1-2-9 Amplitude EG (Envelope Generator). Yamaha MX88, MOX6, CP40, MOXF6, MOXF8, CP4, MOX8Synthesizer, MX61, MOX8, MX49
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Voice Parameters
1-2-9 Amplitude EG (Envelope Generator)
This lets you control the transition in Amplitude from the moment the sound starts until the moment the sound stops. You can create a custom Amplitude EG by setting parameters as illustrated below. When you press a key on the keyboard, the volume will change according to these EG settings.
D
J
K
I
0
E F G
L
H
M
C
A B
Figure 36: Amplitude Envelope Generator
A: Key On: Pressing the key
B: Key Off: Releasing the key
C: Time
D: Level (volume)
E: Attack Time
F: Decay 1 Time
G: Decay 2 Time
H: Release Time
I: Initial Level
J: Attack Level
K: Decay 1 Level
L: Decay 2 Level = Sustain Level
M: Release Level
Attack Time
Decay 1 Time
Decay 2 Time
Release Time
Initial Level
Attack Level
Decay 1 Level
Decay 2 Level
Determines how quickly the sound reaches its maximum level after the key is pressed.
Determines how fast the envelope falls from the Attack Level to the
Decay 1 Level.
Determines how fast the envelope falls from the Decay 1 Level to the
Decay 2 Level (sustain level).
Determines how quickly the sound decays to silence after the key is released.
Determines the initial level at the moment the key is pressed.
Determines the maximum level which the envelope reaches after a key is pressed.
Determines the level which the envelope reaches from the Attack Level after the Decay 1 Time elapses.
Determines the level which will be maintained while a note is held.
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Voice Parameters
Half Damper Switch Determines if the Half Damper is switched on.
When the Half Damper Switch is set to On, holding down the FC3 Foot
Controller produces a "half-pedal" effect just as on a real acoustic piano.
Half Damper Time Determines how quickly the sound decays to silence after the key is released while holding down the Foot Controller FC3 with the Half Damper
Switch set to On.
After releasing the key, you can control the decay time of the sound via the
Foot Controller position, with the Half Damper Time of the AEG being the maximum decay value and the Release Time of the AEG being the minimum decay value.
When you release the pedal, the decay time after the key is released is equivalent to the AEG Release Time. You can create a piano-like effect by setting the Release Time to a small value and setting the Half Damper
Time to a large value.
EG Time Velocity
Sensitivity
Determines how the AEG transition time (speed) responds to Velocity, or the strength with which the key is pressed.
Positive values: High Velocities result in a fast AEG transition speed
while low Velocities result in a slow speed, as shown in Figure 37 and
Negative values: High Velocities result in a slow AEG transition speed while low Velocities result in a fast speed.
0: The amplitude transition speed does not change, regardless of the
Velocity.
Figure 37: Positive Sensitivity: Playing hard, fast speed
EG Time Velocity
Sensitivity Segment
EG Time Key Follow
Sensitivity
Figure 38: Positive Sensitivity: Playing softly, slow speed
Determines the part of the Amplitude EG that is affected by EG Time
Velocity Sensitivity.
Determines the degree to which the notes (specifically, their position or
Octave Range) affect the Amplitude EG times of the selected Element.
Positive values: High notes result in a fast Amplitude EG transition speed while low notes result in a slow speed.
Negative values: High notes result in a slow Amplitude EG transition speed while low notes result in a fast speed.
0: The Amplitude EG transition speed does not change, regardless of the played note.
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Table of contents
- 4 Voice Parameters
- 4 Basic Terms
- 4 1-1-1 Definitions
- 5 Synthesis Parameters
- 5 1-2-1 Oscillator
- 8 1-2-2 Pitch
- 9 1-2-3 Pitch EG (Pitch Envelope Generator)
- 13 1-2-4 Filter
- 16 1-2-5 Filter Type
- 22 1-2-6 Filter EG (Envelope Generator)
- 26 1-2-7 Filter Scale
- 27 1-2-8 Amplitude
- 31 1-2-9 Amplitude EG (Envelope Generator)
- 33 1-2-10 Amplitude Scale
- 34 1-2-11 LFO (Low-Frequency Oscillator)
- 41 Operational Parameters
- 41 1-3-1 General
- 41 1-3-2 Play Mode
- 42 1-3-3 Portamento
- 43 1-3-4 Micro Tuning List
- 44 1-3-5 Arpeggio
- 47 1-3-6 Controller Set
- 48 1-3-7 Effect
- 50 1-3-8 EQ (Equalizer)
- 52 Effects
- 52 Basic Terms
- 52 2-1-1 Definisions
- 52 Effect Types
- 52 2-2-1 Reverb
- 52 2-2-2 Delay
- 53 2-2-3 Chorus
- 53 2-2-4 Flanger
- 53 2-2-5 Phaser
- 54 2-2-6 Tremolo & Rotary
- 54 2-2-7 Distortion
- 54 2-2-8 Compressor
- 54 2-2-9 Wah
- 55 2-2-10 Lo-Fi
- 55 2-2-11 Tech
- 55 2-2-12 Vocoder
- 55 2-2-13 Misc
- 56 Effect Parameters
- 56 2-3-1 A
- 56 2-3-2 B
- 56 2-3-3 C
- 57 2-3-4 D
- 58 2-3-5 E
- 59 2-3-6 F
- 60 2-3-7 G
- 60 2-3-8 H
- 60 2-3-9 I
- 61 2-3-10 L
- 62 2-3-11 M
- 63 2-3-12 N
- 63 2-3-13 O
- 63 2-3-14 P
- 64 2-3-15 R
- 64 2-3-16 S
- 65 2-3-17 T
- 65 2-3-18 V
- 65 2-3-19 W
- 66 Overview
- 66 3-1-1 About MIDI
- 66 3-1-2 MIDI channels
- 67 3-1-3 MIDI ports
- 67 3-1-4 MIDI messages
- 68 Channel Messages
- 68 3-2-1 Note On/Off
- 68 3-2-2 Pitch Bend
- 68 3-2-3 Program Change
- 68 3-2-4 Control Change
- 71 3-2-5 Channel Mode message
- 71 3-2-6 Channel After Touch
- 71 3-2-7 Polyphonic After Touch
- 72 System Messages
- 72 3-3-1 System Exclusive Messages
- 72 3-3-2 System Common Message
- 72 3-3-3 System Realtime Messages