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100
CONTROL SURFACES MENU
CueMix FX can be controlled from an automated control surface such as the Mackie Control™. Use the commands in the
Control Surfaces
menu to enable and configure this feature.
Application follows control surface
When checked, the
Application follows control surface
menu command makes the CueMix FX window scroll to the channel you are currently adjusting with the control surface, if the channel is not visible when you begin adjusting it. The same is true for the bus tabs: if you adjust a control in a bus that is not currently being displayed, CueMix FX will jump to the appropriate tab to display the control you are adjusting.
Share surfaces with other applications
When the
Share surfaces with other applications
menu command is checked, CueMix FX releases the control surface when you switch to another application. This allows you to control your other software with the control surface. Here’s a simple way to understand this mode: the control surface will always control the front-most application. Just bring the desired application to the front (make it the active application), and your control surface will control it. When you’d like to make changes to
CueMix FX from the control surface, just bring
CueMix FX to the front (make it the active application).
When this menu item is unchecked, your control surface will affect CueMix FX all the time, even when CueMix FX is not the front-most application.
In addition, you will not be able to control other host audio software with the control surface at any time (because CueMix FX retains control over it at all times). This mode is useful when you do not need to use the control surface with any other software.
CueMix Control Surfaces
CueMix FX includes support for the following control surface products:
■
Mackie Control™
■
Mackie HUI™
■
Mackie Baby HUI™
Use the sub-menu commands in the
CueMix
Control Surfaces
menu item to turn on and configure control surface support, as described briefly below.
Enabled
Check this menu item to turn on control surface operation of CueMix FX. Uncheck it to turn off control surface support.
Configure…
Choose this menu item to configure your control surface product. Open the help files for specific, detailed instructions on configuring CueMix FX for operation with your control surface product.
Figure 9-57: Refer to the extensive on-line help for details about configuring CueMix FX for operation with your control surface product.
C U E M I X F X
Other HUI-compatible control surfaces
Any control surface that has the ability to emulate a
HUI should be compatible with CueMix FX. Just add a Mackie HUI to Audio MIDI Setup and put the control surface hardware into HUI emulation mode. Consult the control surface manual for details about how put it into HUI emulation mode.
Other control surface hardware products
If you install other control surface drivers written for CueMix FX, they will appear as separate menu items at the bottom of the Control Surfaces menu, with the same sub-menu items described above.
C U E M I X F X
101
102
C U E M I X F X
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Table of contents
- 11 Overview
- 12 The Track16 I/O connections
- 12 Analog
- 12 Mic inputs
- 12 Guitar inputs
- 12 Line inputs and outputs
- 12 Precision Digital Trim™
- 13 Optical
- 13 MIDI I/O
- 13 On-board SMPTE synchronization
- 13 Hybrid FireWire/USB2 connectivity
- 13 Bus-powered operation
- 13 The Track16 Top panel
- 13 Metering
- 13 Multifunction volume knob with buttons
- 14 16-bit and 24-bit recording
- 14 CueMix FX 32-bit floating point mixing and effects
- 14 Included software
- 14 MOTU Audio Setup
- 14 MOTU SMPTE Setup
- 14 CueMix FX
- 15 AudioDesk
- 15 Digital Performer
- 15 Other Host audio software
- 17 Packing List
- 17 Mac System Requirements
- 17 Please register today!
- 19 Overview
- 19 Installation
- 19 Run the MOTU Audio installer
- 19 MOTU Audio driver
- 20 MOTU Audio Setup
- 20 Core MIDI and Audio MIDI Setup
- 20 Launching Audio MIDI Setup
- 20 Connecting MIDI devices to the Track16
- 21 CueMix FX
- 21 MOTU SMPTE Setup
- 22 AudioDesk workstation software
- 23 Overview
- 23 Connect the Track16 interface
- 23 Type B FireWire ports
- 23 Which should I use: FireWire or USB2?
- 23 Bus-powered operation requires FireWire
- 23 If you are connecting via FireWire
- 24 High Speed USB 2.0 versus USB 1.1
- 24 If you are connecting via high-speed USB 2.0
- 24 Switching Between FireWire and USB
- 25 Connect audio inputs and outputs
- 25 Track16 breakout cable
- 25 Mic inputs 1-2
- 26 Guitar inputs
- 26 Line inputs
- 27 Main outs and line outs
- 27 Optical
- 28 Connect MIDI gear
- 28 One-way MIDI connections
- 28 Connecting additional gear with MIDI THRUs
- 28 Power options
- 28 Bus power requirements
- 29 Examples of bus-powered operation
- 29 DC power supply
- 30 A typical Track16 setup
- 31 Connecting multiple MOTU FireWire interfaces
- 31 Resolving to other Core audio drivers
- 31 Operating multiple FireWire interfaces at high sample rates
- 35 Overview
- 35 Accessing the Track16 settings
- 36 Track16 tab settings
- 36 General tab settings
- 36 ‘Track16’ tab settings
- 36 Enable Core Audio Volume Controls
- 36 Sample Rate
- 37 Clock Source
- 37 Default Stereo Input/Output
- 38 Phones Assign
- 38 Optical input/output
- 38 Main Out Assign
- 38 Return Assign
- 39 ‘General’ tab settings
- 39 Launch MOTU Audio Setup when hardware becomes available
- 39 Edit Channel Names
- 39 Enable Pedal
- 41 meters
- 41 Knob
- 41 Buttons
- 42 Output volume control
- 42 Input trim
- 42 Input bus volume
- 42 Muting/unmuting
- 42 Pad and 48V phantom power
- 42 Lockout mode
- 42 Button LED color schemes
- 42 Factory settings
- 43 Overview
- 43 Preparation
- 43 Run MOTU Audio Setup
- 43 Sample rate
- 43 Clock Source
- 44 Phones Assign
- 44 Optical input and output
- 44 Main Outs Assign
- 44 Return Assign
- 44 Reverb return
- 44 Choosing the MOTU Audio driver
- 45 Digital Performer and AudioDesk
- 45 Pro Tools
- 46 Logic Pro and Logic Express
- 46 Soundtrack Pro
- 46 Garage Band
- 46 Cubase and Nuendo
- 47 Live
- 47 Reason and Record
- 47 Reaper
- 47 Other audio software
- 47 Reducing latency
- 47 Working with Track16 inputs and outputs
- 48 Number of channels
- 48 Mix1 1-2 return bus
- 48 The “Phones 1-2” output
- 48 Audio Input and output names
- 48 Processing live inputs with host plug-ins
- 48 Working with CueMix FX mixing and effects
- 49 Synchronization
- 49 Synchronizing digital audio connections
- 49 Resolving directly to time code (with no synchronizer)
- 51 Overview
- 52 Monitoring live input
- 53 Adjusting the audio I/O buffer
- 54 Lower latency versus higher CPU overhead
- 54 Transport responsiveness
- 55 Effects processing and automated mixing
- 55 CueMix FX hardware monitoring
- 55 Two methods for controlling CueMix FX
- 55 Using the CueMix FX app
- 55 Controlling CueMix FX from your audio software
- 57 Overview
- 57 A 16-bus mixer with EQ, compression and reverb
- 58 Advantages over host-based mixing and processing
- 58 Opening CueMix FX
- 58 CueMix FX basic operation
- 58 A separate mix bus for each output pair
- 58 Many inputs to one output pair
- 58 Viewing one mix bus at a time
- 58 Each mix bus is independent
- 58 Input channels
- 59 Output channels
- 59 Channel focus and settings
- 59 Global reverb processor
- 59 Other features
- 59 Widening the CueMix FX window
- 60 The Mixes tab
- 60 Viewing a mix
- 60 Naming a mix
- 60 Mix bus output
- 60 Bus fader
- 60 Bus mute
- 60 Bus level meter
- 61 Bus reverb send/return
- 61 Input section
- 61 Naming an input
- 61 Input channel focus
- 61 Input pan section
- 61 Input fader and mute/solo
- 62 The Inputs tab
- 62 Input tab settings are global
- 62 Signal flows from top to bottom
- 62 Input name
- 63 Input channel focus
- 63 Mono/stereo pairing
- 63 Invert phase
- 63 Input trim
- 63 Input EQ and dynamics
- 64 The Outputs tab
- 64 Signal flows from top to bottom
- 64 Output name
- 65 Output channel focus
- 65 Output EQ and Dynamics
- 65 Output reverb send/return
- 65 Talkback/Listenback
- 66 The channel settings section
- 66 The Channel tab
- 68 The EQ tab
- 68 Vintage EQ
- 68 Enabling EQ
- 69 Vintage EQ Quick reference
- 69 How the vintage EQ works
- 70 EQ filters
- 70 EQ filter styles
- 74 Low pass and high pass filters
- 74 The Dynamics tab
- 74 Enabling Dynamics
- 75 Compressor
- 75 Leveler
- 77 The Meters tab
- 77 The Reverb tab
- 77 Enabling reverb
- 78 Routing inputs, busses and outputs to the reverb processor
- 78 Reverb sends
- 78 Reverb returns
- 78 Split point
- 78 Primary controls
- 78 Early reflections
- 79 Reverb design
- 79 Output volume controls
- 79 DSP meter
- 79 Solo light
- 79 Talkback and listenback
- 79 Hardware setup
- 80 Talkback / Listenback Mic Input
- 80 Talk / Listen output
- 80 Talkback / Listenback Monitor Dim
- 80 Engaging/disengaging Talkback and Listenback
- 80 Controlling Talkback and Listenback volume
- 81 Shortcuts
- 81 File menu
- 81 Saving and loading hardware presets
- 81 Peak/hold time
- 81 Mix1 Return Includes Computer
- 81 Hardware follows CueMix Stereo Settings
- 81 Show meter in dock icon
- 82 Edit menu
- 82 Undo/Redo
- 82 Copying & pasting (duplicating) entire mixes
- 82 Clear Peaks
- 82 Devices menu
- 82 Audio analysis tools
- 82 Choosing channels for audio analysis
- 82 Scoping host software audio output
- 83 FFT and Spectrogram display
- 83 Filter display options
- 83 FFT display
- 83 Spectrogram
- 84 Opening the FFT Analysis window
- 84 View controls
- 84 Horizontal controls (frequency axis)
- 85 Vertical controls (amplitude axis)
- 85 Spectrogram controls
- 85 The info box
- 85 Oscilloscope
- 86 Opening the oscilloscope
- 86 Choosing a channel to display
- 86 View controls
- 86 Horizontal controls (time axis)
- 87 Vertical controls (amplitude axis)
- 87 Waveform Recognition
- 87 Trigger
- 89 Measurement information
- 89 Ideas for using the Oscilloscope
- 91 X-Y Plot
- 91 Metering
- 92 Opening the X-Y Plot
- 92 Choosing a channel pair to display
- 92 View controls
- 92 Horizontal and vertical controls
- 93 Persistence
- 93 Using the XY Plot
- 94 Phase Analysis
- 94 Correlation Meter
- 94 Opening the Phase Analysis
- 94 Choosing a channel pair to display
- 94 View controls
- 96 Horizontal and vertical controls
- 96 Filters
- 96 Using the Phase Analysis
- 98 Tuner
- 98 Opening the Tuner
- 98 Choosing a channel to tune
- 98 Tuner controls
- 98 Tuning stereo signals
- 99 Configurations menu
- 99 Modifying a configuration
- 99 Saving a CueMix FX configuration as a hardware preset
- 99 Saving a hardware preset as a CueMix FX configuration
- 99 Talkback menu
- 99 Phones menu
- 100 Control Surfaces menu
- 100 Application follows control surface
- 100 Share surfaces with other applications
- 100 CueMix Control Surfaces
- 101 Other HUI-compatible control surfaces
- 101 Other control surface hardware products
- 103 Overview
- 103 MOTU SMPTE Setup
- 103 Clock/Address
- 103 Frame Rate
- 104 Reader section
- 104 Status lights
- 104 SMPTE source
- 104 Freewheel Address
- 104 Freewheel clock
- 105 Stop Freewheeling
- 105 Generator section
- 105 Level
- 105 Tach light
- 105 Destination
- 105 Stripe
- 105 Regenerate
- 105 Generate from sequencer
- 106 Setup for SMPTE time code sync
- 107 Resolving DP or AudioDesk to time code
- 107 Resolving Pro Tools to time code
- 107 Resolving other hosts to time code
- 111 Overview
- 111 Inputs at 1x sample rates
- 111 Inputs at 2x sample rates
- 111 Inputs at 4x sample rates
- 112 Outputs at 1x sample rates
- 112 Outputs at 2x sample rates
- 112 Outputs at 4x sample rates
- 114 Customer Support
- 114 Replacing Discs
- 114 Technical Support