Figure 26 Stage Screen (Rem Dim). Electronics Diversified BIJOU 2.11, BIJOU Ver. 2.11

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Figure 26 Stage Screen (Rem Dim). Electronics Diversified BIJOU 2.11, BIJOU Ver. 2.11 | Manualzz

Figure 26 Stage Screen (Rem Dim)

Figure 27 Cue List with different Cue types line read ‘ALL AT’ then press [At] [0] [Enter]. If you wish to set them all to a level other than 0% just insert a level after the [At] key and all 512 channels will go to the new level.

[Enter] [At] can also be used with the Encoder wheel to adjust the overall level of a cue. Or you can use this function to set all of the channels to the same level.

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The Remainder Dim function is used when you want to start setting a Cue from ‘scratch’ but using the [Load] [Enter] function would cause a safety problem or distract the performers as it plunges them into darkness. The Remainder

Dim function allows you to enter levels for a select number of channels using the record sequence discussed above but after you press [At] to set the levels for those channels and before you press [Enter] to record the cue you press [F2]

Rem Dim which takes all of the other channels that are up in the preset to 0% or off.

NOTE: The Rem Dim function has no affect on the output of

Channel/fader handles, Submasters or Effects which you may have running.

To see how this works [Load] cue [2] [Enter] and fade into it. Now set levels for Channels 76-80 at a level of 55% with the Remainder Dim. To do this press:

[7] [6] [Thru] [8] [0] [At] [5] [5] [F2] [Enter]

You will now see that every channel except 76-80 has a brown level of 0. If this is what you wanted you would continue on setting levels for additional channels prior to recording your new cue to memory.

In the cross fader information window of the STAGE and

PREVIEW screens you a window labeled Type. It is possible to run five different types of cues on the Bijou. These include:

Preset is the default operations mode of the console and is the easiest to operate under. In Preset mode no channel level is recorded into a cue (preset) unless you have physically set it to an output on stage. It is the digital equal to manual 1 Scene operation where after each cue you take all faders down to 0% and then reset all of them to new levels for the next cue. In this mode if the Channel/fader isn’t UP and active the channels isn’t UP.

Tracking works differently, in this mode if you had a channel on in a previous cue and in cues that follow, you do not give that channel a new level, the console uses the last level for that channel for each new preset until you physically change that channels level. This would be like working in 1

Scene manual operation but instead of taking all of the

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