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- Trilogy
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![and Control Features. Hughes & Kettner Trilogy, TrilogyTM, TRILOGY 1.1 | Manualzz and Control Features. Hughes & Kettner Trilogy, TrilogyTM, TRILOGY 1.1 | Manualzz](http://s1.manualzz.com/store/data/073503243_1-4d20281a495c88675a94c0373bfe3104-360x466.png)
Trilogy™ Manual 1.1
ULTRA LEAD/LEAD
0 10
MASTER
-5 +5
PRESENCE
0 10
FX-MIX
- 5 +5
TREBLE
- 5 +5
MID
- 5 +5
BASS
0 10
MASTER
0 10
ULTRA GAIN
0 10
LEAD GAIN
- 5 +5
TREBLE
- 5 +5
MID
- 5 +5
BASS
0 10
MASTER
0
GAIN
10
- 5 +5
TREBLE
- 5 +5
MID
- 5 +5
BASS
0 10
VOLUME
Figure 1: Trilogy front panel
1
Front Panel Connections and Control Features
Trilogy™ features four channels: CLEAN, LEAD, ULTRA LEAD,
CRUNCH. Press CLEAN ON, CRUNCH ON, LEAD ON and
ULTRA LEAD ON to select channels. These buttons trigger reciprocally, meaning that engaging a button selects its assigned channel directly. The ancillary sound-shaping options
SPARKLE in the CLEAN and BOOST in the CRUNCH channel are also switchable.
The three-band voicing sections comprise BASS, MID and
TREBLE controls. Twist these knobs to dial in the desired tone.
Note that each channel’s controls influence each other, as is standard and desirable in tube amps sporting this type of voicing section. For instance, if you boost treble frequencies, mids are cut and vice versa. Though the two LEAD channels share a voicing section, each channel is equipped with different circuits that are tweaked to suit the given channel’s sonic properties.
The given circuit is actuated automatically when you select a
LEAD channel.
Let’s look at Trilogy™ starting with the input and moving from right to left to the channels, the MASTER section and on to the
MAINS and STANDBY switches:
1.1 Input
Connect your guitar to this high-impedance 6.3 mm (1/4") jack. Please use high-quality shielded cords only.
1.2 Clean Channel
Trilogy™ offers oodles of CLEAN headroom, ensuring your tone remains crisp and clear even at considerable volumes.
It serves up full, well-rounded sound with negligible saturation at high levels, with a healthy helping of twang to boot. And it offers stout low-end response with ample sound pressure and toasty tube warmth.
The SPARKLE switch lets you sweep from balmy jazz and blues-approved tone to shimmering sounds well-suited for pop and nu metal. SPARKLE is not some cosmetic high-end boost; it is a genuine presence circuit driven by power amp feedback.
Handling:
VOLUME: Controls the volume level
BASS:
MID:
Controls the amount of bass frequencies
Controls the amount of midrange frequencies
TREBLE: Controls the amount of treble frequencies
CLEAN ON: Activates the CLEAN channel
SPARKLE: Adds presence and top-end shimmer to the CLEAN channel
1.3 Crunch Channel
This channel offers ultra dynamic response, affording you total and very precise control over saturation levels. True to the subtlest details of your attack, it renders every aspect of your touch and even the daintiest embellishments with accuracy.
In a word, this channel is all about honesty. The BOOST switch transforms the channel’s tight, crisp rhythm and lead tone into a richer, beefier sound well-suited for thundering power chords and riffs.
Handling
GAIN: Controls input sensitivity and thus saturation / distortion levels
MASTER:
BASS:
MID:
TREBLE:
Controls the volume level
Controls the amount of bass frequencies
Controls the amount of midrange frequencies
Controls the amount of treble frequencies
CRUNCH ON: Activates the CRUNCH Channel
BOOST: Taps additional gain reserves for an even creamier tone
5
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Table of contents
- 5 and Control Features
- 5 1.1 Input
- 5 1.2 Clean Channel
- 5 1.3 Crunch Channel
- 6 1.4 Lead Channel
- 6 1.5 Ultra Lead Channel
- 6 1.6 Master Section
- 6 1.7 Mains and Standby Switches
- 7 and Control Features
- 7 2.1 Mains Socket
- 7 2.2 Anode Fuse
- 7 2.3 FX Loop On/Off
- 7 2.4 Channel Select Stageboard
- 7 2.5 FX Send, Level and Return
- 8 2.6 MIDI Port
- 8 2.7 Speakers
- 8 and Cable Connections
- 8 Trilogy™ and MIDI
- 8 4.1 Programming
- 8 4.2 Setting the MIDI Channel and Switching OMNI On/Off
- 9 4.3 Factory Settings and How to Restore Them
- 10 Maintenance
- 10 5.1 When to Replace Tubes
- 10 5.2 Things to Bear in Mind When Replacing Tubes
- 10 5.3 How to Prolong Tube Life
- 11 Troubleshooting
- 12 Technical Specifications
- 15 der Vorderseite
- 15 1.1 Input
- 15 1.2 Clean-Kanal
- 15 1.3 Crunch-Kanal
- 16 1.4 Lead-Kanal
- 16 1.5 Ultra Lead-Kanal
- 16 1.6 Master-Sektion
- 16 1.7 Netz- und Standby-Schalter
- 17 der Rückseite
- 17 2.1 Netzanschluss
- 17 2.2 Anoden-Sicherung
- 17 2.3 FX-Loop On/Off
- 17 2.4 Channel Select Stageboard
- 17 2.5 FX-Send, Level und Return
- 18 2.6 MIDI-Buchse
- 18 2.7 Speakers
- 18 Standard-Setup und Verkabelung
- 18 Der Trilogy™ und MIDI
- 18 4.1 Programmierung
- 18 4.2 Einstellen des MIDI-Kanals sowie OMNI-On/Off
- 19 4.3 Werkseinstellung und deren Wiederherstellung
- 20 Röhrentausch, Wartung und Pflege
- 20 5.1 Wann ist ein Röhrentausch sinnvoll?
- 20 5.2 Was ist beim Röhrentausch zu beachten?
- 21 Mögliche Fehlerquellen/Troubleshooting
- 22 Technische Daten
- 25 en face avant
- 25 1.1 Input
- 25 1.2 Canal Clean
- 25 1.3 Canal Crunch
- 26 1.4 Canal Lead
- 26 1.5 Canal Ultra Lead
- 26 1.6 Section Master
- 26 1.7 Interrupteur général et stand-by
- 27 en face arrière
- 27 2.1 Raccordement secteur
- 27 2.2 Fusibles anodiques
- 27 2.3 FX-Loop On/Off
- 27 2.4 Channel Select Stageboard
- 27 2.5 FX Send, Level et Return
- 28 2.6 Prise MIDI
- 28 2.7 Haut-Parleurs
- 28 Réglages standard et câblage
- 28 Le Trilogy™ et MIDI
- 28 4.1 Programmation
- 28 4.2 Réglages du canal MIDI et de OMNI-On/Off
- 29 4.3 Réglages d’usine et remise aux réglages d’usine
- 30 et entretien
- 30 5.1 Quand faut-il remplacer les lampes ?
- 30 lors du remplacement d’une lampe ?
- 30 de vie de mon Trilogy™ ?
- 31 Dépistage des pannes
- 32 Caractéristiques techniques
- 35 sul pannello anteriore
- 35 1.1 Input
- 35 1.2 Canale Clean
- 35 1.3 Canale Crunch
- 36 1.4 Canale Lead
- 36 1.5 Canale Ultra Lead
- 36 1.6 Settore Master
- 36 1.7 Interruttori di alimentazione e di standby
- 37 sul pannello posteriore
- 37 2.1 Alimentazione di rete
- 37 2.2 Fusibile dell'anodo
- 37 2.3 FX-Loop On/Off
- 37 2.4 Channel Select Stageboard
- 37 2.5 FX Send, Level e Return
- 38 2.6 Presa MIDI
- 38 2.7 Speaker
- 38 Configurazione standard e cablaggio
- 38 4.1 Programmazione
- 38 4.2 Impostare il canale MIDI e OMNI-On/Off
- 39 4.3 Impostazioni di fabbrica e il loro resettaggio
- 40 e manutenzione preventiva
- 40 5.1 In quali casi si dovrebbero cambiare le valvole?
- 40 si sostituiscono le valvole?
- 40 5.3 Come posso prolungare la vita del mio Trilogy™?
- 41 Possibili anomalie e rimedi
- 42 Dati tecnici
- 45 de la parte delantera
- 45 1.1 Input
- 45 1.2 Canal Clean
- 45 1.3 Canal Crunch
- 46 1.4 Canal Lead
- 46 1.5 Canal Ultra Lead
- 46 1.6 Sección Master
- 46 1.7 Interruptores de red y Standby
- 47 de la parte posterior
- 47 2.1 Conexión de red
- 47 2.2 Fusible de ánodos
- 47 2.3 FX-Loop On/Off
- 47 2.4 ChannelSelect Stageboard
- 47 2.5 FX Send, Level y Return
- 48 2.6 Toma MIDI
- 48 2.7 Speakers
- 48 Configuración estándar y cableado
- 48 El Trilogy™ y MIDI
- 48 4.1 Programación
- 48 4.2 Ajuste del canal MIDI así como On/Off de OMNI
- 49 4.3 Ajuste de fábrica y su restablecimiento
- 50 5.1 ¿Cuándo es conveniente cambiar las válvulas?
- 50 5.2 ¿Qué debe tenerse en cuenta al cambiar las válvulas?
- 50 5.3 ¿Cómo puedo prolongar la vida útil de mi Trilogy™?
- 51 solución de problemas
- 52 Datos técnicos