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KONA LHe Installation and Operation Manual — Using The KONA LHe
51
1
When the Finder is in control of the KONA board, the KONA Control Panel disables the Primary
Format popup and puts a message in the KONA Control Panel “Formats” tab as follows:
KONA Control Panel—3rd Priority
If a QuickTime application is not running and the Default Video Output is not set to Mac Desktop, then the KONA LHe Control Panel gets control of the board.
Control Recommendations
To avoid surprises, run the KONA LHe Control Panel, keep it visible on the desktop—and stay consistent in your settings within all QuickTime applications when working on a project. For example, if you’re working in a particular format (e.g. 525i29.97), it would make sense to set Final
Cut Pro for 525i29.97, the Mac Desktop size to 720x486, and the KONA Control Panel for
525i29.97. Then, when you switch between applications, the output will stay in the same format.
Having the Control Panel running and visible helps because you can always check and see what the board is doing and who has control of it—even when the Control Panel is running in the background.
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Table of contents
- 7 Table of Contents
- 7 Overview
- 7 Features
- 8 KONA LHe Audio
- 8 Software
- 8 What’s In The Box?
- 10 System Requirements
- 10 Minimum and Recommended System and Software Requirements
- 11 Understanding Disk Storage Methods
- 11 About RAIDs
- 12 Software For Striping
- 12 Storage capacity
- 13 Cable Connections
- 13 Using the Breakout Cable and 3 BNCs
- 13 Using KL-box
- 14 About BNC Connectors
- 14 Connector Descriptions—Cables and KL-box
- 14 SDI Input and Outputs
- 15 2 Channel Digital AES/EBU Audio Inputs And Outputs
- 15 Analog 2 Channel Balanced Audio
- 15 Analog 2 Channel Unbalanced Audio (KL-box only)
- 15 RS422 Machine Control
- 15 Analog Monitor Out (Component/Composite HD/SD)
- 15 Reference Video
- 16 In This Manual
- 17 Chapter 2: Getting Started—WorkflowKONA LHe And Your Workflow
- 18 Understanding Typical Workflows
- 18 PhotoJPEG
- 18 DV (DV25)
- 18 DVCPRO HD
- 20 Apple ProRes 422 and Apple ProRes 422 HQ (SD or HD)
- 20 Uncompressed 8-bit
- 20 Uncompressed 10-bit
- 21 Mixing and Matching Formats in Final Cut
- 23 Installation Overview
- 23 Unpacking
- 23 Shipping Box Contents
- 25 Installing the KONA LHe Card in a Mac Pro
- 26 Installing the KONA LHe Card in a G
- 27 Cabling the System
- 27 System Video/Audio Cable Connections
- 27 System Cabling When Using The Breakout Cable
- 28 Typical System
- 29 Installing KONA LHe Software
- 29 Software Installation Procedure
- 33 Genlock and Your System
- 35 Final Cut Pro
- 35 Using The KONA LHe Control Panel
- 35 Control Panel Basics
- 39 Control Tab Screen
- 39 Control Tab Screen Settings
- 41 Formats Tab Screen
- 42 Format Screen Settings
- 43 Input Select Tab Screen
- 43 Input Screen Settings
- 44 Proc Amp Screen
- 45 SDI Output Screen
- 45 SDI Output Screen Settings
- 46 Analog Out Screen
- 46 Analog Out Screen Settings
- 47 Video Setup Screen
- 47 Setup Screen Settings
- 48 Audio Setup Screen
- 48 Audio Setup Screen Settings
- 49 Conversion Tab Screen
- 49 Conversion Tab Screen Settings
- 51 DS Keyer Screen
- 51 DS Keyer Screen Settings
- 52 Timecode Screen
- 52 Timecode Screen Settings
- 53 Timelapse Tab Screen
- 54 Info Screen
- 55 Saving Your Control Panel Presets
- 55 Who is Controlling KONA LHe?
- 56 QuickTime Application—1st Priority
- 56 Mac Desktop Video—2nd Priority
- 57 KONA Control Panel—3rd Priority
- 57 Control Recommendations
- 58 Using Multiple AJA Products
- 58 Notes on using multiple AJA Products
- 59 Easy Setups for Typical Uses
- 59 Easy Setups Menu
- 61 Easy Setups For Use With KONA LHe
- 61 Audio/Video Settings Menu
- 62 To Create A New Easy Setup
- 63 The Sequence Presets Window
- 69 Checking the System with a Simple Test Project of Bars and Tone
- 72 Using 8-bit Versus 10-bit Video
- 73 If You Run Into Problems
- 74 Updating Software
- 74 Support
- 75 Apple Resources