Chapter 4: Pro Tools Windows. Avid Pro Tools HD 6.9, Pro Tools LE 6.9

Add to My manuals
713 Pages

advertisement

Chapter 4: Pro Tools Windows. Avid Pro Tools HD 6.9, Pro Tools LE 6.9 | Manualzz

Chapter 4: Pro Tools Windows

Pro Tools provides two complementary ways of viewing a session: the Mix window and the Edit window. Pro Tools also lets you control the transport and transport-related functions in the

Transport window.

For information on the main elements of the

Mix window and Edit window, see the page ref-

erences provided in Figure 3 on page 22, and

Figure 4 on page 23.

The Mix Window

In the Mix window, tracks appear as mixer strips

(or channel strips), with controls for inserts, sends, input and output assignments, volume, panning, record enable, automation mode, and solo/mute. The following section explains each of these track controls.

To display the Pro Tools comments, inserts, sends, and Delay Compensation, select Display

> Mix Window Shows > All. You can choose to display all of these items, or some of them.

To toggle between the Mix and Edit windows: On Windows, press Control+Equals

(=); On Macintosh, press Command+Equals (=).

The Edit Window

The Edit window provides a timeline display of audio, as well as MIDI data and mixer automation for recording, editing and arranging tracks.

As in the Mix window, each track has controls for record enable, solo, mute and automation mode.

Systems with Pro Tools AVoption|V10 installed also provide a timeline display of the movie track.

To display the input/output controls, inserts, sends, and comments in the Edit window, select

Display > Edit Window Shows > All. You can choose to display all of these items, or some of them.

Chapter 4: Pro Tools Windows 21

Stereo

Audio Track

(page 87)

Send with

Send Controls

(page 455)

Plug-In Insert

(page 475)

MIDI

Track

(page 87)

Show/Hide

Tracks List

(page 96)

Automation

Mode Selector

(page 499)

Output Window button

(page 453)

Group ID

Indicator

Voice Selector

(page 101)

Mix Groups

List

(page 113)

AutoMatch

Indicator

(page 505)

Delay

Compensation

View (page 92)

Track Position

Number

(page 94)

Track Name

(page 94)

Track Color

Coding

(page 110)

Mono

Audio Track

(page 87)

Auxiliary

Input

(page 87)

Master

Fader

(page 87)

Inserts

View

(page 450)

Sends

View

(page 457)

I/O View

(page 90)

Channel Pan

(page 90)

Track

Controls

(page 24)

Channel

Volume

(page 90)

Level Meter

(page 91)

MIDI Track

Program button

(page 406)

Track

Comments

View

(page 92)

Figure 3. Pro Tools Mix window

22 Pro Tools Reference Guide

Edit Mode buttons

(page 232)

Tab to

Transients

(page 265)

Timebase

Rulers

(page 240)

Show/Hide

Tracks List

(page 96)

Timebase

Selector

(page 243)

Audio Track

(page 87)

Track View

Selector

(page 215)

Timeline Selections

(page 256)

Zoom buttons

(page 235)

Commands Focus (page 30)

Graphic Tempo

Editor

(page 331)

Edit tools

(page 24)

Location Indicators

(page 24)

Grid and

Nudge Values

(page 24)

Event Edit Area

(page 24)

Transport Controls

(page 24)

Timeline

Edit Groups

List

(page 113)

MIDI Track

(page 88)

MIDI Velocity View

(page 399)

Selected Region

(page 258)

MIDI Notes View

(page 221)

MIDI Regions List

(page 228)

Audio

Regions

List

(page 228)

Volume

Automation

View

(page 215)

Audio

Waveform

View

(page 215)

Figure 4. Pro Tools Edit window

Chapter 4: Pro Tools Windows 23

Track Controls

Automation Mode Selector (page 499)

Record Enable button (page 146)

TrackInput button (page 149)

Mute Button(page 108)

Solo button (page 105)

Mix window controls for audio and MIDI tracks, wide view

Record Enable button

(page 146)

Track Name (page 94)

Playlist Selector (page 224)

TrackInput button (page 149)

Solo button (page 105)

Mute button (page 108)

Track Height Selector (page 217)

Voice Selector

Automation Mode Selector

(page 499)

Track View Selector (page 215)

Timebase Selector (page 243)

Edit window track controls, medium track height

Edit Tools

Trimmer

(page 281)

Selector

(page 247)

Grabber

(page 260)

Scrubber

(page 254)

Event Edit Area

The Event Edit Area provides time, pitch, and other information for the currently selected audio or MIDI data. It also lets you define selections using a key entry.

The Start, End, and Length display can be set for a different Time Scale format (such as Samples,

Bars:Beats, or Minutes:Seconds). For more infor-

mation, see “Main Time Scale” on page 241.

Selection

Indicators

(page 25)

Note

Attributes

(page 401)

Pitch

Attack

Velocity

Release

Velocity

Event Edit Area showing MIDI track information

(with a MIDI note selected in the Edit window)

Selection

Indicators

(page 25)

Event Edit Area (with no MIDI note selected)

Location Indicators, Grid/Nudge

Values, Current Cursor Display

The Location Indicators, Grid and Nudge values, and timeline Cursor Location display provide navigation and editing options.

Zoomer

(page 235)

Smart Tool

(page 300)

Edit tools in Edit window

Pencil

(page 299 & page 393)

24 Pro Tools Reference Guide

The Main and Sub display can be set for a different Time Scale format (such as Samples,

Bars:Beats, or Minutes:Seconds). For more infor-

mation, see “Main Time Scale” on page 241.

Location Indicators (page 250)

Cursor Location

(page 247)

Grid value

(page 287)

Nudge value

(page 289)

Edit window display showing MIDI track information

The Transport Window

Cursor value

(page 247)

The Transport window can be set to show basic transport controls, counters, and MIDI controls.

The counters in the Transport window mirror the Location Indicators at the top of the Edit window.

Basic Transport Controls and

Counters

Return to Zero

Online

Rewind

Stop

Play

Record Status LED

Fast Forward

Go to End

Record

Pre-Roll

Post-Roll

Transport Master Start, End, and Length for Timeline Selection

Input Status LED

Transport window showing basic transport controls and counters

Online Puts Pro Tools online so that playback and recording is triggered by an external time code source.

Return to Zero Locates to the beginning of the session.

Rewind Rewinds from the current play location.

You can also click repeatedly to rewind incrementally, by an amount based on the Main

Time Scale, as follows:

Rewind Increments

Main Time Scale Format Increment Amount

Min:Sec

Time code

1 second

1 frame

(Pro Tools TDM or

DV Toolkit for Pro Tools LE)

Bars:Beats

Feet+Frame

1 bar

1 foot

(Pro Tools TDM or

DV Toolkit for Pro Tools LE)

Sample 1 second

With the Numeric Keypad Mode set to

Transport, you can rewind by pressing 1.

Stop Stops playback or recording.

You can also stop the Transport with the following shortcuts:

• Press the Spacebar.

• With Numeric Keypad Mode set to Transport, press 0.

Chapter 4: Pro Tools Windows 25

Play Starts playback or (if the Record button was clicked first) recording from the Timeline insertion point.

With the Transport stopped, Right-click Play

(Windows) or Control-click Play (Macintosh) to toggle Loop Playback mode. When enabled, a loop symbol appears in the Play button.

You can also initiate playback with the following shortcuts:

• Press the Spacebar.

• With the Numeric Keypad Mode set to

Transport, press 0.

You can play at half-speed with the following shortcuts:

• Press Shift+Spacebar.

• Shift-click (Macintosh) the Play button.

Fast Forward Fast forwards from the Timeline insertion point. You can also click repeatedly to fast forward incrementally (by an amount based on the Main Time Scale).

Fast Forward Increments

Main Time Scale Format Increment Amount

Min:Sec

Time code

1 second

1 frame

(Pro Tools TDM or

DV Toolkit for Pro Tools LE)

Bars:Beats

Feet+Frame

1 bar

1 foot

(Pro Tools TDM or

DV Toolkit for Pro Tools LE)

Sample 1 second

Go to End Locates to the end of the session.

You can press Control+Enter (Windows) or

Option+Return (Macintosh) on the

QWERTY keyboard to locate to the end of the session.

Record Arms Pro Tools for recording (the button flashes). Clicking Play then initiates recording.

With the Transport stopped, Right-click Record

(Windows) or Control-click Record (Macintosh) to cycle through the four record modes. The

Record button changes to indicate the currently selected mode: blank for Nondestructive, “D” for Destructive, a loop symbol for Loop Record, and “P” for QuickPunch.

You can also begin recording with the following shortcuts:

• Press F12.

• Control+Spacebar (Windows) or press

Command+Spacebar (Macintosh).

• With the Numeric Keypad Mode set to

Transport, press 3.

To initiate recording at half-speed, press

Control+Shift+Spacebar (Windows) or

Command+Shift+Spacebar (Macintosh).

Record Status LED When lit (red), indicates that at least one audio track is currently record-enabled. When off (grey), no tracks are currently record-enabled.

Input Status LED When lit (green), indicates that at least one audio track is currently set to

Input Only monitoring (regardless of record enable status). When off (grey), all tracks are in

Auto Input monitoring.

With Numeric Keypad Mode set to Transport, you can fast forward by pressing 2.

26 Pro Tools Reference Guide

Pre-Roll During playback or record, specifies the amount that plays before the play (timeline) cursor location or beginning of the timeline selection. Pre-roll is particularly useful with punch recording since it provides you with time to

“catch the beat” before reaching the punch-in point. To set the pre-roll amount, enter a new value in this field, or drag the Pre-Roll flag in the

Main Timebase Ruler.

To enable pre-roll, click the Pre-Roll button to the left of the pre-roll field so it becomes highlighted.

Post-Roll During playback or record, specifies the amount that plays after the end of a timeline selection. Post-roll is useful in punch recording since playback continues after the punch-out point so you can check for a smooth transition to previously recorded material. To set the postroll amount, enter a new value in this field, or drag the Post-Roll flag in the Main Timebase

Ruler.

To enable post-roll, click the Post-Roll button to the left of the post-roll field so it becomes highlighted.

Start Specifies the beginning of the play or record range. You can set the start point by entering a location in this field, or by dragging the corresponding Playback Marker in the Main

Timebase Ruler. For more information, see

“Playback Markers” on page 174.

End Specifies the end of the play or record range.

You can set the end point by entering a location in this field, or by dragging the corresponding

Playback Marker in the Main Timebase Ruler.

For more information, see “Playback Markers” on page 174.

Length Specifies the length for the play or record range. You can set the length by entering a location in this field, or by selecting a range in any

Timebase Ruler.

When the Edit and Timeline selections are linked, you can drag in a track’s playlist to

set the play and record range. See “Linking or Unlinking Edit and Timeline Selections” on page 256

Transport Master Selector Specifies the “master” for transport functions and provides a control to take enabled devices offline.

To set a Transport Master:

1 Click the Transport Master selector, click the

Transport pop-up menu, and select a Transport

Master: Pro Tools, Machine, MMC (MIDI Machine Control), or Remote.

To take a device offline:

1 Click the Transport Master selector, click the

Online pop-up menu, and uncheck the device

(MIDI or Machine). Device choices depend on the current Transport Master, and which devices have been set up in Pro Tools.

To bring the device back online, recheck it in the Online pop-up menu.

If you are using an MMC device, see

Chapter 35, “Working with Synchronization.”

If you are using the Digidesign Machine-

Control option, see the MachineControl

Guide.

Chapter 4: Pro Tools Windows 27

MIDI Controls

Conductor

Wait for Note

Countoff

Click

MIDI Merge

Meter

Tempo

Beat Value pop-up menu

Tempo slider

Transport window showing MIDI controls

Wait for Note When selected, recording does not begin until a MIDI event is received. This ensures that you begin recording when you’re ready to play, and that the first note, or other

MIDI data, is recorded precisely at the beginning of the record range.

You can press F11 to turn on Wait for Note, unless the Operation preference for “Disable F11 for Wait for Note” is selected.

Click When selected, a metronome sounds during playback and recording (as specified by the settings in the Click/Countoff Options dialog).

Double-click the Click button to open the

Click/Countoff Options dialog.

With the Numeric Keypad Mode set to

Transport, you can press 7 to enable the

Click.

Countoff When selected, Pro Tools counts off a specified number of measures (indicated in the button) before playback or recording begins.

Double-click the Countoff button, to open the

Click/Countoff Options dialog.

With the Numeric Keypad Mode set to

Transport, you can press 8 to enable the

Countoff.

MIDI Merge When selected (Merge mode), recorded MIDI data is merged with existing track material. When deselected (Replace mode), recorded MIDI data replaces existing track material.

With the Numeric Keypad Mode set to

Transport, you can press 9 to enable MIDI

Merge.

Conductor When selected, Pro Tools uses the tempo map defined in the Tempo Ruler. When deselected, Pro Tools switches to Manual Tempo mode and ignores the Tempo Track.

In Manual Tempo mode, you can enter a BPM value in the tempo field, or tap in the tempo by clicking the Tap button.

Meter Displays the session’s current meter based on the play location. Double-click the Meter button to open the Change Meter window.

Tempo Displays the session’s current tempo based on the play location. In Manual Tempo mode, you can enter a BPM value into this field.

In addition, when the tempo field is selected, you can tap in a tempo from a MIDI controller.

28 Pro Tools Reference Guide

advertisement

Key Features

  • Record, edit, mix, and master audio projects with ease
  • Create professional-quality audio content
  • Work with up to 32 tracks of audio
  • Use a variety of powerful editing tools
  • Mix your tracks with precision using the built-in mixer
  • Master your tracks to perfection using the included mastering tools

Related manuals

Frequently Answers and Questions

What's the difference between Pro Tools LE and Pro Tools HD?
Pro Tools HD is a more powerful version of Pro Tools that supports more tracks, higher sample rates, and more advanced features. It's designed for professional recording studios and post-production facilities.
Can I use Pro Tools LE to record live performances?
Yes, you can use Pro Tools LE to record live performances. However, you may need to purchase additional hardware, such as an audio interface, to connect your instruments and microphones to your computer.
Can I use Pro Tools LE to edit and mix audio for video projects?
Yes, you can use Pro Tools LE to edit and mix audio for video projects. However, you may need to purchase additional software, such as a video editing program, to edit the video itself.

advertisement

Table of contents