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![DVCPRO HD Acceleration. AJA KONA 2 | Manualzz DVCPRO HD Acceleration. AJA KONA 2 | Manualzz](http://s1.manualzz.com/store/data/007132389_1-4f807692de12ac7e6ca42ea240208c5c-360x466.png)
4
DVCPRO HD ® Acceleration
Developed in close cooperation with Apple, KONA 2’s hardware takes a portion of the DVCPRO HD codec processing load off the CPU, allowing more processor time for Real Time effects in Final Cut Pro HD. KONA 2 also has hardware support when capturing from HD-SDI to the DVCPRO HD codec.
KONA 2 along with Final Cut Pro HD and the DVCPRO HD codec bring real time HD production power to the desktop.
With KONA 2, any HD-SDI source can be captured using the DVCPRO HD codec—giving you online HD quality at remarkably low data rates (between 6 and 15 MB/sec.) and allowing the internal PowerMac SATA storage to be used for
HD capture, playback and even RT effects. Of course, you will get even better performance and more RT when using a fast SCSI or Fibre Channel array, but this allows HD to be used where only SD would have been considered due to budget or time constraints.
How does the KONA 2 accelerate DVCPRO HD? Panasonic DVCPRO HD uses a 2-step process in the codec. First, the HD image is scaled to a lower pixel count horizontally, and then the reduced raster is compressed using a DCT based codec.
For example, for 720p, DVCPRO HD reduces the raster from 1280x720 to
960x720, and 1080 from 1920x1080 to 1280x1080. The reason for this is a favorable trade-off between resolution (that is often not there anyway), and a much more efficient codec due to the smaller raster. Critical to this is a proper high-quality scalar to reduce the raster on capture, and scale it back up on playback. KONA 2 performs the scaling step in hardware for both capture and playback.
Because KONA 2 has AJA’s scaling engine, these steps are performed at a very high quality level. Also, since the CPU does not have to do the scaling, additional
RT is possible when outputting to HD-SDI.
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Table of contents
- 9 Table of Contents
- 10 Features
- 10 Hardware
- 10 Dual Link
- 11 Broadcast-Quality Conversion
- 11 KONA 2 Audio
- 11 Qrez™ 4:1 Hardware Codec
- 12 DVCPRO HD Acceleration
- 13 Software
- 13 What’s In The Box?
- 13 Optional K-Box Package Contents
- 15 System Requirements
- 15 Minimum and Recommended System and Software Requirements
- 15 Understanding Disk Storage Methods
- 17 About RAIDs
- 18 Software For Striping
- 18 AJA KONA 2 and Xserve RAID
- 19 Storage capacity
- 19 Cable Connections
- 20 Using the Standard Cables
- 21 Using K-Box
- 21 About BNC Connectors
- 22 Connector Descriptions—Cables and K-Box
- 22 8 Channel Digital AES/EBU Audio Inputs And Outputs
- 22 Analog 2 Channel Unbalanced Audio (K-Box only)
- 22 RS422 Machine Control
- 22 SDI Input and Outputs
- 23 Analog Monitor Out (Component/Composite HD/SD)
- 23 Reference Video (looping)
- 24 In This Manual
- 25 KONA 2 And Your Workflow
- 26 Understanding Typical Workflows
- 27 PhotoJPEG
- 29 DV (DV25)
- 29 DVCPRO HD
- 29 Uncompressed 8-bit
- 30 Uncompressed 10-bit
- 30 Uncompressed 10-bit Dual Link HD
- 30 Workflow General Notes
- 31 HD Offline Scenario
- 31 HD / SD Online Scenario With Qrez
- 32 Mixing and Matching Formats in Final Cut
- 33 Installation Overview
- 34 Unpacking
- 34 Shipping Box Contents
- 35 Installing the KONA 2 Card
- 37 Installing the Optional K-Box Breakout Box—Desk or Rackmount
- 37 Physical Requirements
- 38 Cabling the System
- 38 System Video/Audio Cable Connections
- 38 System Cabling When Using BNCs for Audio
- 41 Typical System
- 42 Installing KONA 2 Software
- 42 Software Installation Procedure
- 47 Genlock and Your System
- 49 Final Cut Pro
- 49 Using The KONA 2 Control Panel
- 50 Control Panel Basics
- 52 Input Screen
- 53 Input Screen Settings
- 54 Formats Screen
- 56 Format Screen Settings
- 57 Digital Out Screen
- 57 Digital Out Screen Settings
- 59 Analog Out Screen
- 59 Analog Out Screen Settings
- 60 Control Screen
- 61 Control Screen Settings
- 62 Timecode Screen
- 63 Timecode Screen Settings
- 64 Info Screen
- 64 Saving Your Control Panel Presets
- 65 Easy Setups for Typical Uses
- 65 Easy Setups Menu
- 67 Easy Setups For Use With KONA
- 68 Audio/Video Settings Menu
- 69 To Create A New Easy Setup
- 70 The Sequence Presets Window
- 75 Checking the System with a Simple Test Project of Bars and Tone
- 78 Using 8-bit Versus 10-bit Video
- 79 If You Run Into Problems
- 80 Updating Software
- 80 Support
- 81 Apple Resources