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Timelapse Tab
Screen
KONA LHe Installation and Operation Manual — Using The KONA LHe
Output Timecode Offset (entry field and FPS pull-down)—this text entry field allows you to specify a timecode offset for use with Final Cut Pro (or any other application that has timecode offsets that are user-controlled). In FCP, go to “Timeline Options” and locate the
“Starting Timecode” value. Use that same value here as the “Output Timecode Offset” to ensure the timecode is synchronized.
47
Timecode Burn-in—this pulldown selects whether the timecode value is
“burned-in” on video output from KONA LHe. If set to “OFF”, timecode will not be keyed over the video. If set to “timecode”, then the timecode value will be keyed over the output video. This can be useful for synchronizing, choosing edit points, dailies, and many other purposes.
Note: SMPTE RP 188 defines a standard for the transmission of time code and control code in
1 transmitted in the ancillary data space as defined in ANSI/SMPTE 291M. Multiple codes can be transmitted within a single digital video data stream. Other time information, such as real time clock, DTTR tape timer information, and other user-defined information, may also be carried in the ancillary time code packet instead of time code. The actual information transmitted through the interface is identified by the coding of a distributed binary bit.
Equipment manufacturers can use the meta data for different purposes.
This Tabbed screen is used for the KONA LHe timelapse feature. To use the timelapse capability, choose the "Enable Timelapse Capture" checkbox. This functionality is enabled for all QuickTime capture applications (Final Cut Pro, VTR Xchange, etc.) Set the "Capture" and "For Interval" parameters as desired. Launch a capture application like Final Cut Pro, select the desired Easy
Setup for the video format desired. You will not need to change anything within the application; the timelapse feature will produce QuickTime files with the framerate specified by the Easy
Setup used. The resulting timelapse clip can be used without additional rendering.
KONA LHe Control Panel, Timelapse Tab
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Table of contents
- 7 Table of Contents
- 7 Overview
- 7 Features
- 8 KONA LHe Audio
- 8 Software
- 8 What’s In The Box?
- 10 System Requirements
- 10 Minimum and Recommended System and Software Requirements
- 11 Understanding Disk Storage Methods
- 11 About RAIDs
- 12 Software For Striping
- 12 Storage capacity
- 13 Cable Connections
- 13 Using the Breakout Cable and 3 BNCs
- 13 Using KL-box
- 14 About BNC Connectors
- 14 Connector Descriptions—Cables and KL-box
- 14 SDI Input and Outputs
- 15 2 Channel Digital AES/EBU Audio Inputs And Outputs
- 15 Analog 2 Channel Balanced Audio
- 15 Analog 2 Channel Unbalanced Audio (KL-box only)
- 15 RS422 Machine Control
- 15 Analog Monitor Out (Component/Composite HD/SD)
- 15 Reference Video
- 16 In This Manual
- 17 Chapter 2: Getting Started—WorkflowKONA LHe And Your Workflow
- 18 Understanding Typical Workflows
- 18 PhotoJPEG
- 18 DV (DV25)
- 18 DVCPRO HD
- 20 Apple ProRes 422 and Apple ProRes 422 HQ (SD or HD)
- 20 Uncompressed 8-bit
- 20 Uncompressed 10-bit
- 21 Mixing and Matching Formats in Final Cut
- 23 Installation Overview
- 23 Unpacking
- 23 Shipping Box Contents
- 25 Installing the KONA LHe Card in a Mac Pro
- 26 Installing the KONA LHe Card in a G
- 27 Cabling the System
- 27 System Video/Audio Cable Connections
- 27 System Cabling When Using The Breakout Cable
- 28 Typical System
- 29 Installing KONA LHe Software
- 29 Software Installation Procedure
- 33 Genlock and Your System
- 35 Final Cut Pro
- 35 Using The KONA LHe Control Panel
- 35 Control Panel Basics
- 39 Control Tab Screen
- 39 Control Tab Screen Settings
- 41 Formats Tab Screen
- 42 Format Screen Settings
- 43 Input Select Tab Screen
- 43 Input Screen Settings
- 44 Proc Amp Screen
- 45 SDI Output Screen
- 45 SDI Output Screen Settings
- 46 Analog Out Screen
- 46 Analog Out Screen Settings
- 47 Video Setup Screen
- 47 Setup Screen Settings
- 48 Audio Setup Screen
- 48 Audio Setup Screen Settings
- 49 Conversion Tab Screen
- 49 Conversion Tab Screen Settings
- 51 DS Keyer Screen
- 51 DS Keyer Screen Settings
- 52 Timecode Screen
- 52 Timecode Screen Settings
- 53 Timelapse Tab Screen
- 54 Info Screen
- 55 Saving Your Control Panel Presets
- 55 Who is Controlling KONA LHe?
- 56 QuickTime Application—1st Priority
- 56 Mac Desktop Video—2nd Priority
- 57 KONA Control Panel—3rd Priority
- 57 Control Recommendations
- 58 Using Multiple AJA Products
- 58 Notes on using multiple AJA Products
- 59 Easy Setups for Typical Uses
- 59 Easy Setups Menu
- 61 Easy Setups For Use With KONA LHe
- 61 Audio/Video Settings Menu
- 62 To Create A New Easy Setup
- 63 The Sequence Presets Window
- 69 Checking the System with a Simple Test Project of Bars and Tone
- 72 Using 8-bit Versus 10-bit Video
- 73 If You Run Into Problems
- 74 Updating Software
- 74 Support
- 75 Apple Resources