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Using the DSP Modes
The built-in Surround Processor provides three types of the DSP (Digital Signal Processor) mode — 3D-
PHONIC mode, DAP (Digital Acoustic Processor) mode and Surround mode (Dolby Digital, Dolby Pro Logic and JVC’s Theater Surround.)
On the 3D-PHONIC mode
The 3D-PHONIC mode gives you such a nearly surround effect as it is reproduced through the Dolby Surround decoder, which is widely used to reproduce sounds with a feeling of movement like those experienced in movie theaters. The 3D-PHONIC mode is the result of research on sound localization technology carried out at JVC for many years and makes it possible to reproduce the surround sound with only two front
speakers.
Notes:
• The DSP modes has no effect on monaural sources.
• You can not use the two types of the DSP modes at the same time.
IMPORTANT:
When recording the digital source, turn off the DSP mode.
On the DAP mode
The sound heard in a concert hall or club consists of direct sound and indirect sound
— early reflections and reflections from behind. Direct sounds reach the listener directly without any reflection. On the other hand, indirect sounds are delayed by the distances of the ceiling and walls. These direct sounds and indirect sounds are the most important elements of the acoustic surround effects. The DAP mode can create these important elements, and gives you a real “being there” feeling.
Early reflections
Reflections from behind
Direct sounds
On Surround mode
With this receiver, you can use two types of the surround mode.
Dolby Surround (Dolby Digital and
Dolby Pro Logic)
Used to watch the soundtracks of software encoded with Dolby Digital (bearing the mark ) or with Dolby Surround
D I G I T A L
(bearing the mark
DOLBY SURROUND
).
Dolby Digital and Dolby Pro Logic can be selected automatically according to software played back.
JVC’s Theater Surround
In order to reproduce a more realistic sound field in your listening room while playing soundtracks of software encoded with Dolby Digital (bearing the mark ) or
D I G I T A L
with Dolby Surround (bearing the mark
DOLBY SURROUND
), Theater Surround has been designed to create a real “being there” feeling.
Note:
To enjoy the software encoded with Dolby Digital, you must connect the source component using the digital terminal on the rear of this receiver.
Manufactured under license from Dolby Laboratories.
“Dolby,” “Pro Logic,” the double-
D symbol are trademarks of
Dolby Laboratories. Confidential
Unpublished works. ©1992–
1997 Dolby Laboratories, Inc. All rights reserved.
34
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Table of contents
- 8 Parts Identification
- 9 Getting Started
- 9 Before Installation
- 9 Checking the Supplied Accessories
- 10 Connecting the FM and AM (MW/LW) Antennas
- 11 Connecting the Speakers
- 14 Connecting Audio/Video Components
- 18 Connecting the Power Cord
- 18 Putting Batteries in the Remote Control
- 19 Basic Operations
- 19 Turning the Power On and Off (Standby)
- 19 Selecting the Source to Play
- 20 Adjusting the Volume
- 21 Selecting the Front Speakers
- 21 Muting the Sound
- 21 Recording a Source
- 22 Attenuating the Input Signal
- 22 Adjusting the Subwoofer Output Level
- 23 Basic Settings
- 23 Changing the Source Name
- 23 Selecting the Input Mode
- 24 Adjusting the Front Speaker Output Balance
- 24 Setting the Subwoofer Information
- 24 Listening at Low Volume (Loudness)
- 25 Digital Input (DIGITAL IN) Terminal Setting
- 25 Setting the Speakers for the DSP Modes
- 28 One Touch Operation
- 28 About the One Touch Operation
- 28 Using the One Touch Operation
- 29 Receiving Radio Broadcasts
- 29 Tuning in Stations Manually
- 29 Using Preset Tuning
- 30 Selecting the FM Reception Mode
- 31 Assigning Names to Preset Stations
- 32 Using the RDS (Radio Data System) to Receive FM Stations
- 32 What Information Can RDS Signals Provide?
- 33 Searching for a Program by PTY Codes
- 35 Switching to a Broadcast Program of Your Choice Temporarily
- 37 Using the SEA Modes
- 37 Selecting Your Favorite SEA Mode
- 38 Creating Your Own SEA Mode
- 39 Using the DSP Modes
- 40 Using the 3D-PHONIC Modes
- 43 Using the DAP Modes
- 45 Using the Dolby Digital and Dolby Pro Logic Modes
- 48 Using the Theater Surround Mode
- 52 Using the On-Screen Menus
- 52 Selecting the Source to Play
- 52 Selecting the Different Sources for Picture and Sound
- 52 Using the DSP Modes
- 53 Adjusting the Front Speaker Output Balance
- 53 Listening at Low Volume (Loudness)
- 53 Attenuating the Input Signal
- 54 Adjusting the Subwoofer Output Level
- 54 Adjusting the DSP Modes
- 55 Selecting Your Favorite SEA Mode
- 56 Creating Your Own SEA Mode
- 56 Basic Settings
- 57 Operating the Tuner
- 57 Storing the Preset Stations
- 58 Assigning Names to the Preset Stations
- 59 Checking the RDS Information
- 60 COMPU LINK Remote Control System
- 61 TEXT COMPU LINK Remote Control System
- 62 Showing the Disc Information on the TV Screen
- 63 Searching a Disc (Only for the CD Player)
- 65 Using the User File (Only for the CD Player with the User File Function)
- 66 Entering the Disc Information
- 68 Operating JVC’s Audio/Video Components
- 72 Operating Other Manufactures’ Components
- 79 Troubleshooting
- 80 Specifications