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DELAY ALGORITHMS
TAP'D-DDL-S
[TAP'D-DDL-S], [DDL]
Tapped Digital Delay - Short
Parameters:
:TYPE:= [FLAT1m] FLAT-1m, FLAT-1s, RVRS-1m, RVRS-1s, SLOPE1m, SLOPE1s, (E)
FLAT-2m, FLAT-2s, RVRS-2m, RVRS-2s, SLOPE2m, SLOPE2s, (S)
FLAT-3m, FLAT-3s, RVRS-3m, RVRS-3s, SLOPE3m, SLOPE3s (L)
:TAPS= [2] 1 to 7 in one step increments
:DELAY* = [100ms] 0 to 960ms increments:5ms;0-350, 10ms;350-700
20ms;700-960
D-FINE* = [0ms] 0 to 50ms in 1ms increments
:REGENeration = [76%] 0 to 100 percent in % increments
:LEVEL= [100%] 0 to 100 percent in % increments
*Total delay possible is 1010ms.
TAP'D-DDL-L
[TAP'D-DDL-L], [DDL]
Tapped Digital Delay - Long
Parameters:
:TYPE:= [FLAT-1m] FLAT-1m, FLAT-1s, RVRS-1m, RVRS-1s, SLOPE1m, SLOPE1s, (E)
FLAT-2m, FLAT-2s, RVRS-2m, RVRS-2s, SLOPE2m, SLOPE2s, (S)
FLAT-3m, FLAT-3s, RVRS-3m, RVRS-3s, SLOPE3m, SLOPE3s (L)
:TAPS= [3] 1 to 7 in one step increments
:DELAY* = [240ms] 0 to 1100ms increments:5ms;0-350, 10ms;350-700
20ms;700-1000, 50ms;1000-1100
D-FINE* = [0ms] 0 to 50ms in 1ms increments
:REGENeration = [76%] 0 to 100 percent in % increments
:LEVEL= [100%] 0 to 100 percent in % increments
*Total delay possible is 1150ms
There are three levels of tapped delays in the MULTIVERB ALPHA 2.0. These are what we call Even (E), Shortened (S), and Lengthened (L). (1's are Even, 2's are
Shortened, 3's are Lengthened) Even means that the delay taps are at evenly spaced intervals. Shortened means that as the taps approach the set delay, the intervals are closer together. As the taps approach the set delay in the
Lengthened mode they are farther apart.
In the types you will see an [m] and an [s], the [m] means mono and the [s] signifies stereo. The mono tapped delay has its left and right taps at the same delay points where the stereo taps are staggered. When using the stereo tapped delays the first right tap is half the delay time before the first left tap.
There also are three slopes used in the tapped delays, Flat, Reverse and Forward.
Flat has a flat linear response. Reverse increases in amplitude exponentially as the signal approaches the end. Forward exponentially decreases in amplitude as the signal approaches its end point.
TYPE 3 taps are dense and full. Use the longer tapped delay programs to add some expansiveness to short reverb patches. Use the longer tapped delays especially the Sloped algorithms to create a fundamental front end reverb.
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Table of contents
- 5 INTRODUCTION
- 6 GETTING STARTED
- 7 INSTALLATION
- 7 CONNECTIONS
- 7 POWER
- 7 OUTPUT
- 8 MIDI IN
- 8 MIDI OUT
- 8 MIDI THRU
- 8 PWR OUT
- 8 CONTROLS AND OPERATION
- 8 INPUT LEVEL INDICATORS
- 9 INPUT LEVEL CONTROL
- 9 OUTPUT LEVEL CONTROL
- 9 LIQUID CRYSTAL DISPLAY
- 10 CONTROL BUTTONS
- 10 FUNCTION BUTTONS
- 11 PRESET
- 12 PARAM
- 12 VALUE
- 12 BYPASS
- 13 EDIT MODE
- 13 EDIT MODE CONTROL BUTTONS
- 13 ENTER
- 13 RECALL
- 13 ADD EFFECT
- 15 STORE
- 16 REC/ARM
- 16 TRIGGER
- 16 TITLE EDIT
- 17 UTILITY
- 18 BYPASS LEVEL
- 18 REMOTE SWITCH
- 18 AUTO PM DISPLAY
- 19 LCD VIEW ANGLE
- 19 SOFTWARE VERSION LEVEL
- 19 PRESET MEMORY ALLOCATION
- 19 RECALL FACTORY PRESET
- 20 PRESET 1-115 LOCKED/UNLOCKED
- 20 MIDI ENABLE
- 20 MIDI CHANNEL
- 21 OMNI MODE
- 21 MIDI PROGRAM TABLE
- 21 FX ON/OFF ENABLE (USING X-15)
- 22 MIDI EVENT DATA MONITORING MODE
- 22 PRESS ENTER TO
- 22 PERFORMANCE MIDI
- 24 DESCRIPTION OF ALGORITHMS
- 24 SIGNAL FREQUENCY SHAPING ALGORITHMS
- 25 ACOUSTIC ENVIRONMENT SIMULATOR
- 25 LOW PASS FILTER
- 25 PITCH TRANSPOSER
- 26 DUAL PITCH TRANSPOSER
- 27 SWEPT OR MODULATED EFFECT ALGORITHMS
- 27 FLANGER
- 27 CHORUS
- 28 PANNER
- 28 MIDI-PAN
- 28 TREMOLO
- 29 PHASER
- 29 NATURAL REVERBERATION ALGORITHMS
- 29 REVERB
- 31 GATED REVERBERATION ALGORITHMS
- 31 GATE-VERB
- 32 DELAY ALGORITHMS
- 32 TAP'D-DDL-S
- 32 TAP'D-DDL-L
- 33 REGEN-DDL-S
- 33 REGEN-DDL-L
- 33 STEREO-DDL-S
- 34 STEREO-DDL-L
- 34 SAMPLER-S
- 34 SAMPLER-L
- 35 SAMPLER+PTr
- 36 TUNER
- 37 How to use the Tuner
- 38 MIDI DATA MONITOR
- 38 PERFORMANCE MIDI DATA MONITOR
- 38 MIDI EVENT MONITOR
- 41 MISCELLANEOUS INFORMATION
- 41 About the Presets
- 41 Battery Backup
- 41 Low Battery Indicator
- 41 Software Revision Level
- 41 User Registration Card
- 41 Factory Reset
- 42 Other Means of Bypassing the ALPHA
- 42 Contact Information
- 42 Customer Service
- 43 APPENDIX A
- 43 APPLICATIONS
- 44 APPENDIX B
- 44 EXAMPLES
- 44 Copying a preset
- 44 controls
- 44 Editing the MPT with a keyboard or external controller
- 45 Increment Program
- 45 preset
- 46 Programming the REMOTE jack for Incrementing Programs
- 46 Adding Performance MIDI to an existing preset
- 47 Controlling the Overall Level of an ALPHA 2.0 Preset
- 49 APPENDIX C
- 49 MULTIVERB ALPHA 2.0 MIDI Messages
- 49 System Exclusive Messages
- 50 Detailed Description of Messages
- 51 APPENDIX D
- 51 MIDI Implementation Chart
- 52 APPENDIX E
- 52 MIDI: Controllers & Numbers
- 53 Default MIDI Controller Numbers
- 54 APPENDIX F
- 54 DIAGRAMS
- 54 INSTRUMENT INTO MULTIVERB ALPHA 2.0 INTO TWO AMPLIFIERS
- 54 GUITAR INTO MULTIVERB ALPHA 2.0 CONTROLLED BY ART X
- 54 STEREO EFFECTS SEND AND RETURN WITH MULTIVERB ALPHA
- 55 APPENDIX G
- 55 Using the MULTIVERB ALPHA 2.0 With an X-15 ULTRAFOOT
- 56 SPECIFICATIONS
- 57 PRESET LIST
- 60 How to Read the Preset Description
- 60 Table of Effect Abbreviations
- 60 WARRANTY
- 60 SERVICE INFORMATION