1-2-5 Filter Type. Yamaha MX88, MOX6, CP40, MOXF6, MOXF8, CP4, MOX8Synthesizer, MX61, MOX8, MX49
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Voice Parameters
1-2-5 Filter Type
LPF (Low-Pass
Filter)
This is a Filter Type that only passes signals below the Cutoff Frequency.
The sound can be brightened by raising the Cutoff Frequency of the filter.
On the other hand, the sound can be darkened by lowering the Cutoff
Frequency of the filter. You can produce a distinctive "peaky" sound by raising the Resonance to boost the signal level in the area of the Cutoff
Frequency.
This Filter Type is most popular and useful for producing classic synthesizer sounds.
Y
Y
C A
B
X
A
Figure 11: Low-Pass Filter
A: Cutoff Frequency
B: Resonance
C: Frequencies that are “passed” by the filter
X: Frequency (Pitch)
Y: Level
X
16
LPF24D
Voice Parameters
A dynamic -24 dB/oct Low-Pass Filter with a characteristic digital sound.
Compared to the LPF24A type, this filter can produce a more pronounced
Resonance effect.
A
B
LPF24A
LPF18
LPF18s
HPF (High-Pass
Filter)
Figure 12: LPF24D
A: Resonance
B: Frequencies that are “passed” by the filter
A digital dynamic Low-Pass Filter with characteristics similar to a 4-pole analog synthesizer filter.
3-pole -18 dB/oct Low-Pass Filter.
3-pole -18 dB/oct Low-Pass Filter.
This filter has a smoother cutoff slope than the LPF18 type.
A Filter Type that only passes signals above the Cutoff Frequency.
You can use the Resonance parameter to add further character to the sound.
Y
C
B
A
Figure 13: High-Pass Filter
A: Cutoff Frequency
B: Resonance
C: Frequencies that are “passed” by the filter
X: Frequency (Pitch)
Y: Level
X
17
HPF24D
Voice Parameters
A dynamic -24 dB/oct High-Pass Filter with a characteristic digital sound.
This filter can produce a pronounced Resonance effect.
A
HPF12
BPF (Band-Pass
Filter)
Figure 14: HPF24D
A: Resonance
-12 dB/oct dynamic High-Pass Filter.
A Filter Type that only passes a band of signals around the Cutoff
Frequency.
Y C
A
B
Figure 15: Band-Pass Filter
A: Center Frequency
B: Cutoff Range
C: Frequencies that are “passed” by the filter
X: Frequency
Y: Level
X
18
BPF12D
BPF6
Voice Parameters
The combination of a -12 dB/oct HPF and LPF with a characteristic digital sound.
Y
B
A
D
C
Figure 16: BPF12D
A: Resonance
B: Cutoff Range
C: Frequencies that are “passed” by the filter
D: -12 dB/oct
X: Frequency
Y: Level
The combination of a -6 dB/oct HPF and LPF.
B
X
A
Y
B
D
C
Figure 17: BPF6
A: Resonance
B: Cutoff Range
C: Frequencies that are “passed” by the filter
D: -6 dB/oct
X: Frequency
Y: Level
B
X
19
BPFw
Voice Parameters
A -12 dB/oct BPF that combines HPF and LPF filters to allow wider bandwidth settings.
Y B B
A
C
X
Figure 18: BPFw
A: Width can be increased
B: Cutoff Range
C: Frequencies that are “passed” by the filter
X: Frequency
Y: Level
BEF (Band-Eliminate
Filter)
The Band-Eliminate Filter has an opposite effect on the sound compared to the Band-Pass Filter.
When this Filter Type is selected, you can set the Cutoff Frequency around which the audio signal is muted or eliminated.
Y
B
BEF12
BEF6
C
A
Figure 19: Band-Eliminate Filter
X
A: Center Frequency
B: Cutoff Range
C: Frequencies that are “passed” by the filter
X: Frequency
Y: Level
-12 dB/oct Band-Eliminate Filter.
-6 dB/oct Band-Eliminate Filter.
20
Dual LPF
Voice Parameters
Two -12 dB/oct Low-Pass Filters connected in parallel.
You can edit the distance between the two Cutoff Frequencies.
Y A
Dual HPF
Dual BPF
Dual BEF
B
X
Figure 20: Dual Low-Pass Filters
A: Distance
B: Lower Cutoff Frequency is set directly on the Display
X: Frequency
Y: Level
Two -12 dB/oct High-Pass Filters connected in parallel.
Two -6 dB/oct Band-Pass Filters connected in parallel.
Two -6 dB/oct Band-Eliminate Filters connected in serial.
Y
A
LPF12+HPF12
LPF6+HPF6
B
X
Figure 21: Dual Band-Eliminate Filters
A: Distance
B: Lower Cutoff Frequency is set directly on the Display
X: Frequency
Y: Level
A combination of a -12 dB/oct Low-Pass Filter and a -12 dB/oct High-Pass
Filter connected in serial.
When this Filter Type is selected, HPF Cutoff and HPF Key Follow
Sensitivity can be set.
A combination of a -6 dB/oct Low-Pass Filter and a -6 dB/oct High-Pass
Filter connected in serial.
When this Filter Type is selected, HPF Cutoff and HPF Key Follow
Sensitivity can be set.
21
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Table of contents
- 4 Voice Parameters
- 4 Basic Terms
- 4 1-1-1 Definitions
- 5 Synthesis Parameters
- 5 1-2-1 Oscillator
- 8 1-2-2 Pitch
- 9 1-2-3 Pitch EG (Pitch Envelope Generator)
- 13 1-2-4 Filter
- 16 1-2-5 Filter Type
- 22 1-2-6 Filter EG (Envelope Generator)
- 26 1-2-7 Filter Scale
- 27 1-2-8 Amplitude
- 31 1-2-9 Amplitude EG (Envelope Generator)
- 33 1-2-10 Amplitude Scale
- 34 1-2-11 LFO (Low-Frequency Oscillator)
- 41 Operational Parameters
- 41 1-3-1 General
- 41 1-3-2 Play Mode
- 42 1-3-3 Portamento
- 43 1-3-4 Micro Tuning List
- 44 1-3-5 Arpeggio
- 47 1-3-6 Controller Set
- 48 1-3-7 Effect
- 50 1-3-8 EQ (Equalizer)
- 52 Effects
- 52 Basic Terms
- 52 2-1-1 Definisions
- 52 Effect Types
- 52 2-2-1 Reverb
- 52 2-2-2 Delay
- 53 2-2-3 Chorus
- 53 2-2-4 Flanger
- 53 2-2-5 Phaser
- 54 2-2-6 Tremolo & Rotary
- 54 2-2-7 Distortion
- 54 2-2-8 Compressor
- 54 2-2-9 Wah
- 55 2-2-10 Lo-Fi
- 55 2-2-11 Tech
- 55 2-2-12 Vocoder
- 55 2-2-13 Misc
- 56 Effect Parameters
- 56 2-3-1 A
- 56 2-3-2 B
- 56 2-3-3 C
- 57 2-3-4 D
- 58 2-3-5 E
- 59 2-3-6 F
- 60 2-3-7 G
- 60 2-3-8 H
- 60 2-3-9 I
- 61 2-3-10 L
- 62 2-3-11 M
- 63 2-3-12 N
- 63 2-3-13 O
- 63 2-3-14 P
- 64 2-3-15 R
- 64 2-3-16 S
- 65 2-3-17 T
- 65 2-3-18 V
- 65 2-3-19 W
- 66 Overview
- 66 3-1-1 About MIDI
- 66 3-1-2 MIDI channels
- 67 3-1-3 MIDI ports
- 67 3-1-4 MIDI messages
- 68 Channel Messages
- 68 3-2-1 Note On/Off
- 68 3-2-2 Pitch Bend
- 68 3-2-3 Program Change
- 68 3-2-4 Control Change
- 71 3-2-5 Channel Mode message
- 71 3-2-6 Channel After Touch
- 71 3-2-7 Polyphonic After Touch
- 72 System Messages
- 72 3-3-1 System Exclusive Messages
- 72 3-3-2 System Common Message
- 72 3-3-3 System Realtime Messages