files and fades. This option is the fastest way to open the session utilizing all available media. Missing files are offline in the session, and shown in the
Region List and the Project browser with italic text. Missing fades are regenerated if the contributing files are online.
Manually Find and Relink
This option opens the Relink window. Use the
Relink window to search, compare, verify, and relink missing files. Files can be relinked one at a
time or in batches. See “Relink Window” on page 305 for more information.
Automatically Find and Relink
Automatically Find and Relink is the simplest method to relink sessions to required media, but it provides no way to compare files or verify links. This option cannot be undone. The Automatically Find and Relink option does the following:
• Searches all Performance volumes for all missing items with matching Name, ID, Format, and Length.
• Links missing items to the first matches found.
• Commits links for all items possible, in the background.
Links, once committed, cannot be undone once the session is saved. The only way to revert to previous links is to close the session without saving changes.
• If some files remain unlinked, the Task window opens and a failed task appears in the
Paused Tasks pane. Double-click the Task icon to open the Relink window and manually find and relink files.
Even if all of the missing files are later found and relinked, the failed task remains in the Task Window. Like all failed tasks, it must be manually selected and deleted. See
“About Failed Tasks” on page 322.
304 Pro Tools Reference Guide
Regenerate Missing Fades Without Searching
Enable this option to exclude fades files from the relinking process (fades are recalculated instead). This option is available when Automatically Find and Relink or Manually Find and Relink is enabled.
Regenerate Missing Rendered Files Without
Searching
Enable this option to exclude rendered Elastic
Audio files from the relinking process (rendered files are recalculated instead). This option is available when Automatically Find and Relink or
Manually Find and Relink is enabled.
Missing Files in an Open Session
You can open the Project browser to select and relink some or all missing files.
To relink missing (offline) files in an open session:
1 Choose Window > Project .
2 Choose Relink Offline from the Browser menu to open the Relink window.
3 Configure the Relink window as needed. See
“Relink Window” on page 305 for more infor-
mation.
To relink selected files in an open session:
1 Choose Window > Project .
2 Select the files to relink. Any file can be relinked, even if it is not an offline file.
3 Choose Relink Selected from the Browser menu.
4 Configure the Relink window as needed. See
“Relink Window” on page 305 for more infor-
mation.
Relink Window
The Relink window provides tools for all relinking tasks.
Menu and toolbar
Areas to Search
Files to Relink
Candidates
Main elements in the Relink window
Chapter 16: DigiBase 305
Menu and Toolbar Includes the Relink menu,
View Presets, and relinking buttons. Status is displayed at the far right.
Areas to Search Selects volumes on which to search for missing items.
Files to Relink Lists missing files.
Candidates Lists files that match the “relinking criteria” for a particular missing file. The Link icon next to the candidate can be toggled on or off to link (or unlink) the proposed candidate to the selected missing file.
The Relink window controls each phase of the relinking process.
The following topics explain how to:
• Open the Relink window (“Opening the
Relink Window” on page 306).
• Select volumes and folders to search and not search (“Selecting Areas to Search” on page 306).
• Search, compare, and link individual files to one or more candidates (“Relinking Individual Missing Files” on page 307).
• Quickly match and link missing files in batches, with the ability to adjust the criteria by which files are matched (“Relinking Multiple Missing Files” on page 308).
• Toggle links on or off for any candidate
(“Force Relinking Files” on page 308).
• Compare and review links before committing
(“Committing Links” on page 309).
Opening the Relink Window
When opening a session with missing files, use the Manually Find and Relink option to open the
Relink window.
The Relink window can also be accessed after a session is open.
To access the Relink window from an open session:
1 Choose Window > Project .
2 Choose Relink Offline from the Browser menu.
Selecting Areas to Search
Selecting volumes and folders in the Areas to
Search pane lets you focus the search for missing files. This can speed the relinking process by limiting the number of volumes or folders to search. In addition, excluding folders from a search for missing files also lets you redirect a session or Catalog to a more appropriate copy of an item.
Volumes selected to include in the search
To select volumes or folders to include or exclude in a search:
1 Configure the Areas to Search pane to display the appropriate volume, Catalog, or folder.
306 Pro Tools Reference Guide
2 Click each item’s Search column to toggle it to be included or excluded in the search. A check next to an item indicates it will be included in the search. All folders within items are also checked.
Pro Tools searches the selected volumes and displays all files that match File Name or Unique ID in the Candidates list. Link icons indicate if a
Candidate is already linked.
OMF video clips can only be relinked to a session if they have matching Unique IDs.
Single and Multi-File Relinking
The Relink window can be used to relink one missing file at a time, or to relink missing files in batches.
Relinking Individual Missing Files
In some situations, individual files must be relinked one at a time in order to relink the session to the correct file. This is necessary if multiple copies of a media file are online, or whenever you want the most control and flexibility over the relinking process.
To relink a missing file:
1 Configure the Areas to Search pane.
2 Select one item in the Files to Relink list.
3 Click Find All Candidates .
QuickTime video clips can only be relinked to a session by file name and file format
(QuickTime).
To control matching and linking criteria when relinking an individual missing file, use the Find Links button. Find Links is explained in “Relinking Multiple Missing
Files” on page 308.
4 Click the Link icon next to the appropriate
Candidate to which you want to relink. A Link icon next to an item indicates it will be relinked to the item currently selected in the Files to
Relink list.
Link icon, indicating Linked status
5 Click the Link icon next to other Candidates, if you want to relink to additional missing files.
6 Click the Commit Links button.
Find All Candidates, for relinking a selected missing file
Chapter 16: DigiBase 307
Relinking Multiple Missing Files
Using the Find Links button, multiple files can be matched and linked in one procedure.
To relink multiple missing files:
1 Configure Areas to Search. (See “Selecting Areas to Search” on page 306.)
2 Select one or more items in the Files to Relink list. The Find Links button becomes available.
3 Click Find Links .
4 Configure criteria for relinking, if necessary, in the Linking Options dialog:
• By default, Find by Name and ID is enabled.
• To add additional matching criteria, select an option from the Linking Options dialog.
(Modification Date is only applicable to
Catalogs.)
• If Match Duration is enabled, Pro Tools only selects files of the same length or greater .
Link Path column shows the location of the selected candidate. Pro Tools continues searching, matching, and linking for each missing file in the Files to Relink list.
6 To view a candidate for a missing file, select to highlight the missing file. That file’s candidate appears in the Candidates pane, where you can view its information and waveform.
7 If you are not satisfied with the candidate for a particular missing file, you can click Find All
Candidates for the selected file (see “Relinking
Individual Missing Files” on page 307).
Force Relinking Files
If you want to link to a substitute file (for example, if you know a file has the same audio or video but does not have a matching File Name or Unique ID), you can force a relink.
‹ To force relink an audio file, its file format
(WAV, AIFF, or MXF), sample rate and bit depth must match those of the original file.
‹ To force relink a video file, its format (Quick-
Time, Avid, MXF, or OMF) and frame rate must match those of the original file.
Linking options
5 Click OK to continue (or click Cancel to return to the Relink window).
Pro Tools searches for an acceptable candidate for the first missing file (the first item selected in the Files to Relink list). A link icon appears next to each file as Pro Tools finds and links the first acceptable candidate to the missing file. The
To force a relink:
1 Choose Window > Project .
2 Choose Relink Offline from the Browser menu.
3 In the Relink window, select one item in the
Files to Relink list.
4 Navigate in the Areas to Search pane to locate the file you want to relink.
5 Drag the file to the Candidates pane in the
Relink window.
6 Click the Link icon next to the file you dragged to the Candidates pane.
7 Click the Commit Links button.
308 Pro Tools Reference Guide
Committing Links
There is no Undo for relinking. Once a file has been relinked and the session saved, the session always remembers the new link (the original link is forgotten). For this reason, no files are actually relinked until you click Commit Links .
The Automatically Find and Relink option is the only relinking process that does not ask you to verify links before they are committed. If you use this option and are unsatisfied with the results, close the session without saving to prevent the new links from being committed.
To commit links:
1 Use the Relink window to link files as explained in “Single and Multi-File Relinking” on page 307.
2 Click Commit . You are asked to verify committing links.
3 Do one of the following:
• Click Yes to commit links.
– or –
• Click No to stop without affecting files.
Relinking and Aliases in Catalogs
Catalogs are collections of “aliases” or “shortcuts” to actual files. If the files are moved, an item in a Catalog can become unlinked from the file it references.
To relink a Catalog:
1 Open the Catalog.
2 Select items to relink.
3 Choose Relink Selected from the Browser menu in that Catalog window.
Chapter 16: DigiBase 309
Workspace Browser
The Workspace browser is your starting point for managing media. The Workspace browser is always available while Pro Tools is running, even if no session is open.
Volume designators Browser name
Menu and toolbar
Search pane
Items List
Search Results
Fixed pane
Show/Hide
Pane split
Scrolling pane
Workspace browser, with the Search pane displayed
Only the Workspace browser lets you do the following:
• Designate volumes as Performance volumes (Playback or Record volumes) or as
Transfer volumes.
• View and access all available volumes
• Unmount volumes
• Create, view, and access Catalogs.
• Search multiple volumes and Catalogs simultaneously.
The Workspace browser is similar to your computer’s desktop, in that it shows all of the mounted local and network volumes. The
Workspace browser has all the common browser elements, including an Items list, View presets, and access to all files. In addition, the Workspace browser provides drive allocation settings, access to catalogs, and the ability to search multiple volumes and catalogs simultaneously.
Opening the Workspace Browser
To open the Workspace browser:
1 Launch Pro Tools.
2 Choose Window > Workspace .
Press Option+; (Mac) or Alt+; (Windows) to open the Workspace browser.
310 Pro Tools Reference Guide
Audio and Video Volume
Designators
The Workspace includes columns for Audio and
Video Volume designators. These two columns display, and let you designate, whether a volume is a Record, Playback, or Transfer volume.
R (Record and Playback) Able to play audio and video files already on the volume, and record new files.
P (Playback Only) Can play audio and video files already on the volume, but cannot have new files recorded to it.
T (Transfer) Can only be used for storing, transferring, or auditioning files, and cannot be used for recording or playback.
If you have a Pro Tools system with multiple drives, and you intend to record multiple tracks simultaneously, you may want to designate the System drive as a Playback only or Transfer only drive for optimal performance.
To change a volume designator:
1 Open the Workspace browser.
2 Click and select the appropriate Audio or
Video designator for the volume.
Mounting and Unmounting
Volumes
The Workspace browser lets you unmount volumes while Pro Tools is running, and shows newly mounted volumes as they come online.
To unmount a volume from within the Workspace browser:
1 Select a volume in the Workspace browser.
2 Choose Unmount Volumes from the Browser menu.
The Workspace browser closes the database file for the selected online volume and removes it from the Workspace browser, and unmounts the disk from the computer.
Pro Tools alerts you if the volume being unmounted has files referenced in the Timeline.
Always use the Unmount command in the
Workspace browser menu to unmount volumes, or quit Pro Tools and then unmount the volume. Do not use any other method to unmount a volume while Pro Tools is running.
Designating a volume in the Workspace
Chapter 16: DigiBase 311
Catalogs in the Workspace
Browser
(Pro Tools and Pro Tools HD Only)
The Workspace browser provides special tools for creating and accessing Catalogs. Once Catalogs have been created, they appear in the
Workspace browser in the Catalogs folder.
To show all Catalogs:
1 Open the Workspace browser.
2 Click the Expand/Collapse icon next to the
Catalogs folder.
in the search, and which to exclude. The Workspace also provides a separate Search Results pane to view, select and manage the results of searches.
Search pane
Areas to search
Viewing Catalogs in the Workspace.
To open an individual Catalog:
„
Double-clicking a catalog opens a Browser window for that catalog.
For complete instructions on creating and
working with Catalogs, see “Catalogs” on page 315.
Searching in the Workspace
Browser
The Workspace browser provides the most comprehensive DigiBase search capabilities. The
Workspace browser lets you perform searches across a single volumes, multiple volumes, or across any combination of volumes, folders, and
Catalogs. You select which volumes to include
Search results
Search and Search Results panes in the Workspace
The Search Results pane lets you maintain the results of searches, while still viewing and configuring options for additional searches.
To search from the Workspace:
1 Choose Window > Workspace to open the
Workspace browser.
2 Click the Search icon to display the Workspace
Search pane.
3 Configure search criteria.
4 Click next to each item in the Areas to Search list to include or exclude volumes to be searched. Checked items and their sub-folders are included in the search. (The next time you open a Search pane in the Workspace, these settings remain in effect.)
5 Click Search .
6 The results of the search are shown in the
Search Results pane.
For more information on searching, see
“Searching Items” on page 291.
312 Pro Tools Reference Guide
Project Browser
The Project browser displays and manages all the files related to the current session, regardless of what volume they reside on.
Browser menu and toolbar
Folders and files
Figure 1. Project browser
The Project browser is similar to the Region List in that it contains all files associated with a session, with the added data, searching, and sorting capabilities of Pro Tools browsers.
Unlike the Region List, however, individual regions are not displayed in the Project browser
(in which only complete files are listed).
Use the Project browser and its Browser menu commands to:
• View all media files associated with a session
• Identify, select, and relink offline files
• Identify, select, copy, and relink Transfer files
Opening the Project Browser
To open the Project browser:
1 Launch Pro Tools and open a session.
2 Choose Window > Project .
Press Alt+O (Windows) or Option+O (Mac) to open the Workspace browser.
The Project browser displays the following:
Audio Files Folder Contains all of the audio files currently referenced by the session, regardless of where they are located.
Fade Files Folder Contains all of the fade files referenced by the session, regardless of where they are located.
Render Sources Folder Contains all files that have been imported into the session, but are still being converted, copied, or processed.
Chapter 16: DigiBase 313
Video Files Folder Contains any video files referenced by the session.
Each of the folder types in the Project browser has an Expand/Collapse icon. Clicking the icon shows or hides all of the files in the sub-group.
The folders displayed in the Project browser are session-specific groupings of files, not physical folders on disk.
About the Project Browser
No Drag and Drop to the Project
Browser
To import a file from another browser into the current session, you must drag files to the Timeline or Region List. You cannot import a file into a session by dragging it to the Project browser.
(You can, however, spot files from the Project browser into the current session using drag/drop.)
Locating Parent Files of Regions
The Project Browser can be set to automatically highlight the parent file of any region selected in the Pro Tools Region List.
To highlight the parent file of a selected region:
1 Select a region in the Region List. If the Region
List Selection Follows Track Selection preference is enabled, you can select a region on a track.
2 From the Region List menu, select Select Parent in Project Browser .
When the Select Parent in Project Browser option is enabled, the Project browser automatically highlights the parent file of any file or region selected in the Region List.
Deleting Items in the Project Browser
Deleting items in the Workspace browser or in
Volume browsers deletes the files from disk.
Video and session files cannot be deleted in the
Project Browser.
Deleting an item from the Project browser lets you remove items from the current session, or delete them from disk (using the Pro Tools Clear
Regions dialog).
Copy and Relink Restrictions
In the Project Browser, the Copy and Relink command (in the Browser menu) cannot be used on session files, or on offline audio files. Use the
Relink window to first bring items online. In addition, the Relink Selected command cannot be used on session files.
Updating the Project Browser
The Project browser is automatically updated whenever a file is added to or deleted from the session, so it is always fully indexed and up to date.
For instructions on searching, sorting, and
working with the Project Browser, see “Project Browser” on page 313.
314 Pro Tools Reference Guide
Catalogs
(Pro Tools and Pro Tools HD Only)
While Volume browsers are designed to be an accurate representation of the file structure on a given volume, Catalogs are similar to having a Favorites folder, and serve as a way to collect and organize frequently used items regardless of where they are stored. A Catalog is analogous to a folder full of aliases or shortcuts. Placing a file in a Catalog does not create a copy of the file, and does not change where the file is stored. Rather, it stores a reference (or alias) to the file so that it can be found and manipulated without having to search for its physical location.
Catalog name
Menu and toolbar
Items List
Catalog browser
Fixed pane
Show/Hide
Pane split
Scrolling pane
Chapter 16: DigiBase 315
Opening a Catalog Browser
Catalogs are displayed in the Workspace browser.
If the Clip Name is longer than 32 characters,
Pro Tools truncates the name automatically when imported into the session.
Catalogs item in the Workspace
To open a Catalog browser:
1 Open the Workspace browser.
2 Click the Catalogs Expand/Collapse icon.
3 Do one of the following:
• Click the Expand/Collapse icon for the Catalog to view its contents in the Workspace.
– or –
• Double-click the Catalog name to open it in its own browser window.
Clip Names in Catalogs
Clip Names are the names that appear in the
Timeline and Region List when a file is imported into a session.
For most files, the Clip name is the same as the file name. For OMF Files, the Clip Name is the name that appears in the Avid bin.
Clip names can only be edited in a Catalog. Editing the Clip name does not affect the actual file; however, if you add the same file to a new
Catalog, it retains its original Clip Name. When you drag a file from a Catalog into a session, the edited Clip Name is what appears in the Timeline and Region List.
Comments and Catalogs
Catalogs provide commands for managing OS 9
Finder comments, Database comments, and
Clip Names.
Database Comments in a Catalog are stored in the Catalog database. Database Comments, which can be up to 256 characters in length, are searchable, cross-platform, and editable.
Copy OS 9 Finder Comment to Database Comments (Mac Only) Copies an item’s OS 9 Finder comments to its Database comments.
OS 9 Finder comments (from the OS 9 Get
Info window) are not supported in OS X Get
Info windows. Use the Copy OS 9 Finder
Comment to Database Comments command to utilize any OS 9 Finder comments stored with your media.
Copy OS X Finder Comment to Database Comments (Mac Only) Copies an item’s OS X Finder comments to its Database comments.
Copy Database Comments to Clip Names Copies an item’s Database comments to Clip Name.
Copy File Comments to Clip Names Copies an item’s File Comments to Clip Name.
Creating Catalogs
Catalogs can be added to the Workspace as new, empty Catalogs, or you can select items first and then save a Catalog of all selected items.
316 Pro Tools Reference Guide
To create a new, empty Catalog:
1 Open the Workspace browser.
2 Choose New Catalog from the browser menu.
3 Type a unique name and click OK .
To catalog a selection of items:
1 Open any browser (including an existing Catalog).
2 Select the items you want to include in the new Catalog.
3 Choose Create Catalog from Selection from the
Browser menu.
A new, fully indexed Catalog database of the selected items is created.
Creating Catalogs of Folders
To create a Catalog of an entire folder and all its contents:
1 Open the Workspace browser, if not already open.
2 Drag and drop a single folder onto the Catalog icon in the Workspace browser.
Pro Tools first indexes the folder, then a fully indexed Catalog is created, with the same name as the dropped folder.
Modifying Catalogs
To add items to a Catalog, do one of the following:
„
Open the Catalog and drop new items from another browser.
– or –
„
Click the main Catalogs icon in the Workspace, to expand your view of all existing Catalogs, then drop items onto any Catalog.
To add a folder to a Catalog:
1 Open the Catalog.
2 Choose Create Folder from the Browser menu.
To delete items from a Catalog:
1 Select the items.
2 Press the Delete key, or choose Delete Selected from the Browser menu. A warning dialog appears.
3 In the warning dialog, do one of the following:
• Click Cancel to cancel the delete operation.
• Click Delete Files to delete aliases and associated files from disk.
• Click Delete Aliases to delete only the aliases and not the associated files.
This operation cannot be undone.
Renaming a Catalog
Catalogs can be renamed at any time.
To rename a Catalog:
1 Click the Catalog item in the Workspace browser until its name highlights.
2 Type a new name for the Catalog.
Consolidating Files with Catalogs
Catalogs are excellent tools for consolidating files from a variety of sources.
For example, create a Catalog named “Thumps” and fill it with sound effects from three different volumes. You can then drag the Catalog from the Workspace browser to another volume, and a folder named “Thumps” is created on that vol-
Chapter 16: DigiBase 317
ume. All of the files referenced by the Catalog are automatically copied to the volume. Folders and sub-folders, if any, and their contents are included in the copy.
Updating Catalogs
Since a Catalog database is not linked to any particular volume, there is a limit to the abilities of the Update Index command. When Update Database for Selected is selected from the Browser menu in a Catalog, Pro Tools searches for the items represented by the aliases in the Catalog and updates the following information:
Metadata Metadata for all files found online, including File comments, are updated.
Database Comments Database Comments are not updated, because they are unique to each
Catalog and are not part of the file’s metadata.
3 In the warning dialog, do one of the following:
• Click Cancel to cancel the delete operation.
• Click Delete Files to delete aliases and associated files from disk.
• Click Delete Aliases to delete only the aliases and not the associated files.
This operation cannot be undone.
Importing Catalog Items
You can import online and offline items from
Catalogs into the current session.
Relinking Catalog Items
If files are ever missing from a Catalog, use the
Relink window to locate, copy, and relink files.
For more information, see “Linking and Relinking Files” on page 302.
Deleting Catalogs
To delete a Catalog:
1 Select one or more Catalogs in the Workspace browser.
2 Press the Delete key, or choose Delete Selected from the Browser menu. A warning dialog appears.
Importing Online Items from a Catalog
Dragging and dropping audio files to the
Pro Tools Region List and Timeline is identical to dragging and dropping from Volume browsers.
For more information, see “Importing Files with Drag and Drop” on page 328.
Importing Offline Items from a Catalog
With Catalogs, it is possible to search and import files that are offline. For example, if you have a music cue that you know you want to use, but it resides on a CD-ROM or other unmounted volume, you can spot the file from a
Catalog to the session Timeline, and it is automatically imported into the session when the volume is mounted.
The first step is to add files to a Catalog (files must be online to be added to a Catalog). Once added to a Catalog, if the items are taken offline they are listed in italicized text.
Offline files can be dropped from a Catalog to the Timeline just like online files. When you drop the files, a dialog appears asking if you want to relink the files or skip relinking. Click
318 Pro Tools Reference Guide
Skip All to load all the items as offline files (in the
Timeline, their regions appear in light blue). In the Project browser, these items are listed in the
Render Sources folder, to ensure that Pro Tools remembers that these items need to be relinked.
Whenever the volume containing the offline items is mounted, Pro Tools automatically starts to import the files, in the background. This is true even if you have saved the session, quit, and relaunched Pro Tools.
Once the items are completely imported, they appear as online items in the Timeline, Region
List, and in the Project browser.
If the offline items match the session sample rate, bit depth, and file format, no conversion is necessary. As long as the volume is playable, the items become playable in the session as soon as the volume is mounted.
If the volume is unsuitable for playback, you are informed that some items must be copied to suitable volumes first.
For more information on Transfer files,
missing files, and relinking, see “Relink
The Task window lets you monitor, pause and cancel ongoing tasks including file copying, fade creation and indexing.
You cannot drag and drop items to or from the Task window.
Opening the Task Window
To open the Task Window:
„
In Pro Tools, choose Window > Task Manager .
Press Option+’ (Mac) or Alt+’ (Windows) to open the Workspace browser.
Task Window Messages
If any background task cannot be successfully completed, the Task window comes to the foreground to notify you. The incomplete task is shown in the Paused Tasks pane of the Task window.
Because the Task window is a floating window, it does not interrupt current work. This allows you to continue recording and editing, and postpone file management until a more convenient time.
Task Window
For maximum performance and flexibility with file management tasks, Pro Tools provides the
Task window. File management with Pro Tools involves nearly constant creating, copying, converting, processing, searching, and indexing files. These tasks occur in the background, letting you continue recording, editing, and mixing without delay.
Task Window Views
The Task window provides a maximized and minimized view.
Chapter 16: DigiBase 319
View Toggle (Maximize/Minimize)
Status
Active Tasks
Paused Tasks
Task window, maximum view
To toggle between maximized and minimized views:
„ Click the View Toggle icon in the top of the
Task window.
Task window, minimum view
Task Window Tools, Columns, and
Displays
The Task window menu provides commands for
Task window operations.
The following data is always displayed in the
Task window (both views):
Item Name Indicates affected item, whether a file, database, or other supported item.
Status Action being taken (for example, copying, processing, indexing and so on).
Progress Indicates the progress of the task or its sub-tasks, which include assessing the size of the items and the estimated amount of time necessary to complete the task.
Progress Indicator Indicates processing is ongoing.
Quantification Shows percentage of progress of the current task.
Active Tasks Pane
The upper Active Tasks pane shows the tasks that are in progress or waiting to start. The currently executing task is at the top. Tasks in this pane will be processed.
As tasks complete, they disappear from the queue.
Any task that fails to complete successfully is moved to the Paused Tasks pane (see below).
The Status column displays a description of the failure.
320 Pro Tools Reference Guide
Paused Tasks Pane
The Paused Tasks pane is displayed below the
Active Tasks pane, and is separated by a moveable horizontal divider. Tasks listed in this pane will not be processed until they are moved back to the Active Tasks pane.
Pausing and Cancelling Tasks
The Task window lets you pause, resume, and cancel tasks.
To pause a task:
„
Drag the appropriate task from the Active
Tasks pane to the Paused Tasks pane.
The task moves to the top of the Paused Tasks pane.
To pause all tasks:
„
Choose Pause All from the Task window menu.
To resume a task:
„
Drag a task from the Paused Tasks pane to the
Active Tasks pane. The task returns to its previous position in the queue.
To resume all paused tasks:
„
Select Resume All from the Task window menu. All tasks in the Paused Tasks pane (except failed tasks) are moved to the Active Tasks pane.
To cancel a task:
1 Highlight any task in either pane of the Task window.
2 Press Delete to remove it from the Task window.
To cancel all tasks:
1 Select any single task in either pane.
2 Press Command+A (Mac) Control+A (Windows) to select all the tasks in that pane.
3 Press Delete.
This command cannot be undone.
About Cancelling Tasks
Some tasks involve one or more sub-tasks. Deleting a task cannot undo sub-tasks already completed. For example, if importing and converting multiple files appears as a single task, deleting that task before it is completed stops the import and conversion process, but files already converted and imported remain on disk. If you want to cancel a task involving multiple sub-tasks, you can instead let the process complete and then use Undo to completely undo all sub-tasks, as available.
Closing Sessions with Pending
Tasks
If you close a session or quit Pro Tools while tasks are still pending (either in the Active or
Paused Tasks panes of the Task window)
Pro Tools asks if you want to cancel, or complete the pending tasks. You can choose to open the
Task window and wait for pending tasks to complete, cancel the pending tasks, or quit. If you quit, some tasks are cancelled. Tasks that involve file copies are remembered and restarted when you relaunch Pro Tools.
Chapter 16: DigiBase 321
About Failed Tasks
The Paused Tasks pane shows any tasks that could not be completed. The reason for the failure is shown in the Status column.
Failed Tasks cannot be resumed, and must be deleted manually from the Paused Tasks pane.
If Automatically Find and Relink was unable to find all files in a session, a failed task is placed in the
Paused Tasks pane of the Task window. It remains there unless you manually remove it from the Task window (even if you have since found the files through a subsequent search and relink task).
Task Prioritization
A task that is in progress may be interrupted by a task of higher priority. When this happens, the partially completed task is halted and rescheduled later in the queue, and shown with a progress bar in the Active Tasks pane. When the higher priority task is finished the first incomplete task in the queue resumes.
Tips for Using the Task Window
Pause Tasks During Playback
A global preference Pause During Playback is provided in the Task window Browser menu. When enabled, Active Tasks are paused whenever
Pro Tools is playing (or recording). This setting is especially useful when working on slower
CPUs, or whenever you want to minimize system load for maximum playback and recording performance. This preference maintains its setting until the next time it is changed.
Stored Tasks
Any task that imports files into a session is stored with a session when it is closed, and resumes when the session is re-opened.
For example, if you Import Session Data with
Copy From Source Media selected, then Save and
Close the session before the copy completes, the copy tasks resume when the session is reopened.
Grouped Tasks
Some tasks consist of many smaller tasks. For instance, Copy and Relink may require hundreds of individual files to be copied. To help manage these tasks, they are grouped under the originating command. So in the example of a Copy and
Relink command, one copy task would appear with an Expand/Collapse icon in the Task window. Clicking the icon shows each of the individual sub-tasks.
If there is more than one grouped task in the queue, all of the sub-tasks for the first group must be completed before the sub-tasks of the second group can be processed.
If the session is saved and closed while several of these group tasks are in the queue, and if those tasks are the type that can be interrupted and saved when closing the session, all of the tasks reappear as part of the same group when the session is reopened.
322 Pro Tools Reference Guide
advertisement
Key Features
- Edit, mix, and master audio with a wide range of tools
- Record and edit MIDI performances
- Create and edit surround sound mixes
- Integrate with other Avid products, such as Sibelius and Media Composer
Related manuals
Frequently Answers and Questions
What types of projects can I create with Pro Tools 9.0?
How many tracks can I record simultaneously?
Can I use Pro Tools 9.0 to edit MIDI performances?
Can I create and edit surround sound mixes in Pro Tools 9.0?
advertisement
Table of contents
- 3 Contents
- 23 Introduction
- 25 Chapter 1: Welcome to Pro Tools
- 25 Pro Tools Documentation
- 30 System Requirements and Compatibility Information
- 30 About www.avid.com
- 31 Chapter 2: Pro Tools Concepts
- 31 Hard Disk Audio Recording
- 31 Pro Tools Nonlinear Editing
- 32 Digidesign Audio Engine
- 33 Core Audio
- 33 ASIO
- 33 MIDI
- 35 Synchronization
- 36 Surround Sound
- 36 Pro Tools Sessions
- 42 Tick-Based and Sample-Based Time
- 43 System Resources
- 46 DigiBase
- 46 AAF, MXF, and OMF
- 49 Embedded Media and Linked Media
- 51 Chapter 3: Keyboard and Right-Click Mouse Shortcuts
- 51 Right-Click Mouse Shortcuts
- 51 Global Key Commands
- 52 Keyboard Focus
- 53 Toolbar Focus
- 53 Numeric Keypad Modes
- 57 Chapter 4: Using Help
- 57 Accessing the Help System
- 57 Understanding the Help Display
- 58 Using the Help Navigation Tools
- 58 How the Search Feature Works
- 59 Printing Help Topics
- 59 Copying from a Help Topic
- 61 System Configuration
- 63 Chapter 5: Pro Tools Systems
- 63 Pro Tools|HD Systems
- 65 Pro Tools|HD Native Systems
- 66 Playback, Recording, and Voice Limits with Pro Tools HD
- 67 Pro Tools|HD Audio Interfaces
- 73 Additional Pro Tools|HD Hardware Options
- 73 Pro Tools Systems
- 76 Additional Pro Tools Hardware Options
- 76 Pro Tools MP Systems
- 77 Pro Tools MP Capabilities
- 78 Pro Tools System Options
- 79 Complete Production Toolkit 2 Capabilities
- 80 Checking For Software Updates
- 83 Chapter 6: System Setup
- 83 Starting Up or Shutting Down Your System
- 84 Checking a Pro Tools|HD or Pro Tools|HD Native System with DigiTest
- 84 Configuring Pro Tools System Settings
- 93 Configuring MIDI Setup
- 93 Configuring Pro Tools Hardware Settings
- 96 Configuring Pro Tools|HD Hardware Settings
- 104 System Usage
- 107 Chapter 7: I/O Setup
- 109 Pro Tools Signal Paths
- 110 I/O Setup Pages
- 113 I/O Setup Signal Path Controls
- 114 I/O Setup Buttons
- 115 I/O Setup Options
- 119 Customizing I/O Settings
- 120 Configuring Hardware in I/O Setup
- 122 Signal Path Routing for Audio Input
- 123 Signal Path Routing for Audio Output
- 124 Creating New Paths
- 126 Creating New Sub-Paths
- 127 Editing Paths
- 130 Assigning Paths to Hardware I/O
- 132 Valid Paths and Requirements
- 132 Configuring Busses
- 135 Factory I/O Settings
- 136 I/O Settings Files
- 137 Session Interchange
- 139 Chapter 8: Preferences
- 140 Global and Local Preferences
- 141 Display Preferences
- 144 Operation Preferences
- 149 Editing Preferences
- 151 Mixing Preferences
- 154 Processing Preferences
- 157 MIDI Preferences
- 158 Synchronization Preferences
- 161 Chapter 9: Peripherals
- 161 Synchronization
- 163 Machine Control
- 165 MIDI Controllers
- 166 Ethernet Controllers
- 167 Mic Preamps
- 168 Satellites
- 169 VENUE
- 171 Chapter 10: Configuring MIDI
- 171 MIDI Studio Setup (Mac)
- 174 MIDI Studio Setup (Windows)
- 177 Sessions & Tracks
- 179 Chapter 11: Sessions
- 179 Quick Start Session Dialog
- 182 Creating a New Session
- 183 Session Files and Folders
- 184 Opening a Session
- 186 Opening Recent Sessions
- 186 Opening a Session with Plug-Ins Deactivated
- 187 Saving a Session
- 189 Save Copy In Options
- 192 Session Templates
- 194 Closing a Session
- 194 Exiting or Quitting Pro Tools
- 195 Chapter 12: Pro Tools Main Windows
- 196 Mix Window
- 198 Edit Window
- 204 Transport Window
- 207 MIDI Editor Windows
- 208 Score Editor Window
- 208 Eleven Rack Control Window
- 209 DigiBase Browsers
- 212 Managing Windows
- 216 How Windows Configuration Works
- 218 Window Configuration Commands and Options
- 220 Menus
- 221 Tool Tips
- 223 Chapter 13: Tracks
- 223 Track Types
- 225 Track Channel Strips
- 228 Track Controls and Indicators
- 230 Edit Window Views
- 233 Track Level Meter
- 234 Adjusting Track Width
- 234 Creating Tracks
- 240 Track Views
- 242 Setting Track Views
- 244 Track Height
- 246 The Track List
- 249 Track Name Right-Click Menu
- 250 Assigning Audio Inputs and Outputs to Tracks
- 255 Track Priority and Voice Assignment
- 259 Assigning MIDI Inputs and Outputs to Tracks
- 261 Soloing and Muting Tracks
- 265 Making Tracks Inactive
- 265 Color Coding for Tracks, Regions, Markers, and Groups
- 269 Chapter 14: Grouping Tracks
- 269 Grouping Tracks
- 271 Group Controls
- 274 Working with Groups
- 278 Setting Group Attributes
- 281 Enabling Groups
- 282 Grouped Control Offsets
- 283 Chapter 15: The Region List
- 284 Region List Menu
- 285 Sorting and Searching in the Region List
- 288 Selecting Regions in the Region List
- 290 Previewing Regions in the Region List
- 291 Stereo and Multichannel Regions in the Region List
- 291 Naming and Displaying Regions in the Region List
- 293 Managing Regions in the Region List
- 294 Region Name Right-Click Commands
- 295 Chapter 16: DigiBase
- 295 DigiBase Data Flow
- 297 Performance and Transfer Volumes
- 298 Digidesign Databases
- 299 Browser Windows and Tools
- 301 Working wIth Items in Browsers
- 302 Indexing DigiBase Databases
- 304 The Browser Menu
- 306 Browser Panes and Display
- 308 Column Data
- 311 Selecting Items
- 311 Moving, Copying, Duplicating, and Deleting Items
- 313 Searching Items
- 315 Entering Data for Searches
- 317 Waveforms
- 318 Elastic Audio Analysis
- 319 Previewing Audio in DigiBase
- 320 Preview Controls and Indicators
- 321 Preview Modes
- 324 Linking and Relinking Files
- 324 Transfer Files
- 325 Missing Files
- 327 Relink Window
- 332 Workspace Browser
- 335 Project Browser
- 337 Catalogs
- 341 Task Window
- 345 Chapter 17: Importing and Exporting Session Data
- 345 Importing and Exporting Data to and from a Session
- 346 Audio Conversion on Import
- 348 Import Options and Preferences
- 350 Importing Files with Drag and Drop
- 353 Importing Audio Files and Regions Using the Import Audio Command
- 355 Importing Audio from Audio CDs
- 356 Importing ACID and REX Files
- 357 Importing Multichannel Audio Files from a Field Recorder
- 358 Exporting Audio
- 360 Importing Session Data
- 362 Import Session Data Dialog
- 368 Importing AAF and OMF Sequences
- 373 Import Options when Importing AAF or OMF Sequences
- 379 Media Composer Export Options for Audio and Video Mixdowns
- 379 Audio File Format Compatibility Issues
- 381 Exporting Pro Tools Tracks as AAF or OMFI Sequences
- 382 Exporting Pro Tools Tracks as MXF Audio Files
- 385 Export Options when Exporting to AAF or OMF Sequences
- 391 Exporting Sessions as Text
- 392 Export Session Info as Text Options
- 393 Send via DigiDelivery
- 394 Importing MIDI Files
- 396 Exporting MIDI Files
- 398 Exporting Sibelius Files
- 398 Importing and Exporting Region Group Files
- 401 Chapter 18: File and Session Management and Compatibility
- 402 Audio File Management
- 404 WAV File Compatibility
- 405 Sharing Sessions Created on Different Computer Platforms
- 408 Sharing Sessions Created on Different Pro Tools Systems
- 409 Sharing Sessions Created on Different Pro Tools Software Versions
- 409 Sharing Pro Tools HD 9.0 Sessions with Lower Versions of Pro Tools
- 414 Sharing Pro Tools 9.0 Sessions with Pro Tools LE
- 417 Language Compatibility
- 419 Chapter 19: Mac HFS+ Disk Support Option (Windows Only)
- 420 Installing the Mac HFS+ Disk Support Option
- 420 Removing the Mac HFS+ Disk Support Option
- 420 Media Compatibility
- 421 Session Compatibility
- 422 Viewing Mac Drive and File Properties
- 423 Viewing Multisession and Dual-Format Discs
- 423 Setting the File Naming Mode
- 424 Partitioning Mac Drives
- 425 Initializing Mac Drives
- 425 Mac HFS+ Disk Support Warnings
- 427 Playback and Recording
- 429 Chapter 20: Playing Back Track Material
- 430 Playback Location
- 432 Setting the Playback Location
- 436 Scrolling Options
- 437 Playing Selections
- 439 Playing Timeline and Edit Selections with the Playhead
- 439 Playback Modes
- 444 MIDI Beat Clock
- 445 MIDI Beat Clock Offsets
- 447 Chapter 21: Record Setup
- 447 Record Setup Overview
- 448 Configuring Pro Tools Hardware I/O for Recording
- 449 Connecting a Sound Source
- 450 Recording with a Click
- 452 Setting the Session Meter and Tempo
- 455 Record Modes
- 458 Configuring Default Names for Audio Files and Regions
- 459 Assigning Hardware I/O on a Track
- 460 Record Enabling Tracks
- 463 Working with Hard Drives for Recording
- 466 Selecting a Record Input Monitoring Mode
- 469 Setting Monitor Levels for Record and Playback
- 469 Reducing Monitoring Latency
- 473 Chapter 22: Audio Recording
- 476 Recording Shortcuts
- 476 Prime for Record Mode
- 476 Setting Punch and Loop Points
- 480 Setting Pre- and Post-Roll
- 482 Audio Punch Recording Over a Specified Range
- 483 Recording Additional Takes
- 485 Loop Recording Audio
- 487 Alternate Takes
- 490 Recording from a Digital Source
- 492 Half-Speed Recording
- 493 Chapter 23: MIDI Recording
- 493 Recording from MIDI Devices
- 494 Enabling Input Devices
- 495 MIDI Thru
- 496 MIDI Input Filter
- 496 Input Quantize
- 496 Wait for Note
- 497 MIDI Merge/Replace
- 498 Configuring MIDI or Instrument Tracks for Recording
- 499 Recording MIDI and Instrument Tracks
- 501 MIDI Punch Recording Over a Specified Range
- 503 Loop Recording MIDI
- 506 MIDI Step Input
- 506 Recording System Exclusive Data
- 508 Recording Audio from a MIDI Instrument
- 511 Chapter 24: Punch Recording Modes
- 511 Introduction to Punch Recording Modes
- 512 System, Session, and Track Guidelines for Punch Recording
- 516 QuickPunch Audio Recording
- 518 TrackPunch Audio Recording
- 518 TrackPunch Setup
- 520 Using TrackPunch
- 522 DestructivePunch Audio Recording
- 523 DestructivePunch Setup
- 526 Using DestructivePunch
- 527 Example TrackPunch and DestructivePunch Workflows
- 531 Editing
- 533 Chapter 25: Editing Basics
- 534 Track Material
- 535 Audio Regions and Waveforms
- 539 MIDI Regions and MIDI Data
- 542 Naming Regions
- 543 Displaying Region Names, Region Times, and Other Data
- 544 Multiple Undo
- 546 Basic Editing Commands
- 549 Editing Across Multiple Tracks
- 551 Chapter 26: Edit Modes and Tools
- 551 Edit Modes
- 551 Shuffle Mode
- 552 Slip Mode
- 552 Spot Mode
- 553 Grid Mode
- 555 Edit Tools
- 556 Zooming Options
- 556 Zoom Buttons
- 558 Zoomer Tool
- 561 Zoom Preset Buttons
- 562 Zoom Toggle
- 566 Zooming with a Scroll Wheel
- 566 Using the Trimmer Tools
- 566 Trimmer Tool
- 567 Time Compression/Expansion Trimmer Tool
- 569 Scrub Trimmer Tool
- 570 Loop Trimmer Tool
- 572 Using the Selector Tool
- 573 Using the Grabber Tools
- 574 Using the Smart Tool
- 576 Using the Scrubber Tool
- 579 Numeric Keypad Set to Shuttle
- 580 Using the Pencil Tool
- 581 Edit/Tool Mode Keyboard Lock
- 583 Chapter 27: Making Selections
- 583 Linking or Unlinking Timeline and Edit Selections
- 584 Linking or Unlinking Track and Edit Selections
- 585 Selecting Track Material
- 595 Timeline Selections
- 598 Auto-Scrolling Tracks in the Mix and Edit Windows
- 599 Universe View
- 602 Navigating Your Pro Tools Session
- 605 Chapter 28: Editing Regions and Selections
- 605 Creating New Regions
- 610 Healing Separated Regions
- 610 Trimming Regions
- 612 Nudging Regions
- 615 Quantizing Regions to Grid
- 615 Editing Stereo and Multichannel Tracks
- 616 Consolidating Regions
- 617 Compacting an Audio File
- 617 Processing Audio with AudioSuite Plug-Ins
- 618 TCE (Time Compression and Expansion) Edit To Timeline Selection
- 619 Rating Regions
- 621 Chapter 29: Fades and Crossfades
- 621 About Crossfades and Curves
- 623 Fades Dialog
- 629 Creating Fades at the Beginnings and Ends of Regions
- 631 Creating a Crossfade
- 632 Using AutoFades
- 633 Creating Fades and Crossfades in Batches
- 634 Moving and Nudging Fades and Crossfades
- 636 Separating Regions that Include Fades or Crossfades
- 637 Trimming Regions that Include Fades or Crossfades
- 638 Fade Boundaries and Shapes Displayed in Automation View
- 639 Chapter 30: Playlists
- 639 Working with Playlists
- 642 Track Compositing
- 645 Playlists View
- 650 Matching Alternate Regions
- 651 Matching Criteria Options
- 652 Selecting Alternate Takes on Tracks
- 653 Automatically Create New Playlists when Loop Recording
- 654 Expanding Alternate Takes to New Playlists or Tracks
- 655 Expanding Alternate Channels to New Playlists or Tracks
- 659 Chapter 31: Beat Detective
- 659 Beat Detective and Source Material
- 659 Uses for Beat Detective
- 660 Beat Detective Requirements
- 661 The Beat Detective Window
- 661 Beat Detective Modes
- 662 Defining a Beat Detective Selection
- 663 Beat Detective Analysis
- 664 Calculating Tempo with Beat Detective
- 664 Generating Beat Triggers
- 668 Editing Beat Triggers
- 670 Generating Bar|Beat Markers with Beat Detective
- 671 DigiGroove Templates
- 673 Separating Regions with Beat Detective
- 675 Conforming Regions with Beat Detective
- 677 Edit Smoothing
- 679 Detection (Normal) and Collection Mode
- 683 MIDI
- 685 Chapter 32: MIDI Editing
- 685 MIDI Editing Options
- 687 Setting the Grid Value
- 688 Using the Pencil Tool
- 690 Inserting MIDI Notes
- 691 Inserting a Series of Notes
- 692 Manually Editing MIDI Notes
- 694 Using the Grabber Tools
- 700 Time Compression/Expansion Trimmer Tool Functionality on MIDI Regions
- 702 Continuous Controller Events
- 705 Patch Select (Program and Bank Changes)
- 710 System Exclusive Events
- 711 Note and Controller Chasing
- 712 Offsetting MIDI Tracks
- 714 Stuck Notes
- 714 Remove Duplicate Notes
- 714 MIDI Real-Time Properties
- 716 Real-Time Properties Settings
- 719 Real-Time Properties on Tracks and Regions
- 720 Writing Real-Time Properties to Tracks or Regions
- 720 Real-Time Properties In the MIDI Event List
- 721 Display of Real-Time Properties Effects
- 723 Chapter 33: Score Editor
- 724 Opening the Score Editor Window
- 724 Edit Tools
- 727 Default Note Duration
- 727 Default Note On Velocity
- 727 Play MIDI Notes When Editing
- 727 Link Timeline and Edit Selection
- 728 Mirrored MIDI Editing
- 728 Double Bar
- 728 Cursor Location
- 729 Grid
- 729 Score Editor Window Target
- 730 Score Editor Window Menu
- 731 Customizable Toolbar
- 731 Track List
- 732 Page Controls
- 733 Score Editor Zoom Controls
- 734 Notation Display Track Settings
- 735 Score Setup
- 737 Editing Notes
- 740 Score Editor Right-Click Menu
- 741 Key Changes
- 741 Meter Changes
- 742 Chord Symbols and Diagrams
- 744 Exporting Scores
- 744 Printing Scores
- 745 Chapter 34: MIDI Editors
- 746 Opening a MIDI Editor Window
- 747 MIDI Editor Window Toolbar
- 752 MIDI Editor Zoom Controls
- 752 Track List
- 754 Group List
- 755 Timebase and Conductor Rulers
- 755 Superimposed Notes View
- 758 Notes Pane Right-Click Menu
- 760 Notation View
- 762 Velocity, Controller, and Automation Lanes
- 763 Chapter 35: MIDI Event List
- 763 Opening the MIDI Event List
- 766 Inserting Events in the MIDI Event List
- 768 Editing Events in the MIDI Event List
- 770 MIDI Event List Options
- 771 Arranging
- 773 Chapter 36: Time, Tempo, Meter, Key, and Chords
- 773 Timebase Rulers and Conductor Rulers
- 776 Main Time Scale
- 777 The Sub Counter
- 777 Tick-Based Timing
- 778 Tick- and Sample-Based Timebases
- 780 Song Start Marker
- 781 Tempo
- 787 Graphic Tempo Editor
- 787 Editing Tempo Events in the Tempo Editor
- 793 Changing the Linearity Display Mode
- 794 Tempo Operations Window
- 800 Identify Beat Command
- 803 Meter Events
- 806 Time Operations
- 806 Change Meter
- 808 Insert Time
- 810 Cut Time
- 811 Move Song Start
- 812 Renumbering Bars
- 812 Key Signatures
- 815 Chord Symbols
- 817 Chapter 37: Memory Locations
- 817 Creating Memory Locations
- 819 Creating Memory Locations On-the-Fly
- 820 Properties of Memory Locations
- 822 Recalling Memory Locations
- 822 Editing Memory Locations
- 824 Deleting Memory Locations
- 824 Copying Marker Memory Locations
- 825 Memory Locations Window
- 825 Memory Locations Commands and Options
- 829 Chapter 38: Arranging Regions
- 829 Placing Regions in Tracks
- 830 Working with Multiple Items from the Region List
- 831 Placing Regions at the Edit Insertion Point
- 832 Aligning Region Start Points
- 833 Sliding Regions
- 833 Shuffling Regions
- 835 Moving Regions with the Grabber Tools
- 836 Snapping to the Preceding or Next Region on a Track
- 836 Slipping Regions
- 837 Spotting Regions
- 838 Sliding Regions in Grid Mode
- 840 Replacing Audio Regions
- 842 Sync Points
- 844 Shift Command
- 845 Locking Regions
- 846 Muting/Unmuting Regions
- 846 Stripping Silence from Regions
- 850 Inserting Silence
- 851 Duplicating Regions
- 852 Repeating Regions
- 853 Chapter 39: Region Loops and Groups
- 853 Region Looping
- 854 Creating Looped Regions
- 855 Unlooping Regions
- 855 Editing Looped Regions
- 857 Region Groups
- 858 Creating Region Groups
- 859 Ungrouping Regions
- 859 Regrouping Regions
- 859 Multitrack Region Groups
- 862 Region Groups on Tick-Based Tracks
- 863 Editing Region Groups
- 864 Fades and Crossfades on Region Groups
- 865 Importing and Exporting Region Group Files
- 867 Processing
- 869 Chapter 40: AudioSuite Processing
- 869 The AudioSuite Menu
- 870 The AudioSuite Window
- 870 AudioSuite Window Header
- 874 AudioSuite Window Footer
- 876 Using AudioSuite Plug-Ins
- 879 Chapter 41: Elastic Audio
- 880 Example Elastic Audio Workflow
- 885 Elastic Audio Tracks
- 885 Enabling Elastic Audio Tracks
- 886 Disabling Elastic Audio Tracks
- 887 Elastic Audio Track Controls
- 887 Elastic Audio Track Views
- 888 Elastic Audio Analysis
- 889 Real-Time and Rendered Elastic Audio Processing
- 890 Elastic Audio Plug-Ins
- 895 Editing in Warp View
- 897 Warping Audio
- 901 Editing in Analysis View
- 903 Elastic Properties
- 904 Elastic Properties Window
- 906 Elastic Audio Region-Based Pitch Shifting
- 908 AudioSuite Processing and Elastic Audio Regions
- 909 Moving Elastic Audio Between Tracks
- 910 Fades and MicroFades
- 911 Elastic Audio Preferences
- 913 Chapter 42: Event Operations
- 913 Event Operations Window
- 914 Quantize Command
- 916 Grid Quantize
- 918 Grid Quantize Examples
- 920 Groove Quantize
- 925 Quantizing Elastic Audio
- 926 Quantizing Audio Regions
- 927 Quantizing Mixed Selections
- 927 Restore Performance Command
- 928 Flatten Performance
- 929 Change Velocity
- 931 Change Duration
- 933 Transpose
- 935 Select/Split Notes Command
- 937 Input Quantize Command
- 938 Step Input Command
- 941 Mixing
- 943 Chapter 43: Basic Mixing
- 943 Mixing Concepts
- 944 Metering and Calibration
- 944 Signal Flow by Track Type
- 944 Audio Tracks and Signal Flow
- 945 Auxiliary Input Tracks and Signal Flow
- 946 Master Fader Tracks and Signal Flow
- 948 Instrument Tracks and Signal Flow
- 949 VCA Master Tracks
- 952 Inserts
- 953 Configuring Inserts View in the Mix and Edit Windows
- 953 HEAT
- 953 Stereo Pan Depth
- 954 Views in the Mix and Edit Windows
- 957 Audio Input and Output Paths
- 960 Sends
- 963 Configuring Sends View in the Mix and Edit Windows
- 963 Sends View Options
- 965 Editing Sends in the Mix and Edit Windows (Individual Send Views)
- 968 Output Windows for Tracks and Sends
- 972 Using Output Windows
- 973 Signal Routing for Monitoring and Submixing
- 980 Delay Compensation
- 987 Dither
- 989 Using an Ethernet Control Surface with Pro Tools
- 989 Using a MIDI Control Surface with Pro Tools
- 993 Chapter 44: Plug-In and Hardware Inserts
- 996 Viewing Inserts
- 997 Making Inserts Inactive
- 998 Inserting Plug-Ins on Tracks
- 999 Plug-In Menu Organization
- 1002 Moving and Duplicating Plug-In and Hardware Inserts
- 1002 The Plug-In Window
- 1006 Opening Plug-In Windows
- 1006 Using Plug-In Window Controls
- 1007 Editing Plug-In Controls
- 1008 Plug-In Automation and Safe Modes
- 1008 Side-Chain Input
- 1009 Plug-In Presets
- 1012 Plug-In Settings Dialog
- 1014 Plug-In Mapping
- 1020 Bypassing Plug-Ins
- 1021 Linking and Unlinking Controls on Multi-Mono Plug-Ins
- 1021 Using Hardware Inserts
- 1025 Chapter 45: Automation
- 1025 Automation QuickStart
- 1026 Automation Playlists
- 1028 Automation Modes
- 1032 Automation Preferences
- 1034 Viewing Automation
- 1037 Writing Automation
- 1039 Automating Sends
- 1041 Automating Plug-Ins
- 1043 AutoMatching Controls
- 1044 Priming Controls for Writing Automation in Latch Mode
- 1047 Enabling and Suspending Automation
- 1049 Deleting Automation
- 1050 Thinning Automation
- 1051 Drawing Automation
- 1052 Editing Automation
- 1057 Cutting, Copying, and Pasting Automation
- 1060 Glide Automation
- 1061 Trimming Automation
- 1063 Writing Automation to the Start, End, or All of a Track or Selection
- 1065 Writing Automation to the Next Breakpoint or to the Punch Point
- 1068 Guidelines for “Write To” Commands
- 1069 Overwriting or Extending Mute Automation
- 1072 Creating Snapshot Automation
- 1075 Previewing Automation
- 1077 Capturing Automation
- 1080 VCA Master Track Automation
- 1081 Coalescing VCA Automation
- 1083 Chapter 46: Mixdown
- 1083 Selecting Audio for Loops, Submixes, and Effects
- 1084 Dithering
- 1085 Bus Recording to Tracks
- 1086 Bounce to Disk
- 1087 Bounce Options
- 1093 Recording a Submix (with Bounce to Disk)
- 1094 Final Mixdown
- 1095 Mastering
- 1097 Surround
- 1099 Chapter 47: Pro Tools Setup for Surround
- 1099 Surround Mixing in Pro Tools
- 1099 Pro Tools Audio Connections for 5.1 Mixing
- 1100 7.1 and 7.0 Formats
- 1101 Configuring Pro Tools for Multichannel Sessions
- 1105 Default I/O Selectors in I/O Setup
- 1107 5.1 Track Layouts, Routing, and Metering
- 1109 Chapter 48: Multichannel Tracks and Signal Routing
- 1109 Multichannel Audio Tracks
- 1112 Multichannel Signal Routing
- 1114 Paths in Surround Mixes
- 1116 Example Paths and Signal Routing for a Surround Mix
- 1121 Chapter 49: Surround Panning and Mixing
- 1121 Introduction to Pro Tools Surround Panning
- 1122 Output Windows
- 1123 Standard Controls
- 1124 Surround Panner Controls
- 1127 Panning Modes
- 1130 Divergence and Center Percentage
- 1132 LFE Faders in Multichannel Panners
- 1133 Pan Playlists
- 1133 Surround Scope Plug-In
- 1135 Sync and Video
- 1137 Chapter 50: Working with Synchronization
- 1137 Pro Tools Synchronization Options
- 1139 Session Setup Window
- 1144 Preparing to Work with SMPTE
- 1144 Configuring Pro Tools for SMPTE
- 1147 Pull Up and Pull Down
- 1150 Effect of Using Pull Up or Pull Down
- 1151 Putting Pro Tools Online
- 1152 Generating Time Code
- 1154 Using MIDI Machine Control
- 1154 Enabling MIDI Machine Control in Pro Tools
- 1156 MMC Transport Settings
- 1157 Setting Minimum Sync Delay
- 1158 Remote Track Arming
- 1158 Spotting Regions to SMPTE Frame Locations
- 1159 The Spot Dialog
- 1160 Capturing Time Code
- 1160 Auto-Spotting Regions
- 1161 Using the Trimmer Tools in Spot Mode
- 1161 Time Stamping
- 1162 Identifying a Synchronization Point
- 1163 Troubleshooting SMPTE Synchronization
- 1165 Speed Correction for Film, NTSC Video, and PAL Video
- 1167 Chapter 51: Working with Video in Pro Tools
- 1167 Introduction to Pro Tools and Video
- 1168 QuickTime Movies Support in Pro Tools
- 1169 Windows Media Video (VC-1 AP Codec) Support in Pro Tools
- 1169 Before Starting Your Project
- 1170 Video Tracks
- 1171 Main Video Track
- 1172 Video Track Controls and Indicators
- 1174 Locking Video Tracks
- 1174 Video Engine Rate
- 1175 Importing Video into Pro Tools
- 1177 Configuring Video Import Options
- 1178 Extracting Audio from QuickTime and Windows Media Video
- 1179 Video Regions
- 1180 General Video Editing
- 1183 Renaming Video Disk Files
- 1183 Video Region Groups
- 1183 Using the Video Window
- 1186 Browsing Video in the Video Universe Window
- 1187 Playback of High-Definition QuickTime and Windows Media Video
- 1188 Playing QuickTime DV Video to an External Monitor Over FireWire
- 1190 Playing Video to an External Monitor Using a Video Card
- 1192 Bouncing the Video Track to a QuickTime Movie
- 1193 Bouncing a Video Track with Windows Media Video to a WIndows Media Movie
- 1194 Using Pro Tools to Import Video from Other Versions of Pro Tools
- 1195 Chapter 52: Working with Field Recorders in Pro Tools
- 1195 Field Recorder and Production Workflow Terminology
- 1197 Supported Field Recorder Audio Files and Metadata
- 1198 Displaying Field Recorder Metadata in Pro Tools
- 1198 DigiBase Support for Field Recorder Metadata
- 1199 Field Recorder Workflows
- 1199 Ensuring Metadata of Source Files Have Been Preserved
- 1200 Receiving Source Files
- 1201 Importing Source Files into Pro Tools
- 1203 Displaying Multichannel Files from a Field Recorder in the Region List
- 1203 Selecting an Alternate Channel to Replace a Region
- 1204 Expanding Alternate Channels to New Tracks
- 1205 Determining the Method of Expanding Alternate Channels to New Tracks
- 1209 Overview of Production Workflows
- 1210 Film Workflow
- 1212 Video and Fully Non-Linear Workflows
- 1215 Index